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#this is the flipside of “people are people all over the world
dreampearls · 1 year
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the thing about nahida is that while she is very obviously purposefully depicted as childlike in image & childhood in general is an extremely important symbol of hers. she's Very notably Not literally a child
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kelcemenow · 10 months
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Call Her Daddy.
Pairing Travis Kelce x Reader
Words 829
Warnings Sexual references, fluff and strong language...obviously.
I hope I've done this one right! I've never heard of the podcast, nor have I listened to it but I did a some research and just went for it! "Hello first of all I’m a huge fan of your work, I have an idea in mind hope you like it. Y/n and travis have been dating for a bit just there close friends know about the relationship and Alex copper a close friend of the reader invites them on her podcast call her daddy where they talk about there relationship/sex life"
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"Okay, next question. What is your favourite sexual position?"
You hummed in thought, "I love being on top." You smiled at Alex who nodded in agreement, "There's something about being on top that gives me a sense of power, isn't there? It's a bit dominating."
"Would you say that you like being in the more dominant role in the bedroom?" Alex questioned.
"Sometimes." You giggled, "But on the flipside, I really like being thrown around, you know? Like...lifted up, thrown onto the bed, pushed up against the wall, carried around...that's what I want."
Alex fanned her face with her hand, "Phew, you're speaking the truth here Y/N. So, I promised an exclusive scoop earlier to everybody and I think it's about time that we get to that. Y/N is not my only guest on this episode, we have someone joining us, don't we?"
You laughed, "Yeah, I've been seeing some rumours flying around regarding my dating life and I gotta be honest, a lot of people are getting it all wrong!"
"Gotta love those rumours!"
"So, when Alex asked me to come on Call Her Daddy, I thought it was the perfect time to set the record straight. Plus, I'm going on tour soon and he'll be at quite a few shows so everyone will figure it out eventually anyway."
"So, our guest is someone that you're dating?"
You smiled and adjusted your headphones, "Yeah, we've been dating for a while now and so far, it's only family and close friends that have known about it but we agreed that it's probably time to let everyone else know."
Alex leaned into her microphone, "Just for full transparency, I knew!"
"Yeah you were one of the first people that I told, I couldn't keep that secret from you!"
"Id' have gotten it out of you eventually, I'm good at that!" Alex cleared her throat, "Right, let's not keep everyone waiting for much longer. Daddy Gang, our extra special guest on today's episode is none other than...Travis Kelce!"
You both gave Travis a round of applause as he placed headphones over his ears and smiled into the microphone, "Alright now!"
You grinned and placed your hand on his leg, giving it a gentle squeeze.
Alex took a sip from her water, "Okay, now Travis, you're not new to the podcast scene, we all know that."
Travis snickered, "Nah, I feel at home like this! But I gotta say, New Heights is completely different. You know, me and Jason don't talk about what I think we're going to be talking about here!"
"Yeah, that would be weird!" You laughed.
"Right, let's get straight to it. What's the sexiest thing about Y/N?"
"Oh wow, no messing around here, baby!" He rubbed his beard, "The sexiest thing about my girl?"
"You can only pick one!" Alex lifted an eyebrow.
"That's not easy. Honestly, I think she's the sexiest woman in the world. She could be folding laundry and I'm still mesmerised by her! But the sexist thing about her is definitely how ambitious she is. She has worked her fucking ass off to get what she has got and what makes it even better, is that she did it all herself. I love watching her perform, because I can see what it means to her and how much she has sacrificed to be able to do it. It's amazing, man."
Your lips curled into a huge smile, a wave of happiness washing over you.
"Aww guys, you're going to make me cry! And that's not the vibe I was going for! We want the juicy details!"
Travis mumbled, "Oh...umm...her ass?"
You and Alex both laughed loudly.
"Is that's what you wanted?" Travis looked to Alex who was clutching at her stomach.
"I liked your first answer, baby." You placed your arm gently around his shoulders and traced circles on the back of his neck with your finger.
"I'm sure a lot of people will want to know how you two manage to date with your busy schedules."
You clasped your hands together, "It's difficult, it really is. But we make sure that we keep some time aside for each other. Even if it is just sitting down to have breakfast together or an hour long phone call."
"Technology helps. We like Facetime, we use that one a lot." Travis agreed.
Alex grinned a mischievous smile, "Do the Facetime calls ever get a bit heated...a bit explicit?"
You glanced at Travis with a knowing look, "If I said no-"
"She's be lying." He said loudly.
Your mouth flew open in shock and Alex clapped her hands together, "I knew it!"
"Oh, come on" We're all adults here, we know how those calls can end up sometimes. If Travis calls me shirtless, chances are I'm gonna get a bit...distracted. I Facetimed him from the shower last week." Your cheeks were beginning to deepen in colour, "My God, how do you get this information out of people?!"
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I hope that was okay! As always, your comments and messages are always appreciated! You're all too kind! I'll be working through some more requests this week (whenever I have some spare time) and if you want to be added to my Taglist, just let me know!
Taglist @rd14 @dandelionwrites8 @keiva1000 @fantasywritersstuff @caelipartem @anacarangel @she-lives-in-her-dreams @kkrenae @kristencochefski1125 @countrygirl120983 @killatravtramp @charmed2000 @nouis-bum @cixrosie @delicateearthquakellama @wordsaresimple-imnot @amylouwho9 @queenisa17 @talicat713 @luvvtrent @purecinnamonextract @savaneafricaine @caelipartem @beyxgrande @caitdaniels @ezgirl1108 @vir-tual @lightsoutstyles
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sussysluttyscorpio · 1 year
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Random Astrological Observations Part-9 (18+)
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(This picture does not belong to me at all) (Please take only what resonates. I'm really unsure about several observations this time)
~Mars is weak in Libra, since it's in its enemy sign. However, this may/not affect their sex drive. I mean, most Libra Mars are pretty kinky in their own way. They have a huge praise kink and might cringe over degradation kink. Personally, for me too, it's a huge turn off.
Someone: "You are such a dirty whore..." *degradation kink* Libra Mars: "Oh really? Well", pauses, "Go fuck a whore then coz I ain't one".
~Praise kink 🤝🏻 Leo Mars. Istg, they want to be ADORED in bed. They want to hear things like, "Fuck, you're so pretty" in the middle of doing the deed. Princess treatment is a hugeeee turn on.
~I've read this so many times that Aries Mars people have an animalistic sex drive. They'll actually "Preying on you tonight. Hunt you down and eat you alive". Haha.
Like tearing clothes and throwing on the bed, biting, nails on the back... And, well, due to all this rush, they finish quite early🤡
~Weak Mars (Taurus, Cancer, Libra) are Rope bunnies. They like being tied or restricted probably. Submission is their strong suit.
Doesn't mean that they are strictly submissive. They could have heavy scorpio placements and be Switchers too.
~Gemini Ascendants are some of the horniest peeps (to themselves or to others may vary) after they expose themselves to sex world. After all, they have Scorpio in the 6th house. They might like adding sex to their routine too since 6th house means your routine stuff and scorpio is...
Also, Gemini is depicted by a man and a woman and the connection between them. Hence, Gemini is a more sexual placement than Scorpio itself.
