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ms-demeanor · 8 months

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any thoughts on the new post that staff went scorched earth on which is now making the rounds abt tumblr live? it basically screenshots all the tos and claims if you've ever opened the app (or in some rbs, unsnoozed live) tumblr has gotten your data. on the one hand i feel like this is fearmongering, but on the other its true that MOST sites have your data as is so its pretty standard. you seem pretty knowledgeable abt data gathering so i was wondering abt your take

This is going to be pretty unkind but watching tumblr users interact with staff and live is a great primer on how conspiracy theories happen.

Nobody on this fucking website knows how to read a ToS, nobody on this website knows how anything fucking works (sorry, this is not a dig at you but how would tumblr "get" your data from you clicking or unclicking live; the only data that tumblr has on you is the data that you have put on tumblr what data do people think that clicking the "new" button is scooping up that is anything beyond interactions or posts or IP addresses which are the things that tumblr already has information about like you do not introduce new information into the tumblr ecosystem by clicking a button you haven't installed anything you haven't changed permissions on your browser if everyone is so goddamned scared about live stealing their data i strongly recommend they stop using anything but public internet through an anonymizer and making sure location data is shut off on all of their devices and anyone who is flipping their shit about the type of data that live is collecting but who is using chrome on any device needs to chill the fuck out about live and flip the fuck out about google)

this is like that post about twitter's content policy that circulated the other day or that post about deviantart's content policy that circulated ten fucking years ago nobody knows how to read legal documents and nobody knows how to read technical documentation and this comes together into unholy matrimony on the no reading comprehension at all moral panic website

live never violated the GDPR it was just rolled out in the US first but the entire userbase decided that because it hadn't been rolled out simultaneously in the EU and the US that it was SO UNSPEAKABLY PRIVACY VIOLATEY THAT THE EU HAD BANNED IT FOR ITS CRIMES with, like, nothing whatsoever backing that up because, again, even at its most intrusive Live collects about as much data as Twitter or Yelp, both of which are *capable* of meeting GDPR standards with that level of data collection (even if musk sometimes makes decisions that violate GDPR).

Live is significantly less intrusive than any facebook product, than Amazon, and than any Google product. If you use youtube logged in, don't worry about live, the horse is out of the barn and tumblr is the least of your worries *regardless* of live. If you regularly use Google as a search engine please god learn how to evaluate and compare risks across platforms because Live is like a coughing baby compared to about a dozen things that most highly online people interact with every single day.

If you don't want to use live don't use live. Clicking the button doesn't magically transfer your secret FBI file to tumblr and even agreeing to the ToS doesn't share anything that tumblr doesn't already have if you don't continue to interact - if you don't interact with live after agreeing to the ToS it's not collecting any data except your non-interaction.

For everyone who is losing it over Live just turn off your goddamned location on your fucking cellphone and turn off your location on your goddamned computers and that's it, you're good, you're fine, relax. If your response to "turn off your location" is "but I need it for _____" then don't worry about Live, whatever "_____" is was already collecting and selling your data.

Do you use an activity tracker? Congrats, you have much, much bigger privacy issues to worry about than tumblr live.

Okay but also I yelled about that post and the very many ways in which it was incorrect in January.

And I happened to take an archive of the page at that time because I'm a paranoid motherfucker.

And if you want my guess as to why staff went "scorched earth" on that post it's probably because if you scroll down to the bottom of the page on the archive, OP calls on everyone looking at the post to send a kind fuck you to the CEO then tagged his tumblr.

If you look at the other posts that went scorched earth in relation to tumblr staff they were also posts that very pointedly directed a lot of ire at a single staff member.

I don't think that any individual tumblr staff members are above criticism and I don't think that staff as a whole is above criticism but part of learning to read a ToS is understanding that someone can be shitty and vague and use TERF talking points and skirt the line and be technically okay under the ToS while someone can have a legitimate gripe about another user being horrible and manage to violate the ToS by accidentally spinning up a harassment campaign or suicide baiting someone.

Shitty people like nazis and terfs thrive on being edge cases. They are very good at finding a boundary and standing juuuuuuuuust on this side of it and going "la la la I'm not violating the ToS, you can't stop me!" and that blows and it leads to a lot of people encountering a lot of shitty stuff on a lot of websites but personally I'm pretty glad that there's a lot of gray area because when you cut out gray area that's when you see things like It's Going Down getting banned as extremist content alongside white supremacists. Please continue to report nazis and terfs, and when possible go deep into their pages to report because a pattern of behavior is more likely to get recognized as hate speech than a single post that gets reported a hundred times. Please block as many people who it's harmful for you to interact with as possible because it's clear that staff is not going to do the kind of work protecting users that users would like staff to do.

However I just can't get angry on behalf of a blogger who got nuked for saying "Hey everyone who hates this feature that we all hate please go tell the CEO to fuck himself at this URL specifically" - that is an extremely clear violation of the ToS because it is absolutely targeted harassment.

So now tumblr-the-userbase is going off on its merry conspiracy way skipping through fields and lacking reading comprehension and saying "users are getting banned for reporting the crimes of tumblr live and its gdpr violations" and ignoring the fact that the post was nuked because the last line was saying "hey everyone, let's all individually tell the CEO to fuck off in messages sent directly to him that are certainly not going to include any threats, exaggerations, gore, etc. etc. etc."

If I were to make a post that had 50k notes and the last line was "and while you're at it, please send tumblr-user-ms-demeanor a personalized message telling them why they're a terrible person so they know what we think of them" it would absolutely be reasonable to say that was harassing that user. And that post did it with the CEO. Who is not above criticism (and I have my criticisms! I don't think he really gets tumblr and that's a problem!), but jesus fucking christ don't tag the goddamned CEO or any other staff member in a call to action asking users to send them messages saying "fuck off" this is literally the stupidest thing I've ever seen a tumblr conspiracy theory coalesce around.

Anyway thank you for giving me a place to vent i've been getting more and more pissed about this for three days. Everyone feel free to kindly tell tumblr user ms demeanor to fuck off.

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thankskenpenders · 7 months

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Amy's fortune cards

The Sonic fandom has long been the kind of fandom that takes minor details very seriously, for better or worse. On the one hand, this means fans will really dig for the diamonds in the rough, latching onto fun character interactions, animations, bits of background worldbuilding, and more in pieces of Sonic media that many would write off as "the bad ones." But it also feels like every week another needlessly hostile debate over Sonic minutia erupts on Twitter, whether it's over individual lines of dialogue, fanart that makes Tails' shoes blue, or the ideal length and volume for Sonic's quills.

So it was probably inevitable that a fandom-wide debate would erupt upon seeing Amy's new gameplay style in the DLC for Sonic Frontiers, which takes the once-obscure fact that she enjoys reading tarot and shines a spotlight on it like never before.

I mean:

The thing is, while I basically always try to tune out Sonic fandom bickering... for once, I kind of sympathize with the detractors? Don't get me wrong, I like Amy's tarot stuff, and people on all sides of the discussion are being overly nasty about their opinions, as usual. (Sonic Twitter remains my personal hell.) But when I set aside the hyperbole and zoom out, I do think I understand why some fans are put off by the sudden shift in focus for the character, even if I think it's cool.

It's complicated. Let me attempt to present the cases for and against Amy's fortune cards

For years, I was always one of those fans who thought it could be fun if they played with Amy's tarot reading, or even leaned into some kind of magic with her. Part of that is my own biases showing, but there's just something that makes sense there, especially when you look at Sonic, Tails, and Amy as a trio. (I would argue that's the real "Team Sonic" these days, especially in the comics where Knuckles is more likely to be stuck on Angel Island or otherwise doing his own thing.)

You could argue that Tails is all about logic, relying on science and technology and deductive reasoning to solve problems. But Amy is all about emotion. She wears her heart on her sleeve, is extremely empathetic, and is very prone to magical thinking - both figuratively and sometimes literally. Her origin story has always been that her tarot cards told her it was her destiny to meet Sonic on Little Planet. She's claimed to be able to "sense" peoples' presences - particularly Sonic's. She's the type to believe that The Power of Love is a literal magical force. So, on some level, it makes sense to mirror Tails's science by having Sonic's other best friend believe in magic. And then Sonic is somewhere in the middle, primarily following his own gut instincts but taking advice from both of them as needed. This isn't totally accurate to how their dynamics actually function in canon stories, but I think it's a mode that could work for them.

Going off of that, it's fun to lean all the way into Amy being a magical girl, or even a witch, using her fortune telling as a foundation. Take, for example, this version of Amy from Diana Skelly's old Sonic cast redesigns from before she freelanced for Archie and IDW. This is one of MANY such redesigns for Amy.

Fast forward to the 2020s, and Amy's tarot cards are, in fact, finally getting brought up again in canon. Which is fun! I like seeing that. I like all of the individual stories involving Amy's fortune cards. This is a fun character trait for Amy, a fun nod to old lore, AND a fun storytelling device, all in one. It's really cool that the Sonic universe has its own thematically appropriate arcana, and that the cards are getting made as physical merch. And sure enough, the official card backs and borders were designed by none other than Diana Skelly, in yet another cool example of an ascendant fan leaving their mark on the series.

