The Great Notes App Exodus: Half-Dead and Still Kicking
The thing is, Jason’s been a ghost for a while, okay? Six whole months, and it’s been a goddamn adjustment, being capable of floating through walls and falling through furniture if he’s not careful, if he’s not concentrating. He goes unseen and unheard in a manor too full of grieving to only be residence of two people - Alfred keeps his room tidy and untouched, as if it’s a shrine to keep care of, and Bruce is…
Jason is, was, Robin, so he can’t quite help himself from following in Batman’s shadow as the man patrols, more vicious, more brutal than Jason has ever seen him. He takes more risks, gets injured more often - and it’s terrifying, the way Batman grieves, as if trying to follow him into the grave. So Jason follows, unbeating heart in his throat, and only relaxes again when Bruce is safe in the manor, sleeping off whatever injuries he got during the night.
He can’t interact with the world, but he can watch the shades of past residents going about their lives, and he learns things from doing this even as he fears becoming them one day, mindlessly replaying a life long passed. He can snoop and explore without worry for being caught, and if he ever gets bored he can practice flying (so much harder than it seems - he’s careful never to go too high, too worried that he won’t be able to come back down again, even with the ceaseless curiosity in the back of his mind wondering - just how far can I go? Beyond the sky? Could he touch the stars, if he wanted?) and when everything is terrible, when the memories of his death, his last few hours of life, haunt him, when he is drowning in his own head, he finds distractions; the way the air currents sometimes seem to react to him, trying to move things like ghosts do in those terrible movies, chattering to whoever is around and pretending they can hear him, finding mysteries to solve (what’s up with that camera kid, anyway? He’d never noticed him before…) and trying to read books in the library through sheer force of will, usually ending up just reciting the parts he knows.
(Two months and a bit in to this whole “ghost” thing, he finds out the deal with the camera kid. Jason can only be relieved because, kid’s got a point - and Bruce seems to do better with someone to protect, to teach, to watch over.
He’s not practically tearing people apart with his bare hands anymore. He’s not taking hits he should have been able to avoid anymore. He’s not lurking at the edge of rooftops anymore, staring at the ground as if contemplating how far away it is.)
And Tim… he’s weird, but brilliant, and Jason feels a little protective of him. Follows him whenever he goes out, sharp eyes watching his back regardless of whether he can protect it or not (and maybe it’s his imagination, but the world seems more real when he’s watching over Tim, closer and present in a way he can almost feel, as if he could actually affect the world, if he just tried hard enough - if he just needed to desperately enough).
And then, six months after his-… after this ghost thing started, something… changes.
Something Happens, and he can almost taste the strange Knowing - something, somewhere, has gone wrong, or perhaps right, and the ripples extend beyond the event, slipping into each corner of the universe with the subtlety of a truck, and yet somehow unnoticed.
The ghosts notice. Pale shades lift their heads, existing outside of their own memories for the first time in an age - and Jason, who is new, who is Robin, who lived in Gotham where all things become possible, is hit by the wave of Something Happening Elsewhere Rippling Out and wakes up in a box.
In a coffin.
(But Jason has been a ghost for six months, and the pain of living again is enough to reach for the existence of being a ghost, and by the time he has sorted himself out and half-clawed, half-floated his way out of his grave (again), he doesn’t expect himself to be anything but what he has been for the past six months.)
(And then, of course, he discovers he can interact with the world if he concentrates, if he wants it enough, and he assumes that Whatever That Was made him a stronger ghost.
It’s not an unfair assessment. Incorrect, but not beyond reason.
Why would he think he came back to life, anyway? That’s a bit far-fetched, really.)
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just because you can sometimes purposefully pretend that bad writing is just due to characters acting a certain way--
(IE: "This mixup of the holiday dates is clearly the author's fault for not paying attention to their own worldbuilding, which isn't even complicated, and she literally just had them correct not even twenty pages ago, but for the sake of my sanity I'm going to pretend this character is just lying to be an asshole")
--does not mean that bad writing is always "the character's fault". And the above "for the sake of my sanity I'm going to pretend this is the character's fault" is for your sake only. It's not to be brought up to defend the writing itself, which you know is filled with inconsistencies and wouldn't know the meaning of "continuity" if it bit them on the nose.
If someone is specifically asking for in-universe explanations for the glaring and painfully obvious continuity errors, then you should feel free to offer all the convoluted explanations you've come up with.
but these are not a substitute for actually acknowledging that the author has made mistakes and there are in fact a ton of continuity errors in the text, not because "it's the character's fault", but because the author wasn't paying attention or didn't understand what they were saying, or just straight up doesn't give enough shits about their own setting to bother with silly things like not screwing up timelines in ways that make no sense. (*cough* Jaxom *cough)
You can come up with in-universe explanations for the continuity errors.
But you shouldn't let those get in the way of admitting "Yes, the continuity errors exist because the author wasn't paying attention/doesn't understand what they're saying/doesn't take their own story seriously/has a problem with making all the protagonists Mary Sues/Ect.".
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Not all who wander are lost - Gridania
Old Gridania │ Stillglade Fane │ Leatherworkers' Guild │ Westshore Pier
"First time in a big city was rather shocking for a boy who grew beneath the Shroud's trees. Hyurs, elezen, and even fellow miqo'te, just going on about their day. Living so close together. With a little push from Miounne, I made it through the first few days and got accepted to study conjury.
Stillglade Fane became another home, countless hours spent on it's calm silence, trying to hear even the faintest whisper of the elementals like our mentors had taught us. Or just reading book upon book, scroll upon scroll of past knowledge of herbs and aether.
It all seems like a lifetime away. I've since seen lands I couldn't have even imagined while still an apprentice. Seen sights only mentioned in books, made everlasting friendships. Learnt to draw upon the power in myself and others.
Offering my help to all who need it."
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