Omegaverse-
Against: Weird, bad sex. Insufficient reproductive healthcare across the board.
Defense: From an anthropological standpoint, because omegaverse came about in a community where the given hobby is creative writing, it unintentionally reveals a lot of interesting ideas about concept of gender and gender roles as understood in the societly and by the individual writing it, including the frequent inclusion of gender oppression as seen in this new world. What makes a body male or female? What forms of sexual oppression are included for "romantic value", and what is excluded? What does the author see as "natural" gender role vs. what is manufactured and therefore criticized within the work? For instance, Omegas in an office setting often experience workplace harrassment and discrimination, but rarely have seperate dress codes from Alphas and Betas. The active chore of womanhood is removed while the passive sufferings of womanhood remain. Omegaverse written by trans feminists can be (intentionally or unintentionally) a truly fascinating study in gender-centric worldbuilding & a biting form of satire.
Coffee Shop AU-
Against: Banal. Unchallenging. Falls under the fanfic sin of paragraphs dedicated to describing plot irrelevant foods that the author likes.
Defense: idk. Catholicism-friendly?
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Non-Human Tim Drake Prompt
The Drakes were unable to bear a child, so they made one.
They used clay from their dig sites, having come across grounds so imbued with magic that it was pouring out of the material in waves, and shapes a child- a little boy. He had Janet's smile, Jacks eyes, and a chunk of ruby, chipped off from an artifact the couple had found years ago, in place of a heart. They'd dried the clay child for thirty days and thirty nights, carefully checking him for cracks and crumbling patches. On the morning of the thirty-first day he opened his eyes and Timothy Drake was ‘born’.
He had once asked what power created him. Tim had heard of the tales of a puppet boy, so loved by his father that a fairy bestowed him with life, and asked his mother if the same fairy had blessed him. Janet had laughed, not taking him seriously, and patted his cheek.
“Oh, my darling, you weren’t made for no reason. You are the heir to the Drake name, a perfect little creation.” She stood from where she’d been crouched and began to leave the room, not bothering to look over her shoulder “Fairies are not real, Timothy, and neither is ‘true love’. There is only us and our requisites. You will placate our plans in a way flesh and blood never could.”
Tim understands the words his mother isn’t saying. Love had nothing to do with it, only necessity for a child to keep something so arbitrary as a name alive.
He wasn’t their son, he was a vessel, and if he wanted to remain a Drake then he’d need to serve his purpose;
Perfection.
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Hey sorry if this is nosy but do you have a Letterboxd? I do trust your opinions on books so I thought I would too for movies :)
it’s not nosy lol but i don’t share my letterboxd bc i use it 2 hang out w a non-fandom friend (read each others’ reviews) & want 2 keep this blog & associated social media separate from like. my non-fandom social media sphere….
however if u wanna hear me talk abt movies u can follow me on medium! separate little blog 2 this one where i keep track of media i’ve been watching/reading/listening to etc just 4 fun
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when it comes to unfinished fics, i actually found i prefer instead of a writer forcing themselves to slog through and finish the fic, just a chapter summarizing the way the story was going to end. like where the plot was going, what was going to happen to the characters. it could even just be a bullet point list tbh.
a couple people made this point. i think it's definitely a good middle ground for sure
not to be contrary, i really do enjoy when authors do that, but ill give my own perspective since i complained about no one giving theirs and i have yet to contribute to my own conversation.
for my smaller projects, especially the ones that only got a chapter or so in and could easily be read as ambigious/open ended— leaving those unfinished worked fine.
for my longer projects, like imaginary and indefinite, even if its like pulling teeth, it is fulfilling to return to them. I'm not as passionate about the works, but also being in the middle of passion can instill paralysis— you cant write because you're too damn excited. writing now can be exhausting, but it satisfies that little version of me that dreamed about updating the last chapter so many years ago.
of course, i dont think this would be possible if i didn't have my notes and a rough direction i was heading. some stuff still slips past me, but generally the direction is the same. i don't think my writing and execution is as strong, but most people don't seem to notice or don't say as much, to be honest. even if my grasp on the characterization isnt as strong, even if my passion has cooled, as long as i have that direction i intended so many years ago, i feel good about what I'm posting.
i used to be deathly afraid of mediocrity and disappointing people, of not capturing that original glow that made my work so fun to begin with— but that saying 'either do it, or do it scared' holds true here. and i can add something aged and different to my work. also, i think focusing so hard on quality makes you lose yourself in creation rather than creativity.
but of course, that's only my journey, navigating with my 5 year-old-fics. they're old loves. i think if you're sick of a work, or if you're coming back to a work with genuinely no direction, it can be very hard to write and you'll be lost and frustrated. old-me already did all the heavy lifting, i just have to do my job and put words on paper.