BUT... when you step back and look at the big picture, I get why some fans find this shift in focus jarring. At the moment, it's starting to feel like every new story about Amy involves her fortune cards to some degree.

The most recent mainline comic arc to feature Amy as the lead character, 2021's Trial by Fire arc, prominently features a sequence where she reads fortunes while camping with the girls. The Origins version of Sonic CD now bookends the game with scenes of Amy and her tarot cards. Sonic randomly mentioned it in a scene in Frontiers. And now, just this week, we got the (very cute, gorgeously illustrated) Amy's 30th Anniversary comic with a story revolving around Amy's tarot cards, followed the very next day by the Frontiers DLC in which she gets a brand new tarot-based moveset. Even her base melee attack now has her throwing tarot cards instead of swinging her hammer. Again, I like all of these individual things, but after years of it almost never coming up at all, it's VERY noticeable that Amy's tarot cards are suddenly everywhere.

To be fair, I'm looking at this from the perspective of a superfan who's actively following ALL Sonic media. Casual fans - especially kids - aren't necessarily going to be reading the comics every month, buying the thousandth rerelease of the Genesis games, or playing the ultra-hard new alternate ending DLC for a game that came out last year. Each of these stories is going to be someone's introduction to the idea that Amy can read tarot, and that's probably part of the idea behind this unified push.

But to play devil's advocate, for my fellow superfans, I understand why it feels like a very minor footnote of Amy's character is suddenly becoming the entire focus of her personality. While Amy has always been said to enjoy fortune telling, that wasn't really a character trait in and of itself, but rather an example of her being a typical girl who hopes she'll be able to find true love one day. It's less that Amy can literally predict the future and more like her using a cootie catcher or going "he loves me, he loves me not" while picking the petals off of a flower. So I get not vibing with this stuff, or feeling like it's being pushed very hard out of nowhere.

What I don't agree with are comparisons like "it's like if they made Knuckles' moveset revolve around him liking grapes." Like, I get it. Ian Flynn loves shoehorning in his little winking references for us nerds, and mentions of Amy's tarot cards were previously on the same level as other random bullet points from old Japanese manuals. But a multifaceted hobby like fortune telling that opens up so many narrative and aesthetic possibilities is obviously very different from having a favorite food. It's ALWAYS been a part of her story, not just a random fact, and there's no reason why the fortune telling can't be elevated to something more.

And, hell, even if it wasn't an established character trait, there's nothing inherently wrong with injecting new ideas into a character. One of the best Amy stories in recent years, the Free Comic Book Day special "Amy's New Hobby" written by Gale Galligan, came up with the idea that Amy's secretly been drawing little comics about her and her friends. Is this based on Lore? No. But it's cute, and helps tell the story of a younger Amy who's still coming out of her shell as both a hero and a friend.

Certain fans are also looking at Amy's Frontiers moveset and using it as evidence that once again the Vile American Contributors like Ian are CORRUPTING Sonic Team's perfect vision of Sonic with their misinterpretations. And like. Come on. Ian does not control the gameplay. He's a freelance writer. The tarot stuff is clearly something that Sonic Team likes if they made it the basis of Amy's new moveset - and, you know, if they keep approving comics and animations about Amy's fortune telling. None of this gets made without their blessing, and lord knows how much they can micromanage shit and shoot down ideas over the most minor of details.

Like, yeah, Amy's fortune telling was probably conceived less as a sign that she Knows Magic and more as a pretty mundane hobby for a lovesick young Japanese girl to have. But you're gonna sit there and tell me that using Amy's tarot cards for more than that could only be the result of a cultural misunderstanding? That nobody in Japan uses tarot card theming and aesthetics (or the general idea of magical cards) for the cool factor? Stardust Crusaders? Persona? The Astrologian class in FFXIV? Cardcaptor Sakura?? Hello??? Do you think Capcom put Gambit in Marvel vs. Capcom ironically because they thought using magic to throw cards at people was stupid? There's tons of precedent for this! It's nothing like Knuckles throwing grapes at people, be for real.

Giving Amy a very magical girl-esque moveset also just makes a lot of sense. For decades her hammer attacks have literally made sparkly heart shapes appear around her. Leaning into both that and her tarot cards in her new moveset makes a lot of sense to me.

But, admittedly... I do think it's very odd that her hammer is treated as a secondary element here, rather than having her primarily use her hammer and adding the cards for extra flair. If hitting the attack button made her swing her hammer instead of throwing cards, I'm not sure we'd even be having this discussion right now.

But the tarot-cycle and Amy riding her hammer like a witch's broom are fucking SICK and I will not concede on this point

The thing is, this whole fortune card discourse is but a small piece of a bigger problem. Amy's been a character who needed some work for ages, but there's basically nothing you can do with her without pissing SOMEONE off.

Years of stories where Amy's crush was her primary motivator and Sonic went "Ew, cooties!" have lead many casual fans to believe that being Sonic's obsessive fangirl is Amy's entire personality. At best people might call her Sonic's Minnie Mouse. This isn't just a matter of Amy having haters within the fandom - venture outside of that bubble and you'll realize that this is how MOST video game playing people seem to see her to this day. I don't feel like this is a fair assessment of the character, but this idea didn't come from nowhere. No matter how much good deeply entrenched Sonic fans may see in their old dynamic where Amy perpetually chases Sonic, this is a very real problem that Sonic Team has to contend with for their leading girl. Of course all those games where the way-past-cool protagonist thought Amy was annoyingly clingy and tried to get away from her made people think less of her.

If new stories were to go back to emphasizing Amy's crush on Sonic a little more, they'd probably be taken as confirmation that Amy's just the girl with a crush on Sonic and that this is her entire personality. Conversely, when the crush is played down, you piss off the hardcore SonAmy fans who don't seem to understand that they're Charlie Brown and Sega is Lucy holding the football. You can't win.

And so here we are. In the absence of what was once her defining trait, now reduced to an occasional blush or wink in Sonic's direction, new stories are trying to mine Amy's past for additional material to work with. Having been a thing fans wanted to see for years, right now we're getting a lot of tarot, but we're also getting reminders of her compassionate nature and her desire to go out of her way to help the little guy. This is an ongoing process. I continue to hope that her bubbly, exuberant demeanor can shine more in future stories. Now, I also hope that the tarot stuff gets balanced out a little better with other traits of hers. But I don't want it to go away. I think it's fun.

This course correcting is far from exclusive to Amy. Knuckles is getting stories that remind us that he's a competent fighter, an experienced treasure hunter, and even a self-taught archaeologist after years of him being perceived as either the dumb one or just the guy who stands in front of the Master Emerald all day. And Tails has been getting some stories reminding folks that he's a capable hero in his own right and not just Sonic's timid kid sidekick.

But no supporting character will ever compete with the sheer number of new ideas Sega has tried with Sonic himself. Like Amy, his Frontiers moveset has also given him half a dozen new superpowers that he never had before, from the Cyloop to air-slicing projectile attacks to his own take on Shadow Clone Jutsu and beyond. He's also been a hoverboarder, a swordsman, a time traveler, an Olympic athlete, a racecar driver, cursed with a Flame of Judgment, imbued with alien power, a fucking Werehog with stretchy powers, and on and on and on.

If Sonic can do all that, Amy can try out using a tarot-cycle.

Anyway TL;DR the REAL problem with Amy's current characterization... is where the FUCK is Amy's bestie, Honey the Cat???????

#tkp post

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ultrasharpy12345stuff · 1 month

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SUCCESS STORY (manifesting)

OMFG you guys! I did it! I made it to my desired reality! I'm living my desired life!

All I did was decide it's done. More specifically, I just did Angel's fulfillment challenge (which you don't have to do). Everyday I just decided to live like I was in my desired reality right now as often as I could and whenever I wanted to.

If I vented, I vented. If I ranted I ranted. If I sabotaged my manifestation I just decided it wouldn't matter and that nothing would ruin my manifestation and everything was ok and fine.

And this is totally optional but I affirmed sometimes. I just did to remind myself that it was done.

My affirmations were:

-I'm living my desired life

-Nothing can ruin my manifestation

-I'm in my desired reality

-I'm in my desired reality in my penthouse in Tokyo

-I have all my desires

-The 3D conforms instantly

And it worked! And now I'm happy! I woke up today IN my penthouse in Tokyo! The view of the city is amazing. I checked my bank account and it turns out I'm super rich! Like I literally have BILLIONS of dollars. And it's like I always get millions of dollars out of nowhere! So it's like I get paid just to exist!

Also life in this reality is soooooooo different than on Earth. Like the people in the city are nice... but they aren't just humans beings. I'm seeing Japanese monsters walking around wearing uggs! I can also see Godzilla walking around in a place in the city it's so cool! (don't worry, they made a place in the city specifically for her)

I can also enter the void anytime I fall asleep. Like everytime I go to sleep I wake up IN the void state completely aware. I know this because I just decided I would go to sleep and I did! (one of the things I also manifested, to fall asleep instantly)

And guess what? I also revised my ENTIRE life. Like all the shitty, terrible things that happened to me and all the awful things I've done are GONE! They never happened. All the arguments I had with people on Youtube are gone, they never happened. I never met those people. All the people who I argued with on Discord, well I never argued with them. All the problems with my family are gone.

