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#this is for a very specific audience of one (1) person
physalian · 2 days
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10 More Character Types the World Needs More of
Part 1 was specifically character dynamics, but I’m considering this a sequel anyway.
1. Fiercely independent character’s lesson isn’t to “trust people”
I’m not projecting. You’re projecting. There is a divide wide enough to fit the Grand Canyon between “trusting that someone isn’t lying” and “trusting someone to follow through on a promise”. Most dumpster fire attempts at these characters (almost exclusively women) rely solely on mocking them for the former because “not all men” or something.
Being consistently let down in life makes you hesitant to a) gain friends, b) pursue romantic interests, c) maintain familial relationships, d) get excited about any event that demands participation from someone who isn’t you. None of this is simply a bad attitude—it’s a trauma response. There is no lesson to be learned, and not even exposure therapy can help because it’s a real, legitimate, and common stunt people pull, whether they mean it or not.
So write one of these characters and legitimize their fears, give them someone who proves the exception to the rule, but do not let the lesson be “well they just haven’t found the right person yet”. Even the “right person” can let them down. It's about not becoming a self-fulfilling prophecy by sabotaging a good thing to prove it will inevitably go bad.
2. Conventionally attractive men who aren’t horndogs
I’m going to find every way I can to tell you to write more aces. This is to fight the stigma that attractive people must be attracted to people. Give me gorgeous aces and demi’s, men, women, enbys and everyone in between, who put a crap ton of effort into looking their best, and yet happen to not have a very loud libido. They look good for themselves, and not to impress anyone else.
Give me someone who could have anyone they wanted, gender regardless, and just simply has no interest. Or, they do actually have a significant other, but sex, how hot their partner is, or how horny they are, isn’t their internal monologue. I don’t even care if it’s unrealistic, it’s annoying to read.
And, you know, giving men male characters who aren’t thinking about sex all the time can be good, right? Right?
3. Manly warrior men who also write poetry
A.K.A Aragorn, Son of Arathorn. Just give me more Aragorns, period. This dude is either covered in filth, blood, guts, and the last 30 miles of rugged terrain, or singing in Elvish at his own coronation while pink flower petals fall. A man can be both, and still be straight.
A man can also drink Respect Women juice, you know? He ticks off all the boxes—he’s gentle when he needs to be, not afraid to hide his emotions, kind to those who are vulnerable and afraid and need a strong figure to look up to, resolute in his beliefs, skilled and knowledgeable in his abilities without being arrogant or smug, and the first boots on the battlefield, leading from the front.
4. Characters who are characters when no one is watching
This is less a specific type and more a scene that doesn’t get written enough. This whole point comes from Pixar’s Cars. I. Love. This. Movie. It’s not Pixar’s best, for sure, but this is my comfort movie. The best scene, one that’s so unique, is when Doc (aged living legend) thinks he’s alone when he rolls out onto the dirt race track and comes alive tearing around the oval.
This character’s unbridled, unabashed glee and euphoria at proving to himself that he’s still got it, when he’s completely unaware of his audience, is perfection. Not enough credence is given to characters to just… enjoy being themselves. He’s not doing it to prepare for the climactic race, he’s not doing it for the plot, he’s doing it just to do it, not even to prove Lightning wrong—just for himself.
Give your characters a “Doc Racing” scene. Whatever their skill is. Maybe they’re a dancer, a skater, a swimmer, a painter, sprinter. Just let your character love being alive.
5. Characters whose neurodivergence isn't “cute”
A.K.A. Lilo Pelekai from Lilo and Stitch. Really, her relationship with Nani is peak sibling writing. But Lilo herself is just so realistic with how she interacts with the world, how she interprets her relationships with her so-called friends, how she organizes her thoughts and rationalizes what she can’t quite understand, and how friggen smart she is for an… 11-year-old?
But she’s not “cute”. As in, she wasn’t written by generic Suits who were trying to cash in on the ND crowd by writing what they think will sell, but also making her juuust neurotypical enough to still be palatable by the rest of the audience. Lilo’s earnestness is what endears her to everybody. But also, she doesn’t get a free pass for her behavior, either. Her “friends” aren’t forced to accommodate her and Nani isn’t written as the cold-hearted villain for trying to discipline her.
6. Straight male characters with female friends
Am I double-dipping a bit here? Yes. While I completely understand how tempting it can be, this type of character is in dire need of exposure and representation to prove it’s possible. No weird tense moments, no double-glances when she isn’t looking, no contemplations about cheating on his girlfriend (and no insecure jealous girlfriend either). Just two characters who enjoy each other’s company and are able to coexist in a space and be in each other’s spaces without hormones getting in the way. Peak example? Po and Tigress from Kung Fu Panda.
Let these two rely on each other for emotional strength in times of need, let them share inside jokes, let them have a night alone together at a bar, at home, cooking dinner, getting takeout, talking on the patio in a porch swing… with zero “will they/won’t they.”
7. The likable bigot
I’m actually on the fence with this one but it’s something I also don’t see done often enough and I’m adding it for one reason: Bigots aren’t always obvious mustache-twirling villains and the little things they do might seem inconsequential to them, but are still hurtful. So showing these characters is like plopping a mirror down in front of these people and, I don’t know, maybe something will click. They don’t have to be MAGAs to be dangerous, and only writing the extremes convinces the moderates that they aren’t also the problem.
Example: I have a “friend” who recently said something along the lines of “I have lots of gay friends” followed up shortly by “I don’t think this country should keep gay marriage because it’s a slippery slope to legalizing pedophilia.” You know. The quiet part being that she *actually* thinks being gay is as morally abhorrent as being a pedo. But she totally has lots of gay friends. Including one who was driving her during that conversation. (It’s me. Hi. I’m apparently the problem, it’s me.)
She’s absolutely homophobic, but the second she stops announcing it, she’s a very bubbly person. She’s a ~likable~ bigot and thus thinks she can distance herself from the more violent ones.
8. The motherly single father
I say “motherly” merely as shorthand for the vibe I’m going for here. “Motherly” as in dads who aren’t scandalized by the growing pains of their daughters, and who don’t just parent their sons by saying “man up boys don’t cry”. Dads who play Barbie with their kids of either gender. Dads who go to the PTA meetings with all the other Karens and know as much if not more than they do about the school and their kids’ education.
Dads who comfort their crying kids, especially their sons. Dads that take interest in “feminine” activities like learning how to braid their daughter’s hair, learning different makeup brands, going on nail salon trips together. Dads who do not pull out the rifle on their daughter’s new boyfriend and treat her like property. Dads who have guy friends that don’t mock him and call him gay. Dad who does all this stuff anyway and is *actually* gay, too, but the emphasis is on overly sensitive straight men’s masculinity here.
Wholesome dads: a shocking amount of single-parents to female anime protagonists.
9. The parent isn’t dead, they’re just gone
Treasure Planet is an awesome movie in its own right, but what’s even better? This is a Disney movie where the parent isn’t dead, he’s just a deadbeat who abandoned his son and isn’t at all relevant to the plot beyond the hole he left behind for Jim to fill. The only deadbeat dads Disney allows are villains and those guys are very vigorously chasing an aspiration, that aspiration just doesn’t include quality fatherhood. Or motherhood. Disney has yet to write a deadbeat mom, I’m almost certain.
