#towards India - her culture and her music.

[random-brushstrokes]

John Bulloch Souter - The Breakdown (1926)

The Breakdown is a strikingly accomplished painting. Yet it was the subject that caused controversy, as the painting depicts a black saxophonist, sitting on a shattered classical statue of Minerva, the goddess of music, while a naked white woman dances to his music. The woman appears to move as though in a trance, totally abandoning herself to the music, and her discarded clothing and shoes are visible in the far corner of the composition. Within days of its exhibition, the British Colonial office contacted the Royal Academy to request the removal of the picture for 'reasons of state, not art' and 'in the interest of the empire.'

Souter claimed that his painting was intended to 'to illustrate the tendency nowadays for Jazz influence to permeate our daily lives,' and this was true, jazz was beginning to filter through into wider cultural life and in many circles the radical change this represented, towards freedom and a breaking down of strict social norms, was met with celebration and enthusiasm. Yet, at the same time, the British Empire, and the wider racism it represented, were obviously felt to be under threat, and the incident was featured in news stories as far as the U.S.A., India and South Africa and records made of society figures making comments such as, 'it would make ruling our natives difficult.'

As cultural researcher George McKay explains, the idea of Jazz had become at this time a catch-all for wider concerns about new social freedoms in the post-war era, as well as the perceived instability of the empire; everything felt to be 'disruptive, chaotic and dangerous,' could be located within this scene, and thus read either positively, or negatively, into the picture. We can even read Souter's title as part of the dichotomy around the reception of jazz; on one hand the freedom it represented, but on the other the suspicions around its subversive nature. The very term 'breakdown' could be referring to a musical concept, or in a wider sense, the breakdown of the established order.

Most surprisingly, some of the British music establishment reacted strikingly negatively, the editor of Melody Maker, spoke out on the picture on behalf of the whole music scene, claiming 'We jazz musicians … protest against, and repudiate the juxtaposition of an undraped white girl with a black man,' the picture represents a 'perversive danger to the community and the best thing that could happen to it is to have it … burnt!' In fact, Souter did destroy the original painting following the outcry, but kept his original drawings and studies. The subject and painting obviously remained important to him, as much later in his career, he painted a new version, which he dated 1926-62, acknowledging the time that had passed. (source)

#John Bulloch Souter #scottish art #1920s

[bloody-vino]

Richard Madden x Indian!Fem!Reader

GIF by lulu-tan79

Richard Madden, a successful Scottish businessman, attended his friend's Indian wedding in Singapore. Little did he know that he was about to meet the love of his life. He saw Y/N, a beautiful Indian woman in a green lehenga, and he was smitten. Richard and Y/N started talking and found they had an instant connection. They talked about their interests, their cultures, and their families.

Y/N was raised in Singapore, but her family was originally from India. She was intrigued by Richard's Scottish culture, and he was fascinated by her Indian background. They exchanged numbers and started dating. Richard took Y/N to his homeland, Scotland, and showed her the beauty of his culture. Y/N, in turn, took Richard to India and introduced him to her family's customs and traditions.

However, Y/N's family didn't approve of their relationship. Y/N's father was worried that if their relationship failed, he would lose his job since Richard was his boss. He scolded Y/N and told her to end the relationship. Sara, Y/N's father's friend, constantly talked negatively about Richard and their romance, further adding fuel to the fire.

Despite the family drama, Richard and Y/N's relationship continued to flourish. They shared many comical moments as Y/N struggled to understand Richard's strong Scottish accent. Richard would often tease her, and they would end up laughing for hours.

One day, Y/N's father got angry and created a scene, insulting Richard and asking him to stay away from his daughter. Richard lost his temper and got into a heated argument with Y/N's father. Y/N, caught in the middle, tried to intervene, but her father raised his hand to hit her. Richard, seeing this, went berserk and got into a physical fight with Y/N's father. The scene attracted many onlookers, but Richard didn't care. He would never let anyone harm Y/N, no matter what.

After the fight, Y/N's father realized his mistake and apologized. He saw how much Richard loved his daughter and how much she loved him. Richard and Y/N's relationship was accepted by the family, and they got married in a beautiful ceremony that blended both Scottish and Indian cultures.

As they exchanged their vows, Y/N struggled to hold back her tears, overwhelmed with happiness. She knew that Richard was the one for her, and she was grateful for their comical moments, their love, and the fact that they had overcome so many obstacles to be together.

Richard took Y/N to Scotland, where she experienced his traditional Scottish food, haggis, and tried her best to understand his accent. She found his accent very attractive but often misunderstood what he said, leading to comical moments.

On the other hand, when Richard went to India, he struggled with the spicy food and the heat. He often wore traditional Indian attire, which Y/N found amusing but endearing. She loved seeing him embrace her culture.

Y/N's family eventually warmed up to Richard after seeing how much he loved and cared for her. They also appreciated his efforts to understand their customs and traditions. Clara, Y/N's father's friend, even apologized for her negative behavior towards Richard and Y/N's relationship.

During their wedding ceremony, Richard surprised Y/N by wearing a traditional Indian sherwani. Y/N was speechless, and tears flowed down her cheeks as she realized how much Richard had embraced her culture. The ceremony was a beautiful blend of Scottish and Indian traditions, and they exchanged vows promising to love and cherish each other, in sickness and in health, till death do them part".

As the night went on, the couple danced to a mixture of Indian and Scottish music. Richard tried his best to keep up with the traditional Indian dance moves, but Y/N found it endearing how he would often mess up and make her laugh.

Later that night, as they retreated to their honeymoon suite, Y/N felt a rush of emotions. She was happy to have found the love of her life in Richard, and grateful for the many comical moments they had shared throughout their relationship. As she looked into his eyes, she knew that she had made the right decision in choosing him as her partner.

Richard took her in his arms, and they kissed passionately. The heat between them was undeniable, and they explored each other's bodies with a hunger that only true love could bring.

As they lay in bed, spent and satisfied, Y/N whispered to Richard, "I love you". He smiled at her and said, "I love you too, my beautiful Indian bride".

From that day on, Richard and Y/N lived happily ever after, embracing each other's cultures and creating a beautiful blend of Scottish and Indian traditions. They were grateful for the obstacles they had overcome and the love they had found in each other.

#eternals #marvel #ikaris #richard madden #richard madden smut #richard madden x reader #the bodyguard #leo west #cinderella #david budd #game of thrones #robb stark x reader #robb stark #got #fluff #smut #fanfic #leo west x reader #angst #x reader

[kalki-tarot]

Hi kalki so this is diff from the game u r doing rn so u can put this on hold until u r free but I m asking this becoz I k u are an Indian as well and while going to these YouTube clips of Indian music and culture and foreign countries and that made me wonder if their ever will be anyyy artist or personality who can represent Indian culture and music more of unite Indian diaspora somehow? Something like BTS did or atm I g Indians foreign minister Jaishankar is kind of doing it as well.

Can we get a reading on this :) thankssss 💮

Hello, first of all thanks for asking this question. Even i am curious about someone being that legendary in india as a bts fan too. The question is interesting and i pulled some cards about it.

According to me, there will be either a male-female duo, or a male with feminine energy and features (like jimin) you know someone who attracts female gaze a lot.

Gen z will make them famous. I'm seeing nostalgic music. So they may make nostalgic music like it was in the 90s and 00s golden era of bollywood. They'll be independent artists. I'm not sure who, but they are currently not in the scene rn. People from bollywood and bollywood celebs would be jealous of their fan base. As they will make good music far away from the trashy sh*t bollywood makes. People in the industry would be surprised as how come someone be that mainstream and famous without any connections.