I know. You thought Gemini was symbolised by the twins, didn't you? Well, in Vedic astrology, it is symbolised by a man and a woman.
~Neptune in 8th people might daydream about sex a lot, or may like visualising sex. In fact, they might be Voyeurs (people who get turned on from seeing other people have sex)
~People with Rahu (North node) conjunct or opposite Venus might find themselves being called sex addicts or people who are always called out for always talking about sex.
~Scorpio placements feel no shame in talking about sex at all. Like, if you feel no shame in doing it, why feel shame in talking about it. The hypocrisy pisses them off.
~Moon conjunct Pluto women may find themselves getting called "mommy" a lot and they do not like that usually?
~I'm jealous of people who get Capricorn Venus lovers. They will fuck you like those fictional book men and I'm here for it? Where are my Capricorn Venus men?
The fact that my ex was a Capricorn Venus and the guy I cheated on him was also a Capricorn Venus🙂 (Please no, I don't take pride over this at all)
~Mars Conjunct Venus people and their sex appeal🫣 You leave me shy with your sexual fantasies please. They might be non-monogamous too.
~Chiron in 7th people might hate their partners to be in open relationships, but they themselves are very comfortable with being in one. I mean, open relationships are good for these people since commitments sometimes may feel overbearing for them.
~I don't know about others but I have a huge thing for Somnophilia, consensually of course. (No, I'm not ashamed of it) I guess it's because of my Venus (And Mars) Conjunct Ketu (South Node) but *shrugs*
~Capricorn Mars people may be into age-difference kinks? Very probable. A friend of mine has this and she fantasises things with older actors a lot. She hates men of her age😭
~On the flipside, Libra mars (may apply to Taurus and Cancer Mars too) may prefer younger men to older guys.
~What is with Women with Lilith in 1st being called "mommy" by guys? This is one of the most sexualised placements. (even if you feel it isn't, give it some time) Once you start getting sexualised, it fills you with disgust and an even poorer self esteem.
~I've seen guys with Scorpio in 4th not really liking to be called "daddy." They find it weird somehow. Although, they may have NO problem calling someone "mommy." Hmph?
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1900s futurism
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I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TUCSON (Mar 9-10), then SAN FRANCISCO (Mar 13), Anaheim, and more!
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I'm profoundly skeptical of the idea that the future can be predicted, and doubly skeptical that sf writers are any kind of prophet. The former grotesque fatalism (if the future can be predicted, then what we do doesn't matter); the latter is tragicomic hubris.
If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/03/07/the-gernsback-continuum/#wheres-my-jetpack
That said, few people have been more consistently useful in understanding and anticipating (and yes, building) the future than my friend and colleague Karl Schroeder, whom I've known since I was 16 years old. Karl was the first person I heard say the world "internet." Also: "fractal," "World Wide Web," "ftp," and numerous other touchstones of the future just over the horizon.
Karl is, in fact, a futurist ("foresight consultant") who approaches the work with the same shrewd insight, wild imagination and humility that he brings to his fiction. In a new essay written with both his futurist and sf writer hats on, he nails down the toxic shadow cast by the 20th century sf, or, as he calls it, "The Science Fiction of the 1900s":
https://kschroeder.substack.com/p/the-science-fiction-of-the-1900s
Karl starts by describing the odd "double vision" of the future of the 1900s. On the one hand, many of us (myself included) were convinced that nuclear armageddon was inevitable. Unlike the unhinged architects of the nuclear arms-race, realists understood that a nuclear war would effectively end the future. As Einstein put it, "I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones."
But the flipside of that certainty that the future would end with the first nuclear strike was the belief that if we could just somehow walk the tightrope over the chasm of nuclear holocaust, we'd emerge in a future worth looking forward to: "a new era of peace and prosperity for all."
Contrast that with the existential dread of today's polycrisis: environmental collapse and political decay up to and including fascism. These aren't the binary proposition of nuclear annihilation vs Utopia – rather, they're a continuum of worse-and-better outcomes of every description. As Karl writes: "It’s not that simple. Our future now is an exhausting spectrum of scenarios, each with its own promise, and its own problems."
For Karl, we have entered a new epoch, but we've dragged in the long-expired way of imagining (and hence creating and navigating) the future with us. What makes this a new epoch? For Karl, it's the kind of future on our horizon. He cites Charles C Mann’s 1491, a superb history of the Americas before Columbus:
https://www.penguinrandomhouse.com/books/107178/1491-second-edition-by-charles-c-mann/9781400032051/readers-guide/
1491 radically reframes "the patchwork of propaganda and inference" that makes up the received narrative of the so-called "New World." It describes a land of flourishing cities, art, science and culture "in the Americas while Rome was just getting its act together." Contact with colonizing Europeans was a disaster for First Nations people, who call this period "The Invasion." It was an epochal break.
Futurism is an inextricably historical discipline. The willingness of some settler-colonialists states to consider this epochal break forces us to reframe our literal place in history, the story of the land under our feet. At its best, this futuro-historical work can begin the long work of reconciliation, as with the Canadian government's promise of $23b in reparations for the First Nations people who were kidnapped as children and sent to murderous "residential schools" before, during and after the Sixties Scoop.
The sf of the 1900s is no longer fit for purpose, if it ever was. It's a literature that was steered by open fascists like John W Campbell, who explicitly saw the literature as a means of inculcating a societal narrative of the triumph of white, corporate technocracy over all other forms of government:
https://locusmag.com/2019/11/cory-doctorow-jeannette-ng-was-right-john-w-campbell-was-a-fascist/
Karl isn't the first sf writer to try to overturn this orthodoxy – indeed, it was continuously challenged by radicals within the field, as with the New Wave, personified by the likes of Samuel Delany and Judith Merril (who both mentored and introduced Karl and me):
https://pluralistic.net/2020/08/13/better-to-have-loved/#neofuturians
The cyberpunks took a good hard run at it, too. For plenty of writers (including me), Bruce Sterling and William Gibson's 1981 story "The Gernsback Continuum" was a wake-up call:
http://writing2.richmond.edu/jessid/eng216/gernsback.pdf
Not for nothing, William Gibson has long insisted that his 1984 classic Neuromancer should be read as utopian: after all, it depicts a future in which the inevitable nuclear war only reduces a few cities to radioactive ash, sparing the rest of the planet.
Bruce Sterling once paid me the supreme compliment of describing a 2003 story I wrote about the ways that algorithms will enshittify self-driving cars as "making everybody else in the business look like they live in a dark basement growing on the mulch from old STAR TREK scripts":
https://craphound.com/stories/2005/10/12/human-readable/
Schroeder – along with today's new radical sf writer cohort – wants to fashion a fictional futurism that is fit for this world and its crisis: "in our modern technological society, science fiction tells us what to spend our time and money on." The fact that our mediocre billionaires are mired in the sf of the 1900s means that we're getting some decidedly old-fashioned futures.
For Karl, Musk is a poster-child for this profoundly conservative, backwards-looking vision: "He’s fighting the intellectual battles of the last century, a 1900s hero dropped into the 2000s with an unlimited budget to reshape the future to fit the era he’s from." Musk's obsessions – "Space flight. Settling Mars. Cyberpunk-style brain-computer interfaces. Artificial Intelligence. Self-driving electric cars. Humanoid robots." – are 1900s science fiction.