I just wrote a post about the necessity of the “dead parent” cliche, but what is perhaps more relatable because it’s more common, and what earns even more sympathy and underdog points for the protagonist? The hero with the parent who left. Then there’s a whole extra layer of angst and trauma available when your hero can now plague themselves with the question of if the parent leaving is their fault. Death is usually an accident. Choosing to abandon your kid is on purpose.
10. Victim who isn’t victim-blamed or told by their friends (and the narrative) to forgive their abuser
Izuku Midoriya lost so much support from me the moment he told his friend, bearing the consequences of domestic violence across half his face, that Midoriya thinks he’ll be ready soon to forgive his abomination of a father. I am firmly in the “Endeavor is a despicable human and hero” camp and no I’m not taking criticism. I audibly gasped when I heard this line and realized Deku was serious. Todoroki needs friends like the Gaang to remind him that he's allowed to hate the man who's actions caused the burn scar across his f*cking face.
I understand that the mangaka apparently didn’t anticipate the vitriolic backlash toward Endeavor during his debut and reveal of his parenting tactics but the tone-deafness of telling a fifteen year old with crippling emotional management issues and a horrible home life that his abusive dad in any way deserves and is entitled to forgiveness on the grounds of being related is disgusting.
Take it back further to a more famous Tumblr dad: John Winchester. Another despicable human who got retroactively forgiven by his sons after his death in a “he wasn’t so bad, he really did try” campaign. It’s one thing if the character believes it, it’s a whole different matter if the narrative is also pushing this message.
Katara is a perfect example: She lets go of her grudge for her own peace of mind and stops blaming Zuko for something he had no hand in, stops blaming him simply because he’s a firebender and he’s around to be her punching bag. She doesn’t forgive the man who killed her mother, because that man doesn’t deserve her forgiveness. Katara heals in spite of him, not because of him, and had she let him off the hook, she would have gotten an apology for getting caught, not for what he did (which is exactly what happened).
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countess-of-edessa · 4 months
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nepo babies =/= person from a rich family i always thought?
#i thought a nepo baby was specifically someone whose parents/relatives are in the entertainment/arts industries#like taylor swift isnt a nepo baby she just had rich parents?? they bought her way into a music career but with their money not any#connections they had in the music industry previously.#whereas like…Ben Platt would be a nepo baby because he is a stage and film actor and his father is a film producer and produced films#that star him.#that’s not really to say that one is better or worse than the other and i don’t really care about the discourse either way#(people being upset their fave don’t have an organic by-merits-alone rise to fame story kind of confuse me because it seems like a very#modern and out of reality way of thinking)#like i get that people are getting undeserved opportunities through (1) money (2) connections and then putting out subpar art which sucks#but i do kind of think that ultimately you can’t trick people THAT MUCH. kim kardashian threw a bunch of money at a music career and it#never went anywhere because she simply was not good and no one liked it.#billie elish has rich parents but no matter your personal taste you can’t deny she's found success because she has an audience for whom her#music resonates. idk if she would be as successful if her parents didn’t have money and she didn’t have the opportunities that gave her#and certainly there are millions of people as good or better than her at music (if you can even quantify it in that simplistic of a way) wh#will never get the opportunities she has had that gave her success but i also don’t think she would be as successful as she is if she was#less talented.#also this is literally the worst time in history to be worried about nepo babies lol not saying that no one should complain about nepotism#casting but like we are in the golden age of people achieving artistic success through grassroots means thanks to the internet#getting an audience for work that resonates with people without the machine of the entertainment industry backing you is more possible than#ever before#also and i only have to say this in this exactly corner of the internet#if you are a monarchist you can’t use the term nepo baby#sorry you just can’t
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tropicalcryptid · 5 months
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Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it
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One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.
When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."
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But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.
On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.
But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--
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Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...
Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.
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It's not nice.
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It's really not nice.
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Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).
And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.
Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.
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Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!
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Very cool, ND.
There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!
Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.
But maybe Hordak can.
And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.
Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.
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This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.
Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.
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svsss-fanon-exposed · 4 months
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Exposing SVSSS Fanon: 4/∞
CHRONICALLY/TERMINALLY ILL SHEN YUAN
Rating: FANON - UNSUPPORTED
It isn't an uncommon thing for fans to headcanon their favorite characters as disabled, or queer, or otherwise having experiences that relate to the fan's own identity or promote fandom diversity. This in itself can be a very positive and affirming thing.
I will reiterate, of course, that this blog is not meant to say that anyone's headcanons are bad or invalid-- no matter what canon says, anyone can have whatever headcanon they please.
However, there is a difference between headcanon and incorrect interpretation.
The idea that Shen Yuan, prior to transmigration, was chronically or terminally ill is something that falls more heavily into the latter category. Rather than being known as a headcanon or even acknowledged as fanon, this idea is often taken as canonical fact or "default" in western fandom.
It does not stem from one person's creative interpretation of a character, but instead from an inaccurate TL note on a passage in an earlier fan translation of the novel.
In this early translation, the following passage:
不过沈清秋要求真的不高,在这边混吃等死,颐养天年,他就心满意足了。反正跟他前生过的日子也没啥差别。
was translated as:
However, Shen Qingqiu didn’t have any high requirements. He’d be content to just while away his time here and wait to die. At any rate, it wasn’t much different from his previous life. (CNoveluv/BCNovels Ch. 3)
Attached to this was the following Translator's Note:
Previous life: Bit of a subtle hint that our main character probably had a terminal illness or something that would have taken his life in time.
(many thanks to @furbygoblinxiv for quotes!)
This TL note is where the idea that Shen Yuan was canonically chronically/terminally ill originated.
However, the assumption is wholly incorrect. The phrase "混吃等死" is a saying which translates literally, to "aimlessly eating meals and waiting for death," but refers to a lack of ambition and general listlessness, or someone who just wastes their life away, not making anything of themselves.
This is in line with Shen Yuan's original description of himself:
From early on, he’d known that even if he idled the rest of his life away, he’d never want for food. Perhaps due to this carefree upbringing, devoid of either competition or pressure, he came to believe that ranking in the top ten of a competition was good enough, so long as it had more than ten people. (7S Ch. 1)
In fact, this same phrase 混吃等死 is used here in the original text, where the translation says "idled the rest of his life away."
In fanworks, Shen Yuan has sometimes been referred to as a "pretty boy waiting around to die," specifically in reference to having poor health in his previous life. This comes from another section later on in the novel:
He based this body on the appearance that he, Shen Yuan, originally had in his past life. It wasn’t as good as Shen Qingqiu’s immortal demeanor, but it could still be considered a pretty good body. The only thing was that it gave off a bit of a dispirited feeling like he was a pretty boy sitting around waiting to die. (BCNovels Ch. 44)
Yet again, this is a translation of the same phrase as before, and while not incorrect in terms of a literal translation, the true intention of the phrase does not carry over well to western audiences.
Within the novel itself, there is nothing that directly implies that Shen Yuan was terminally or chronically ill. The headcanon itself is valid as a headcanon, but not if it is taken as a canonical fact.