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random idea i had for apv is that there definitely is a d&d group in the warrens somewhere (there's not a lot to do in an underground bunker with no internet and the only tv channel being off-world news three days old), and 621 ends up getting roped into it.
he's personally not too interested in the game itself, but he realises it's an oppotunity to let ayre enjoy herself, so he makes a character that is Basically Ayre and then dictates everything she says during the game. painstakingly writes everything she says word-for-word and does the decisions and choices she wants.
true, the rest of the group think it's just raven really getting into character (he'll even only respond to ayre), but this is a way for ayre to play and interact with other humans. it makes her happy, and she actually enjoys playing the games, so 621 is pretty happy too.
it's just a cute idea that i kinda wanna incorporate into apv.... ayre and 621 are platonic life partners your honour he should be allowed to do smth nice for her ghffhgh
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“What are these?” Armin pulls out thick frayed paper from between the pages of the worn notebook.
You spot them and chuckle to yourself as he turns the paper to reveal a pencil drawing of a group of people in various poses and places. The hatching on it is clearly visible, done with a quick and light hand. Their faces are content, sometimes sitting in a circle over what looks like quiet conversation, other times laughing raucously, so hard that their eyes have narrowed to slits. Armin has never met these people before, but the drawings give him the impression that he somehow loves them the way the artist did.
“Oh those?” You smile, walking up to him and taking the papers in your hands. You briefly smile down at them like they’re something precious. “Old drawings of mine.”
“I didn’t know you draw,” Armin comments, his eyes widening at the new information.
“Yeah,” you chuckle and hand him back the drawings. “I used to want to be an artist. You know, the kind who makes something meaningful that everyone knows the name of. I’m all washed up now though.”
“Why’d you stop?”
“Well, Dad died and I didn’t have the energy to practice,” you smile even though the memory you’re recounting is painful. “I sort of lost the passion to do anything. Work was few and far between and living in the city didn’t help with expenses. Mom needed help, I needed money, my siblings were in school. I had to come home. Work for artists is few and far between even in the biggest of cities, in this town there’s nothing. And after a few years of being back here, I decided that I was fine with a modest life. No fame or meaningful artwork necessary.”
Armin looks at the drawings, his blonde hair shifting slightly on his forehead. When he meets your eyes again, they’re big and rounded with emotion. “That’s a bit sad though, isn’t it?”
“Nah,” you shake your head. “That’s just life.”
You move to sit down on the bed and tangle your fingers together between your legs. Then, you stretch them out and make an exasperated and high pitched sound. Armin moves to sit beside you, not quite close enough to touch.
“But man I would have really loved to draw for a living,” you give him a sideways glance and a smile. “Ya know, my friends used to ask me to draw pictures and sign them for them. They thought that I was gonna be some big shot artist. It was nice to have people have that kind of confidence in me. I did it for ‘em every time. I wonder if they still have them,” you wink, “just in case.”
“Are the people in the drawings those friends?”
“Mhm,” you nod. “I met ‘em all in college. Got lucky getting to know people like that.”
Armin looks at the pencil drawings again. They look like they were done so quickly, but he can make out each person’s features individually across them. He gets the impression that you looked at them a lot, that drawing them was less of an exercise than it was an action of habit. There’s a lot of love in them, in these little moments you’d captured in your sketchbook.
“Are you still in touch?”
“With them? Not anymore,” you shrug. “We lost touch about six years ago. All of us went our separate ways and it got hard to see each other. Plus, I sort of became a recluse after Dad died.”
“That’s a shame,” he says, somber and looking at his shoes.
“Nah, it’s not,” you laugh a little. “They’re still some of the most important people in my life. I hope they’re happy and that they still have the drawings, even if they’re crumpled somewhere in a drawer or crammed into a notebook. If they think about us and the time we spent together even a little bit, that’s enough.”
“Don’t you miss them?”
“Oh god, so much,” you laugh. “I think about how badly I want to be with them every day. But they’re living their lives and I’m living mine and that’s alright. We can’t really go back, but even though we’ve lost touch, I’m sure that if I ever ran into any of them again, it would be like that time never passed. We’d be the same, just like we always were.”
“That’s a nice thought.”
“It’s the truth.”
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