Ironically, much of this fiction labels itself "hard sf," despite the fact that interstellar travel is utter fantasy – as is mass-scale, near-term interplanetary civilization:
https://pluralistic.net/2024/01/09/astrobezzle/#send-robots-instead
Karl wants "a future for the 2000s." He points to some efforts to make this happen, like Neal Stephenson's Hieroglyph anthology, edited by Ed Finn and Kathryn Cramer:
https://www.harpercollins.com/products/hieroglyph-ed-finnkathryn-cramer
The "Hieroglyph" is Stephenson's shorthand for a recognizable, tangible, meme-able gizmo or other touchstone for a 2000s-era vision of the future – a replacement for jetpacks and flying cars. Karl's story for the anthology, "Degrees of Freedom," focuses on an abstraction (governance: "the single most important thing humanity can focus its creative energies on right now"), and by Karl's own admission, it's not quite the hieroglyph Stephenson was looking for.
But Karl did come up with a hieroglyph in a later work, the "deodands" of 2019's Stealing Worlds – a software agent "that believes it is some natural system, such as a river or forest, and acts in its own self-interest, that being the preservation and thriving of that natural system":
https://memex.craphound.com/2019/06/18/karl-schroeders-stealing-worlds-visionary-science-fiction-of-a-way-through-the-climate-and-inequality-crises/
(My own contribution to Hieroglyph was very gadget heavy – "The Man Who Sold the Moon," about autonomous lunar 3D printers. It won the Sturgeon Award):
https://memex.craphound.com/2015/05/22/the-man-who-sold-the-moon/
I've been impressed with Karl since the day I met him in 1987. There's no one whose thoughts on the future I'm more interested in hearing. I don't think that's a coincidence, either: Karl is an autodidact who was raised by a Mennonite TV repairman – the first TV repair shop in the Canadian prairies. If you want to understand the future, try being raised by someone who takes that kind of deliberate approach to which technology to adopt, and how.
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Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/03/07/the-gernsback-continuum/#wheres-my-jetpack
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pilferingapples · 4 months
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I am, regrettably, thinking about Gillenormand
and I think--part of why he's so deeply unpleasant is because his basis of morality isn't centered around considering people as people, themselves, individuals with their own unique needs and wants , but as Roles
for Gillenormand, doing the Right Thing is not about how his actions actually affect other people, but about how well he's playing his perceived role (which in his case is Haute Bourgeoisie, with a pre-FRev understanding of that role)
This is why there's no problem for him with being generous, in paying his servants or offering individual charity or just giving gifts, etc; that's what a man of his station SHOULD be like, in his reckoning of the world ; it's a way of asserting his social status, arguably even a social duty in that (to him) it enforces social order. Servants, poor people, and/or the women and children of a household should expect financial largesse from their patriarch; certainly they shouldn't be independent of their betters! And a good bourgeois patriarch should be able to extend gifts on a whim-- it proves his security and enforces his social power. The flipside to this of course is that the beneficiaries of this should be Grateful, and above all should recognize the rightness of his authority here. He provides them with material possessions; they center their lives around doing everything he wants, and acknowledge his authority. Huzzah for the patriarchy!
So in terms of less material generosity, in terms of anything that would require considering his kids or his servants as fully separate people who not only could but even perhaps should have desires and plans that aren't About Him -- oh he's not having that. That is Defiance! Chaos! Romanticism, Probably! Scandal! The Reds!
Exceptions exist , to be sure-- if they fit a person's Role. Gillenormand is entirely fine with the idea that Marius is having affairs without telling him, that's what a good bourgeois boy should be doing! It's Fine if Magnon tries to extort money from him, with the implication of affairs-- that's playing into their respective social roles. But if his own daughter wants to talk about their family? When he said not to? HORRIBLE. Marius isn't psychic and doesn't spend enough time ferreting out Gillenormand's True Secret Meaning? Treachery! Marius is hurting him on purpose!
It's not entirely unlike Javert's concept of social order, although Gillenormand's version is nigh-inifinitely more complicated--but then, both he and Javert would probably agree that Gillenormand should be the one handling complexities; Javert only needs to know who he should Obey (practically everyone, by the rules either of them keeps).
if all of that's right, I think part of what's going on with him after Marius recovers is not just that he's realized Marius is able to operate independently of him and thus isn't someone he can bully anymore--it's that Marius is , in his eyes, really moving into being the acting male head of household, and thus the person the rest of them owe fealty to. Especially with Marius getting married and probably starting his own family, and ESPECIALLY especially with Marius being independently wealthy--he's becoming the center of the family, instead of Gillenormand.
I really hope that's right, actually, because if it is then Marius and his new role in the household is something Gillenormand won't be trying to work his way around to taking over the household again; this is the order of things and he's got his new role. But also: gad, what a depressing ideology. What a depressing person.
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saltydkdan · 3 months
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Are the JoJo's icebergs fun to work on? They look like a blast to edit and write! (If a bit of a large workload)
The Jojo Iceberg has been... interesting. On one hand yes! It has been a blast to work on in some senses! It taught me a lot about writing, and research, while also allowing me the freedom to experiment with editing and injecting my humor into scripted stuff in a more organic way. I feel like with each chunk of the series I've posted thus far, I've shown more and more confidence over time.
Plus you are right!! Once the audio editing is done, working on visual edits and gags is a blast. Sure it takes time, but I have a weird love for making smooth video edits for people to watch (even though like 50% of the people that view those videos probably just listen to em like a podcast without looking at it haha).
So that sort of stuff, yes! That's been a blast, and I've learned a TON that I'd never take back for the world!
However on the flipside, logistically this project was a nightmare from day one LOL. And this is the part where I try to dissuade anyone from EVER working on a longer project like this because god damn it's been a pain at times.
Keep in mind, the script (as it stands) is nearly 200 pages. That is the longest scripted work I've ever helped write in my entire life, and when I started I was NOT that experienced as a writer whatsoever. I'm a bit better now, but at times I still struggle.
I made the horrible decision to never put a cap on the script. For every new fact I learned, even if it wasn't a part of the original plans for the video, I would add it to the pile. No matter what it was. I was committed to making it as long as I thought it needed to be, not as long as it probably SHOULD have been to get done in a reasonable amount of time.
I did all this for a deep passion for the source material, and even after the final part comes out early this year, I plan on going back and correcting the very few mistakes or miswordings I had in the original videos when I put them all together in one MEGA video.
But that passion for Jojo is a blessing and a curse, and I hadn't realized how long a project like this would take me amidst all the other big projects like Friendlocke and HYHA.
Full disclosure, the script was first started in December of 2020. That's nearly 3-4 YEARS AGO by now. If I knew that putting all this together would take that long, I probably wouldn't have committed to it in the way that I did. In that time, I probably could have put out a TON of shorter stuff, but I was so committed to this that I just didn't and that very much hurt my channel in the long term.
Though to be real, I haven't worked on it consistently, I tend to jump on and off between projects to avoid burnout. However still, by the time it's all done, the Jojo Iceberg combined together will most likely be the longest piece of content on my channel (yes, potentially longer than Friendlocke Season 3, I estimate that it'll probably come out to around 6 hours in length if I don't cut anything down).
