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Total funding amounts to $125.3M.

stayooon-mp3 · 1 year

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think i’ll miss you forever,

like the stars miss the sun in the morning sky :,)

#kwak dong yeon #vincenzo #dark aesthetic #vincenzo icons #dark moodboard #black moodboard #kdrama #kdrama actor #kdrama moodboard #kdrama layouts #kdrama icons

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garadinervi · 1 year

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Enrico Castellani, Estroflessione + Enrico Castellani Pittore, Text by Vincenzo Agnetti, layout by Giorgio Colombo, Photographs by Giorgio Colombo, Ugo Mulas, Uliano Lucas, and Franco Angeli, Achille Mauri editore, Milano, 1968 [Studio Bibliografico Marini, Bari-Roma]

(on the way of __pccc__)

#graphic design #typography #art #photography #box #cardboard box #catalogue #catalog #cover #enrico castellani #giorgio colombo #ugo mulas #uliano lucas #franco angeli #achille mauri editore #1960s

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sansaurora9904 · 11 months

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Heyoon's Profile!

about.

stage name: heyoon (헤윤)

birth name: kim heyoon (김헤윤)

name meaning: a mix of the korean words he (헤) meaning wise, and yoon (요온) meaning beautiful

nicknames: yoonie, yoo, san's satan twin, seonghwa's favorite child, jongho's favorite noona, nation's girlfriend, 4th gen visual, 4th gen it girl, demon spawn, shiber and byeol's eomma

birth date: april 12, 1998

birth place: seoul, south korea

nationality: korean

ethnicity: korean-spanish

family: choi haneul (mother), kim jongkook (father)

languages: korean, english, japanese, chinese, spanish, french

claims.

face claim: red velvet's kang seulgi

vocal claim: red velvet's irene

rap claim: everglow's mia

dance claim: soloist kim chungha

physical.

height: 178 cm (5'10'')

weight: 50 kg (110.2 lbs)

blood type: AB

modifications: lobe piercings (both ears), orbital piercings (both ears), helix (right ear), low helix (both ears), belly button piercing, tattoos on her shoulders, shoulder blades, middle finger (right hand), index finger (left hand)

notable features: sharp cat-like eyes, mole under her left eye, a unique cupid's bow on her lips

career.

occupation: singer, songwriter, dancer, rapper, composer, actress, model, brand ambassador, co-ceo of her dad's company

positions in ateez: main dancer, visual, composer, sub-vocalist, sub-rapper

positions in royal crown: main dancer, composer

group debut: october 24, 2018 (ateez, korea), december 4, 2019 (ateez, japan), january 31, 2021 (royal crown, korea)

years active: ateez (2018-present), royal crown (2021-present)

agency: kq entertainment (2017-present)

associations: ateez, royal crown

representative emoji: 🦊 / 🐱 / 🐺

statistics.

vocals: ⬛ ⬛ ⬛ ⬜ ⬜

rap: ⬛ ⬛ ⬛ ⬛ ⬜ ⬜

dance: ⬛ ⬛ ⬛ ⬛ ⬛

acting: ⬛ ⬛ ⬛ ⬛ ⬛

variety: ⬛ ⬛ ⬛ ⬜ ⬜

modelling: ⬛ ⬛ ⬛ ⬛ ⬛

songwriting: ⬛ ⬛ ⬛ ⬛ ⬜

producing: ⬛ ⬛ ⬛ ⬛ ⬛

choreographing: ⬛ ⬛ ⬛ ⬛ ⬛

leadership: ⬛ ⬛ ⬜ ⬜ ⬜

public speaking: ⬛ ⬛ ⬜ ⬜ ⬜

discography and filmography.

discography: songwriting credits

osts: adrenaline (vincenzo, 2021), all about you (hotel del luna, 2019), new dream (dokgo rewind, 2018 with nct u jaehyun and taeil)

filmography: the birth of royal crown (march 2021, movie documentary)

signature.

credit to @ateezjuliet for the layout! hope it's okay if I used it! <3

#ateez au #9th member of ateez #kimheyoon #oc #ateez

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peachtyun · 2 years

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𝗠𝗢𝗥𝗘 𝗔𝗕𝗢𝗨𝗧 𝗠𝗘 . . . !

𝗩 ! pronounced vē or vee

he/they (él/elle). jewish ࣪ ִֶָ ENFP eng speaker ٬٬

𝗕𝗬𝗙 !

i'm mainly a moodboard / layout acc ; updates are random ٬٬ eastern standard time # asks & msgs are open !