Yes, this will probably happen in 2027 smh. When genz grows up a bit more. I'm seeing this artist will grow organically and will have a cult fanbase internationally. People will connect to this person. I'm reminded of "Jordan" from rockstar.

This person will be very mysterious and unique. Their genre can be hiphop or rock. Something that elevates people. Other than being infamous for music, their love life would be talked about too. This person may suffer from heartbreak or toxic relationships in love and their music will show it. They make relatable music. Very emotional, sensitive and mysterious person. No one would know much about them but people's eyes would be on them 24/7. I'm seeing them being attractive physically too. Another reason why people like them so much. Especially the young generation. This artist will start the wave of next generation indian music after bollywood collapses as they are not changing people will move towards more independent artists.

They will surely leave a legacy behind, lot's of wealth. Because of their shadow like dark nature, people may suspect they selled their soul or smth. But i find it funny because that's not it. 💀 They will top international charts too. There is this literal star card here. I can't explain it better. They would have struggled a lot both for their career and personal life. I'm also seeing trauma here. They have suffered a lot. Idk why this is coming here but i also see a woman (love interest) manipulating them behind the scenes. He loves her, but she is just using em for fame and money. They will be very controversial and that's why people would be more interested in them. It's like their misery will make them famous. 😭 I'm also seeing international tours and news headlines. They surely will be very legendary but may die early or suic*de.

One more thing about this artist it that they would be do smth taboo, or which is not generally expected from famous people in countries like india. They may also be an outcast.

That's what I'm getting. Remember tarot is not 100% correct.

[dipstick-university]

This morning I saw Neil Gaiman's post on the passing of folk revivalist Melanie (may she RIP), and in listening to her music, I was pulled into re-reading the Woodstock wiki page, where she was one of only three solo acts by a woman. As an aging anarchist, I find everything about the hippie movement devastating and beautiful and sad. So much of my own activism is built on the knowledge that came out of their leftist struggles and failures. These are not the hippies of 1990's TV, with their neutered anti-nukes peace sign and stoner tropes, but the brilliant movement that brought us seismic cultural shifts, media like Harold and Maude and Sesame Street, and the modern music festival.

Woodstock was kind of silly--it only happened as it did because the organizers had to choose between building a stage or having fences, and they decided on the former. But when you subtract all the people that were there just to get laid or for a good time, you still have tens of thousands of political idealists. It was four days of logistical chaos for 450,000 people, but little mention has come out of it of fighting or sexual assault. I'm not trying to goldwash it--those things happened. Melanie was one of only three women allowed on that stage by themselves. But Woodstock still existed with a clear sense of meaning and hope, and the individuals there seemed to carry that with them.

In 2010, I spent three days at an Earthdance festival and was horrified at how misogynist it felt. The man who paid for my ticket cried because I wouldn't sleep with him. Someone told yelled 'cute girl you got there' at him as I tried to practice my guitar. In the final act of the festival, India Arie threw off her wig as she declared 'I am Not My Hair,' affirming her right to exist in the moment, however she saw fit. I wished for her sense of confidence, to be me and be there, but it didn't matter. I still wanted to be anywhere else.

I have to remind myself that things like this happened at Woodstock. But at Earthdance, I was 22, a feminist armed with the words to describe my poor treatment and, most importantly, jaded. Earthdance seemed to have no real agenda outside of getting high and listening to music. This is fine to do, but that it was cloaked in some antiquated idea of 'peace' infuriated me. Peace meant a lot of things, but it wasn't this limpid "pacifism" of filling the air with the wet hay smell of marijuana smoke and calling it good. Around that same time, I read how Millenials were 'optimistic' as a generation. It sounded similar to how those starry-eyed hippies felt in the summer of 1969. I wanted that for myself, to look to the future and feel hope. Fifteen years after reading about optimistic Millenials, I can't remember any of that optimism, only the slog of watching nuanced political concepts turn into undefined sludge online before a full appropriation by ad-makers. Pair that with the inane, incessant leftist internet infighting, and its almost enough to call it a day. How much more political dissatisfaction would have happened if the hippies had internet in 1970? I don't have a good wrap-up for this. (I'm writing this instead of journaling this morning, and my journal entries usually also have no good conclusion.) Maybe it's that I have to pull from the joy people still feel towards the hippy movement. That I want to make activism and art in my life that reflects those levels of joy, of longevity, of a desire for a better world, and to remember this era as fondly as I can. As one youtube commenter said: "The hippy in me will never die. What a great time to be alive."

#hippy #Melanie #personal essay #journal entry #woodstock

[alyjojo]

Past Life 🪡 Karmic Spread January 2024 - Aquarius

Character Card: The Poet (past), The Pilgrim (present)

Gender I’m Picking Up On (in the past life): Male, a soft & romantic one that embraced their feminine energy (quietly). Either that’s the same story now, or you’re a woman, I can’t tell. It’s a beautiful energy either way.

Who You Were: 5 Wands rev

What You Did: Knight of Pentacles rev

How It Ended: Strength

What Karma Was Brought With You: The High Priestess

Who You Brought With You: 10 Cups

Additional energy: The Tower rev

Past Life Oracle: Asia & Egypt (past), Celtic (present)

Dreaming Way: Bouquet (past), Anchor, Ship & Tree (present)

Charm:

Racquet 🎾 on Bouquet

Lips 👄 on Strength

Lips 👄 on The Tower rev

Bat 🦇 on The High Priestess

Dress 👗 and Music 🎶 on Celtic

So far your reading has led me down countless historical rabbit holes that don’t give me any answers, it’s a fruitless endeavor, and that’s kind of the whole point to this past life. Everything you did was a fruitless endeavor. Not by choice of course 🙏 Who you were as a person and what you did were two totally different things, you could say you were two totally different people. There may be an lgbtq aspect to this identity, I’m not picking that up specifically, but it would explain the love area, and maybe some of this gender bendy energy.

There is a major lack of historical records that combine Egyptian & Indian cultures even though they were close trade partners and very similar in religion and practice. It was a common occurrence for the two to intermingle, one lives in the other, or in your case works there. You were an Indian man, with an Indian name, it wasn’t “John” and you were a bit intolerant towards white people, because they had a way of waltzing in and taking credit for everything, which made you bitter. You were an archeologist, or some kind of scientist, and what you did specifically, I’m not sure. You never published anything, never spoke your findings out loud, because your life was more of a you vs. the establishment battle, a constant fight for funding, for others to have the same priorities as you and work as a team. You didn’t have that team, or if you did, it disbanded before you could come to any solid conclusions. During the preshuffle I just kept hearing “I have been forgotten”, like you are just wiped from history, and Wiki has a whole list of archeologists that have worked in Egypt specifically, none of them are you. I did find a British woman born in India and heard a clear NO, with the name thing, your name is not John, you are not a woman 😆 The irritation is crystal clear. But you didn’t publish anything either, or maybe you weren’t the lead person I’m not sure - thus got no credit. It burned your ego, which was otherwise healthy. I kept hearing “a white guy took credit”, and with every British archeologist on the list (most of them), I just felt an energy of squirm & disgust. Yeesh 😅

The subject you were studying is the only thing about you I can actually lock down. The Unfinished Obelisk, said to be built by Pharoah Hatshepsut - the longest successful ruling female pharoah, that liked to be depicted in male ways, with a beard, or certain markings, to assert her dominance - that I’ve found anyway. You felt a strong connection to her, possibly identified with her in some way, both of you could toe the line of gender based identities, or maybe it’s a past life within a past life 😆 That would be pretty cool. I spent a lot of time researching her thinking maybe that was where this was going, or I’d find a trail, and kept hearing no, male, Indian, everything I’ve said.