I also have new memories of me being in Highschool. It went great! I made some friends, they never got angry at me, I got to play my videogames, and I never had to deal with any kind of stress. And I also have my college degree even though I never went to college.

Also let me show you what I look like:

This body:

This is my hairstyle (except it's white colored):

This is my face (trigger warning: AI art, also dw I'm black):

And I'm like popular on Twitter. I'm as popular as @rariatoo. People follow my art and they love drawing my OCs and characters, it's so much fun. Plus I have a patreon and a redbubble. I get to make my OCs as plushies and stickers and ship them off.

And the best part is that there's no wars! No covid, no genocide in the Congo or Palestine, no racism, no problems. And there never will be, everything is fine! Its literally a Utopia.

Summary of what I manifested:

-Desired life & reality

-Freezing Time

-Revising entire life

-Different family (same soul but different looks (slightly) and better personality)

-Entering the void whenever I fall asleep and at will

-A butler friend who I can summon and make disappear at will (he's super nice and never have any problems, perfect personality, kinda shy, and we just had some woopie 🥵🤪)

-Magic (I can do LOTS of crazy stuff)

-Being able to shift realities at will

-Visiting my family through a magic door (my family lives in what I call, "Reality # 3 and I can visit them anytime I want)

-Spawning groceries and food whenever I want (I still go out, dw)

-Friends on discord and some IRL

-Money money monayyyyyyyyyyy

-Perfect health and mental health, no problems with my body

-Never getting yelled at ever again or abused/nobody gets abused/abuse doesn't exist. Yellers don't exist.

& a lot of other personal things

You guys got this! You can get your dream life! Go for it! *I didn't get my dream life yet, that's why the title reads:

"SUCCESS STORY (𝗺𝗮𝗻𝗶𝗳𝗲𝘀𝘁𝗶𝗻𝗴)" When you put "manifesting in the title it means you haven't gotten your desires yet but you're doing it to help you live in the end. SO please don't be angry or offended.*

#void state #law of assumption #loa #manifestation #law of attraction #void #manifest #neville goddard #void success #success story #manifesting #affirm and persist #48HC #3dolc x roe

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lemonlover1110 · 5 months

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𝐓𝐡𝐞 𝐌𝐚𝐧 𝐢𝐧 𝐀𝐩𝐚𝐫𝐭𝐦𝐞𝐧𝐭 𝟑𝟖𝟏

Toji Fushiguro

← Previous Chapter - Story Masterlist - Next Chapter →

[Chapter 17] Getting to Know Each Other

Pairing: Toji Fushiguro x f!Reader

Chapter Warnings: MDNI, Smut, Vaginal Sex, Vaginal Fingering, Oral Sex (f. and m. receiving), Praising

Discord +18 - Twitter - Ko-Fi

Megumi stays at his grandparents’ home more often. Not because Toji wants him to, but because his grandparents insist on spending more time with his grandson since Toji is planning to move somewhere that’s even further away. They seize every opportunity with Megumi since the baby boy is growing up so fast. It works well in the sense that your relationship with Toji is developing and you need some time together alone.

Time alone to get to know each other in every possible way. Especially after a date, since you don’t have to part ways– Toji joins you into your apartment where you get to talk a little bit more, to get to know each other better. Yet the last thing you do when you lock the door is talk.

Your hands go up his chest and meet behind his neck to pull him into a kiss. He kisses you back eagerly, happy to finally have a moment alone with you. His hands land on your waist while his tongue swipes your bottom lip and enters your mouth. Your tongue presses against his while his hands go under your shirt, cold fingertips on your skin. Yet it feels like you’re burning up.

You begin to get undressed, helping each other each step of the way until you’re completely bare. Toji gets you on your bed, and gets on top of you, kissing all over your body. Loving every part of your body. Toji reaches your cunt and he kisses your folds before his tongue runs through your folds, earning a whimper from you. His tongue then focuses on your clit, and you sound so cute as you lowly moan while he flicks your clit. You sound so cute.

“Toji…” You moan as Toji begins to suck on your clit. Two fingers run through your folds, getting them wet with your slick. Toji wants to desperately comment on how wet you are, but he doesn’t want to detach himself. He loves the taste of you on his tongue, he’s never tasted something so good before.

Toji pushes his thick fingers in, filling you up. You bite down your lip as you feel his fingers move in and out of you, they’re so much thicker than your own and it drives you wild. The soft moans that leave your mouth are like music to his ears, especially since he knows that he’s making you feel good.

“It feels so good.” You moan, your back arching as Toji’s fingers curve to press against your sweet spot. It drives you insane. Your hands grip the bed sheets, feeling like you’re in heaven while Toji’s mouth works its magic. He moans against your cunt, the vibrations that his mouth sends making your eyes roll to the back of your head. He lets you know that he’s enjoying this just as much as you are.

When you moved here you weren’t really planning to get eaten out by your hot neighbor, but oh, right now you’re happy that’s changed. Toji treats your body as if it were his own, making you feel euphoric with every touch. You praise him, breathily telling him, “Oh you’re such a good boy.”

It serves as encouragement for him, it’s the greatest melody that his ears have come across. He adores the way his name sounds as it rolls off your tongue. It seems as if it’s the only word that you know as you repeat it over and over again. And you say it even more as your orgasm begins to approach.

Your body tenses up, your thighs squeezing his head as your orgasm slowly begins to take over you. And just as you’re about to reach that sweet sweet high, Toji takes his fingers out and rises from between your legs with a wicked smirk on his lips.

“I hate you.” You groan, and a chuckle leaves his lips. Toji’s lips go up to meet yours, his tongue swiftly entering your mouth but leaving as fast as it entered. Your hand wraps around the base of his cock and you give it a few strokes before his hand lands on top of yours and he guides it.

“Good job, baby.” He praises you, your eyes locking. His eyes are filled with lust, and that arousal flushes through you.

“Fuck me.” You sound embarrassed to even say it just by how lowly you speak. Toji doesn’t like that– You should proudly say it. His free hand goes up to your face to squeeze your cheeks.

“Say it like you need it. Like you need it to breathe.” He orders, and you wait for him to let your face go so you can do as he tells you to.

“I need it, Toji. I need you so bad. Please, please, please.” You plead, and it feeds his ego. He runs the tip of his cock through your folds. He teases your entrance before finally pushing himself inside of you, and a gasp leaves your lips before you bite your tongue.

Toji gives you a moment to adjust before he begins to move. He starts off with soft and slow thrusts but slowly picks up speed as you get adjusted. He’s vocal about how good he feels, he wants to let you know one way or the other that your pussy feels so good when wrapped around him. And if that’s not enough, he tells you through gritted teeth, “So tight…”

You fear being too loud, slapping your hand over your mouth to make yourself shut up while Toji picks up speed. One hand feathers up your body, up to your breasts. He squeezes your tit before his thumb and index finger begin to play with your nipple.

“You feel so fucking good.” He tells you. He tears the hand that covers your mouth away, and presses his lips against yours. When he pulls away he says, “I want to hear you, baby.”

“The neighbors–” You remind him but he cuts you off as one of his hands moves down to play with your clit.

“I’m your neighbor.” He completely forgets about your other neighbor, but that’s alright. It’s a free show for them, at least that’s what Toji thinks. You might think completely differently, but Toji doesn’t care.

You listen to him, letting your moans roam free. You shut your eyes as you let pleasure overtake you. It doesn’t take too long for your orgasm to build up, and approach to take over you, especially after he stripped you from your last one. You moan his name over and over again, fueling his ego.

Your cunt squeezes around him, making it hard for him to contain himself. You bite down your lip as your legs spasm, your orgasm getting the better of you. And of course he praises you for it. He praises you for everything you do. “You’re such a good girl. Fuck–”

Toji’s thrusts begin to get sloppy as he nears his release. He pulls his cock out and you adjust yourself, your mouth wrapping around his cock, your hands twisting at the base of his shaft. Until Toji lets out a loud groan, his cum filling your mouth. He pulls his cock out when every drop is in your mouth, and you swallow what’s in your mouth.

You take a moment to clean yourselves up before you lay back down on your bed, your head resting on his bare chest. He hugs you, and you take in his scent. You’re both sweaty but he still smells so good.

You take a moment. You listen to his breathing– His heartbeat. It brings a smile to your lips. You’re growing to love him, and the thought would’ve scared you a couple months ago, but the more you get to know Toji, the more you appreciate every moment with him. He presses a kiss on the top of your head before he asks, “Can I sleep over?”

“Why are you even asking that? You have no option but to sleepover. In fact, I’m kidnapping you and you can never leave.” You joke, making him chuckle. His hand caresses your arm, and you feel so warm and safe in his arms. The fact that he threw a blanket over the both of you also helps.

“What about Megumi? He’s coming back soon, you know.” He reminds you.

“I’ll kidnap him too.” You respond, and he can’t really argue with that. He’d like that. Having to spend the rest of his life with you sounds like a dream actually. He isn’t sure how Megumi would react though, but Toji doubts he’ll mind too much. Until the four-year-old grows up, of course. “I have a question.”