𝗗𝗡𝗜 !

if you fit basic DNI criteria ( racist, sexist, lgbtqphobic, etc ) ꠵ if you're a solo stan / anti any of my favs ٬٬ if you're an ot9 stay, if you're an nsfw acc or delulu shipper . . . !

𝗨𝗟𝗧𝗦 ★

스트레이 키즈 STRAY KIDS yang jeongin

투모로우바이투 TOMORROW X TOGETHER taehyun

casual enhypen. ateez. lamp. tyler the creator. childish gambino. chase atlantic. the smiths. wave to earth. (g)i-dle. sza. keshi. dpr ian. cigarettes after sex. & more.

dramas weightlifting fairy, nevertheless, rain or shine, semantic error, my name, love alarm, business proposal, vincenzo, extraordinary attorney woo, hometown cha-cha-cha, destined with you, tomorrow & more.

(＾◡＾) 🌀 rain, music, spicy food, lethal amounts of cologne, zZz, bulgogi, coke zero, guitar, death note, hoodies, alice in borderland, cyberpunk 2077, & more.

#v's navi ʕ·ᴥ·ʔ

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robertdelaunay · 1 year

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I am asking about the guy who stole the mona lisa !!

ok ^_^ hopefully everything is in order? i skipped around a bit bc i forgot some parts and had to go look them up later, so things were done kind of haphazardly... and jsyk i left a little bit of detail out bc i got tired of writing after a while lol...

vincenzo peruggia was born on october 8, 1881 in dumenza, italy. there, vincenzo learned decorative painting, and at 12 years old, he went to milan and worked as a housepainter.

at the age of 18 he went off to france, which was a popular place for young italians from vincenzo's region to move to, due to the region's poverty. he continued to work as a housepainter there.

also, this will be important later: his father was in debt and vincenzo wanted to help his family (consisting of his father, mother, younger sister, and three younger brothers) financially in any way that he could.

then when he was 20, he moved to paris.

in june 1908, he was drunk and waiting for a train to paris when he saw some children rolling terracotta pipes down the street. he yelled at the children, they ran away, and vincenzo picked up the pipes and dropped one. some people passing by thought he was stealing them bc he's italian and these french people are xenophobic. he was arrested for attempted theft.

around 12am on january 24, 1909, vincenzo exited a bar in the place de la republique. he was approached by a sex worker named abeille kauffman. he allegedly tried to attack her. he was arrested for carrying a weapon and not having his immigration papers, and he was in prison for eight days.

because of these two incidents, he hates the french.

anyway, in paris he continued to work as a housepainter until he fell ill from lead poisoning, which was a very common illness for painters to have. he had to stay at the lariboisière hospital for 15 days. the lead poisoning probably caused some brain damage.

after quitting his dangerous painting job, he worked for a glazing (as in doing stuff with glass) company called gobier.

(also, while working for gobier, his coworkers called him "dirty macaroni" and now he hates the french more.)

two paintings in the louvre were slashed within two months of each other. security at the louvre was considered comically bad. journalists stole art to show just how bad it was. to upgrade security, the louvre got a team of dogs and nightguards and decided to put 1600 of the paintings under glass cases. gobier was the louvre’s official glazier, usually repairing windows and skylights, so they were now the company responsible for this. vincenzo was one of five workers who cut and cleaned the glass for the cases. the work took place november 1909–january 1910 and november 1910–january 1911. while working there, he became familiar with the layout of the museum.

also while working there, vincenzo wondered why all this italian art was in a french museum. so he asked the louvre’s picture framer, pavard, why it was there, but pavard was just smugly like “haha how do you not know??” and wouldn’t tell him. one day, vincenzo found the answer: napoleon had stolen a bunch of italian art and sent it to paris. vincenzo was disgusted, and decided that he wanted to return at least one painting to italy...

once the glass casing job was finished, he left gobier and returned to housepainting.

then, on monday, august 21, 1911, vincenzo decided that today was the day to steal that painting. he woke up at 6am, got dressed in his white louvre worker’s uniform, and left his room in the tenth arrondissement (which had a large italian population btw), which was about two miles from the louvre. at around 7:05am, he arrived at the louvre, which was closed for its weekly cleaning. he entered through the jean goujin entrance and went through the first floor room, up the grand staircase, went left through a hallway, and turned left into the salon carré.

vincenzo had not previously decided to take the mona lisa, but chose it in the moment because it was the smallest painting there. this kind of ruined the whole “returning stolen paintings to italy” thing, because it had been bought by king francis i of france from leonardo da vinci while he was at his court. in france. it had moved around a bit since then, but has been kept in the louvre since 1797.