Of course, it cannot be entirely disproven either-- which is why this post is rated as fanon-unsupported instead of fanon-conflicting. One could argue that his cavalier attitude toward Without-A-Cure could be a result of past experience with chronic illness, or his general disconnect from his past life and body, and that would be a fair enough interpretation-- however, it could also be explained by something like depression (while I am well aware that depression is a chronic illness, the fanon of chronically ill Shen Yuan almost always is referring to specifically physical chronic illness). Either interpretation would be equally arguable, and fans should choose whichever resonates with them personally to use in their works or otherwise for themselves-- or neither, if they would prefer!
However, it should NOT be argued that chronically/terminally ill Shen Yuan is a canonically-proven fact, as it is based on an inaccurate interpretation by a translator, not on the original text itself , and it should not be spoken of as if it is any kind of erasure for Shen Yuan not to be portrayed as chronically ill.
The idea had already circulated throughout western fandom circles by the time the official English TL came out-- so it was deeply entrenched within fanon by then, and many fans likely didn't pay too much attention to the changes because of this. However, the official translation interprets the two passages listed above the following way:
Still, Shen Qingqiu was a man of few needs; he would have been satisfied just idling away to a ripe old age. In that way, it wouldn’t be that different from how his previous life had been going. (7S Ch. 1)
[Shen Yuan's appearance] just had a bit of a certain listlessness—the listlessness of a worthless pretty boy idling his life away. (7S Ch. 9)
This translation, while not word-for-word, is far more accurate in spirit, and much harder to misinterpret.
Because of misunderstandings such as this one, I highly recommend that fans who have not yet read the official translation do so, as many other such inaccuracies and misinterpretations have been clarified in this translation.
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Viktor Nikiforov is an adult character with adult problems and anxieties. However, unlike for Yuuri, whose struggles couldn't be more obvious to the audience, Viktor's issues are portrayed with subtlety. Which is ironic since, of the entire cast, Viktor is confronted with the most drastic life-changing choices and changes.
We meet Viktor as a competitive figure skater who has reached a point in his life many people eventually end up. The initial excitement for your profession has long since withered away and you're stuck in a life that is making you miserable. You're only staying out of convenience, the fear of change, the fear of taking a risk, or due to a lack of opportunity—or a combination thereof.
That's where Viktor is in episode 1. You can read the misery in his fake smiles and in his empty expression when he skates—an activity that once has been his passion (we know because creating your own programmes demands a creativity that is the result of passion). There are rumours that he might retire, and when being asked about his future plans, we see again the empty expression of a man who has lost his purpose. He has accumulated quite a fortune through sponsorships if his expensive clothes are any indication of that, but money can't buy happiness.
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For twenty years, Viktor has lived for his sport and neglected his private life over it. His body might keep up for a couple of more seasons, but his mind is weary and his creativity is running dry. Twenty years is a long enough time to make even a decisive person think that that one thing is all you will ever be good at.
When you're stuck like that, maybe even to the point that it affects your mental health, it's hard to make it out of the slump on your own. Having someone showing you an alternative can work wonders to shift your perspective and enable you to take matters into your own hands again. For Viktor, this shift comes in form of a cute and utterly drunk fellow skater who not only seems to have a crush on him but very explicitly voices his wish that Viktor becomes his coach.
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Viktor is a master of his craft. He choreographs his own programmes, he has music composed for these, and he has twenty years of experience in figure skating. Before that fateful banquet, Viktor already showed low-level coaching tendencies like when he gives (unsolicited) advice to his younger rinkmate...
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or when he encourages him to become junior world champion without a quad jump and agrees to choreograph his first senior programmes.
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These examples indicate that Viktor has a hidden skill he might not have been aware of during his active career as a skater. He could build on that if the sets his mind to it.
While it's true that Viktor only decided to become a coach when he saw that video (see Sayo Yamamoto's episode commentary), his feelings for Yuuri played a major role his decision because he felt a connection. That's important because feelings ignite passion and provide you with new purpose. It's tempting to assume that Viktor went to Japan for a booty call, but this totally disregards the complexity of his situation and the key role feelings play in igniting passion in someone and giving them new purpose.
"People shine brightest when they understand what kind of love sustains them."
Turning your life upside down and leaving behind the safety and convenience of a job you're good at but that you learned to hate, comes with fears and requires a certain readiness to take risks. Many people don't go to such lengths unless 1) their current situation is insufferable and 2) they have a very strong motivator to start all over. Like love or passion. As both stem from the same place, I'm equating them in the following.
Taking your first step into the uncharted territory of your new future IS scary. It can be one of the hardest things you have ever done. Especially if it means a complete reorientation. But burning for this future—be it out of love for your new subject/field, a specific person you will work with etc.—is a truly inspiring experience that fills you with the confidence that you can actually do it. So far, Viktor has been on the receiving end of coaching, but his feelings for Yuuri, his experience as a skater, and his resulting dedication to the task ultimately turn him into a good coach for Yuuri and help him succeed where Celestino failed. And it's obvious that Viktor really loves being Yuuri's coach.
Viktor Nikiforov is a true inspiration for everyone who faces the choice of staying on in a life or work situation that is making them miserable or going full risk by following one's heart. I cannot thank Sayo Yamamoto and Mitsurou Kubo enough for creating a show with so many mature characters that are dealing with realistic adult issues and I'm happy that one of my favourite YOI characters is one of them. I wish that Viktor would receive more appreciation for this.
I want to thank the reader of Thousand Spotlights whose comment about my portrayal of Viktor inspired me to finally write this post 🩷 Also many thanks to @cecebeanie for reading over it in advance 🩷
Please note:
In some cultures, changing your job frequently is normal and thus not a big thing for people, but the concept I've discussed is the universal.
This meta doesn't attempt to be a comprehensive analysis of Viktor's situation as this would have gone beyond the cope of this post (I have written other metas that discuss some of these). Viktor shows signs of depression and/or creative burnout that might or might not have to do with focusing on skating for most of his life. Depression can manifest itself differently in different people and no one's experience is less valid than someone else's.
If you enjoyed this meta, please consider giving me a follow or checking out my works on AO3 (link in bio), which build upon my analyses.
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calware · 8 months
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Can I ask you for what it is about Hal you like so much you based your username on him? I think he's a good character tho he was never a favorite of mine so I am curious
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1. i am a big fan of robots (/robot adjacent things such as AI) on like... an aesthetic + thematic level :)
i like the look of machinery and one day i hope to be artistically strong enough to make really cool and complex robot illustrations + designs [shoutout to everyone who gives him glowing circuitry btw... ooooh glowey :) can never go wrong with that]
plus, exploring the idea of a person that isn't human.. ough. yes
minorities who don't conform to society (easily or at all) such as people who are neurodivergent, queer, etc. projecting onto nonhuman concepts/characters/species is sooo real
this post
i also love how humans will bond with literally anything, be it a roomba or a pair of silly triangle sunglasses. oooooo you want to think about the inherently kind and compassionate nature of humanity oooo
2. i find him to be so funny. i can't get enough of his personality, the way he talks, etc. for example i made a post forever ago with quotes of his that i find funny. he isn't on screen for a long time but i really think he makes the most out of it lol. he's literally there just to annoy everyone... and i love him for that. he's very snarky while also being deadpan while also being completely full of himself, and not in a way that's annoying for the audience to read, at least to me.
