i'm surprised i haven't seen any text posts yet about the Unsubtle Differences between astarion’s tiefling party/high approval forest scene and the one you get after the goblin party.
there’s something so terribly interesting about how the conversation afterward plays out depending on which variation you pursue.
like, most people have seen the tiefling party version by now. astarion basking in the sunlight the morning after, playing off most of what tav says with relative ease, even when they ask about his scars and he tells them about cazador. his cadence is smooth and composed, his smile almost friendly, even though you know, as the viewer, he’s playing a game of manipulation at this point. the only real crack in his demeanor is if tav notices that cazador’s “poem” was written in infernal, which, understandably, startles him.
but recently i watched the goblin party version of this same scene, and everything reads so differently. unlike at the tiefling party, it’s still the middle of the night when astarion tries to leave, thinking tav is asleep—almost immediately after the act, in fact. when tav does speak to him, he’s visibly nervous, halting and stammering in the middle of lines delivered unflinchingly in the other version of the scene. he gestures broadly and fidgets more while talking, his smile comes and goes. there’s even some of his distinctive high pitched, fake laughter sprinkled throughout the exchange, almost identical to later scenes where he's very, very obviously uncomfortable (like if raphael mocks him and magics off astarion's shirt to show the party his scars in act 2, or when confronting the gur children in their cell in act 3, etc etc).
siding with the goblins represents something deeply familiar to astarion, a level of cruelty he's more than familiar with and embraces likely because cruelty and duplicity, to him, go hand-in-hand with the power and freedom he craves so badly—but he won't stay the night with this tav, even if he approves of their actions. no, in this case, he'll keep to what's familiar and attempt to leave them in the forest under the cover of the very same darkness he resents having been cast into by cazador. when he gets caught, it sets him on edge, and everything he says becomes such a blatant lie to save face that tav would have to be completely oblivious not to see through him, or maybe just not care enough to.
but if tav saves the refugees? challenges his worldview and comes out victorious? oh, he'll complain of the poor rewards for his trouble at the party and whine about it being boring, but he decides to stay with tav through the night while they're asleep and on past dawn. he takes a moment to enjoy the morning sunlight, returned to his life after two centuries without. the same is true if you have high enough approval that he asks before the party, in which case, you've almost certainly hit his biggest approval gains: trusting him and supporting his safety. maybe he doesn't trip over his words when he speaks because, well, maybe this is someone he doesn't have to worry about. someone who's already more than proven themselves a foolish, heroic sort with a bleeding heart or otherwise demonstrated that they're already in his corner. in other words, not a threat—at least not to him.
does any of this make sense. i wanna study this guy under a microscope.
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prompt: Ozai has Azula watch Zuko (his progress or rather lack thereof) from way earlier on, possibly even before Aang gets away from the iceberg in the first place
There it is, written at the bottom of his banishment notice, wobbling in and out of his vision and he’s not sure if it's his eyes—
(Father wouldn’t have meant to blind him. Being blind won't help him catch the Avatar, so he’ll just not go blind.)
It’s either his eyes, or. Or the rage. It has to be the rage.
So Zuko reads the line again, and lets the fire brim up and overflow, until sparks chase the shout from his lips.
“Banishment to be overseen by Crown Princess Azula?”
- - -
“Prince Zuko,” Azula says, standing as tall as an eleven year old can. She’s using his title, so that he’ll use hers. And if he doesn’t then he’s ill-mannered and not fit for his own.
“Crown Princess Azula,” Zuko grits out.
“I’ll just be inspecting your ship, then. Father’s orders.”
Two men are in shackles by the time she’s done.
“—Fostering mutiny against your prince,” she is yelling, and somehow her voice is just as high-pitched as his without sounding childish at all. “When our father hears about this—”
- - -
“So you had them executed,” Fire Lord Ozai inquires. Lightly. And from behind his flames.
