#vickierae

[llpodcast]

Join the captivating journey with the Literary License Podcast as we explore vintage and modern films, and delve into meaty discussions about social media's impacting modern society. This season 7 retrospective takes us through family film classics, "Bedknobs and Broomsticks" and "Enchanted," with our humorous hosts, Vicki Rae, Keith Chawgo and John Wilson.   From gleaning insights on popular games to discussing independent films and popular TV series, this episode traverses a variety of topics. Central to the discussion is the critique of social media obsessions and the undeniable charms of classics like "Bedknobs and Broomsticks" and "Enchanted." Take part in this dialogue that balances the exciting and the thought-provoking.   Our discourse on "Bedknobs and Broomsticks" unravels its unique blend of magic, war, and self-discovery, set apart from other Disney productions. We follow the enchanting journey of novice witch Miss Eglantine Price and the lovable con man, Professor Emilius Brown, highlighting significant moments of this live-action and animation production that won the Academy Awards for Best Special Visual Effects.   Journey further into Disney's magical realms as we explore "Enchanted" and its sequel "Disenchanted." Enjoy anecdotes and insights into this brilliant mix of real-world practicality and fairy-tale sweetness. The brilliant star-studded performance, toe-dipping bits into the world of fairy-tales, and shared laughter make this episode an enjoyable ride for every movie lover.   The analysis doesn't stop there. Dive into the magic of "Princess Diaries" and "Enchanted," discussing their musical scores, animation style, and lasting impact. Unwrap these influential tales of princesses and the fantasized version of New York while acknowledging Disney's self-awareness balancing charm and humour.   Tune in as we light-heartedly ponder film critiques, explore the paradox of commercial breaks, and appreciate cinema's enchanting magic. An episode designed for those who appreciate being carried away into whimsical tales and hearty discussions about the digital age's challenges and opportunities.   00:00:40- Films that scare, entice, and invite children into the underbelly of life as we know it.; 00:01:21- Hello, welcome to the Literary License Podcast. This is Dark Families Week.; 00:35:07 - The Modern Dilemma; 00:41:10- Enter Bedknobs and Broomsticks; 00:46:48- The Timeless Gem; 00:53:17- Glimpse into History; 00:56:42 - Behind the Scenes; 01:01:52- The Studio System’s Decline; 01:06:54- Angela Lansbury’s Versatility; 01:10:23 - The Evolution of Cinema; 01:12:37 - Navigating Through Decades; 01:15:16- Disney’s Renaissance Era; 01:19:26 - Rating Bedknobs and Broomsticks; 01:23:48 - Introduction to Enchanted; 01:26:32 - Collision of Worlds; 01:27:54- Adventures in Enchanted; 01:32:01- Exploring Character Development; 01:45:11- Musical Musings; 01:48:14 - Enchanted Star Ratings & Reviews; Opening Credits– Once Upon Theme by Dan Hughes Music Poduction.  Copyright 2024 LLPodcast   Closing Credits: Age of Not Believing by Angela Lansbury.  Taken from the album Bedknobs and Broomsticks Original Motion Picture Soundtrack.  Copyright 1971 Walt Disney Records   Section Breaks:  Music from Enchanted Original Motion Picture Soundtrack.  Music by Alan Menken.  Copyright 2007 Walt Disney Records ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

#amyadams #angelalansbury #bedknobsandbroomsticks #enchanted #jonwilson #keithchawgo #literarylicensepodcast #llpodcast #patrickdempsey #vickierae

[llpodcast]

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-literary-license-podcast--3646911/support. Welcome to another riveting episode of the Literary License Podcast, a retrospective to explore the fascinating world of anthology films. From the classic works of Edgar Allan Poe and H.P. Lovecraft to the cinematic masterpieces of the 1930s, anthologies have been an integral part of storytelling. This episode dives into "Night Gallery" from 1969 and the "Twilight Zone Movie" from 1983. This discussion-rich episode also features our host's favorite "What The F***" movies, discussing the shock factors, character development, and storytelling aspects of cult classics like "I Spit on Your Grave," "Humanoids from the Deep," and the provocative "Serbian Film". This conversation is a deep dive into the realm of anthologies with reflections on iconic films. Perfect for movie buffs or anyone looking for intriguing conversation about classic films. Listen as the hosts recount their unforgettable encounter with film director, Frank Henenlotter at a social event a few years ago. They discuss Henenlotter's unconventional filmmaking style and his unique work such as the Basket Case Trilogy. Also covered are insights into the complexities of the filmmaking business and the savvy filmmakers who played the studio system to their advantage. Contemplate the exploration of supernatural aspects, embodied by the acclaimed film, "Night Gallery." The hosts discuss how paintings embody powerful narratives of terror and the unknown, and add their personal experiences and interpretations, making this discussion a vibrant tapestry of genres. Engage in a comprehensive look at the history and ongoing influence of classic films and the era of afternoon television, with a deep dive into the 1930s, 40s, and early 50s classic cinema. Join us as we trace the evolution of afternoon television and witness the power of television, strategically repurposing classic movies. 00:00:14 - Exploring Anthologies Through the Ages; 00:04:58 - Introducing Night Gallery and Twilight Zone the Movie; 00:10:03 - Remembering Fred Ward and Discussing Ari Aster’s New Film; 00:34:42 - The Thin Man Movie Adventures; 00:40:10 - Night Gallery: A Supernatural Anthology; 00:49:14 - Humanity’s Blind Eye: Lessons Unlearned; 01:02:29 - Cult Movie Gems: Bubba Ho-Tep & Roddy McDowall; 01:08:42 - The Conqueror Worm vs. Witchfinder General; 01:45:21 - Twilight Zone: The Movie; 01:47:17 - Directors’ Journey to Another Dimension; 01:47:45 - Keith’s Thoughts on the Movie; 01:57:36 - The Tragic Helicopter Crash Incident; 02:06:16 - Tribute to the Victims and Credits; 02:08:56- Joe Dante’s Signature Tropes; 02:12:22 - Heartfelt Charm in Spielberg’s Episode; 02:13:15 - Recognition of Tanya Fenmore’s Performance; 02:15:50 - The Bitterness of Mr. Agee’s Character; 02:18:41 - Discussion on Elderly Community Centers; 02:20:31 - Cherished Memories with Loved Ones; 02:22:37 - Family Memories; 02:30:14 - Movie Directors’ Cliques; 02:40:10 - The Amityville Legacy; 02:46:14 - Twilight Zone Ratings; 02:52:14 - Nostalgic TV Guides; 02:58:23 - Podcast Updates and Future Episodes; 03:07:09 - Twilight Zone by The Manhattan Transfer Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: Twilight Zone/Twilight Tone by The Manhattan Transfers. Taken from the album Extensions. Copyright 1979 Atlantic Records Incidental Music Night Gallery soundtrack – William Goldenberg. Copyright 1969 NBC Universal Twilight Zone The Movie Original Motion Picture Soundtrack. Music by Jerry Goldsmith. Copyright 1983 Warner Brothers Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#joancrawford #joerandazzo #keithchawgo #literarylicensepodcast #llpodcast #nightgallery #ossiedavis #roddymcdowall #rodserling #tombosely #twilightzone #twilightzonethemovie #vickierae

