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#this is such a sad story
buniyaad 9 months
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kory not celebrating her own bday but celebrating her daughter鈥檚 every year 馃槶馃槶馃槶 makes me wonder if mandy knows about her traumatic past at all. something something, thinking she鈥檚 saving her kid from having to hear about her tragic past when really, the kid just wants to know their mama 馃槶馃槶馃槶
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alfiescookies 2 years
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so you're telling me they gave Scotland this uglyass haircut and y'all still havent rioted??? HAVE YOU RIOTED?? YOU BETTER HAVE???????
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gentil-minou 10 months
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Everytime I see posts like this I get filled with such profound sadness
Cause you know who has the same brainrot as you? The same unhinged feelings as you after you've read the fic? The person who always wants to scream about the fic with you?
THE PERSON WHO WROTE IT
I never used to leave comments but since I got into the habit of commenting on everything i enjoy it's been incredible. Especially when the author gets back to me about it and we get to have a discussion of what other ideas they had. One writer replied to my comment with a 5 paragraph essay detailing the Floorplan of the building the characters lived in and it was incredible
Anyways this is all to say that if you find a fic that just makes you want to scream from the rooftops, leave a comment saying that to the author and maybe they will join you and you can scream incoherently together
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ibtisams 3 months
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I went to a vigil for the Palestinian children martyrs and everyone had made oranges with messages to the martyrs 馃馃崐
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anyway the person Loki went back to ultimately ask what he should do was Mobius.
the person who couldn鈥檛 continue the job they鈥檇 been doing for eons because it was too painful without Loki was Mobius.
the person who stood alone in the second to last shot was Mobius.
the person who鈥檚 voice Loki heard at the end of time was Mobius.
if you don鈥檛 think that鈥檚 winning i don鈥檛 know what to tell you.
give me painful, bittersweet, star-crossed lovers over nothing at all any day.
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hyuckonia 6 months
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deuce fucking dies dot jpg
bonus:
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old man breaks back laughing at lame joke too hard 馃槀馃槀馃槀馃様
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soranker 2 months
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tomorrow :)
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caostalgia 6 months
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Me recordaste por qu茅 hab铆a dejado de expresar mis sentimientos.
Y me doli贸 hasta el alma.
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catchymemes 18 days
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i believe that i am the only tumblr blog that has not received a boop
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golden-snackoos 2 months
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forget me not.
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beaulesbian 10 months
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- [Nimona]:You should be questioning everything right now. The will of Gloreth, the Institute, the wall. What's it all really for? - [Ballister]: For protecting the realm. - [Nimona]: Oh, you mean from villains like you? Or monsters like me?
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thebibliosphere 10 months
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One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.
Trust me, it was my job in the publishing house to make them fit that mold. I hated it.
Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.
It's lacking for me as a romance.
Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.
There's so much emphasis on the polycule and never the individual dyads within the larger relationship.
For example, in a triad, there are actually four relationships to handle.
The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.
With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.
And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.
But it doesn't always land for me as someone who wants to see my style of love represented in the genre.
In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.
And that's a good thing!
Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.
Polyamory isn't striving for equality between partners but rather equity.
What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?
It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.
The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.
The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."
Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.
Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.
The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?
Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?
Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.
I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...
Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.
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dollster 28 days
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me after acting like it didn鈥檛 matter to me
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ryssbelle 2 months
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Thought of this while at work, sorry it's a bit hard to read I sketched it out really fast before my last shift lmao wanted to get it done so I could work on other stuff hehe
If it's any consultation Floyd is mostly talking about himself
#my art#trolls#dreamworks trolls#brozone#trolls 3#trolls floyd#trolls john dory#trolls branch#trolls poppy#the way i imagine their 20 years in troll village is that one meme where its the two different nothing in life matters pics#but one is super sad and the other is happy looking and radical#thats floyd and jd#but they switch places depending on the day#branch is a secret third option#also idk what id do with the 3rd movies plot#this scene in my head is 3rd movie era but i like havent decided what theyre doing yet#theres a few possibilities on whos in the bottle or if theres a bottle at all#this would take place in a timeline where clay or bruce is in the bottle#but like heres the thing any of the brothers could be bottled and itd make for a good story#i drift more towards clay only for the irony of finding out your brothers alive but its a race against time cuz hes literally dying#so it adds to the urgency but then its not much adventure cuz they just gotta get bruce and go#cuz we have 3/5 brozone here already#same goes for if its bruce#so like for story purposes that means it would be most likely JD or Floyd which is just most aus and canon#cuz after world tour Floyd would travel with JD on their own tour Floyd going solo with JD as his manager#and in this scenario they came back to tell Branch about finding whoever is in the bottle#but the story of these guys could also work without any bottle so idk we'll just have to see what i decide to do later#also im slowly coming up with a name for this#very slowly but it'll happen#i actually have a google doc that has a name so i may just use that
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zombie-bait 25 days
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I can鈥檛 believe Gideon and Harrow had like 3 weeks of something approximating fun before experiencing 2 solid years of endless suffering 馃槶 lemme tell you, nothing could鈥檝e prepared me for that or the realization that post book 1 these poor fuckers just never get to spend any time together, I miss the old days of One Flesh One End Bitch!!!!! We had it so good and we didn鈥檛 even know it
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chronicowboy 1 year
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the ao3 error logo really captures an indescribable emotion
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