You uncovered something you either never gave to a higher up, the lead boss man, the university or whoever was funding this, etc., or it was just information you kept to yourself due to the fact that you wouldn’t get credit for it. 7 Swords is Aquarius energy after all, very strategic, but along the lines of fairness for you, and either race, titles, hierarchy in “the system”, personal bias for sure, something prevented you from achieving success in the way you wanted to. You stole the sword before someone else did to use it against you. I call this side of Aquarius “going all Darth Vader”, because regardless of loyalty, titles, positions, responsibilities, you’re intelligent, and can smell problems a mile away. And right is right, wrong is wrong, fair is fair - King of Swords. This behavior is probably why you’re an Aqua now, if you weren’t before.

Now for the softer side of you, which was quite dreamy and romantic, head full of fantasies. The Poet falls in love with anyone and everyone, love at first sight may have been a regular thing for you, you were full of inspiration and it didn’t take much to stir your affections. I’m getting this being due to a lack of genuine emotional expression, you didn’t have a partner. I’m not really sensing one, ever. Bouquet with the racket describes one person in particular that either played an Indian racquet sort of game, or you played together, again showing it’s possible this was an lgbtq sort of connection/situation. Because you never ended up with this person, or any, you were very quiet, dreaming, fanciful, obsessed with the idea of love but afraid to take action, ask, even flirt to some degree. I get no energy off of them, you may have just watched from a distance, or this was a friend, they probably never knew that you were madly & obsessively in love with them. You may have been a literal poet, as a hobby. This life is described as Knight of Pentacles rev, there never was any progress, nothing ever became of anything you did, and it burned your soul. You never said word, about love, discoveries, your life, you returned to India after failure and “gave up”, didn’t do anything significant, you didn’t care anymore, and eventually contracted some sort of painful disease, I’m getting this lasted for quite a while, 10 years or so, before it finally took you. If you wrote anything, you tore it up, burned it, got rid of any “evidence” of your feelings, inner nature, confessions, etc.

In this life, you’re already older, The Anchor here shows you’ve already completed your soul mission where *this* life is concerned, which seems to be centered around family trauma or generational healing. Your healing is, you’ve pushed them all away. The circumstances aren’t mentioned specifically, except that you are defensive and have the high moral ground for an argument where you could justify your position on things and *know* you’re right about it - regarding childhood, the past, possibly with a mother or female figure in particular. You could also be someone who does not want children, because you feel like your bloodline is toxic or something, you wouldn’t do that to a child. There’s also a note of possible adoption/abortion that could be being kept secret, only you’d know. Whatever was done was supposed to be done, or has already been done, and it was done in a similar Aquarian way of handling a problem before it’s a problem, stealing swords that could cut you, avoiding Towers before they fall - which is here. That’s a part of you that isn’t as negative as you or others may perceive it to be. You know what you’re up against, and how to handle it, others can either join you or not…I’m getting you’ve left a lot of people behind. A whole family possibly.

Celtic is here, with the dress, music, and I’m seeing bright red flushed cheeks. You could be Irish, and when I say Irish I mean like you go to a St. Patrick’s Day parade and actually belong there, not like the rest of us browner/tan people just having a good time 😆 Ancestral heritage may be very important to you regardless of the specific people in your life. You could listen to Celtic meditation music or dancing could be involved in this too. Your intuition is a gift that you often question but is actually quite powerful, this is saying it only grows with time, but The Pilgrim is exhausted. You’ve done it all, seen it all, escaped or dodged the worst of it, and now you’re at the point you just keep going with no real inspiration, spark, you’re just passing life by with no notice, and The Fool is at the bottom showing it’s time for a new beginning. You’ve done it, you’ve made it, whatever “it” is.

What is The Fool and this new thing: Strength, Justice & 2 Swords

That’s very cryptic, you already know what you need to do, you just know that it’s not going to be easy for you. Strength shows up when it’s required, Justice is finally making a decision that’s kept you in 2 Swords for awhile, unsure of which path to take or what to do. Idk the what, but you can take it as confirmation that whatever it is, YES, it’s what you need to do 💜 If you beat yourself up over family dynamics, did you do the right thing by holding back from this or certain people, the answer is yes. And you’re free to start all over with something else - The Fool, enjoy your life.

#Aquarius #past life reading #january 2024 #past life #karmic lessons #karma #tarot #tarotblr

[true-blue-sonic]

I've been wondering, what type of music would/does Kamal and Maya (yes, I managed to find the post) enjoy listening? Would/does them have too distinct music tastes?

Good Morning/Afternoon/Evening!!

Additionally to the last ask: Rowan and Anise, as the oldest kids probably having more of an opinion formed towards music, would/does like of what type of music? Since I'm asking about OCs already: What type of music would Oliver like if somehow he could go to the past along Silver?

Hello! ^-^

Oof, that's a tough question! I have not yet really worked out what Gold's family is like, also in regards to personality, likes and dislikes, etcetera. Evan did say that Gold's from the India-equivalent region of Sonic's world (or rather her own dimension, I guess?), so I figure that will also show in Gold's family's tastes. Though, maybe Kamal and Maya's children also have more of an interest in different music styles. Here I must readily admit that I know nothing about music styles, unfortunately😅 But I can imagine Rowan took Gold every once in a while and let him listen to some of the music he liked <3

For Oliver I luckily have more of an idea, because in Genesis, some of the Teal Class members in Onyx City have quite a lively culture in the secret black markets. Even though music and the like is banned for them (the higher-classed scientists have some legal access to it, but it's all heavily monitored), people illegally come together to create some tracks and tunes anyway. So what he listens to is quite rebellious "punk rock" kind of stuff: something that very much is a protest against the Council and the regime they live in, and a way for people to express their feelings of suppression. And Oliver also has a preference for very hyper, upbeat kind of stuff. If he ever finds himself in the past with Silver, that would also be the kind of music he gravitates to. He and Sonic would be good friends when it comes to listening to rock music!

#Sorry for not being able to answer your first question very well‚ but feel free to come up with some ideas of your own if you'd like! ^-^ #gold the tenrec #oliver the cat #sonic oc

[vexedwritings]

Advice wanted for writing Desi James

I'm working on a new AU-marauders fic. I love the fan-canon of James being Desi but I want to keep it accurate to histories of migration and reflective of a specific culture. After looking at migration patterns to the UK, I've decided it makes most sense for the James to be Punjabi. I am not sure about religion, most Punjabis as a whole are Muslim but it looks like most Punjabis in the UK are Sikh. If anyone has knowledge and can advise on this (and anything else that I've word-vomited below) I'd appreciate it!! I see two options for explaining his family history in a way that makes sense and allows for exploration of Punjabi/British Desi cultures:

Option 1 is that Fleamont is the son of some type of British serviceman/colonizer + his mom was Punjabi and they had Fleamont after going back to the UK. Euphemia may be white, may also be Punjabi. I don't know enough about the day-to-day history of British colonization in this region to really detail this option.