[llpodcast]

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-literary-license-podcast--3646911/support. Welcome to another riveting episode of the Literary License Podcast, where we delve into the fascinating world of dark family films. In this Season 7 retrospective, our panel of film aficionados embark on a thrilling journey to dissect and discuss captivating movie narratives like "Return to Oz" and "Oz the Great and Powerful". Listen to our in-depth discussions as we delve into topics ranging from film analysis to the scrutiny and dissection of film elements to provide valuable insights. Explore the behind-the-scenes of serious film criticism and learn about the challenges of watching films, 15 seconds at a time. Immerse yourself in a comprehensive discussion about the iconic director, David Lynch. Discover his distinctive work and join us in exploring the haunting world of Dorothy Gale in "Return to Oz". Join us as we analyze and speculate about unasked questions about popular characters' actions and intentions, compelling you to return to this beloved childhood tale with fresh eyes. It's a fascinating journey through a timeless classic story that continues to captivate audiences. Get ready to dive into the captivating and haunting world of children's films with 'Return to Oz'. We discuss how this timeless classic closely resembles the book's illustrations and touch upon societal concerns in the mid-80s and how they impacted the reception of darker children's movies. Wrapping up this profound exploration of cinematic artistry and storytelling, we invite you to tune in for an episode that truly delves into the complex and ever-evolving cosmos of films that continue to captivate audiences through mesmerizing tales of fantasy and reality. 00:00:40 - Films that scare, entice, and invite children into the underbelly of life as we know it.; 00:01:21 - Hello, welcome to the Literature License Podcast, and we’re discussing dark family films.; 00:12:14 - Come on a journey with the Literary License Podcast as we explore in our Season.; 00:41:17 - Frustrations at Work; 00:42:25 - Boosting Self on Screen; 00:43:03 - Confusion with Emojis; 00:43:11 - Catching Up with Vicky; 00:43:45 - Vicky’s Recent Watchlist; 00:44:28 - Keith’s Recent Viewing Habits; 00:45:54 -Twin Peaks Rewatch; 00:47:07 - Discussing Twin Peaks: The Return; 00:49:04 - The Fascination with Twin Peaks; 00:52:40 - The Art of David Lynch; 00:53:21 - Letting Lynch Films Wash Over You; 00:56:18 - Speculations on David Lynch’s New Project; 01:01:16 - Oscars and Missed Opportunities; 01:05:53 - Appreciation for Tom Cruise’s Movies; 01:10:20 - Discovering Tubi; 01:13:01 - Trailer Review: Return to Oz; 01:14:14 - Return to Oz Analysis; 01:51:14 - Return to Oz Review; 02:03:07 - Oz the Great and Powerful Film Analysis; 02:05:20 - Mysterious Dream in Oz; 02:07:32 - Sam Raimi’s Evil Dead Influence; 02:08:47 - The Great Movie Nod-off; 02:10:48 - Curious Origins; 02:11:20 - Aging in Oz; 02:12:13 - The Witch’s Betrayal; 02:13:14 - Unexpected Twists; 02:15:11 - A Divine Revelation; 02:15:37 - Beauty in Cinematography; 02:16:07 - Franco’s Smarmy Charm; 02:16:37 - The Enigmatic James Franco; 02:17:35 - Roasting Hollywood; 02:17:53 - A Wicked Sequel; 02:18:21 - Evil Con Artists; 02:20:38 - Musical Influence; 02:22:26 - Splitting Movies; 02:23:06 - Sequel Setups; 02:25:07 - Unnecessary Length; 02:27:04 - Never-ending Movies; 02:27:42 - Egotistical Productions; 02:28:23 - The Wizard’s Betrayal; 02:29:25 - Mysterious China Girl; 02:32:05 - Message Movie; 02:32:51 - The Dark Knight Influence; 02:34:34 - The Creation of Wicked; 02:36:50 - Lazy Scripting; 02:37:45 - Sam Raimi’s Style; 02:39:04 - Visual Vibrancy; 02:39:56 - Sam Raimi’s Charm; 02:41:48 - Superhero Movie Woes; 02:44:21 - Rating – Joe; 02:46:24 - Rating – Sean; 02:48:04 - Sam Raimi Disappointments; 02:50:35 - Drag Me to Hell Critique; 02:51:50 - Literary License Recap; 02:56:41 - Toto (Don't It Feel Like Paradise) by Lynda Carter Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: Toto (Don’t It Feel Like Paradise) by Lynda Carter. From the album Portrait. Copyright 1978 Epic Records Incidental Music: Return To Oz Soundtrack. Music by David Shire. Taken from the Return To Oz Original Motion Picture Soundtrack. Copyright 1985 Walt Disney Records Oz The Great and Powerful Soundtrack. Music by Danny Elfman. Taken from Oz The Great and Powerful Original Motion Picture Soundtrack. Copyright 2013 Walt Disney Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#fairuzabalk #jamesfranco #jeanmarsh #joerandazzo #keithchawgo #literarylicensepodcast #llpodcast #michellewilliams #milakunis #ozthegreatandpowerful #piperlaurie #rachelweisz #returntooz #samraimi #seansteffen #vickierae #waltermurch #zackbraff

