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#we as a society need to talk about this scene more
katnissgirlsmakedo · 5 months
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crazy things happening in redacted land. horrific era remember i can’t speak about it directly i can only make vague hints and sort of make little jokes and jests. i don’t know how i’ll ever get my fyp back to normal when all this is over for me wow. oh well that’s a problem for another day. anyway. crazyyyy things happening in redacted land!!!
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magnetothemagnificent · 10 months
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The world is so hostile to tweens.....
Like we joke about how our schools growing up would ban the latest toy trends, but that reality genuinely horrific when you think about it. Like maybe 1% of the bans were based on safety, but the rest cited reasoning like
-"kids were bartering for collectibles" (kids learning about economics and product value)
-"kids were wearing them and the colors were too flashy" (kids experimenting with self expression and fashion)
-"kids were playing with them during lunch and recess instead of using our rusted safety hazard playground" (kids utilizing their free time to do what helps *them* unwind).
Play areas specifically geared towards children and especially towards teens are constantly being shut down. "Oh kids today are always on their phones!" Maybe because
-there are barely any arcades left and even less arcades that aren't adult-oriented,
-public pools and gyms are underfunded and shut down,
-"no loitering" laws prevent kids and teens from just hanging out,
-movie theatres only play the latest films and ticket prices are only rising,
-parks and playgrounds are either neglected or replaced with gear only directed at toddlers and unsuitable for anyone older
-genuine children's and young teen media is being phased out in favour of media directed only at very small children or older teens and adults.
-suburbs and even cities are becoming more and more hostile to pedestrians, it's just not safe for kids to walk to or ride their bikes to their friends' houses or other play destinations
Children's agency is hardly ever respected. Kids between the ages of 9-13 are either treated as babies or as full-grown adults, with no in-between. When they ask to be given more independence, they are either scoffed at or given more responsibilities than are reasonable for a child their age.
This is even evident in the fashion scene.
Clothing stores and brands like Justice and Gap are either closing or rebranding to either exclusively adult clothing or young children's clothes, with no middle ground for tweens. Tweens have to choose between clothes designed for adults that are too large and/or too mature for their age and bodies, or more clothes they feel are far too childish. For tween girls especially it's either a frilly pinafore dress with pigtails or a woman's size dress with cleavage. No wonder tween girls these days dress like they're older, it's because their other option is little girl clothes and they don't want to feel childish.
And then when tweens go to school, the books they want to read aren't available because they cover "mature" topics (read: oh no two people kissed and they weren't straight or oh no menstruation was mentioned or oh no a religion other than Christianity is depicted), so kids are left with books for way below their reading level. No wonder kids today are struggling with literacy, it's because they can't exercise and expand their reading skills with age-appropriate books. Readers need to be challenged with new words and concepts in order to grow in their skills, only letting tween read Dr. Seuss and nursery rhymes doesn't let them learn.
Discussions about substance use, reproduction, and sexuality aren't taught at an age-appropriate level in school or even by children's parents, so they either grow up ignorant and more vulnerable to abuse, or they seek out information elsewhere that is delivered in a less-than-age-appropriate manner. It shouldn't be a coin-toss between "I didn't know what sex was until I was 18 and in college" or "my first exposure to sex as a tween was through porn" or "I didn't know what sex was so I didn't know I was being sexually abused as a kid."
Tweenhood is already such a volatile and confusing time for kids, their bodies are changing and they're transitioning from elementary to middle to high school. It's hard enough for them in this stage, but it's made worse by how society devalues and fails them.
We talk about the disappearance of teenagehood, and maybe that's gonna happen in the future, but the erasure of tweenhood is happing in real time, and it's having and going to have major consequences for next generation's adults.
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igotanidea · 4 months
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Not enough: Anthony Bridgerton x reader
(Part 2 to too much)
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„I am so terribly sorry for the inconvenience I might have brought on you with my sudden appearance-” she started while walking inside the place of her destination or, to put it more bluntly, after fleeting from her own house upon not-so-subtle fight with her still-husband.
„Y/n! Nonsense my dear, your presence is always welcomed here.” she heard in response and for the first time since the argument she managed to look into the eyes of another person as well as take in the scene in front of her.
Oh dear lord!
Her timing couldn’t be more wrong.
Apparently the only person who was missing from the widow viscountess Bridgerton household was the queen herself, since not only the lady of the house alongside with all her unmarried daughters were enjoying the afternoon tea, but - to Y/N’s very well hidden terror - the duchess and lady Danburry were present as well.
„duchess.” Y/N bowed in the most polite manner she could even though her knees were shaking „lady Danburry.”
Act like nothing happened.
Behave like a lady and not like a little kid, who came her to pour all her worries and tell on her husband who happened to be mean. The last thing she needed was for everyone to talk about her nervousness and giddiness. None of those ladies would be easily fooled and most definitely not lady Danburry with her nosy nature and piercing gaze.
The point was to visit her favourite sister-in-law Eloise who- luckily - were free of any marriage troubles and gain some perspective but that scenario flew away with the gentle summer breeze faster than Y/N could think.
And now she would be kindly invited to join the tea and the respect for widower viscountess alongside with the obligation to the higher positioned duchess (even if family) would forbid her from declining.
„Y/N.” Daphne sent her that tiny, quite shy smile that didn’t calm the nerves even in the slightest. Yes, the duchess was one of the most polite and subtle person in the society, but she was also happily married with another baby on the way.
„Viscountess Bridgerton.” the oldest, lady Danburry on the opposite was known from her sharp tongue and straightforward attitude. That one did not pull her punches.
„My dearest Y/N.” Violet Bridgerton, the mother in law stood up from her place and hugged the girl close. Obviously she was the most open one with her emotions. And the simple warm welcome made Y/n feel a bit strengthened to the point when she even gave a little smile. Tiniest, but honest and still visible.
„Is Anthony with you my dear?’
„Unfortunately my husband is absorbed with the matter of the household today.” Y/N explained, taking a seat next to Violet. „I was rather confused with all the men’s affairs, which brought me here.”
„confused?” Eloise, of whose presence everyone seemed to forget scoffed from her book „You are way smarter that Anthony is, Y/n!”
„Eloise!” her mother friendly scolded her second daughter
„It’s true mama!”
„Even though-’
„Did you come baring notices by any chance, viscountess?" lady Agatha cut into the family exchange innocently taking a sip of her tea, those sharp eyes of a predator glistening
„Notices?”
„Yes viscountess, notices. It;s been a fair amount of time since the marriage, surely something should happen soon between two people who are lucky enough to be in love as much as yo and the viscount?”
Oh...
Oh, she meant that kind of notices.
„May this be so, Y/n?” Daphne asked seeming uncharacteristically brisk. „shall we expect?”
„I certainly hope she won’t be burdened with the heir to the title any time soon--”
‘Eloise!”
„Is it the only purpose of a woman to be obedient to a man and give him children?!”
All the four older woman in the room went quiet and Eloise realised she might have had said a little bit too much. Not only for the lady but in general.
„I suppose our dearest Y/N would love to become a mother and bless us with the little boy or girl, am I correct?”
Of course I would love to, Violet.
I would love to.
Unfortunately so it happens your oldest son refuses to even speak or look at me, let alone performing his so-called marital duty. Which is even more tragic, since I became one to him. Here is the essence of my existence - forever being reminded of the burden I put on his shoulder with storming into his life.
Obviously those thoughts were something the newest viscountess Bridgerton could not form out loud.
„I shall send the regards to my husband ladies. Certainly will not omit to inform him of the expectation placed upon us both.” was the only thing she managed to say with confidence before her voice broke and she covered the sudden wavering by reaching for the sweet placed on the nearby platter.
„Oh my dearest Y/N, it’s no obligation!” Violet seemed quite hurt by the words spoken by her daughter-in-law „Regardless - a child is always a miracle that-”
„Maybe Y/N wouldn’t have to worry about it, if Anthony were taking more interest in her rather than spending time with Benny and Colin.”
„Eloise!”
„It’s just a simple observation! Benedict and Colin are still bachelors, even though the ladies of kind are sharpening their claws for them both, considering the fact the viscountess title is not longer available. Nonetheless, neither of them seem to be interested in taking in marriage-”
‘Eloise!” Violet called upon her daughter once more
„Perhaps if they weren’t spending their times in the club, effectively convincing Anthony to go with them--”
‘Enough, young lady!”
„But-”
„Enough Eloise.”
Y/N went pale at all the words spoken. Not because of their truthfulness, but due to the fact that the word already got out. This was a calamity she was trying her best to cover up and now her favourite member of the family announced them to the world, not thinking about the possible consequences of aforementioned action.
„Y/N, are you quite all right?” Daphne was the first one to take some action „that sudden pallor cannot be good for you. Shall we take a walk?”
Naturally the little stroll around the room will be something to make her feel better. Luckily the most perceptive Eloise noticed the torpid expression on the viscountess face and, not giving her sister any chance to press the matter further, vigorously explained that Daphne certainty meant an actual promenade outside on the manor grounds and that was something y/n was more than delighted to engage in.
Presenting a perfect opportunity to actually indulge in a meaningful conversation not regarding children and submission due to a woman.
***
On the other side of the city Anthony didn’t even notice his wife’s actual absence.
How could he, when she was always present and vivid in his mind, leaving him with her image in front of his eyes even when she was away from him.
Y/N’s face and silhouette, her smile and her resonant, joyful laughter were forever carved in his mind, ever since the day she laughed at him at the lake upon their first meeting, through the first moment of stolen forbidden intimacy, up to the moment looked into her eyes while vowing to love and to cherish her.
His beautiful bride.
His beautiful wife.
Strong willed, hot headed, always having an opinion of her own and doing things her own way, capable to charm everyone with the cheerful character and most natural humor and intelligence.
All the traits that could not be bought by any of the obedient, quiet and shy ladies from high society.
All the traits that put him under her spell and made him want to spend the rest of his life with Y/n.
Only with her.
And he didn’t want to fight, he wanted the same kind of marriage his own parents were joyful to share.
It was all so perfect, until the moment those bright memories got covered with storm clouds of how he behave towards her.  
Not that the viscount gave them much thoughts, too lost in his own meaningless settlements that were not due till the fore-coming month.
It was easier this way.
Forgetting about all the words he said int he moment of anger and of fear (if not mere terror) of his own emotions.
Emotions that, unfortunately, refused to be closed in a hard shell of harsh, obsessive behaviour and being ignored.
Once let out, they wanted to run free.
And oh, so they did, causing the viscount to feel dizzy and giving him palpitations.
All the marriages had their bad moments.
It was impossible to continue for years keeping the same flame that started years ago.
The wife was supposed to be obedient and comply with her husband wishes, especially not bothering him with her presence and whimsical needs or fairy-tell beliefs.
A lady was a diamond in the crown but a wife became a part of the estate, of the livestock. Forever in her husband’s hand to rule.
He was the the man.
He was the viscount and before he met her she was just another long-forgotten by admirers débutante desperate to--
No.
No this was not true and as much as it would be comfortable for Anthony to dwell in all those thoughts, his heart was still in the right place giving him a very clear signal it was time to stop justifying his previous action. Those were the foundation for a very unstable and fragile house that could be blown away easily.
Maybe it wasn’t that his emotions were too much. Maybe it was that his heart capacity was not enough to contain the amount of affection he held for his one and only.
His Y/N.
And he couldn’t have that.
He had to find her wherever she might have been.
He had to fight for her and make it all right.
Even if that meant getting back on his knees, making a scene straight out of those unrealistic romance novels ladies loved and putting it into practice.
„Where on earth is my wife?!” he yelled to the servants, opening the door to his office, his voice loud enough to make the walls shake.
I’m coming for you, my viscountess.
My love.
***
It's not over yet!
Edit: part 3 : almost there
@pietrawebster @chrissisheadisinclouds @fuzzym4m4
@gloomysel @urfavnoirette @dd122004dd @milkbummm
@bevstofu @taniasethi @syraxnyra @cat-lockwood @pr3ttyfac3jaelyn
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bliss-in-the-void · 7 months
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No bc Satoru has this whole hallucination-dream-limbo sequence where he’s talking to Suguru about how he wanted to give Sukuna his all to get through to him and show him how he understood his loneliness only to have Suguru go “…you’re making me jealous.”
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As an author, what Gege did here is genius because that is such a loaded statement to make in response to Satoru processing his fight with Sukuna. It can mean so many different things and we, the audience, are free to interpret exactly how Suguru meant it.
On one hand, you can say he said he was jealous because he wanted to be the one Satoru fought with all his might. He wanted to be as strong as Satoru, to match him in prowess, and hearing that Sukuna was the one to do it instead made him jealous.
On the other hand, you can say that he said he was jealous because Satoru recognized that Sukuna was lonely and wanted to get through to him, something that he was too late to recognize in Suguru when he was descending into madness, and that in turn made Suguru jealous because it was as if Satoru was saying “I recognized the loneliness in him and wanted to do something about it” when he failed to do that same thing with Suguru.
I personally interpret it the second way more (the first one is very valid, but I just see things the second way), because of the next lines.
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He made Suguru cry. While laughing. Once again, holy shit is that such a loaded scene. What did Suguru’s tears mean? We have never seen him cry before. Not when Riko died, not at any point when he was losing his mind, not even when he died by Satoru’s hand. So why, when Satoru said he wished Suguru was there to wish him luck before he fought, did he finally get brought to such strong emotion that he cried?
Was it because he was happy to hear that Satoru still thought of him, even in his final moments?
Was it because after all these years, Satoru never thought ill of him and pictured him there beside him, and he was relieved?
Was it because he regretted making the choices he did that led to him not being there by Satoru’s side?
Or, in a very indirect way, was it an admission of love from Satoru that made Suguru happy?
I wonder that, because of these panels from Chapter 238:
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Kashimo asked Sukuna, “if you’re so satisfied being alone, why did you refuse to die and turn yourself into cursed fingers?”
Sukuna’s response is, “Love is worthless. I’ve never needed anyone to satisfy me.”
Which is a directly opposing statement to the one that Satoru had just made to Suguru.
Sukuna: I only have to worry about myself and I get to do as I please. I am satisfied by myself. I don’t need love.
Satoru: I worried about everyone else my entire life and I was controlled by the society. I was not satisfied, but I would have been if you had been there with me, Suguru.
That. Is. Powerful. Those panels imply that love is what made Satoru weak. He did not feel complete because he didn’t have Suguru. He had all of the power in the world, he had status, he had students that depended on him, other friends even, and he still was not satisfied because Suguru wasn’t there.
Sukuna on the other hand recognized how detrimental love was because of what it did to people, how it made them weak, and he decided he didn’t need it.
Those panels were such an indirect-direct conversation between Satoru and Suguru.
Essentially, they were saying:
Suguru: You fought with all of your might and I wish that you recognized my loneliness so that I could have been there with you
Satoru: I was at the peak of my power and I had the weight of the world on my shoulders, and I was allowed to go all-out to fight yet I just wanted you to be there with me
It’s just. Ugh. They’re saying they want each other in the most infuriatingly roundabout way.
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redstarwriting · 11 months
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the clash | viii. love you to death
hobie brown x goth!reader
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word count: 4.2k
genre: enemies to lovers
warnings: language, insults, venom hating hobie, anxious and sad hobie, panic attacks, fight scene, injuries, lots of injuries, angst with fluff and then some more angst and then fluff again, mentions of blood, broken bones
a/n: y’all.... this one was so fun HAHA i’ve been seeing scenes from this part play out in my head ever since i thought of the plot so it was so so SO fun putting it into actual words. we’re getting closer to the end now, and i am so grateful for everyone who decided they wanted to read this lil story i thought up 🖤 i hope you enjoy!
previous chapter: vii. i wanna be sedated
now reading: viii. love you to death
next chapter: ix. last caress
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“Uh, Hobie… the hell is happening right now,” Miles asks, but Hobie stays silent. He’s trying so hard not to freak out. It’s taking everything in him to not give in to his emotions. He clenches his fists. “Let ‘em go,” he demands, and Venom laughs. “I don’t think so. I like this body more than I expected to. Looks like we’re in the same boat there, aren’t we?”
“Shut the fuck up,” he growls, an all too familiar anger stirring in him. “Awww, are you going to kill me like you did yourself?” Venom giggles, and he glares at it. “Just fuckin’ might, mate,” he says through gritted teeth, and Gwen pipes up. “What? Hobie, what are they talking about?”
“Piss off, Gwen. That’s not them,” he snaps, and she frowns underneath her mask. “We’re here to help you Hobie,” she says, and he clenches his jaw. “I don’t need no help.”
“On the contrary, I think you need all the help you can get. You mess up everything when you don’t have it, no?” Venom says, amused. Hobie knows it’s just trying to antagonize him. He knows that. But he can’t help but get angry. It’s using your body.