Option 2 is that Fleamont is white and has a wealthy family in the UK. Euphemia is Punjabi, they meet in the UK after her family migrates during the 1950s-1960s.

Currently I'm leaning towards Option 2. One problem: WHY WOULD HER NAME BE EUPHEMIA?! I think that name just has to go. I'm deciding between Fahima or Faajal. I wanted something that may have been shortened to "Effie", although I really feel uncomfortable doing that if the whole point is to actually write a Desi character and not just "add diversity for internet points".

And for our main man: James Falak Potter. I think they would have liked sharing a first letter and would have wanted to include James in that. I did look and it seems like James is a name used in Pakistan, India, and other South Asian countries. But the very prestigious site of "baby names direct" could have lied to me, so please correct me if I'm wrong.

This all feels important to think through because of the histories of racism in the UK, the very structure of immigration/commonwealth, and the fact that in the 1960s-1990s, there were lots of social and cultural movements led by ethnic and racial minorities in the UK that have had a lasting impact. Ex. Bhangra music!

For background, I'm white and from the US. Mistakes are made out of ignorance and I welcome feedback!!

#desi james potter #writing #marauders #hp fanfic

[bhajanmandalilucknow]

Bhajan/kirtan Group in Darbhanga Bihar

"Sargam Jagran Party" is the best in Jagran, Chowki, Bhajan & Sai Sandhya, Khatu Shyam Bhajan, Ladies Sangeet & all Devotee type program in Lucknow, UP, India. ☎[phone]. "Sargam Jagran Party" has been conducting Mata ki Chowki, Mata ka Jagran and Bhajan Sandya from last 10 years with lots of memories and with great success.Blessing of God and Goddess is needed to overcome every rough course of life. Everyone should conduct Mata Ki Chowki and Mata Ka Jagran to get blessing and her devine power and all the needs to be fulfilled.

" Sargam Jagran Party" is very much devotional event organiser, as it is done with full devotion and respect towards the God. The work of the "Sargam Jagran Party" has been appreciated and acknowledged in many State Newspaper like: UP, Bihar, Rajsthan and Hariyana etc. At the very first place it was started with the same group but, now it has expand upto 30 plus people. All the facilities are provide which are needed to conduct Mata ki Chowki, Mata ka Jagran and Bhajan sandhya like: Singer's, Instruments, Sound facility, Jhanki etc. We are often called by the people again and again who have used our services.

Poeple mostly like to call us at the time of Weeding, Engagement, Birthdays, Anniversaries or during Ganpati Pooja and Navratri festivals and we promised to serve a memorable Jagran or Chowki. Working for over a decades, we are having the experience to make it more devotional and memorable when we organised it. Our party has experienced chorus group, vocalist, musicians and artists which are required to make it successful. Its main origin is based in Lucknow and we operate almost all the States in India. Pooja Sargam is the Director and also a Lead Singer of the "Sargam Jagran Party" organiser. Starting from the Pooja Aarti to the Bhog or Prasad everything is done by our organie team.

From last 10 years we are providing the best Mata Ki Chowki, Mata Ka Jagran and Bhajan Sandhya also currently dealing in the Lucknow (Uttar Pradesh) and to the another State's.

So next time whenever you are planing to conduct Mata Ki Chowki, Mata Ka Jagran and Bhajan Sandhya, make sure to contact us and make your spiritual experience more devotional and delightfull.

Any religious theme song or song related to God is refers to Bhajan which literaly means "sharing". No specific set or rules are describing for Bhajan, it is a free form of singing based on the devotee how they conduct it. According to Hinduism Bhakti, Kirtan and Bhajan all these three are connected with the vedic era specially Samaveda. Semaveda is meant to sing like a musical score which should be heard. The main motive behind conducting this Bhajan Shandya is to receive blessing of God's. Bhajan also helps to maintain possitive environment around one's selves and wish to get all their dreams fulfilled. In this singer sungs the religious song which gives the feeling to connect everyone with the God. Bhajan has been done generally at the evening time which takes max to max 3 to 4 hours. Pooja has been done by the devotee and the first stage and after that Aarti takes place and at last prasad has been distributed at last, with all this we came to the end of the Bhajan

Mata ki chowki represent the ancient culture of Hinduism society. Mata ki chowki means praising the stories of Gods life time experiences in the form of singing. It is generally sung in Sanskrit and Hindi. It is a devotional programme conducted specially for occasions like Weeding, Engagement, Birthdays, Anniversaries or during Ganpati Pooja and Navratri festivals. In Mata ki Chowki Short time kirtan is conducted in Mata Ki Chowki and it is mostly for 4 to 5 hours. Prayee devote their respect through their prayers in the form of singing. Garlands and Matajis bhet (red color chunni) coconut and shingar with bheta. After that Aarti is done by the devotee who has kept Mata Ki Chowki. Bhog Prasad to Mataji of Kher has been offered followed by Amrit Varsha and Phoolon Ki Varsha of flowers and petals. At last prasand is shared to all people who have been there as the samapti of Mata Ki CHowki.

#balajikajagran #bhajankirtan #maabhagwatikajagran #saisandhya #matakichowki #bhajansandhya #lucknow #Youtube

[argus-news]

Kangana Ranaut Celebrates Hema Malini's Artistry in Vintage Bharatanatyam Performance

In a heartwarming gesture, Kangana Ranaut has shared a vintage clip from 1968 featuring the legendary Hema Malini enchanting the audience with her Bharatanatyam performance at the age of 20. The video showcases Hema's classical dancing prowess, captivating viewers with her grace and skill.

Having recently come to Hema Malini's defense against sexist remarks made by a politician, Kangana Ranaut took to Instagram to honor the veteran actor and BJP MP once again. Praising Hema's enduring talent, Kangana highlighted her ability to deliver mesmerizing performances even at the age of 75, with shows lasting for 3-4 hours.

In her Instagram post, Kangana emphasized the importance of respecting art and artists, condemning those who belittle dance, music, and other forms of expression. She urged for a shift in mindset, reminding her followers of the divine origins of these art forms, drawing parallels to Arjun's training in Devlok and Lord Shiva's bestowal of artistic skills upon humanity.

Reflecting on an earlier interview with India Today, Kangana reiterated her criticism of the derogatory remarks aimed at Hema Malini, denouncing the culture of objectification and disrespect towards women, especially those who have dedicated their lives to art. She emphasized the need for society to value and honor the contributions of elderly women like Hema Malini, who continue to inspire through their passion and dedication.

Kangana's poignant tribute serves as a reminder of the enduring power of art and the importance of recognizing and celebrating artistic excellence regardless of age or gender.

#Kangana Ranaut #Hema Malini #Bharatanatyam #Classical dance #Indian cinema

[marwahstudios]

The 16th Global Film Festival Noida Shines Spotlight on Women in Cinema: A Celebration of Talent, Transformation, and Triumph

Noida: The 16th edition of the Global Film Festival Noida (GFFN) witnessed a groundbreaking seminar, “Growing Importance of Women in Global Cinema,” held at Marwah Studios. Festival President and Chancellor of AAFT University of Media & Arts, Dr. Sandeep Marwah, set the stage for an enlightening discourse on the evolving role of women in the film industry.

The esteemed guests for the seminar included Ambassador of Panama H.E. Yaseil Burillo, Renowned Producer Mr. Boney Kapoor, Member of Parliament Lok Sabha Jagannath Sarkar, Renowned Makeup Artist Divya Behl, Social Media Blogger Pavleen Gujral, Innovative Speaker Amrit Kumar Dev, Renowned Director Soham Sham, Director of NSD Chittranjan Tripathy, Music Composer Abraham Kumar, and Festival Director Ashok Tyagi.