It's because of this that after this is all out there? I plan to NEVER tackle something this long ever again. Friendlocke and Jojo have drained my bones, and all I wanna do these days is work on shorter stuff. Though I guess in that sense, this project has really helped teach me a lot about the sort of stuff I want to make. So in a way, even the negatives have positives! There's always something you can take away with, even if your experience had some downsides.
Looking at such a long script and doing some math, it's made me realize that like... damn. I could DEFINITELY do shorter videos way more consistently in the future. And so that's what I plan to do :)
So yeah! Some positives and negatives. But overall, I learned a lot and that's all I could ever ask for.
Thanks for your question! Have a good one!
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gaymurdersalad · 4 months
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[ Hello everypony! Don’t mind the ritual robes. Dress for the job you want, ya know? And all I want to do is serve our lord and savior Godred!
I thought as a fun little thing to do in between sacrifices, I would give out some headcanons— well. These are my guys, are they headcanons? Not really. Uhm, facts, I guess— on how they do their holidays! Take ‘em or leave em, you’ll soon find I love rambling about the guys. You might regret this.
———
Peter and Caroline used to do the whole Catholicism thing, so they definitely did celebrate a good Christmas! However after the whole “disappearing for several years and coming back with a phone for a head” thing that Peter did, all faith in God was lost, but they still like to give eachother presents. The star on top of the tree is a grim reminder of a lordless plane. Except for the almighty Godred, mind you!
Steven sits alone in his restaurant with vague feelings of something or other. The establishment doesn’t even close— because why would it, it’s a Fazbender’s— so he has plenty of time to sit in an empty restaurant and think about nothing. Peter has invited him to Christmas but quoteth Steven, “That sounds great and all, but I’ve actually got my own plans.” Of which are trying to remember what the fuck a “Christmas” is and why it has any value to people other than market value. If it piques your interest at all, him and his boyfriend semi-celebrated but not really, as Steven was raised Christian {LONG since abandoned} and his boyfriend was Muslim. That’s all gone now, though, unbeknownst to the phone-man in question.
Dee spends time with the souls in the Flipside. She enjoys it very much, despite the grimness of it all. Even though she would much rather being alive and spending time with her family, she knows she has responsibilities.
Henry works. On stuff. He’s just sitting in his office right now, I could totally waltz in there and sacrifice him to Godred. Just pick that bastard up and get goin’. Oh, he’d be kicking and screaming, but he’s a midget with small hands and can’t do nothin’ against an ethereal phone creature with a complete and utter devotion to almighty Godred... Maybe after this.
Oscar doesn’t celebrate Christmas, and actually hates it. Finds every bit of Christmas decor annoying to his astigmatism and just grating anyways. Oh, fucking shit, the jingle bells never stop. Everything is annoying. He cannot enter his beloved coffee shop— Fazbucks; it’s like Starbucks but they don’t donate to stupid bullshit! The CEOs just spend the money on bribing health inspectors throughout Fazbender chains! What? No, no, they still pay their workers in faztokens— without being utterly assaulted by MIRIAH. Even if Christmas wasn’t annoying, he wouldn’t celebrate it anyways, because he’s Jewish. So is his family! Where the hell is his family? Where does— Where the hell does Oscar live, does he have a house? I- I’m realizing I didn’t get to know him that much, I think he just… Showed up here. You- Uhh, you get the point.
Dave has a ritual and has been performing this ritual for three years straight. First, he wakes up in the dumpster of the week, gets dressed, and climbs out of that disgusting sucker. Normal morning routine ensues, Y’know, he takes a couple random pills for the hangover and pops a thing of LSD if he’s feelin’ chipper, shaves with a switchblade he usually finds in the Fazbender Ballpits, and sets out onto the world. Since it is a special day— not in accordance to any religion, but to his own fucked up morals and values— he breaks into a liquor store and takes what he pleases! All assortments of liquors and cigarettes, and he stuffs them all into a duffel he usually manages to scavenge for beforehand. Once he’s a proper Santa Claus with a bag of stolen substances slung over his shoulder, he jacks a piece of shit car— he figures he’s doin’ them a favor, ‘cause who would want to own this shit box anyway?— and drives 90 to the Old Sport residence. Once he arrives, parking his car in the yard and fucking up the grass with those giant fucking tire tracks, Jesus Christ, Sportsy’s gonna have to fix that, he stomps up to the door with the duffel and knocks fifteen times with the palm of his giant fucking hand. If Sportsy don’t answer, more knocking ensues, probably followed by several obscenities and slurs. Eventually, Old Sport opens the door, and before the stout fucker can beat him with the baseball bat he stole from a bar in Las Vegas, Dave slips in and throws the bag down on the floor. Sportsy, after experiencing this for the past couple years, holds his head in his hands and groans. Loudly. Dave wraps Old Sport in this big hug, pickin’ him up off the ground all while Sportsy frowns in discontent. They spend the rest of the evening sitting on the couch boozing and watching shitty Christmas specials, and Dave crashes on Sportsy’s couch at 8 PM.
Until the arrival of Dave, Jack sits in bed. Don’t even bother to put on makeup. In the back of his head he kind of knows that the wretched purple beast will show up at his house, but he maintains a little hope that he won’t. He always does. He supposes it’s nice to have a day where Dave isn’t spending a day with him solely to recruit him into the whole kid-killing business again, but… Man, when the liquor hits, he realizes just how sad it is that his only consistent friend is a child murderer. Fuck. Once Dave crashes, Jack is usually stuck underneath him as some sort of pillow, and at this point, he’s so burnt out and sad and happy and bitter that he just lays there. Watching those shitty Christmas movies. He’s going to wake up with the worst headache tomorrow.
Legacy does not do anything special and David stopped trying to a while ago. Business carries on as usual. Maybe David would like to go out and do something or have Legacy sit still for one measly second so he could give him some kind of gift, but knowing the Orange Bastard, he’d likely reject it or throw it out. Maybe spending time with Legacy is a gift in of itself, David thinks, incorrectly.
———
Was that everyone? There are so many of the guys! Good lord, half of them are maniacs too. I couldn’t be prouder!
Well, I’ve got some sacrificin’ to do! Goodbye! Remember: Godred Loves You! ]
~ Mod Chribs
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funishment-time · 7 months
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one must remember that Junko took everyone's character arc from them via the memory-wipe in DR1. we see evidence of Class 78 being buddy-buddy before that, and sometimes their Motivations were 100% different than when we first meet them, too. (or implied to be such)
the harder hitting tragedy for me re: DR1 always will be that characters like Sayaka and Celeste chose their classmates over the outside world and their goals, but had that part of their noggin Erased entirely. we'll never know how or why they became the Softer versions of themselves, and for the survivors, we'll never get it back, either.
on the Flipside, however, we do have people like Hina and Sakura. regardless of whether or not you ship them, their friendship is unmistakable and it took mere hours for them to rekindle what they'd had pre-Junkoing. in particular, Sakura tells us in her Suicide Note that she loves all the survivors, even Toko and Byakuya, who did nothing but be fuckwads to her and everyone else.
a lot to be said here about what makes us us, but too unmedicated to phrase it atm
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Over the past few weeks, I have seen a lot of people struggling with the fact that the parties aren't just immediately on team "stop the deities from being destroyed".