But he also knows that he does need help. He just can’t say his plan in front of this freakshow. “Go back to Spider Society, Gwen,” he touches his guitar, “tell Miguel I got it under control. Just gonna amp up this space slime a bit.” He hopes that was a clear indication of what he needs Gwen to do.
“Are you sure?” she asks slowly, and he smirks. She got it. “Positive.” With that, Gwen, Miles, and Pav disappear. If Hobie gets as many amps as possible, he can repeat what he did with Osborn and save you. Of course, the act of destroying this Venom might require more than just noise and be a little harder, but he’s willing to do anything to save you.
Anything.
Venom laughs. “That was a dumb move, what you just did,” it says, and he shrugs. “Yeah well, I’m full of those lately,” he responds, trying to think of his next move. He doesn’t want to destroy your flat, but he doesn’t want to cause too much damage to the city as a whole. “Are you going to do something, or do you prefer I kill you just standing there?” Venom asks, and Hobie scoffs. “Kill me? You’re a cheeky alien, you are,” he says, and he leaps off of the balcony. Venom follows him. He begins webbing through the city, expertly. Honestly, it’s a good thing he’s been here to see you so many times. But Venom keeps up with him, occasionally shooting out some symbiote webs at him. Luckily, he’s able to see it and dodge them with no problem.
He sees a giant arena and decides that’s a good place to fight Venom. Especially as it was all dark and he saw a sign talking about a celebration there for tomorrow, which means everything was most likely set up already and he didn’t have to worry about anyone being there since the event wasn’t until tomorrow.
He webs into it, landing in the nose bleeds and disappearing into the shadows. He hears Venom land where he was with a chuckle. “You can’t outrun me, Spider-Punk,” it says, and Hobie quietly webs down a few levels and ducks into a closed clothing store in the arena. He calls Gwen, who picks up almost immediately. “Shh,” Hobie says before she can say anything. “Bring the amps to the Mortician Square Garden Arena, line ‘em across the top, I’ll keep Venom distracted til you finish,” he whispers, and Gwen nods. “And one more thing. Get as much as you can out of (Y/n)’s flat, okay? Get Shadow out, take him to Miguel, and all the vinyls, their aunt’s skull, as much as you can,” he whispers, and she gives him a confused look. “Why?” she asks, and he sighs. “Their world isn’t gonna make it,” he says, and Gwen’s eyes widen. She mumbles a quick ‘got it,’ before hanging up.
He sits in the silence, confused as to why he doesn’t feel any presence. Suddenly, an inky tendril shoots out at him, and grabs him, pinning his arms to his sides. He mutters expletives, trying to get out of Venom’s grasp, but to no avail. He comes face to face with the grinning monster. “Found you.”
“Fuck you, mate,” he grunts, and thrashes around. “I thought you would be more difficult to catch. Looks like I was wrong,” it says and Hobie rolls his eyes. “Woulda been harder, bu–”
“But your little sense trick doesn’t work on me. That’s how I caught (Y/n), too,” says Venom as they pull Hobie’s mask off. Hobie glares at them and tries to get out of its grip again. “They’re right… you are handsome,” Venom says, and he delivers a successful kick to the symbiote. “Get out of their head,” he growls, and it giggles. “That tickled.”
Venom throws him across the room with force. He flies through a wall and groans as he stands up. Venom shoots out a tendril to catch him again, but he successfully dodges it. “If only you could hear their pleas for me to leave you alone,” Venom says, and it makes Hobie angrier. “I said get out of their head!” He yells, throwing a giant chunk of concrete at Venom only to have it shatter when it comes into contact with it. It only slightly falters, but that enough time for Hobie to quickly web away. He just needs to keep Venom preoccupied while Gwen, Miles, and Pavitr set up the first part of the plan.
He hears Venom following him, taunting him, and consistently trying to grab at him. As long as he keeps Venom from seeing outside, everything should go off just fine. He just hopes Miles, Gwen, and Pav can let him know when to go outside with Venom close behind. Ah well. Improvising is what spiders do best, anyways. Hobie is swinging past a food booth when Venom hits him into it. He winces as he crashes through the wall separating the front from the kitchen and straight into the knobs on the giant grill. Of course, it turns the electric grill on, but that’s the least of Hobie’s worries as Venom then uses one of its “webs” to pin him down on the ground. He grabs the web and tries to get it off of him, but it doesn’t work. Venom sprouts tendrils that make it literally look like a spider, with “legs” coming out of its back.
Luckily, Venom places one of these legs on top of the already hot grill, causing it to scream out in pain and freak out just enough for Hobie to get out of the “web’s” grasp. He quickly runs off, shooting out a web to disappear out of Venom’s sight. He sneaks around to the outside and sees Pav pushing an amp in place. It looks like they’re about halfway done, and Hobie nods. He can keep that thing distracted for that much longer.
He sneaks back into the indoor part of the stadium. He thinks about it, but ultimately decides he’s had enough with the stealth method. It obviously isn’t helping him in this instance, like it ever helped him before. “HEY VENOM! COME GET ME YA FUCKIN’ TOSSER!” he yells, and to his expectation, Venom burst through a wall and screams at him. Hobie shoots a web upwards and leaps up to the next story. Venom bursts through the floor, and Hobie quickly fires a web at a pillar, wrapping around it a few times and then firing another one to another pillar and tying them together tightly before taking off and doing it again to the next set of pillars, and then repeating it again. He made sure the first trap would land in the middle of Venom’s body, the second more of a tripwire, and the third at clothesline level. And it worked.
Venom ran directly into the first trap, which slowed it down, and then the second made it stumble and the third snapped its head back at a gross angle. It groans, and Hobie waves at it. “You should really watch where ya goin’,” he says, and Venom growls. “They feel everything.”
“What?” Hobie falters. “Your little partner. They feel it all.” Hobie frowns. Is that true? Did he just hurt you? Venom senses his distraction, and grabs him, pushing him down through the floor. He grunts, and Venom laughs. “It’s too easy,” it says, and Hobie glares at it. He’s trying to pretend like he isn’t completely battered and bruised by Venom, but damn. This alien can fight. He grunts as Venom picks him up off the ground and pushes him forcefully against the wall. “Aww, did that hurt?” Venom giggles, and he spits on it. He ignores that there was blood mixed in with the spit. That’s… probably not good, though. Venom smiles at him. “I don’t think I am going to kill you,” it hisses, cocking its head to the side. “I think I’ll keep you in case this body breaks.”
“Piss off, I’d never let you do that to me.”
“Even if it meant I would let (Y/n) go?” it asks, and Hobie clenches his jaw. Venom giggles. “Say I let them go, they could run free without the influence of me. Would you do it then?” Hobie clenches his fists, staying quiet. “You’d just make me kill them.”
“Clever boy,” it says, and Hobie yelps as Venom tightens its grip on him. “But you’re right. This body will do just fine, and I can easily find a new host if I need to,” Venom says, smirking at Hobie, “I’ll be kind to you before I kill you,” Venom says, and suddenly Venom’s creepy and unsettling grin melts away, and Hobie sees your face. You’ve been crying, and that sight alone breaks his heart. And your heart breaks at the sight of his bloodied lip, black eye and cut forehead. “I’m sorry,” you whisper to each other at the same time, but before any more words can be said, Venom takes over again.
Hobie tries to get out of its grasp again, but it's not happening. “Interesting choice for your last words,” Venom forms a fist, ready to strike Hobie, but before it can, it’s arm gets pulled backward by another web. “Those will not be his last words,” he hears Pavitr say. “Yeah, his last words will probably be ‘I DON’T AGREE WITH PEACEFUL PROTESTS’ or some shit,” Miles chimes in, webbing the arm holding Hobie against the wall and yanking it away from him. “I was thinking more like ‘I won’t let you hurt them!’ because I mean wow look at how unhinged he is right now! Imagine when they’re actually together,” Pav says. “Not the time, Pav,” Miles shakes his head, yanking Venom’s arm, even more, to make it parallel to the arm Pavitr’s holding back.
Pavitr and Miles hold Venom’s arms back as it shrieks and Hobie leaps away from it. “Good timin’, lads,” he says, wiping some of the blood off his face. “Don’t mention it,” Miles grunts and Hobie dodges some attacks thrown by Venom’s tendrils. “Miles! It’s sensitive to heat!” Hobie yells, and Miles smirks. “Ahhhh, I gotcha,” he says and uses his venom electricity strike. Venom yelps and falls backward. Pav and Miles let go of its arms, and the three of them crouch down. “Where’s Gwen?”
“She’s outside getting all the chords connected so all the amps play at once,” Miles says after electrocuting Venom again, meaning it didn’t hear what Miles just said. “Amazin’,” Hobie mumbles, dodging some more of Venom’s attacks. “I’m gonna get up there, stall it woulda?” Hobie says, webbing away.
He knows Venom is going to try and follow him, so he heads out to the open field. When he gets out there, he sees rows and rows of fireworks. What the hell were they celebrating that they needed this much fire power? He hears Venom’s yell and decides it’s not important, but it’s good that all of it is there. They can use that. He climbs and webs his way up to the top of the stadium, running over to Gwen who hands him the chord. “Thank you,” he says, plugging his guitar in, and she nods. “Don’t mention it.”
“Did you get everything out of their flat?”
“As much as we could. How do you know it’s the end?” she asks, and he frowns. “Cause I caused it.” He looks down, clenching his jaw and clearing his throat.
“It’s bout to get real loud. Tell Miles and Pav to lure it out,” Hobie says, and Gwen nods, about to web off. “Wait! Gwen, throw all the fireworks in a big pile,” he says, pointing to all of the fireworks. “What? Why?”
“Venom is sensitive to heat. Let’s blow it up.”
“But (Y/n) is–”
“They won’t be bonded when it happens, go!” Hobie says, and Gwen hurries to help the boys lure Venom out into the open. Hobie watches and waits, when he hears police sirens going off. Oh great. Piggies are coming to play. Maybe Venom will eat some of them. That would be the only time he ever supported Venom doing something. His attention gets pulled back to the field when he hears Venom’s shrieks. He sees Pav and Gwen web out, starting to throw the fireworks into a pile, and then Venom stumbles out, screaming from Miles electrocuting it once again. Hobie pulls out his pick, placing his fingers to form the beginning chord to one of his favorite songs. He hesitates and places his fingers to form a different chord. This time, it’s one of your favorite songs. He knows all of them by heart, anyways.
“When did you learn this song?” you ask him, as he lazily strums along to one of the songs playing on your vinyl player. He shrugs. “I hear it so much when I come over here, the real question would be when didn’t I learn this song,” he says, and you roll your eyes. He smiles slightly when he sees you swaying back and forth and humming along to the music.
The song ends, and without a beat, Hobie starts strumming along to the next one. “I must listen to this vinyl way too much,” you comment, and he shrugs. “At least it isn’t a shit album.”
Watching you vibe with his playing made him make a promise to himself, he would always learn your favorite songs just so he could see your reaction to him playing them.
How didn’t he realize his feelings before?
Venom spots him, and screams up at him, ready to rush up the seats of the stadium and take him down. He takes a deep breath.
“Come back to me, love.”
He strums, and the sound causes Venom to stumble, holding its ears while it screams. He can see Gwen, Pav, and Miles wince slightly from the noise as they finish bringing all the fireworks into a pile in the middle of the stadium. They web up to where Hobie is and turn to see what happens. Hobie doesn’t acknowledge them, his main focus is on you. Venom’s skin starts bubbling around you, and it seems to literally be melting. He sees flashes of you, the pain affecting you in the same way as Venom. It nearly makes him stop playing seeing the distress on your face. But he remembers it’s the symbiote causing you the pain, and he needs to get it off of you as soon as possible. The position Venom is in, trying desperately to cover its ears suddenly breaks as you finally regain control of your own body. You rip some of the symbiote off, your face breaking through. Hobie keeps playing, fixated on you as you crawl away from the inky black alien. It looks straight out of a horror movie, and he can’t wait to tell you about it. You’re gonna think you looked so cool. He’ll still give you some playful shit about how you looked though. It wouldn’t be the same if he didn’t.
He nearly tears up when he sees you completely separate from Venom. You look up, seeing him and the others, and immediately web up to him. You’re in your suit, but your mask isn’t on, and Hobie stops playing seeing that you’re next to him. You immediately wrap your arms around him, hugging him like your life depended on it. He hugs back, somehow tighter than you are. “I’m so sorry,” you whisper, and he shakes his head. “No, love, you’re okay. You don’t have to apologize for nothin’,” he says, rubbing his hand up and down your back. If the two of you could choose, you would stay like this forever. But the two of you are spiders. And it never works out like that for spiders.
“HOBIE LOOK OUT!”
Hobie hears Gwen shout just a second too late, and one of Venom’s “webs” attaches itself to his back, pulling him off the edge of the stadium. You reach your hand out to prevent it, and Hobie reaches out his, but you just weren’t fast enough. Your fingertips brush each other, but before you can grab his hand, he’s out of reach. You watch as he gets pulled down to the bottom of the stadium.
For the second time, you weren’t fast enough.
You get flashbacks to your second canon event, and a single tear escapes your eye.
Hobie, on the other hand, can feel Venom overtake him, no matter how hard he tries to fight it off. He starts to panic, hearing Miguel’s voice in his mind.
“Hobart Brown was meant to kill (Y/n) (L/n).”
Now the tears are falling freely down his face. This can’t be happening. He can’t let this happen. Why is this happening?
Once the shock of what happened passes, you find yourself pissed off. You just got back to Hobie, and now this alien thinks it can take him away? Fuck that. You scream out of frustration, webbing down and punching Venom’s newly formed face, full force. Well, as full force as your exhausted body will let you. You feel your hand break from your own strength coming into contact with something equally as strong, but Venom falls backward, so you don’t really care. You ignore the pain, noticing the pile of fireworks. You understand the assignment immediately. Unfortunately for you, Venom bounces back faster than you thought and punches you in the stomach. You grunt, coughing up blood, as you fly backward and hit the side of the stadium wall, hard. You glare at Venom, who laughs. “So weak,” you hear it say, and you glare at it. “Maybe if I should have drained more of your life force. Then you wouldn’t have even been able to punch me like that. Though, I know it took up more energy than you would have liked to do so,” Venom roars at you, beginning to charge at you.
You web to the other side of the stadium as Miles jumps down. “I got it,” he says, electrocuting Venom once more to slow it down. It screams and swats him out of the way. He hits the wall, and shakes his head, webbing up to Gwen and Pav, who immediately assesses the damage he got from Venom’s hit. They notice you’re up here, too now. “You are just so fast,” Pav says, impressed. “Oh my god, (Y/n), your hand,” she says, seeing it already turning black and blue, and blood pouring from it. “Not important right now,” you growl, picking up Hobie’s guitar. Luckily, your strumming hand is the hand that broke, so you form your fingers to a specific chord and strum. You play Hobie’s favorite song, the one he taught you to try and show you ‘real music’ so long ago.
“Ugh, can’t we listen to something other than your moody goth music?” Hobie asks, lazily turning his head towards you as he laid on his couch. Gwen, Pav, and Miles left like 30 minutes ago, but Shadow was too comfortable on Hobie’s chest for him to leave. “No, actually, we can’t. And don’t act like this song isn’t the best thing you’ve ever heard.”
“Listen just cause it’s your favorite doesn’t mean it has to be mine, love,” he says, causing you to roll your eyes. “You’re such an asshole, Hobart.”
“It’s part of my charm,” he says and you fake gag. At the sound, Shadow hops off Hobie and makes his way to you, making sure you’re okay. “Alright, you can leave now. Yayy, Shadow! Wooo!” you say, petting your cat and pretending like you want Hobie to leave. He clicks his tongue. “Nah, I’m not goin’ nowhere. Come here,” he says pulling his guitar from behind the couch and into his arms. “What are you doing?”
“I’m showing you real music. So, sit down, shut up, and soak up the jams.”
You play through the pain, doing the exact thing he did when he first showed you. Albeit not as good as him. But it works, he breaks away from Venom, running, climbing, and webbing as fast as he can to get to you. And seeing the sight of you playing the guitar like that? Especially his favorite song? He could have fainted if he wasn’t worried you’d die immediately after he did. He sees your hand and frowns. “Give me the guitar, love,” he says, taking it out of your hands gently, and picking up where you left off. Except he quickly fades into one of your songs. You smile slightly and look at him. He gives you a small smile back. “Hobie, you have your lighter?” you ask, and he nods. “I’m gonna go down there and convince it to come to the fireworks pile. When I say, throw me your lighter,” you say. “Kick its fuckin’ ass, (Y/n),” he says, as you leap off the top of the stadium.
