#this really is not the right audience for this

[athenagranted]

actually i'm still thinking about that part of oliver's zach sang interview where he says that he doesn't think of buck as a queer character, he thinks of him as a character that is queer, who has a fully fleshed out personality and a multitude of important characteristics and who has flaws and makes mistakes, just like any real, human person. he's not that bisexual character we shoved in there for representation's sake. he's evan buckley, and his bisexuality is important and undeniable but it's not the only thing that makes him buck. that makes him so loved.

i love it because that's always how 911 has approached queerness, right from the very beginning. when i think of hen, her being a black lesbian isn't the first thing that comes to mind. what comes to mind is her brilliance and her compassion towards the people that she treats. it's the understanding with which she approaches the world. it's how fiercely protective she is of her friends and her loved ones. it's her devotion towards her wife and her family. it's her complicated feelings towards her past and the way that she's learned to heal from the scars that were left. however, hen's identity as a black lesbian is always present. it's never ignored or minimized and the show never tries to diminish how those aspects of who she is would impact her life. her identity as a black woman and a queer woman is always relevant and has played a huge part in making her who she is, but it's never, ever been her sole defining characteristic. she is a fully fledged character, and her queerness has always been allowed to exist and take up space without taking away from anything else that makes her hen.

that is always how representation should be done and i'm so grateful that it's been the norm on 911 right from day one. i'm so grateful for this show, and the love and care with which they've treated our queer characters — hen, karen, michael, david, josh, that beautiful older gay couple that quite literally defined love on this show, that sweet woman who just wanted to pass her driving test, the guy who ended up with a tapeworm in his ass because he couldn't stop eating sushi, tommy, and now, evan buckley. a character that has been so loved right from the very beginning and now gets to discover this new part of himself that brings him so much joy and so much relief. despite the hurdles they've had to face, the people making this show have given so much to their queer audience and i'm just....so grateful that we get to witness the love they have for us. they really said. we see you. there is a space for you here. come and embrace it.

#I'M EMOTIONAL!!!!! #I LOVE THIS SHOW SO MUCH #rae.txt #911 #my commentary #evan buckley #hen wilson

[respectthepetty]

Dunk and Joong could have offered me anything in 2024, and I would have taken it, gladly, no questions because my ass is a Jaidee fan first and a human second. But to hand me The Heart Killers? Oh! Let me list all the reasons y'all gonna hate me when this comes out.

Joong plays Khao's older brother

Khaotung is older than Joong, but in BL Land that doesn't matter because Khao is playing the hopeless romantic little brother while Joong is playing his stern older brother. Someone already wrote it was 10 Things I Hate About You/The Taming of the Shrew, and Shakespeare would be thrilled to know one of his masterpieces is getting the queer treatment and it's not Twelfth Night.

Dunk is playing the crazy seducer

Boy wants a car and is willing to go to great lengths to do it, including distracting some dude, so his buddy can play house with that dude's little brother. But the whole point is they had to find a guy who was crazy enough to accept the offer in the first place >insert Dunk's character< so the guy isn't just wanting the car. He is doing this for the thrill of getting tied up, stripped down, and threatened.

And I respect that.

Jojo is apparently directing

I wanna have beef with Jojo after Only Friends, then I look at his resume and remember this is the man who gave me puppy play in The Warp Effect, poly in 3 Will Be Free, and a chaotic stripper named Judo in Dirty Laundry PLUS the YinWar trailer for their Partner in Crime concert which has now lead to YinWar doing Jack & Joker, so as a vegetarian, I'm gonna be like Elsa and let that go.

Which means Rath is probably the cinematographer

I don't give men compliments easily, so when I state that Cinematographer Rath has never disappointed me, I mean it. The man knows what he is doing, and if he is in on this series, I know if anything, it will be visually stunning.

First and Khao being the Beyonce of GMMTV

I'm in Jaidee's corner always, but I have eyes and First and Khao could really do whatever they want and I'd eat it up. I have believed them with whomever they have been partnered with in the past, and if they want to play high schoolers in an oppressed school system or a banker willing to see his ex and his ex's new man just to flirt with the boy from the market, I'm buying the tickets, I'm sitting in the front row, and I'm holding up homemade posters. Basically, I'm shutting the fuck up and experiencing whatever they want me to experience.

First and Khao tears

This is its own category because when they cry, they are in a league of their own. They claimed this series was going to be lighter than their previous work, but what is a First or Khao series without tears? I hope they are drinking water right now because someone is crying in this series, and JD's faces are already wet for other reasons.

DUNK'S BODY!

Not to objectify the man's body, but . . . it's a banger, and he has been done dirty by wardrobe for two solid years. His face card never declines. His arms are solid. His waist is snatched. His hair is perfect. Even Tay, New, and Jan were talking about him in the BTS for Peaceful Property because they were saying how New's character was based off of Dunk - pretty, fashionable, and COCKY! But wouldn't we all be that cocky if we were walking around looking like this?! Like shut up fives. A ten is speaking!

It's high time that man got to stunt like Force always does just taking off his shirt for no reason. Good for him. And good for us.

Oh, yeah, and the plot

Sorry, I mean the plot.

SHIT, THE PLOT!

You know what? Nah. I honestly do not give a fuck about the plot. Joong and Khao are hired killers. First is out to get them. Dunk gets involved (although, I think he knows a lot more than he leads on), and . . .

All will end well.

Because if anything, Jojo ain't never been allergic to a happy ending *wink*

So just know this show hit its target audience

ME!

¡Salud!

#the heart killers #gmmtv 2024 #joongdunk #firstkhao #this was meant for me! #rath and jojo save me! #give me chaos and visuals #I'll take whatever you give me #I'm still gotta talk smack about everything else #but I'll be quieter about it

[cat-clawz]

As far as walkback/apology videos go, I think that this one was really solid in terms of how it handled everything! Here's why I think that:

1. They were straight to the point, no beating around the bush. It was a 4 minute video, and they started addressing stuff right out of the gate.

