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#twentieth century
pintoras · 2 months
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Henriette Ronner-Knip (Dutch, 1821-1909): Mother's pride (1903) (via Sotheby’s)
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extraordinary-heroes · 7 months
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Alien #7 (Cover art by Marc Aspinall)
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alice-and-ethel · 9 months
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Grand Duchess Anastasia Nikolaevna Romanova
❈ “We swung on the swing; boy, did I laugh when I fell off so splendidly!” ◦ “I took this picture of myself looking at the mirror. It was very hard as my hands were trembling.” ◦ “Goodbye. Don’t forget me.” • Anastasia (various sources)
❈ “My favorite goddaughter was she indeed! I liked her fearlessness. She was a fearful tomboy. And what a bundle of mischief!” • Grand Duchess Olga Alexandrovna
❈ “Anastasia Nicolaevna was the originator of all mischief, and was as witty and amusing as she was lazy at her lessons. She was quick and observant, with a keen sense of humour, and was the only one of the sisters who never knew the meaning of shyness. Even as a baby she had entertained grave old men, who were her neighbors at table, with her astonishing remarks.” • Baroness Sophie Buxhoeveden
❈ “Her French accent was excellent, and she acted scenes from comedy with remarkable talent. ... Ingenuousness and utter simplicity were the most characteristic qualities of Anastasia Nicolaievna. She was the imp of the whole house, and the glummest faces would always brighten in her presence, for it was impossible to resist her jokes and nonsense. [S]he was aflame with life and animation.”  • Pierre Gilliard 
❈ “The youngest Grand Duchess might have been composed of quicksilver, instead of flesh and blood; she was most amusing, and she was a very clever mimic. She saw the humorous side of everything, and she was very fond of acting.” • Lili Dehn
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martyr-eater · 7 months
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Jenny Holzer - Inflammatory Essays, 1979–1988.
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toomuchart · 1 year
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Venanzo Crocetti, Mary of Magdala, 1980-81.
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sesiondemadrugada · 6 months
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Twentieth Century (Howard Hawks, 1934).
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moviegodsandgoddesses · 11 months
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Kevin Kline looking ravishing in 1930s style...
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creoterative · 7 months
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Well, I said that September might be Paul's month, didn't I? So here's another drawing, inspired by a scene in Charlie Chaplin's movie 'City Lights' from 1931.  I'm a great fan of Ikarishipping and thus wanted to finally make a drawing for it since the last one I made was... let's just say, it's very old.
The idea for this drawing came to me when I rewatched this gem of a movie a few days ago. It is my favorite out of Chaplin's collection because of the simple but very sweet and hopefull story that brings the two main characters together.
I'll give a summary and explain why I picked that scene for this picture.
----Spoilers----
The movie starts with the main character, the Tramp, being chased off a statue, that was to be revealed to the public, all while he decided to sleep under the curtain. He didn't have any other place to sleep that night, so he just took what was there, not realizing the amount of trouble he'd make in doing so.
After he's chased off, he walks through the city for a while, not really caring where his feet will take him, until he encounters a lot of traffic and has to climb through the car of a wealthy man to get to the other side. A young woman is sitting on a small wall, selling flowers, and when she hears the door of the car, she asks the man if he's interested in buying some.
The Tramp thinks for a while, since his money is very limited nowadays, but decides to at least give the flowers a look. Accidentally, he throws a flower out of her hand with his ellbow and picks it up quickly, right before the woman bends down to do so as well. Realizing she is blind and didn't see him already get the flower, he helps her up and she puts the flower on his jacket. He gives her the rest of his money and wants to wait for his change when another man gets into a fancy car right next to him. Not knwoing that he's still standing beside her, the woman reaches out for the car, asking for him to wait for his change, while the Tramp sneaks away, letting her keep the money.
As the woman returns home to her grandmother and dreams about finding someone who doesn't just see the disability she has, the Tramp stops a millionaire from drowning himself in the river and befriends him (kinda). After saving him from himself, again, he and the millionaire go out to make trouble in town and live the city night life. All kinds of crazy things happen, multiple times the Tramp or the millionaire almost get into a fight, but in the end, they make it out alive and arrive at the millionaires mansion in the early morning.