The four spiders up top suddenly hear a police bullhorn. “We have you surrounded. Hands up or we will resort to using force!”
Hobie turns his guitar up louder.
You web down, purposely aiming to kick Venom closer to the fireworks pile. You hit the ground and roll, landing in a crouch before standing and sprinting to the pile. You scream Hobie’s name, and he throws you his lighter. He stops playing, seeing that it needs to be able to actually move to get to the pile. You web up a story, catching it before rolling back down on the ground. Venom shrieks in its symbiote form, and comes rushing toward you, but you quickly ignite the lighter, throwing it on the pile of fireworks. You leap on top of it, ensuring that Venom will be in the line of fire, and when the first one begins going off as Venom tries desperately to climb it and get to you, you web off it as fast as you can. Hobie watches as you get halfway up before all of the fireworks go off at once.
He hears Venom’s screams, but all he can focus on is watching you as the explosion breaks your web and propels you way higher than you should have gone. He quickly uses his left hand to web a building close by and his right hand to another one and slingshots himself up to you. He catches you in midair, cradling you to his body and webbing to another building. Luckily, Mortician Square Garden was close to the Ember Stake Building, your favorite spot in all of the city. He lands, crouching down and holding you in his arms in a way that your legs are resting on the building. You lean your head against his chest, and he gently places a hand on the side of your face. “Alright, love?” he mumbles, and you give him a small, weak smile. “’m tired, Hobie.”
“I know, sweetheart, I know,” he says, running his thumb back and forth across your cheek. “Bet I looked cool just then, though,” you say, and Hobie chuckles. “Dunno. Think you need to work on your form,” he says, and you laugh softly. “You played my favorite,” you mumble, and he nods. “You played mine.”
“Not very well.”
“I would listen to that every day of my life, love.” You turn your head slightly to see the amount of fireworks lighting up the night sky. Hobie stays looking at you. “Looks pretty,” you mutter, and he grins. “Yeah. Sure does,” he says, ignoring the fireworks completely. “Reckon I get you somewhere safe to rest?” he says, and you nod softly. “I’d like that,” you mumble, turning your head back to him. The two of you stare at each other for a moment, not saying anything. He looks up, standing and helping you stand as well. He gently turns you to see your city, wrapping his arms around your waist. “I gotta admit. I do like it here,” he whispers in your ear. You smile softly, looking out at the city from your favorite spot. After getting a good look, you feel your legs about to give out as your eyes flutter closed. He catches you before you fall and is grateful you stopped looking when you did because he starts to see the nothingness begin to claim your world. You hear Hobie very quietly say, “I’ve got you, my love.”
Then everything fades to black.
───────────────────────────────
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ironunderstands · 28 days
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2.1 was so good holy shit (spoilers, obviously)
GOD THEY ATE AND IM SPECIFICALLY GONNA TALK ABOUT HOW WELL THEY WROTE RATIO IN THIS BECAUSE IM FOAMING AT THE GODDAMN MOUTH IT CHANGES HOW YOU VIEW EVERYTHING BUT IN A GOOD WAY.
so, let’s start from the beginning in 2.0 I want to walk you through my experience of it
ratio mean to aventurine, everyone gets mad. I feel weird about it, pre-2.1 I come to the conclusion that he got used as a plot device in that scene, since being racist contradicts his core motivations and the dialogue is awkward and has no real reason behind it, I chalk it up to bad writing but ultimately forgive it because 2.1 seems centered around Aventurine so they need setup for that
2.1 drops, my bsf plays the update throughout the night and we are losing our shit. He gets to the part where Ratio “betrays” Aventurine. I fucking lose it, I try to reconcile this with my preconceived notions of ratio, they don’t match up at all, his behavior that whole time doesn’t in the slightest. I am confused, I wonder if I have been wrong about him this whole time, if his whole speech on the Space Station and his character quests were some kind of fluke. I mean it could be in character? Knowledge of how a stellaron works could save millions if not billions of lives, invaluable information which Ratio would have trouble turning down because of its value. It still feels deeply wrong, Ratio isnt a backstabber, and he wouldn’t so easily bargain with Sunday over information he has no confirmation of (and could likely obtain in some other way).
The story continues, me and Haseeb (aforementioned best friend) are still pissed, I’m losing it because my favorite character just did something so unforgivable and out of character and I feel like a complete and utter idiot for interpreting a character to be a good person when they so clearly weren’t. Well, I (luckily) was so so so so so so so wrong about that, as it was all a setup, a plan devised by Aventurine to distract Sunday and forward their goals. I’ve never been happier, and suddenly every weird behavior, every “this doesn’t make sense” goes from “bad writing” to perhaps one of my favorite retroactive twists in fiction.
Ratio belittling Aventurine for his background doesn’t make any sense, I mean we literally saw the guy give a whole ass speech about how he believes all people deserve access to knowledge and that everyone is capable of being creative and having intellect, but that they just have to try for it, and if they are incapable of it, he DOCTOR Ratio is there to lend a helping hand. To cure the galaxy of stupidity, something which he views as not the lack of knowledge but rather the misuse and misinterpretation of it, how he depises the Genius Society because they mostly do not try and use their intellect from the betterment of other, and actively guide/encourage other scientists (and in Hertas case the researchers at the space station) to view knowledge as some sort of prize or commodity rather than tool. This notion is what causes Screwellum to acknowledge that Ratio is more like a medical doctor than a scholar. And this notion is something Sunday Isn’t Aware Of.
Sunday doesn’t know who Ratio really is, he may have heard of his various exploits, but Ratio has a reputation for arrogance, bluntness and insensitivity, something which Ratio plays up to the nines. The 2.0 scene with Aventurine goes from seemingly massively OOC for Ratio to him actively playing up his negative reputation to play into Sundays perceptions of the pair for their plan. Ratio->
a) makes it seem like Aventurine fucked up and he’s mad at him for losing the cornerstones, something which Sunday would see and go “hmm they don’t like each other
b) this “oh I can drive a wedge between them” notion gets worse (although in their case better) when Ratio brings up Aventurine’s (not entirely accurate) background. Sunday now thinks he has leverage over Aventurine and even more of a chance of getting Ratio to betray him. Ratio also makes it seem like he just learned this information by stating he “did his homework” and this supposed unfamiliarity with one another would give Sunday more confidence to try and drive a wedge between them
c) this makes it seem like the IPC are unaware of the Families constant surveillance, as it looks like they are having an important conversation in a private room, which would make Sunday think they are unaware of his eyes and ears everywhere
Now let me qualify this notion with more evidence because you could still try and argue that the deal Ratio and Aventurine struck was post 2.0 argument
Topaz (my glorious Queen). At the end of the 1.4 (or was it 1.5?) Belabog quest she has a conversation with Aventurine in which he requests for her help in Penacony, and we do not get a confirmation on if she said yes or not. Until 2.1, in which the the Topaz (and Jade) stone in in Aventurines possession, meaning she took him up on that offer prior to 2.0 because how else would he bring multiple cornerstones there, which we know there are many because Ratio says he lost the cornerstones, not just his own. Topaz would not give this item up easily or on a whim in between 2.0 and 2.1, meaning she would have to be let in on his plan prior, meaning the plan was formed prior. Since Ratio was also assigned to this mission keeping him in the dark would make negative sense and actively undermine their collaboration, something which he brings up in their fake argument
2. The Final Victory Lightcone. I originally thought this scene to be after their argument for complicated reasons, the most important of which being the minor snippet of conversation we see between Ratio and Aventurine during the first time we meet Acheron. Aventurine mentions 3 chips, Ratio doubts him, and the lightcone description starts with Aventurine questioning his doubt and firing three shots, a perfect correlation that made me place the order of events in that way. However, we get to see the snippet of conversation between Aventurine and Ratio in game, right before they meet Sunday, not prior to the lightcone events. However, they are still clearly connected for aforementioned reasons, just in a different manner, let me explain. Now we know the three chips reference not bullets but the three cornerstones, and Ratio openly expresses his doubt because the family is always watching (something which I will get into) and because a part of him does doubt this plan will go well. However, Aventurine prior reminds him of the events of the lightcone with the three chips. My interpretation is that Aventurine took that gamble in the lightcone to convince Ratio to go along with his crazy plan since if he can win a game of Russian Roulette with an unwavering smile on his face he an insane gamble means nothing to him (ratio doesn’t buy it because it’s ratio but the sheer audacity or you could say the “charming audacity” makes him go along with it). In my opinion this scene only makes sense pre-penacony, due to the timeline of events, which is why I believe it the reason for the events in it has to be Aventurine trying to convince Ratio to join in.
3) The family is always watching. During the 2.1 story quest it gets brought up several times in many different ways that it seems like the family has eyes on everything and everyone. Sunday’s fuckass bird is everywhere, and the man himself (minus being a goddamn biblically accurate angel) is covered in eye shaped shit and possesses close ties with the Harmony, which lends itself well to a character that knows things considering the Aeon itself is a conglomeration of many different perspectives. He fucking perception checks Aventurine, when the crew goes to look for info on firefly they learn the dream pools monitor people’s vitals and everything, even producing a dialogue option where the trailblazer states they feel like their every move is being watched. Topaz gets stalked by bloodhound members upon arrival, I could go on. TLDR Sunday knows almost everything that’s going on in Penacony, this is what leads him to believe the traitor is within the family, and his access to knowledge is something the IPC 100% knows about. I mean they have been presumably attempting to try and get it back for a while, and they would reasonably extensively try and learn everything about it. The Family notoriously hates negotiating with them so the IPC either learning and/or coming to the conclusion that the Family is watching their every move isn’t a ridiculous notion. If this conversation was genuine, if Ratio truly wanted to discuss this matter with Aventurine, why would he do it in a likely wiretapped, not very soundproof room where any passerby could hear Ratio loudly exclaim that Aventurine lost the very important cornerstones and that he is also one of the most despised groups in the galaxy because that would really do numbers for both their reputations. If you think about it, this not being staged is an incredibly stupid blunder on Ratio’s end (minus the deliberate OOCness) because of all the places Ratio could set up a very important meeting he does it in one of the worst places ever.
4) The dialogue in the scene. It’s awkward, it’s so awkward and the whole “also my family died I didn’t get an education” seemed so tacked on the first time I watched it. Knowing now, it seemed so tacked on because it was, Aventurine had to shove the info in there somewhere and their incredible conversational skills decided that was the best part in there. Ratio fucking leaving before Aventurine is even done talking goes from a “huh weird” to a “wow he is really playing up this arrogant scholar role”. And if Ratio is playing the arrogant scholar, Aventurine is playing the dumb, helpless, blonde to a T. Losing the cornerstones and acting nonchalant about it, letting Ratio insult him so callously and letting the insults slide, talking absolute nonsense at the end about random things that don’t matter, sadly lamenting into the distance that he’s alone again. Bro is playing it up and I live for it. They also and play up these personas in their little adventure prior to meeting Sunday, Aventurine asks stupid questions like wondering about the species of the bird that make up the statues and talking about how he wants to play in the sandpit and even insulting Sunday a bit, behavior that would make Sunday think him unprepared and unserious rather than cold and calculating. If Aventurine does that well, Ratio plays up his arrogant, uncaring scholar persona to the nines. He insults any and every decision or thing Aventurine does, loudly sighing of how happy he is to finally have some peace and quiet when Aventurine leaves his sight for 0.00008 milleseconds, pointing out his sarcasm, beefing with a random Pepeshi bodyguard no reason, pointing out his sarcasm, just the exaggerated way he talks in general, and suggesting he admit Aventurine into the Genius Society (even Ratio wouldn’t stoop so low as to suggest Aventurine was worthy of that).
Moreover, this is really, really tragic because I do think there are several moments of genuine banter and fun the two share “Ratio, you’re huge!” was not added to the script to enhance the plot guys. And obviously Aventurine knows most of Ratios behavior is acting, however he has such severe trust issues, and Ratio is so damn straightforward and blunt that he worries the man was serious about some of it which just breaks my heart. Soft Ratio please add it give me one conversation, the note at the end of 2.1 doesn’t count it’s too short.
Ultimately, knowing what I know now I can’t help but view the 2.0 conversation with Aventurine as being anything but staged, it simply makes no sense otherwise, and it happily obsolescent Ratio of his sins. This was a bit incoherent I honestly just wanted to rant (if you couldn’t tell haha) but I hope you enjoyed it regardless. I need sincere Ratio more then I need oxygen and I’m not afraid to say it.
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hobiebrownismygod · 6 months
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The characterization of Miguel as "the bad guy". News flash; He's not.
I keep seeing people talking about Miguel as if he's the villain of ATSV. Y'all. This is NOT true. People are paying too much attention to the train scene and not enough attention to his words and actions that are the main points of his characterization.
First of all, Miguel was NOT trying to hurt Miles in this movie.
The main reason why people think he was going to hurt Miles was because of the train scene, where he basically slammed Miles into the side of the train, but if you look into this scene more closely, Miguel wasn't genuinely trying to hurt him.
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Miguel starts off with his claws extended, trying to climb up the train toward Miles. HOWEVER-
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The moment he lunges at Miles, trying to grab him, his claws retract. Why is this?
Because he's not trying to hurt Miles. He's trying to catch him.
This happens again later in the movie.
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See the difference? Miguel uses his claws to rip open the Go-home machine, but immediately retracts them as to not harm Miles. If you watch the actual scene, you'll see the claws slowly retract. Its not an animation error. It was purposefully done.
Sure, he was being aggressive. Yes, he was definitely gonna rage on Miles about this, but he was not going to hurt him.
Miguel is not the bad guy in this movie.
Miguel believes that canon events are real. He believes that he is really the only reason that the multiverse hasn't collapsed yet and he believes that he needs to stop Miles from saving his dad because otherwise, millions of people in his dimension will die.
Second of all, Miguel is not normally an aggressive guy.
Before I start, we don't know this for sure, but this is what I believe from what I've seen in the movie and online about him. I don't believe that Miguel is normally an aggressive person.
Since we're talking about the go-home machine, lets use that as the first piece of evidence that he's not normally an aggressive person.
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Look at Peter's reaction to seeing Miguel tearing up the Go-home machine. He is petrified.
Now, if Miguel was normally the type of guy to do this, Peter would not have this kind of reaction to him going after Miles. The entire society stands back and watches Miguel demolish the machine because its never happened before. None of them have ever seen Miguel act up like this before, and its shocking. Thats why nobody reacts. Thats why they all stay silent when he's done.
For the second piece of evidence, we have how Miguel acts when explaining canon events to Miles. He is extremely calm compared to how he is in the chase scene. He is genuinely trying to relate to Miles and comfort him because he's not normally an aggressive person.
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Look at his expression. Look at how his hands are up in the air, trying to calm Miles down. He's not trying to hurt Miles. He's trying to make Miles look at it from his point of view. Because from his point of view, the impacts of breaking a canon event are disastrous. He believes that every single person in Miles universe is going to die. And he believes that letting Jeff die instead, is the only way to stop it.
Miguel is a good person who's been through a lot.
To us, his ideas are ridiculous, but to him, someone who's lost so much, they're the only thing keeping everything together.
Miguel is not the bad guy in this movie. Miguel is not the villain in this movie. We already have an established villain, and its not him. Miguel is simply an antagonist. And he's definitely going to get the chance to redeem himself in the next movie.
This was kind of short. If I think about other stuff he does, I'll add on, but these are like the main two reasons I didn't think he was the villain when I watched the movie. It just wouldn't make sense for him to be the villain. He's literally Spider-man.
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st4rg1rl-16 · 2 months
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━━ ✶✶˖° 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝗦𝗘𝗩𝗘𝗡 | 𝗡𝟰𝗦.
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𝗽𝗮𝗶𝗿𝗶𝗻𝗴(𝘀) ━ 2019 to 2023!f1 grid x driver!female oc
𝘀𝘂𝗺𝗺𝗮𝗿𝘆 ━ in a club max, lando and carlos make a plan to discover if the ferrari drivers are in a relationship, how? making charles jealous!
𝗱𝗮𝘁𝗲 ━ 2019, 24 march
𝗹𝗼𝗰𝗮𝘁𝗶𝗼𝗻 ━ barcelona, spain
𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 ━ they are in a club so alcohol consumption jealous!charles, the boys being the little shits they are, fingering (wait what?!) lewis kinda flirting with bella?