2. They actually apologized. Not an "ohhh I'm sorry you all didn't understand our vision" but an actual "we messed up" and "we're sorry for the way we handled this as well as the way we communicated it" (those last two are actual quotes)

3. They addressed many of the specific concerns we've been having (although not all of them; I'm sure some need a little more planning) which shows that they were actively listening to us. They addressed:

-Us feeling like our current support was not appreciated by them/that they were shunning their youtube audience

-The poor delivery of the original video (I think they probably could have said a little more about this one but I digress, they still addressed it)

-their statement about how anyone could afford 5.99 a month

-how they kinda screwed over their Patreon when they did this

-Exactly why they decided to do this, clarifying more than just saying "we wanted higher/more tv-quality content"

4. They gave a plan of DIRECT ACTION as to how to fix the problems:

-they gave their patrons free access to watcher TV

-they changed the model of watcher TV so that videos are placed on YouTube, with ads, 1 month after they're released on watcher TV without ads

-they've offered refunds for anyone who already paid for watcher TV who isn't down with the new model.

Overall, while I'm still a little wary of them given their initial release of this, this is a really big and honestly well-done step in setting it to rights.

#watcher #watcher drama #steven lim #ryan bergara #shane madej #my ramblings

[youkaiyume]

Alright, so I've been a fan of Shane, Ryan and even Steven since their buzzfeed days and I've been watching this whole thing with Watcher moving their content over to their own streaming service debacle.

Like most ppl, I think it's a poor business move to alienate your fans like this, but I've been thinking on it more from maybe a financial perspective. I'm wondering how many people actually signed up for it. I saw a tiktok advertising expert say that the conversion rate for ads--meaning the number of ppl to actually buy something when they see an ad is about 1-5%. Like, right now they have about 2.8 million subscribers. And even though they've lost about 50K since and counting, they probably anticipated some loss. I'm sure they've mathed that if they just get at least like 100K conservatively out of their nearly 3 million fanbase to sign up, they'd be able to make $600K a month from their streaming service at six bucks a pop each month.

Maybe that's worth it? I'm not exactly sure how much they were making before. Ppl say they had 11K subscribers on patreon before but that's just their member total. Actual paid members was about 5K. But despite the controversy, their patreon member count has actually gone up. Today it sits at 12K members total with nearly 6K members paying. So they're making at least $30K-70K+ a month currently on patreon based on their offered tiers. not sure how much they were making on ad revenue alone or sponsors cuz I'm not sure how that stuff works on youtube. But maybe by their own accounting they think the loss of followers was worth it if they can hang on to that small, loyal but paying minority.

Another youtuber has pointed out that if you have a sponsor for a video and it's a one off, it can pay more. Up to $35K. So if that is the peak and they release 1 video a week, so 4 a month would be like 140K a month on sponsor money. And youtube pays about $10 per 1000 views a video, and they average 1 mil each video. So about $40K a month on views. So we can guess that they made about $180K a month currently on youtube (patreon and merch sales not included).

Honestly, if they can reach the goal of 1-5% of their subscribers converting to their streaming platform, yeah they probably would make more money in the long run. IF they can somehow manage to retain as well as grow those number of subscribers on their new platform. And don't forget, they don't plan to delete their current videos on their youtube channel so they'll still be earning revenue from those videos. We'll have to see I guess given how much goodwill they've lost with their audience.

Tbh, I am all for them trying to get paid more for their work but I also think they could have transitioned much differently, like only putting some exclusive content on their own platform while also posting free shows to youtube. Or maybe delaying releases for a week or a month for youtubers. or cutting back your production costs if it's really killing you cuz everyone has pointed out they liked the ghoul boys when it was just a black screen with text scrolling by saying "wheeze." Only time will tell if this move paid off for them.

But I'm not super knowledgeable on how the entire youtube thing works so if someone has some insight, feel free to weigh in.

#watcher #shane madej #ryan bergara #steven lim #its not a bad business move tbh if they get guaranteed 6 bucks each month each subscriber #and they don't have to care about the views/what is popular because they are no longer paid by how well a video does #also i am really tired of ppl placing the blame on one person #like i get that we all have faves and maybe some are problematic #but that doesn't make your faves innocent cinnamon rolls okay #they all made that decision together #text post #personal

[mylordshesacactus]

I don't think I'll ever be over the way that the thesis statement of OWK is represented, more than anything else, even more than Reva's plotline honestly, in Haja.

Like.

Genuinely? The one "twist" I wasn't emotionally prepared for was that Haja was legit, and he really was trying to help, and there really was a massive grassroots shadow-network underground railroad evacuating Jedi survivors and Force-sensitive kids across the galaxy, and he really was part of it.

Because the thing with his whole setup--the magnet tricks, the motion-controlled windows, the cold-reading, the crowd-working kid identifying obvious offworld marks, the "audience plant" stormtrooper playing along over the comm? Yeah, they're cheap tricks, but it's a SOPHISTICATED setup.

This guy is a straight-up conman. He really is every bit the sleazy grifter he appears to be.

That matters. That's important. Haja is not an angel. He's a mid-level fake psychic, callously cashing in on the Jedi's legacy to do, like, bullshit fortune-telling. It's--it's the way you can see this guy's whole backstory in a few minutes of screentime. Because we DO see him identify a Force-sensitive kid....and the escape he offers them is genuine.

So: Haja. And the story we can see in him at a glance.

He's a scam artist! He's dressing in knockoff porn-vid robes, waving his hands, and babbling half-remembered vague tropes before murmuring generic platitudes and sending rubes on their way. The Jedi are dead, right? It's not like they're around to be offended. He's not even really lying, right? He gets people what they want! The Jedi stuff just lets him upcharge! He's just skimming a little, a man's gotta make a living.