His eyebrows perk up. He sits up in the bed, wondering how serious it is. You sit up as well, and you suddenly feel too nervous to ask the question. He says, “Shoot.”

“So… um…” You begin. It shouldn’t be hard to ask. “Are we officially dating? I mean, we haven’t–”

“I thought we were officially dating after the first date. I wouldn’t be pestering you as much if we weren’t.” He answers, making you chuckle. Relief wasn’t over you, and he lays back down. You lay back on his chest. He can’t help but joke, “Did you not think we were dating? Oh– Were you cheating on me? How many other guys are you talking to?”

“Hmm… About four other guys.” You both laugh, and he hugs you again. Making you hug him back. A moment of comforting silence passes before you speak up,

“I’m so happy with you.”

He hums, his brows raising before a smile comes to his lips.

“I’m so happy with you too.”

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zekepng · 5 days

Text

𝐌𝐈𝐋𝐊 𝐃𝐄𝐋𝐈𝐕𝐄𝐑𝐘

One evening, a familiar neighbour approaches you and requests a favour, even though it's late. You willingly assist him and he doesn't let you leave without generously rewarding you for your helpfulness.

Milkman (Francis Mosses) one shot, explicit content - fanart: Yunonoai on twitter

Ao3 Link

Discord Server

As you settle into your seat, you feel your eyelids growing heavy from the gentle sway. It's a quiet Sunday, with only a few souls venturing through. It seems like the majority of the neighbours have chosen to stay home and take a break today.

You found some satisfaction in your job, despite your preference for being at home on a Sunday.

At least you're earning a paycheck for your efforts to do nothing.

Just like magic, the elevator doors glide open, as if anticipating your thoughts. You awaken, your gaze drawn to the window shielding your office. Anastacha glances in your direction, offering a brief wave and a smile before gracefully heading towards the exit.

You reciprocate the gesture, ensuring there are no witnesses nearby.

Before slipping on your headphones, you steal a quick glance at the clock on the wall, hoping to see the hand inching closer to ten, but it's barely making its way to eight.

Once again, as if following a precise rhythm, your tired eyes gently close.

Until the sound of forceful pounding against the glass abruptly jolts them awake. You find yourself on the edge of your seat, suddenly snapping upright in a state of sheer panic.

You abruptly lose track of your surroundings, momentarily transported from your peaceful bed to an unfamiliar place.

You find yourself sinking into the uncomfortable chair, feeling the strain in your back as you gaze out through the transparent barrier that separates you from the outside world. You can't help but feel a rush of surprise as you lay your eyes on the towering figure before you, his gentle smile adding a touch of warmth to the scene.

"Long shift?" He asks, his head slightly tilted. His gentle, deep brown eyes fixate on you, capturing a flicker of delight in your astonished expression.

"Francis," you whisper, your voice trembling with a mix of anticipation and nervousness. You remove the headphones from your ears and sit up straight in your chair.

As per his usual attire, he wears a pristine white shirt and sleek black trousers, complemented by a stylish black bow tie. With his trademark white hat perched atop his tousled brown silk hair, it's clear that he's having a particularly dishevelled day.

“Did I startle you?” He asks, his voice carrying a sense of innocence as he gently removes his hat from his head.

You tear your eyes away from his, only to steal a quick glance at the clock, hoping to catch any sign of time passing. You find it shocking that what seemed like an eternity actually lasted a mere half an hour. "Well, I never expected anyone to approach me," you murmur softly.

"My apologies, (y/n)," he says with a playful laugh, “but I need you to get into my apartment.”

As you regain consciousness, a wave of disorientation washes over you. You gaze at him with a bewildered expression, desperately trying to comprehend his words. Suddenly, he utters, "My keys, (y/n). You have my keys, just like you do every day.”

Your cheeks flush as a wave of embarrassment washes over you, all while he stares at you with a gentle smile, almost bordering on a smirk. “Sorry, it’s been a long night.” You casually reach over and take his house keys from the hook.

“I guess I’m not the only forgetful one here,” he chuckles, clutching the keys to his truck in his hand.

During your week of working here, you formed a pact with Francis. Because of his tendency to forget, he would often misplace one of his keys and ask for a spare. In order to avoid this recurring issue, you both decided to make an arrangement where his keys would be kept downstairs at your desk.

As he inches towards the glass, a sense of confusion washes over you until he finally says, “I have another favour I need you to do for me.”

“Which is?” You ask, carefully examining his features. You trace the contours of his nose, gradually becoming absorbed in your own thoughts—lewd thoughts.

You find yourself unable to tear your eyes away from him as he talks.

The gaze in his almond-shaped eyes carries a captivating yet mysterious allure.

Every time he passes by, his demeanour seems gloomy, but a flicker of joy illuminates his eyes when he catches a glimpse of you. However, that happiness quickly dissipates as his smile vanishes.

You can't help but imagine the intense gaze and the heated encounter as he bends you over your desk and fucks you senseless.

Your mind is swirling with questions like, What noise does he make? Is he loud? Would he fuck you good? Is it big?

It has to be big.

There is a mysterious presence about him that eludes comprehension, yet it holds you captivated.

“So, can I?” He asks, jolting you back to reality as you realise you've completely zoned out and missed his entire conversation.

You find yourself shaking your head in disbelief, struggling to process his words. However, your mind becomes overwhelmed with a flurry of unanswered questions. “I’m sorry, could you repeat that for me?”

“I asked if I could place a few of my milk trays in your office as I unload them from my truck? It’s far colder there than it is out here,” he asks, causing your eyes to cautiously shift between his face and the office floor, contemplating if they would even fit.

“It’s just so that I don’t have to keep going to my truck all the way to the third floor.” He includes this detail in an effort to convince.

You're still apprehensive because it's against the rules to allow residents into the office, even for a brief period of time. “I don’t think I can let you in here, Francis.” You admit, a hint of guilt creeps into your expression.

"Come on," he pleads, his head tilting and his hands clasping together in a prayer-like gesture. “Please, it will only be for a few minutes, (y/n).”

His voice trembles and his eyes become gentle, almost melting you with their intensity.

"It's late, and this secret can stay between us," he pleads, his voice filled with desperation. “I promise I’ll reward you for being good to me, (y/n).” It’s almost as if the use of him saying your name was a kryptonite to you.

Every atom of your being trembles as your name escapes out of his mouths, sending shivers down your spine.

“Fine,” you reluctantly concede, succumbing to his pleading stare. “Just be quick.”

In a matter of moments, he effortlessly reveals a sly grin, his expression as stoic as ever, as he casually lowers his hands by his side. "You’re the best,” he exclaims while placing his hat back on his head and stepping back outside.

You cautiously lean back in your chair, then rise to your feet and unlock the office door. Before proceeding, you cautiously survey your surroundings, ensuring that no prying eyes are present.

The last thing you desire is to attract unwanted attention and risk being reported for violating any regulations.

As you gently nudge the door, you lean against it, ensuring it stays ajar, eagerly anticipating Francis swift return from his truck. As time passes, you observe him effortlessly using his back to swing open the door of the building. He then pivots and starts making his way towards you.

You watch as he carefully balances two crates, one on top of the other, brimming with delicate glass milk bottles. You watch as he effortlessly carries the heavy crates into the office, his white shirt rolled up to reveal his strong forearms adorned with prominent veins.

You can't help but have your attention fixated on him, like an annoying, persistent fly.

"I only have two more to carry," he says, walking past you once more before vanishing outside.

You eagerly anticipate his return, and when he finally enters the building, he is drenched from the rain. You can't help but notice how his shirt is nearly transparent, allowing a glimpse of his skin underneath.

As raindrops trickle down his face, they leave a trail of glistening droplets in their wake.

As he enters the office with the two crates, you quietly trail behind him, allowing the door to gently shut behind you. You watch as he carefully places the crates on top of each other, his gaze sweeping across the office before he straightens up.

You watch as Francis takes off his hat, his face filled with a sense of relief. I can help you carry these up to your apartment, however, in order to do so, I'll need the key to the truck," you mention, extending your hand towards him.

You find yourself captivated by his stare as he gently places the keys in your open hand. As you casually swap the truck key for the flat key, his gaze remains fixated on you.

As you turn around to face him, you find yourself taken aback as you come face to face with him, your eyes widening in surprise at his close proximity.

His towering presence looms above you, his hand poised near the switch that will lower the shutter. You find yourself struggling to control your breathing, as if your breath has been captured by an unseen force.

“Did you think I forgot about your reward?” His voice says, sending shivers down your spine while also captivating your senses.

Without uttering a single sound, he proceeds to push the switch, causing the shutters to gradually descend, leaving only you and him in the office.

"I didn't think you were serious," you mutter, struggling to articulate your thoughts.

As he takes the keys from your grasp, his touch is tender as he delicately cradles your chin with his other hand. You find yourself instinctively retreating as he moves closer, your back pressing against the edge of your desk. “Good girls deserve to be rewarded, (y/n).”

“And you’re a good girl for helping me, aren’t you, (y/n)?” He asks, gently caressing your lips with his thumb.