𝗮𝘂𝘁𝗵𝗼𝗿 𝗻𝗼𝘁𝗲 ━ I been MIA I know, sorry for that but here it is!!and things are starting to get heatedddd
𝘁𝗮𝗴𝗹𝗶𝘀𝘁 ━ @namgification @louvrepool @d3kstar @omgsuperstarg @whoselly @yl90 @wcnorris
• — need for speed’s masterlist
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𝗴𝗾𝘀𝗽𝗮𝗶𝗻
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♡ liked by 𝗮𝗿𝗮𝗯𝗲𝗹𝗹𝗮_𝘁𝟵, 𝗽𝗶𝗲𝗿𝗿𝗲𝗴𝗮𝘀𝗹𝘆 and 𝟴𝟲.𝟬𝟲𝟴 𝗼𝘁𝗵𝗲𝗿𝘀
𝗴𝗾𝘀𝗽𝗮𝗶𝗻 After revolutionizing not only the motorsport world but also our hearts, Arabella Torres is crowned with the title of the new "it girl" of Europe.
"I've spent this last month hating my body and I'm tired of pretending that everything is fine" The Formula One driver opens up to us showing us her most vulnerable side about hate on social media and several other topics in the interview for the 200th issue of our magazine, now available on 💥 our link💥
Text: 𝗰𝗹𝗮𝘆𝘀𝗸𝗶𝗽𝗽𝗲𝗲𝗿
Interview: 𝘁𝗼𝗺_𝗹𝗮𝗺𝗼𝗻𝘁_𝗷𝗼𝘂𝗿𝗻𝗮𝗹𝗶𝘀𝘁
Photograph: 𝗷𝗮𝗰𝗸_𝗯𝗿𝗶𝗱𝗴𝗹𝗮𝗻𝗱_𝘀𝘁𝘂𝗱𝗶𝗼
Styling: 𝗺𝗼𝗯𝗼𝗹𝗮𝗷𝗶𝗱𝗮𝘄𝗼𝗱𝘂
𝗮𝗿𝗮𝗯𝗲𝗹𝗹𝗮_𝘁𝟵 have been tagged
𝗴𝗾𝘀𝗽𝗼𝗿𝘁𝘀 🏎️🏎️🏎️
⤷ 𝗴𝗾𝘀𝗽𝗮𝗶𝗻 😍
𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟭 Wait, I’m running to get it
𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟮 I wasn’t a big fan of her but since I saw the live I love her
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟯 the same happened to me
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟰 Sorry for my ignorance, but what happened? I just got into the fandom.
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟯 Last month she was sexualized a lot on twitter because some youtubers uploaded a video and mentioned sexual things about her body, she went viral and began to have even more hate than she already had and made a live saying that she was going to leave social media for a while and then talked about how bad she felt, how it was a shame for her family and how it was “staining” her career. She basically talked about how bad it is to sexualize and also took out things like sexism and things like that (+)
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟯 (+) Then she left social media and we only saw her in the Shanghai and Azerbaijan gps and during these four weeks a lot of celebrities have talked about her and she has gone viral and now she is like the “it girl”.
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟱 ooooh, thanks for the explanation 💖
𝘀𝗰𝘂𝗱𝗲𝗿𝗶𝗮𝗳𝗲𝗿𝗿𝗮𝗿𝗶 That’s our girl!! 😌
𝗮𝗿𝗮𝗯𝗲𝗹𝗹𝗮_𝘁𝟵 muchas gracias por darme esta oportunidad! 🤍thank you very much for giving me this opportunity!
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟲 aww she is so cute, why do people hate her?
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟳 Unfortunately there are many people throwing hate at her even though she is a great person
⤷ 𝗴𝗾𝘀𝗽𝗮𝗶𝗻 Te queremos, Arabella! 🥰 We love you!
𝗱𝗮𝗻𝗶𝗲𝗹𝗿𝗶𝗰𝗰𝗶𝗮𝗿𝗱𝗼 ARABELLA TOOOOOOOORRESSSSSSSSS
𝗮𝗿𝗮𝗯𝗲𝗹𝗹𝗮_𝘁𝟵 and 𝟭𝟮𝟳 𝗼𝘁𝗵𝗲𝗿𝘀 liked this comment
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟴 my ship 🥺
𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟵 What they've done to her is horrible, now she hates her body when she's beautiful
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟭𝟬 I would kill for having a body like hers
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟭𝟭 that’s how society works 🙂
⤷ 𝘂𝘀𝗲𝗿𝗻𝗮𝗺𝗲𝟭𝟮 she is probably going to get even more hate after this
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"IT would be awesome if your first victory was in Spain" Oliver's smile was focused by the camera. His mother snapped her tongue looking at him with reprimand.
"Oli, son, don't swear on the table, please" The boy looked at his mother and gave her his most charming smile.
"Yes, mommy" The woman rolled her eyes and threw her napkin in his face so he complained while her husband laughed.
Arabella smiled watching the familiar scene unfolding in front of her. The truth was that she had missed it, after so many months away from them and seeing each other only by casual video calls, it was nice to be all together even if the whole family was not yet there because her parents had traveled to Barcelona, where her next race was going to be, with her brother the previous week to celebrate the birthday of the youngest of the Torres family and now a week later her grandparents, her uncles, aunts and her cousins were still to arrive so that everyone could attend the race on Sunday because they wanted to support Arabella in their native country. But this was nice, she had missed hearing her brother's nonsense, her mother acting like a mother and talking about cars with her father. She missed a normal life that she had never had.
"By the way" Her father caught her attention, turned her gaze to him drinking from her glass full of sangria. She saw out of the corner of her eye how she pointed to the team of Netflix’s cameras that surrounded them in the garden of the house they had rented during their stay in Barcelona “Do we have to speak in English or...?”.
Marisa, her mother, let out an disgusted moan “Oh, with how much I struggle with English”.
The green-eyed boy laughed as he nibbled at the chicken wing that his fingers were holding “I still don't understand how you don't know English, mom. Your children are literally international athletes, you should know English”.
"I know English" The eyes of the same color as that of her two children opened in the direction of the teenager before she began to speak in English with a very strong Spanish accent "How are you? I'm fine, thank you!” She smiled with self-centeredness, pointed to herself “See? what your mother doesn't know how to do...”
“Jeez" The girl murmured, sticking her lips to the glass again while her brother burst into laughter, almost chocking with the wing.
The one wearing the glasses looked at his wife with a small smile, obviously trying to hid the laughter that was about to come out, and winked at her “Of course, honey! you are good at everything”.
Her brother's smile increased when their mother smiled sending a kiss to their father, clearly not grasping the intention of his words. Arabella shook her head but still a smile had made room in her full lips, she left the glass on the table and lay down on her chair after making a sandwich with the chorizos that her father had cooked on the barbecue.
"It's for the Netflix’s Formula One docuseries" She spoke with her mouth full, making her mother look at her badly but she didn't see her because she was looking at her father. She shrugged her shoulders turning her gaze to the sandwich before giving it another bite “They wanted to see what my private life is like and we speaks in Spanish so no. Speak in Spanish, period”.
"But your private life so fucking boring" She looked at her brother badly while her teeth crushed the food in her mouth, he stuck out his tongue at her.
"Oh, really? Okay, okay, I don't invite you to the party tonight then” She smiled evilly at what the moto driver let out a gasp bringing his hand to his chest.
"So rude, sister" He shook his head "So rude”.
A pleasant silence covered the table after her brother's words. Manuel, her father, shared smiles with his wife while they watched their children eat. They had also missed the family moments and were grateful to be together, especially after what their daughter had gone through thanks to the internet.
"Then will you go out tonight?" The man cleared his throat, turning his gaze to his firstborn, who nodded.
"It's been the boys' idea" She rolled her eyes “They've just arrived and they already want to party”.
"Don't you have the classification tomorrow?" She nodded to her brother's question and grimaced when she felt their mother's gaze on her.
"Arabella Torres González, don't even think about drinking tonight." She raised her finger and pointed at her accusively. The girl nodded while father and son looked at each other knowing that she was indeed going to drink. The blonde turned her gaze to her plate when she began to cut a piece of bacon “If you drink, don't drive”.
"I wasn't going to go drunk to practice, but well" She murmured, giving the last bite to the bread. She wiped his lips with the napkin that was next to her plate.
The only brown eyed let out a breath of air when the cold Coca Cola passed through his throat and smiled “Well, I think it's great that you go out, honey. Especially after everything that has happened”.
She nodded, offering a smile to her father before looking down at her plate, a common reaction she had to the mention of the twitter situation.
"Do you think you're going to win?" She heard her brother ask and although she thanked him mentally because she knew that he had changed the subject to entertain her, she couldn't help to, without knowing why, tense.
Being honest, she knew why: everyone's eyes would be on her, not only because it was going to be the first time she was going to race in her country since she in formula one, but because of the same issue she was trying to avoid. She had disappeared since what happened, the only time the media could see her was in the Azerbaijan race and they didn't even see her too much because she refrained from doing interviews or any kind of media in addition to the fact that she had moved away from social media even closing her twitter account temporarily after announcing on Instagram live that she was tired of the comments towards her body.
She had managed to hide well from the paparazzi and that had made people talk about, the whole gossip magazines was talking about her and not only them because even in the sports they had mentioned her situation which had caught the attention of many celebrities, especially women, who defended her from the internet trolls and praised her for continuing with her sportiness above all. Her popularity had risen like foam and the contracts and offers of all kinds of brands had not taken long to reach her manager's email. The first offer they had accepted had been to be the cover of the May issue of GQ Magazine where she had taken the opportunity to talk about how the online comments about her body had affected her, which was something quite healing for her, being able to talk loudly about it because she had been keeping it to herself.
Before she didn’t give too much importance to her body, focused since she was a child on cars and nothing else had not gone through that stage in which insecurities about her physique tormented her but that controversy had provoked it. She had suffered a mini crisis in which she was never very hungry, she spent hours looking at her reflection in the mirror thinking that it was what was wrong with her, her wardrobe had changed to a more comfortable and wide one that did not reveal more than the minimum of skin and the salt of her tears was the only thing that fed her.
She wasn't proud of herself, far from it, but what could you wait for? She was just an eighteen-year-old girl receiving hatred everywhere, although none of those people had a face to look at when she read those insults Arabella could not prevent them from affecting her. And although she was much better now, after talking to Sebastian –who was on a plane on his way to Spain, because unfortunately he hadn’t been able to attend Azerbaijan– as if he were her personal psychologist and spending time with her family, she could not help but tense every time something reminded her of the small trauma she had experienced.
She closed her eyes inhaling and exhaling "I have a good feeling but I don't want to jinx it”.
Her mother's hand curled up on hers, looked up to see her and immediately felt a warmth and security invade her body causing her to relax her tense shoulders. Marisa González smiled sweetly at her daughter "No matter what happens, we will be proud of you, cariño. Okay?”.
She bit her lower lip feeling her eyes begin to sting, she nodded "Okay" Her voice came out more raspy than usual, causing the woman to get up from her seat and approach her daughter to hug her.
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"THIS is so awkward" A somewhat drunk Lando looked worriedly at his teammate while he rolled his eyes denying. He pushed his arm when he saw him “Carlos! What do we do? I can't keep this secret that is eating me alive”.
"It's not a secret because we don't know if it's true" He leaned over to take his glass from the small table in front of the sofa on which they were both sitting and drank from it.
He was going to need alcohol to survive the night.
He opened his eyes in an exaggerated and paranoid way “What do you mean, Carlos? Look at them, they look like cats in heat!” He extended both arms towards the dance floor where they could see Arabella dancing with Daniel and Pierre while Charles was next to George at the bar, neither of the two pending the presence of the other to the very opposite of what number 4 had said.
A "Mmh" sounded on the other side and they both quickly turned their heads to see the Dutchman sitting on the other sofa. The McLaren's idiots opened their eyes with surprise when they remembered that the Red Bull driver was with them.
"So, do you think Arabella and Charles are together?" He raised one of his eyebrows, curious because he swore to have seen things among the members of the red team but he had not yet mentioned his suspicions to anyone.
"Don't tell anyone, but yes”.
"It's not that we believe it, it's that we know it" The British raised his index finger to emphasize his words.
"Oh, really? How?” Max moved in his seat, approaching them to try to get information from them because he had decided not to drink that night so he was bored as he watched his friends and co-workers approach the ethyl coma.
The curly-haired one approached him too, looking over his shoulder to prevent unwanted ears from hearing their conversation “Have you seen how they look at each other? Or at least how Charles looks at her? She is more discreet but he is not and clearly that look is not from friends”.
"Mmm" The 33 rubbed his chin before a mischievous smile crept into his lips "Maybe we can make them confess”.
"Ohhhhh" Lando laughed while Carlos pursed his lips.
"I don't know, guys" He denied taking another sip from his glass "We shouldn't get in, I also think they're angry at each other”.
"Yes” Verstappen’s blue eyes moved to the spaniard "I've noticed it too, they're acting weird. They don't talk much”.
Norris let out a moan of protest while patting his thigh “Now that we have something to entertain ourselves, they go and break up”.
"Shut up, shut up!" The eldest of the three exclaimed between his teeth when he saw Pierre and Arabella approaching the VIP zone, the reflections of the lights colliding against the brightness of the girl's skirt almost blinded him "They're coming, they're coming”.
Pierre let go of the girl's hand and dropped with a sigh on the sofa next to Max, who looked at him raising both eyebrows making the Frenchman smile at him unwillingly “God, i’m dead”.
"But we barely have danced, P” The girl who was still standing laughed, Carlos moved making room for her but she denied leaning a hand on his shoulder. She made puppy eyes “Carlitos, you coming to dance with me”.
He shook his head without looking at her because he knew he was going to give in if he kept looking at her “No, no, I'm okay here”.
"Oh, come on!" She complained before taking his hand and began to pull him but it was of little use. Releasing a blow, she sat next to him and took the cup, earning a complaint from him “You are the only one with whom I can sing the songs, this useless frenchie doesn’t know the lyrics”.
"Sorry for not knowing Spanish!" The other exclaimed as he raised both arms "I already know English and Italian and that is more than enough”.
"Hey, what about Daniel?" The Dutchman frowned when he realized that his former teammate was not in the group.
"He found a girl" The girl shrugged her shoulders accepting the glass of the other spaniard when he took a sip and then hand in it to her again.
Immediately everyone let out complaints in unison and she laughed because she knew why. They had decided to ignore the hotels and rent a house all together to be able to stay a couple more days in the country and, well, they were going to have to listen to the australian and his fling all night.
"Can I sleep with you today?" Carlos looked at her horrified because he was the one who had his room next to Ricciardo's, she denied what he opened his mouth in pain "Why not?"
"Because you don't want to dance with me" She was busy arguing with him so she didn't notice when Max collided his knee with Lando's to get his attention, once the boy looked at him he nodded to the girl opening his eyes.
"What?" He asked in a confused whisper to what Max rolled his eyes and Pierre approached them, curious about what was happening.
"Go dance with her so we can make Charles jealous”.
"Why is Charles going to get jealous because Bella dances with Lando?" Pierre looked at them strangely, he was not surprised about a jealous Charles because, obviously, he had also realized the feelings of his friends, what he didn’t understand was why was he going to feel jealous of the little boy of the McLaren team.
A demonic smile was planted on the full lips of the much acclaimed lion “You'll see”.
With his gaze he pointed to the duo that was approaching them and Gasly nodded impatiently to see how the Dutchman's plan unfolded.
"Bells" The voice of the curly haired one came out high and both the 10 and the 33 had to put their hands to their mouths to avoid laughing. The girl looked at him expectantly but smiling, he swallowed saliva feeling nervous suddenly “I can dance with you, if you want”.
She nodded before getting up and extending her hand towards him, who didn't take long to take her between his much larger one and let himself be guided by her to the dance floor. Along the way they met Charles and George, his blueish green eyes collided with the greens of the Monegasque who clearly did not look very happy at the image in front of him. He swallowed again, praying mentally that the elder would not end up beating him up. The girl in front of him kept pulling him, completely ignoring her teammate but not without giving a smile to her other British friend who responded by raising both thumbs.
Fuck he thought when the reggaeton song of which he didn't know how to pronounce its name changed to Reminder by The Weeknd. A wave of screams filled his ears when the first chords filled the nightclub, he watched as the sweaty bodies stuck even more when he heard the song and suddenly he felt that the shirt that decorated his torso was too small for him. He hooked his index finger on the neck to relieve the sensation a little but it didn't work too much.
His eyes went down to the girl in front of him, despite wearing heels she was still shorter than him so he could see the club above her head. He bit the inside of his cheek when they finally found a clear space on the track and turned around to look at him.
She analyzed him from top to bottom before showing him a nice smile "If you want we can go back, Lan. It's okay”.
He immediately denied “No, no, it's fine. Let's dance, that's what we've come for, right?”.
"Okay, but if you feel uncomfortable, tell me" She stood on her tippy toes to reach his ear because Abel Tesfaye's voice was too loud. The boy closed his eyes when he smelled her perfume “Okay?”.
She separated from him, enough so that they could look at each other's face but not so that their bodies would stop being against each other. He nodded speechlessly looking into her eyes and she smiled funny before taking her hands and placing them on her hips to which the boy opened his eyes wide making her throw her head after laughing.