And then, one day, someone came to him who'd used all their hope just getting there. Someone with a Force-sensitive child, and the Empire on their heels, stumbled terrified into his little den of cheap tricks, because they'd heard a whisper of a rumor that there was still a Jedi alive on Daiyu.

And in that moment, Haja learned that he was a better person than he'd ever realized.

They must have staked everything on reaching him, and then they found him, and what they found was...Haja. Just some guy in a cheap costume. Just some guy, and not a particularly great one. How much is the bounty on a Force-sensitive youngling? Enough to retire on. Enough to set you up for life. And Haja is just some guy, who had just been slapped in the face with the reality of what he was capable of doing in the next five minutes.

There are moments when you learn who you really are, and sometimes you surprise yourself.

After all that time "acting like a Jedi," when given the opportunity--he chose to act like a Jedi.

Ultimately, the thesis statement of OWK is: There is a galaxy full of Hajas. And that's hope enough to keep going for.

#OWK #kenobi spoilers #(tbh that's just my organizational tag) #star wars

[piratecaptainscaptainpirates]

One of the things that still really frustrates me is how we know the crew of OFMD were so intentional with cutting off any "Ed is abusive!" allegations at the knees.

There are three things from Ed's kraken spiral that we know for a fact did not make it into the show. One of them (the scene of Ed throwing a knife at Izzy) even made it into the trailer before it was cut; the other two I'm thinking of are the bts footage we have of Ed drinking heavily the night he has his last fantasy of looking at the cake toppers and a still of Ed making the bride cake topper push around the groom.

I think all three of these things were very wise to cut and it's obvious why they did it. The drinking and throwing stuff ran the risk of making Ed look too much like his abusive dad (not to mention heavy drinking tied to abusive behavior runs into deeply uncomfortable stereotypes about indigenous men like Ed), and when all we see of Ed is him gently caressing the cake topper that reminds him of Stede, it reinforces a core aspect of Ed as a person, which is how he would never, ever hurt Stede and wants nothing but gentleness and tenderness for and from him.

And it's incredibly frustrating that these things weren't enough. We're shown over and over again that Ed during the kraken spiral, right up until his mutiny-as-a-suicide-attempt, is doing normal piracy (that's why Archie is here! The only characters who are emotionally affected are the ones who know what life was like on Stede's ship!), and the only person who is actually physically harmed is Izzy (for good reason in Ed's mind; he was the trigger for the whole thing and Ed lists him along with booze and drugs as destructive influences on his life). We even get other characters say things to Stede like "do you think Blackbeard is gonna murder you" and Stede, who explicitly knows Ed better than anyone, is always like "what the fuck are you talking about? Of course not," and he's obviously right.

It's just so disheartening that there can be this much intentionality in making sure it's next to impossible to read a man of color as abusive and it will still happen. White fandom has such a tendency to center itself and white characters that it doesn't even matter how much effort they put into taking the audience by the shoulders and saying "this guy isn't abusive, he's being an imperfect victim in response to being abused himself," up to and including having the white guy in question say on his deathbed "sorry for abusing you for years." And people still wonder why fans of color are sick and tired of this shit to the point where some of us just want to leave fandom altogether.

#ofmd #our flag means death

[controld3vil]

chaotic duo

pairing(s): dune cast x actor!reader (platonic), oscar isaac x actor!reader

synopsis: requested by this ask!

⤷ alt: even your on-screen son can't deny how delightful his on-screen parents were.

notes: absolutely no shade to jessica ferguson i adore her too much. reader is considered to have fem pronouns. ALSO ive been feeling iffy about trying to write for dune characters?? personally, although i love writing these actor!reader stories, writing for the actual characters i feel would be more challenging. dune's still pretty new to me but i kinda wanna give it a shot if i can make a good storyline T-T

It all started with the Dune Cast Q&A brought together by Nerdist. Timothee Chalamet and Denis Villeneuve had just finished chatting with the host, Stephen Colbert about their perspectives on Paul's character. Much emphasis had gone on the young actor's performance. And Denis's decision to cast such a well-experienced one.

After finishing up their last question together, Stephen decides to introduce two additional members. "Timothee let's bring out the man and the woman who play your parents, Duke Leto Atreides and Lady Jessica." A transition between screens to display your camera view and Oscar's. He introduces both your names.

"Hi!" You grin at the camera, comfortably leaning against one of the arms of your chair. Similar to everyone else's backdrop, yours was pitch gray, covering all but your silhouette and chair.

"Hey Stephen," Oscar greets at ease, as you proceed to wave to each of the people seen onscreen.

It cuts immediately to the host gesturing in continuation for a question. "Tell me and the audience about Duke Leto Atreides. What do we need to know?"

"He's the father and human. I think that's the biggest thing and uh under incredible pressure to save his family. Save his house but to adapt to this new existential threat situation which is moving to this strange planet," Your fellow costar puts into short. Short and concise was what was expected.

Content with his answer, Stephen moves the attention to you. He calls out your name, eagerly. "Rereading the books uh- right now, I am struck by how much of the story- uh the backstory and the action story is driven by the decisions Lady Jessica makes." A smile grows on your face, knowing how much fun was a character to play for you.

Along his last few words, you find yourself nodding in agreement. "I'm impressed with that you, Stephen actually read the books again!" An instant grin comes from the said man. "But it's all applause to Denny- he highlighted this from the book. In the film, her decisions basically create, fractures and disrupts everything."

"Best parents ever," In a low whisper, Timothee murmurs and the five of you burst into short chuckles and snickers.

"The best you could ever have!" You clapped your hands together, shaking them above your head in victory. And when the screen expands to show everyone's reactions, the audience can noticeably pinpoint Oscar's playful eye-rolling.

Another fun interview you had the pleasure of sharing was with Grazia UK. It was in a more comfortable setting. With you and Oscar in a lounge room, with the Zoom camera on. While the female interviewer complimenting a kind smile.

"Can I ask you something," Not within a second of the conversation, you rose up with a peculiar question. "Do you remember his beard?" Your costar beside you, looks away in disappointment. Even raising his hand to emphasize his discouraged state.