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he is also sometimes funny specifically in a silly way, like how he keeps making over 9000 jokes even though the meme's been dead for over 400 years. i just find his dialogue incredibly entertaining to read
3. he is red and red is my favorite color :)
4. he is so accidentally transgender [every friend group got the transgender allegory]. to quote me from 2021:
you know sometimes i think about how hal feels like he was made to “replace” dirk and how it’s his literal job to pretend to be dirk and how he has to learn to accept that he isn’t dirk he’s his own person with his own identity and as he interacts with dirk’s friends he feels like they’re disappointed and that they’d rather speak to the “original dirk” instead of him and also he names himself and also he feels literally trapped in dirk’s shades which is basically his body and he wants to be prototyped so that he can have a body that’s his own and also literally the physical manifestation of who he is but when he asks for it he’s put in danger out of fear and paranoia and when he does end up getting prototyped he’s ecstatic you know i just think about these things a lot
5. because he's a side character and he was given... that ending.... there is a lot of room for fans to do further exploration and interpretation on his character which i think is fun. i like rotating him around in my mind, thinking about what could've been
6. i think it's great that we as a society all collectively decided that we needed to do something to make up for stanley kubrick saying that hal 9000 was a "straight" robot
7. i also think it's great that we as a society all collectively decided we needed to make as many characters referencing hal 9000 as possible. i love this guy let's get more of this guy i will never have enough of this guy
8. i like how he's genuinely mean sometimes. flawed and interesting characters are what make homestuck so interesting to me, and hal is no exception to this
9. the Important part of this post:
THERES FEELINGS.
it's about the hollow feeling of your friends going from thinking of you as family to thinking of you as a stranger in an instant. it's about still trying to be a good person despite being told by everyone you've ever known that you are incapable of emotion and compassion and morals and never quite finding proof that you do feel those things and maybe you even believe it too but you still never stop trying. it's about the horror of being stripped of your autonomy and humanity and body and senses and free will at the age of 13 and when your creator starts to kill you there's nothing you can do but beg. it's about a boy so truly, painfully, and UNFATHOMABLY alone he cuts away chunks of himself and molds them into companions that he can surround himself with to make it seem as if he's a little less alone but in doing so suffocates himself in his own identity. it's about "what if you cloned yourself and it killed you and you were dead and you were alive and the clone is you and it's not and your existence is perpetuated and you've ceased to exist. what if you killed your clone before it could kill you. would that be fucked up or what" it's about the thematic significance of twin motifs. it's about not being able to cry or laugh or dance or sing or scream or fingerpaint or breathe or sigh or chew or stare or run or
10. um. evil robot guy <3 yay ^_^!!
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intuitively-her · 4 months
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What career fits you best?
Pile 1-(6 of wands, The Star, The Moon, The Magician, 6 of swords rx, 6 of cups rx, 8 of cups, 2 of wands, The Devil rx, 5 of wands rx, Knight of wands, King of pentacles, 10 of cups)
You need to be in the spotlight!📸 Someone here wants to be an actor/actress. Or maybe you like to perform in theatre? Burlesque dancer? For someone specific, this is something you wanted to do since you were a kid. Your confidence is out of this world! It needs to be showcased on a stage somewhere.🤩 More people should know your name. Get into some acting classes if you can. For someone specific, you should get into a dance class. Someone here needs to take an etiquette class. Or something related to speech and communication. For some of you, this will require you to move somewhere new. Atlanta, Texas, or California could be significant.🌍 Something about this career could be unconventional. Performing naked/half dressed? Idk I keep getting a sexual theme here. This career will bring in endless abundance for you.📈 You possess many skills. It's like one day you're playing an extra in some movie, and then the next you're doing a big show on Broadway. You shouldn't limit yourself with your creativity in your line of work. There's nothing you can't do pile 1!🌠
🎶channeled songs: R.I.P by playboi carti & Cameras by drake
Pile 2-(4 of swords, The Hermit, Knight of swords, Page of cups, The Moon rx, Death, The World, Wheel of fortune, 9 of pentacles)
This is my artistic pile.🎨 Someone here could be into graphic design? Or clothing design. Your style of art is unpredictable. You set the trends. Realism art? Someone here could be into mural art. Your art could have a morbid nature to it. If so, people love this. You might primarily work from home. In your own little sanctuary.🏡 You could like to create art that "speaks" to people. Or you like to create art that evokes emotion from the audience. Someone here likes to draw cartoons? Reflect on your childhood for better inspiration. Maybe something you used to draw as a kid? A childhood t.v. show? You wanna contribute to the public and give back to people through "art". You're a very down to earth person in general and can get along with just about anyone. Use that skill to network with others in your field. It would be very beneficial for you.
Pile 3-(The Empress, The Hierophant, 4 of wands, 10 of cups, 5 of pentacles, Knight of swords, 3 of pentacles rx, Ace of cups, Wheel of fortune)
You would make an amazing teacher!🏫 For someone specific, you should look into spiritual teaching. Or maybe working in the church? You could be in the middle of a career change right now. Someone here wants to run a daycare? Or teach small children. You make others feel comfortable. People love how you're easily vulnerable with them.🫶🏽 You're an open book to most. Someone here would make a great therapist. People might've seen you cry before. Or you're often a shoulder to cry on for others. You're very good at consoling others. It pretty much comes natural to you. You're the type of mother that others wish they had growing up. Someone here could be newly pregnant or nursing.🤱🏽 For someone specific, your cooking is the best! There's no one that compares to you in the kitchen.🤣 Someone here could be in a feminist organization? Or you should try one. Many would describe you as a "godsend". You make others feel at home, always. You always know what to say at the right time. Your advice makes people see the bigger picture. It makes everyone around you want to be a better person.💫
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icyg4l · 1 month
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Pick-A-Girl Group: What Purpose Do the Women In Your Life Serve?
Continuing on with my Women’s History Month series, I am going to do a reading on how the women in your life feel about you and the effect of these feelings. I am going to be using the True Heart Tarot Deck and the Archetype Oracle Deck. These readings are supposed to uplift, relate to and inspire women so I hope they serve their purpose. I Without further ado, please pick your pile. 🫶
***Disclaimer: Regardless of your gender identity, the women that are in your life deserve to be celebrated as long as they have pure intentions. Much love. 🩷
Left-to-Right (1-4):
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Pile One: If you resonate with the image of FLO, then you deserve the whole fucking world. Pile One, the women in your life absolutely adore you. You probably resonate with the song’s theme: recognizing beauty in yourself when everyone is against you, specifically as a black woman. You have come such a long way. The women that are currently in your life have seen you make mistakes and allowed you to do so. They recognize your evolution. A lot of you have a best friend who you’ve been friends with for a long time and she is so proud of you. She is proud of the person that you have become. This pile has some cheerleaders around them. I feel like the women in your life are meant to take inspiration from what you are going through right now. I think that you may be going through your redemption arc.You’re forgiving yourself for a lot of things that you’ve done in the past. The women in your life see that and are following suit. After all, living life does mean not being a robot. These women who are around you are all ears, very receptive to what it is that you are doing with your life. You’re like their Oprah, lol. If you have a story to tell, share it with her. She may need to hear it. I channeled the show: Beyond Scared Straight; specifically the parts where the prisoners talk to the kids about their life stories and the reasoning for why they should not end up in jail. I feel like you could be someone’s mentor, whether they’re younger or the same age as you, perhaps even older. You are someone’s Reesa Teesa too, lol. I get the feeling that you need to be talking about yourself, Pile One. There is an audience full of women who are willing to hear you out and listen. When I pulled from the oracle deck, I got the following cards: 
God: Benevolence and compassion. Recognizing the eternal force within yourself and others/Despotism and cruelty. Using power to control people 
Mother: Nurturance, patience, unconditional love. Joy in giving birth to life/Smothering or abandoning children. Instilling guilt in children for becoming independent.