"They are just hips, Lando!"
"Yeah, i know, but... don't blame me" He laughed too.
On the other side of the nightclub, their friends watched them as if they were the best show in the world while Charles felt that he was going about to throw up. He squeezed his grip on the glass that was in his hands without looking away from the young drivers, who now danced very close to each other. It should be him who was there moving his body next to hers, it should be him who had his hands on her hips, it should be him who had his arms around her neck. It should be him and not Lando.
"They would make a good couple" He heard Sainz speak, who was looking at him out of the corner of his eye.
"I thought that if she would date with one of us it would be Max" All the eyes, including Charles's, went to George, who had not realized that he had become the center of attention because he was very distracted on his mission to catch with his straw a gummie that was at the bottom of his glass.
The named one frowned “With me?”.
Pierre moved in his seat offended "Yes, what do you mean with Max?" Why not with me?”.
The Spaniard laughed scratching his leg over the fabric of his jeans “Don't you have a girlfriend?”.
"Shut up, Carlos. This is important” The Frenchman raised his hand trying to block the Spanish's face.
Russell's bulging eyes rose to look at his colleagues “I mean... I don't know, between Max and Bella there is like this strange tension but at the same time they get along well. I guess it will be because they are both so focused about beating Hamilton but I thought they would end up together”.
The green eyes of the number 16 traveled to his childhood rival, his desire to throw up became even stronger when he saw that he was struggling not to let out a smile. He knew that he had liked the British's words and although he couldn’t blame him because, to be honest, they were all young men and she was practically a goddess so he was not too surprised that he was not the only one interested in her.
"Mmmh" Pierre's lips furrowed in agreement. "Yeah, they wouldn't look bad together. It would be kind of enemies on the track to lovers off the track, it would make sense”.
Russell pointed it at him “Right?”.
"But she and Lando have already kissed" After Verstappen's words, everyone looked at him strangely.
Carlos let out a high-pitched squeal “It was you who interrupted them!”.
"Yes" He laughed nodding as he drank from his glass, he moved his gaze towards the boy sitting next to him.
"Well, Landito has a lot of advantage then" Carlos' honey eyes returned to the dance floor causing the others to imitate him. The youngest pair of the group were dancing as close as they could to each other, they were sure that not even a pen could fit between them, Arabella was with her back to him with her arms hanging from his neck while Lando hid her face in her neck and his hands kept a firm grip on the girl's waist.
"Do you think they will fuck tonight?" The dirty blond with a beard smiled like a kid, entertained by the reaction of his best friend but also happy that his friends got some kind of action.
"Looks like it”.
Before Max's words, he squeezed the glass so much that it exploded, attracting the attention of others and even of some people around them. He felt the cold liquid from his cup pierce the fabric of his pants when he released the last piece of glass that he was still holding in his hands. He waved his hand to get rid of the liquid and let Carlos take it to inspect that no crystal had been stuck in his skin.
"Fuck, Leclerc" The one with the raspy voice handed him napkins from the napkin holder that was on the low table in the center of the sofas.
He looked back at the dance floor ignoring how Carlos called a waitress or how Pierre and Max tried to clean the mess by throwing an unnecessary amount of napkins on the floor. Suddenly he was relieved when he saw the dark-haired British boy walking towards the table, with no trace of the brunette next to him.
"What happened?" Lando's disheveled eyebrows came together when he saw his friends trying to clean the floor and Charles soaked from top to bottom.
The monegasque had to look away from the boy when he noticed a mark of lipstick of the same color as the one Arabella wore on his cheek. He got up abruptly releasing a quick "I'm going to the bathroom" before leaving.
He walked through the club as if the devil himself was behind him, he ignored the screams of the people when the song changed and also the looks of the Spanish girls on him in addition to their whispers. Once he reached the hallway where the bathroom was, he let out a sigh, his knuckles had turned white from how hard he was squeezing his fists. He leaned against the wall taking advantage of the fact that the hallway was empty and sighed, bringing a hand to his hair.
Damn the day he met Arabella Torres. Since that day, everything that could have gone wrong was going wrong. He didn't blame her but the damn fate for playing with him that way.
He leaned his head on the wall, looking at the ceiling and thought that it wasn’t as he had expected the night to be. He had gone to the party hoping to be able to talk to her and fix their problems but no, she hadn’t even give a single look to him and that drove him crazy because since their fight and having left him lying in her driver’s room they hadn’t spoken, except for some video that the Ferrari stuff had forced them to record for the YouTube channel and little else. They hadn't even seen each other since the last race, they were supposed to have flown together from Azerbaijan to Barcelona but Arabella had run away to Madrid to celebrate her brother's birthday with her family so it had been almost two weeks since they had last seen each other.
For a moment he wondered what his life would have been like if maybe they were in different teams or if they were normal people and met at a party like this or maybe at college. Everything would have been very different and much easier.
He moved his head following the rhythm of the song without knowing that the lyrics said because it was in spanish and sighed when he heard the door of one of the bathrooms open, he looked down even without separating his head from the wall.
Oh, what a coincidence.
"What happened to your pants?" Arabella was in front of him, looking with a frown at the dark spot that covered much of the fabric that covered his leg.
"My glass exploded" He replied in a hoarse voice because he had not said a word almost all night. He observed her through his long eyelashes, trying to memorize the image in front of him before she ignored him again.
"Ah, good luck cleaning that then" She squeezed her lips and began to turn, ready to get out of there, to run away from him again but he prevented her by grabbing her wrist. She froze in his place, she had missed his touch, she let out a sigh trying to stay calm “Charles, let me go”.
"Why?" A cynical smile stood on his lips "Are you in a hurry to go back to Lando?".
He saw how she tilted her head to the side before she let go of his grip and turned around, he saw how she looked at him confused.
“What does Lando have to do with this?”.
"I've seen how he was kissing your neck and how you danced very close. Too close to be just friends" Everything around Charles was red, as red as the cars they drove or the uniforms they wore on weekends. He was jealous and drunk and didn't think too clearly because they both knew that he wasn't like that. Arabella looked at him strangely, she never seen him that way “What, have you already found my replacement?”.
"What the fuck?" She murmured in spanish. The girl was surprised and as incredible as it may seem, turned on.
"Maybe you can go to McLaren" He bowed his head as his gaze went from her eyes to his lips "But you know that orange will never look as good as red on you”.
She immediately realized that it was a metaphor and wanted to laugh but was too confused to do so. The alcohol in her system next to Charles' perfume wasn't really helpful. She knew that he was playing a game and that if she followed it she could get burned but everyone knew that Arabella Torres was reckless and that she liked danger.
Her confused expression changed, Charles couldn’t describe it but when she began to shorten the distance between them he began to walk backwards, unconsciously entering the women's bathroom, which was empty thank God. He felt his mouth dry when he saw that the girl's hand went to her chest where she began to play with the buttons of the shirt she was wearing “I'm not sure if the red fits me so well” Slow but very slowly she unbuttoned the first buttons revealing a red lace bra. She gathered his eyebrows looking at him with feigned curiosity and in an innocent tone asked him "What do you think?"
He blinked a couple of times before looking up at her. He cursed in French before shortening the distance and smashing his lips against hers. He passed his hand through his neck entangled his fingers between the soft waves of brown hair, closed his fist and pulled her hair forcing her to walk towards the sink. Her ass hit the edge of the marble board making her moan in his mouth because his free hand was squeezing her butt making the Prada's skirt rise and she could feel the cold marble against her skin. The moan in his mouth made him smile, his hands moving from top to bottom through her body caressing her barely covered skin thanks to the open shirt and the short skirt.
Her hands traveled to the boy's neck, one of them taking over the small strands that were born on the back of his neck causing Charles to open his lips but not move them, he stayed in his place watching as she twisted under his touch, the smug smile he had on his lips made her know that he was enjoying it. The tips of his bangs stuck to her skin thanks to the thin space between their foreheads tickling her, which was making her nervous.
Arabella let out a small moan when she felt his right hand go up from her ass to her naked thigh and go through the bottom of her skirt to her underwear. He kissed her again as he pressed with his finger –she wouldn’t know which one– against the fine red lace garment that separated her skin from the contact of his hand.
For a second she thought that she had reached glory when she felt how he was pressing even harder but she fell from the cloud when he separated. She looked at him frowning at what he gave her a smile of apology before asking her with his eyes if she was okay and comfortable with that.
At another time maybe she would have thought it was cute but she was drunk and horny so she could only roll her eyes and take his hand with hers to place it back on her panties “For God's sake, Charles. Just do it”.
This time it was she who joined their lips, ran her fingers through his hair and pressed herself as hard as she could against him while their tongues fought each other. She let herself be embraced by his pleasant smell and the thousand sensations she felt when he was like this with her.
She released her grip on his hair and took her hands along a path from his neck to his chest where she took the shirt in her fists and, in one movement, pulled it breaking the buttons making them fly. He walked away from her when he heard the buttons touch the ground, he looked at them without expression before turning his gaze towards her, raising an eyebrow looking at her between his eyelashes. She bit her lip because, let's be honest, he looked too good looking at her like that from that angle.
"I'll buy you a new one" She went to tell him, but before she opened her mouth, he screwed his hands on the back of her thighs, causing her to let out a small choked scream in surprise when she didn't feel the ground under her feet.
She hissed when the cold of the marble hit the skin of her thighs although she was silent when she felt Charles' hands raise her skirt more to have better access between her legs. The monegasque released the garment when he felt her gaze on him, he looked at her without raising his face, giving a dark touch to his gaze. They watched each other in silence for a few seconds until Charles took his right hand to her jaw and kissed her quickly, separated from her but not enough so that their breaths didn’t mix and took his fingers to her lips.
"Open your mouth" He murmured still holding her gaze, the girl obeyed by letting his fingers pass between her lips meanwhile he looked down at her mouth “Suck”.
He watched with delight as the girl's swollen lips closed around his digits, he felt her tongue playing with them. He looked into her eyes and found that she was already looking at him and almost moaned at that moment.
"Merde, mon ange" He cursed when she let go of his fingers making a pop resonate through the empty bathroom. Shit, my angel.
"Charles..." She said his name in a sigh. He looked at her expectantly with his fingers still touching her lips, the skin of her mouth stained by the red lipstick collided with his finger tips surely staining them too “Charles, please”.
"Please, what?" His voice came out in a murmur but she still heard him and of course she did because the only thing she could hear, feel and smell was him. She was drunk but the alcohol wasn’t what the room had circling around her but him.
She hated Charles Leclerc, she hated the effect he had on her, she hated that even though she was angry with him she felt the stupid need to feel his skin against hers, she hated that they couldn’t be together, she hated that he was playing with her that way, she hated that it made her question every damn aspect of his life. She hated him.
Damn Leclerc and his perfect eyes.
She squeezed her grip on his shirt and kissed the fingers that hadn’t yet separated from her lips before looking at him through her long eyelashes with the most pleading look she could give him "I need you. Please”.
Pathetic, she thought for a moment but the boy's hands rolling up on the fabric that covered her private parts returned her to reality or at least to that bubble in which they had both locked themselves. She rested her hands on the white marble countertop and raised her hips to help him slide the garment down her legs before he made a gap between them and kissed her abruptly.
She felt how the tips of his fingers caressed the inside of her thighs until he reached his destination. She felt how they grazed her folds, covering them with her juices and she groaned in his mouth when she felt him slowly rubbing her clit.
The boy broke the kiss by grabbing her neck when she saw that she made the move of throwing her head back “Was that what you wanted?” His voice was so calm, in contrast to how trembling her breathing was “Did you want my fingers, mmh?”.
"Please" She groaned and he pressed his fingers harder.
She let out a gasp when his fingers slightly touched her entrance, pushed her hips against his hand desperate for his touch, that caused him to laugh. He put one of his fingers inside and a soft moan came out of her, hips moving again to look for some kind of liberation “More” She complained in a murmur under the intense gaze of the boy.
"More?" He smiled and inserted another finger, feeling the walls tighten around his fingers, his hand moving to equalize the movements of her hips, putting in and pulling out his finger being able to hear the wet sounds.
The whining and moans began to get stronger, the nails stuck strongly in the skin of his shoulder on the fabric of his shirt and he moaned at the sensation, looking at her as he fucked her with his fingers.
Arabella thought that not only did his fingers feel incredible, but he also looked so good in front of her and just by looking at him touching her she thought he could send her to the limit. His thumb went up to rub her clit causing her to sink her teeth into her lower lip, the sensation became too intense.
"I'm so c-close" She groaned and he straightened up, crashing his lips in hers, their tongues dancing in a passionate kiss while his fingers pushed into her faster and deeper. The fluids ran through his hand while his thumb applied even more pressure. She felt so overwhelmed that she couldn't even keep up with the kiss, she was too focused on how well her fingers felt inside her.
And just when she began to feel those tickles in her lower belly that she had rarely felt in her life, everything stopped making her open her eyes abruptly. She looked at the boy in front of her confused and moaned when she felt how her disconnected their bodies.
“Charles...”.
His free hand squeezed on the back of her neck, he approached her ear and she heard how he smiled, "You're right, red doesn't look that good on you.
He walked away from her causing a sudden feeling of being cold to cover her body, she frowned when he saw him crouch and take her thong from the floor. With a mocking smile he shook it before storing it in the pocket of his pants “I'll keep this, maybe it will bring me good luck and I beat you in your home race. See you, mon ange”.
He winked at her, causing his dimples to be marked on his face. She looked at him, her eyes shining thanks to the tears of frustration that had accumulated. She clenched her jaw watching how he was leaving the bathroom so calmly. She looked silently for a couple of seconds at the door through which he had disappeared before releasing a scream of rage. She swallowed between quick breaths and closed her eyes, dropping her head against the cold mirror.
"Fucking asshole”.
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𝗮𝗿𝗮𝗯𝗲𝗹𝗹𝗮_𝘁𝟵 added to their story!
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A mischievous smile was present Charles' face, who was looking at the photos that Arabella had uploaded. He looked up from his phone when he heard footsteps enter his part of the garage, he saw one of his teammate's engineers approach his car to talk to his own engineers. He ignored him and looked back at the device in his hands, trying to hide his deception when he saw that it wasn't the brunette.
But when a part of the conversation made its way to him he couldn't help but turn his attention to them. He continued looking at the phone and moving his thumb across the screen from time to time to disguise it.
"I recommend that you don't talk to Arabella today" Said the man whose name Charles didn't know. He had seen him several times in the other part of the Ferrari garage but the truth was that he had never paid much attention to Arabella's team. His ears perked up at the girl's name.
“Why?” His engineers were clearly not as interested as Charles as they didn't even give him a second glance and continued inspecting the car.
"Just don't say anything to her unless she talks to you first".
And with that he ran to the other end of the red walls. He frowned and got up from his seat, left the garage belonging to his team and began to walk towards McLaren's, ready to find Carlos because he knew on good authority that the spaniard was the one who kept the paddock's princess' secrets.
He laughed to himself wondering if she had told him what happened in the bathroom at the nightclub last night. He hesitated because she told him everything but he wasn't so sure if she would tell him that.
I'll find it out now, he thought as he saw the spaniard sitting on the ground with several others. He clenched his jaw at the sight of the other part of the McLaren duo but continued his pace towards them anyway.
"Haven't you noticed that she's acting strange?" The Australian's notable nose wrinkled at his own question. He narrowed his eyes.
"Yeah? No, I don't know" Alex raised his head looking at the others confused "I mean, I don't know her as well as you do but there is something different about her".
"Maybe she's just focused on trying to win in her homerace" His best friend shrugged, turning his head to look at the other side of the paddock. He raised both eyebrows when he saw him and was immediately excited "Charles is his teammate, surely he can tell us what is happening to our girl".
He looked down at him, his expression showing very clearly that he had not liked the way he had referred to the spanish woman. Gasly's annoyed smile widened as he separated the green from the blue and shook his head.
"We argued so she doesn't talk to me" He put his hands on both hips and rested his weight on one leg. He looked at Carlos surreptitiously trying to see some kind of expression that would give away that he knew about their relationship but nothing. On the one hand he felt relieved, on the other he felt the need to talk to someone about it but he knew it was too big a risk.
He felt Ricciardo's hand collide with his shoulder and then his contagious laughter filled his ears "Have you never heard the expression "happy woman, happy garage"?.
"What have you done now?".
He looked at Albon, putting a hand to his chest, offended “Why does it have to be me?”.
"She's the one who doesn't talk to you, the one who must have screwed up must have been you" Carlos joined his hands on top of his knees, his eyes focused on some distant point behind Charles' body.