"A bit yes..."

"Yeah,"

"Yes!"

"Why? It was an impressive beard," Sort of clueless really, the interviewer says, of why you wanted to the topic up.

"Yeah, it was impressive!" Oscar looks back and forth between you and the camera, directing towards the woman on the other side. While you shriveled in embarrassment, leaning your head behind his shoulder, with a few snorts of laughter. "She doesn't even remember if I had a beard or not in the movie! She just saw it."

"Quite a prominent beard!"

"Yes yes, well I can remember so much," You chaste, leaning closer, locking eyes with your costar. Threatening really in a playful way.

"We shot together for a few months! How could you not remember?!" He exclaims, raising both his hands in the air in exasperation. You puff, adorning a pouty-like look.

"I work with what's in front of me," you turn to address the interviewer, pointing at Oscar accusingly. Because much contrast to what he looked months ago, he no longer had that impressive beard. He was clean-shaven, much to your display.

Next to you, Oscar scoffs. "Apparently not!" Bumping shoulders with you as you fought back, poking him many times obnoxiously.

You both later discussed a provoking quote referenced multiple times from Dune posters. Fear is the mind killer. Truly a simple yet intriguing phrase that fitted well with the film. And in generally, you and Oscar compared each others quotes from personal experience.

"I guess you could combine them together," Taking a sip out of your glass, you eyed at Oscar. He hums back and smooths his hands comfortably down his hips.

"It will pass and love prevails!" He cheerfully expresses. Even from afar, the interviewer can notice how much fun you two were having with the question.

"Right and, it plays perfectly with the film," You add onto your little spiel, nodding as you go, "Besides the fact that- you know, fear is the mind killer."

The male actor lets out a long sigh. "Makes you forget how violent the movie is."

On the other side of the screen, the blonde interviewer shrugs her shoulders. "Well- it's only included in small parts in the movie."

It was your turn to hum, dragging out the M sound. "I think maybe the film focusses too much on romance."

A caught off cough comes from Oscar as he tries to his best to dismiss his your sarcastic comment. "I feel like there should've been more of it."

"Really?!" The shot pans to your exaggerated shocked gaze. You then turn to look at the interviewer. "He has no idea how to write a movie." Instantaneously the male actor bursts out laughing, shaking his head back and forth in little denial. Even you couldn't hold it together and giggled a little.

"You play Timothee's parents so spent a lot of time with him. What is the most interesting thing we do not about Timothee Chalamet?" The interviewer prompts, having their arms supported on top the their desk with pure keenness.

Pursing your lips together in concentration, your attention turns towards your partner. "Well coming from me- I mean I don't know if people know this about him or not- but he's very open hearted." Oscar continues, "And me, having to play his father- hence the beard!"

"Ah!" Giving more emphasis, you raised your brow in recollection.

He goes on comparing the analogy of having to play Duke Leto as a powerful leader of a House. Without his people and court, he wouldn't resemble much of an prestige leader. However Oscar later mentions that Timothee's performance was the catalyst to their relationship look authentic. He is young yet incredibly sympathetic towards what's to be done for the film. His time with both of you really sold your relationship as a family, you'd think.

"So that's a very generous thing to do for a young actor. And I was impressed and admired that," In the background, you can be heard mumbling in agreement. Your partner shifts his posture, facing and expecting you to go next.

Licking your lips, you took one last glance at him before focusing strictly at the Zoom camera. "I think for me, to have a young actor like him- he's very driven about it all. When he's on and off screen, Timothee's just focused- he's very serious and concentrates heavily on what Denny says- and I can say I respect that." You punctuate your point, tapping lightly on your knee. "And I play his mother you know, and I try to accommodate with that. I play along and we work until we find a good rhythm with each other." The older woman on the screen seemed enamored by your compliments regarding your costar. Yet her eyes quickly makes it's way to Oscar, sitting quietly and listening to you ramble.

His laidback posture showed how greatly he took your words in. You grab your glass and take a quick sip before hearing him say, "We raised him well." Taking your hand in both of his as a sign of pride.

A delightful chuckle comes from both you and the interviewer while your partner gives a satisfied grin. "We really did!"

The media did not need proof to know of your enjoyed time during the production of Dune. In fact, multiple vlogs and documentaries about the film had fans and viewers alike become fond of your positive and laid back attitude about it all. Despite playing a calculating character such as Lady Jessica, you were nothing of serious when on screen with your costars.

"Welcome to Arrakis!" You popped into frame, wearing an exquisite dress, costumed by one of the designers. It was golden yellow with chains running down from the bottom half of your face to your chest. A faint veil covered your head but for right now, you had it placed on your hair. You spread your arms with anticipation for the cameraman to pan around your surroundings. "It's sunny today so I think we'd be out here for some time." You moved extremely close to the camera, before moving out of the frame to the side.

Abu Dhabi was bliss. The production and crew worked diligently day and night working in the deserts. And on this particular day, most of the cast had been present as well for the introduction of House Atriedes on Arrakis.

A few shots slowly pans from the crew's tents and Denny far into the sandy mountains as he speaks with Timothee. Another shot slyly captures you showing Josh Brolin an unknown video, sideways. Which somehow made him cackle very enthusiastically, holding his stomach to air as you quickly pat his back multiple of times. In all, everyone of the cast members were having a blast in the dry outskirts of the unknown.

"Hello," Brolin pops in another clip where he stands, wearing the Atreides armor. Under a massive shade area, a few people can be spotted in the background, moving equipment and conversing with others. From afar, the people filming the documentary can be heard presenting a few questions for him to touch upon. "Ah what do I think about Lady Jessica being played by," He says your name sincerely.

The video cuts to you having a conversation with your on and screen husband. A hand covering above your face to shield yourself from the sun, while Oscar tries to move where the light is hitting you as the best he could.