While the still very drunk millionaire is brought inside, the Tramp stays at the stairs outside, where he sees the woman from yesterday sell her flowers again. Getting money from the drunk millionaire, he rushes over to her to buy all of her flowers and guide her home as well. (That's the scene I drew by the way.)
When they arrive, he asks if he may see her again and she tells him he may come visit whenever he wants to. Afterwards, she talks to her grandmother about him, saying that he may be rich, but he's more than that, referring to his kind and gentle attitude.
The Tramp gets back to the millionaire's mansion the next morning, thinking his butlers will let him in, but when the millionaire is sober, he doesn't recognize the Tramp and sees him as filth, a streetrat. In the afternoon though, they meet each other again, the millionaire being drunk again and he hosts a party for the Tramp. In the end, he gets thrown out the next morning and leaves, not really caring for the rich man anymore.
The woman meanwhile catches a severe cold and when the Tramp hears this, he decides to help her. He finds honest work, cleaning streets, and tries his best to keep up the facade, as the woman still thinks he's a gentleman.
But when they find out, that the authorities will take her home if she doesn't pay rent quickly, he promises her to help, only to discover that he's about to lose his job for being late again. Desperate, the Tramo enters a, more or less legal, boxing fight and can even hold his own for a while, but is defeated at last.
Not knowing what to do, he visits the millionaire again, who is drunk for the millionth time and promises him, that he'll take care of the woman. There has been a new scientific breakthrough in eye surgeries, so that people can see again and the Tramp suggests that he'd get her the treatment. He can get a lot of money from the millionaire before the policemen arrive, mistaking him for a thief, while the real thieves are escaping already.
Running away from the law, he rushes to the woman and gives her every cent he's got, telling her to get the treatment and pay her rent before he has to go. She asks him if she'll see him again, to which he replies with 'I gotta go, for a while.' Knowing, that he'll get thrown into jail if the police finds him, he leaves her and gets arrested shortly after.
Six months later, the Tramp is free again, but broke and doesn't have a clue where to go from here on, so he just wanders the streets, as always. The woman got the treatment and is finally able to see, which helps her to open her own flower store, which is doing wonderfully.
The Tramp passes the store and recognizes the white flowers out on the street, but as he sees her through the window, he doesn't really know how to act. When the woman approaches him, he wants to run away quickly, but she stops him to give him a flower and some money. After touching his hand and hearing his voice though, she realizes it's him, seeming kind of shocked, but also happy to meet him again.
What happens afterwards is up to us, the viewers.
---
The story is old, the movie is old, but I like this old charm, so yeah.
The reason why I thought it might fit Ikarishipping, is a bit much to explain in english, but I'll try my best.
Paul isn't nearly as comically or charismatic as the Tramp. He is cold, doesn't approach people if he doesn't need anything from them (or wants to scold them for something), and he especially doesn't show any interest in being a gentleman. He is very polite to people he thinks deserve it, though. Cynthia, Nurse Joy, Roark, even Dawn at the end seems to have earned his respect in some kind of way since he actually opens up to her about why he despises Ash etc.
If I had to figure out his lovelanguage, I'd say it's through actions, not words. He doesn't talk a lot, but rather shows how much he cares with little things at first. Just as it was in the movie, it started with the Tramp buying one flower, then the whole basket, then he paid her treatment and rent. His love and care grew exponentially and even though I'd say it would take a loooot longer for Paul, I'd still think that's what he works with - slowly opening up, showing more of his care and realizing, that he actually has feelings.
While Paul isn't actually that much reflected by the movie, rather his way of showing affection (in my opinion), I think Dawn is portrayed perfectly. She isn't blind, but the determination of the young woman and her effort are clearly something, that Dawn shows as well. But also the amount of emotions she shows reflects Dawn's. She openly talks about her feelings and thoughts, shows that she cares by asking about the person, how they feel and what they are doing, also offering help if needed.
The woman in the movie is mostly portrayed as shy, but not helpless, knowing her way around the house and even though she's blind, she's still trying her best to make money. Yes, she needs help with the rent, but afterwards she shows that she can handle herself perfectly, since she took the rest of the money he gave her and invested it into something that'll last. That's what I think Dawn is like too. She's not always able to fight her demons oof by herself, but when she gets that little extra help from her friends, she's able to make something remarkable out of it.