He opened his mouth to complain but the vpice of the protagonist's of the conversation made everyone look in the same direction that Carlos had his eyes on. The girl walked through the paddock alongside a group of cameras and interviewers, answering her questions with her calm even though the press seemed to be about to kill each other to be able to walk near her. As if she were some kind of saint who just by being close to her and breathing her air would cure most horrible symptoms.
Lando broke the silence that had formed between them by speaking for the first time since the monegasque had joined them “They have never fought to interview me.”
"Me neither".
"Neither" Daniel responded and Alex just clicked his tongue.
He curled his lips and then remembered that in the other two races she hadn't done any kind of press. Charles didn't know why but it wasn't like he could ask her either. He watched her walk away and twisted his head, something was happening here.
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"POLE position, baby!" Alexandre exclaimed in her ears and she laughed at the man's enthusiasm. As always before getting out of the car, she thanked the team over the radio and took off her helmet followed by her balaclava. She heard the roar of the Mercedes and watched as Hamilton's car parked next to hers, she saw him get out of her and copy her, taking off his helmet and balaclava. He looked at her and smiled at her raising both eyebrows to which she rolled her eyes and started walking away.
“Why are you avoiding me?” The British accent sounded soft and sweet next to her. She looked at him out of the corner of her eye seeing that he had not taken long to get next to her. She tightened her grip on her helmet.
"Because I don't want to see you" She smiled sarcastically still looking ahead. Lewis frowned and quickened his pace to stand in front of her, walking backwards. He observed her face delighting in it when he saw her make a face of frustration when she saw him in front of her "You're going to fall".
A smile planted itself on his plump lips “Aw, you care about me.”
"On the contrary, it would brighten my day" Sarcasm continued decorating her pretty smile.
"I thought me being second was what would make your day" He stopped his pace abruptly, causing her to collide with him, she placed her hands on his hard chest to avoid stepping on him and grunted in annoyance while the british man smiled, clearly enjoying the moment.
As if he were poison, she quickly let go. She looked up to see him, remaining silent for a few seconds because she didn't know they were so close to each other. She blinked before pushing him away, his annoying laughter soon filling her ears “Enjoy the views from the second place.”
The man laughed again watching her walk away from him towards her garage, her car being driven by one of the engineers following her at a considerable speed. He sank her teeth into his bottom lip before raising his voice“I'll do it! Believe me, I will".
She hurried into the garage, clenching her jaw as she saw the monegasque driver giving her a smile as if nothing had happened between them "Congratulations…"
She raised a hand blocking his face and his words before passing by him and heading to the hallway that would take her to her room, ignoring how the red polo shirts were soaked with champagne and how everyone was celebrating the pole position. Upon arrival she dropped the helmet on the ground without giving much importance to the loud noise it made when it hit the ground and threw herself onto the sofa while releasing a sigh. She closed her eyes and drifted off to sleep.
"ARABELLA TORRES CROSSES THE STARTING LINE CROWNED AS THE NEW WORLD CHAMPION!"
Despite the roar of the car engine and the cloaks covering her ears she could hear the screams of the audience. She frowned when she saw a sea of red and yellow flags, her team began to take their place on the fence that separated the track from the pedestrian zone, she saw how they shouted with smiles on their faces and how they waved their flag in the air and then she knew.
She had won.
She had won the last race of the season and just like that the fucking title of world champion was hers.
She laughed madly, raising her arm above the halo in celebration. She pressed the button on the radio and incredulously asked "Have I won?".
"YOU'RE WORLD CHAMPION, BABY!—She heard Susie's scream, behind the blonde's voice she could hear the others celebrating the victory. Her smile widened even more making her cheeks start to hurt. Wolff wiped her own tears and picked up the microphone, bringing it to her lips. "You've won, Arabella. You've done".
Her lips trembled but the smile didn't fade, her throat went dry and for a moment she saw blurred "Thank you, thank you, thank you. Thank you so much to all of you, guys."
Come on, get out of the car so we can celebrate" This time it was Toto's voice that rang through her ears, he nodded and followed the few meters of road until she reached the sign with the number one. She parked in it and sighed before getting up from her seat and raising both arms in victory.
She got out of the car feeling tears begin to roll down her cheeks. She took off her helmet and balaclava before kneeling on the ground right in front of the car, clasping her hands together and resting them against the nose of the black car and then resting her forehead on her hands, as if she were praying to the machine. She lowered her head until her forehead was almost touching the floor and, finally, she cried. She let out a sob so hard her chest hurt, and she grabbed the fabric of the chest of her suit tightly.
"Arabella, Arabella, Arabella!" For a moment she heard nothing but the audience chanting her name.
She sobbed again, raising her head, looking around around. Everything seemed to go in slow motion. Was that really happening? She looked at the camera in front of her and with her hand on rop of her heart chehe vocalized several "Thank you" non-stop.
Suddenly she heard a loud bang and immediately afterward the screams of people, she looked at her hands and frowned when she saw that they were illuminated by an orange light.
She raised her head slowly seeing how her car was on fire, she moved her gaze to the right finding the red car embedded in the side of hers. She watched in horror as Charles's lifeless eyes looked back at her.
“Arabella, Arabella, Arabella!” The crowd's cries grew even louder and she willed them to shut up. She got up to run towards Charles but it was too late, neither he nor both cars nor even the circuit were there.
“Arabella, wake up” Some light pushes drew her to reality, with a gasp she opened her eyes, meeting Sebastian's face.
She smiled when she saw him and wrapped her arms around his neck. She heard his laugh and felt how he gave a kiss on her hair before caressing it.
"I'm here, siéger” He whispered into her ear, his voice immediately bringing him peace. She sighed against his shoulder “I'm here.” Champion.
"God, I've missed you so much" She murmured against his jacket, she hid her face even more in his neck, feeling the man's hand go up and down her back.
“Me too, siéger” He patted her on the back a couple of times and began to let her go. He looked at her with a frown “Were you having a nightmare?”
“Yeah, but…wait” Her gaze ran to rest on the clock on the wall right next to the television. She opened her eyes in surprise before looking at the man kneeling in front of her "Is it Sunday already?".
Vettel nodded “Yes, you've been sleeping here since qualifying. It's been a long nap”.
She put her head in her hands, hiding her face in them, and let out a sigh “I didn't sleep much yesterday.”
“How much?”.
She denied, remembering that when she arrived at the villa that the boys had rented she couldn't sleep but instead stayed tossing and turning in bed all night without stopping thinking about the race and how frustrated the green-eyed boy had left her. Plus Carlos's unconscious body trying to hug her every chance she got didn't help her much “An hour”.
“Fuck, siéger” He let out an incredulous laugh “And yet you qualified on pole, incredible”.
She shrugged as if it was nothing. She turned her neck to both sides grimacing when she heard the bones creak and got up from the couch being followed by the german, who stepped forward to open the door for her.
They walked among the paddock, heading to the common cafeteria so the girl could have breakfast. They both ignored the surprised looks at seeing the former champion walk and chat so calmly next to the driver, since it was not public knowledge that she and Sebastian Vettel had known each other and had maintained a friendship since she was a child. She licked her lips watching the cameras not far from them, she knew that at any moment people were going to find out so she tried not to give it much importance while the dark blonde, on the other hand, looked a little worried.
Sebastian knew that the girl didn’t want the public to know about her friendship, either the one she had with him or with the Schumachers, since the public would quickly question all of her achievements in her career. Both Sebastian and Mick understood and agreed with her, they knew Michael would agree too. And that's how it had been since they met, distancing herself from the Schumacher’s son while they were in public when they met at a race even though they both wanted to talk or simply enjoy each other's company, not being able to go to Sebastian's races to support him or couldn't even talk about how the germans had become fundamental supports in her life since she met them at the tender age of eleven.
That's why he couldn't help but be surprised when he accepted her call and heard her invite him to the next race. He looked at her out of the corner of his eye, he knew that she had had a bad time and he was worried about her, after all for him, she was like his eldest daughter. Not for nothing did his first-born daughter bear her name.
Once seated in the cafeteria, they were accompanied by the girl's manager and her publicist, who after waiting for her to have breakfast, dragged her away because she had to do some interviews.
“Don't you notice something strange on her?” Nicholas took a bite of his croissant, both men watching the two women walk away at a hasty pace.
“There is something in her gaze” He responded, nodding “Something that I don't know if I like”.
He had noticed it and it had not been difficult for him to recognize that shine in her eyes. He more than anyone could know it, because a while ago he also had that shine in his own eyes.
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writers-potion · 17 days
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Got anything for dialogue
Writing Dialogue 101
Dialogue is conversation, nothing more, nothing less. The catch is: diagloue is EDITED conversation. It must be more concise, purposeful and witty than the everyday sentences we speak, while sounding natural.
The Purpose of Dialogue
Diaglue is definitely a fiction elements that pops everything up and out. Thus, dialogue is going to have more impact than your normal paragraphs, in order to:
Characterizes/reveals motives
Sets the mood in the story
Intensifies the story conflict
Creates tension and suspense
Speeds up your scenes
Add bits of setting/backgronud
Communicates the theme
Matching the Dialogue to the Genre
The dialogue in a book should speak the reader's language. There is a type of voice that suits each genre/category of fiction, and we must understand what matches the reader expectations and rhythm of the plot we are writing.
Magical Dialogue
"Do not kill him even now. For he has not hurt me. And in any case I do not wish him to be slain in this evil mood. He was great once, of a nobel kind that we should not dare to raise our hands against." - The Lord of the Rings, J.R.R. Tolkein
"As much as I want you and want to be with you and part of you, I can't rear myself away from the realness of my responsiblities." - The Bridges of Madison County, Robert James Waller
This is the language of The Hobbit, Star Wars, The Lord of the Rings, The Wonderful Wizard of Oz.
When writing literary and mainstream fiction (that is targeted at the general public rather than a target audience), we need to go with what sounds real, even with a magical setting
Science fiction and fantasy can be more unreal, i.e. things like "May the Force Be With You."
In romance, magical dialogue takes on a differen form. It's magical in that it transcends the way we talk to each other in normal society. Magical in that all of it makes perfect sense and is said in such eloquent langauge that we marvel at it while at the same time knowing that if we are left to ourselves, we would say something absolutely banal.
Cryptic Dialogue
"You know, the condom is the glass slipper of our generation. You slip it on when you meet a stranger. You dance all night, then you throw it away. The condom, I mean. Not the stranger." - Fight Club, Chuck Palahniuk
This is the dialogue in literary and religious stories that dealw ith abstract ideas and vague concepts and has double meanings. Readers aren't meant to understand theses right away.
These bits of dialogue plant sublimnal messages in the reader's mind that help communicate the theme later on, ultimately making sense.
Cryptic dialogue is difficult to do well. If we're not careful, we'll end up sounding preachy, moralistic and dogmatic.
You need to be able to view the world in different perspectives.
Descriptive Dialogue
The literary, fantasy and historical story often relies on dialogue for worldbuilding (expplaining history, magic rules, etc.)
The author's goal in descriptive dialogue is to provide the reader with information. However, the character's goal cannot be sacrificed for the author's. Dialogue can still have tension and suspense and can be inserted into a scene of action so the story doesn't bog down while the readers get some info.
Shadowy Dialogue
In shadowy dialogue, the character's job is to keep the reader suspended in a state of terror/suspense. Then you periodically tighten and loosen the tension.
The key here is uncertainty. The reader cannot trust the speaker, so we're always questioning him, wondering whether he's speaking truthfully or is presenting the full picture.
Keep the tone as dark of possible, using action and background as supporting tools.
Make it cryptic, or even better, offering an omnious threat of what is to come.
Provocative Dialogue
This is the type of dialogue that conveys the theme, talking about the "universla truth" your book is trying to convey.
Readers like to be challenged in their thinking, provoked to consider other ways of thinking, and shaken up in their belief systems with a fresh perspective about the world.
Consider this example from To Kill A Mockingbird:
"...but there is one way in this country in which all men are created equal - there is one humna institution that makes a pauper the equal of a Rockfeller, the stupid man the equal of an Einstein, and the ignornant man the equal of any college president."
There is no way we can read this and not think about something that is bigger than our daily lives.
Make your readers squirm, and shock them out of their comfort zones.
Uncencored Dialogue
Uncencored dialogue in YA stories are of young people, but that doesn't mean it's filled with hip-hop words and slag.
While adults cencor themselves when they speak, teenagers haven't yet learned that skill so their dialogue is more raw, edgy and honest.
Readers of YA novels expect realism, so make it as authentic as possible. The last thing we want to is for our characters to be brash and honest, but NOT sound like they've just stepped out of Planet Way Cool.
For example:
"What if he doesn't like me back?" "You are too much of a chicken to do anything aboutit but mope."
As an adult, how often do you admit fear of rejection out loud to another, or call out your friend to her face? In YA-type of dialogue though, we can just write what comes into these characters' minds.
So that sums up the different types of dialogue. Consider the nature of your plot, what your readers and the genre of the story you are writing to choose an appropriate way for your characters to speak!
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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sea-owl · 13 days
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Ok but I wanna talk about Portia in that trailer and the absolute pride in her voice when she's taking to Penelope.
I personally love Portia's character and how she's been a foil to Violet in that she's a loving mother, but she's also a realist about the society they live in. She's a tough love, no nonsense type of mother. She's making sure everyone survives as a top priority, if she has to be mean to get them there than so be it.
She's been at odds with Penelope the last two seasons mainly because of their different views. Portia is a realist, while Penelope still has dreams like most 17-18 year olds. Portia, in her own way, has been trying to bring Penelope back to reality.
An example of this to me is the scene where Portia finds out Penelope has been writing to Colin. The first thing she says "I declare Penelope," in a softer tone and when Penelope declares Colin her friend that tone becomes more strict. She tells Penelope, "Colin Bridgerton is no more your friend than I am the next Catherine the Great." Is it mean? Yup. But looking at it through Portia's eyes there's some truth to it. Their society doesn't allow friendships between single men and women. Colin and Penelope writing to one another without being engaged or even a proper courtship was actually very inappropriate. Portia probably does understand that there really isn't anything inappropriate in those letters and they are actually friends but she also knows no one else would see it that way. If she wanted she would have been well within her rights to go to Anthony about it and raise a fuss. She needs Penelope to see this too.
Now come season 3 in Portia's pov Penelope is finally taking the marriage mart seriously. She's got herself a suitor who is a titled lord, and Portia is proud of her. No more silly little fantasies of love. Meanwhile Penelope is probably weirded out with some other mixed feelings by this because this isn't what she is used to from her mother.
Makes me excited to see where their relationship goes. Because honestly, Penelope probably inherited the most from her mother, but she's in denial about it. It mostly comes out in Lady Whistledown, but that sharp wit and scheming mind is Portia. Penelope will actually fall into Portia's line of thinking when she's backed into a corner. When she saved both Colin and Eloise, she knew they would be hurt, and she's sorry about that, but she also knows they'll be safe. That is Portia's school of thought 101.
I've also been wanting to see how they approach the big heart to heart between the two of them. I want them to get into a screaming match that breaks down into them sincerely talking to one another. Penelope's confidence is supposed to get a boost this season, and we know she's not afraid to subtley barb at her mother. I hope they have Penelope confront Portia at some point, forcing everything out in the open.
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blind-sheep · 1 month
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As someone who spend so much time on more lgbtq+ settings on the internet, I tend to forget how much the average joe is, by norm, very heteronormative, as is society.
Like, there was this short video on youtube showing the Falin's resurrection scene and all, and some peoples did some comments about it.
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As someone who do ship falin × marcille, and compared to what we see around here, that's pretty mild stuff right?
But as I keep forgetting, some people get quite mad at the simplest suggestion that gay people may exist in their little show.
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Tbf, the first comment may just not be into the ship and is finding reasonings to why it doesn't work on their eyes, but they're very defensive still.
The second comment however is at quite a point of hetero delusion. Falin was about to marry Toshiro? What? It was mentioned he proposed to her, not that she had accepted and was about to marry him! But, to some people, a man liking a woman is enough for them to be already together, no matter how she feels about it, bc it's "the norm" for the boy to get with the girl. Like, he likes her, and that's all that matters so they will totally get together at the end?
Sadly, that's one of the reasons I see Laios × Marcille as a boring ship sometimes. By all means, I see why some people ship it, there is some real reasoning behind it, but I just know the biggest reasoning for most people that ship them is just "he was a boy, she was a girl, do I need to say more?" Type of mindset.
This next one just makes me laugh, it HAS to be bait:
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Like, Marcille NEVERS blush around Falin AND just blushes around Laios? Fella, I don't think we watched the same anime or read the same manga, even people that don't ship them can see that they are a little gay. Or can they? (Vsauce theme starts playing~)
About their age difference and how race works in Dungeon Meshi, that's quite the big topic, not sure I want to stray too much here (there's too much text here as it is).