"I mean a phenomenal actor like her playing in that kind of role is guaranteed to have an amazing performance. She's- We've known each for a long time since Sicario and with Denny," The male actor softly grins, staring at where you were. "But Oscar on the other hand, eh- not so much." His tone becoming monotonous, as if the shift in topic was distasteful to the touch.

"Whatcha say, Gurney?!" A scream echoes and it's Oscar, cupping both his hands into an O.

The older actor couldn't keep it together before breaking into frivolous giggles. "Nothing, my lord!" He takes one last glance back before seeing you give him two big thumbs up with a silly smirk. "No in all seriousness, those two are just the best! You can never have a bad day with them."

Another prominent section in the video fans adored was with the actors that played Duncan Idaho and Dr. Liet Kynes. This time they are situated in what looked like the structure of Arrakeen. Where all ornithopters were supposedly stationed and the introduction of Dr. Kynes.

"They're so mom and dad," Jason Momoa shaking his head playfully with his hands clamped together. Both him and Sharon Duncan-Brewster wore still suits unlike many other extras who wore Atreides armor. "I mean- they're playing Paul's parents- but in real life it's just so different."

"Definitely more chaotic," Brewster jumps in, earning a hum from her costar. "They act nothing like them."

A cool shot from different location displays you in a dark with Timothee. It was the scene after Paul is put to test to by the Reverent Mother. It was a chilling scene yes, but in post production, many realize how unprofessional you sometimes were even in the most serious times.

The cameras were not live however the film crew were about to pan to you gesturing back and forth with your on-screen son. It was a interactive and intriguing conversation you both were having. You looking in purely engaged with what the French actor was saying. After a few sentences being spoken, it looked as though you chided a teasing joke which gave the reaction of Timothee slightly snickering, backing away slowly.

"I mean do they look like my parents? No," The young actor states shortly. It looked as though the clip was shot right after capturing your cute moment togehter. "But I'd say- yeah Oscar Isaac's a great actor and- to be able to play my dad is pretty cool. Even though we look nothing alike." Nervous laughter spouts as he clears his throat.

"I feel like I get the resemblances from my mom though," Affectionately stating your name, "You can tell where I got my powers, good looks from." Momentarily readjusting his collar as he takes a quick look from behind, knowing your footsteps.

"See? I'm the favorite parent!" In hushed squeal, you wrapped your hands around Timothee's shoulders, earning a lovable grin back.

#dune #dune part one #dune x reader #dune imagine #dune 2021 #dune cast #oscar isaac #oscar issac x reader #duke leto atreides #duke leto x reader #duke leto x you #leto #leto atreides #house atreides #lady jessica #leto atreides x reader #leto atreides x you #leto atreides imagine #timothée chalamet #timothee chalamet x reader #paul atreides #paul atredies x reader #gurney halleck #duncan idaho #liet kynes #bene gesserit #REBECCA I LOVE U #fr tho #spare us #NO BETE READ UGH

[cy-cyborg]

Dealing with Healing and Disability in fantasy: Writing Disability

[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]

I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.

Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:

Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.

It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.

It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.

So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.

Limited Access and Expensive Costs

One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.

Just outright state that some characters don't want/need it

Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:

you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.

Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.

Give the "cures" long-lasting side effects

Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.

Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.

Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.

Consider if these are actually cures

Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.

Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"

I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.

In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.

Think about how the healing magic is actually working

If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.

My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.

Put Restrictions on the magic

This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).

An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.

An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.

But what if I don't want to do any of this?

Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.

Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.

What do I mean about this?

Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.

Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.

Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".

Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.

Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.

#Writing disability with Cy Cyborg #Long Post #Disability #Disabled #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #On Writing #Disability in Media #Tropes #Disability Tropes #magic #fantasy #worldbuilding #magic systems

[mysteryshoptls]

R Ace Trappola - Luxe Couture Vignette

"My perception just lagged hard"

[Fairest City – Crystal Galleria]

Ace: Alright, it's finally the free roam time I've been waiting for! That brand-name shop looks good, and so does that one… But I think I'll have to pass on 'em!

Azul: Oh? You don't plan on visiting those stores?

Ace: I mean, I'm not anywhere close to being able to afford all those high-brand clothes. But you already knew that when you asked, right, Azul-senpai?

Ace: But it's not like I've completely given up on doing any shopping, though. I'm thinkin' about checkin' out some of the secondary line shops.

Azul: Ah, yes, there are many high-end brands that are developing products aimed at the broader marked instead of just their main audience.

Ace: Yeah, yeah. I did some digging after heading back to the hotel yesterday, and…

Ace: Looks to me like those secondary line shops have fits that suit me better.

Azul: Hm. And what sort of look do you tend to like, Ace-san?

Ace: I guess my likes reflect my usual getup. I dress pretty casual.

Ace: I like clothes that are easy to move around in, and aren't really high-maintenance. And I can't really deal with looks that are too stiff.

Ace: I'd probably say that most of my outfits have a splash of the current trends, but also have a bit of an edge to it.

Ace: On the other hand, I can only imagine you wearing pretty stiff and formal stuff.

Azul: I suppose. Of course, it does depend on the time and occasion.

Ace: Maaan, I know you got some real good sense about these things. It'd be greaaat if you could tag along and pick out some clothes for me～

Azul: Well, let me see… I do have some interest in how those secondary line brands develop their merchandise.

Azul: There's no reason for me to not join you as I observe their establishments. HOWEVER! You will, of course, be paying for yourself.

Ace: Tch. Guess he saw right through me. Suuucks.

Ace: Oh well, let's go, then.

Ace: Hmmm, where's the store I was checking out yesterday…? Oh, found it. Azul-senpai, it's over here.

Azul: The store does seem to have a grand appearance, yes… But I can see that the designs here are rather different from the signature line.

Ace: Looks pretty good, huh? Let's go in!

Ace: Woah, check out this stylish sweater! The shape's pretty good, and I bet it'd work with all sorts of outfits. And the price…

Ace: ONLY 30,000 MADOL [300 Thaumarks]! THAT'S SO CHEAP!