Dr. Sandeep Marwah opened the seminar by emphasizing the transformative power of films, citing the selection of 18 films from 18 diverse countries during GFFN 2023 as an enlightening experience akin to a comprehensive course in art and culture. He eloquently drew parallels between women and deities, underscoring the societal shift towards gender neutrality and highlighting the historical reverence for women in Indian civilization.

Renowned Film Producer, Boney Kapoor, traced the industry’s evolution from men playing feminine roles to female Oscar winners, showcasing the monumental strides made by women in cinema. Makeup Artist Divya Behl shared her inspiring journey from challenging beginnings to representing India at Cannes Fashion Week, exemplifying resilience and creativity.

Influencer Pavleen Gujral praised the evolving landscape of the film industry, acknowledging the increased participation of women in Bollywood. Innovative Speaker Mr. Amrit Kumar Dev stressed the importance of nurturing talent, especially among female students, emphasizing the need for inclusivity.

Director Soham Sham shared his experiences with influential actresses, providing insights into the changing dynamics of the film industry. Actor Mr. Chittranjan Tripathi drew parallels between realistic acting and feminine entities from the Natyashastra, enriching the discourse with artistic perspectives.

Ambassador of Panama H.E. Yaseil Burillo addressed the growing presence of women in the Indian cinema industry, while MP Jagannath Sarkar highlighted women’s contributions to “Natya kala,” urging cinema to portray women as heroes.

On this momentous occasion, the newsletter “CineFiesta” was released by the dignitaries, prepared by the students of AAFT School of Journalism and Mass Communication. The event also featured the launch of Mr. Soham Shah’s book, ‘Blood Moon,’ adding a literary dimension to the celebration of women in global cinema.

In a symbolic gesture, Festival President Dr. Sandeep Marwah presented festival mementos to the dignitaries, marking a memorable celebration of women’s contributions to the global cinematic landscape. The Global Film Festival Noida 2023 continues to be a beacon of creativity, inclusivity, and appreciation for the diverse talents that contribute to the cinematic world.

#Seminar During 16th Global Film Festival Noida 2023 at Marwah Studios #Dr. Sandeep Marwah President of 16th GFFN

[mariabernadetteroxas]

Echoes of Cultures - The Resilience and Tenacity of Maria Bernadette Roxas-Smith

Maria Bernadette Roxas-Smith’s life is akin to a vibrant masterpiece, a mosaic meticulously crafted from an array of colorful cultural elements. This vibrant diversity in her background has endowed her with a unique perspective on life that transcends geographical and cultural boundaries. It has been a compass, guiding her deftly through the labyrinth of life's challenges.

Her journey is not merely one of diverse cultures coexisting harmoniously, but also a testament to her resilience, grit, and determination. The protagonist persistently navigated through the intricate dance of her parents' heritage: one steeped in the rich traditions of India, the other deeply rooted in the American way of life. This merging of worlds under one roof created a unique environment - a fusion of spices and pop music, of colorful festivities and traditional American holidays.

Maria Bernadette Roxas-Smith

From a very young age, Maria Bernadette Roxas-Smith showcased an unwavering tenacity and determination that set her apart. Growing up in a multicultural environment, she was exposed to diverse perspectives and experiences, which shaped her into the person she is today. These invaluable life lessons instilled in her a deep understanding and resilience, equipping her to navigate our global society with confidence and grace. Her unique upbringing not only broadened her horizons but also cultivated a deep-rooted strength that enables her to adapt, evolve, and thrive in the face of the convergence of various cultures, traditions, and values. It is through this rich tapestry of experiences that she embraces the beauty of diversity and embraces the endless possibilities that lie ahead.

The multicultural woman’s life is a vibrant tapestry of various traditions, languages, and values. It is a story of unity in diversity, a harmonious symphony of varied cultural elements, each thread contributing to a beautiful narrative of resilience and tenacity. The protagonist's life serves as a vivid testament to the transformative power of multiculturalism. Her journey underscores the potential for enriching personal growth through the embrace of cultural diversity.

Her life's story reflects the intricate and ever-evolving nature of our global society today, where cultures interweave and shape our collective identity. It is a captivating tale of a multicultural woman who embraces her diverse heritage, embodying the fusion of various cultures, experiences, and perspectives.

Amidst a world where cultures often clash, she has learned to navigate through the complex tapestry of differences, finding common ground and building bridges of understanding. Her journey is marked by a harmonious blending of traditions that she wears with pride, symbolizing the beauty of cultural exchange and unity.

Maria Bernadette Roxas-Smith serves as an inspiring testament to the belief that our diverse identities can coexist harmoniously, fostering unity, empathy, and mutual respect in our interconnected world. With each step she takes, she paves the way for a more inclusive and accepting society, where the richness of our differences is celebrated and cherished.

The journey of our protagonist is a testament to the transformative power of multiculturalism in shaping one's worldview. Her story is a beacon of inspiration for those navigating the complexities of a multicultural upbringing, encouraging us to embrace the richness of our diverse identities. Through her experiences, she urges us all to appreciate the beauty of diversity and leverage it towards unity and mutual understanding. Her story is an echo of cultures, a song of resilience, and a dance of tenacity—a testament to the strength of a global citizen in a world that thrives on unity in diversity.

Her life's tapestry is woven with intricate details, each thread adding depth and richness to her narrative. From the scents of exotic spices to the melodies of traditional music, she embraces the nuances of her multicultural heritage. Her upbringing immersed her in a world where languages intermingled, celebrations merged, and values harmonized. It is within this vibrant tapestry that she discovered the beauty of unity in diversity, where her experiences became an amalgamation of different cultures, shaping her into the empowered individual she is today.

Maria Bernadette Roxas-Smith resonates with those who have walked the path of a multicultural upbringing, navigating the delicate balance between cultural heritage and personal identity. It is a journey of self-discovery, where she learned to celebrate the similarities and embrace the differences that make us all unique. Through her resilience and tenacity, she has become a living testament to the power of cultural diversity in shaping our perspectives and fostering a global society built on understanding and compassion.

As her narrative unfolds, we witness the transformative power of multiculturalism in shaping not only her worldview but also the collective consciousness of those around her. Her story inspires us to delve deeper into our own cultural backgrounds, to explore the richness of our heritage, and to recognize the strength that lies within our diverse identities. In a world that often emphasizes divisions, she serves as a reminder that unity can be found in the vibrant tapestry of our multicultural experiences.

Her life is a testament to the indomitable spirit of a global citizen who thrives on embracing diversity and fostering unity. Through her story, she invites us to celebrate the mosaic of cultures that make up our world and to recognize the transformative potential that lies within each and every one of us. Her narrative serves as a reminder that our differences are not barriers but rather opportunities to learn, grow, and build bridges of understanding. In a world that craves connection and empathy, her story resonates as an anthem of hope and inspiration.

Maria Bernadette Roxas-Smith’s story is an ode to the beauty of multiculturalism, a symphony of diverse cultures, experiences, and perspectives coming together in harmonious unity. It is a celebration of the vibrant colors that form the fabric of our global society, a reminder that our collective strength lies in embracing our differences as a source of inspiration and growth. Her journey is a testament to the transformative power of multiculturalism, illustrating how it can shape individuals into compassionate, resilient, and open-minded global citizens.

