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ihni · 1 month

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Billy Hargrove has been dead for little over two months when Steve opens the door to find him on the doorstep, dirty and pale and shaking. He stares at Steve with wide eyes – bluer than Steve remembers – before he collapses into a heap of dirty limbs halfway across the threshold. Steve pulls him inside, disposes of him in the couch in the living room, and naturally proceeds to freak the fuck out.

After some processing, he decides that he must be experiencing a very vivid dream – and honestly, it’s a welcome change after the usual nightmares – and since it’s merely a dream, he opens a bottle of his dad’s best whiskey, because where’s the harm, right?

An hour later finds Steve sitting on the floor with his back to an armchair, predictably drunk and watching Billy sleep. Or possibly being unconscious. It doesn’t really matter which, since it’s only a dream.

Turns out, though, that it’s not a dream – or if it is, it’s a damn weird one. Because Billy wakes up, and when he looks around the room and spots Steve there, he starts to cry, which. Is not something that Steve’s brain could ever dream up, alcohol-soaked or not. And Billy feels solid enough under Steve’s hand, when he awkwardly pats the other boy’s shaking shoulders.

The events that have taken place are eventually revealed, but make no sense to either of them. Apparently Billy woke up somewhere dark and cramped (the coffin, he doesn’t say, but Steve hears it anyway), promptly panicked, and … broke out, somehow. Dug himself out from the rain-soaked earth, and stumbled along the roads until he saw a house he recognized. Which was Steve’s house.

It’s impossible, Steve knows. Billy has been dead for months. Steve saw him die – had first row seats to the sight of him getting impaled by a monster made out of meat and bones – and coming back from the dead after all that is simply not possible. Yet here Billy is, sitting on the floor of Steve’s living room, not a mark on him.

(Literally. There are no marks, no scars. Just smooth skin where they both know he was speared through.)

They spend the rest of the night slowly making their way through Steve’s dad’s expensive whiskey.

In the morning, Billy says, voice hoarse; “I need you to drive me to California.”

Steve thinks of asking why. Thinks of Max, thinks of Billy’s parents, thinks of telling the Party or the police or at least some adult who would possibly know what to do. What he says, though, is “Okay.” The world swims, and he adds, belatedly, “Tomorrow, though. I’m too drunk to drive now.”

A snort is the last thing he hears before he falls asleep where he’s sitting.

~~~

Half the next day is spent nursing hangovers and realizing that nope, last night wasn’t a dream or an alcohol-induced hallucination. The other half is spent making preparations for the trip.

Now when Steve is sober, he revisits the idea to simply tell someone. Billy being back is a miracle, and there are people mourning him, people who has missed him –

Billy shuts that down hard and fast. “No one is mourning me here,” he says, voice gravel-rough. “If they act like they do, it’s because they’re feeling guilty. There’s nothing left for me here.” He licks his lips, and his next words are a whisper. “I never wanted to come here in the first place.”

And, like. If he really thinks about it, Steve realizes that they wouldn’t be able to keep Billy being back a secret if he stayed in Hawkins. And if they tell Max, or Billy’s family, then word would spread. The government would no doubt hear of it. There would be a high probability of Billy being taken in for tests, experimentation, whatever else.

He doesn’t deserve that, Steve thinks as he watches Billy emerge from the shower wearing borrowed clothes. Because Billy died saving them. Sacrificed himself for them, even when they’d done so little to try to save him. This? Driving Billy to California? It’s the least Steve can do for him.

~~~

They get on the road the next day. Steve has taken time off work blaming the death of an elderly aunt and a rare family gathering, and been as vague as he can get away with concerning how long he’ll be away. Early in the morning, they put their bags – Billy’s is a borrowed one, containing only Steve’s things since he has nothing of his own and understandably didn’t want to keep the clothes he had on when he was buried – in the trunk of the car, and get in.

Steve is driving. When they pass the “Leaving Hawkins” sign, Billy lets out an audible sigh and slumps down in his seat. Steve glances over at him, and Billy explains without being prompted; “I always hated this town. I can’t believe they fucking buried me here.”

