#toshee

[c4sp3rmoved]

some unnamed fantrolls

#fanart #my art #homestuck #hs #ocs #hs oc #fantrolls #my ocs #scars #worm #catapillar #cw: bug #cw: scars #toshee #xhaase

[kungfubreakfast]

@_laura_wrong_ enjoying this @toshee_art piece for @gabbagallery at kungfubreakfast.com #laurawrong #kungfubreakfast #toshee #gabbagallery #streetart #streetartandgraffiti #streetarteverywhere #streetartphotography #laart #sprayart #publicart #beauty #babesofinstagram #muse #goddess #fashion #fashionista #fashionmodel #model #lamodel #laphotographer #fashionphotographer #portraitphotographer (at Gabba Gallery)

#streetartphotography #kungfubreakfast #publicart #laart #beauty #laphotographer #streetarteverywhere #fashionmodel #fashion #sprayart #fashionphotographer #portraitphotographer #laurawrong #fashionista #streetartandgraffiti #babesofinstagram #toshee #model #lamodel #muse #gabbagallery #streetart #goddess

[granddaughterogg]

the mind palace

(Psst! Hey! Guys, I have a Toshi blog now: https://toshinoriyagiismysugardaddy.tumblr.com/ )

Me: (hair dishevelled, bags under eyes, voice breaking): I’m sorry, guys. I know I should’ve been writing about you, but right now all I can think about is Toshinori. I’ll go back to you as soon as the crush falters. I promise.

Death: (chuckling): I’m not fretting. I find those fleeting obsessions of yours charming...in a way.

Fury (pipes in): Hah. Such youthful attitude.

Strife: Who the fuck is Toshee-nori?

Me: (eyes big): Well, he’s like, the tortured Messiah of his story, you know. Also, a real beanstalk of a man. Got hair like an exploding sunflower and cheekbones you could slice your bread with and... he coughs up blood. Like, all the time.

Strife: He got you good, huh.

War: (with a frown) WHO IS HE THOUGH. I NEED TO MEET AND BEAT UP THIS INDIVIDUAL

Toshinori: (waves) Why hello there.

War: Curses. Why are you so emaciated? I cannot beat up a man who looks like he’s already dying.

Toshinori: (meekly) I probably am though.

War: THAT’S WHAT I’M TALKING ABOUT

#sorry guys #this is what the inside of my head looks like now #darksiders funny #shitpost of the day #toshinori yagi #small might

[water-witch]

tiny manx to english dictionary about specifically water

General

eeast - fish

fliaghey - rain

geinnagh - sand

ushtey - water

sker - sea rock

eas - chute, waterfall, cataract, cascade, shoot

lhieggey ushtey -  waterfall, cascade, chute

Bodies of Water

awin - river

branlaig - cove, creek, inlet, breach between rocks

dubbey - dub, pool, puddle, pond

faarkey - sea, ocean, swell, breaker, large wave, billow; to bathe in sea

giau - creek, inlet, cove

glion - glen, vale, creek, valley

glion awiney - river basin

gullad - inlet, gully, gullet, creek

keayn - sea

lhingey - pool, pond, backwater, football pool, river-pool

logh - lake

loghan - small lake, pond, dam, tank, dock, pool

strooan - stream, creek, rivulet, burn, brook, waterway

strooan beg - brooklet

Yn Keayn ny hArabaght - The Arabian Gulf

Yn Keayn Sheealtagh - The Pacific Ocean

Yn Keayn Sheear- The Atlantic Ocean

Yn Keayn Twoaie - The North Sea

Yn Faarkey Baltagh - Baltic Sea

Phrases

Hraih y keayn. - The sea went out again.

Keayn çheerey. - Inland sea.

Ta'n keayn buirrooghey. - The sea is thundering.

Ta'n keayn feer chiune. - The sea is very calm.

Ta'n keayn roie feer hrome. - The sea is running heavily.

Va'n keayn lane rea. - The sea was as calm as a millpond.

Va'n keayn myr traie gheinnee. - The sea was as flat as a millpond.

Yn Keayn Sheealtagh. - The Pacific Ocean.

Yn keayn tonnaghey er y traie. - The sea billowing on the shore.

Er hoh faarkey mooar. - Here is a big billow.

Faarkey brisht. - Lumpy sea.

Faarkey chiune. - Quiet sea.

Faarkey mooar. - Big sea.

Faarkey mooar. - Heavy sea.

Faarkey mooar. - Strong sea.

Faarkey toanee. - Toning bath.

Faarkey trome. - High sea.

Faarkey. - Very large wave.

Huitt faarkey mooar orrin. - We were struck by a heavy sea.

Ta faarkey mooar ayn. - There is a heavy sea.

Yn faarkey glass tonnagh foin. - The green billowy sea under us.

Yn faarkey mooar. - The open sea.

Yn faarkey mooar. - The broad sea.

Dy hayrn ass strooan. - To tap a stream.

Hirmee y strooan. - The stream ran dry.

Strooan cassee. - Winding stream.