[llpodcast]

Join us for a riveting episode of the "Lit Your License Podcast" as we diverge from Batman retrospectives and delve deep into the chaotic world of Pro Wrestling. Journey with our hosts Keith Chawgo, Sean Steffan, and Vicky Rae as we examine significant events, from the controversies surrounding Vince McMahon's resignation to the reactions towards Dwayne 'The Rock'" Johnson's return. Marvel at the dynamics behind the rise of wrestling stars like Cody Rhodes and the political power plays pervading the industry. Picture the thrilling future of wrestling through our intriguing conjectures and hear our comparisons to the world of TV soaps. Engage in thought-provoking discussions on the dichotomy between good and evil, and anticipations for the upcoming Vince McMahon biopic. Dive into our extensive explorations of video games, unique movie recommendations, and in-depth analysis of the iconic Batman series. Feel our hosts' gaming frustrations and triumphs, understand the hypnotic charm of Yakuza movies, and partake in our anticipation for classic series like Twilight Zone and Friday the 13th. Unravel Batman's complicated relationships and contemplate his future as we navigate the exciting world of streaming. Participate in reflective discussions on power dynamics, personal responsibilities, and mutual attraction as we tackle a range of entertainment topics. Join us as we analyze fascinating characters like Harley Quinn and the Terrible Trio, uncovering motivations and examining complex dynamics. Further, delve into the intricacies of film making and profitability, shedding light on the importance of fanbases and the enduring appeal of a variety of movies and actors. Discover thrilling genres of horror and action films, understanding the subtlety of messaging, the impacts of company ownership, and financial struggles of major cinema industry players. Round out the conversation with reflections on the presentation and performances in iconic movies like "Barbie" and ponder over the possible future of the "Transformers" franchise in this engaging episode. Take part in our exploration of the world of movies, toys, celebrities, and nostalgia as we discuss the evolution of the Transformers franchise, the illustrious career of Dwayne 'The Rock' Johnson, and the careers of renowned actors like John Travolta and Robin Williams. Relish in our nostalgic reminiscences of forgotten sequels and real-life dynamics mirrored in movies and conclude with an insight into the multifaceted psyche of comedians like Richard Pryor. Traverse through classic TV series' episodes as we wrap up this dynamic episode that is too intriguing to miss! 00:00:20 - A Podcast Journey into the World of Batman; 00:00:55 - Introduction to Batman Week on the podcast; 00:04:37 - Vince McMahon’s return and the involvement of The Rock; 00:08:33 - Manipulation of the media and fan reactions to The Rock’s return; 00:11:35 - The ongoing saga of Vince McMahon and potential revelations; 00:15:09 - The importance of conflict and dichotomy in wrestling storylines; 00:18:39 - Wrestlers’ Controversial Behavior Exposed; 00:24:54 - From Hollywood discussion to European horror films; 00:28:18 - Frustrations with American bureaucracy and video game reminiscing; 00:32:10 - Blu-ray box sets and streaming service discussions; 00:34:42 - Introduction to Batman: The Animated Series and Avatar; 00:38:59 - Reflection on the Ending and the Possibility of Retirement; 00:43:59 - Poison Ivy’s Return and Mysterious Crimes; 00:53:05 - DVD Format Woes and the Need for Remasters; 00:56:38 - ”Ricochet”: A Secret Sequel to Die Hard and the Desire for Remastering; 01:00:36 - ”The Interview”: Controversy and the Story Behind the Movie; 01:06:43 - Analyzing the complexities of workplace relationships and accountability; 01:11:53 - Establishing rules for relationships with colleagues and friends; 01:15:45 - Navigating shifting dynamics and aligning with different friendships; 01:17:09 - Introducing the Terrible Trio: Gotham’s New Master Criminals; 01:22:15 - The Robin Hood Theory and Bored Trust Fund Kids; 01:26:09 - Harlequinade: An Explosive Joker-Harley Dynamic; 01:30:15 - Understanding Harley Quinn: Misrepresentations in Live-Action Adaptations; 01:34:26 - Unleashing the Full Potential of Harley Quinn in Live-Action; 01:38:51 - The Controversial Shelving of Coyote vs. Acme Movie; 01:44:21 - The Vindictive Prick: A Public Embarrassment; 01:48:27 - Horror and Action Films: Easy Background Entertainment; 01:53:16 - Mixed Feelings about Movie Length; 01:56:42 - Barbie’s portrayal and potential as an intellectual property; 02:00:17 - Hoping for a funnier and less serious approach to the film; 02:03:17 - Plans for a Hasbroverse involving G.I. Joe and Transformers; 02:07:22 - The Creepy Plot Point in a Transformers Movie; 02:16:08 - Robin Williams in ”Good Morning Vietnam”; 02:25:35 - Favorite Episode: Avatar and the Fascinating Ra’s al Ghul; 02:30:07 - House and Garden: Exploring Poison Ivy’s Emotional Range; 02:31:43 - Finalizing the Literary License Podcast and Upcoming Batman Series Episode; 02:38:01 - Housewife by Qveen Herby Opening Credits– The Adventures of Batman and Robin: The Animated Series – Copyright . 1992 Warner Brothers Animation – Music by Shirley Walker. All rights reserved Closing Credits: Housewife by Qveen Herby. Taken from the album Housewife. Copyright 2023 Checkbook Records ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#batman #harleyquinn #keithchawgo #literarylicensepodcast #llpodcast #posionivy #seansteffan #theadventuresofbatmanandrobin #vickierae

[llpodcast]