Most importantly though, she doesn't judge right away or seeks the fight. Even when Paul was mean in the anime, she showed concern or at least tried to understand what was going on. Especially when he got defeated by Brandon, she seemed worried about him. Of course, they also had their tense moments, for example when he couldn't remember her name, but that's... well, part of the ships charm, I guess ^^
Anyways, that's my opinion on this, my idea for the picture.
Have a nice day and stay safe!
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sorathepanfloof · 6 months
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bootleg 20th logos from my dvd collection :)
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humboldtidecomics · 5 months
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Today I finished the lines for the 140th page of Ottoway vol 2, 50 pages to go! I'm technically two days behind schedule, I had hoped to have it all drawn before the new year. After that it'll all need to be coloured, and have a final check over with my editors. Here is a yet-to-be-coloured sneak peak of Vincent's back story, as thanks for the support from my followers, and fellow ww1fiction artists & writers! 🥰 For anyone new to the Ottoway project, here is my web page.
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1972
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pintoras · 2 months
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Laura Theresa Alma-Tadema (English, 1852 - 1909): At the Doorway (via Sotheby's)
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I must have missed the last train out of this gray city.
I’m scrolling the radio through shhhhh. The streetlamps
fill with light, right on time, but no one is pouring it in.
Twentieth Century, you’re gone. You’re tucked into
a sleeping car, rolling to god-knows-where, and I’m
lonely for you. I know it’s naïve. But your horrors
were far away, and I thought I could stand them.
Twentieth Century, we had a good life more or less,
didn’t we? You made me. You wove the long braid
down my back. You kissed me in the snowy street
with everyone watching. You opened your mouth a little
and it scared me. Twentieth Century, it’s me, it’s me.
You said that to me once, as if I’d forgotten your face.
You strung me out until trees seemed to breathe,
expanding and contracting. You played “American Girl”
and turned it up loud. You said I was untouchable.
Do you remember the nights at Alum Creek, the lit
windows painting yellow Rothkos on the water?
Are they still there, or did you take them with you?
Say something. I’m here, waiting, scrolling the radio.
On every frequency, someone hushes me. Is it you?
Twentieth Century, are you there? I thought you were
a simpler time. I thought we’d live on a mountain
together, drinking melted snow, carving hawk totems
from downed pines. We’d never come back. Twentieth
Century, I was in so deep, I couldn’t see an end to you.
Twentieth Century by Maggie Smith
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alice-and-ethel · 2 years
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Grand Duchess Tatiana Nikolaevna Romanova
❈ “I am at the head of a committee for refugees and have presided two sittings. I felt very grand but wanted to dive under the table from fright...” • “Anya brought me a little French bulldog from Malama, incredibly sweet. So happy.” • “God will surely help us, and we will meet again in better times.” • Tatiana (various sources)
❈ “With her, as her mother, shyness and reserve were accounted as pride, but once you knew her and had gained her affection, this reserve disappeared... She was a poetical creature, always yearning for the ideal, and dreaming of great friendships which might be hers. She was...a lovely 'Rose’ maiden, fragile and pure as a flower.” • Lili Dehn
❈ “Tatiana Nicolaevna loved dress. Any frock, no matter how old, looked well on her. She knew how to put on her clothes, was admired and liked admiration. Her character...was a mixture of exactness, thoroughness and perseverance, with leanings towards poetic and abstract ideas. She was completely unselfish, always ready to give up her own plans to...do anything that was wanted.” • Baroness Sophie Buxhoeveden
❈ “Tatiana...had an extraordinary talent for all kinds of handwork. She...made beautiful blouses and other garments, embroideries and crochets. She displayed towards her younger sisters and her brother such a protecting spirit that they, in fun, nicknamed her ‘the Governess.’ Of all the Grand Duchesses Tatiana was with the people the most popular... She liked society and she longed...for friends.” • Anna Vyrubova
Happy (belated) birthday, Tiny-Librarian! ✨
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creatediana · 2 months
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"The Creed of the Slave" by American poet Fenton Johnson (1888–1958), recently collected in Minor Notes, Volume 1 (2023), a Penguin Random House series curated by Joshua Bennett and Jesse McCarthy of Black poets whose work has gone underrecognized in the literary canon
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Mexico, 1910 (cred)
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