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darkficsyouneveraskedfor · 1 month

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Unraveled 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: A curious man wanders into your dress shop with a lot of questions.

Characters: Sherlock Holmes (Cavill)

Note: I hope you all enjoy this random idea.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

One hand guides the fabric as the other turns the wheel. Your work is slow but steady, every stitch perfect, every seam precise. Your fare may be modest and your product simple, but its quality cannot be contested. Your labour as yourself is honest and plain.

The noise of the machine is your only company. The one-room shop nestled behind the butcher’s rarely sees a customer through its door. Instead, the orders are sent from the factories, returned with the printed adverts you disperse outside their doors. The writs are sent along with an envelope of pence and shilling and you complete each with equal diligence before sending them back bundled in paper and twine.

The operation isn’t especially fruitful but the profit is enough to subsist. Enough to guarantee your independence; a small apartment just above and a pot of stew to last you through each week. This humble existence is preferable to any marriage you’ve witnessed.

The letters from your sisters reaffirm your spinster’s fate. You’d rather a hand wheel and a needle than a brood and broken back. A husband seems to provide several jobs at once, you’ll happily settle for one.

As your hands work from memory and your head wanders from tedium, the bell above the door gives a single sharp toll. You ease the wheel to a halt and leave the seam unfinished. You peer up above the black iron machine, reminding yourself to fix your hunch as a client enters. You can’t but wonder if he may have come to the wrong shop.

By his attire, he is a class above the factory women who require gray skirts and simple stays. His waistcoat is embroidered and his jacket is pressed and clean. He is tall, locks part tidily so his curls lay gracefully. His face is fresh-shaven, square jaw with a cleft, and shoulders broad and strong. He does not share the same sinewy gauntness as the labourers with the coal-dusted noses.

He carries a fine leather bag. Another clue to his status. His shoes, another. Polished and without creases.

You stand to greet him, “good afternoon, sir. Might I help you with something?”

His answer is not prompt. He takes in the finished dresses hung by the east wall and turns to examine the rolls of wool and cotton. At last, he returns his attention to you.

“Afternoon,” his deep timbre fills the small space, “you are the dressmaker.”

It isn’t a question, but you answer, “I am.”

He narrows his eyes as he approaches your desk, the sole fixture in the space. From without, the shop is just as bare. The blackened windows offer not insight into the business, its only suggestion the sign hung above the door, though the paint requires a fresh coat.

“And the shop owner?”

“That is me as well, sir,” you assert. The presumption is not uncommon.

“Ah,” he accepts your explanation without comment, “so, you will have sewn this.”

He puts his bag on the desk, nearly knocking your shears from the corner. You try not to flinch as they teeter near the edge and he pulls open the top of the leather bag. He pulls out a swath of grey. You recognise it and he rolls the cuff to show your initials sewn within.

“Sir,” you say precariously, “is there some issue with it? Is it your wife’s dress?”

“Wife? No, no,” he dismisses, feeling the fabric between his fingers, “rather I am in search of the dress’s owner. The initial must belong to them, yes? So you would have a name for the buyer.”

“Mm, no, those are mine,” you point at the letters, “as it is my handiwork.”

“That makes sense,” he frowns in disappointment. “So you wouldn’t know who would wear it?”

You rub your chapped lips together. You find your tongue sliding over them often when you work, turning them raw with the habit. The man’s lips are rosy and smooth, as well-kempt as the rest of him. He is no factory worker’s husband.

“I might… would you take it out?” You ask.

He obliges as you pluck up the metal cylinder from your desk and unfurl the tape measure from within. He shakes out the dress, holding it by the shoulders to reveal salt stains along the skirts and unleashing a dingy smell in the shop. You wiggle your nose at the stench but worse roils in from the butcher’s on hot days.

You take the measure of the sleeves and the waist, then to the hem. You scribble the numbers on a scrap and take that to compare with your ledger. The measurements are in now way defining but might narrow it down. He keeps the dress aloft and you return to him to check the thread along the seams. A few months ago, you changed the thickness as the factory workers complained of splits under the arms.

“Hm, it is a recent purchase,” you assure him and return to the ledge.