The irony is that these same people got upset with Orym, Laudna, and Ashton for just blindly following/joining this assault on the Temple of the Dawnfather, but on the flipside, want them to just blindly follow the path of those that want to stop the deities from being destroyed.
We, as viewers, know that deities being destroyed would be bad, but we have to separate what we know, and what the players at the table know, from what the characters.
This isn't like campaign 1 or 2 where you had characters with strong connections to the deities. This is very much a party that doesn't. They don't know anything about the deities and what they do and how they integrate themselves into the world, and because of that, they have zero idea of why it would be good to get rid of them or why it would be bad.
If you don't know anything about something, you can't make an informed decision one way or the other, and that's what we're seeing.
Honestly, I think Orym's response is the most realistic... that he has zero idea whether or not it's a good idea to get rid of the deities, but what he does know is that Ludinous, the person behind all this, is a horrible person and that gives him the answer he needs, gives Laudna and Ashton the answer they need.
Deni$e, Prism, and Bor'dor though? They don't have any experience with the deities, nor do they have any experience with Ludinous and so again, why would we expect them to blindly follow?
Bor'dor, does in a way, blindly follow, but I see it as less of a "blindly follows" and more of a "he listened to Orym, has no idea what's happening, but trusts Orym" situation.
Prism wants more information, wants to know as much as she can, and that's perfectly valid. How can she make a decision on something that she knows nothing about?
Deni$e's response makes sense too. She doesn't know anything about the deities, nobody can truly know for sure whether getting rid of the deities is bad or good (we can all guess that it would be bad, but we can't say with absolute certainty) so all she can do is put one foot in front of the other and deal with what's in front of her in the moment.
Personally, this storyline thrills me because it's offering so many different perspectives we've never seen before... but above all, the most interesting, and difficult, aspect of this storyline is watching the characters battle between wanting to do the right thing, but also realizing they might also have to do the wrong thing in order to do the right thing.
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frownyalfred · 8 months
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Hello! I’m not Jewish and I just learned about Pikuach Nefesh. Being Jewish yourself, I’m guessing you have a lot of thoughts on this and how it relates to Bruce’s no-kill policy. I’d be really interested in hearing them if you want to make a post!
Hey friend!
I absolutely have thoughts, but I must begin with a disclaimer:
My perspective does not cover all Jews, nor is it the authority on what is or isn't Jewish. I grew up Reform/Reconstructionist, in an ethnically Ashkenazi Jewish family, and these are just my thoughts as a Batman blog.
Another important note: different types of Jews hold the halacha (rules/principles) of Judaism to be far more important in their lives. An Orthodox Jew will observe halacha much more strictly than a Reform Jew. Despite what some people will tell you, this doesn't make either of them better. Just different.
Whew, okay. Now that that's out of the way, let's get down to business.
What is Pikuach Nefesh?
In very general terms, Pikuach Nefesh (hard ch sound in the back of your throat) allows Jews to override other religious "rules" or values in the pursuit of preserving or saving a life.
A good example of this is a an Orthodox Jewish person, who, following halacha, will not drive or operate items with electricity during the Sabbath (Shabbat). But what happens if someone has a heart attack and they need to call 911? Pikuach Nefesh would permit them to use electricity, despite it being Shabbat.
If a Jewish person who keeps total kosher is in a situation where they will starve if they do not eat non-kosher food, they are permitted to eat non-kosher food.
Exceptions
There are some notable exceptions to Pikuach Nefesh, which I suspect is what your question is getting at. The threat to an individual's life generally has to be known, urgent, and not abstract.
Murder is another large exception, with some conditions. Generally, the intentional act of killing another person, or injuring them to the point where they might die from their injuries, is not an act that can be permitted by the principle of Pikuach Nefesh.
The slim exceptions to this include highly specific cases of self defense of oneself or another against an aggressor. One may kill to preserve a life in very strict situations, but they cannot murder. There are even times where killing is obligated, such as war.
So how does this relate to Batman/Bruce's no-killing rule?
Okay. So. I've had a lot of discussions with folks about this, and the answer I've learned is: it doesn't. Not really.
Pikuach Nefesh refers to the principle that a Jewish person should preserve life over almost any other rule or halacha. It does, actually, permit Bruce to kill under very specific situations. It does actually forbid him from gravely injuring people and doing so in the name of fighting against abstract threats, which are both things he does in canon.
The last time I wrote about this, I was definitely off about the details of Pikuach Nefesh in regard to Batman. I was corrected and I stand by that correction. I didn't grow up in the Orthodox faith and I don't observe much of their halacha, which is where a lot of religious theory questions arise from. I'm not an expert, and my explanation is only as deep as my own experience.
I think a good way of looking at Pikuach Nefesh is not as a way to define what, if any, killing is acceptable, but rather, what are we obligated to do to save a life?
The more important Jewish principle shaping Batman's ideology (in my opinion)
"Whoever saves one life, saves the world entire."
This is much more of an important focal point for Bruce's Jewish-influenced ideology. The flipside of this quote, from the Talmud, is equally important: "Whoever kills one life, kills the world entire."
Bruce's no-killing rule is famously tied to his parents' deaths during his childhood. In a way, his entire world ended with their murder. He sees his mission to clean up Gotham as a way to prevent that loss from occurring for anyone else.
Saving one person, like he tells Barry in Justice League, is enough. That is a viciously Jewish thought. It is frequently quoted in reference to those who acted in support of Jews during the Holocaust, doing what little they could against a fountain of evil.
Conclusion
In that regard, yes -- Pikuach Nefesh tells us that preserving a life is the most important thing above all else. But Bruce's no-killing rule would swiftly be broken if he followed the principle of Pikuach Nefesh closely, in that he would a) likely have to kill someone in self-defense at some point in his duties and b) it would not allow him to injure or hurt people to the extent that he currently does in canon.
More importantly, Bruce's no-killing rule is a better reflection of the Talmudic quote that "he who saves/kills a life, has saved/killed a world entire."
It is not much of a stretch, in my opinion, to connect Bruce's trauma from losing his parents at young age to his outright refusal to kill later in life. The more interesting question, in my mind, is if the creation of this no-killing rule truly was shaped by Batman's Jewish creators and their view on life and death, especially post Holocaust.
Comics became more widely available during and after WWII and the Holocaust, during which time many -- many -- Jews entered the field as writers and artists. Their influences on the characters we see today are obvious, often intentionally Jewish, but just as often un-intentional.
Was Batman's no-killing rule a product of the post-WWII Jewish comic writers who shaped his character? Was it a coincidence that lined up well with the Talmud, but not necessarily all the conditions of Pikuach Nefesh?
How else does Batman represent, or not represent, the goal of Pikuach Nefesh (the necessity that a person act in the preservation of human life, above almost all else)?