You fix your eyes on him, a gaze brimming with intense desire. You find yourself completely immobilised and unable to utter a single word, ensnared in a captivating spell cast by his presence.

You want him to tear your clothes off and fuck you savagely as if you were animals.

In the blink of an eye, his tender caress transforms into something forceful. You watch as his hand swiftly clamps around your jaw, his eyes filled with intensity. "Say it," he demands, his voice filled with authority.

In any other circumstance, fear might consume you, but instead, a surge of pleasure courses through your body, intensifying the throbbing sensation between your legs.

You swallow nervously before quietly admitting, "I am."

"Good," he murmurs, loosening his hold on your jaw as he draws you closer to him. Out of nowhere, he surprises you by gently placing his lips against yours, leaving you completely stunned.

You feel the warmth of his body as your hands instinctively glide up his neck, drawn to his touch. You can't help but be drawn to his kisses, even though they're sloppy.

They are filled with a raw and intense passion that ignites something deep within you. You feel a gentle bite on your bottom lip, and a soft moan emerges from your throat as he takes the chance to slide his tongue through.

You can sense the heat coursing through your veins, which is matched only by the rapid thumping of your heart.

As he shifts back, a brief strand of saliva lingers between you both, only to be swiftly followed by another passionate kiss. You find yourself captivated by the gentle gaze in his eyes as he slowly moves his lips from yours to the tender skin of your neck.

You feel a soft nibble on your neck, followed by a gentle whisper in your ear, “Sit on the desk.”

You find yourself completely mesmerised by his every word, unable to resist his intriguing presence. You obediently follow the directions, concealing any signs of bewilderment. You settle yourself on the desk, feeling a slight breeze as your skirt lifts slightly.

You reach out to mend it, but he abruptly halts your movement. His hands gently lift yours away from your thighs, finding their place on either side of you.

You watch as he gracefully lowers himself to the ground, effortlessly sinking to his knees right in front of you.

You find yourself at a loss for words as you experience the sensation of his hands enveloping your thighs, gently guiding you closer to the edge of the desk.

You feel the gentle touch of his lips against the sensitive skin of your thighs, eliciting a soft gasp as you tilt your head back in response.

You feel a gentle tug on your thong, as it gracefully slides down your leg and is set aside.

You adjust your skirt higher, feeling a sudden warmth on your cheeks as you become aware of your vulnerability.

You're captivated by the intensity of his eyes, lost in the moment as he delicately positions your legs over his shoulder, drawing you nearer without disrupting the desk.

You observe him with anticipation and a heightened sense of desire as he approaches your cunt. You find yourself biting your lip, a soft whimper escaping your lips as his warm tongue playfully dances around your clit, sending waves of teasing pleasure through your body.

The tip of his tongue delicately explores and teases your pussy.

Unexpectedly, he inserts two fingers into your wet hole, eliciting a chorus of pleasure-filled sounds from your lips.

You slowly glide your hand through his soft, lustrous brown hair, then firmly grasp it as he skillfully moves his fingers in and out of you, simultaneously using his tongue to pleasure your most sensitive spot.

You are consumed by an overwhelming surge of tension, which sends waves of pleasure cascading through your entire being. "Oh fuck," you gasp, your voice filled with desire, as you tightly grip his hair.

You can feel the intensity building as his tongue quickens its pace, sending waves of tension through your body. Just as the knot of anticipation reaches its peak, he eases off, gradually slowing down.

You feel a rush of pleasure as his fingers move in and out of you, perfectly synchronised with the skillful movements of his tongue. It's as if he knows exactly how to bring you to the brink of ecstasy.

As if to intensify the sensation, he adds a third finger into your dripping pussy, causing you to cry out, "Francis, please!" His tongue quickens its pace once more, heightening the pleasure even more.

You sense your proximity drawing near. You can feel the heat building up inside you, your breath quickening and your toes curling in pleasure as he expertly stimulates you with his slender fingers. "I'm getting close," You struggle to utter the three simple words, your voice trembling with emotion.

Out of nowhere, he abruptly withdraws his mouth from you, yet his fingers remain inside, delving deeper and deeper.

You're hooked by the intense stare he directs towards you, his eyes filled with a mysterious allure. A blend of your fluids and his spit moistens his mouth as he slowly smirks at you.

Author's note: part 2 is pending... ಇ

#francis mosses #thats not my neighbor #thats not my neighbour one shot #francis mosses x reader #zekepng #smut #one shot #one shot smut

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fellthemarvelous · 4 months

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Holy forking shirtballs

I'm choosing violence today. I started this on Twitter, but I'm going to finish my thoughts here like I always do.

But what really blows my mind the most is the way that people look at Aziraphale's "choice" at the end, as if he had one to fucking begin with.

I'm sorry, but Aziraphale knows how messed up Heaven is. He told The Metatron, more than once, that he did not want to go back to Heaven! We can debate what each of us means by "choice" all night because my "choice" and your "choice" might be two different concepts. He could have been strong armed by The Metatron or he could have looked at where things were headed and realized he had no choice but to intervene himself.

You need to ask yourself what Aziraphale has a moral imperative to do.

What do we owe to each other?

Seriously, if you have not watched The Good Place, I recommend you go and watch it, because it absolutely shaped how I've viewed Good Omens 2 since its release.

My levels of frustration with the bad faith mischaracterizations of Aziraphale are off the charts. If you are blaming him for everything, implying that he should have to grovel and that Crowley has a right to hurt him back, you have missed the point of Good Omens entirely.

I defend Aziraphale, but I don't think one of them is more right or wrong than the other. They're equals. They're a group of the two of them, acting and reacting to each other throughout history. They're Alpha Centauri.

I cannot even begin to explain how fucking devastated I felt when Crowley said these words, knowing he was fighting a losing battle. What he said took a lot of courage because he's finally admitting something they've both been too scared to publicly define for 6,000 years. Crowley has had to spend so long with a rough outer shell because he fell and had to hide all of his softness.

The look on his face was one of pure joy when he created that nebula, but I think the fact that he got to share that moment with Aziraphale is what has always stuck with him.

So yeah, seeing Crowley with a broken heart at the end of "Every Day" was sad for me as well.

My brain still lives here!!

But Neil has said that Good Omens 3 is not quiet, gentle, or romantic. I imagine it's going to be more like the the first season in which they are not central to the plot. GO2 will help us make sense of how they ended up where they are when we see the bigger picture with all the other major players involved with GO3.

Aziraphale was still a soldier and accidentally got himself discorporated in his own magic circle in season one. He had a platoon waiting on him to start Armageddon, and he deserted them to go save the world with Crowley instead. Aziraphale is a deserter. I need everyone to remember that. He yeeted himself out of Heaven and sought out Crowley before even locating a body just to warn him about what was happening so they could try to save the world together.

I can't help but think of 1941 and that magician who had been arrested for being a deserter.

Aziraphale disobeyed orders. That took courage but it branded him as a traitor against Heaven. They tried to destroy him for it the same way Hell tried to destroy Crowley for his part in stopping the war.

Aziraphale and Job are the only characters we have seen interacting with God directly. Aziraphale has spoken to God before and he is determined to do so again.

Aziraphale knows Heaven is flawed, but he also knows it's supposed to be good. He wants it to be good. He does not like the way the system works and he wants to make a difference. (And I'm pretty sure he's also determined to talk to God without being intercepted by The Metatron.)

Since when is that a bad thing? I don't get it. And I've had this discussion before.

If you need to change the system by burning the old one to the ground, it's still change, and we don't know what Aziraphale has planned.

It seems to me that people just want to see Aziraphale fail because it would punish him for returning to Heaven instead of running off with Crowley.

Some of y'all take everything Aziraphale says or does and twist those things into malicious anti-Crowley actions because you think the only reason Aziraphale exists is to make Crowley happy, and if he isn't thinking only about Crowley then he's doing something wrong.

Aziraphale does not exist as a plot device to further Crowley's character. They come as a pair. They've been learning from each other for 6,000 years. Crowley challenges Aziraphale just as much as Aziraphale challenges him.

You can be mad at Aziraphale all you want, but villainizing him is gross. Defending Crowley does not mean you have to tear down and mischaracterize Aziraphale anymore than defending Aziraphale means you have to tear down Crowley (but I don't see that happen on nearly the same level it happens to Aziraphale). Stop painting Aziraphale as an abusive partner, for fuck sake.

Aziraphale knows there are flaws in the system. He wants to make a difference, and since he has seen that Gabriel can change, then maybe the whole system can. He has to at least try, and if he can succeed then maybe he and Crowley can stop hiding and finally be together without having to look over their shoulders all the time.

Why is that a bad thing? He's just as protective of Crowley as Crowley is of him!

But don't forget that Aziraphale's wing was covering Adam and Eve too. As much as a wants to protect Crowley, he has a moral imperative to keep humanity safe as well.

He sent Adam and Eve into the unknown with a flaming sword so they could protect themselves.

As much as he wants to be with Crowley, there are 8 billion people on Earth heading toward the Second Coming and Judgment Day. They'll work together to fight alongside humanity in the end. Aziraphale should not have to humiliate himself just to earn Crowley's forgiveness. That's a rancid notion.

