I CANT USE CSS ON ARTFIGHT...............
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i would take their poison
Sketch + Line Art for those Clicking Under the Cut(tm) (archival purposes honestly)
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i started school again recently after taking a really long break to figure my shit out.
and my first assignment literally has me emailing the teacher because it feels like she's asking us to divulge trauma on a discussion board post for our peers to consume.
and that feels weird. and i'm trying to give her the benefit of the doubt by emailing her to get more explanation about the assignment. but am excruciatingly terrified i'm gonna make an enemy out of her by mistake during my first week.
(also for context I'm taking an Intro to Literature course. No idea how that connects)
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Changes for wip roundup? 👀
anna!! sorry for taking so long answering this one as well!! but thank you SO MUCH for indulging my wolcred propaganda! <3
And lright this one is a MESS. I wrote it right when I was playing endwalker and I was really overwhelmed with the story™ that I made mess of this wip so like for the last few months or so I’ve been working on rewriting everything lol so I’ll give you some of my thoughts abt it and a small snippet since I can’t get anything more substantial that I’m satisfied with lol
wip roundup :)
This fic is like following right after the scions are back from the moon. I was overwhelmed with the fact that the WOL didn’t have much saying with the twins and how Fourchenault reacted to them. I was like, yeah, she’s proud of them. They deserve to know that, but also, I’m not sure she would be brave enough to do so. So well this fic starts with me realizing like “alright, thancred would get it. better than anyone” so the first part follows him seeing how she reacts to everything that’s happening with the WOL and making the connections like how he felt about ryne, etc etc
But of course,,, my excuse for this fic was Thesa’s haircut first and foremost. Basically I hc Azem to have insane long hair, and Thesa always had longer hair, and this is like the first time she cut it out and it’s incredibly short. Basically the second part goes from her having a bit of breakdown seeing the moon burning + overthinking about that image of hythlo she saw on the moon and everything that happened there and going “I need new. The final days can’t happen again, things gotta change NOW.” Until she interrupts my Alisaie like knocking on the door which is like the cannon visiting for her during that quest!!
And ofc Alie changes her mind a bit… but she still gets that feeling so this is SO SPECIFIC but like you know the whole “wrapping the red thing around your thinger so you don’t forget?” She does it with a strand of hair, just a reminder (things he has lost etc etc) and chops everything off. But then, ofc, the beginning alone isn’t enough for me so the last part is Thancred’s reaction to it, since I like to think they spend their nights together whenever they can and they DEFINITELY would want to on this one night. There is a bit of that part before any rewriting lol:
A knock on door cut off any other conclusion that Thesa would have come with. She hadn't heard footsteps down the hallway, and the beat was too light to be anyone else — though she doubted many others besides Alisaie would be awake and willing to visit after a day like this. So she calls his name lightly as she walks to the door, and from the suppressed laugh, she was sure.
“It's me.” Thancred’s voice is softer beyond the closed door. She finally quickened her pace to unlock it when he laughed again. “I hope you didn't have to crawl under the covers to-”
From the look he had on his eyes, Thancred seemed to have specific intentions for the visit. However, as soon as she appeared from behind the door and their eyes finally met, the hyur could have sworn that all the thoughts he had — along with all the rehearsed words he had cooked up - slipped his mind.
Thesa freezes for a second too, unsure how to react. Maybe she would explain later, but for some reason, she waited for his reaction to continue.
Thancred seemed entranced for a second as a smile seemed to bump into his face, and then, he made the greatest effort to move; forcing his hand up until he finally reached the messy strands. His right hand stops to her left side, with his thumb behind his ear so he could feel each of the threads between his fingers — clenching his fist to lightly pull them and feel them falling off before repeating the same thing but resting his palm next to her face.
“By the twelve.” He says in a sigh, slightly embarrassed to clearly see the situation they were in as his left hand reached for the longer loose strand and curled it around his fingers before resting his hand on the side of her face, cupping her cheeks, and finally confessing, exactly, the same conclusion of hers. “Perfect.”