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fourteenfifteen · 6 months
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ok kalvin brnine analysis hours under the cut cw for talk abt suicidal ideation and also for pld31 spoilers
adding some more words so this won’t appear in my popular posts yadda yadda yadda blah blah blah ok so.
there has been fandom discussion of brnine’s relationship w martyrdom ie the way it seems to have impacted them to have known several people who were true believers and who died in pursuit of that vision of a better world. like it was already easy to interpret their recklessness with their own safety as like seeing that as their own endgame and that’s especially true in light of their new hook (something along the lines of “i’m living on borrowed time and need to ensure that they can continue their mission” oof ouch my bones)
BUT i’ve also been thinking about their kind of preexisting ambient self loathing and their history and the interview segment in pld28. i feel like even going back to pzn brnine is like a person who can’t take ownership of things ykwim like there is a shirking of responsibility of the things they’ve done that have caused people to suffer. and really it seems like all of the feedback that they get from people is either saying that they’re horrible and a fuckup and have hurt people needlessly or that they’re yk brilliant and valuable and are aiding the cause. sometimes at the same time from the same people !
there seems to be a tension for them there: their faith in the ability of millennium break to change lives, their dedication to the cause and their crew, but also that they can’t own that fully because they still have the things they did when they only cared about themself hanging over them. and then on the flipside they’ve done horrible things but can’t stand to own up to that fully; they want to be good, they want to help people, that isn’t them anymore
so my real read on kalvin brnine suicidal ideation by martyr fantasy is like. an inability to imagine themself outside of the war bc a dedication to the cause is how they deal with the guilt and self loathing. they want to stop people from getting hurt but that is like the end of the line in terms of their own redemption. so yk the best they could do is do everything they can and then die for it like valence and gur and si and phrygian all did a brnine who survives it is a brnine who has to live with the weight of it all and try to figure out a cohesive self concept that can include both saving several dozen planets and gassing civilians
this is also an interesting train of thought in relation to their response to dahlia’s anime sicko forever war scheme: brnine wants the war to end and thinks it’s immoral to support its continuation (and they’re not yk always one to be calling out the morality of actions so that’s real shit) but there is not an after the war for them. i mean there wasn’t one for valence and there wasn’t one for phrygian but there is like. an imagined future still out there for someone. just they have seemingly put themself in the category of people who aren’t going to get there.
millennium break can change lives but can millennium break make up for the wrongs you did when all you cared about was making it to tomorrow? millennium break can change lives but will you deserve the new life that it builds for you? millennium break can change lives but does that mean the losses in its name have been worth it? and what do you do if they weren’t? millennium break can change lives but who are you when its gone?
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tavyliasin · 5 months
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Hello can I request Haarlep and Raphael turns on? Off? ( separately please no threesome pls)❤️
Ohh interesting, alright let's give this a try~
Raphael's Turn Ons
Physical touch is at the top, he actually strikes me as being largely asexual in terms of physical attraction and to some extent libido. He's not actively seeking sex. He uses seduction to lure people in to a contract, then has Haarlep sleep with clients using "his body" to fulfil that part of the deal. So if you want to get something to happen, sight alone isn't going to be arousing. There has to be touch. Also, aces and kink are a common combination too, darlings, and I am proof of that myself~ Next on the list, look I know he gives off a Big Dom Vibe, but like many classic subs he enjoys letting go of external power. Not to just anyone, of course, but he spends most of his time in charge of everything, all that responsibility, all those difficult plans, every bit of work he puts in to his grand scheme...letting someone else take over his pleasure is very enjoyable. He doesn't have to plan, think, or worry, simply give himself over to the lust and desire that sex can bring. That's not to say he cannot or will not switch, he is very capable of it and sometimes enjoys being a Dom to the right person too, but what gets him going is the right Dom to take him down. Bonus round on this point? Tail pulling and horn grabbing. Use his own body against him, he will fold. Which brings me actually to my biggest point. He isn't aroused by a quiet and timid partner. No, he needs someone to match his wits, to give as good as they get, to make it a challenge - and you can be assured he will certainly make it challenging, too. That push and pull, the give and take, that is what makes him want it, not being offered an easy deal. Consider if Tav tries to take his first offer in the game - he's disappointed. He wants people to turn to him when they have exhausted every last hope (oh the irony of the word, loves, it vexes him), he wants a partner to be begging on their knees desperate for the release only he can give them, or to be brought to that himself~
Raphael's Turn Offs
On the flipside of the last point, anything that is too easy. No challenge? No point, darling, why would he waste his time on something that offers him no stimulation. Actual dirt and poor hygiene. Have you seen the size of his bath in his room? Not a hair is ever out of place for him. No, a partner can only be in a mess when he has made them that way. Expectation. Somebody assuming they will get what they want from him is boring, or potentially if they expect him to just be submissive to him at the first sign of Dominance then that's frankly insulting to his pride. He won't have that. He will submit when he has been bent and broken to it, there must be at least some fight and the Dom must win to get their prize. He does not mind losing to the right partner.
Haarlep's Turn Ons
Now, this one might seem easy to say "everything", but far from it. Haarlep likes someone who will obey, who will follow their commands, but never fully succumbs to their powers. They find the fire in someone's eyes as they hopelessly try to resist the incubus's allure to be most delicious. Which is the point - as an incubus, the feed on sexual energy and pleasure. They absolutely must not be bored by a partner, that's like serving a food critic a slice of stale bread and expecting them to eat it. They need that excitement. They are particularly fond of anyone who manages to surprise them. Whether this is with strength of will, general bravery, or perhaps even someone to rival their near infinite libido, they want something new and different. Brats. Oh they do love to break a brat, darlings, it is their very favourite thing in the world. To take someone with that fire, that absolute obstinance, and break them apart until they can only think of one thing, only speak one word: "Haarlep". Their name. They love to hear their name, but not often. It is a rare treat, one to be savoured, the cherry on the top of the cake that shows them how fully they have brought someone to their knees and shattered their will until all that is left is the pure and undiluted sexual pleasure~ So you might think that another Dom would be offputting to Haarlep, but not at all. This is now a true battle of wits, to push them both to fight for the right to control, and they never lose.
Haarlep's Turn Offs
They're bored by expectation almost as much as Raphael. Turn up on their doorstep and think they'll give you a ride just because you're there? No, give them reason. The scheduled guests are a chore not a joy. That's their job, not their passion. Overtures of respect. They aren't here to watch someone scrape and bow and put on every air of pleasantry. No, darling, they need stimulation and airs and graces have no place in their domain. NonCon/DubCon. Every single act with Haarlep is fully consenting, if they think for a moment that something is not above board, they will end it then and there. They are an incubus, not a monster, lack of consent tastes like poison. Power play? That is fine, that is one of their very favourite things in the world, but it is never without a signal, a word or gesture agreed before that will never be ignored. No matter how they are feeling, everything stops and will not continue unless everyone is fully and enthusiastically consenting. Pretending to be Raphael. They may look like him (though decidedly just subtly more handsome) when they take his form, but they are a distinct entity in their own right. They do not wish to pretend to be Raphael, they are their own fiend and will make that quite clear whenever necessary.
---- I think that's about everything covered, and without specifying partners or groupings~ Agree? Disagree? Please feel free to let me know your own thoughts on the matter, darlings, I love seeing our similarities and differences. No single one of us can be fully "right" or "wrong", these are simply the HCs we have in our own minds and creations~ I utterly adore how vast the variances can be, and it is sometimes even inspirational for more fic~
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spicebiter · 1 year
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Horizon Zero Dawn spoilers but I don't think I can ever really be over Zero Dawn as a project and the truth behind Operation Enduring Victory and just everything it amounted to.