He lowers the dress and approaches. You snap the book closed and turn your face up to consider him once more, “why do you need to know, if it is not your wife?”

“You are very discerning,” he remarks as he folds the dress and drapes it over his bag, “I’m certain then you can surmise the woman who wore this dress did not meet a kind fate.” He tugs up the hem and shows a tear trimmed in scarlet, the colour not obvious from a distance. “Holmes, Sherlock Holmes. I’m a detective and I’m trying to identify a poor woman found not far from here. I believe it is in your own interest that I discover her assailant.”

“I cannot say for certain which she is,” you turn over the scrap and re-open the ledger. You write down three names which match the measurements and hold the paper out to him. He takes it, his thick fingertips brushing yours. “Those are the ones which align with the dress.”

“Mm,” he hums as he tucks the paper into his chest pocket, “and your name? I couldn’t make it out on the sign.”

You recite your name flatly, “it isn’t on the sign.”

“It requires new paint,” he admonishes, “I could hardly find you.”

“I am aware,” you reply. “Thank you for noting.”

He’s quiet, “being a detective, however, I did indeed put together the clues.”

Is he making a joke? You cannot tell. He folds up the dress completely and puts it back in the leather bag. The smell persists.

“What are you prices?” He asks abruptly.

“Sir, I sew dresses for factory women, sometimes a few communion pieces, but I’m afraid I don’t do much suit work.”

“My sister requires a dress,” he sniffs, “as simple as it is, I can see your work is fine.”

“I have only wools and cottons,” you counter.

“Do you always turn away business?” He challenges.

“I wasn’t, sir, I’m only clarifying what I currently do. My prices are set for those fabrics,” you explain.

“I will pay for the muslin and velvet,” he waves his hand staunchly, “you will be paid for your labour. Can you sew with more than wool and cotton?”

“I can, sir, but you could find a ready-made dress in a market boutique if the dress is required promptly.”

“I can afford the time and coin,” he insists. “You are not a talented advertiser, are you?”

You’re taken aback by his bluntness. Often, his ilk have that demeanour. It’s why you’d rather the factory workers and the fish sellers’ wives.

“I suppose not,” you agree, “I would need measurements before I begin. You may send the numbers along with the fabric, then. And I would require a style. Perhaps your sister is a purveyor of fashion magazines?”

“I will send a messenger,” he shrugs. “Thank you for your time. I shan't get in your way any longer.”

“Good day, sir.”

“Good day to you,” he takes the bag from your desk and the shears fall to the floor with a clatter.

You skirt around to grab them as he bends and swipes them up first. You recoil as he closes the blades with a snap. He examines them before placing them back on the desk.

“Apologies,” he says, “and miss,” he looks at you, “take to heart what I’ve told you today. Keep away from the allies and perhaps you may consider locking your door.”

“Thank you, sir, your concern is appreciated.”

“Rather you might just keep those close, eh,” he points to the shears and his cheek dimples.

Again, you can’t be certain of his humour. You keep a placid expression, neither smiling nor scowling. He clears his throat and runs his hand down his jacket, gripping the lapel.

“Very well then, I’ll be off.”

He turns on his heel and marches to the door. You stay by the desk as the bell rings with his departure. Once the door closes, you cross the shop. You turn the lock into place, his foreboding lingering with the stale scent of dirty water.

🪡

Despite the unusual visit, your days roll on like a hand on a clock. The thought of the woman’s tragic fate looms like a shadow but fades. You have too much stitching to do to fret over that man and his ominous words. You assume his interest in your work thereafter was wholly feigned as he does not return.

That day, you pass off six parcels to Eustace, the driver who takes them down to the stacks to hand off to the floor bosses who will parse them out to the women they’ve been cut for. You pay him his toll before he climbs back into the seat of his cart, his horse kicking impatiently.

“Excuse me, sir,” another driver clops up along the other side of the street, a narrow squeeze between the slanting buildings. “I’m in search of a dressmaker. I believe the store is tucked behind the butcher’s and…” the man’s voice drifts off as his eyes flit to the meat sellers marquee.