Welcome to a highly engaging episode of the Literary License Podcast's Book to Screen series. In this episode, dive into the timeless world of 'The Wizard of Oz' by L. Frank Baum. Join hosts Keith Chawgo, Leandro Ghezzi and Vicky Rae as they delve into the mesmerizing world of Oz, discussing its origins, Broadway adaptation, and its iconic film version that made Judy Garland unforgettable. Immerse in the journey of Dorothy Gale, Toto, and the magical Land of Oz. Discover or even re-discover why this classic American fairy tale remains close to our hearts as we go through the fascinating characters, landscapes, and intricate quests of the story. The episode also features a deep exploration of the symbolic elements and hidden messages within the story, shedding light on some intriguing theories and metaphors. The podcast also eloquently touches upon the complexities of the digital existence in the era of social media. The conversation raises questions about our privacy and highlights the consequential aspects of our digital interactions. Important issues like online bullying and the psychological impact of social media are also addressed, stressing the need to discern the 'false reality' it presents. Furthermore, revealing a refreshing perspective on pop culture, we share noteworthy insights relating to manipulation in media and the portrayal of 'happy' life in advertising. Then, we decant 'The Wizard of Oz' in contrast to its widely popular cinematic version, also exploring the narrative techniques in children's fantasy novels. The conversation wraps up with a spirited critique of 'The Wizard of Oz' film, also touching upon its African American adaptation - 'The Wiz'. Offering significant insights into the casting and production, this thrilling episode leaves no stone unturned. So whether you're a fan of the original books or the picked adaptations, this episode promises a fresh and thorough perspective on the world of Oz. 00:00:00 - Introduction to Literary License Podcast’s Book to Screen Episode; 00:06:27 - Preparations for Moving to the US; 00:09:39 - Traffic and Infrastructure in Texas; 00:12:48 - Expressing Excitement about Returning to the US; 00:13:31 - The Origins of The Wizard of Oz; 00:15:10 - Introduction to Dorothy’s journey in the magical land of Oz; 00:18:57 - The Wizard reveals his true identity and grants the companions’ desires; 00:20:48 - Introduction to The Wizard of Oz and initial impressions; 00:24:16 - Wicked and the exploration of characters from the book; 00:27:54 - Discussion of Wicked and anticipation for its film adaptation; 00:31:14 - The illusion of appearances and the characters’ traits; 00:35:01 - L. Frank Baum’s interesting life and inspirations; 00:38:02 - Violence and dark elements in the original Oz book; 00:47:45 - The Challenge of Finding Reliable News Sources; 00:51:19 - The Impact of Social Media on Different Generations; 00:54:27 - The Discrepancy between Online and Real-Life Appearances; 00:58:24 - The Illusion of Reality TV and Raising Children; 01:02:20 - Relationships and the Importance of Hearing Both Sides; 01:06:04 - Historical Perspective on Natural Disasters; 01:09:37 - The Wizard of Oz: A Classic Five-Star Story; 01:12:14 - Ding Dong The Witch Is Dead - Ella Fitzgerald; 01:14:20 - Introduction and Background of The Wizard of Oz; 01:17:24 - The Wicked Witch’s sinister threat; 01:18:52 - Introduction and Initial Thoughts on The Wizard of Oz; 01:22:10 - Judy Garland’s Troubles and Alternative Casting Choices; 01:25:23 - Personal Reactions and Blu-ray Version; 01:29:15 - Noticing New Things in Munchkin Land; 01:36:58 - The Prologue and Original Singer of Over the Rainbow; 01:43:00 - Margaret Hamilton’s Presence and the Poppy Field Myth; 01:46:42 - The directors and financials of the film; 01:53:51 - Discussion on celebrities with gay children; 02:02:23 - Seeing the Red Shoes and Dorothy's Dress at the Smithsonian; 02:04:36 - Rating and Visual Effects of the Wizard of Oz; 02:11:40 - Wrapping up the Literary License Podcast; 02:14:37 - Closing Credits: Over the Rainbow by Ella Fitzgerald Opening Credits– Epidemic Sound – Copyright . All rights reserved Intermediate Song: Ding Dong the Witch is Dead by Ella Fitzgerald. Taken from the album Ella Fitzgerald Sings The Harold Arlen Songbook. Copyright 1961 Verve Records. Closing Credits: Over the Rainbow by Ella Fitzgerald. Taken from the album Ella Fitzgerald Sings The Harold Arlen Songbook. Copyright 1961 Verve Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#1939 #bertlehr #billieburke #booktoscreen #frankmorgan #judygarland #keithchawgo #l.frankbaum #leondroghezzi #literarylicensepodcast #llpodcast #margarethamilton #onceuponatime #raybolger #vickierae #wizardofoz

[llpodcast]

Sin City (also known as Frank Miller's Sin City) is a 2005 American neo-noir crime anthology film produced and directed by Robert Rodriguez and Frank Miller. It is based on Miller's graphic novel of the same name. Much of the film is based on the first, third, and fourth books in Miller's original comic series. The Hard Goodbye is about an ex-convict who embarks on a rampage in search of his one-time sweetheart's killer. The Big Fat Kill follows a private investigator who gets caught in a street war between a group of prostitutes and a group of mercenaries, the police and the mob. That Yellow Bastard focuses on an aging police officer who protects a young woman from a grotesquely disfigured serial killer. The intro and outro of the film are based on the short story "The Customer is Always Right" which is collected in Booze, Broads & Bullets, the sixth book in the comic series. The film stars an ensemble cast led by Jessica Alba, Benicio del Toro, Brittany Murphy, Clive Owen, Mickey Rourke, Bruce Willis, and Elijah Wood, and featuring Alexis Bledel, Powers Boothe, Michael Clarke Duncan, Rosario Dawson, Devon Aoki, Carla Gugino, Rutger Hauer, Jaime King, Michael Madsen, Nick Stahl, and Makenzie Vega among others. Sin City opened to wide critical and commercial success, gathering particular recognition for the film's unique color processing which rendered most of the film in black and white while retaining or adding color for selected objects. The film was screened at the 2005 Cannes Film Festival in competition and won the Technical Grand Prize for the film's "visual shaping". A sequel also directed by Miller and Rodriguez was released in 2014, Sin City: A Dame to Kill For, but failed to match the critical and commercial success of its predecessor. Southbound is a 2015 American anthology horror film directed by Radio Silence, Roxanne Benjamin, David Bruckner, and Patrick Horvath. Produced by Brad Miska and Roxanne Benjamin, the film premiered at the 2015 Toronto International Film Festival on September 16, 2015, and was released theatrically on February 5, 2016, in a limited release. The film was included on numerous Best Horror Films of 2016 lists including those by Rolling Stone, BuzzFeed and the Thrillist. Opening Credits; Introduction (1.00); Background History (4.46); Sin City Film Trailer (2005) (7.22); Exploring Our First Feature (9.04); Let's Rate (50.46); Introducing a Film (53.57); Southbound (2015) Film Trailer (54.46); Lights, Camera, Action (57.06); End Credits (1:12.43); Closing Credits (1:14.20) Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: Road To Nowhere by Talking Heads. From the album Little Creatures. Copyright 1985 Sire Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. Incidental Music: Music from Sin City Original Motion Picture Soundtrack by Robert Rodriguez, John Debney and Graeme Revell. Copyright 2005 Varese Sarabande. Music from Southbound Original Motion Picture Soundtrack by The Gifted. Copyright 2015 Headquarters Music. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#davidbuckner #joerandazzo #keithchawgo #literarylicensepodcast #llpodcast #patrickhovarth #radiosilence #robertrodriquez #roxannebenjamin #sincity #southbound #vickierae