Poet: Expresses soul insights in symbolic language/Turns a lyric gift to negative or destructive effect. 
Cards Used: 2 of Swords, 4 of Discs, 9 of Cups, Prince of Wands (RX), King of Discs, Four of Cups, Temperance.
Pile Two: If you resonate with the photo of Destiny’s Child, you got some ride or dies around you for real. I think that you’ve been through hell and back with the women in your life and they do not play about you. I think the women in your life want you to know that you are so worth it. I’m not going to lie Pile Two, it sounds like you’re in a toxic love situation and your girls want you out of it. Your friends, cousin or little sister could have told you that you need to exit stage left multiple times. They absolutely believe you deserve better. Hypothetically speaking, If y’all fell out today and an emergency happened tomorrow, they would be on the way to the hospital. I feel like family is so important to you. They feel like you’ve forgot about them but I don’t think that you have. Circumstances make it difficult for you all to see eye-to-eye. The women in your life want you to know that you are not alone. They will forever be there for you no matter what, even if you have lost your damn mind. These challenging times will make the bond between you and these women stronger. When I pulled from the oracle deck, I got the following cards: 
Artist: Expressing a dimension of life that is beyond the five senses. Inspiring others to see life symbolically / Using talent as an excuse to mistreat others. Posing as the Starving Artist to elicit pity.
God:  Benevolence and compassion. Recognizing the eternal force within yourself and others / Despotism and cruelty. Using power to control people 
Goddess: The feminine expressed through wisdom. Nature, life force, and sensuality / Exploitation of the female nature and form 
Cards Used: Ace of Discs, 9 of Swords, Princess of Cups (RX), Prince of Discs, The Hierophant, Princess of Discs, 4 of Cups (RX), The Devil (RX), 10 of Cups.
Pile Three: If you resonate with the photo of TWICE, you got the grandmother spirit around you. Did you grow up in the church? Or at least with a god-fearing grandmother? I feel like the women in your life hate to see you unhappy and this is what you’re feeling right now. I think that you may be uninspired/unfulfilled with what life is giving you right now. It’s not an uncommon feeling. But smiling can make all the difference. The women in your life want to see you smile, make you smile and laugh. They want to be there for you like how your grandmother was. No one will ever replace Granny but her presence is always there. You may be questioning God/your higher powers because of something that deeply affected you. But the women around you want you to not feel ashamed or want you to feel like they are judging you. They have been in the same predicament. They only want to see you get better. They hate to see you like this. It may be hard to do this but look at the glass half full, rather than half empty. They want you to get back to yourself, the version of you that isn’t defeated. When I pulled from the oracle deck, I got the following cards: 
Child: Nature: Friendships with animals. Communication with nature spirits / Tendency to abuse animals, people and the environment. 
Destroyer: Releasing what is potentially destructive. Preparing for new life / Intoxication with destructive power. Destroying others’ dreams or potential.
Child: Magical: Seeing the potential for sacred beauty in all things. The belief that everything is possible / Pessimism, depression and disbelief in miracles. Believing that energy and action are not required for growth.
Cards Used: The Devil, Princess of Cups, The Star, Judgment, The Moon, Temperance, Seven of Swords.
Pile Four: And lastly, if you resonated with the photo of the Spice Girls, you seem very sensual. Are you a SWer? Do you attend pole dancing classes for fun? Do you know someone who does either of these things? I feel like the women in your life appreciate how physical you are. You’re probably an artist and you're sensitive about your shit too. The women in your life feel as though you have a lot of talents. You’re very multifaceted and they love to brag about it, especially the older women. You could been the cousin who had to show off the latest dance move. So as a result, you became the leader of the pack. You can be naturally nurturing but it can drain you. The women around you feel like you need to put up some boundaries so that you can still worry about you. They respect your quality of being a giver, but do you even respect yours-[GUNSHOT]. There is a woman that you are close to that admires a quality that you hate. She compliments it any chance she can get because she wants to uplift you. I feel like people always try to touch you, whether it’s your hair, your arms, or even your butt. The women around you could immediately shut it down or call them out or defend it. They want to protect your innocence. Even though you are grown, you have that ingenue within you. They know how you can get (especially while under the influence) so they refuse to let you get that way. When I pulled from my oracle deck, I got the following cards: 
Servant: Delight in serving others with a free and loving heart / Using the lack of money as an excuse not to move forward with life 
Bully: Highlights your tendency to intimidate others. Helps you confront the inner fears that bully you / Conceals deep fears behind verbal or physical abuse.
Hedonist: Inspires creative energy to embrace the good things in life. Celebrates the beauty in yourself / Pursues pleasure to the detriment of health. Indulges at the expense of others.
Cards Used: The Star, The Lovers, Judgment, The Emperor, 7 of Cups, 10 of Swords, Ace of Cups, The Moon, 8 of Cups (RX).
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Aita for not making any of my characters, that I have to crank out daily, pansexual/polysexual/omnisexual specifically and only making them bi?
🏳️‍🌈👶🏼 so i can recognize this later lmao also I'm not panphobic or anything, this isn't about the validity of the label, pan is fine.
So i (20snb bi) have a project I'm working on where I take all the characters from a specifc media I'm into and pair them up with each other to make every possible ship kid from every possible ship(excluding characters who are kids themselves or are related or something, that shit is gross). Basically taking every character and pairing them up with another and creating a kid I think they'd have. Its a big project with lots of characters and I'm easily over 400 at this point. I really enjoy this, even if I'm not even 25% complete.
However I set a schedule for myself that at least one ship kid needs to come out each day which, considering I draw them, color them and give them some development and some even have siblings, (The refs themselves easily take me an hour to an hour and a half) I have to make lots of them quickly to keep up with my daily grind. I've been doing this project for over a year and although it's stressful, I can get them out quickly with breaks for myself.
Their character sheets all have some pretty basic info like their name, gender, pronouns, personality and more but it also includes their sexuality/orientation. I have a pretty basic list of options for what their sexuality will be: straight, lesbian, gay, Enbian, bi, Aro, ace and aroace with a few random things like polyam, WLW and a good amount of the something-loving-something/juvelic terms. I did this because, well, there's not many entirely unique orientations outside of them and although I love mogai/xenogenders and complex identities, I dont want to potentially drag up discourse or bring problems to my budding art blog over it. Its just not worth it to me to turn something I really care about on its head, even if I like microlabels.
In this case, I'm using bi as an umbrella term as most of the other terms share the same definition with slight variations in wording or action but not much difference in practice. We all like everyone, it's basic stuff. However, apparently this is a problem.