Like at the end of the fucking world, a year and change left to live, and a group of people dedicated that time to making sure Earth could have some manner of future. That even though everyone still alive had to suffer for one company's greed and stupidity there could still be something *someday*. It's such a testament to the part of humanity that wishes the best for its successors even if they can't ever gain from that 'best'. But on the flipside the secrecy that Zero Dawn had to exist under because they knew that no one wants to fight a hopeless war, not to mention the fact that people that worked on Zero Dawn were promised time with their families before everything really ended, it's sad but I have to argue that *surely* some people knew. Even if they didn't want to believe it or think about it had to see what they were up against or engage in one battle and realize just what was happening, and still have to have hoped there was something they had planned. And how Zero Dawn worked, technically. It gave humanity a new chance. Even if it's not all they intended, there are plants and animals and people and they're really living. They have such a rich culture so separate and so entangled with the old world and even if it's 'wrong' I know those that fought for Enduring Victory and worked on Zero Dawn would be glad something good came from all that effort.
And the cradle facility you visit kills me. Apollo failed and they couldn't enter and they could never *learn*, they could never grow past those lessons meant for children, and the servitors couldn't learn to treat them like adults because they were still children. They grew without ever learning anything new and they couldn't even know *why* because they were never taught how to handle that grief and the servitors saw them as kids you can't tell that kind of thing to. You can't tell them that they're the children of a lost species that's been dead for centuries but loved them so so much they lived and died for them to exist. And they were let out into the world with nothing! Their first time seeing the sun and yet it was cold and they were hungry. Everything was new and terrifying and they had to be so angry but they still lived and they did it. They made something new. They struggled and survived. Like, fuck, man. It's so heavy.
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spectralsleuth · 5 months
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Hey if you could do a crossover with each of your AUs with another AU what would you pick
I want to write crossovers all the tiiiime! I am blessed enough to have made friends in the fandom that I can poke awake in their inboxes and ask what-if’s about; but ACTUALLY writing a crossover is a whole other thing. There’s some AU’s I am HUGE fans of, that I don’t think a crossover would with LSoW, or Portal Panic, or Flipside. (Flipside is my nanowrimo project lmao.)
Obviously I wanted to write an Empathy is Learned crossover with @alicat54cwriting, and we did! And it was super fun and I learned a lot. If I had to pick more fandom creators to crossover with:
@amevello-blue Obviously. GiTS and LSoW would be SO FUN and heartbreaking, and we’ve already talked a lot about it and how it would work, but we’re both busy with projects at the moment. But it’s on my dream to-do list for sure if the stars can align. (Mainly me finishing a couple things to give it full attention, because Ame is an absolute beast when it comes to juggling multiple projects. Everyone go read The Mystic Forest AU.)
@tangledinink and me talk about Gemini/LSoW crossovers all the time because we have a disease lol. Anyone who knows him knows he loves playing with our characters like little dolls. Me giving Yoshi eight kids in crossovers seems to be a running theme and also very funny to me; including Venus and Jenni it would be TEN. Man’s life would turn into a SITCOM. But also Yoshi having daughters would be very funny and sweet to me he is such a helicopter Dad, and being faced with what he truly thinks would be the worst case scenario for all of his children would be uhhhhhh. VERY BAD. (And we love 'very bad' in this house.)
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(I don't think Kayson would mind me posting a snippet of our convo because we are so smart and correct all the time.)
I also love @mudlarkspur's Catchyou!AU. I think xir Donnie in my AU would be very fun! She's still a kid in the fic (I love their 'assigned girl by gargoyle' Donnie it's very funny and sweet, but xir more grown designs for Donnie and the plot that's to come is super exciting to me, and I think either would be so fun to play with in an AU. Also, the science in this fic I am obsessed with.
I'm not sure if a CROSSOVER with @thedawningofthehour would necessarily work, but they have a lot of OC's and turtles I would love to kidnap and play with. Their world is so rich and well made I feel like I need to study them like student would, it's crazy.
And needless to say a Discord Ronin Admin AU crossover would be just. Clenches fist. So. Perfect. But @melonpalooza is singlehandedly holding the entire crossover multiverse together through sheer force of will, and if our schedules and inspiration ever aligned it would be a miracle.
OBVIOUSLY me twirling my hair and thinking of crossovers is absolutely just introspection and fantasizing, because everyone's schedules are crazy and a lot of fic authors are already (I PROMISE YOU) juggling multiple fics. So nobody go bothering them about it, because I promise you I am NOT shy about contacting people, and chances are I've already gone into their inbox like a shy cat to give them the dead mouse of my AU and already talked about crossovers.
I also have about four different works i really want to get out before more crossing over, because some things like 'The Hidden City Trial' and 'Red King' are pretty integral to understanding how the world of LSoW is going to work moving forward!
If anyone ever wanted to contact ME for a crossover I'd be perfectly fine with it! I've read a LOT of fics in the fandom so you never know what I might have read, and the worst I can say is 'no'. It's the finding time part that's really hard.
Sorry for the long answer! There's just a lot of AU's and fan creators that I'm a huge fan of. ;-;
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sn0wbat · 8 months
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a friend of mine reread homestuck recently, and gave their non-hs ocs god tiers.... which in turn inspired me to try reconsidering the god tiers of mine!
(yeah they're still undead vampires. don't think too hard about it, this was mostly just for fun anyway)
UPDATE: reasons under the cut!
thoughts and reasonings
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MORTEN
moon - PROSPIT
optimistic, mostly
lives in the moment
mostly relies on instinct
doesn't always think things through
creative solutions
not exactly a huge rebel (their mom usually had their back anyway)
aspect - RAGE class - PAGE
a page starts out with a lack of their aspect. they're missing it, repressing it.
as a page of rage, they'd start out not knowing how to truly show anger, they repress it, it's fine it's fine everything is fine - negative emotions always take a backseat.
he's kind of a doormat about things, not really wanting to escalate things further, ever.
this is especially seen with mort's interactions with their uncle, who keeps pulling disagreeable shit while mort just. goes along with it. to avoid conflict.
the challenge for a page of rage is to learn it's okay to get angry, to express their more negative side, to let people know when things aren't okay!! to stop being walked all over!!
to embrace the more monstrous side that's been so pushed aside for a while - it's okay to be a vampire, you're just trying to survive. it's okay to let people know they're wrong. it's okay
why? yeah somehow they got rage on the official quiz. rage and prospit. very odd, but thinking about it, it made some sense. sure, the prospit feels obvious, but rage? took some time to figure that one out. sadly page is the class that suits them the most here. oops
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EINARR
moon - DERSE
very self-aware
can get very rebellious given the chance -- literally lead a rebellion against his sire -- also lead a whole jailbreak -- was literally a pirate at some point
absolutely hides parts of himself and holds himself back a lot
good problem-solver
introvert
usually thinks things through… unless he doesn't.
very powerful ally
has a tendency to cling onto the past
aspect - LIGHT (breath, space) class - MAGE
"One who Understands with Light or Understands Light"
knowledge-seeker. big nerd about everything. u get the vibe
not very concerned with laws and norms
mages are very hands-on with their aspect - einarr has been through a lot already, being as old as he is. most of his knowledge is first-hand experience.