(the mona lisa was hung between the paintings "mystic marriage of saint catherine" by antonio da correggio and "the allegory of alfonso d'avalos" by titan. not important but just an extra detail...)

something to note: usually, the louvre had 166 guards; on mondays, it only had 12. the salon carré had no guards.

so, vincenzo took the painting off its four metal hooks, quietly walked out of the room and went into a service staircase. he hid the mona lisa behind some copies that had been made of various paintings (students frequently came in to copy paintings) and went to see if the door at the bottom—which would help him make a quick exit of the museum—was unlocked. it was not. he took out a screwdriver and removed the doorknob, but he still couldn’t open the door. he heard someone coming and sat down and tried to look inconspicuous. the person coming down the stairs was a plumber named jules sauvé. jules went to unlock the door, noticed the doorknob was missing, asked vincenzo what that was about, and vincenzo said he didn’t know anything about it. jules went through the door and locked it behind him.

accepting that he couldn’t leave through that door, vincenzo removed the mona lisa’s frame, which probably only took around a minute, and hid the frame behind those painting copies. he wrapped the painting in his smock (part of the uniform), placed it under his arm, and went back the way he entered the museum.

he left the louvre around 7:30am. a shop clerk on his way to work named andre bouquet was across the street and saw him carrying what he thought was a package and also saw him throw something into a ditch—the doorknob.

vincenzo got on a bus and immediately got off, realizing it wouldn’t take him back to his boarding house. instead, he got in a cab and went home.

some guards noticed the painting was missing, but just thought that it had been taken away to be photographed (paintings were often taken to be photographed on mondays. the photographs were to go on postcards and magazines), and didn't pay it much mind.

the next day, the louvre reopened, the mona lisa still wasn't there. around 11am, a guard found the painting's empty frame. the museum was searched, they thought it had to be around there somewhere, that maybe it had been hidden as a joke. but, to be careful, georges aaron bénédite, a curator substituting as the museum director (the actual museum director, théophile homolle, was away on vacation), contacted the prefect of police, louis lépine, who sent a bunch of detectives to go find it. they, of course, couldn't find it.

the theft was immediately international news. the mona lisa had been considered a masterpiece among french art fans since the 1860s, but now it had achieved proper fame, and literally everyone knew about the mona lisa. but the fame wasn't instantaneous—6500 flyers with pictures of the mona lisa were distrubuted so people would know it if they saw it and american newspapers misspelled the name and published photographs of the wrong painting.

a week after the theft, the louvre reopened, and people flooded in to see the empty spot on the wall (franz kafka was one of the people who went there to see it btw).

some famous suspects for the theft included: pablo picasso, bc he was an artist and (unknowingly) had stolen statues from the louvre in his possession; guillaume apollinaire, for similar reasons to picasso; jp morgan, bc he liked art and there was concern in france that american millionaires were buying all the good french paintings; kaiser wilhelm ii, bc france and germany had some pre-ww1 tensions going.

then some fingerprints were discovered on the glass by alphonse bertillon. 257 louvre workers had their fingerprints taken. then the gobier workers who had helped with the glass cases had their fingerprints taken, except for vincenzo, who didn’t show up.

meanwhile, vincenzo is still in paris at his little 9×16 room at 5 rue de l'hôpital st. louis. he first kept the painting on a table in his room covered by a piece of linen, then just had it sitting in his 6×6 closet. while it was just sitting there in the closet, inspector brunet of the sûreté came to interrogate him and quickly determined that he had nothing to do with it.

vincenzo’s life was normal, he just kept painting houses. he didn’t want to go to italy yet—he wanted to let everyone forget about the theft before he returned it so he wouldn’t get arrested.

btw, the whole time he had been in france, vincenzo had sent letters to his parents back in dumenza. after stealing the mona lisa, all his letters mentioned a “fortune” that he would soon have, and that he would share with his family. here we see vincenzo’s actual primary motive: getting money for himself and his family.

anyway. he showed the mona lisa to his best friend vincenzo lancellotti, who was also a housepainter and from the same region of italy. they played music together and ate together and dated women together <- examples of their best friendship activities. in winter of 1911, peruggia let lancellotti hold on to the mona lisa for six weeks while he built a crate with a false bottom to keep the painting in.

peruggia’s (i’m going to return to calling him vincenzo after this) girlfriend, mathilde, saw the crate. she told vincenzo that once they were married, she would get rid of it. but they were never married bc mathilde broke up with him after she found letters from other women in his room, and eventually she left paris permanently.

allegedly, in the summer of 1913, vincenzo went on a trip to london. while there, he went to see the art dealer henry j. duveen and tried to sell the mona lisa. we’ll get back to this later.