The Resurrectionist was a whole ass moral dilemma for Aziraphale, which is why I brought up The Good Place earlier, but that's a post for a different time.

Aziraphale has his own motivations and they're just as important as Crowley's, and they don't have to be chalked up to Aziraphale being the bad guy. Weird, I know, but shades of grey.

"To the world."

#good omens #good omens 2 #aziraphale #crowley #aziraphale defense squad #yeah i'm being bitchy #no i don't care if you're offended #no i'm not interested in your aziraphale hate #i'm not interested in hearing takes about aziraphale being toxic from people who can't even be objective #some of y'all need to watch the good place because you need a lesson in moral philosophy #we should be able to have discussions about the characters without gross takes calling aziraphale abusive #az and crowley approach everything from wildly different perspectives because of where they are #just admit y'all shit on az because he doesn't look or act like crowley #I'm so done with the shitty aziraphale takes #they aren't even interesting enough to debate #they're just annoying

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shibusawaz · 10 months

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AITA for forcing my best friend to inject himself and another man with poison in a convoluted prison escape game and making my coworker watch?

I (M26) have been friends with my best friend (M, age unknown but someone on Twitter said he's 39. He doesn't look 39 though) for several years, ever since he sat at a table in a dark room with me and said something really deep. We also work together for a terrorist organization, but he got arrested and sent to a high security prison. While our organization continued its quest to find a magical book and change reality. I realized that I was just a bird trapped in a cage, and set out to prove the free will of man by killing my best friend, setting myself free from my own heart. Unfortunately, my best friend is a mega genius who can see through my plots. So, I waited for my coworker (M3) to fall out of the sky and seeked out his help in finding my best friend's superpower in order to kill him. We broke into the prison using my overcoat (which is actually just a cape) and found him and his homosexual nemesis (M22). Because my best friend is super competitive and has to win and be the smartest at everything, I knew that the only way he'd take the poison is by offering his rival a lethal injection too. I told them I only had one antidote, and whoever escapes first gets it. I even let them both pick a tool, but my friend's rival picked my coworker who's been standing here like a big ol idiot this whole time because he's only three years old and doesn't understand fun. I left to let them complete the game, but I kind of feel bad now. Is this just my restrictive conscience that is tormenting me or am I really doing something wrong?

#bungou stray dogs #bsd #nikolai gogol #meursault #sigma #osamu dazai #fyodor dostoyevsky bsd #I'm sorry guys I don't know what this is it's just like the sigma dni post it just came to me

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stevetown · 1 year

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A Tumblr Quick Start Guide

A year ago, I realized that every time I logged onto Twitter, I felt my blood pressure rise. It's a platform that runs on anger and outrage, and I wanted someplace better to spend my screen time. In my almost-year on Tumblr, I now realize I log on here and get one or two good laughs every time I check my dashboard.

Tumblr has given me a lot lately, but it is a bit different than other platforms. I'd like to give back a little and provide a quick-start guide on how being new to Tumblr worked for me.

Finding Things to Follow

The biggest thing I had to get used to was realizing that on Tumblr, you don't necessarily follow people or celebrities or politicians. You follow your interests. In fact, it's pretty common to follow only strangers that post things you like. That can make your empty dash daunting to fill! Let's fill it with things you love and make you happy.

Make a list, mental or otherwise, of things you're interested in. Be both broad and specific! Board Games. Magic The Gathering. Supernatural. Marvel. Video Games. 8-Bit. Urban planning. Any and all things that you like!

Pick one of your interests and search for that tag. Flip between "Latest" and "Top" and browse around to see what kind of content is in that tag. You'll notice images, art, gif sets, TikToks, videos, essays - all sorts of things!

If you see a lot of things you like, cool! Click the button to Follow that tag if you want to keep up to date on it and find things later (we'll come back to this).

If you see a post you love, check out who posted or reblogged it. Scroll around on their blog. Do they post similar stuff? Are there other things you like here? Are they posting often? If you like what they post, follow the blog! Congrats, you've followed your first blog!

Take some time and check out some other tags and follow the same process - follow tags you like and blogs you might be interested in. It's not possible to over-follow! You can always curate your list later. This isn't Twitter - no one cares if you unfollow someone. Find what makes you happy.

Go back to your main dashboard - how are things looking? Filled with things you're interested in? Excellent. If things don't work for you, don't be afraid to unfollow blogs.

Want to follow more blogs? New episode of Andor drop? Go to the "Your Tags" header and scroll around to find some more juicy content. Check out blogs you like, follow 'em if you like em, rinse and repeat! That's curating your dash!

Your Blog is Your House

Okay, so you have a dashboard of content that you like - but what do you do with it all? Someone once described a Tumblr blog to me like your little house that you can fill with all the things you like. There is no rhyme or reason, and you don't need an excuse to reblog something other than the fact that you liked it!

If you see something you like, reblog it! To me, I reblog things when I say "I like this and I want it to live in my house so other people can see it when they come visit"

Reblogging is like passing a message along to other people. You can just reblog it on its own to amplify it, or you can add your own tags, or if you have a funny reaction gif/thought/video/thousand-word-essay, add to it when you reblog!

Use tags. People actually find posts through tags here. Use them to help people discover that really cool reblog you found! You can also search for tags on specific blogs. This makes them great for categorizing posts on your own blog. For example, I use #2022 Game Journal when I blog about whatever game I'm playing so I can do a year-end review later and find all the posts later.

Like things too. Likes don't amplify posts, but they're nice to let a poster know you appreciated it! I also use likes a bookmark. Sometimes I don't have time to watch that TikTok, so I'll like it as a reminder to come back to it later.

Be Weird. You can have sideblogs to hold more specific content, but don't be afraid to just scoop up anything you like and put it in your house! Reblogging is how content gets passed around.

Random Blog Tips

Wow nice job, your blog's looking great! Before you know it, someone will find it, check out your posts, and maybe give you a follow if they like what you've made or what your reblog! The last thing I'll touch on here are some nitty-gritty tips that can help you think about all the meta stuff about Tumblr:

Tumblr is the most anonymous social media platform. No one has to know who you are. Take advantage of all the privacy options.

You can also hide likes and who you follow from public view - that's no one else's business! Turn off asks too if you want.

Play around with your settings in general - there are lots of customization options and other dash tabs that you can use to find new content. You can also turn on timestamps so you know if a post you see is a "heritage post," as they say. Content is evergreen here and I personally like to see that in action.

You can filter and hide tags that you don't want to see.

Just block people liberally, it's cool.

You can pay to remove ads (nice), but you can also leave the option to see Blazed posts on. Blazed posts are ones that people pay for impressions for - and any post can be Blazed. The kicker is, there's no ad targeting. It can be quite funny or quite annoying depending on what you want.

When viewing the notes on a post, you'll see comments, reblogs, and likes. For the reblogs section, I like to filter by "Comments only" to find what people have added to the post.

Like all social media sites, there are dark corners here. I think Tumblr more than most puts you in control to curate your Dashboard to only see what you want. Block a user, hide a post, and move on.

That should be quite enough to get started! Tumblr can take a little more time to "get" compared to other social media platforms (and get in on the long-running jokes!), but trust me, after a week, you'll notice the difference between checking your Tumblr dashboard and checking your Twitter timeline.

Your blood pressure will thank you.

#tumblr #twitter #twitter refugees #tips #getting started

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ssavaart · 4 months

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Hey Scott!

Love you and your art tutorials. Really a big fan, you got me into painting again when I couldn't get out of bed due to depression. I love watercolor!

You being an idol of mine, I checked out your movie, Animal Crackers.... I don't know if you intended it to be that way... but I did feel uncomfortable over your representation of Roma people. As a Spanish partial Romani myself I was just surprised to see those stereotypes of mystic, over-sexualised fortune tellers. We have so much more in our culture! I'm pretty young myself but even at the time this movie came out I understood it wasn't the best take.

I'm not here to critique you. But I did use to see you as a role model. I try to separate that from the rest of the movie, and your past art from you as a person but its hard because otherwise, I know you are in favor of good representation. Could you please address this? Use it as an opportunity for growth? Acknowledge it used a slur?

I just want my rose tinted glasses back.

Love, Yair.

Hi Yair! Thank you so much for the lovely message. I'm so happy my videos helped you in any way. Regarding Animal Crackers. Thank you for asking. When I wrote the graphic novel for my 5 year olds back in 2008... the term "Gypsy" was commonly used for "wanderers with a hint of magic" in books, tv, and movies and it wasn't considered a derogatory term for Roma people. Not generally. I thought this to be true when I wrote the script in 2011. I thought this to be true when I made the film in 2014.

But when the film came out... I started to see comments on twitter and instagram and facebook with people calling the film "racist" for using the term Gypsy so much.