“Right here, good sir,” Eustace responds, “wouldn’t ya know, she’s right here.”

You lift your chin to see past the cart and spy the driver. He removes his cap as his gaze meets yours. Eustache dips his chin as he adjusts his own hat and snaps his old mare into a canter. As you're left alone with the carriage driver, a vehicle rather lofty for a block like this, you fold your hands behind you.

“Sir, you hardly look in need of a work woman’s dress,” you say.

“Miss,” he ties the reins off and jumps down from his seat, “I am sent for you, not a dress.”

“For me?” You echo.

“Mr. Holmes has sent,” he crosses the muck and nearly slips. “He said he made an appointment for a seamstress.”

“An appointment? I wasn’t informed of the time,” you rebuff. “I’ve a shop to run, orders paid for. I can’t simply leave.”

“Ah, yes, Mr. Holmes made mention of a fee,” the man feels around his striped coat, “he said a deposit would be needed.”

He takes out a brown envelope and hands it over. You take it, a small weight within. You look at the driver before you pull back the flap and peek inside. A large gold sovereign sits in the corner of the paper; a whole pound. That’s at least three days work.

You hold your breath, trying to maintain some composure. If that’s the deposit, what is he offering for the rest? You slip out the folded paper within, a page torn from a fashion journal. The dress is elegant if not extravagant. You don’t often do off-the-shoulder or ruffles like that but it isn’t beyond your skill.

You fold the flap closed again and lift your chin to face the driver, “I must lock up, you see?”

“Take your time, miss,” he says kindly. “Mr. Holmes isn’t expecting you to hurry.”

“Thank you, sir,” you bow your head and turn away.

You measure your steps along the facade of the butcher’s shop and curl around to the alleyway. You let yourself into your shop and tuck the envelope into your apron pocket. You take your sewing bag from under the desk and shake off the dust. You don’t often have reason to use it.

You open it up and pack away your shears, a measuring tape, pins with a cushion, your notebook, and a few other bits and bobs. Just in case. You grab a role of linen from against the wall. It’s heavy but you can manage.

You take the key from your desk drawer and switch off the overhead light. You lock the door and continue back out to the street. The driver puffs smoke from a pipe as he waits.

“Miss, allow me,” he snuffs out the pipe and puts it in his pocket. He nears and reaches for the roll of linen.

“It’s quite alright, sir,” you say.

“I insist, miss, can’t have a lady doing all that,” he takes it, not forcefully, and you let him.

As he goes to the carriage and opens the door, you give pause. You don’t know if you should be so easily swayed on a gold coin. Mr. Holmes hadn’t been entirely pleasant and you do prefer your simple work. Still, you can hardly turn your nose up at a pound. Not with the summer fizzling to a finale.

You lift your skirts and cross the street to the open carriage, “sir, might I have a name?”

“Gavin,” he answers, “and I have yours. Mr. Holmes made sure of it.”

“Yes, very good,” you say as you approach, another sliver of doubt trickling through. Mr. Holmes claimed to be a detective but is that really the reason he was strolling around with a dead woman’s dress? You gulp and look at Gavin then the carriage, “might I keep the window open?”

“Surely you can,” he agrees amiably. “Mr. Holmes lives quite a ways, shouldn’t mind the air. I’ll be certain to stay away from the stacks.”

“Thank you, sir,” you accept his proffered hand and he helps you up into the carriage.

You settle on the bench as the door shuts and you open the window from within. You lean back, your hand grasping the top of your bag. You unclasp it as you feel Gavin climb up on the driver’s seat. You dip your hand inside and clutch your long shears.

You don’t forget all of what Mr. Holmes said.

#sherlock holmes #enola holmes #dark sherlock holmes #dark!sherlock holmes #sherlock holmes x reader #fic #dark fic #dark!fic #series #unraveled

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darkficsyouneveraskedfor · 9 days

Text

Unraveled 2

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: A curious man wanders into your dress shop with a lot of questions.

Characters: Sherlock Holmes (Cavill)

Note: thanks for waiting on this one.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

The carriage stops outside a brick building. A walk-up in Marleybone, just along Upper Baker Street. An address you couldn’t even dream of living near, let alone within. You peer up at the facade, the orange brick unstained by the coal and smoke of the backstreets.