He looked at her with different eyes than First and even more different than Walking Sands. Eyes that stretched far farther than he had previously seen — and yet, without missing all the admiration and affection he had always carried. Maybe slightly more, even.
"For a second I didn't recognize you," he smiled, tugging lightly on the strand with a teasing smile, which soon turned into a relieved sigh when he tilted his head to the side, finally meeting her eyes again. "But there she is."
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spins around
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Merlin unintentionally making the SotRT his junior spy squad because he's gotten used to looking for the telltales of a lie and noting the little red ribbons of the subtle compared to the outright red flags of the blatant and passing unnoticed and getting into places, and with usual Merlin Logic, he's like, "Yes, these are very helpful life skills to be passed onto small children," which, yeah, okay, they are, but c'mon man.
Which is how Lancelot finds Beddy Boy trying to jimmy a cabinet open with a hairpin when he's supposed to be at sword training, what in hells are you doing, boy, well, see, Sir Merlin locked my practice sword in this cupboard and I have to get it out myself, it's harder than Andred makes it look, don't worry, I'll get it.
Lancelot:
And here we have Sir Lancelot being the reluctant (on the surface) knight who teaches the squires street smarts because Merlin decided that this was normal and he the friend who will follow through with even the outlandish plans.
Leon: Lancelot, have you seen Lucan? He was late to our training over-
Lancelot, showing Lucan how to forge a note: Now see, the trick here is to start at the bottom and let your wrist stay loose.
Lucan, full of concentration: Right
Leon, feeling the immediate need to take a nap: Nevermind
Lancelot is doing a great job at keep the squires well-trained. Merlin and him plan on what things to teach them as well because just knowing combat is not enough for the squires to live/survive at Camelot. Gwaine also joins in because he thinks it'll be funny, and Beddy's been a sheltered kid long enough. He should commit a little crime, just for the experience.
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i'm considering starting up my bullet journal again solely to track how often i am crying at work and i've gotta say that's not a great sign
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holyyy shit
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wish the little listicles and articles reccomending google alternatives didnt like, mention ios. like no offense but do you think i dont know what an iphone is. you think im looking into google alternatives but i dont know that apple exists? you really think that? if i was going to buy a fucking apple product id already be doing that?
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HOLY SHIT THEY MADE DARYL A PIG
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coding at 2 am in the morning i am notmal i am fine i am okay
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When I was in ninth grade I wanted to challenge what I saw as a very stupid dress code policy (not being allowed to wear spikes regardless of the size or sharpness of the spikes). My dad said to me, “What is your objective?”
He said it over and over. I contemplated that. I wanted to change an unfair dress code. What did I stand to gain? What did I stand to lose? If what I really wanted was to change the dress code, what would be my most effective potential approach? (He also gave me Discourses on the Fall of Rome by Titus Livius, Machiavelli’s magnum opus. Of course he’d already given me The Prince, Five Rings, and The Art of War.)
I ultimately printed out that phrase, coated it in Mod Podge, and clipped it to my bathroom mirror so I would look at it and think about it every day.
What is your objective?
Forget about how you feel. Ask yourself, what do you want to see happen? And then ask, how can you make it happen? Who needs to agree with you? Who has the power to implement this change? What are the points where you have leverage over them? If you use that leverage now, will you impair your ability to use it in the future? Getting what you want is about effectiveness. It is not about being an alpha or a sigma or whatever other bullshit the men’s right whiners are on about now. You won’t find any MRA talking points in Musashi, because they are not relevant.
I had no clear leverage on the dress code issue. My parents were not on the PTA; neither were any of my friend’s parents who liked me. The teachers did not care about this. Ultimately I just wore what I wanted, my patent leather collar from Hot Topic with large but flattened spikes, and I had guessed correctly—the teachers also did not care enough to discipline me.
I often see people on tumblr, mostly the very young, flail around in discourse. They don’t have an objective. They don’t know what they want to achieve, and they have never thought about strategizing and interpersonal effectiveness. No one can get everything they want by being an asshole. You must be able to work with other people, and that includes smiling when you hate them.