#maria bernadette roxas-smith

[khwabb]

Celebrating Diversity and Unity with "9th Day Of Navratri Wishes"

Navratri, a vibrant nine-night festival, marks a special time in the cultural calendar of India. This joyous event celebrates the divine feminine, particularly Mother Durga and her various avatars. As the festival reaches its zenith on the ninth day, we honor the goddess Siddhidatri, symbolizing yogic attainment and divine bliss. It's at this time that the "9th Day Of Navratri Wishes" serve as a delightful reminder of unity, love, and prosperity.

Music of the World: Binding Cultures in Harmony

Although Navratri is deeply engrained in the Indian tradition, its beauty and positivity attract a diverse global audience. As the "9th Day Of Navratri Wishes" journey across the world, they string together disparate cultures and traditions in a delightful harmony of unity and acceptance.

Embodying Goddess Siddhidatri: The Path to Enlightenment

This ninth day, "Navami", is devoted to Goddess Siddhidatri. She's revered for her spiritual power and bestowing 'Siddhis' or supernatural abilities to her devotees. The "9th Day Of Navratri Wishes" symbolize this divine attainment and encourage us to progress on our personal paths to enlightenment.

A Celebration Ensemble: Marvel of Diversity

India's cultural richness mirrors in the myriad ways Navratri is celebrated across its broad expanse. Yet, amidst this diverse splendor, the "9th Day Of Navratri Wishes" resonate universally, binding people in a shared understanding of mutual respect and unity.

More than a Tradition: Cultivating Emotional Bonds

Sharing the "9th Day Of Navratri Wishes" surpasses mere tradition. It acts as a vibrant thread, weaving together loved ones, family members, and friends. It fortifies relationships, renews ties, and infuses warmth into the very fabric of our social existence.

A Global Family: Embracing Cultural Exchange

The act of sharing "9th Day Of Navratri Wishes" extends beyond borders and races, embracing global oneness. As these wishes travel worldwide, they inspire an appreciation for the diversity of cultural customs that make humanity beautiful, fostering a sense of belonging in this vast global family.

Reflecting the Divine: A Personal Journey Fulfilled

The "9th Day Of Navratri Wishes" not only honor Goddess Siddhidatri but inspire us to adopt her attributes in our lives. As we work towards our personal and spiritual evolution, we not only enrich our lives but also contribute to the social fabric around us.

In conclusion, the "9th Day Of Navratri Wishes" are more than kind salutations. They are celebrations of divine wisdom, the underlying unity amidst the world's diversity, and the bonds that make life beautiful. As we immerse ourselves in the spirit of Navratri, let's echo these heartfelt wishes across the globe. Whether it's a loved one nearby or a stranger afar, these wishes can touch lives, reaffirming the joyous rhythm of human unity, acceptance, and enlightenment that Navratri so beautifully encapsulates.

#hindu mythology #navratri #festivals

[haruwrites21]

Celebrating the Sixth Day of Navratri: Honoring Goddess Katyayani

Navratri, a vibrant festival celebrated with fervor across India, embodies immense devotion, vibrant colors, rhythmic music, and exclusive rituals. Its sixth day of Navratri is dedicated to Goddess Katyayani, the sixth form of Durga, renowned for her courage and valor.

Goddess Katyayani's radiant presence gives the festival a divine aura. Katyayani, with her undaunted strength and bearing the symbolic lotus flower, stands as a symbol of purity and spiritual power. Originally known as 'Warrior Goddess,’ she is believed to endow her devotees with courage and strength.

The sixth day of Navratri is marked by vibrant celebrations. Devotees decorate the idols of the Goddess in her favorite crimson color and offer her honey─the symbol of perfect health, sweetness, and wholesomeness in one's life. Rituals such as singing hymns, reciting mantras, and performing aarti are carried out with heartfelt devotion to seek her blessings.

Devotees also observe fasts on this day as a sign of reverence. The day typically culminates with a festive feast, including ‘prasadam’─ a special, sanctified food believed to carry the goddess's blessings.

Moreover, Goddess Katyayani is considered to help devotees overcome their obstacles and fear. Worshipping her on the sixth day of Navratri is believed to ensure prosperity, happiness, and success.

As we commemorate this auspicious day, we invite Goddess Katyayani's blessings, embracing her power and courage to sanctify our lives with good fortune and strength. The spirit of the sixth day of Navratri reminds us of the latent courage within ourselves and the strength we possess to overcome our challenges.

The festival of Navratri, particularly the sixth day of the festival, serves as a beautiful reminder of our innate strength and the possibility of overcoming all odds with faith and determination. The spiritual and cultural traditions associated with this day deepen our respect for the divine feminine, fostering a sense of unity, spirituality, and shared heritage.

As we navigate through life, may the virtues of courage, love, and prosperity embodied by Goddess Katyayani serve as a guiding light, navigating us towards the path of righteousness. With these reflections and celebrations, the sixth day of Navratri stands as a beacon of faith, strength, and divine blessing.

This Navratri, as we honor Goddess Katyayani on the festival's sixth day, let's imbibe her virtues in our lives, bringing forth strength, courage, and unwavering determination. May her divine blessings illuminate every path we take and the spirit of Navratri resonate in our hearts today and every day. Happy Navratri!

#wishes #navratri

[himadrics]

ઈલા [Ila]

(My Feminist Commentary Part - 2/5)

"છોકરીની જાત ને આટલો બધો તંત! છાયલી આને કાબૂમાં રાખ, નહીતર આને સાસરે કોઈ નઈ સંઘરે. આવી મોટી ભાઈ સાથે સરખામણી કરવાવાળી! સ્ત્રી ક્યારેય પુરુષ સમોવડી હોય જ નહીં. સમજી?"

Translation: "So much drama for a girl! Chhaya, keep her under control, otherwise, her in-laws wouldn't keep her. Stop comparing yourself to your brother! A woman can never be an equal to a man. Do you understand?"

said my loving grandmother, બા [Ba] to put an end to my on-going argument with my mother. I was fifteen and I was protesting against my mother's leniency towards making my brother do the chores. 

It is a common practice for Indian households to teach the daughters to do the chores from an early age. Another common practice is to not teach the sons to do the chores. The daughters are expected to contribute to the chores every day while no such expectation exists for the sons. My mother taught the chores to me as well as to my brother . However, she did not expect my brother to do much while being quite strict with me to do it. As a result, my brother often got away without doing the chores and I had to do more of it. It was quite upsetting for me to find myself busy doing boring chores while my brother got to play. So my protests for an equal distribution of chores between my brother and me was a daily occurrence during my teenage years.

My protests always put me in a great conflict with બા, who found them ridiculous. She held a strong opinion that I should drop the silly idea of perceiving myself as an equal to my brother. She also highly criticized all my attempts at arguing with my parents in order to teach me the quality of obedience. She deemed it absolutely necessary for a woman to be obedient. 

Despite બા's strong criticism for my feminist ideas, she and I were quite close when I was in high-school. I needed to study for the 10th Board exams and I wasn't the most disciplined student. Both of my parents worked full-time, so બા came to live with us in order to ensure that I spend enough time studying under constant adult supervision :p. 