It was at this time in the fall of 2020 that I learned of the significance of this word and how it was used as a derogatory term for the Roma people. While it was not done intentionally, I take full responsibility for this. I wrote it. I had the actors use the words. I was the one who put it in the movie. The blame is completely on me and my ignorance. And I am truly sorry. Shortly after this, I reached out to the European Roma Rights Centre and got on a call with them and we discussed the history of the Roma people and how (if I get a chance to make a sequel) I can educate the world about the Roma people and how hurtful the term "Gypsy" is to them. I can't undo any harm I may have caused in my movie, but, hopefully, I can make some amends with a sequel, working with the European Roma Rights Centre to portray the Roma people in a positive light, and educating people on how harmful stereotypes can be.

Thanks again for asking

Sending Big Hugs from the Hobbit Hole. ♥♥♥

Scott

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literary-illuminati · 4 months

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Book Review 68 - Babel by R. F. Kuang

Overview

I came to Babel with extremely little knowledge about the actual contents of the book but a deep sense of all the vibes swirling around its reception – that it was robbed of a Hugo nomination (if the author didn’t outright refuse it), that it’s probably the single buzziest and most Important sf/f release of 2022, that it was stridently political, and plenty more besides. I also went in having mostly enjoyed The Poppy War series and being absolutely enamoured by the elevator pitch of an alternate history Industrial Revolution where translation is literally magic. And, well-

It is wrong to say I hated this book, but only because keeping track of my complaints and starting organize this review in my head was entertaining enough to keep me invested in the reading experience.

The story is set in an alternate 1830s, where the rise of the British Empire relies upon the dominance of its translators, as it is the mixture of translation and silverworking, the inscription of match-pairs in different languages on bars of worked silver and the leveraging of the ambiguity and loss of meaning between them that fuels the world’s magic. The protagonist is pluckted from his childhood home in Canton after his family dies in a cholera outbreak and whisked away to the estate of Professor Lowell, an Oxford translator he quickly realized is his unacknowledged father. He’s made to choose an English name (Robin Swift) and raised and tutored as a future translator in service to the Empire.

The meat of the story is focused on Robin’s education in Oxford, his relationship with the rest of his cohort, and his growing radicalization and entanglement with the revolutionary Hermes Society. Things come to a head when in his fourth year the cohort is sent back to Canton to, well, help provoke the first Opium War, though none of them aware of that. The final act follows the fallout of that, by which I mean it lives up to the full title of “Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution”.

To be clear, this was technically a very accomplished book. The writing never dragged and the prose was, if not exactly lyrical, always clear and often evocative. Despite the breadth of space and time the story covers, I never had any complaints about the pacing – and honestly, the ending was, dramatically speaking, one of the more natural and well-executed ones I’ve read recently. It’s very well-constructed.

All that being said – allow me to apologize for how the rest of this is mostly just going to be a litany of complaints. But the book clearly believes itself to be an important and meaningful work of political art, which means I don’t feel particularly bad about holding it to high standards.

Narrative Voice

To start with, just, dear god the tone. This is a book with absolutely zero faith in its audience’s ability to reach their own conclusions, or even follow the symbolism and implication it lays down. Every important point is stated outright, repeated, and all but bolded and underlined. In this book set in 1830s England there are footnotes fact-checking the imperialists talking heads to, I guess, make sure we don’t accidentally become convinced by their apologia for the slave trade? Everything is just relentlessly didactic, in a way that ended up feeling rather insulting even when I agreed with the points Kuang was making.

More than that, and this is perhaps a more subjective complaint but – for an ostensible period piece, the narrative voice and perspective just felt intensely modern? This was theoretically an omniscient third person book, with the narrative voice being pretty distinct from any of the actual characters – with the result that the implicit narrator was instead the sort of person of spends six hours a day getting into arguments on twitter and for this effort calls themselves a progressive activist. The identities of all the characters – as delivered by the objective narration – were all very neat and legible from the perspective of someone at a 2022 HR department listing how diverse their team was, which was somewhere between a tragic lost opportunity to show how messy and historical racial/ethnic/national identities are and outright anachronistic, depending. (This was honestly one of the bigger disappointments, coming from Kuang’s earlier work. Say what you will of The Poppy War series, the narration is with Rin all the way down, and it trusts the reader enough not to blink.) More than that it was just distracting – the narration ended up feeling like an annoying obstacle between me and the story, and not in any fun postmodern way either.

Characters

Speaking of the cast – they simply do not sound or feel like they actually grew up in the 19th century. Now, some modernization of speech patterns and vocabulary and moral commensense is just the price of doing business with mass market period pieces, granted, but still – no 19th century Anglo-Indian revolutionary is going use the phrase ‘Narco-military state’ (if for no other reason than we’re something like a century early for ‘narco-state’ to be coined as a term at all). An even beyond feeling out of time most of the characters feel kind of thinly sketched?

Or no, it’s not that the characters are thinly sketched so much as their relationships are. We’re repeatedly, insistently told that these four students are fast friends and closer than family and would happily die for each other, but we’re very rarely actually shown it. This is partly just a causality of trying to skim over a four-year university education in the middle third of one book, I think, but still – the good times and happy moments are almost always sort of skimmed over, summarized in the course of a paragraph or two that usually talk in terms of memories and consequences more than the relationships themselves. The points of friction and the arguments, meanwhile, are usually played out entirely on the page, or at least described in much more detail. In the end you kind of have to just take it as read that any of these people actually love each other, given that at least two of them seem to be feuding at any given point for the entire time they know each other.

Letty deserves some special attention. She’s the only white member of Robin’s cohort at Babel and she honestly feels like less of acharacter and more a collection of tropes about white women in progressive spaces? Even more than the rest, it’s hard to believe the rest of the class views her as beloved ride-or-die found family when essentially every time she’s on screen it’s so she can do a microagression or a white fragility or something. Also, just – you know how relatively common it is to see just, blatantly misogynistic memes repackaged as anti-racist because it specifies ‘white women’? There’s a line in this that almost literally says ‘Letty wasn’t doing anything to disprove the stereotype of woman as uselessly emotional and hysteric’.

Also, she’s the one who ends up betraying the other three and trying to turn them in when they turn revolutionary. Which is probably inevitable given the book’s politics, but as it happened felt like less of the shocking betrayal that it was supposed to be and more just, checking off a box for a dramatic reverse. Of course she turned on them, none of them ever really seemed to even like each other.

As a Period Piece

So, the book is set in the 1830s, in the midst of the industrial revolution and its social fallout, and the leadup to the First Opium War (which is, through the magic of, well, magic ,but also mercantilist economics, make into a synecdoche for British global dominion more broadly). On the one hand, the setting is impeccably researched, recent and relevant historical events are referenced whenever they would come up, and the footnotes are full to bursting with quotes and explanations of texts or cultural ephemera that’s brought up in the narration.

On the other, the setting doesn’t feel authentic in the slightest, the portrayal of the British Empire is bizarrely inconsistent, and all that richly researched historical grounding ends up feeling less like a living world and more like a particularly well-down set for a Doctor Who episode.

The story is incredibly focused around Oxford as a city and a university. There’s a whole author’s note about the research and slight changes made into its geography and I absolutely believe its portrayal as a physical location and the laws about how women were treated and how the different colleges were organized and all that is exactly as accurate as Kuang wanted them to be. The issue is really the people. With the exception of a few cartoonish villains who barely get more than a couple pages apiece, no one feels, sounds like, or acts like they actually belong in the 19th century. The racism the protagonists struggle with all feels much more 21st century than Victorian, and the frame of mind everyone inhabits still comes across more as ‘unusually blatantly racist Englishman’ than 19th century scholars and polymaths.

This is especially blatant as far as religion goes. It’s occasionally mentioned, sure enough, but to the extent anyone actually believes in Christianity it’s of a very modern and disenchanted sort – this is a society that sends out missionaries as a conscious tool of colonial expansion, not because of anything as silly or absurd as actually wanting to spread their gospel. Also like, it’s Oxford, in the nineteenth century. For all the racism the protagonists have to deal with, they should be getting so much more shit from ‘well-meaning’ locals and students trying to save their (one Muslim, one atheist, one probably Christian but black and protective of Haitian Vodou on a cultural level which would be more than enough) souls.

Or, and this is more minor, it is a central conceit of the whole finale that if a few (like, two) determined revolutionaries can infiltrate Babel they’ll be able to take the entire place hostage with barely any trouble. This is because the students and professors there are, basically, whimpy bookworms who’ll faint at the sight of blood and have no stomach for the sort of violence their work actually supports and drives. Which – look, I really don’t want to defend the ruling class of Victorian Britain here, but I’m not sure physical cowardice is really one of their failings, as a group? I mean, there’s an entire system of institutionalized child abuse in the boarding schools they went to to get them used to taking and dealing out violence and abuse. Basically every upper-class sport is thinly disguised military drill or ritual combat (okay, or rowing). Half of them would graduate to immediately running off and invading places for the glory of the queen. I’m not sure two sleep-deprived nerds with knives would actually have been able to cow the crowd here, is what I’m saying. (This would stick out less if the text wasn’t so dripping with contempt for them on precisely these grounds.)

Much less minor are our heroic revolutionaries themselves. And okay, this is more a matter of taste than anything but like – the Hermes Society is an illegal conspiracy of renegade current and former Babel scholars dedicated to using their knowledge of magic and access to university resources to oppose and undermine the British Empire in general and the work of the school in particular. Think Metternich’s worse nightmare, but in Oxford instead of Paris and focused on colonial liberation (continental Europe barely exists for the purposes of the book, Britain is Empire.) So! A secret society of professional revolutionaries in the heydey of just that, with a name that just has to be Hermetic symbolism, who concern themselves with both high politics and metaphysics.