[llpodcast]

The Iron Giant is a 1999 American animated science fiction film produced by Warner Bros. Feature Animation and directed by Brad Bird in his directorial debut. It is based on the 1968 novel The Iron Man by Ted Hughes (which was published in the United States as The Iron Giant) and was written by Tim McCanlies from a story treatment by Bird. The film stars the voices of Jennifer Aniston, Harry Connick Jr., Vin Diesel, James Gammon, Cloris Leachman, John Mahoney, Eli Marienthal, Christopher McDonald, and M. Emmet Walsh. Set during the Cold War in 1957, the film centers on a young boy named Hogarth Hughes, who discovers and befriends a giant alien robot. With the help of a beatnik artist named Dean McCoppin, Hogarth attempts to prevent the U.S. military and Kent Mansley, a paranoid federal agent, from finding and destroying the Giant. Monster House is a 2006 American computer-animated haunted house film directed by Gil Kenan in his directorial debut and written by Dan Harmon, Rob Schrab and Pamela Pettler, about a neighborhood being terrorized by a sentient haunted house during Halloween. The film features the voices of Mitchel Musso, Sam Lerner, Spencer Locke, Steve Buscemi, Maggie Gyllenhaal, Kevin James, Nick Cannon, Jason Lee, Fred Willard, Jon Heder, Catherine O'Hara, and Kathleen Turner, as well as human characters being animated using live action motion capture animation, which was previously used in The Polar Express (2004). It was Sony's first computer animated film produced by Sony Pictures Imageworks. Opening Credits; Introduction (1.23); Background History (28.13); The Iron Giant (1999) Trailer (30.06); Our Thoughts (32.33); Let's Rate (49.09); Introducing Our Second Feature (53.21); Monster House (2006) Film Trailer (55.09); Lights, Camera, Action (57.33); How Many Stars (1:15.07); End Credits (1:17.50); Closing Credits (1:18.22) Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: Halloween by Siouxsie and the Banshees. Taken from the album Juju. Copyright 1981 Polydor Records. Incidental Music: Music from The Iron Giant by Michael Kamen. Taken from the album: The Iron Giant – Original Motion Picture Soundtrack. Copyright 1999 Rhino Records. Music from Monster House by Douglas Pipes. Taken from the album: Monster House – Original Motion Picture Soundtrack. Copyright 2006 Varese Sarabande ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#bradbird #gilkenan #harryconnickjr #joerandazzo #keithchawgo #llpodcast #monsterhouse #robertzemeckis #stephenspielberg #theirongiant #theliterarylicensepodcast #vickierae #vindiesel

[llpodcast]

The Worry Men Wealthy socialite Veronica Vreeland returns from Central America bringing tiny handmade dolls for all her friends. According to native legend, once placed under a pillow the dolls do the sleeper’s worrying for them. Unknown to Veronica or her guests, each of the dolls contains a tiny microchip which plants hypnotic suggestions inside the sleeper’s brains, even Bruce’s. Sideshow Enroute to an upstate prison, Killer Croc escapes and leads Batman on a dangerous chase through the wilderness. After throwing Batman temporarily off his trail, the reptile-man takes refuge with a group0 of retired circus freaks and convinces them to help him. When Batman arrives, Croc and the freaks band together to capture him. A Bullet For Bullock Someone has put a hit out on Gotham’s toughest cop, Harvey Bullock. After surviving several near misses, Bullock realises he has no choice but to reluctantly ask Batman to help him discover who is behind the murder attempts. During their investigation Bullock learns that his gruff and mean-spirited manner has created enemies in the unlikeliest of people. The Trial Gotham’s deadliest criminals, The Joker, Two-Faced, Mad Hatter, The Ventriloquist, Harley Quinn, Poison Ivy among many others, kidnap Batman and put him on trial in Arkham Asylum. The Dark Knight’s only hope rests with District Attorney Janet Van Dorn who, despite her anti-Batman stance, is forced to defend the Caped Crusader’s life as well as her own. Opening Credits; Introduction (.56); Episode One: The Worry Men (49.50); Episode Two: Sideshow (59.22); Episode Three: A Bullet For Bollocks (1:08.26); Episode Four: The Trial (1:15.15); Favourite Episode (1:20.40); End Credits (1:33.20); Closing Credits (1:34.03) Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: Let It Go by Luba. From the album 9 ½ Weeks Motion Picture Soundtrack. Copyright 1986 Capitol Records ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#abulletforbullock #batman #batmantheanimatedseries #joerandazzo #keithchawgo #literarylicensepodcast #llpodcast #seansteffen #sideshow #thetrial #theworrymen #vickierae

[llpodcast]