Gavin appears to open the door and sets a step down before you can emerge. He offers his hand gallantly and you let him assist you down to the road. You thank him as you peer up at the arched front door of 221b.

“You need only knock, miss,” Gavin goes to pat the horse’s haunch as it kicks. “Ask for Mr. Holmes, he is expecting you.”

You grip your bag tight and set your chin. You might not belong but only you are troubled by it. You climb the steps alongside the iron rail and lift the heavy knocker mounted on the thick wooden door. It’s clang rattles even you.

You wait, both hands on the handles of the bag. Gavin appears behind you with the rolls of fabric, breathless as he struggles to keep them from touching the ground. You return your attention to the door as it opens.

“Hello, I’m looking for Mr.--”

“Holmes,” the very man you’re seeking stands before you, “forgive me, my housekeeper... resigned.”

“Not to worry, sir,” you assure him.

“Come in,” he backs up, gesturing you within with his large hand. “And how was your journey? I hope you didn’t come upon any scoundrels.”

“Only upon her destination, sir,” Gavin japes as he steps in behind you.

“Eh,” Holmes tilts his head at the driver, “allow me.”

Holmes takes the rolls of fabric from Gavin. He hugs them effortlessly in on arm as he faces you again, dismissing the driver with no more than a nod. You stand rigidly by the wall, hesitant to go any further. The door closes and the click makes you flinch.

“Allow me to show you around,” Holmes offers, looming in the tight space of the entryway.

“I need only see your sister,” you insist.

“Ah, yes, Enola, you will, but it only polite to get you acquainted with the space,” he rebuffs.

“With respect, sir, I’ve come out of my way and without warning to this appointment. More work does await me at my shop,” you squeeze the leather handles until they squeak, “it is a lovely home, I’m sure, but I’ve come upon business, haven’t I?”

“Yes, but it wouldn’t take very long,” he counters, “yet, if you’d rather keep this formal, by all means, I will take you to my sister.”

“Thank you, sir.”

You bite down, wondering if perhaps you were more curt than you should be. The apartment is rather far from your neighbourhood and the travel time alone will impose upon your ongoing commissions. You don’t expect he considered that. He does seem the type to command rather than ask.

He directs you to the stairs, just across from the door, and waves you onward. He follows as your skirts brush the top of your boots with each step. The wallpaper is tightly decorated with framed newspapers and portraits, cluttered together but not garishly so.

You get to the top and he advises you to go left. You obey as he keeps pace.

“Did you... discover what led to that woman’s fate? Or who she was?” You ask as you take measured steps.

He isn’t demure as he walks next to you, crowded against you as his broad figure allows for little space, “sadly, yes and no. Not her name. Only that she was a factory woman. I won’t say much on the matter as it is ongoing and confidentiality is a part of my contract, I would only gird you to keep your doors locked and yourself alert.”

You chew on his answer. It makes you nervous. You know the woman was found close to your shop and home. The news has been whispered for blocks.

“I will be sure to hede your advice,” you say.

You walk past a door as he stops to knock on it. You spin back, skirts swirling around you, and he glances at you as he plants his hand on the door frame. There is activity from within, scratching and creaking. He sighs and stands straight as he slides his hand down the pillar. He raps with his knuckles again.

“Enola,” he booms through, his voice shaking you. “I told you to be ready.”

You hear furious footsteps and the lock flicks back with similar furor. It opens and a young woman with a slumping bun greets Mr. Holmes. Strands fall loose from the clip and her blouse is half untucked as her sleeves are rolled to her elbows. She has a long oval face, flushed as she shows her teeth.

“I told you, I’m busy--”

“Not so busy that you would waste this good woman’s time,” Holmes insists, “she traveled all this way. We discussed this.”

She flutters her lashes and huffs. Her eyes flit over to you and she softens her expression, “if her time is wasted, it is hardly my fault.”

“Hm,” he hums flatly, “isn’t it? It wasn’t I who fed your dresses to the furnace.”