btw, people were beginning to think that the mona lisa had been destroyed, it had been years and no one could find it.

then, 28 months after the theft, in late 1913, vincenzo contacted an antiques dealer named alfredo geri, who he had heard about in an italian-language newspaper called the corriere della sera, about selling the painting. he signed his letter to him "leonardo v."

on december 7, 1913, peruggia had a meal at his favorite cafe and gave the waitress a tip of five francs. he announced that he was to be leaving for italy the next day. he told his assembled family and friends that he would be receiving “fortune, glory, and honors.” back in his room, he filled the top part of his mona lisa crate with clothing, tools, and his mandolin, and on december 8, set off on a train to florence. at the border, the crate was checked and the painting wasn’t found.

so alfredo and vincenzo meet. vincenzo offered to sell the mona lisa for 500,000 lire ($2,970,000 today). vincenzo said the painting was back in his room at the hotel he was staying at, the albergo tripoli-italian hotel (since renamed the hotel la gioconda). alfredo persuaded giovanni poggi, director of the uffizi gallery, to come with them (vincenzo specifically wanted the mona lisa to go be kept at the uffizi gallery). they all went up to room 20. vincenzo took everything out of the crate and revealed the painting. giovanni said he wanted to take the painting back to the uffizi gallery to see if it was the real deal. he and a few other experts examined it, and lo and behold, it was!

they then contacted the police and vincenzo was arrested, which he really was not expecting.

meanwhile, the italian people celebrated the mona lisa’s return to italy. it was kept in room 28 of the uffizi gallery. over 30,000 people visited the painting in just four hours; those who couldn’t get into the gallery rioted.

after a week in florence, the mona lisa traveled to rome, where it was handed over to the french ambassador. a good deal of italians wanted it to stay in italy, but y’know napoleon had never actually stolen it so they had no claim.

the mona lisa was exhibited in rome for a bit, then in milan, then it was returned to the louvre on december 31, 1913.

back to vincenzo: vincenzo’s trial began in florence on june 4, 1914. many italians still regarded him as a hero and a patriot. he denied ever trying to sell that painting to that guy in london and was angered by the accusation. his defense went for insanity; dr. paolo amaldi, the psychiatrist who examined him, had declared him "mentally deficient.” however, it’s possible that he lied about this because he supported vincenzo. paolo was a member of the socialist party, and vincenzo was probably some kind of leftist. also, paolo may have sympathized with vincenzo’s dislike of the french due to his (vincenzo’s) experiences as an immigrant worker.

that didn’t really matter though, as vincenzo was sentenced to one year and 15 days in prison. however, his attorneys filed an appeal and he was released after seven months and eight days.

(and remember vincenzo lancellotti? he and his brother, michele, were arrested and subsequently released without charges.)

world war 1 began a few days after vincenzo peruggia’s trial ended, and when he was released vincenzo joined the italian army. he was then captured by the austrians and was a prisoner of war for two years. at the end of the war he couldn’t find work in italy, so he went to paris with his wife annunciata. to avoid being detected by the french government who still hadn't gotten over the whole art theft thing, he adopted his birth name, pietro. they visited the louvre and saw the mona lisa.

also, he had a daughter named celestina. vincenzo died when she was a toddler. she said that her mother had told her to run toward him. she did and he collapsed, dead of a heart attack. also he was holding a tray of champagne & cookies at the time. this was on october 8, 1925, his 44th birthday.

30 years after he was buried, the cemetery needed the plot where he had been buried and what was left of him was moved into an underground locker thing.

and uh. i don't know where to put this but he was 5'3

#ask #vincenzo peruggia #sorry this took six days. for some reason i was just in a writing mood today ig

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sydsweenys · 2 years

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alias: Mo

age: 22

pronouns: she/hers

favorite faces: uhhhhh, you got a scroll?? But again, top of my head let’s go: Barbie Ferreira, Alexa Demie, Laura Harrier, Melissa Barrera, Alexandra Daddario, Charithra Chandan, Oscar Isaac, Kim Woobin, Alperen Duymaz, Kerem Bursin, Peter Gadiot, Shahid Kapoor, John Abraham, David Casteneda, Justin H. Min + way more faces that I cannot remember, over the top of my head!