Read Machiavelli. Start with The Prince, but then move on to Discourses. Read Musashi’s Five Rings. Read The Art of War. They’re classics for a reason. They can’t cover all situations, but they can do more for how you think about strategizing than anything you’re getting in middle school and high school curricula.
Don’t vote third party unless you can tell me not only what your objective is but also why this action stands a meaningful chance of accomplishing it. Otherwise, back up and approach your strategy from a new angle. I don’t care how angry you are with Biden right now. He knows about it, and he is both trying to do something and not doing enough. I care about what will happen to millions of people if we have another Trump presidency. Look up Ross Perot, and learn from our past. Find your objective. If it is to stop the genocide in Palestine now, call your elected representatives now. They don’t care about emails; they care about phone calls, because they live in the past. I know this because I shadowed a lobbyist, because knowing how power works is critical to using it.
How do you think I have gotten two clinics to start including gender care in their planning?
Start small. Chip away. Keep working. Find your leverage; figure out how and when to effectively use it. Choose your battles, so that you can concentrate on the battle at hand instead of wasting your resources in many directions. Learn from the accumulated wisdom of people who spent their lives learning by doing, by making mistakes, by watching the mistakes of their enemies.
Don’t be a dickhead. Be smarter than I was at 14. Ask yourself: what is your objective?
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i’ve seen a lot of posts talking about nimona’s queer messages which is great! but ive not seen as many posts talking analyzing how both ballister and ambrosius were changed to be asian, which is a shame because i genuinely think its one of the most important parts of the film! a huge part of it is a deconstruction of the model minority myth and respectability politics, both of which are big issues in the asian american community. both of them represent each side of the spectrum, with ambrosius expected to be superhuman with very little support and ballister being seen as less than human, no matter how hard he tries- a monster.
ambrosius (who is now east asian, like his voice actor eugene lee yang, who is korean with chinese and japanese ancestry), despite being in a seemingly powerful position as head of the knights and a descendant of gloreth, he isn’t really given the kind of support that this position needs- he’s constantly undermined and belittled by todd, the face of the other knights, and when asked about his emotional state by the director, represses his emotions rather than talk to her about his true feelings. this is very similar to how asian american students in schools aren’t given the support they need academically by teachers and administration, as the model minority myth leads to them being perceived as more intelligent and competent than their fellow students and therefore not needing support. he’s also held to a higher standard than any of the other knights, being immediately placed into a position of power despite just being knighted, again a reflection of the model minority myth, since asian americans are held to higher standards unfairly. despite being technically better off than ballister, he has no support, no friends, no way to seek help for his problems, and, just like ballister, is immediately thrown away the moment the director thinks he’s served his use.
ballister is now pakistani, like his voice actor riz ahmed (no, not like pedro pascal. where did this come from lol), and i’d go as far as to say that he is also, if not explicitly muslim, heavily muslim coded as well. he’s framed as a terrorist by the white, christian institution, and from then on, it doesn’t matter how good he tries to be- everyone else sees him as a monster. he’s also from a lower socioeconomic class than ambrosius and the rest of the knights- while this is initially used to frame him as a success story, after he’s framed, it’s used to cast suspicion on him. almost immediately he’s othered, with posters casting him as a foreign invader sent to destabilize the city, much in the same way that muslim immigrants are seen in real life. even when he tries to be peaceful and good, it’s always twisted so that he’s the monster of the story. while ambrosius is held to too high of a standard, ballister will never be enough for the institution to accept.
which is why both of their arcs culminate in them breaking out of the system, learning to accept what they’d been taught was monstrous, and leaving behind respectability. it’s a genuinely great commentary, and i can definitely see why riz ahmed and eugene lee yang were chosen for this, as they’ve both done activist work for their communities.
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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT
Hi! Long answer alert. Once a chatterbox, always a chatterbox.
When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.
I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.
Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.
For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.
Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.
The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!
It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.
I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).
Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)
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