Dungeon Meshi modern au where both Laois and Falin are food vloggers. Laois is always travelling to remote areas and cultures to try the most "extreme" foods and bring them to light. He's known as the guy who will drink blood and slam a still wriggling bug just to comment on it's nutty flavor. Meanwhile Falin is visiting long-standing eateries and sharing the stories behind local cuisine.
Nobody actually puts together they're siblings (in part due to wildly different viewerbases) until Falin in one video mentions how she enjoys eating insects and the comment section is full of folks asking her to "collab with the bug guy". Her very next video is her and Laois smiling infront of a mukbang style platter of insects and she introduces him as her brother.
It's out!!!! finally! Running a premiere was a LOT of fun and you can expect to see me do it more. This series is legendarily... outrageous, I guess. It's fitting it has 'seeing is believing' because it's extremely hard for most people to believe me when I tell them it's real, it's not a joke or satire or feitish, and it was published by a Big Five mainstream press in 2013-2015.
It has the most trigger warnings I've ever had to include and I am Not Kidding.
We've just got our hands on a copy of the excellent The Art Of The Box from Bitmap Books. Please check out our review and preview book video - https://www.this-is-cool.co.uk/the-art-of-the-box-book-review/
I entered this manga not knowing the first thing about it. I was scrolling through Manga4life after catching up on Hunter x Hunter and came across Ajin on the highest rated filter. I read through the comments and saw the praises for the story. I was collecting a number of different titles to read through and chose Ajin to begin my series of readings.
Why did I choose Ajin as a starter? What stood out to me about Ajin was its art. For many mangaka, the art begins somewhat immature and the artist hones their skills throughout the serialization. For example, there's a noticeable change in Tokyo Ghoul, Bleach, Naruto, HxH, etc. Ajin began with a recognizably polished art style thanks to Gamon Sakurai. The lines were confident and the scenes were already challenging in a way a veteran artist might be expected to execute. I was grabbed immediately!
These two pages are both from the first chapter. Note the details on the folds of clothes, the sneakers, the officer's ear, and his uniform even. I have not come across many manga who's art begins with dramatic detail in the most mundane things such as clothing, at least not in such a way. I'm reminded of how in sports manga, the mangakas take a lot of time to detail a player's shoes, because those have importance to the sport itself.
To clarify, Ajin still went through a maturity in its art. Obviously, there was a change when the original writer Tsuina Miura left. With Sakurai having more control over the story, it's clear his change in story affected the characters and art style as well. For example, Kei Nagai goes from a rounder more doe-like appearance to sharper and straighter lines. His original design fit alongside his character portrayal as an innocent kid unfit for the severity of the story's premise; Kei was perhaps meant to be pitied in the original story.
After Sakurai became the writer, Kei changed into an untrustworthy character who could shift personalities, utilizing both the younger look of the first volume, and the more confident and mature appearance Sakurai had created. Sakurai says that after volume 1, he "tried to move the art gradually closer to [his] own style" (ch.83, pg. 82). I recognize Kei's purposeful tonal changes as a creative method to transition the manga into Sakurai's own style and design changes that he had decided for the story.
Below, this series of pages illustrate first the differences between Kei in volume one and two. Then, the ways Sakurai uses both the softer and sharper designs to convey a transition of his character.
Finally, in chapter seventeen, page seven, Sakurai commits to the shift and reveals this new design and characterization to be the "real" Kei all along. Nakano comes to the same realization as the reader.
Sakurai used Kei's earlier more pitiful appearance to show Kei's softer mask that he wore to hide his true, more cold and calculative nature. After the moment between Nakano and Kei, the later design remains more consistent and total. Personally, I enjoy the later design more than the first and what it implied for the story. Along with a change in Kei's character was a change to the story's tone as well. Sato became more devious, and so did Kei. These character changes, in a way, foreshadowed the extremes in which the plot would take as well.
Though, still I would have enjoyed the closer relationship that was foreshadowed for Kei and Kai. I mean, look at these pages and tell me you don't see a budding homoerotic romance on the rise!
To round out my thoughts, I enjoyed the first premise, but overall enjoyed the second premise even more. In the next review, I'll dissect Sato's character and how he was handled from an authorial point of view. I just needed to discuss the art style change and what it implied for the story, especially Kei, as he plays an important role for the overall tone of the story.
watched a book review today and wow Reads With Rachel articulated this point really well and i can finally explain in words why so many of those "greek retellings" that've been churned out recently rub me the wrong way (source)
transcript:
...and Ariadne is the daughter of Mih-nos? My-nos? Her dad, who is always threatening to kill her? And I wasn't really sure... um... what was stopping him? Or... why that wouldn't be allowed? The politics - like, let's be so serious - the politics (and the religion honestly) went sort of immediately, over my head? Just... [imitates whooshing sound]. The way it was fed to us was fed in, not in a way that sticks. Although, again, I wonder if that is very subjective and I wonder if the reason it's so subjective to me is because again I am not a Greek-Mythology-educated girlie. I am left to wonder if a lot of these retellings, honestly, are relying on the reader to know Greek Mythology as well as the author does? Sort of like the author is trying to like take a shortcut? To building out their lore by relying on what is already known by the people who do know a lot about Greek Mythology? Sort of like how in fanfiction, there is already things that are like, like, baseline, level of knowledge. Like you're reading fanfiction because you already have like a connection with this - like with Reylo, which this author was a - a Reylo fanfiction writer - there's sort of like this already... like it's established connection with certain things - like you already know, right? And that's why you, you read it, is because it's familiar, you don't have to re-establish any new baseline, you already have your baseline. And then from there, you do cool and new things jumping off of that. I feel like I am not at baseline, here. So again it, it feels sort of like a shortcut was taken using lore that was already known (I assume!) But it's known to them, not to me. If you're going to write Greek retellings and want to appear to a br - appeal to a broader audience, write for the girlies that get it, and for the girlies that don't [laughs]. Or don't, do whatever you want, I'm just saying that a lot of this was lost on me, and if I wasn't lost, if the author had filled in more gaps, maybe I would have enjoyed it more.
My latest video is up and I highly. can I highly recommend my own video? yea.
look. look. LOOK. it's an obscure book I stumbled on and no one else has heard of, I promise. It's about the year 2050 where America has invented a vaccine against the Christian god and effectively killed Christianity. It's Christian lit trying to use fake medical science to argue for god but accidentally makes a godless wasteland America seem like a pretty bangin' place
Space: 1999 – The Vault is the ultimate and in our opinion the definitive guide to the much-loved live-action sci-fi TV series, please check out our review and preview book video - https://www.this-is-cool.co.uk/space-1999-the-vault-book-review/