બા and I soon became best-buddies. My study-breaks became our story-time and the kitchen became our laboratory. She introduced me to the film and folk music of her time that I listen to till date. We discussed all kinds of things - puberty related changes in my body, menstrual products, home remedies for skin care and hair oil. બ listened to my stories about school and my friends with great enthusiasm. બા also shared stories about her childhood, her school, her early life, and her sisters. We often talked about culture of marriages in India and analyzed her marriage and my parents' marriage in great detail. I got to learn a lot about my mother's childhood and early life from બા. બા also taught me how to do banking, how to make ભાખરી [Bhakhari] (Gujarati pancakes) and how to braid my hair.

બા always kept a diary and it was a delight to watch her searching for her glasses when she wanted to write. She also loved reading, fiction to be particular. She inspired me to start writing by gifting me a new diary. I also got interested in reading fiction because of her. It is thanks to her expressive nature, her great story-telling and her diaries that I got to know more about the lives of women of her generation.

Born in 1946, બા grew up in Independent India. She also saw the country being led by a woman prime minister. બા's mother was illiterate, and her father was the sole breadwinner in the family of seven. બા was the oldest among the four sisters. She also had an elder brother, who was considered the authority in the family after their father. બા accepted a job as an elementary school teacher after finishing her high school. She never attend college. At the age of 20, she got married to my grandfather, બાપુજી [Bapuji], who was pursuing his master's at the time. The marriage was arranged by their parents. It is important to note that બા entered the marriage as a literate and working woman capable of contributing to her children's education and family's economy.

બા's life was quite difficult and restricted after getting married. She did not have an easy access to hygienic menstrual products or birth control. She was obliged to be obedient to her in-laws. Her mother-in-law was illiterate and highly criticized બા's job and have બા a pretty hard time for being a working woman. 

બાપુજી earned significantly more than બા. So despite having some say in financial matters, બા could never exercise much decision power of her own. બા received some gold as a gift from her father and her father-in-law at the time of her wedding. But she never legally owned her house. During a stressful time in બા's marriage, બા's mother-in-law ordered બા to stay at her parents' place and not to return back to her husband. This stressful time was a turning point in બા's life, as it made her determined to be self-reliant, and to never quit her job. It also inspired બા's younger sisters to become self reliant by getting a job before getting married in case they also end up with such harsh in-laws.

બા faced a prolonged illness in her 30s, and for the time being, her health became the family's priority. But soon after she got better, she went back to putting herself last and taking care of everyone else. Due to her social conditioning, બા is convinced that the world belongs to the men and the women are not men's equals. Due to her personally lived experiences, બા is also convinced that pain and sacrifices are part of the women's fate. And because whatever little appreciation she received came from taking care of her family, બા wholeheartedly believes that women's role in the world is to serve the family. 

બા has three children, a daughter and two sons. She raised her daughter quite differently from her sons. બા tried her best to raise her daughter to become a hardworking, obedient and resilient woman who can withstand the hardships of womanhood in the men's world. And બા's sons grew up developing a sense of entitlement for being men in the men's world, who expects service and obedience from the women. 

બા never challenged the misogynistic social norms. Instead, she always followed them. As a result, society rewarded બા with respect and freedom when she grew older. When I got to know her closely during my high-school years, બા was already in her 60s. By then she was a mother-in-law and a grandmother who had started exercising her authority and freedom. બા was receiving a pension from her job which made her financially independent of her children. Her middle-class family had achieved some prosperity so she even owned some land. બા used to have plenty of free time in which she listened to the radio, watched TV, read novels and fiction columns in the newspapers, and wrote in her diary. I got to know બા as a prosperous  independent woman who had complete control over her life and who had a significant say in her family's decision making. But it is important to note that it freedom came to બા in her 60s and never before.

I think that my parents made a good call of inviting બા to supervise my studies during those years. She did a great job at dragging me back to my desk every time I was found procrastinating. She was very proud of me when I scored good marks in the board exams. I often overheard બા talking to relatives over the phone, "Yes, Muskan got 98 in Science and 99 in Mathematics… Oh, and did I tell you? She also does the chores and she also knows how to make ભાખરી!". A cousin brother of mine had also appeared for the same exam in the same year. બા was proud of him as well. However, it annoyed me a lot that બા never mentioned chores or ભાખરી while discussing my cousin's score.

બા was also very proud of me when I secured admission in an engineering course as I was going to be the first woman engineer in the family. બા was also very proud when I landed my first job offer, when I enrolled for a master's program and when I joined a PhD program. After my high school, I did not got to live with બા for a long time until the pandemic. I finally got to live with બા for a while during the pandemic, and she still maintained the same amount of criticism for my feminist ideas.

બા is now seventy-eight years old. She has some trouble with her eyesight so she is no longer able to read and write. However, she can still watch TV and her latest found interest is YouTube. બા is not on social media, but she recently signed up on WhatsApp. She can't read or write messages but she enjoys watching people's stories. So when not busy with TV, YouTube or phone calls with her sisters, બા keeps a check on people's whereabouts from their what's app stories. And like everyone else in the family, બા also gets quite annoyed when the wifi is not working. The smartphone confuses બા when she accidentally ends up changing some settings and it was a part of my routine to respond to her summons to go and fix her phone.

This article comes with બા's consent to share my view on her condition as a woman. And every sentence has been fact-checked by her personally. બા is not a feminist. Till date she openly criticizes my feminist ideas and tries her best to talk me out of it. બા thinks that fighting for feminism makes my life as a woman harder than it already is. It is important to note that despite rejecting most of the feminist ideas, બા still managed to push the baseline for women's condition as much as one could within the boundaries of the social norms of her time. Because બા lived the life of an educated and working woman, it became obvious for my mother to receive education and work. બા covered the basics so my mother and I could inherited it without fighting for it.

In case you're wondering if I won that argument about making my brother do the chores or not, I am happy to report that I made considerable progress. However, I didn't succeed completely and the distribution of chores between me and my brother has never been 50-50. The closest I could come was 60-40 when I was lived with my family during the pandemic. However, it was painful to watch બા giving my brother more credit for doing less. And it was also annoying when the relatives used to praise him for doing the same boring chores as if he was doing something extraordinary. But alas, we both got to play more or less the same amount of time until બા would scold us for being too loud for her to listen to the dialogues of her favorite TV show!

#feminism #india #women #indianwomen

[livefuntravelposts]

Celebrating Culture: A Look at the World's Most Iconic Traditional Festivals

Kati and I love going to festivals, even if it is a football (soccer) game televised in the town's square like we did in Prague. Celebrating culture is an important part of human life. It is a way to express our identity, to connect with our past, and to share our values and beliefs with others. It is also a way to bring people together and to create a sense of community. From traditional festivals to modern-day events, celebrating culture is a way to honor our heritage and to celebrate the diversity of the world. Traditional festivals have been around for centuries, and they are a way to celebrate the changing of the seasons, to honor religious beliefs, and to commemorate important events. They are often celebrated with music, dance, and food, and they are a way to bring people together to share in the joy of the occasion. In many cultures, traditional festivals are a way to honor the gods and goddesses, and to give thanks for the blessings of the year. Traditional festivals are an important part of many cultures, and they are a way to celebrate the diversity of the world. They are a way to honor our ancestors and to remember our past. Traditional festivals are a way to express our identity and to share our values and beliefs with others. There are many iconic traditional festivals around the world, and each one is unique and special in its own way. From the Holi Festival of India to the Oktoberfest of Germany, these festivals are a way to celebrate culture and to bring people together. Here are some of the world’s most iconic traditional festivals:

The Holi Festival of India

Holi, a festival originating from Hindu traditions is widely celebrated in India and Nepal. This vibrant festival symbolizes the arrival of spring and the victory of good, over evil. People enthusiastically participate in Holi by throwing powder and water at each other. It is often referred to as the "Festival of Colors" or the "Festival of Love". Typically falling in March Holi takes place on the full moon day of the Hindu month Phalguna. The history of Holi dates back centuries. Is rooted in Hindu mythology. One known legend associates Holi with Lord Vishnus triumph over the demon king Hiranyakashipu. Another popular tale revolves around Lord Krishna and Radha wherein Krishna playfully applied a powder to Radhas face due to his envy for her complexion. Hence Holi gained its reputation as the "Festival of Colors". Holi holds significance as a time for celebration and unity, among people. It serves as an occasion for communities to come together and rejoice in welcoming springs arrival. Now is the moment for individuals to put aside their disparities and unite in a spirit of harmony. Holi serves as an opportunity for individuals to let go of any grievances and start anew. It is also a time when people can openly express their love and affection towards one another.