mages have a deep understanding and often suffer from their aspect… being a thousand years old, there's certainly some things he'd rather like to forget. however, his memory is Really Good oops
on the flipside, also really loves knowing a lot of things. he is curious. it's in his nature. he's a knowledge sim
oh, so mages suffer from their aspect? let's see: bright lights hurt his eyes, yes. sunlight hurts him too, yes. he's a vampire so this bullet point about the more literal side of his aspect hurting him is really funny sorry
has suffered from the burden of being seen (target of vampire slayers), and tbh he avoids this like hell these days- constantly hiding, hates unwanted attention. mirrors Void aspect in this case - he often blends in out of necessity but dear lord is it harmful to his mental health
mindreader. easily knows too much. sir-
because of that, can easily tell when someone is lying
a bit superstitious. still believes in the old gods.
extremely hard to sneak up on. he's basically got satellite dishes for ears, He Can Hear You
this classpect can partially be summed up as "the mortifying ordeal of being seen" and that's einarr yeah
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RUNE
moon - DERSE
bit of a pessimist
self aware introvert
finds the world alienating and confusing and mean
hides quite a lot about himself
generally lives in a state of dissatisfaction. either he's not human enough or the world isn't vampire-friendly enough. feels like shit either way
would rebel more if he wasn't too busy being a terrified doormat
rarely lets himself be vulnerable. unless it's someone he really trusts to not use it all against him yknow
aspect - DOOM class - MAID
"those bound to the aspect of Doom are fate's chosen sufferers"
misery loves company and he found that company in his fellow vampires <3
not the advice friend, not a healer, but will let you know you're not alone as his life is shitty too
maids are often treated like lesser, and tbh that describes rune pretty well
"dismissed or pushed around by those they rely on" his family at home i swear
all his life he has been trying so damn hard to just. be accepted by those taking care of him. by following their rules. he's not like other vampires, no! he's not evil!! he's not a bad guy! just as human as anyone else!
and he'd also just love to stop being excluded from literally everything his family does thanks <3
it's not working
overall, has a tendency to follow everyone else's rules and instructions, which is a very maid of doom thing to do
challenge is to draw his own lines and become his own master instead of being everyone else's doormat :-)
"aren't you tired of being nice? don't you just wanna go ape shitt"
---------
BAT
moon - PROSPIT (???)
intuitive
exists in the present
VERY impulsive
did worry about what mort would think of him yes
"trouble with deception" i mean he's good at it, but does it eat him up inside when he's forced to lie? also yes. that's the trouble
totally fine with not interfering with human shit. why bother
turning mort into a vampire instead of actually telling him sure was a… creative solution lmao
used to trust people but it kinda bit him in the ass so not much anymore
what doesn't fit:
still a bit of a rebel for sure
can get very negative - not quite "marked by optimism"
very used to hiding himself (unless you count his bat form as one of his true selves, which it might as well be. like nimona. sometimes he's just a bat.)
he's that kid who has the edgy derse vibes but is actually prospit somehow. secret softie.
look i put him on derse too at some point. he somehow fits both. this time the quiz put him on prospit. idk man he's kinda both
aspect - VOID class - KNIGHT
"One who Exploits with Void or Exploits Void"
not afraid of the unknown. it doesn't bother him
great at hiding… a lot of things
would rather stay confused than believe in something completely false
knights of void are very good at keeping secrets. (even from himself, especially when he can't remember shit)
lives in obscurity, hidden in the shadows
exploits unawareness to drink everyone's blood :3
usually knows way more about someone else than they know about him.
knights have a tendency to be very insecure about certain things and also not really being willing to show it. hiding behind a shield, figuratively.
so yeah that's very bat
this was the only one that didn't change from the last time i messed with classpects haha fun fact
maybe perhaps i will do a part 2 with more vampires later, but we'll see lmao! thanks for reading <3
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gffa · 2 years
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starvedforpizza replied on this post of mine:
I just rewatched TCW and actually never even thought about it. I have been thinking lately that Anakin was a person just created to suffer to fulfill the Force’s will. The Force created him and choose Shmi of all the woman in the galaxy to be his mother which meant he wouldn’t be found by the Jedi. The Force triggers him to go back for his mom. The Force gives him the visions of Padme dying. The Force must have told Palpatine what to offer Anakin (the power to cheat death) to get him to turn. The Force lead Luke to go to Bespin which leads to Luke learning the truth and creating the desire in Like to save his father which leads to what happens in ROTJ. So the Force certainly seemed to be directing things to happen a certain way.  While balance maybe the destruction of the Sith to me it appears that on the path to accomplishing that goal the Force also wanted the Jedi wiped out. to prevent everything the Force just didn’t have to show Anakin visions of his mother or Padme dying.
To say that the Force wanted the Jedi to be wiped out (ie, that a genocide of an entire people and their culture was a good and necessary thing), you also have to be saying that Star Wars decided the way to show this plot element was through baby murder.  That to show that this was a justified choice was to show it through innocent children being slaughtered. That’s an underlying point of my original post (where I personally cannot separate Anakin from the multiple baby murderings, so I have a difficult time being on his side in anything), that you cannot separate out the genocide of the Jedi from the baby murder.  They are the same thing, so if one says the genocide was necessary, you’re saying the deaths of those babies were necessary, and that this is the message Star Wars was trying to tell us, this is how Star Wars chose to show it.  Not by just killing adults, but specifically through showing the babies were stabbed to death, too. And I just cannot buy that that’s the way Star Wars would show us that kind of message.  I cannot buy that Star Wars would tell us, “Well, sometimes genocide is necessary.”  I cannot buy that Star Wars would tell us, “Those babies being murdered was necessary to show to understand that this was the path to good.” Further, it’s also that Anakin is wrong about what he does, by narrative intention.  George Lucas says about Anakin:      “Anakin wants to be a Jedi, but he cannot let go of the people he loves in order to move forward in his life. The Jedi believe that you don’t hold on to things, that you let things pass through you, and if you can control your greed, you can resolve the conflict not only in yourself but in the world around you, because you accept the natural course of things. Anakin’s inability to follow this basic guideline is at the core of his turn to the dark side.” --George Lucas, sci-fi magazine      “It's fear of losing somebody he loves, which is the flipside of greed.  Greed, in terms of the Emperor, it's the greed for power, absolute power, over everything.  With Anakin, really it's the power to save the one he loves, but it's basically going against the fates and what is natural. “ --George Lucas, Revenge of the Sith commentary Anakin is going against the fates and what is natural in ROTS, what we see in ROTS is not the natural path meant for the galaxy.  His fall is due to his inability to accept basic Jedi guidelines, it was Anakin turning away from the fundamental truths of life at every turn, not because this is what the Force wanted. George Lucas has been very, very clear about the core issue of Anakin’s fall and his actions, and that it’s going against the course of life itself.  So, no, the Force push Anakin to destroy both the Jedi and the Sith, because the point is that Anakin was supposed to let go, that’s the theme of Star Wars, Lucas has said that many times. But he didn’t and it led to baby murder, because that’s against what fate is in Star Wars.
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