And about that part that says "makes me think they're all very straight": if this comment is a joke or not, this bit says a lot. Most people see the whole world like that, everyone is straight till proven other wise, and you gotta prove a LOT in media for characters to be gay, or it doesn't count. To most people, being hetero is the norm, and seeing lgbtq+ ships is very hard for most bc of this.
No one is forcing anyone to ship anything here, but lots of people really do forget being gay is even possible sometimes, and get mad at us for shipping what reflect our realities (at least in our eyes). Especially in the anime community, where the simple threat that their "waifu" may not like dudes send some fellas into a fit of rage and homophobia.
And I know, the focus of Dungeon Meshi is not romance and never was, and we can't see the story only through these lenses, I agree with that. But people will ship anything in any show, and I just used it as an example to talk about this topic. It's something that comes often to my mind and I never had the chance to talk about it till now.
Here's a little Farcille gif as a treat for those that read all this rant of mine:
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( so cuute~ )
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dunmeshi-darlings · 13 days
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The fact ive been seeing people in the dungeon meshi fandom not understanding the life cycles and how that impacts ages of maturity among the various races, and using that as a means to attack or insult other fans is quiet disheartening.
Because they have been shown in the anime recently ive seen this alot with characters such as inutade and leed and more so when izutsumi appears. i cant be to upset because as much as i enjoy kui and her work, alot of major facts arnt in the story itself and are in the daydream hours and seperate content.
But people arnt realizing that the different races arnt like the real world, they dont grow at the same age and rate and have different life spans because of it and so people are getting aggressive towards others over character ages when in reality they dont know how it really is.
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Leed is one i want to talk about, orcs only live around 55 years. And they clearly grow at a much faster rate than races such as elves or gnomes. Leed is 14 years old, but at that point she is a fully grown orc woman. Yes she has only just become one but in orc society she is an adult, we see this when she thinks she is going to be wed off to laios later in the story when he becomes king. If she wasnt fully grown then i do not believe kui would have shown that scene. But because of orc aging she is in fact a grown woman.
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My other example being inutade, once more we see another race with a shorter lifespan who clearly age at a faster rate than elves or gnomes. Inutade being 16 actually puts her past what oni age of maturity is because they mature at 15. Tade is a fully grown oni woman. And if we look at daydream hour 88 we see this art of her. Whether you view it in a sexual light or not is up to interpretation and it could go either way. But because of the type of person kui is, i dont believe she would have drawn tade like this if she viewed her as underage.
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I have more photos of the race bios to show them off but what im saying is that there needs to be an understanding that because these fantasy races have varrying life spans, the ones who live shorter lives would make sense to mature in less time than the other ones. I want people to understand this because ive been seeing people saying truly despicable and mean things about other people and it breaks my heart to see.
Ive seen some people say that maturity ages are what they are becaus the shorter lived races die becaues it is like medieval times and so people died younger, but with magic healers and spells that really isnt something i think can be pointed to for why certain ages die at certain times.
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sillyandquiteawkward · 5 months
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sillys (not so) lil info dump about how to be a human being. smiles
htbahb is an album from glass animals, of which notably, all the songs align with different people's lives, perspectives, and feelings, also of which are shown on the (various) album covers. so the easiest way to go thru the story is song by song. but i will show you the album art so you can get a gist of things before we go into details.
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these are just some of the various album covers for htbahb, theres a bunch of them, but we dont need to see all of them to see the different lives of our characters.
1, Life Itself
this is our main character for life itself. you can call him a bit of a nerd if youd like. apparently his name is chuck rogers. they dont all have names.
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hes an inventor, loves ray guns and strange technology, but as noted in his song, feels like he was raised with expectations hell never be able to achieve. his father as a child said he would be a superstar, but nowadays, he cant get a job and he lives with his mom. hes struggling with finding himself and his place in society and hes doing drugs and feeling like hes absolute rock bottom with everyone being against him. he feels alone and attacked and retreats back into his car or grandmothers basement and keeps folding back into himself.
in the music video for life itself, hes only seen in a few scenes, leading the charge against [popular st] with a smoke bomb as [mamas gun] watches knowingly from the sidelines as perhaps the real leader behind the assault. they seems to be accomplices with each other, as they ride in the car together and seem to be specifically looking for [youth].
2. Youth
now the main character for youth is tricky, it seems like we have two characters for youth, the small child, and assumedly, his mother the waitress. i think i like the interpretation that the mother is the main character for this song, and the child represents the album as a whole. alternatively i also like the idea that the child is youth, and his mother represents [premade sandwiches]. but for the most part, they are just both the characters for youth.
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youth is a mother talking about her child, and to her child, almost in a detached sort of way as if they arent able to see each other. a mother speaking her hopes and dreams to her child. somehow these two have been separated when the child was young, perhaps through giving up to adoption, or hinted in the music video, abduction. she wishes best for the child, urges them to feel their mother at their side, and notes that theyve got her eyes. she lists off her wishes for them to be happy and have friends, and be silly. this perhaps is for the best, that they can be happy even without her. i particularly like in this song, the wordplay makes it sound like the singer is counting one, two, three, four, five, when they are singing other words like boy, to, free, funny, and fly respectively.
in the music video for youth, the child is seen almost haunting the mother as she works as a waiter, appearing in several locations playing and running around as she remains dutiful to her job. they briefly sit looking at each other in the same hotel room he had been taken to in life itself's music video.
3. Season 2 Episode 3
this is the main character for season 2 ep 3 and i think one of the cool changes between album covers, as we see a fully done up girl all put together with her make up on, and in the other, someone a bit more silly with her makeup removed. this might be the way she sees herself vs how other people see her.
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the song is the lament of a boyfriend to his girlfriend, who seems to be glued to the couch, watching shows, getting high, not changing her clothes, and eating day old leftover food and most notably, mayonnaise straight from the jar. at the beginning of the song, the two of them are high together, however he soon sobers and realizes she refuses to get sober along with him. he tries to convince her that their relationship wont work if she keeps being like this and doesnt try, but she wants him back the way he was (high as well) and views him as a nag. she still makes him happy, but sometimes she makes him sad to see how she lives. even after an acceptance from the boyfriend that she wont change and will never be vertical and golden like he wants and that the relationship will never work out, the song ends hinting that hes picked up getting high with her again due to her calling him a killjoy and wearing him down.
in the music video we watch the girl splay out on the sofa, surrounded by her mess watching tv and doing nothing. halfway into the video, we are brought into the game she plays, as she battles [life itself] [cane shuga] and [the other side of paradise], all of which are men who could possibly be the boyfriend figure.
4. Pork Soda
this is our main character for everyones favorite pork soda. hes an older man, who for the most part seems pretty happy. wonder if hes harboring some long lost feelings or something.
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the song opens with a street performance unintelligible to a normal listener, its like passing by a conversation, you are only able to hear bits and pieces of the spoken words. once the song starts you hear a story about this guy's girl who used to be fun and adventurous and would take him along with her. in the same breathe hes begging to go back to the days they were happy together. it seems like they fell out of love, or are in a struggling relationship bereft of communication or the passion it once had. shes only happy when theyre having sex together, and just looking at each other causes him heartache. the song talks about pineapples in my head, and being brain dead, as well as other references to diminishing mental facilities, that perhaps in their age, theyd forgotten about each other.
the music video gives us probably the most clear story line, as we see the wife prepare a meal before sending it through a dumbwaiter into the basement for the husband. there he sits alone, watching tv. up above the wife plays with their dog, imagining the dog is the younger version of her husband. all of her time is dedicated to the dog, and all of his time is dedicated to the tv. they have forgotten they love each other and live in the same house, but live in separate worlds. only after the dog destroys his tv and the husband destroys the floor above him and under her feet, do they finally get back together as he catches her as she falls, surprised and exhilarated for the first time in forever. and things seem to be better as they finally occupy the same room together again.
5. Mama's Gun
This is the main character for mamas gun. shes a victim of the perception of her mental illness. i think this is my fav song of the album.
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during the song, the woman initially admits that she took her gun and made her husband go to neverland. however she also says she loved him a lot and he was perfect. through bits and pieces of the lyrics you can come to the conclusion that she has some sort of psychosis, or perhaps schizophrenia in particular as she notes many different voices and figures talking to her. the song references dr swango, a doctor who killed his patients, however he insists to her that him and all the other voices in her head are too from neverland, and that she was a murderer just like him. is she really guilty of murder? what really happened? the flute played during various instrumental parts of the song is a sample from the carpenter's mr. guder, a song about a man who does what hes supposed to in society and his job and gets nothing from it. karen carpenter herself was a victim of her own mental illness and they say that theres a specific purpose for the sample chosen. once the lyrics pick back up, the voices again pipe up and tell her she was a murderer, even the voice who had never spoken says so, so he must be telling the truth right? during the final bit of the song, it seems like her husbands voice joins into her collection of voices, as he bears a cheshire smile and asks her to lay with him once again, and that hes waiting for her. in the end, its unclear what happened with her and her husband, as she goes back and forth saying she was violent, she was doing nothing. this song was inspired by a story they heard of a woman going into a drug induced black out for a month and reappearing in another state with no memory, and the lingering fear that shes done something terrible wrong, and never being able to have the closure of knowing what happened.
theres no music video for this song, but we see her appear in life itself. she and [life itself] drive to the hotel where [poplar st] is holding [youth] captive and attempt to break into the room hes in.
6. Cane Shuga
this is our main character for cane shuga. hes exactly how he seems, a rich white guy who is, of course, using that cane shuga all day everyday.
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cane shuga presents a dialogue from two parties, two people in a relationship. the singer promises he wont do coke anymore, that he wont be a john doe in the hospital. the chorus however is the high he rides on, where he thinks hes hot shit, hes 007 james bond, hes as powerful as kim jong, with a popped collar as he looks into the glare of the mirror and hypes himself up after using in the bathroom at work. hes untouchable. the second chorus is his partner, giving up on him, their love has burned up, just like his drugs. theres a humorous line of putting their foot down saying ive had quite enough, but corrects themself and sarcastically says or lack there of, that they arent being given anything anymore by him. regardless, their verses and conversation is short. the chorus of his high is the main focus of the song, and repeat over and over as the days continue.
[cane shuga] appears in season 2 ep 3's music video as [season 2 episode 3]'s potential lover. their stories do seem to entangle, they both are drug users dealing with partners who want to stop using. some people say that he is her partner, that he stops using for her, but falls back into the habit. however this doesnt exactly line up with her song, as she doesnt want him to stop. i think its part of that unreliable narrator theme weve seen in previous songs. people have different experiences with each other and get different messages due to the issue of communication. im not exactly on board with these two being together, but i do understand where people are coming from with this take.
7. [Premade Sandwiches]
this is a spoken word interlude, sped up and pitched down. there doesnt seem to be a character paired with this song, and on cd this song is simply a bonus track hidden behind cane shuga. on first listening its very difficult to catch what is being said, but over and over the speaker is talking about standing in line for various things. this song discusses mindless over consumption of drugs, of buzz words, of natural foods for your dog, watches, new clothes made to look old, the junk drawer filled with phones you dont use, with pens that dont work, with random shit you never needed just piling up. people stand in line and they dont even know why.
8. The Other Side Of Paradise
this is our main character for the other side. hes gonna be a basketball player and make it big babyeee.
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so its a bit unclear and vague in the lyrics, but it seems our narrator and the basketball player used to be close friends. he even seems to be in love with the basketball player, calling him my love. but the basketball player leaves their home in new orleans to go chase his dreams out west and make it big, leaving our narrator's side. he told the narrator not to worry but after phone calls, it seems like basketball boy got a girlfriend. hes gloating to the narrator, hes got a girlfriend now, hes got a gold camaro, hes made it big, meanwhile our narrator is at the payphone hearing all this and his world turns in slow motion. no longer is the basketball player his baby blue anymore. hes moved on, hell never have another chance to love his friend. hes so angry and hurt, but he balls up his fist almost in a fight or flight reaction, and settles for the ghost of his love. hed always hoped for a paradise where they could be together but it seems like fate had other plans. he laments the basketball player for ditching them, saying here in new orleans people dont leave and ditch their lady (him). he wants to be loved and pampered by him, not her. heres where the vagueness comes back, the narrator seems to be so distraught that he rather kills himself, or finds that his body looks wrong, perhaps that hes not a girl that couldve been loved by the basketball player.
he only ever appears in the music video for season 2 ep 3 as one of the bosses [season 2 episode 3] defeats, claiming ball is life. there is a music video that was recently released for this song, however it does not depict the basketball player.
9. Take a Slice
this is our main character for take a slice, hes a bit of a slut but he makes it work :) the spoken intro to this song is the real recording the band took while talking to a male fortune teller, so the sausage candle is rather real or a lie from the fortune teller.
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take a slice regales the story of a young man who finds pleasures in the sultry sexual aspects of life. hes sucking on cigarettes in a way freud would roll in his grave, hes painted his nails dark, has piercings, hes asking for another slice of cherry pie, cherries being a symbol for all things sex and lust. hes smitten with the idea of being a prize to be sought after, and after trying sex work for the first time, realizes this is the job for him. hes going to fuck his way through college, and sleep during class dreaming of you. wink. hes rolling in the dough, hes got a gold car, hes maybe dabbling in drugs too, and hes filthy and he loves it.
10. Poplar St
ms moore is the main character of poplar st, and shes a cougar, and not the good kind.
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a young boy lives a typical suburban life. hes got bandaids on his knees and hes climbing trees. but one day, he sees mrs moore and mr keats have sex. immediately this drags him out of his childhood, hes such a man now that he knows what sex is. this is the first step of her grasp around him. as he gets a bit older, his mother calls her prosti-tits and looks down upon her. but the boy looks up to ms moore, despite his mothers words. mrs moore sees his desperation and pulls him into her clutches. theres a very specific voice crack when her teeth sink in deep and the note hes singing falls flat. this bit of pain expressed is highly contrasted with the chorus coming back in, the boy once again considers himself a real man, a true romantic, this is what all men dream of, isnt it? but there are dead flowers in the sand, hinting that these roses arent just romantic. the next bridge plays and interesting word switch up. it starts out with her begging him for more as she sits in her underwear, and then switches to him begging her for more in his underwear. theyve both wasted their days, but when it comes to his youth and her age, the only one wasting their childhood is him. the song concludes with mrs moore calling him up collect (so he has to pay for the phone call, not her) one day and breaking up with him. and then it all gets pulled out from under him and hes just a boy again. this tells the sad tale of how men and boys' sexual assault and grooming often is pushed to the side because they think this is how things are supposed to go, that they are supposed to have sex and to be used and abused from a woman is supposed to be an achievement. but really all it is, is abuse that leaves him feeling terrible.
11. Agnes
this is agnes :) i think it was mentioned at some point that he takes pictures of people when they arent looking, so to me, i like to think hes the one capturing everyone pictured in this album. bear witness to other humans.
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the song starts out where the singer is appearing to try and comfort agnes. how did it get this bad, agnes used to just take pills and smoke a little, somethings changed perhaps. the singer notes agnes is just going through the motions every day, numb, and nervous, but hes swelling with emotion all the same. here the singer laments he wants to hold agnes like hes mine. theres a longing sadness in the lyrics. the next verse confirms the worst, while agnes was perhaps a genius when it came to the romantic, he was a deeply depressed and lonely person. he started to rely on the drugs and the alcohol he used to use recreationally, just to live a normal life. and he ultimately commited suicide. the singer wonders where the agnes he used to know went. however the singer reconsiders, and accepts that agnes did his best, life must feel so unbearably long when its soaked in sadness, living a false life filled with depression. so it goes, the singer thinks, but cant help but to feel lost. the only thing he can think of is agnes, perhaps considering all the art agnes made, all the photos he took of other people, perhaps just thinking about his friend in any aspect. grief is funny like that. on the vinyl record, this song's last seconds repeat over and over until you stop the machine from playing, like a lingering memory you cant stop thinking about.
the agnes music video is much different than the others, as it focuses on the singer, dave bayley as he sits in a centrifuge and attempts to sing the song. this causes a very physical reaction and he struggles to even lift his hand, by the end of it hes sweating profusely and unable to catch his breath, but he persists and continues singing. he mentions this was a mere fraction of what someone going through depression could feel like. during the music video as well, he appears to be looking across from a mannequin, perhaps the stand in for himself once hes put himself in agnes' shoes.
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thanks for reading if you did i love being insane. all of these are my personal thoughts on the album, and might not exactly match up with your interpretation, but i have tried to keep to what we believe is what glass animals had in mind for the album and these characters.
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romanarose · 4 months
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Favorites of 2023
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Hi! I've seen a lot people doing these so I thought I would too!