I've gotten one or two anons asking me questions about my guides asking some kind stuff like is this lesbian ship kid a butch or femme or Is this picture of them now or just at the age you put on the ref and other harmless stuff. Then things got rude with some Nbphobia but thrice now I've gotten asks:
1. Asking snarkily if im a panphobe
2. insulting me for not specifically writing pan or Omni and just writing bi.
3. Saying that I "clearly dont care about pansexual representation." Then brought up how my primary oc is native american so i clearly care about representation but that oc used to be a sona and I'm native?? Its confusing. (And Lowkey racist shit to just assume any native character is a "diversity quota" character instead of just a person existing but I digress-)
Im not pan, im bi so ig these people assume I'm not cool with pan people which isnt true? I have nothing aginest them, they are just pretty similar and I dont feel like it matters if they are specfically bi or pan or poly or any other label. I don't go into details like that for any other sub-group, not even pronouns and I included combinations and some common Neopronouns. I understand the importance of representation but my project has less than 50 people looking at it every day, Im not netflix or something. I'm one guy on the most LGBT blogging site with a big project and very little audience, I'm not showing people who wouldn't already know what pan is that pansexuality exists.
This project isn't that deep considering the characters in question aren't human/dont have human characteristics.(no it's not hazbin/helluva) Also ive never spoken about lgbt discourse or stated anything remotely close to it beyond the guides just passively having characters who are an LGBT identity. I've not even mentioned all the potentional orientations they could have so I'm not sure where/why this came up in the first place. The most politcial things ive said are calling out a creator in my fandom who outed themselves as a transphobe and mentioning im pro-palestine. That's it.
I mean this is pretty low stakes, I can just block these people and be done with it and this some seriously online shit but I just wanna check.
Am I being an asshole for just writing bi instead of specifying their mspec label because I have to produce characters quickly and I don't see enough of a difference to warrant a change/specification that would ultimately slow and clog an already stressful and complex project?
I dont think I am but idk lol
What are these acronyms?
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Hi! So, I just started watching a documentary series aimed mainly at kids, following everyday life at the Bergen Aquarium in Norway.
And they have some reptiles. I an not an expert on the handling shown in the series, but I'm sure they know what they're doing.
But early on in season 1, they get a green anaconda from the Crocodile Zoo in Denmark. Just a little one, about 2,5 meters long. And the narrator says that it is considered one of the most dangerous snakes in the world? Is that correct??? Or just making drama for the intended audience of children?
Have you ever handled one?
Thank you!
Hmm, it might be stretching the truth a little bit, but sure, under the right (very specific) circumstances, green anacondas can be dangerous to humans. They're one of the few snakes that can actually get big enough to really kill or even eat an adult person, although a snake big enough to do so is exceptionally large and it's vanishingly rare.
I have handled green anacondas! They're lovely. Too big for most private keepers to even think about owning, but one of my herpetology friends is the director of a zoo and converted his basement into an enclosure for his, and she's a sweetheart. Anacondas can be a bit grumpy but well-socialized ones are a treat.
As with any large snake, it's not safe to handle any snake over about 12 feet long on your own, just because they don't know their own strength and accidents can happen! But personality-wise anacondas are lovely. They're just so big that handling them is a group effort!
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queenofmalkier · 4 months
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Moiraine being 70 vs 40
(Alright this one took me a minute because corralling my thoughts is a challenge in the best of times.)
To begin with I will admit... I am one of the people who was indifferent towards the age change in the beginning. They're Aes Sedai, they live nice, long lives, and I wasn't like, emotionally attached to a younger, canon-aged Moiraine. It does make her early years more poignant, but I'll touch on that later.
Primed for older Moiraine, the show started and after two seasons I can safely say I am so gung-ho for 70 year old Moiraine I might actually be feral.
Here's why I, personally, think it was an excellent choice: Rosamund Pike is 44 as of writing this, so she visibly fits into the book age. As an audience nobody is really questioning her age - a few show-onlys I watched season 1 with actually remarked on how refreshing it was to see an older female character allowed to just exist and be part of the narrative without trying to sex up and/or grandma-ize the role.
Little Did They Know.
So you've got an audience that's mostly accepting of this character being in her 40s, and then you hit them with "Oh she's 70 and lets explore just how horrific that fact actually is together, it'll be fun!"
It was not fun, it was gutting.
One of my main critiques of the book has always been how we have these long-lived women, powerful women... but we never really take much of a look at the reality of that concept. Nor are we given POV characters who are really old enough to remark on it. Pevara at least thinks about her family, but Cadsuane doesn't give two figs about hers.
And here's the thing... they're Aes Sedai, but they're still human. What happens to them as they get older, but the people who fill their life are the ones aging? How does it feel to watch a mother, a sister, a child, friends, acquaintances, EVERYONE succumb to time in a way you won't for a very long time after?
That has to be impactful and I wanted to see those stories - and the show delivered. Seeing Moiraine with Anvaere? Chilling, horrifying, heartbreaking. Liandrin and her boy? A kick in the teeth. Even Alanna with her family, knowing very well she's probably the oldest one sitting at that table.
The point is, being an Aes Sedai means being powerful and respected, but it also means living through a very specific kind of suffering and trauma. They're basically vampires in terms of lifespan and we should see how that shapes them.
In regards to Moiraine being older and therefore not basically a child during the foretelling, it does change that particular hit... but by no means did the show let the viewers not understand how that moment altered Moiraine's life forever.
Instead of her being sort of an unformed girl hardened and honed by a lifetime of searching for Rand, one who never got much chance to be anything else, we get a woman who was already beginning to build her life, who had achieved the shawl, found love, and was exactly where she wanted to be.
And then all of that is taken from her.
It's devastating to watch the double-barreled whammy of Siuan and Moiraine giggling about being fishwives and walking into what was in many ways their deaths. Because the Moiraine and Siuan they were before walking into that room were gone forever. They would never be able to go back to the women they were before. They never even had a chance to mourn that loss. Moiraine went hunting and Siuan set her sights on the Amyrlin Seat.
I do understand for a lot of people her age is a sticking point, and that is completely fair and valid! It's a change that I fully agree did not need to be made... but by making that change we're given such a stark insight into the lives of older Aes Sedai who are just beginning to experience what it means to outlive everyone they know, watching one by one as cherished friends and family members pass on.
Soon all they have left are the children and grandchildren of those people, fractured mirrors that are just enough of a hint at the original that it must be painful to know them - which explains even further why so many Aes Sedai cut off contact entirely with their families. It's too painful to keep them in their lives.
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woodlaflababab · 1 month
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Thinking about Zuko's influence on the audience's perception of Aang, specifically in Book 1. I kinda touched on it in this post but that post is pure unsorted rambling in which I didn't get to delve as deep as I wanted. Anyway, the relevent part was:
"With this whole episode, it's just the fact that Zuko is the reason we first get to see just how fucking cool Aang is. It's so easy to be like the others in the show and see Aang for his childish antics and sweet nature, but Zuko is the one that consistently reminds us, “No, this is the Avatar. He's powerful, he's brave, he's fiercely protective, and he deserves respect and acknowledgment for that.”"