Azul: Calm yourself, Ace-san. Is 30,000 Madol for one sweater considered cheap to you?

Ace: ACK, WAIT, NO, THAT'S NOT CHEAP! WHEW, THAT WAS CLOSE～

Ace: After seeing all those Luxe prices set for the rich and famous, I guess my perception just lagged hard.

Ace: But I think I should be able to buy at least one thing from this shop with my pocket money.

Ace: Azul-senpai, I'm countin' on you to pick out something nice for me.

Azul: What do you think about that black blazer on the mannequin over there? It has a stunning silhouette.

Ace: Ooh, you're right. It's got a pretty slender and sleek profile!

Azul: Underneath it… How about this collared white shirt? It would probably look good with a striped tie, as well.

Azul: If you combine it with these center-pressed slacks and leather shoes, you would do well in any establishment that requires a dress code.

Ace: Cool, I woulda expected nothing less from something you've selected, Azul-senpai. Pretty formal and mature.

Ace: It's a pretty different look than what I normally would go for, but I guess I should at least give it a try.

Azul: I am pleased you like it.

Ace: If I were to buy everything that you chose for me… Urgh, that's over 100,000 Madol [1,000 Thaumarks]!

Azul: Well, this might be a secondary line, but it is still a brand-named shop.

Ace: Hrrrngh, maybe I'll do just this blazer… It's not really something I already own or anything.

Ace: And black pretty much goes with anything, so it makes it easy to come up with outfits…

Ace: It's a shorter style, too, so it might actually go for a casual look with my hoody and jeans.

Azul: That is a combination that hadn't even crossed my mind… Yet, I agree, I'm sure it would suit you immensely.

Ace: So that look would be like a combination of our two fashion senses, then.

Ace: If it's just the blazer, I think I could just barely afford it, but… My funds when I return to campus'll be pretty low…

Ace: Ooh, I have an idea! Can you let me work some hours at the Mostro Lounge?

Ace: I can be pretty good with my hands. You've seen that before, right, Azul-senpai?

Azul: Yes, of course. And we have a mountain load of tasks to be done. I look forward to your wonderful hard work, Ace-san.

Ace: …Shoot. Did I just put myself up for something I shouldn't have?

Ace: Uhhh… Hope you'll go easy on me～

Requested by @ordinaryanon.

#twisted wonderland #twst #ace trappola #azul ashengrotto #twst ace #twst azul #twst translation #twst tapis rouge

[mossy-rock-in-a-field]

the fact that they haven’t come out with a statement yet makes me wonder if they’re following the Try Guys’ tactics of buckling down to manage the crisis. The problem with that strategy is that the Try Guys had sympathy from their audience for what occurred. They had a “bad guy” that the internet could pin blame on (and rightly so), even in the short term before all the details came out. The Try Guys could afford to take a few days to collect themselves before really rolling out official statements and crisis management because the internet was already mostly on their side by the time the Ned story really went mainstream.

Watcher doesn’t have any of that. They don’t have time, and they definitely don’t have our sympathy for what’s transpired. Their window for a response is getting smaller and smaller, and even if they dropped a statement right this second, I still don’t know if it would be enough to sway people back to their cause. They can’t follow the Try Guys’ blueprint for PR crisis management even if they want to.

They need to say something. Soon.

#watcher #god I hate everything that’s happening #say SOMETHING #ANYTHING

[allaboutalf]

Going to need the 911twt fandom (well toxic buddie shippers there really) to learn what narrative misdirection and a plot twist are. Tim has been very open in saying he purposely framed 7.04 so the audience would think it was a friendship jealously about Eddie on Buck’s part but the reveal at the end was that it was romantic jealously about Tommy instead.

Where is the narrative literacy?

I’m not saying he wasn’t also feeling a bit left out of things with Eddie and Chris but the root cause of his actions in the episode was that he felt something for Tommy and was trying to get close to him, not understanding the romantic possibilities until the end.

I’m a buddie shipper and I see that Buck loves Eddie (in whatever way he does - platonic or not) but he is legitimately romantically interested in Tommy right now, it’s not just confused or misdirected feelings.

Let’s not invalidate this important arc about his bisexuality over ships.

And Oliver has also spoken about how he’s not keen to have a storyline right now about a man who has recently discovered he’s bi pining over his male friend. Because there are negative connotations to that in real life. So if there’s feelings realizations about Buddie (which, if it happens, should be explored more down the line cause that would make sense from a narrative standpoint to not rush it) then it should be from Eddie’s side first. Not Buck.

I’m genuinely concerned at this stage that the toxic buddie shippers are going to hype themselves up so much about downplaying Buck and Tommy before 7.06 that if we get romantic scenes, or even positive Tommy scenes, in that episode they’ll be pushing a negative backlash within fandom that we didn’t see in 7.04. And I’m worried about the optics of that because it would come across in a very phobic way.

#911 discourse #911 #911 abc #911 on abc #tommy kinard #evan buckley #bucktommy #buck x tommy

[myloveismineallmine]

okay apparently watcher released an apology so here's my thoughts (not asked for):

it was decent, as far as youtube apologies go. I don't understand why people are now saying that people overreacted when we probably wouldn't have gotten an apology if no one said anything? like being critical of things is okay, you know? and in this case it led to the right outcome.