These are all sorts of Oscar Issac/Pedro Pascal fics that delighted me this year <3
I tried to keep it to one rec per author just because I have soooooo many friends with wonderful fics and blogs who deserve recognition
If yours didn't make it, NO FEAR you are still wonderful to me &lt;3
Everything is labeled properly in the fic so be warned, many of this contains dark!
3 series that I couldn't stop thinking about
Hungry Hearts By @atinylittlepain: The Last of Us, A Bruce Springsteen themed Joel series? SHEEEEEEEESH
Yearling by @justagalwhowrites : The Last of Us, Jackson!Joel and a victim of prolonged sexual assault. If you know me, you know I love a traumatized reader healing with the power of love and friendship
The Fractured Moon by @melodygatesauthor : Moon Knight, NON CON, dark moon boys is always a slay but the way Marc is so tortured and Steven is so needy?!?!?!?! Mels characterization of Steven may or may not have influenced my Ben in ROF
Three fics that rewired my brain
On the Waterfront by @beefrobeefcal : Triple Frontier, Now, I've always loved a tubby man with a belly (who else had a crush on Samwise Gamgee in LOTR?) BUT DARK FRANKIE?!?!?!?! Turned it into a full obsession.
I can be your pretty girl by @walkintotheriveranddisappear : The Last of Us, Wow, I devoured every single chapter!!! I thinka bout it so much, ESPECIALLY that scene with Tommy... I've never looked at a pool ball the same way.
Dancing With Wolves by @hon3yboy : Moon Knight, Now, I'm not the biggest monster fucker out there, but this?!?!?!?! WEREWOLF MARC SPECTOR??? Unwell about it.
3 times men jerking off was hot
Caught by @toxicanonymity : The Last of Us, I've mentioned in the authors note for Keep Cry'n that this fic inspired it, it's one I go back to allllll the time
Take Care of me Tonight by @missdictatorme : Moon Knight, Jake is horny and lonely and jerks of..... reader helps, and makes our boy feel special <3
Pent Up by @ramblers-lets-get-ramblin : Narcos, Javi is... well... pent up, needs to let loose! and boy does he.
4 times it got gay bc something is wrong with me and I couldn't decide
Behind Enemy Lines by @astroboots : Triple Frontier, Y'all know how much I love this series, seeing as I wrote a fic for it XD but this chapter is something i always hold close <3
Captain of the team by @writefightandflightclub : Triple Frontier, MAAAAAANNNNN this fic is why I will never be the same as a person.
Trine by @my-secret-shame-but-fanfiction : Sucker Punch. Anyone who reader blue jones should be reading this. Incredible.
What if he never had to go? by @velocibeewords : Triple Frontier, The infamous series I read on my friend bachelorette weekend! So good I couldn't put it down, going so far as to read it at a casino XD Benny and Santi, my babies
3 times underused characters shined
Oxford Comma by @whatthefishh : The Two Faces of January, Tell me, how does someone take a character with almost no following and make a series so damn beloved by many??? Only Mona could.
My Ex's Tapes by @runa-falls : Lighteningface, Basil Stilt AND Jake Lockley??!?! God bless this mess hnnggggg
I'm Getting What's Mine by @winniethewife : The Card Counter, dub con, I think we as a society need more William Tell, and sensory deprivation to break down reader? Amazing.
3 times they talked dirty to me *trumpet noises*
Not a Survivalist Girl by @tightjeansjavi and @chaotic-mystery : The Last of Us, when they finally fuck??? HELLO?!?!! unreal
Only Daddy That'll Walk the Line by @millerscoffee : The Last of Us, Joel is so degrading and condescending in this I think about it so much it's fucking unreal.
Making Trouble by @juneknight : Moon Knight, The fic that completly fried the brains of the moon knight fandom. "You cried like I was killing you—except you were begging me not to stop" yeah. Yeah...
3 times there were three or more
The story of us by @pimosworld : Triple Frontier, This series has a special place in heart bc Priscilla said I influenced a lo of it with the characterizations and thats such a big honor. Priscilla Is so talented and I adore how she writes these guys... and the FishBen wins my heart
Eyes on Me by @cavillscurls : The Last of Us, Soft Joel? Tommy watches? AFTERCARE?!?!?! Y'all know how much I love aftercare.... I should read this again shouldn't I?
Run the Table by @katiexpunk : The Last of Us, MORE TOMMY JOEL THREESOME! MORE!!!! This one came out recently so its still fresh in my mind
3 Times I should NOT have been into that
No Soul to Sell @atticrissfinch : The Last of Us, NON CON V DARK, this is the fic that made me like... yeah I'm into piss. No doubt. It was so dark and hot ;-;
Plushies Series by @pedge-page The Last of Us, Haru knows how much I love this, and it was a toss up between this and their piss kink but seeing as I got that above.... plushes needs more love bc its so soft and domestic and horny <3
Plaything by @missannwinchester : The Last of Us, wow, I adored this fic… then I lost it!!!! Thank you to everyone who helped find it bc it’s one of my favs. I wanna be Joel’s lil doll he dresses up 🥺
3 times I said “this is underrated af��
No One But Me by @koshkamartell : The Last of Us, Are y'all tired of me talking about this fic yet? Koshka told me my series The Wrong Way inspired this so it's special to my heart <3
Safe by @criticallyacclaimedstranger and @apascalrascal : Triple Frontier, Cal has so many good Frankie one shots it was hard to pick, but this one is sooooo soft. We love Frankie being willing to listen and learn.
Through the Scope by @ssuperficialspacecadett : Triple Frontier, Y'all know I love a traumatized reader learning to heal, but his fic is fantastic bc it's a traumatized reader who has done a lot of the work already and is strong and brave as it is <3 Also, all 4 of the guys are her friends now which is the best way to have a fic
Thank you all soooooo much for all these amazing fics and for a great 2023! Well. Not so great, I had terrible time lol but y'all were my solace <3
If you feel so inclined, check out my best of year wrapped for both RomanaRose and Romana-after-dark
I'm not gonna say 2024 is my year, I leanred my lesson XD I am approaching 2024 with RESPECT. It will be the year it is.
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faelapis · 5 months
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alright! we got one whole person interested, so here's my hot take:
the first "how to train your dragon" movie is WAY better than httyd 2.
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i know everyone loves like, the cool warrior mom design, the romance and the "epic animation moments" in 2... but can we for a moment be honest and say the whole "hiccup becoming a leader / which dragon is the Good Alpha" plot was dumb as hell? also, the villain sucked?
the original httyd is pretty good about keeping the structural problem grounded in real societal fears. namely, fear of the unknown and of beasts. it makes sense for any ol' village dealing with such a problem. it was intelligently designed around a solid premise.
httyd 2 is like. actually, dragon taming is a big thing, even outside berk. and theres a Scary Foreign Man dragon tamer who is bad and just wants power. it's okay to other him. being a good guy is about being a protector instead of an evil, power-hungry guy... which hiccup never was anyway... so no real growth there. just be good instead of bad. wow. what a theme. very thought-provoking.
people act like httyd 3 being bad came out of nowhere, but httyd 2 was the original sin to me. it totally dropped the societal themes in favor of generic good vs evil fights and "worldbuilding" - despite having no more interesting stories to tell.
it also kind of ruined hiccup for the sake of developing him. like. his whole thing is that he can't fight, so he has to find other ways to contribute to society. he's the anti-macho hero. which ends up being important in convincing the village that dragons can be peaceful. he's empathetic to the other, because he's been othered.
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meanwhile in httyd 2, hiccup's like. Cool Warrior Man, who needs to step up and be the hero king when his dad dies. he can fight just fine, because he has a cool dragon to fight with. so he's just like any warrior, but one who fights with weapons instead of brute strength. aka most fictional warriors who arent just "the heavy."
the first movie isn't beyond criticism, obviously. the animation was a little meh compared to httyd 2 - i get why visually its seen as an upgrade. plus, httyd 1 also did the thing of having like a last minute evil dragon to defeat... but that wasn't the point. the POINT was the village and its fears. the POINT was overcoming that.
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whenever people list why they love httyd 2 and consider it superior, its like... lists of details. like, look at the upgraded character designs, the cool flying scenes, the affection between hiccup and astrid, or the clever way hiccup's prosthetic leg is designed.
but these are film *details*, not fundamentals.
if you told me the sequel to httyd was going to have a much more generic story, ignore the themes of the original and makes its deliberately lanky and weak protagonist into Handsome Hero Warrior Boy, i'd be like. that sounds kinda bad. but the Animation Details (tm) i guessssss
i know hiccup is still "himself" in 2 to some extent, btw. he's an inventor, he's intelligent, and he initially tries to talk to the villain. but none of that ends up mattering. its arguably looked down on by the movie, which really, really wants him to step up to be the warrior king like his dad. aka a generic Hero Strongman.
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i'm not totally against evolving the themes of a work to fit new conflicts, btw. sequels should generally be different from the first movie. that's fine. that's expected.
but while the new conflict in httyd 2 IS born out of the results of the previous movie, that evolution feels very literal, not thematic.
namely, the evolution is "more people have dragons now." it builds the conflict from there. its based on worldbuilding, not on theme.
i don't think a very interesting evolution.
it kinda went from, in httyd 1: "the theme is fear of the unknown. how prejudice/ignorance manifests, educating oneself through compassion, the dangers of worshipping violent masculinity, and the importance of questioning what you're taught by society."
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to, in httyd 2: "the theme is dragons. who has them? what they want with them? how can the Good Guy humans protect dragons from the Bad Guys? also, being a Good Leader means being a strong Hero Man who protects his friends," without asking any deeper questions related to the themes of the first movie.
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and i'm like. guys. guys.
the theme shouldn't just be "dragons."
the theme of the first movie was NOT just "dragons." the first movie could've been about people being afraid of unicorns. or large birds. or unusually intelligent bears. it was not just about literal dragons, it was about societal fears and trying to overcome our base gut instincts.
i think this is what really plagues httyd 3: it builds on the themes of the second movie, not the first.
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httyd 3 asks further questions that only really revolve around the literal relationship between humans and dragons. it does not understand any broader themes of what that relationship represents.
it clearly thinks its very intelligent for asking "what do the dragons themselves want?", but that question is not respected enough to be explored in any thematically coherent way.
the only real weight its given is the argument that there will always be "bad humans" out there, and so, dragons are safer in the wild. which sure is... an argument. but its a very "othering the problem" kind of argument.
it acts like its caring about the agency of dragons, but its not really. dragons were not actually portrayed as "oppressed" in berk society after the first movie, nor lacking agency. they were only at risk of "bad individuals", to which that solution is stupid. the racialized bad guy in httyd 2 didn't steal all his dragons from berk. he caught and subjugated them, mostly from the wild.
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all while looking like... this, by the way. i feel like we don't talk about that enough. all the good guys are white nordics, while the only man of color is scary, domineering and cruel. in a series of movies that was once about having empathy for the other.
MAYBE if berk had been really oppressive towards dragons in httyd 2, we could've had a theme. maybe if they treated them like a dangerous commodity that must be tightly controlled despite their nominal acceptance and inclusion, we could've had a thematically tight 3-movie arc about like fear and oppression or whatever.
but that would require, yknow... making the movies be about broad societal problems, instead of just evil individuals. and only the first movie cares about making any real societal critique.
also, the solution in httyd 3 would've still sucked. these movies, in terms of writing, really decrease in maturity from 1, down to 2, to the plummeting depths of 3.
there is no relationship of oppression that is solved by completely segregating society and going our separate ways (httyd 3). just like there is no oppression that is solved just by defeating bad individuals (httyd 2). we have to learn to coexist as equals, to educate ourselves and be compassionate to the other. even if we're afraid.
that's the dream only the first movie kept in its heart.
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rejectedfables · 1 year
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Lan Xichen is clearly shaken by what WWX and LWJ tell him about NMJ’s death after the discussion conference. He has doubts, he is concerned, and in response to this he decides to USE THE EVIL SPIRIT AFFECTING MUSIC ON HIMSELF to SEE IF IT HARMS HIM. 
(A normal and hinged thing to do)
(it harmed him)
If we use Nie Mingjue’s behavior as a metric for what this selection from the Collection of Spirit Turmoil does to a person, we can reasonably assume it causes or exacerbates at least SOME of the following:
Disrupts spiritual energy such that a person progresses towards qi deviation
Emotional instability
Violent outbursts
Prone to suspicion or paranoia
Nie Mingjue is already prone to literally all of these things, but they ARE also the things the seem notably exacerbated at the end of his life. Whether it was The Song itself or merely the proximity to qi deviation which caused/exacerbated these things, we cannot be sure, but as the latter is caused by the former, there is no functional difference.
In Guanyin Temple, very shortly after Lan Xichen would have used the song on himself, he is notably distressed, his faith in JGY is further shaken, and he’s manipulated by Huaisang into killing Jin Guangyao-- something that is both understandable in context AND clearly horrifies him for the rest of his life.
Given the circumstances (learning what he’s just learned about JGY’s involvement in NMJ’s death, and then learning everything else he does during this scene), he was going to be upset with Jin Guangyao regardless. He was going to have questions, he was going to have doubts. But I do think it’s WORTH REMEMBERING that this man had JUST used the same song ON HIMSELF that Jin Guangyao used to speed up/cause Nie Mingjue’s qi deviation and death. It provides additional context for his reactions, both within the scene and after it.
Lan Xichen has spent over a decade on the same page with Jin Guangyao about JGY’s motivations, goals, and often even the unfortunate but necessary methods he needed to use to achieve said goals. LXC is not NMJ; he absolutely understood that JGY going undercover during Sunshot involved killing some of their own people, and he understands that that was unfortunate but necessary. He understood JGY’s situation with his father, understood that JGY was not in a position to do anything about JGS’s decisions wrt Xue Yang, supported JGY through everything it took to make the watchtowers a reality. NMJ told LXC about JGY killing his superior officer, and LXC went “I’m sure he had a good reason” and just MOVED ON. He’s not under the impression that JGY has never hurt anyone, broken the rules, or committed a crime-- he just does not care, because he truly believes that JGY is a smart, capable, and well intentioned person and therefore those are things to be understood and compassionate about, rather than condemn and scorn him for. He may not have been aware of the extent of JGY’s crimes, but he didn’t feel like he NEEDED to be. He knew JGY, and that was enough.
Under normal circumstances, Lan Xichen’s wish when finding out something that upsets him (especially with regards to his friends), is clearly to talk about it. The greatest example is when Nie Mingjue loudly and repeatedly threatened Jin Guangyao’s life-- Lan Xichen wanted to talk it out. FOREVER, if need be. This is a man who understands that mitigating circumstances exist (especially when it comes to JGY) but solves problems with people he KNOWS with words.
So he finds out JGY killed NMJ, and his response is horror. And his solution to that horror is that he wants answers. He wants to talk about it. Why didn’t you tell me? If you felt you were backed into a corner, why didn’t you tell me that either?? Why didn’t you come to me??? TALK to me???? It could have all been delayed even longer solved if only--!!!
And yet, despite more than a decade of defending JGY in the face of an entire society blaming JGY for everything they could, in Guanyin Temple he’s swept up in the mood of the scene and condemns JGY with the rest. He knows JGY better than anyone else, but is made to doubt this. He’s left wondering if he ever knew the man at all, simply because he’s shown a new side of him.
And he responds to that feeling with violence.
He lives in a world and holds a position in said world that necessitates and normalizes violence, but he himself is not prone to it, especially with loved ones. Yet he doesn’t threaten to tie JGY up, magically mute him, have him tried for his crimes, nor does he SIMPLY react instinctively in perceived self defense-- it’s notable that he threatens death. While the circumstances are different, he does the same thing Nie Mingjue did (threaten JGY’s life), and I don’t think it’s irrelevant that he must be not entirely himself to get to that point.
In the Untamed, during the Guanyin Temple scene, he even slaps Jin Guangyao. And while I believe this is not canon to the book, I don’t personally think it’s out of character BECAUSE I think it’s a further nod to there being something wrong with him in this scene. 
And his actions in that temple is, again, something he struggles to grapple with and regrets for, as far as we know, the REST OF HIS LIFE. 
Right until the last moment, Guanyin Temple is a scene in which Lan Xichen is made to suspect that he’s never known Jin Guangyao at all, and Jin Guangyao is made to believe that he’s never mattered to Lan Xichen like Lan Xichen does to him. And in the very VERY end, when Lan Xichen chooses to die with him and Jin Guangyao doesn’t let him, they’re both shown that that doubt was unfounded. Jin Guangyao may be many things Lan Xichen was never willing or permitted to see, but he is also, fundamentally, everything Lan Xichen has known him to be. 
And Lan Xichen never, ever, wanted to harm Jin Guangyao
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