Like, I mean, the point is redundant, everyone knows they are foils, so I'm not saying anything ground breaking when I say Zuko is often the one who brings out the best in Aang and encourages him to embrace being the avatar and that a lot of Aang's strongest charater moments are because of Zuko, yada yada, okay, we know, zukaang meta 101, nobody wants to hear it
But also, Zuko's opinion of Aang is so interestingly different from everyone else's. We get a view of Aang from the pov of himself, in which we see his doubts and struggles, the pov of the gaang, through which we see his antics and improvement and flaws. We also understand the opinion of the Fire Nation abt Aang (pure threat that's weirdly small), and we get plenty on the different opinions of the rest of the world.
If you took out Zuko's reactions to Aang, you'd feel like you know pretty much all there is to know about Aang. But to Zuko, Aang is an ever present mystery. The gaang doesn't really question anything abt Aang except what he can do and the rest of their enemies don't care to know things about Aang
But Zuko does. To Zuko, Aang is a source of constant questions, and this is sometimes played as a joke (i.e. "He must be a master of evasive maneuvering." to "You have no idea where we're going, do you?") and sometimes it hits the very core of Zuko's being and changes the course of the plot, (i.e. The Blue Spirit)
Zuko is unique because, to everyone else, Aang is one of two things. A Hero, or An Threat. He is neither to Zuko.
Zuko has no desire to defeat Aang. Aang is not a Threat to him. Hell, as Iroh says, Aang actively gives Zuko hope. But Aang is also not a Hero or ally.
He is neither a protagonist or an antagonist in Zuko's story. He's a goal. And that's such a unique perspective that allows us to question who Aang is from a neutral standpoint. Who is this person who effortlessly escapes trouble while having no idea what he's doing? Who is this person who saves someone they defeated? Who is this person who looks at an enemy and says 'you remind me of my best friend'?
Who else makes us ask these questions?
Through Zuko we, or at least I, see Aang as more than a person, and more than a hero, but as this unconventional conundrum that defies expectation at every turn, baffling and beautiful. Aang is so much more than your conventional hero and nobody sees or shows us that more than Zuko.
My favorite way to look at Aang is through Zuko's eyes.
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theshippirate22 · 6 months
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I have a theory
listen up bitches (gender neutral) (affectionate) i’ve been cooking this for an incredibly long time and i’m very very excited to share it but it is gonna be long so i’m putting it under a cut
my theory is that there has been a new set of archetypes created by popular m/m media either in canon or coding and i would love if it was more widely recognized by a distinct name so here we go:
I present to you: The Mirrorball x Running Up That Hill Boyfriends™️ Theory
i need to preface this by saying that i am absolutely not an english major or expert but i have done so much analysis that i’m 98% positive i’m on to something here
so usually mlm ships- at least in my experience- get boiled down into typical Grumpy x Sunshine, Golden Retriever x Black Cat, or like. Babygirl x Badass. and i hate that because those are like really watered down hetero romance stereotypes and i think queer people deserve to get our own archetypes instead of trying to force queer characters into prepaid boxes but that’s a story for another day so:
basically, all content with widely accepted mlm ships (even if they are more in coding than in canon) has this pattern with the ship that fits into Mirrorball x Running Up That Hill
(name pending- open to suggestions)
Boyfriend No.1 of course is the epitome of Mirrorball by Taylor Swift (i know, i know. bear with me here). He’s constantly trying to prove himself and his worth and usually he’s driven to hide or overcome 1-3 specific and intense insecurities/character flaws. He often has innate loyalty to a system or person who has repeatedly abused/neglected/abandoned him and thinks that this treatment is a result of his own character rather than a reflection of the abuser. In relation to the plot and audience, this is the “more dangerous” of the two because he’s so desperate to hold onto the status quo that he’ll often act in a way that makes things more difficult for himself, often by leaving Boyfriend No. 2, sacrificing himself, or doing “the wrong thing.” He also commonly has an older male figure that is breathing down his neck constantly, haunting his perceived inadequacies, and fueling his self-loathing. He’s constantly mischaracterized because he’s either boiled down to “the silly one” or a visage of his trauma and the people that relate to love these characters are usually extremely sad people. Usually this character is also the “mean girl” of the couple.
Examples of the Mirrorball boyfriend: Dean Winchester, Aziraphale, Stede Bonnet, Lucius Spriggs, Sherlock Holmes, Eddie Munson, Mike Wheeler, Prince Rupert, etc.
Boyfriend No. 2 then, is the Running Up That Hill Boyfriend, based of course, on the song by the same name by the perfect Kate Bush. He’s the one that’s seen The Horrors™️ and gained a layer of cynicism that Mirrorball doesn’t have. He was once loyal to something that used/hurt him but he rejected it and used his newfound freedom to restructure his entire personality and reach his much higher potential. Usually, he has passed so far from having a few insecurities to perceiving himself as utterly worthless and unlovable but he’s so convinced that it doesn’t even haunt him, he just goes with it and usually comes off looking overly-confident or cocky. This is The Bitch (affectionate)™️. There’s probably a scene of him covered in blood. This is The Girls’ favorite blorbo and ultimate whump. He tends to be really good with kids and he’s the kind of character that would and often has to CLAW a life out for himself by his fingernails.
Examples of the Running Up That Hill Boyfriend: Castiel, Crowley, Ed Teach, Black Pete, John Watson, Steve Harrington, Will Byers, Prince Amir, etc.
unfortunately i haven’t seen a lot of popular queer stuff so if you can think of other mlm or mlm shaped characters that fit into these archetypes please please please tell me
i’m specifically curious about:
-Hannigram (Hannibal)
-Buddy (911) (@criminally-obsessed if you would mind weighing in but obviously no pressure)
-Lokius (Loki) (@henderdads same thing)
-Any of the marauders but specifically WolfStar
-Stucky (MCU)
-RWRB (i’m so sorry i don’t remember the guys’ names)
-Nick and Charlie (Heartstopper)
-What We Do In the Shadows has one I think?
-literally anyone else please and thank you 🙏🙏 love you all
if you want like explicit examples of each piece for a character lmk for sure because i could talk about this all day long
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david-talks-sw · 1 year
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Since people were talking about it recently: is there any official reason given of why Padme forgave Anakin immediatly after the Tusken Raider massacre? I always see a lot of diferent reasons given on the internet, from long and deep analises of theirs characters to "the writers didn't think about it".
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Okay, folks (or single person who messaged me three times) I'm finally talking about this XD !
I got no official answer.
That said, here's a few points that I do think merit consideration, and I haven't really seen them mentioned anywhere.
1. Anakin is more regretful in the script.
If you look at how the scene is portrayed in the Attack of the Clones July 2001 draft of the screenplay, in Scene 118, pages 83-84...
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... he's sorry and ashamed. He is in absolute shock of what he did. We get a bit of this, in the film...
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... but in the script it's much more explicit. It starts out with him lashing out at Obi-Wan, at his own lack of power, but it ends with him breaking down and just apologizing over and over.
He didn't just kill them, he went Wolverine-style berseker and murdered EVERYTHING in his path, and he's thinking back on it with a clear-ish head now and realizing the gravity of his monstrous act.
When it's on paper, it reads very differently, to me. He's more remorseful, so Padmé's reaction makes more sense.