Expressions

faarkey brisht - lumpy sea

faarkey mooar - high seas, roller, ocean, beachcomber

faarkey toanee - toning bath

faarkey toshee - head-sea

faarkey trome - high sea

snaue faarkey - sea bathing

#manx #celtic languages #celtic words #captain's log

[womenwearindiasblog-blog]

👉 *Name*: Designer Rayon Tunic 🔥 *Brand*: TOSHEE ✏️ *Description*: Fabric: Rayon Sleeves: Sleeves Are Included Size: S, M, L, XL, XXL Length: Up To 26 in Type: Stitched Description: It Has 1 Piece Of Tunic Pattern: Solid 😌 ✅ *Available Sizes*: S,M,L,XL,XXL ☺️ 🚚 *Delivery Time*: Delivers within 5 days *%s - 100%% Return & Refund Policy *No COD charges https://www.instagram.com/p/BvjQlNNgeiQ/?utm_source=ig_tumblr_share&igshid=xt7faaib7l3k

[santhosh4101]

👉 *Name*: Fancy Net Top 🔥 *Brand*: TOSHEE ✏️ *Description*: Fabric : Net Bust/Chest Size (Inches): S-36, M-38, L-40, XL-42, XXL-44 Type : Stitched Contains : It Has 1 Piece Of Top 😌 ✅ *Available Sizes*: S,M,L,XL,XXL ☺️ 🚚 *Delivery Time*: Delivers within 5 days *%s - 100%% Return & Refund Policy *No COD charges https://www.instagram.com/p/BuBrAhsnovL/?utm_source=ig_tumblr_share&igshid=7w873muo5yld

[smartreviewsforlife]

Evelyn - Toshee Brand Crepe Printed Top ( 5 piece )

Evelyn – Toshee Brand Crepe Printed Top ( 5 piece )

Evelyn – Toshee Brand Crepe Printed Top

Model: 544DL2147DAD4 HSN: 61062010

Fabric Type: Crepe

Neck Type: Round Neck

Size Set / Color Set: Size Set

Sleeve: 3/4 Sleeve

Work Type: Printed

View On WordPress

[heyjanay-blog]

I will be showing some work during the Mar Vista Art Walk tomorrow. Stop by Venice grind. ... #Repost @thisiscannibalflower ・・・ We will be part of the Mar Vista Art Walk. Come and hang out. @mendelsohnbass @artbycolorscape @itsacuna @alexcerda_art @tony_venegas @toshee @heyjanay @michaelpukac @busr1d3r @deploi @thisiscannibalflower @marvistaartwalk @venicegrind @venicebeats @erinasmussen @butcher.allison — view on Instagram http://ift.tt/2FGhJan

#Instagram #IFTTT

[c4sp3rmoved]

:)

#rambles #pesterlogs #oc #my ocs #fan character #hs #homestuck #hs oc #sock #toshee #xhaase #dialogue test #I just need to get an idea on their interactions #these r fun

[perrier]

Off the Charts and Onto the Wall: The Gabba Gallery does the Zodiac

By Nilina Mason-Campbell

With a groovy ‘70s soundtrack playing overhead, the Gabba Gallery opened the doors to its new Zodiac-inspired art show this past Saturday night. The features the work of nearly three dozen L.A. artists. On canvas, on wood, with ink and other mixed media, the star signs came to life in a whole new realm. From bovines to sunbeams, the duality of the gemini sign, to the archer stance of the sagittarius, the symbols of horoscopes take on new form and with that, further meaning. We spoke with three of the contributing artists about their creations, the overarching ideas of their art, and the role of Los Angeles in their output.

1. Toshee

For the work you created for the show was that the first idea that jumped out at you? How did you come to settle on it, and how long did it take to flesh out?

The first idea I had involved space in general. I was thinking of including a planet or celestial body, something with texture and depth that would play into my cutting and layering technique. Then I stared at representations of the zodiac for a bit. Something about the mythological beasts clicked and I made an association with monsters and D&D, aliens and video games. I guess that says something about what a huge geek I am. Once I imagined the zodiac figures as aliens, I designed 8-bit versions of them that would look something like the original Space Invaders characters. The piece took a couple weeks to execute from concept to finish.

You work with mixed media — how did you start combining media? What are the advantages? I studied design in college and learned traditional paste up and cutting for assembling layouts. I've always had fun working with those materials and techniques. It's a good way to go for someone who has trouble deciding what to use at any given time. Also, I'm not a very good draftsman or painter; if I were maybe I'd stick with one of those.

What would you like viewers to take away from your work? I'd like them to smile. Hopefully they'll think my work is fun, maybe even funny. Of course, they could hate it. But as long as they feel something, I'll take that as a win.

What drew you to L.A.? What's it like to be a working artist here? I came to L.A. to write — still do. For a long stretch, though, I stopped making visual art. I came back to it organically a couple years ago when I was trying to find myself while dealing with some hard times. To say making art has been a lifesaver isn't much of a stretch. I've learned a great deal about myself by reengaging my creative drive. The Gabba Gallery has been instrumental to my early success as a working artist. I'm still learning the commercial side of the art world. There's a lot of talent in Los Angeles and seeing so much impressive work around town inspires me to push myself and reach higher. Excelsior! (h/t Stan Lee)

What's your astrological sign? Do you believe in astrology? I'm a Sagittarius. I don't believe in astrology — but hey, the multiverse is a big and weird place. Maybe there are optimistic, bow-carrying man-horse aliens somewhere out there.