Watership Down is an adventure novel by English author Richard Adams, published by Rex Collings Ltd of London in 1972. Set in Hampshire in southern England, the story features a small group of rabbits. Although they live in their natural wild environment, with burrows, they are anthropomorphised, possessing their own culture, language, proverbs, poetry, and mythology. Evoking epic themes, the novel follows the rabbits as they escape the destruction of their warren and seek a place to establish a new home (the hill of Watership Down), encountering perils and temptations along the way. Watership Down was Richard Adams' debut novel. It was rejected by several publishers before Collings accepted the manuscript; the published book then won the annual Carnegie Medal (UK), annual Guardian Prize (UK), and other book awards. The novel was adapted into an animated feature film in 1978 and, from 1999 to 2001, an animated children's television series. In 2018, a drama of the story was made, which both aired in the UK and was made available on Netflix. Adams completed a sequel almost 25 years later, in 1996, Tales from Watership Down, constructed as a collection of 19 short stories about El-ahrairah and the rabbits of the Watership Down warren. Watership Down is a 1978 British animated adventure-drama film, written, produced and directed by Martin Rosen and based on the 1972 novel by Richard Adams. It was financed by a consortium of British financial institutions and was distributed by Cinema International Corporation in the United Kingdom. Released on 19 October 1978, the film was an immediate success and it became the sixth-most popular film of 1979 at the UK box office. It features the voices of John Hurt, Richard Briers, Harry Andrews, Simon Cadell, Nigel Hawthorne and Roy Kinnear, among others, and was the last film work of Zero Mostel, as the voice of Kehaar the gull. The musical score was by Angela Morley and Malcolm Williamson. Art Garfunkel's hit song "Bright Eyes" was written by songwriter Mike Batt. It has garnered a cult following. Opening Credits; Introduction (1.21); Background History (20.15); Watership Down Plot Synopsis (21.57); Book Thoughts (29.16); Let's Rate (50.29); Introducing a Film (52.51); Watership Down Film Trailer (1978) (56.13); Lights, Camera, Action (59.36); How Many Stars (1:40.44); End Credits (1:44.27); Closing Credits (1:45.25) Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: Bright Eyes from Watership Down by Art Garfunkel. Taken from the album Fate for Breakfast. Copyright 1978 Columbia Records. Incidental Music: Music from Watership Down by Angela Morley. Available on the Watership Down 1978 Original Motion Picture Soundtrack. Copyright 1978 Vocation Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#1978 #animation #artgarfunkel #johnhurt #keithchawgo #leandroghezzi #literarylicensepodcast #llpodcast #richardadams #vickierae #watershipdown

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The Lion King is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 32nd Disney animated feature film and the fifth produced during the Disney Renaissance, it is inspired by William Shakespeare's Hamlet with elements from the Biblical stories of Joseph and Moses and Disney's 1942 film Bambi. The film was directed by Roger Allers and Rob Minkoff (in their feature directorial debuts) and produced by Don Hahn, from a screenplay written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. The film features an ensemble voice cast that includes Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Nathan Lane, Ernie Sabella, Rowan Atkinson, and Robert Guillaume. Its original songs were written by composer Elton John and lyricist Tim Rice, with a score by Hans Zimmer. The film has led to many derived works, such as a Broadway adaptation in 1997; two direct-to-video follow-ups—the sequel, The Lion King II: Simba's Pride (1998), and the prequel/parallel, The Lion King 1½ (2004); two television series, Timon and Pumbaa and The Lion Guard; and a photorealistic remake in 2019, which also became the highest-grossing animated film at the time of its release. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The Lion King is the first Disney film to have been dubbed in Zulu, the only African language aside from Arabic to have been used for a feature-length Disney dub. The Lion King is a 2019 American musical drama film directed and co-produced by Jon Favreau, written by Jeff Nathanson, and produced by Walt Disney Pictures and Fairview Entertainment. It is a photorealistic computer-animated remake of Disney's traditionally animated 1994 film of the same name. The film stars the voices of Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Florence Kasumba, Eric André, Keegan-Michael Key, JD McCrary, Shahadi Wright Joseph, with Beyoncé Knowles-Carter, and James Earl Jones reprising his role from the original film. Plans for a remake of 1994's The Lion King were confirmed in September 2016 with Favreau attached to directed following box office successes for Disney remakes such as The Jungle Book (2016), which was also directed by Favreau. Disney hired Nathanson to write the screenplay in October 2016. Favreau was inspired by certain roles of characters in the Broadway adaptation and developed upon elements of the original film's story. Much of the main cast signed in early 2017, and principal photography began in mid-2017 on a blue screen stage in Los Angeles. The "virtual-reality tools" utilized in The Jungle Book's cinematography were used to a greater degree during filming of The Lion King. Composers Hans Zimmer, Elton John, and lyricist Tim Rice, all of whom worked on the original's soundtrack, returned to compose the score alongside Knowles-Carter, who assisted John in the reworking of the soundtrack and wrote a new song for the film, titled "Spirit", which she also performed. The film serves as the final credit for editor Mark Livolsi, and it is dedicated to his memory. With an estimated budget of around $260 million, The Lion King is one of the most expensive films ever made. Opening Credits; Introduction (.37); Background History (1:02.08); The Lion King (19940 Trailer (1;05.30); The Original (1:06.41); Let's Rate (1:51.58); INTERMISSON: (1:56.58) Introducing a Film (2:07.01); The Lion King (2019) Film Trailer (2:04.06); Lights, Camera, Action (2:05.51); How Many Stars (2:43.21); End Credits (2:58.34); Closing Credits (2:59.34) Opening Credits– Epidemic Sound – Copyright . All rights reserved. Intermission Music: He Lives In You (Reprise) – Ensemble – The Lion King, Jason Raize and Tsidii Le Loka. Taken from the album The Lion King, The Original Broadway Cast Album. Copyright 1997 Walt Disney Records. . Closing Credits: Shadowlands by Shadowland · Heather Headley · Tsidii Le Loka · Ensemble - The Lion King. Taken from The Lion King, The Original Broadway Cast Album. Copyright 1997 Walt Disney Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. Interval Music: The Lion King Original Broadway Cast. Copyright 1997 Walt Disney Records. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#1994 #2019 #animation #disney #ericsambello #heatherheadley #jamesearljones #joerandazzo #keithchawgo #literarylicensepodcast #llpodcast #matthewbroderick #nathanlane #thelionking #vickierae