She smiles, a smug look that pinches her cheeks, “I was cold.”

“Sister,” he warns dangerously, crossing his arms, his breadth wider than ever.

“You know what, I welcome her company. Much preferable to your own,” the woman sneers and turns her shoulder to her brother, “come on, then. Suppose I need a dress for the banquet.”

You inch forward. A flare of resent burns in you at the position Mr. Holmes has put you in. Plainly, this appointment was not upon his sister’s behest. She holds the door for you and her brother exhales deeply.

“All you need do is stand still, I’m certain you can handle that, sister,” he rebukes, “do let me know when you are finished and I will call the carriage.”

“Thank you,” you utter without looking at him. He sets the rolls just inside the door and backs up to watch you.

You enter the bedroom and find it cluttered and cramped. There are books in stacks with more littered around the bottom. A dried-up paint palette and an easel draped over with several jackets and unpaired stockings. There is a four-post bed with scrambled covers and a canopy twisted around the poles. Vials upon vials line shelves and an inkwell stands uncapped over untidy sheets of paper.

“Very well,” the woman shuts the door, “I am Enola, the famous detective’s ne’er do well sister and you are the seamstress who will make me a peacock.”

You stare at her and swallow tightly. You offer your name before you begin, “I’ve only come upon his request--”

“Ah, yes, I’m certain you have. He’s still trying to make a lady of me. I see through his guise, though he doesn’t think it. He underestimates me, see. He lies but I will go along for I will more easily avoid his snare if I do.”

You nod and narrow your eyes. The wealthy can always afford to be so eccentric. You don’t think any woman you know would view a new dress as such a curse. She is young, she cannot know.

“If you don’t mind, I’ll only take your measurements,” you offer, “I can always fit upon the dress form.”

“Do what you must,” she sighs, “shall I strip down?”

You put your bag on a chair as she unbuttons her blouse, “not-- if you--” You look up at her as she reveals a corset and reaches to undo her skirt. You focus on your bag and scoop out your measuring tape.

You approach her as her skirt heaps at her feet. She is tall, her legs on long, her figure lithe. You begin your work silently. She raises her arms as you request and puts them back down.

“Suppose if I wasn’t here, I might’ve become a dressmaker. I always enjoyed stitching,” she muses as you scribble down each number, “it seems lonely work. Quiet work.”

“It’s work,” you say as you take out the envelope and unfold the page to examine the dress again. You hold it up and glance past it at Enola.

“May I see that?” She asks but doesn’t await an answer before she snatches the paper. “Oh, is this really what he chose? No, no, no, this won’t do. I want my shoulders covered.”

You slip the envelope back in your bag, “it is only what I was given. If you prefer adjustments, it is your dress.”

“Yes, my dress and my body,” she crumples the paper and tosses it onto the rug.

You close up your notebook and go to the rolls of fabric, “would it be too much for me to do some piecework?”

“If you insist,” she pouts.

You take out your scissors and turn your back to her. She isn’t rude, per se, but you’re not in the habit of associating with this sort of clientele. You get numbers on a sheet and you sew. A living form is not quite your forte.

-🪡

When you finish, you can sense Enola’s agitated impatience. You don’t blame her. It’s plain she didn’t want the dress or your visit. It is more so upon the shoulders of her brother. Mr. Holmes. You’re similarly irked that he would put you in this position.

Enola is already fiddling with some instrument before you can go. You emerge and pull the door shut after you. You stand in the hallway, bag at the crook of your elbow as you hug the fabric. You move with hampered steps towards the stairs. As the top creaks beneath your weight, your name is called from further down the hallway.

“Ah, are you set then?” Mr. Holmes asks as he stops just outside a door, “I was thinking, to make up for your efforts, you might want to stay for tea.”

You look down at your armful and back to him, “that’s very generous, but--”

“I believe I paid an adequate fee for the appointment,” he strides slowly towards you, “but I am open to a barter if it was not sufficient.”

You feel the heavy sovereign tucked into your jacket. You crook your lips and raise your chin, “no sir, it will do for today and the making of the dress. The fabric... I don’t have any as rich as the style requested.”