I also don't think it's wrong that people started criticizing the content at watcher. especially after being told they had to pay for it, like you're gonna become more critical of things when you're being asked to pay money for it instead of it being free. and when the product is becoming more expensive to produce but it ends up being less entertaining, that is not a good thing (*cough* ghost files)

watcher 100% needs someone to budget their money, idk who is in charge of it now, but they really don't seem to be doing a good job. production is expensive, but you cannoooot be making projects as if you have a disney/warner brothers type budget when you're an indie studio. even with the streaming service money, this will still be an issue. they're trying to grow their company way too fast, and it will lead to them going under completely if they're not careful. you can't rely on the fans to bail you out when you make bad choices.

also, they need other on-screen talent. like the try guys have been struggling for awhile now, but at least they were smart enough to get people like kwesi and johnny to be new cast members. ryan and shane are 1000% burnt out, they need other talent. I remember they had a show with one of the staff members(?) but it only lasted 3 episodes and then they just stopped it. obv it didn't get as many views, but you need to build an audience and that takes more than 3 episodes to do. if they want to actually produce more content (which would help make more money and make their huge staff actually make sense) they need new people to be on screen. look at dropout/GMM/smosh. bigger casts, way more output. putting steven and andrew as hosts is actually a good choice i think, but sadly they're choosing to have them host one of the most expensive shows to produce. when you're making food content, why are you starting with the pricey international restaurants? start at del taco or something. build a bigger audience to justify the costs. look at eat the menu; the first episode was literally taco bell, and five years later, NOW they're doing fine dining. because they can put more money into it, because they KNOW it's one of their more profitable shows.

idk. acting like there still isn't problems is so strange to me. they apologized, that's a good thing, but it doesn't solve all the issues that have been brought to the forefront as a result of this whole debacle.

#i also recommend cr1tikals video on the subject because he is brutally honest about how much money youtube channels make #i don't completely buy the 'youtube is not giving us enough money woe is me' act #esp w/ patreon and merch and live show profits #idk. remain critical of internet personalities i guess #watcher

[mybrainsautocorrect]

Okay I’ve been thinking about Hannibal as a whole show rather than its parts, and I really love how it was divided up.

Season one is getting to know Will. Us as the viewers are obviously learning about him because we are meeting him for the first time going right into it. Hannibal is also in the same position as we are, but he gets to interact, he gets to experiment with Will to learn who he is on a much deeper level, and there is definitely even more that he learns beyond what we the audience are shown. Season one is particularly great, though, because Will is also learning who he is. He’s doing real FBI work and hunting down the baddest of bads, and he’s also going to therapy (consistently) for the first time ever. While what he’s learning may not be the most reliable account of himself, it all set him up so well for his utter conviction in season two

Because season two is all about learning who Hannibal is. It starts with Will but on a more surface level, if you count knowing Hannibal as a canniballistic serial killer surface level. He learns that much and is then slowly able to get those around him to come to the same conclusion. But then Will goes further, and he “joins” Hannibal. He steps into a role as Hannibal’s equal, and Hannibal allows that. He allows Will to know him. (That’s what hurts him so much in the end.) Through Will and the eyes of both those who know what Hannibal is, and those who don’t, the audience also gets a much clearer sense of who Hannibal is, although there are definitely still quite a few questions

That leads into season three, which is at its deepest level, about the two of them. It’s where the show explores who they are apart from each other, but still in relation to the other. And it shows who they are together. It’s really just about the two of them- even though it also introduces the second biggest bad of the show (second only to Hannibal himself). They pine after each other in the space between themselves. Then they close that space. They are far but seeking each other, then they are close but opposing, then they are a pair. They work together finally and it ends the only way it could. Their two minds become one, just for a moment, and that was all that was left for them to experience, for the audience to need, in order to have all of the information

#spoilers #Hannibal #will graham #hannibal nbc #hannigram #thoughts #analysis #murder husbands

[a-dauntless-daffodil]

so it's actually maybe kinda IMPORTANT that Vaggie took her exorcist mask off that one day in hell??

it's a realllllly tiny act of individualism, or maybe discomfort with what she is or is doing, the exorcist gear a bit stifling feeling maybe- it's soooooooo smallllll, like the difference in the number of stripes on her wings. And Yet. It might have mattered. It might have mattered a Lot

'cause see.... the exorcist masks have HORNS on 'em.

So normally, if an exorcist was looking around and saw their shadow while down in hell murdering people, if that shadow ALSO had horns- well, of course it would! Right?

Ah. But.

Vaggie's shadow had horns even when she Wasn't wearing her mask.

and sure, there's a lot of ways to see this image-

1.) Purely meta, a visual to let the audience understand what Vaggie is feeling about herself as she looks down at this terrified kid. Not something that she or anyone else actually saw. Just a way to make us understand why she does what she does next when she lowers her spear and spares the kid

2.) Vaggie's guilt making her see herself like this in a trick-of-the-eye kinda way, manifesting as the horned shadow.

3.) Animation error. Someone somehow forgot Vaggie's mask wasn't on in this scene, the scene key to her character and backstory and why she's even doing all of this anyway. Or.

4.) It's completely Literal

if 4, THEN it's a contrast to Lute a moment later, with her mask still firmly on, casting her own horned shadow over Vaggie- and not getting what it could mean about what she is or is about to do. Shielded from the truth of what an Exorcist is

a sinner in all but name

the uniform protects Lute from that. Not "facing" what she's doing, like Vaggie did when she pulled hers off, keeps a shield of deniability between Lute- all the exorcists- and what an extermination day really involves

they only LOOK like demons because they cHOOSE to, obviously! it's only a mask, only for show!

just like sinners aren't really people. so, it can't be bad to kill them

it can't make you bad, to be killing them

it's just such a JUICY parallel to what just happened, the winged and horned horned shadow looming, the fear of the one suddenly under it. Only this time there's no moment of Oh.

well

other than vaggie's OH SHIT when she's sees the exorcist behind her is Lute, anyway

unbelievably bad timing there- or maybe Lute saw Vaggie take off her mask a moment ago and was following her to order it back on. Which would just be. So ironic

i suppose Lute's mask did kinda come off too, metaphorically

this is when Vaggie gets an eye full of just how much of an asshole Lute really is

sorry. sorry vaggie, im sorry, sorry- i couldn't. the pun. i couldn't resist

#hazbin hotel #vaggie #lute hazbin hotel #exorcist angels #. #im so so so so so so sorry vaggie #i REALLY couldn't resist

[erikahenningsen]

since i love your interpretation of cady and regina and them together; what do you think they like (most) about each other, other than finding each other hot?