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A Christmas Horror Story is a 2015 Canadian anthology horror film directed by Grant Harvey, Steven Hoban, and Brett Sullivan. It premiered on July 20, 2015, at the Fantasia International Film Festival and had a limited theatrical release on October 2, 2015, along with a VOD release. The film is a series of interwoven stories tied together by a framework story featuring William Shatner as a radio DJ. Tales from the Crypt is a 1972 British horror film directed by Freddie Francis. It is an anthology film consisting of five separate segments, based on stories from EC Comics. It was produced by Amicus Productions and filmed at Shepperton Studios. In the film, five strangers (Joan Collins, Ian Hendry, Robin Phillips, Richard Greene and Nigel Patrick) in a crypt encounter the mysterious Crypt Keeper (Ralph Richardson), who makes each person in turn foresee the possible manner of their death. It is one of several Amicus horror anthologies produced during the 1970s. Opening Credits; Introduction (2.41); Background History (54.21); A Christmas Horror Story (2015) Trailer (55.24); Take One (57.13); Let's Rate (1:38.51); Introducing a Film (1:43.14); Tales From the Crypt (1972) Film Trailer (1:45.07); Lights, Camera, Action (1:47.00); How Many Stars (3:04.06); End Credits (3:08.34); Closing Credits (3:09.45) Opening Credits– Alex Kashadian – Copyright 2015. All rights reserved Closing Credits: Elf’s Lament by Barenaked Ladies (featuring Michael Buble). Taken from the album Barenaked For The Holidays. Copyright 2004 Desperation Records ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#1972 #2015 #brettsullivan #christmashorrorstory #davidecavallo #grantharvey #joerandazzo #julianrichings #keithchawgo #literarylicensepodcast #llpodcast #patrickmcgee #petercushing #ralphrichardson #stevenhoban #talesfromthecrypt #vickierae #williamshatner

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The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ronny Howard, and Paul Ford. Released by Warner Bros. on June 19, 1962, the film was one of the biggest hits of the year and was widely acclaimed by critics. It was nominated for six Academy Awards, including Best Picture, with composer Ray Heindorf winning Best Music, Scoring of Music, Adaptation or Treatment. The film also won the Golden Globe Award for Best Motion Picture – Musical or Comedy, and Preston and Jones were both nominated in their respective acting categories. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Island of Love is a 1963 American comedy film directed by Morton DaCosta and written by David R. Schwartz. The film stars Robert Preston, Tony Randall, Giorgia Moll, Walter Matthau, Betty Bruce and Vassili Lambrinos. The film was released by Warner Bros. on June 12, 1963. Opening Credits; Introduction (1.22); Background History (37.48); The Music Man (1962) Film Trailer (38.58); Our Feature Presentation (39.47); Let's Rate (1:07.13); Introducing Our Next Feature (1:11.47); Island of Love (1963) Background Footage (1:12.40; Lights, Camera, Action (1:14.05); How Many Stars (2:23.54); End Credits (2:33.51); Closing Credits (2:35.10) Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: Once Upon A Christmas Song by Peter Kay introducing Geraldine McQueen. Copyright 2008 Peter Kay and Gary Barlow ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#davidecavallo #hermonegingold #islandoflove #joerandazzo #keithchawgo #literarylicense #llpodcast #magaretwickes #paulford #robertpreston #ronniehoward #shirleyjones #themusicman #tonyrandall #vickierae

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The Demon’s Quest Part 1 When Robin is mysteriously abducted from his college campus, Batman begins a fruitless search…until he is astounded by the sudden appearance in the Batcave of Ra’s Al Ghul. Ra’s quickly reveals that his daughter, Talia, has been abducted under circumstances similar to Robin’s, suggesting that the same persons are responsible. So begins an uneasy truce between the Batman and ‘The Demon’. The Demon’s Quest Part 2 After learning the secret of Ra’s al Ghul’s immortality, Batman and Robin escape from a death trap and follow the only clue they have to stop Ra’s plans – the world ‘Orpheus’. After discovering the ‘Orpheus’ is Ra’s private satellite that will orbit over the Sahara, the duo travel to Demon’s desert stronghold. There, Batman learns that the satellite is actually a weapon which will explosively destroy all the Lazarus Pits simultaneously, throughout the world, changing the eco-system and returning Earth to is original natural state. ​ Fire From Olympus Believing himself to be the reincarnation of the Greek God Zeus, mad shipping magnate Maxie Zeus hijacks an experimental electron cannon. Mounting the weapon atop his penthouse, Maxie plans to rain ‘lightning bolts’ down on the wicked mortals of Gotham City. Read My Lips Gotham Police are baffled by a series of crimes executed with clockwork-like precision. Batman investigates and discovers that the crimes are planned by a mob boss known as Scarface. He traces Scarface to his lair – a deserted mannequin warehouse – and discovers, to his astonishment, that the crime czar is a wooden dummy, manipulated by a mild-mannered man called the Ventriloquist mortals of Gotham City. Opening Credits; Introduction (2.49); Episode One: Demon’s Quest Part 1 & 2 (24.06); Episode Two: Fire From Olympus (50.47); Episode Three: Read My Lips (1:01.32); Favourite Episode (1:18.07); I End Credits (1:30.32); Closing Credits (1:32.16) Opening Credits– Donde Esta Santa Clause by Augie Roos. Taken from the album Maybe This Christmas Too. Copyright 1958 Ragtime Music Closing Credits: Do You Hear What I Hear/You Really Got Me by Bobby Lloyd and the Skeltons. Taken from the album A Christmas Party at Eddie G. Copyright 1996. Strikin’ It Rich Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#batmananimatedseries #demon'squest #fireonolympus #joerandazzo #keithchawgo #kevinconroy #literarylicensepodcast #llpodcast #readmylips #seansteffen #vickierae