His incredulousness over the fact draws a snort out of Steve.

~~~

It’s strange, how easy it is to get used to having Billy Hargrove next to him while in a confined space. Stranger yet, how well they get along considering their history. And even more strange, how different Billy seems now, when they’ve left Hawkins behind them.

Or perhaps it’s not strange at all – at least not in comparison to all the other weird stuff they’ve both seen and somehow lived through. In the great scheme of things, one young man coming back from the dead and wanting to go back home doesn’t even make the top ten list of weird shit.

Billy is surprisingly funny, and witty, and smart – and it is dazzling without the sharp edges. It takes Steve a while to recognize what is missing, and when he does, it makes him watch Billy with new eyes. Because Billy doesn’t seem to exist behind a layer of anger anymore. The tension is gone. The further they get from Hawkins, the easier Billy seems to breathe.

The change is remarkable. Makes Steve think that he probably never knew who Billy really was, before this.

He finds himself thinking that he is looking forward to getting to know the real Billy.

~~~

They take turns driving. Sometimes they talk, sometimes they sit in companionable silence, and sometimes whoever’s in the passenger seat naps while the other drives. They stop at gas stations to stock up on gas and snacks, and at diners for food. That first night, they drive straight through, but the next night they stop at a motel for some proper sleep in a bed.

They share a room, but lie in separate beds. They talk for hours in the dark before falling asleep.

“I never wanted to be buried underground,” Billy says, when they’re both on the edge of sleep. “They knew that.”

“What did you want, then?” Steve asks, never having considered an alternative.

“I wanted to get back to the ocean,” Billy says. “Have my ashes spread over the surface of the water and become one with the waves again.”

Steve doesn’t know what to say to that. That he’s sorry that even Billy’s own family didn’t respect his final wishes? That it sucks that they buried his body in the dirt of a town he hated, leaving him to rot there forever when he never even wanted to come there in the first place?

“’One with the waves’ … That sounds beautiful,” he decides on. And then, as an aside, “I’ve never even seen the ocean.”

Steve can hear the smile in Billy’s voice when he speaks next. “You’re going to love it. It’s … everything.”

~~~

They get closer – to California, and to each other – and the closer they get, the less urgency Steve feels to get to their destination. Because what will happen when they get there? Steve can’t just leave Billy there without a means to support himself. Without a home, without a car, without money – without someone to take care of him. Steve can’t help it – he worries.

And then he looks at Billy’s smiling face next to him, and feels his worries being washed away.

He still finds himself taking the scenic route more often than not. Insisting on taking detours to see the sights. Claiming he’s too tired to drive unless he takes a break.

Billy smiles as if he knows what Steve is doing, but he doesn’t make a comment. Doesn’t complain. Seems to enjoy this little bubble they’re in together, in Steve’s car with the world passing them by outside.

It’s strange. But it’s nice, too. Steve kind of doesn’t want it to end.

~~~

The last night, they stop at a motel an hour or two from their destination. They could have kept on driving, but none of them seemed to want to. So they get a room, as usual. Steve pays, as usual. There are two beds, as usual.

Yet, when it’s time to sleep, Billy forgoes his own bed and goes to stand by Steve’s. There’s a question in the air between them, unasked.

Steve answers by peeling back the comforter in invitation. His mouth is dry and his heart is beating like a drum in his chest as Billy climbs in next to him.

They don’t speak much, that night. But they kiss. And they hold each other.

“I never wanted to come to Hawkins,” Billy whispers between kisses. “And I hated it there. But I met you, so I guess it wasn’t all bad.”