favorite books, movies, or tv shows: oh this is a ridiculously long list! For movies, I’d have to go with Begin Again, hands down. Also, I haven’t been watching a lot of movies as of late (gots to change that!). For books, my Goodreads is crying because I haven’t touched it in forever, but over the top of my head, Malibu Rising & The Seven Husbands Of Evelyn Hugo by Taylor Reid Jenkins come to mind, We Were Liars by E. Lockhart and The Dark And The Dead by Courtney Gould are the books that come to mind! As for TV shows, I will always go back to Community and Criminal Minds, and I have been slowly watching Vincenzo and Reacher. I have watched a lot of television, and I’m p sure I’m the connoisseur of bad tv.

favorite types of plots: families (either biological, or adopted or even the found family trope), who doesn’t love a good mid-burn romance, definitely would like to explore a relationship falling apart and seeing how it effects everyone in the process. there is also friendships; of convenience, childhood besties, enemies to best friends! mostly, i like to take it all on the chin and keep my mind open!

favorite types of events: oh, i do love those city wide events like festivals and the works, AU and dev events!

something you love to see on sites: diverse faces and backstories, open chances to create meaningful plots + an easily navigated layout (like easy application processes and a clean skin that is easy to look through)

anything else that you’d like us all to know: i love to sleep, i have never written anything in my life and i’m just vibing and chilling. plotting talking, i love. and if you consider us friends, we are friends <3

#ghsitebuzz #ghtask1

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amanda-hildebrandt · 9 months

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The Mona Lisa Steeplechase

Some people train to run a marathon. I trained to see a work of art.

The portrait of a Florentine silk merchant's wife hides in plain sight, locked inside bulletproof glass, buried beneath centuries of grime, blurred by the glare of its own myth. Maiden viewers exclaim over how small it is, and it is. The painting has been cut down at some point in its 500-year history, but this is not the source of the surprise. The image is so familiar, so dominant in the canon of Western art, it is natural to expect it to monopolise an entire wall in this palace-turned-treasure-chest.

The Mona Lisa should not be famous. It has been stolen - Picasso was a suspect - trash-talked by Mark Twain, psychoanalysed by Sigmund Freud, sprayed with red paint, attacked with acid, the subject of unlikely theories - it's Leonardo in drag! - and parodied by surrealists, one of whom dispensed with the missing eyebrows debate by giving the sitter a moustache. These things, rather than its artistic innovations, are what give the painting its pull.

Over nine million people visit Lisa Gherardini Del Giocondo each year. In peak times, it's as if a mosh pit has teleported en masse to the compact Salle 13 in the Louvre. It is close and quarrelsome and punctuated by disorienting bursts of camera flash.

On my first trip to Paris, I did not intend to share her with anyone.

Planning such a feat involved maps, conference with a friend with knowledge of the museum layout, advance tickets, secret entranceways, and a carefully plotted path with no margin for error. In 1911, Vincenzo Perruggia posed as an employee and walked out of the Louvre with the Mona Lisa tucked under his smock; stealing the canvas appears to have required less effort than viewing it without being trampled by happy-snappers. To achieve this, I would have to run.

So began my relationship with the treadmill. In the weeks preceding the trip, I became acquainted with a novel form of self-torture called tabata. I perfected my knowledge of fast-twitch and slow-twitch muscle fibres. The gym manager was evangelical about whey protein.

Come the day, my route was committed to memory. Alarms were set. Websites double checked for changes in traffic conditions, in viewing access. I fronted early at one of the more obscure entrance gates and, when it opened, I ran. Through the underground ticket hall, dodging queues and Dan Brown fans posing beneath I.M. Pei's pyramid. My fast-twitch fibres fired me up the stairs. Flights and flights of stairs. Along a long tangle of corridors and, finally, to Salle 13.

Three minutes. Save for the gallery guards, my training and plotting won me three precious minutes alone with the Mona Lisa. The crowd barrier keeps viewers at an exaggerated distance, so yes, it was smaller than I expected. But close up, it's easier to see what makes the painting a creative revolution: Leonardo's use of oil rather than egg tempera; his unusual placement of a portrait subject within a landscape; the misty, sfumato effect produced by the careful layering of tiny brushstrokes. It's a magnificent work. Yet the colours we see are not the colours Leonardo painted. The viewing conditions are average, and the very idea of the Mona Lisa has grown so large, it's almost impossible to leave Salle 13 satisfied, even for those who walk in with no conscious expectation of cracking a half-thousand year-old enigma.

There are more interesting, more accessible, works in the Louvre: Caravaggio's wry 'Fortune Teller'; Ghirlandaio's 'Old Man and His Grandson'. The quiet, spontaneous appreciation enjoyed before these pictures is what's missing from the Mona Lisa experience. The great shame is that it appears the lady herself, seated alone above the landscape, craves that same quiet.

(Image: Wikimedia Commons)

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duartedits · 3 years

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