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Auntie Mame: An Irreverent Escapade is a 1955 novel by American author Patrick Dennis chronicling the madcap adventures of a boy, Patrick, growing up as the ward of his Aunt Mame Dennis, the sister of his dead father. The book is often described as having been inspired by Dennis' real-life eccentric aunt, Marion Tanner, whose life and outlook mirrored those of Mame, but Dennis denied the connection. The novel was a runaway bestseller, setting records on the New York Times bestseller list, with more than 2 million copies in print during its initial publication. It became the basis of a stage play, a film, a stage musical, and a film musical. In 1958, Dennis wrote a sequel titled Around the World with Auntie Mame. Auntie Mame is a 1958 American Technirama Technicolor comedy film based on the 1955 novel of the same name by Edward Everett Tanner III (under the pseudonym Patrick Dennis) and its 1956 theatrical adaptation by Jerome Lawrence and Robert Edwin Lee. This film version stars Rosalind Russell and was directed by Morton DaCosta. It is not to be confused with a musical version of the same story that appeared on Broadway in 1966 and was later made into a 1974 film, Mame, starring Lucille Ball as the title character. Opening Credits; Introduction (2.21); Background History (15.30); Auntie Mame by Patrick Dennis Plot Synopsis (17.01); Book Thoughts (21.56); Let's Rate (39.06); Introducing a Film (41.18); Auntie Mame (1958) Film Trailer (42.25); Lights, Camera, Action (45.31); How Many Stars (1:13.28); End Credits (1.18.01); Closing Credits (1:20.07) Opening Credits– Jingle Bells by Ella Fitzgerald. Taken from the album Ella’s Swinging Christmas. Copyright 1960 Verve Records. All rights reserved. Incidental Music: Auntie Mame Original Motion Picture Soundtrack. Music by Ray Heindorf and His Orchestra. Copyright 1958 Master Classics Records. Closing Credits: We Need A Little Christmas by Angela Lansbury, Frankie Michals, Sab Saminino- Original Broadway Cast. From the album Mame Original Broadway Recording. Copyright 1966 Columbia Master Works Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#auntiemame #booktoscreen #coralbrowne #davidecavallho #forresttucker #keithchawgo #leandroghezzi #literarylicensepodcast #llpodcast #patrickdennis #peggycass #rosalindrussell #vickierae

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The Uncanny A 1977 British-Canadian anthology horror film directed by Denis Héroux, written by Michel Parry, and starring Peter Cushing, Donald Pleasence, Ray Milland, Joan Greenwood, Donald Pilon, Samantha Eggar, and John Vernon. Although it is similar to the horror anthologies released by Amicus Productions and could be mistaken as one, it was actually distributed by The Rank Organisation. However, the co-producer was Milton Subotsky of Amicus. Cat's Eye (also known as Stephen King's Cat's Eye) This is a 1985 American anthology horror thriller film directed by Lewis Teague and written by Stephen King. It comprises three stories, "Quitters, Inc.", "The Ledge", and "General". The first two are adaptations of short stories in King's 1978 Night Shift collection, and the third is unique to the film. The three stories are connected only by the presence of a traveling cat, which plays an incidental role in the first two and is a major character of the third. Its cast includes Drew Barrymore, James Woods, Alan King, Robert Hays and Candy Clark. Opening Credits; Introduction (1.00); Background History (41.36); The Uncanny (1977) Trailer (42.08); Feature Presentation (44.37); Let's Rate (1:21.14); Introducing the Second Feature (1:35.49); Cat’s Eye (1989) Trailer (1:37.12); Lights, Camera, Action (1:38.34); How Many Stars (2:08.26); End Credits (2:26.00); Closing Credits (2:27.28) Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: Like A Cat by Cyndi Lauper. From the album A Night To Remember. Copyright 1989 Epic Records Incidental Music: Cat’s Eye Soundtrack by Alan Silvestri. From the album Stephen King’s Cat Eyes Motion Picture Soundtrack. Copyright 1985 Varese Sarabande. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#1977 #1985 #cat'seye #davidecavallo #drewbarrymore #jameswoods #joangreenwood #joerandazzo #keithchawgo #lewistegue #literarylicensepodcast #llpodcast #miltonsubosky #petercushing #stephenking #theuncanny #vickierae

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The Breadwinner A 2017 animated drama film from Irish animation studio Cartoon Saloon directed by Nora Twomey. Based on the best-selling novel by Deborah Ellis, the film was an international co-production between Canada, the Republic of Ireland and Luxembourg, and received a limited release on 17 November 2017. The film had its world premiere at the 2017 Toronto International Film Festival in September. The Breadwinner received a nomination for Best Animated Feature at the 90th Academy Awards but lost to Coco. The House with a Clock in Its Walls A 2018 American fantasy comedy film directed by Eli Roth, based on the 1973 novel of the same name by John Bellairs. It stars Jack Black, Cate Blanchett, Owen Vaccaro, Renée Elise Goldsberry, Sunny Suljic, and Kyle MacLachlan. The film follows a young boy, Lewis, who is sent to live with his uncle, Jonathan, in a creaky, old house. He soon learns it was previously inhabited by a villainous warlock. Universal Pictures released the film in the United States on September 21, 2018. It was a box office success, grossing over $131 million worldwide and received mostly positive reviews from critics who largely praised the cast, but said the film did not fully live up to its potential. Opening Credits; Introduction (1.22; Background History (37.50); The Breadwinner (2017) Trailer (38.37); Discussing Our Opening Feature (40.16); Let's Rate (1:44.34); Introducing Our Second Presentation (1:45.53); The House With The Clock In Its Walls (2018) Trailer (1:47.00); Lights, Camera, Action (1:49.06); How Many Stars (2:26.56); End Credits (2:36.02); Closing Credits (2:37.57) Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: I Still Believe Me by Deborah Allen and Erica Gimble. From the album Kids From Fame. Copyright 1982 RCA Records ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.

#cateblanchett #davidecavallho #eliroth #jackblack #joerandazzo #keithchawgo #literarylicensepodcast #llpodcast #thebreadwinner #thehousewiththeclockinitswall #vickierae