“Another service I may require of you. If you wouldn’t mind to select the material, I would be happy to reimburse the expense.”

“Would there be a colour? A fabric preferred? Velvet? Satin? Chiffon?” You prompt, “I solely work in cotton and wool, as I forewarned.”

“Perhaps we might find a fabric seller at Covent Garden? You could accompany me on my next sojourn--”

“I don’t know if I would have the time. I could write down some fabrics which would suit the silhouette we agreed upon,” you offer.

“Mmm,” he hums, “you are rather professional. How about tea, then? Melinda from across the road sent some mutton over.”

“The hour should see me back to my shop,” you shift your bag.

“You are fastidious,” he stops before you and puts a hand on the fabric, “please, allow me, you are overburdened.”

“I’m--”

You can’t argue as he takes the fabric from you. You let him have it if only to avoid disaster you lean back on your heel. He angles the rolls under his arm easily and grins. A curl strays down his forehead.

“I suppose you are right, given recent events, it would be best to see you home before the evening sets,” he says, “I would gladly see you home safe, miss.”

He is overly polite, or perhaps you aren’t used to it. It is his home, he supplied the carriage, and he has paid generously. It makes each denial feel trite.

“If you must, but I would be just fine on my own comportment,” you accept.

“It isn’t any fuss, I will fetch a jacket and the driver,” he extends his arm past you, “after you.”

You spin on your heel and face the staircase. You descend with your hand on the railing. As you come to the bottom, you wander towards the entry way and take in the fineness of the decor. Is much more becoming than your slanted rooms.

Mr. Holmes places the rolls just beside the door and takes a jacket from the rack. He pulls it on and tells you to wait before he disappears outside. You linger as you are, sliding your bag down to your hands.

When he returns, he reaches within to retrieve the fabric first. “Gavin is bringing up the carriage,” he declares and offers his free arm, “shall we?”

You consider him. You wouldn’t want to be unkind. You step through the door, pulling it shut as you accept his bent arm, your hand in the crook. He accompanies you down the narrow steps, each step crowded by his.

Gavin appears in the driver’s seat and reins the horse to a halt. The beast looks miserable. Mr. Holmes escorts you to the door and releases you to open it. He helps you with a strong hand and you sit within with your bag on your lap. He shoves the fabric in ahead of him, his head bowed as he fits through the small door.

He closes it with a snap and settles on the bench on the other side of you. You stare across at the cotton, expecting he’d have taken that seat instead. His leg is on your skirt.

You keep your hands on your bag. He knocks on the ceiling and the carriage rumbles into motion. You rock with it along the street, silent as you wring the leather handles.

“I hope my sister did not cause too much stress. I know she can be a lot but she’s old enough now. She should start behaving as a lady,” he spreads a large hand across his thigh. “Perhaps, once she finds a husband, that will be easier.”

You nod, uncertain of a proper response.

“Not to mean... I don’t mean to assume, I am known however for my observations, and I have concluded you are not married,” he continues, “I gather if it were the case, you might not have a shop to sew in.”

“Suppose not,” you reply dully.

“It is only to say that my opinion of my sister isn’t general. A woman such as yourself is admirable.”

“A spinster?” You supply.

“I didn’t--”

“I’ve chosen not to marry, that is true. I am not bothered by that fact,” you say, “isn’t that what you deal in, detective, facts?”

“Fair,” he shifts on the bench, “but not everyone can detach emotion from facts.”

“And why should I be emotional about that fact? I am much more happier than any woman could be with a husband,” you stare at the opposite wall of the carriage. “And I will assume, sir, as I am no detective, that you have neither taken to the altar.”

He curls the fingers on his left hand, “I have not.”

“And I’m certain you enjoy your bachelor lifestyle in your grand apartment,” you return, “while my own is not so extravagant, I find solace in it. On that, I think you might understand me.”

He takes a breath and lets it out with a thoughtful hum, “I suppose we are similar in some way.”

#sherlock holmes #dark sherlock holmes #dark!sherlock holmes #sherlock holmes x reader #unraveled #enola holmes #fic #dark fic #dark!fic #series

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