The next morning, they wake up in each other’s arms.

~~~

“I’ll show you my home,” Billy says when they get back in the car after breakfast. Steve is back behind the wheel, because he wants a reason to keep his eyes on the road. If he watches Billy too much, he’ll do something stupid – like turn the car around and go back to Hawkins with Billy still in it, or perhaps decide not to go back to Hawkins at all, himself. Just, stay here with Billy, for a while longer.

It’s a fantasy that hurts, so he pushes it down. Concentrates on following Billy’s directions, and drive through a city bigger than one he’s ever been in.

(When he first spots the glittering blue between buildings, he gasps. So does Billy.)

They drive through the city, then out of it. Along a winding road with fewer and fewer buildings around, the ocean vast and terrifyingly endless to their right. Eventually Billy directs them down a gravel road that doesn’t have a sign and looks like it might lead onto private property. Steve would worry, would perhaps protest, if it wasn’t for the longing on Billy’s face.

They have to walk the last bit, Billy says. They get out of the car. It’s hours before noon, but it’s already warm. Steve’s in just a T-shirt, and for a second he his face to the sun to feel the warmth of it on his skin – before turning to Billy only to see him turned to the sun, too. Like a flower in bloom.

He looks golden, in this light.

After a short walk down a steep incline, they end up on a little beach. A tiny one, empty, with rocky outcrops on either side which makes it seem like they’re the only people on earth. The sand is fine and pale under their feet, the water lapping at the edges of it and then stretching out in front of them until it meets the horizon, far far away.

It’s beautiful. But it’s not exactly a house. And didn’t Billy say he’d show Steve his home?

“Mom used to take me here when I was a kid,” Billy says, kicking off his shoes. Steve does the same, and pulls off his socks as well. “We used to come here all the time.” Billy holds out his hand with a smile, and Steve takes it. They make their way to the water. “She’d watch me play in the water for hours, sitting on a towel, just listening to the waves and the seagulls.” The first step into the water is a shock – it’s cold, but not freezing. It almost feels alive. Steve takes a tentative step after Billy, bolstered by Billy’s widening smile. “I think taking me here was the most peaceful she ever got to be. It was for me, at least. The best times of my childhood.”

They stand there in the surf, feet in the water and holding hands, when Billy turns to Steve. His eyes are shining with unshed tears and his smile is wobbly as he places his hands on either sides of Steve’s face and leans in for the softest of kisses; their lips just barely brushing against each other.

“Thank you,” he says, and Steve’s heart skips a beat because it sounds like goodbye, “for not letting me stay buried in Indiana.”

He backs up a step. Brushes a tear from Steve’s cheek – that he hadn’t realized had fallen – and turns towards the endless sea. Takes a deep breath and starts walking.

Steve wants to reach out to stop him, wills himself to to say something, but he can’t. Somehow, he knows that this is where they were heading from the start. This is why they had to go here.

As Steve watches, Billy … dissolves. Like in a movie. One moment he is solid, and the next he’s … not. He turns to dust in front of Steve’s eyes, fine dust that glitters like gold in a sudden ray of sunlight. It – he – is spread out over the water, is carried over the clear surface by the gentle breeze.

Instead of being trapped in the ground inland, he becomes one with the waves again.

#harringrove #billy hargrove #steve harrington #sorry guys #canonical character death #got a scene stuck in my head and had to get it out #look at me keeping around the 2K mark!

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kaltacore · 3 months

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no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.

and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.

the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.

and none of them was celebrating.

mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.

and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.

for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.

but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.

the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.

i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.

how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.

and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.

it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it

#sorry. i cannot shut up about this. this scene stuck with me the moment i saw it and i just couldn't get it out of my head #i mean. i liked essek well enough. i just got attached to other characters more. but then 'it's not fair' happened and it sealed the deal #it was just. so beautiful. so sincere. so important for a character who just started to learn how to care about people #his reaction wasn't intentional. it didn't change anything. but it showed how humane he had become. how deeply he cared #mighty nein are no joke pal #they're gonna make you feel all these unknown emotions like sympathy and love and affection even when they're incredibly painful #essek experiencing closeness and attachment in all their forms. as something beautiful and something aching. is so important to me #they saved him because they had good hearts! and these good hearts sparked so much joy around them!#but if a good heart grants you an ability to experience joy so profoundly. it makes everything else feel like that #you get it. i hope you get it. anyway e140 did so much psychic damage on me i probably will never recover #in a good way mostly <3 but yeah. yeah. it makes me feel a little insane #the mighty nein #essek thelyss #critical role

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