2. Daisuke Okamoto

For the work you created for the show, specifically the ram, was that the first idea that jumped out at you? How did you come to settle on it and how you depicted it? I recently started working with white Indian ink on black paper and depicting the creatures of marine life called "Life of Oceans." I've been working with black Indian ink, but I feel drawing white ink with black paper emphasizes the lines and art pieces. I do black ink on white paper a lot, but now I'm obsessing with white ink on black paper. It's fresh and always fun to work with new mediums.

Your style utilizes Indian Ink - how did you first discover and start utilizing that technique?

I like detailed and intricate drawings, sculptures, and art. When I was a kid, I usually drew with my father who also liked to draw. Even though he wasn't an artist, his unique doodles and creative drawings inspired me a lot. My sketchbooks and notes were filled out with intricate mazes and detailed robots.  Since then, I have pursued to intricate style as tiny as I can, and have tried to make pieces that I've never seen, so that my pieces are only by me and not to be imitated by other artists.  

What's the longest one of your drawings has ever taken you and what was it? My biggest piece is called "The Invasion of Los Angeles," I finished it in 2014. It took me three years from start to finish. Its size is 30" x 22"1/2 with ink pen on paper. A huge octopus invades the city of Los Angeles, and a mysterious flying object fights against it. Mankind entrusts the flying object with humans’ future, but nobody knows which ones are the good or bad monsters.

How do you maintain the patience? Does it feel repetitive to you or does the act of repetition lead to a zen-like place? The patience became the meditation. Drawing now is like a daily habit and my lifestyle. 

What drew you to L.A.? What's it like to be a working artist here? How does it compare (and contrast) to Japan? I love movies and also love to make movies. My father took me go see movies a lot when I was a kid. We watched Japanese and Asian movies, but mostly American films. Watching a lot of great American films inspired me to come here to learn filmmaking and that was one of my dreams. I graduated college as a film major and met a lot of passionate filmmakers who encouraged to keep my dream and live in a foreign country by myself. Meeting passionate people always made me think I could do anything — whatever I wanted to do and who I wanted to be if I put a lot of love to it. I love art, and art is my life.

The art in Japan is beautiful, delicate, unique, and characteristic which I love, but there are a lot of people from different countries here in Los Angeles. They have a different pattern of thinking and thought from the Japanese. I

What's your astrological sign? Do you believe in astrology? My astrological sign is Aries. I believe in myself.  

3. moncho1929

For the work you created for the show, specifically the ox, was that the first idea that jumped out at you? How did you come to settle on it? When I was first approached with doing a work for the show, I wanted to do something in line with what I do, and also that could speak on the topic of the show (being Zodiac-based for this one). I wanted to keep the respect for my style of work as well as have something that would stay in theme for the show. My works have been evolving into other subject matter, so I did another piece called "double dutch" that also worked for the show and included it.

Your style utilizes dripping paint — how did you first start utilizing that technique? Oddly enough I was playing with that idea several years ago and kept it as something that would eventually work into a series when the time and work was right. The murals, to me, have a suspension-of-time feeling, and that is what I really wanted for the works to convey even if only for a moment. Working on walls and doing the technique was challenging and brought about interesting/unconventional ways of doing things that sometimes doesn't seem correct. Having the viewer stop and begin exporing the work is part of the narrative and that to me is just as important as the beauty of the work.

How did you originally start depicting animals in your work? What about them draws you to them? I wanted to do work bringing attention to animal preservation and conservation without losing the beauty of the animals. The suspension of colors and the motion of the animals play with a moment in time where things seem like a frozen moment, and the works began to take shape in that way.

Your work incorporates the colors of African flags and military fatigues. How did that come about? I wanted a reference point and purpose for the colors within the work helping the narrative aspect. Using the colors as abstracted reference points to what the work is saying helps the viewer have a private conversation with them. I never wanted the commentary of the work to overpower the aesthetic and beauty of the animals themselves, rather I wanted the balance to be as subtle as possible in the works, so that over time the works reveal more about the commentary as the viewer interacts and finds out more.

What drew you to L.A.? What's it like to be a working artist here? I left NYC shortly after 9/11 and the passing of my grandfather ( the original "Moncho"). I wanted a change in life and new challenges as an artist so I made the move cross-country.

I wasn't sure if it would be a permanent move at the time, but I started seeing the art scene in Los Angeles growing and really becoming something special so it has become another home to me. ( I still travel between L.A. and NY throughout the year.)

What's your astrological sign? Do you believe in astrology? I'm a pisces and secretly (well, not so much of a secret now I guess ) I still buy a newspaper on my birthday for the horoscope, so yeah I guess I do to an extent, haha.

#Art #moncho1929 #Daisuke Okamoto #Gabba Gallery #Toshee #Zodiac #Horoscopes #the arts