What else is there

What Regina likes about Cady:

Cady can cool Regina down. I wouldn't necessarily say Cady is great dealing with conflict but she's a lot better at keeping a level head than Regina and is 97% of the reason why Regina has never been arrested. Cady is like maybe we shouldn't ram into that driver that flipped you off and Regina is like you know what you're probably right.

Cady always tries to see the best in Regina. Her first thought is never that Regina was intentionally trying to hurt her—and Regina wouldn't do that—even though that's something that Regina is still working on with her therapist herself.

This might fall into the category of being hot but Cady being confident/authoritative in any way really gets to Regina like she is in the audience at Cady's math competitions SWEATING (in the context of GSU TA Cady really gets Regina going)

Cady is so thoughtful and she actually pays attention to what Regina says and her likes/dislikes. She's the queen of "thinking of you :)" texts and getting little gifts just because, like a book Regina had mentioned wanting to read or her favorite tea when she's running low.

Cady is very tactile and loves physical affection which is something that Regina never considered herself to enjoy or need all that much but she really loves it when Cady holds her hand while she's driving or strokes her hair when they're watching a movie (and if they're been drinking there have been a couple incidents where their friends have had to evacuate a room because they've gotten a little carried away with the PDA)

What Cady likes about Regina:

Opinionated. Sometimes it's annoying but Regina can always be counted on to have an answer to the question "where do you want to eat?" (Cady is paralyzed by indecision and a deep-seated and implicit need to please.) Cady could listed to Regina rant about any given topic for hours even if she has no idea what she's talking about.

Regina will defend Cady to the death. Cady is always confident that Regina unequivocally has her back, even if the way she does it could be construed as illegal. Regina: let's do it baby I know the law

Regina never makes Cady feel stupid for not knowing something or missing something.

This isn't healthy and sometimes borders on toxic and sometimes literally makes them break up but Regina gets jealous so easily and it makes Cady feel wanted and hot and honestly it's like crack to her

Regina loves to take care of Cady. Sometimes it can be a little contentious where Cady feels guilty accepting expensive/extravagant gifts from Regina but she later understands that it genuinely makes Regina happy for Cady to accept them. She also always offers to do little things for Cady, like driving her places or letting her borrow clothes/makeup.

#cadina #regina george #cady heron #ask #anonymous #biggest draw is that they are equally obsessed with each other/insane and nobody else could tolerate it so legally they have to be together #for like. safety

[patentedsun]

You guys I'm actually crying over chapter 204.5 (which is technically an ad for a certain company we're all boycotting btw) but ignoring the actual ad THE STORYLINE WAS SO??? GOOD???? the Natsu characterization in this was INCREDIBLE (be prepared for intense 100yq hatred) and it portrayed exactly why I fell in love with nalu in the first place....

Summary and analysis below (doesn't incl all the pages btw!!)

We start off with Lucy finding Natsu and Happy at her place, as always.

this is followed by him being like "do you think we'll peek or something" which... 100yq natsu would have... that IMPOSTER...

Anyways while she's taking a bath, Natsu and Happy are browsing around Lucy's room and find a book that stands out. (Btw right next to this book is her diary, 100yq natsu would've gone straight for that). However they end up accidentally destroying it and start panicking. They ask Lucy if they can "borrow it" and Lucy panics at first, saying it's precious and not to touch it, but relents when they say they found it "interesting".

fast forward, we see them worn out after trying and failing to find a replacement copy. ONCE AGAIN, they're doing this because it's something precious to LUCY. Not because they care about reading, or because the book has any value to them, but because they understand it's important to HER. Natsu (and Happy) going the extra mile for things that are important to Lucy is SUCH AN IMPORTANT PART of their entire dynamic.

continuing, Lucy walks into the guild and asks how they're finding the book, they say it's interesting. Lucy gets SUPER EXCITED ABOUT THIS and starts talking non stop ab the book. Happy asks her why this book is so important to her and...

Y I K E S.

So yeah, they ultimately decide that lying isn't it and they should apologize upfront.

this is so beautiful to me, idk like the imagery of them bowing so sincerely is so.... and like wow MASHIMA seems like natsu IS capable of acknowledging his own wrongdoings and offering genuine apologies. I'm not even talking ab the whole post tartaros situation no, I'm talking about fucking 100yq, where natsu actually physically hurts Lucy and doesn't apologize for it (AND IN FACT ITS PLAYED FOR A GAG)(IMPOSTER!!! NOT MY NATSU!!!)

Soooo Lucy doesn't take it well and runs away.

the fact that they didn't stop their search here. the fact that they EXPANDED it to other towns to try and find her the book THIS IS JUST <3333

Anyways, Lucy returns and reveals dozens of copies of the book...

My heart actually broke for her here because as someone who ig creates stuff as well, it really can be painful to have no audience interaction. And to have a book you wrote bomb like that...ouch... and of course she would've been excited, her best friends told her they found it interesting!!! my HEART. OUCH. and the sheer guilt on Natsu and Happy's faces here 😭 Once again, 100yq would've played this off for a gag...

And they all start bawling (and the ad comes in so I will stop there) but YEAH. THIS WAS SO BEAUTIFUL??? The way she's regretful too, the way they're still trying to apologize and make her feel better I'm :(. This is what makes nalu work and it feels like mashima is forgetting that ab his own work... they're both genuinely good and kind to each other... like not to get sidetracked but there has always been goofy fanservice moments but there were also so many wonderful, emotional, complex scenes with them with depth and maturity and I just feel like that's lacking now. So reading this was like getting punched in the face srsly because wow... THIS is the natsu I know and love ugh .....

#fairy tail #natsu dragneel #natsu #lucy heartfilia #nalu #natsu appreciation #pro nalu #lucy heartfilia appreciation #seriously i got so emotional over this #100yq rant #anti 100yq