“Of course, father,” says the kneeling child. “It was an attack on our family.”
Her father doesn’t say anything.
Azula is eleven. Eleven, she had presumed, was old enough to count.
One, two, three. Four, with Uncle. The royal family.
Her father is silent still.
One. Two.
“Forgive my impertinence, Fire Lord,” she says. “I will bring them to you for judgment next time.”
“Do so,” Fire Lord Ozai says. He does not contest the ‘next time.’
- - -
“Crown Princess Azula,” Zuko says.
“Your bandage is off, brother,” Azula says. “Are you blind?”
“No.”
(The blur of her red robes, the eye-searing glint of sunlight off her headpiece—he’s not blind in that eye. He’s just… still recovering.)
“Lovely,” she says. “Then what’s your excuse for the condition of this ship?”
…He has an increased budget for repairs, by the time she’s done.
- - -
“Brother,” Azula says, “traditionally knives are to be delivered to the back.”
“I… what?” her brother says, still holding out the inexplicable thing. “No, I bought it at port. For you. See, it matches the one Uncle got me.”
“How original,” she says.
Her brother turns a shade of red that puts his bending to shame. Not that it’s a particularly high bar. “Fine, I’ll just—throw it out.”
“Oh, don’t be so dramatic. At the least, Mai will want it.”
- - -
“Nice knife,” says Mai, looking at the hilt peeking out of Azula’s boot.
“Be silent,” Azula says, thus ending that conversation.
- - -
“Did great-grandfather… did we…” starts her brother, fresh from scurrying about the Eastern Air Temple like some particularly dim-witted pheasant-monkey, the dust not even brushed from his clothes even though he knew her ship was waiting down here. “Azula, there were children—”
“Be silent,” she says.
- - -
“You’re leaving frequently,” comments father, as his knife cuts through the pheasant-monkey, clicking against the plate below. The persimmon-cherry sauce is thick and red and smearing.
“I find it advantageous to cultivate a working knowledge of our nation’s tactics,” Azula answers. She does not push around her meat like a child, but she does eat only lightly; the dish is more sour than she remembers.
“And your brother?”
“Oh, him,” she says, to which her father smiles.
- - -
“...What?” Zuko asks, blinking down at the scrolls.
“It’s your birthday,” Azula says. “Apparently, I should have gotten you a calendar.”
“Thank you?”
She sighs.
- - -
“Do we… tell him we can hear him?” asks the assistant cook, as the prince continues monologuing. Dramatically, and loudly. Through the pipe connecting the drain of the kitchen sink to the ones in the shower.
“Ssh, I think this is one of his new plays.”
- - -
She gets him a calendar for his next birthday. It’s not funny.
- - -
He gets her a doll, for hers. The look on Uncle’s face as she torches it in front of them both is hilarious.
- - -
“Brother,” she says, looking up at the damage to his ship. “This is not the way to requisition additional repair funds.”
“Captain Zhao,” her uncle says in the background, with heights of pleasant antagonism she can only aspire to. As if a general could mistake Zhao’s new insignia. Particularly with all the polishing he does.
“It’s commander now.”
“How did you manage this?” she asks.
“Uh,” Zuko says. “Can we… speak alone?”
She eyes her brother’s shifting stance. Eyes, too, the way Zhao’s men are already moving to intercept and interrogate his crew. One of the new commander’s more noxious habits is stalking her brother’s every move.
Well. She’d been meaning to deal with that, anyway.
Azula snaps her fingers at the commander’s guards.
“Detain him,” she says. And for a moment, just a moment, her dear uncle freezes, as if she were talking about someone he actually cared for.
The guards don’t. She’s trained them better than that.
“Princess,” Commander Zhao says, his snarl well hidden behind a smile. “What is the meaning of this?”
“Crown Princess Azula,” she corrects. “Now hush; the adults are talking.”
- - -
They have an Avatar to catch, apparently. Her brother is coming home.
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