They are just so very, very boring. This is the age of the Conspiracy of the Equals, the Carbonari, the Seasons! The literal Illumanti are still within living memory! Where’s the pageantry, the ritual, the grandiosity? The elaborate initiation rituals and oaths of undying loyalty? They’re so pragmatic, so humble, so (and I know I keep coming back to this) modern. It’s just such an utter wasted opportunity. Even beyond the level of aesthetics, these are revolutionaries with remarkably little positive ideology – the oppose colonialism and racism for reasons they take as self-evident and so don’t feel the need to theorize about it (and talk about them with the vocabulary of a modern activist, because of course they do), but they’re pretty much consciously agnostic as to what world should look like instead. They vaguely end up supporting a sort of petty-bourgeois socialism (in the Marxist sense), but the alliance with Luddites is essentially political convenience – they really don’t seem to have any vision of the future at all, either in England or the various places they claim as homelands.

On Empire and Industrialization

The story is set during the early nineteenth century, so of course the Industrial Revolution is a pretty core part of the background. The Silver Industrial Revolution, technically, since the Babellers translation magic is in this world a key and load-bearing part of it. Despite the addition of miracle-working enhancers and supports to its fundamental technology, the industrial revolution plays out pretty identically to history – right down to the same cities becoming hubs of industry, despite steam engines using enchanted silver instead of coal and thus, presumably, the entire economic and logistical system that brought this particular cities to prominence being totally unrecognizable. This is not a book that’s in any way actually about tracing how something would change history – which isn’t a complaint, to be clear, that’s a perfectly valid creative choice.

It does, however, make it rather galling that the single actually significant difference to history is that the introduction of magic turns the industrial revolution into a Legend of Zelda boss with a giant glowing weak point you can hit to destroy the whole enterprise.

On a narrative level, I get it – it simplifies things and allows for a far happier and more dramatic ending if destroying Babel is not just a symbolic act but also literally sends London Bridge falling down and scuttles the entire royal navy and every mill and factory in Britain. It’s just that I think that by doing so it trades away any chance for actually making interesting commentary on anti-colonial and -capitalist resistance. A world where a single act of spectacular terrorism really can destroy a modern empire is frankly so detached from our world that it ceases to be able to really materially comment upon it.

Like, the principle reason to not take the Luddites as your role models is not that they were morally vicious but that they were doomed – capitalism’s ability to repair damage to infrastructure and fixed goods is legitimately very impressive! Trying to force an entire ruling class not to adopt a technology that makes whoever commits to it tremendous amounts of money (thus, power) is a herculean task even when you have a state apparatus and standing army – adding an ‘off’ button to the lot of it just trades all sense of relevance for a satisfyingly cathartic ending.

(This is leaving untouched how the book just takes it as a given that the industrial revolution was a strictly immiserating force that did nothing but redistribute money from artisans to capitalists. Which certainly tracks as something people at the time would have thought but given how resolutely modern all the other politics in the work are rings really weirdly.)

All of which is only my second biggest issue with how the book presents its successful resistance movement. It all pales in comparison to making the Empire a squeamish paper tiger.

Like, the book hates colonialism in general and the British Empire in particular, the narrative and footnotes are filled with little asides about various atrocities and injustices and just ways it was racist or complicit in some particular atrocity. But more than that it is contemptuous of it, it views the empire as (as the cliche goes) a perpetually rotting edifice that just needs one good kick; that it persists only through the myth of its own invincibility, and has no stomach for violent resistance from within. Which is absolutely absurd, and the book does seem to know it on occasion when it off-handedly mentions e.g. the Peterloo Massacre – but a character whose supposed to be the grizzled cynical pragmatic revolutionary still spouts off about how slave rebellions succeed because their masters aren’t willing to massacre their own property. Which is just so spectacularly wrong on every axis its actually almost offensive.

More importantly, the entire final act of the story relies upon the fact that the British Empire would allow a handful of foreign students seize control of a vital piece of infrastructure for weeks on end and do nothing but try to wait them out as the national physically falls apart around them. Like, c’mon, there would be siege artillery set up and taking shots by the end of week two. As with the Oxford students, the Victorian elite had all manner of flaws – take your pick, really – but squeamishness wasn’t really one of them.

On Magic

So the magical system underlying the whole story is – you know how Machinaries of Empire makes imperial ideology and metaphysics literally magical, giving expert technicians the ability to create superweapons and destroy worlds provided that the Hexarchate’s subjects observe the imperial calendar of rites and celebrate its triumphs/participate in rituals glorying in the torture of its ‘heretics’? It’s not exactly a subtle metaphor, but it works.

Babel does something similar, except the foundational atrocity fueling the engine of empire on a metaphysical level is, like, cultural appropriation. As an organizing metaphor, I find this less compelling.

Leaving that aside, the story makes translation literally capable of miracle-working – which of necessity requires making ‘languages’ distinct natural categories with observable metaphysical boundaries. It then sets the story in the 19th century – the era of newborn nation states and education systems and national literatures, where the concept of the national-linguistic community was the obsession of the entire European intelligentsia. Now this is not a book concerned with how the presence of magic would actually have changed history, in the slightest, but like – given how fascinated it is by translation and linguistics you’d think the whole ‘a language is a dialect with a navy’ cliché would at least get a light mention (but then the book doesn’t really treat language as any more inherent or natural than it does any other modern identity category, I suppose.)

As an Allegory

Okay, so having now spent an embarrassing number of words establishing to my own satisfaction that the book really doesn’t work at all as a period piece, let us consider; what if it wasn’t trying to be?

A great many things about the book just fit much better if you take it as a commentary on the modern university with Victorian window-dressing. Certainly the driving resentment of Oxford as an institution that sustains itself and grows rich off the exploitation of international students it considers second-class seems far more apt applied to contemporary elite western schools than 19th century ones. Likewise the racism the heroes face all seems like the kind you’d expect in a modern English town rather than a Victorian one. I’m not well-versed enough on the economics of the city to know for sure, but I would wager that the gleeful characterization of Oxford as a city that literally starts falling to ruin without the university to support it was also less accurate in the 1830s than it is today.

Read like this, everything coheres much better – but the most striking thing becomes the incredible vanity of the book. This is a morality tale where the natural revolutionary vanguard with the power to bring global hegemony to its knees through nothing but witholding their labour are..students at elite western universities (not, I must say, a class I’d consider in dire need of having their egos boosted). The emotions underlying everything make much more sense, but the plot itself becomes positively myopic.

Beyond that – if this is a story about international students at elite universities, it does a terrible job of actually portraying them. Or, properly, it only shows a certain type; just about every foreign-born student or professor we meet is some level of revolutionary, deeply opposed in principle to the empire they work within. No one is actually convinced by the carrot of a life as an exploited but exceedingly comfortable and well-compensated technician in the imperial core, and there’s not really acknowledgement at all of just how much of the apparatus of international institutions and governments in the global south – including positions with quite a bit of real power – end up being staffed by exactly that demographic who just sincerely agree with the various ideological projects employing them. Kuang makes it far too easy on herself by making just about every person of colour in the books one of the good guys, and totally undersells how convincing hegemonic ideology can be, basically.

The Necessity of Violence

This is a pet peeve and it’s a very minor thing that I really wouldn’t bring it up if that wasn’t literally part of the title. But it is, so – it’s a plot point that’s given a decent amount of attention that Griffin (Robin’s secret older brother, grizzled professional revolutionary, his introduction to anti-colonialism) is blamed for murdering one of his classmates who had the bad luck to be studying while he was sneaking in to steal some silver – a student that was quite well-loved by the faculty and her very successful classmates, who have never forgiven him. Later on, it’s revealed that this is an utter rewriting of history, and she’d been a double agent pretending to let herself be recruited into the Hermes Society who’d been luring Griffin into an ambush when he killed her and escaped.

This is – well, the most predictable not-even-a-twist imaginable, for one, but also – just rank cowardice. You titled the book ‘the necessity of violence’, the least you can do is actually own it and show that violent resistance means people (with faces, and names, not just abstractions only ever talked about in general terms) who are essentially personally innocent are going to end up collateral damage, and people are going to hold grudges about it. Have some courage in your convictions!

Translation

Okay, all of that said, this isn’t a book that’s wholly bad, or anything. In particular, you can really tell how much of a passion Kuang has for the art and science of translation. The depth of knowledge and eagerness to share just about overflows from the page whenever the book finds an excuse to talk about it at length, and it’s really very endearing. The philosophizing about translation was also as a rule much more interesting and nuanced then whenever the book tried to opine about high politics or revolutionary tactics.

Anyways, I really can’t recommend the book in any real way, but it did stick in my head for long enough that I’ve now written 4,000 words about it. So at the very least it’s the interesting sort of bad book, y’know?

#book review #babel #r. f. kuang #sff #lesbian space atrocities #-ish #hatermode

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