The Oktoberfest of Germany

Octoberfest is an event, in Munich, Germany that celebrates culture. It is renowned as the premier beer festival and folk festival in the world taking place from September to early October each year. With millions of visitors from all corners of the globe it's a time for people to come together and revel in traditions, including food, music and certainly beer. The origins of Octoberfest date back to 1810 when it was initially organized to commemorate the wedding of Crown Prince Ludwig and Princess Therese of Saxe Hildburghausen. Originally featuring horse races this celebration has evolved over time to incorporate attractions like carnival rides, parades and notably beer consumption. Today it stands as a symbol of heritage cherished worldwide. Undoubtedly the highlight of Octoberfest lies in its assortment of beers. This grand festival showcases over 6 million liters sourced from six breweries in Munich. Additionally, visitors can relish cuisine such, as sausages, pretzels and succulent roasted chicken while enjoying exciting carnival rides and lively musical performances. It truly offers an opportunity to immerse oneself in culture while having a splendid time. Octoberfest has had an influence on culture bringing people together to commemorate their heritage. This festival has become an emblem of culture and is celebrated globally. There is even an Octoberfest celebration here is southwest Florida. Additionally, it has made an impact by generating annual revenues exceeding 1 billion euros.

The Rio Carnival of Brazil

The Rio Carnival is an event held in Rio de Janeiro, Brazil. Its renowned, as one of the liveliest and known festivals worldwide attracting millions of visitors annually. This celebration is about joy and merriment featuring parades, energetic music and extravagant costumes. It serves as a time for people to unite and commemorate the culture and traditions of Brazil. The Rio Carnival finds its roots in the festival called Saturnalia dedicated to honoring the god Saturn. This festival involved feasting and revelry eventually spreading to regions, across the globe. In Brazil Portuguese settlers introduced this tradition during the century. Over time it has transformed into the colorful celebration that we witness today.

The Songkran Festival of Thailand

The Songkran Festival is an event that celebrates the Thai New Year. It takes place from April 13th to April 15th every year. Is a time of festivities and introspection. During the festival people engage in activities such, as water battles, parades and traditional rituals. The term "Songkran" originates from the Sanskrit word "" which signifies a period of transition or change. This name aptly reflects the festivals purpose as it marks the transition from one year to another. Thai people have been celebrating the Songkran Festival for centuries. Its origins can be traced back to the kingdom of Sukhothai established in 1238. Initially it was an occasion for paying respects to elders and expressing gratitude for blessings received in the year. As time passed new elements were added to make it more vibrant including water fights, parades and traditional ceremonies. The Songkran Festival involves celebrations. One popular activity is engaging in water fights, which provide a respite from Thailands scorching sun. During the festivities individuals actively participate in parades adorned with Thai attire and accompanied by lively music. Additionally part of the celebration involves releasing birds and fish as presenting food and beverages to the revered monks.

The La Tomatina Festival of Spain

The Tomatina Festival takes place annually in Buñol, a town, in the Valencia region of Spain. It's a one of a kind and enjoyable tradition where people engage in a tomato fight. Throughout the years this festival has gained popularity attracting visitors from around the globe. Joining in on the fun is a way to immerse yourself in culture while having a great time with friends and family. Since 1945 Buñol has been hosting the Tomatina Festival. It is said to have originated from an altercation between two groups of individuals in the town square. Although authorities intervened to stop the fight throwing tomatoes at each other became a tradition. As time went on this festival grew exponentially in popularity. Now draws participation from people from all over the world. The Tomatina Festival occurs on a Wednesday of August each year and requires weeks of preparation beforehand. The town square gets adorned with banners and flags. Also, trucks filled with tomatoes generously donated by farmers line up along the streets. The Tomatina Festival kicks off with a fireworks show. It is then followed by the tradition of retrieving a ham from a greased pole. Once the ham is successfully obtained, the thrilling tomato fight commences. Participants engage in an hour long tomato tossing extravaganza until a signal prompts them to halt. After the battle the streets are washed down. Diligent efforts are made to tidy up the town square.

Our Final Word

Celebrating culture is an important part of human life, and traditional festivals are a way to honor our heritage and to celebrate the diversity of the world. From the Holi Festival of India to the La Tomatina Festival of Spain, these iconic traditional festivals are a way to bring people together and to create a sense of community. They are a way to express our identity and to share our values and beliefs with others.

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#carnivalinrio #festivals #octoberfest #tomatina #Travel

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Patricia Walters and Adrienne Corri in The River (Jean Renoir, 1951)

Cast: Nora Swinburne, Esmond Knight, Arthur Shields, Suprova Mukherjee, Thomas E. Breen, Patricia Walters, Radha, Adrienne Corri, June Tripp. Screenplay: Rumer Godden, Jean Renoir, based on a novel by Godden. Cinematography: Claude Renoir. Production design: Eugène Lourié. Film editing: George Gale. Music: M.A. Partha Sarathy.

The near-hallucinatory vividness of Technicolor was seemingly made for Jean Renoir, the son of the Impressionist painter Pierre-Auguste Renoir, but this film was his first use of the process. It's the more remarkable because he was working with his nephew (and Pierre-Auguste's grandson) Claude Renoir as cinematographer, and neither director nor photographer was particularly experienced in shooting landscape, especially in the country of India, which is the real star of the film. The River has a distinctly Western attitude toward the country, viewing it through the eyes of its British residents. It's based on the experiences of Rumer Godden, the English writer who spent her childhood in India. Her screenplay, co-written with Jean Renoir, is about the tensions between cultures, using the Ganges, the titular river, as a symbol of both the eternal and the mutable. Ravishingly beautiful as the film is, it suffers from some major weaknesses in casting. Its central character, the teenager Harriet, is played by Patricia Walters, a nonprofessional who made no subsequent films and never quite seems at ease before the camera. As Capt. John, the American recovering from the loss of a leg during the war, Thomas E. Breen doesn't have the kind of charisma that would seem to have Harriet, her older friend Valerie (Adrienne Corri), and her Eurasian neighbor (Radha) falling over themselves to attract his attention. (Breen, incidentally, was both a real amputee from a war wound and the son of the enforcer of the Production Code, Joseph I. Breen.) But for those willing to overlook its flaws, which also include a lack of narrative urgency, The River rewards sympathetic attention and, as a film by a Frenchman about the English in India, stands as a landmark in postwar international filmmaking.

#The River #Jean Renoir #Patricia Walters #Adrienne Corri