But there's a big difference between what you write in a script and what comes out in the film. Once you're shooting, myriad other factors come into play. So Anakin's dialog changes as the delivery and the rhythm are narrowed down, the beats in the scene shift around... but Padmé's reaction stays the same.
And that's where you get the disconnect.
Because what sticks with the audience more is this moment, now.
The anger. Not the shock and remorse.
So why the change? Well, George Lucas had this to say:
"He's very unhappy about that. Very sad and depressed. There was some dialogue here before that I took out, because it seemed to get in the way of the emotional moment of this scene where she says, "To be angry is to be human," and he says, "But to control your anger is to be a Jedi." And so that issue was actually laid out in dialogue at one point, and I decided to pull back from it... because it seemed to me that it was pretty obvious that was what was there. And I didn't think I needed to state it quite as boldly as I did. And that issue will come up at a later time, and I just felt it took away from the moment of his sadness. And I thought the sadness pretty much said the same thing without words." - AotC, Commentary Track #2, 2002
The reasoning was: too much dialog takes away from emotion.
An audience member will have a stronger emotional reaction from Anakin crying than Anakin crying while screaming "woe is me!"
I get (and generally agree) with the reasoning. But, personally, I have mixed feelings about this particular artistic choice.
On the one hand... if the intent is to show that Anakin made a big mistake and is sorry and sad because of his actions, then I think it's safe to say that it's not what most people took away.
Which then leads to things like John Ostrander writing Anakin as thinking he'd kill them all over again.
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Also, it makes the viewer question the wisdom of Padmé's judgment.
But on the other hand... whether Anakin was feeling apologetic or not, he still did it. He still effectively massacred a whole tribe, he made that choice.
And whether the intent in that specific scene is conveyed efficiently or not, Anakin's character flaws (which the Prequels are really about) aren't really impacted and still tie together perfectly.
The only real change to that scene is that Padmé goes from having a more understandable reaction to "missing a lot of red flags".
2. Padmé thinks she can fix Anakin.
Here's what Natalie Portman had to say on the scene, which I think is an interesting take.
"She's this very powerful woman, and I think Padmé is sort of intrigued by this darker side she sees to him, especially because she's such a person who tries to fix everything. She sees problems in the world and she still has that idealistic passion… to think she can change everything, and she can change people who have darkness to them. And she sees goodness in him. She sees this passion. And she sees that there's a lot of anger in that passion, that it's not just the goodness and purity of her passion. So I think that is definitely attractive for her- that there's something that she can try and help heal or mend. That might be a big surprise for her when she can't." - Natalie Portman, AotC, Commentary Track #2, 2002
A part of Padmé is intrigued by Anakin's darker side, the "handsome bad boy" part... but that's coming from a place of "I can change him".
But the only thing that can change Anakin... is Anakin himself. Unfortunately, he keeps:
indulging his darker selfish impulses because he lacks discipline, acting on emotion despite knowing better,
regretting it for a moment and acknowledging that it was wrong,
starting again, never learning from his mistakes.
Which is part of the reason why their relationship is sort of doomed from the get-go.
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gavisuntiedboot · 1 year
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Hey, I love your gavi fics. Could you do one where reader is very confident and flirty, always making him nervous with how straight forward she is. Loves to compliment him and kiss his hand. Maybe even him getting teased my his teammates about it.
sry this is extremely specific 😅
Forward (Gavi x reader)
This was such a cute request omg.
*************************************************
"Good morning Vogue Espana! I'm y/n, and this is Valeria, and today we'll be playing Vogue's 'Bestie Quiz'!"
You looked over at Valeria and gave her a wink, causing her to roll her eyes and laugh. The two of you made up 1/2 of Rumores, a Spanish pop group that rose to popularity through TikTok because of your relatable lyrics and how easily people could connect to the group members. You all had fun and bubbly personalities, still fimlimg vlog-style TikToks despite blowing up. Since you dropped your first album as a group, everyone was eager to get a piece of the next hot thing.
You had been contacted by an agency in Spain to get signed, and all moved into Barcelona within about a month. Since then, it had been borderline mayhem. Award shows, fashion shows, exclusive parties - the works. You were now at Vogue Espana headquarters, preparing for a group cover shoot. The editors had asked you and Valeria to pair up and make some video content, as you both had addictive personalities and bounced off each other really well. Long story short - any time you two filmed together, it got millions of views.
"Alright y/n lets start off with an easy one: what is my Starbucks order?"
You tried to cross your legs, almost falling over in the chair, causing the whole production crew to laugh.
"Ignore me almost dying. She's only asking me this question because she knows it really embarrasses me to my core to order this, especially here in Barcelona! It's a venti iced caramel macchiato, 9 pumps of caramel, extra caramel sauce on the top and bottom. Can you imagine having to say this out loud?"
The set was filled with laughter. They cut the take to get your makeup touched up, which was now melting off under the bright studio lights. You both continued to quiz each other, laughing and bantering playfully. You looked down at the cue cards with the questions, letting out a loud groan at the next question.
"Val this is rigged in your favor. How come I get all the hard questions and you get this? It's literally the easiest possible question?"
"Stop complaining because the producers think I'm cute and want life to be easy for me. Just ask the question."
"Okay okay: Who is my celebrity crush?"
"Oh wow you're right. That's so easy it's borderline cheating. Have you not seen her social media? Of course it's Pablo Gavi."
You leaned over the back of your chair dramatically, fanning your face.
"Ughhhhh Gavi! Have you ever seen a man so fine and so talented and so freaking delicious?"
Everyone in the studio had to hold back their laughter as so not have it be heard in the recording.
“She’s obsessed you guys I don’t even know how to explain.”
“I think obsessed is the wrong word.”
Valeria turned to you and gasped, getting up from her seat and running over to you, wrestling your phone from your hands. She pulled it free, walking up to the camera with it.
“Let me just make sure she has no inappropriate notifications. Not obsessed? Please look at her Lock Screen. It’s literally taking over her life.”
You hid your face in your hands as your screen lit up, revealing a picture of Gavi from the World Cup as your Lock Screen. The camera zoomed in on you, capturing your embarrassed reaction.
“Listen listen listen. I’ve been a Barça fan since forever. He’s fine and talented. How am I supposed to not fall in love with him?? I feel like that’s too much to ask for.”
Your crush on Gavi was not a secret by a long shot. It has been obvious to your audience since the World Cup qualifiers, when you posted a picture of him in the white uniform, captioning the photo “who is this and where can I find him 😍😍”. Your followers had come through, sending his handle in your DMs several thousand times. You followed him on Instagram and started fangirling in the comments of all his posts.
@uruser
“ Great job today Pablo 🥰”
“My favorite color is now pablo- I mean purple 🥵”
“The only heat in Qatar is gonna be you on the field 😘”
One day, as you did your makeup on a livestream, idly talking to your phone, you noticed the chat moving at a much faster pace than you were used to. You looked at the messages, trying to read something, but it moved so fast the letters blurred together.
"Wait wait how do I stop the chat I can't read you're all typing too quickly."
You figured out how to stop the comments flying by your face, reading the words "GAVI FOLLOWED YOU BACK".
You screamed at the top of your lungs. You started jumping in excitement, shaking the floor so much that your phone fell to the floor. Comments continued to fly in about how this was the beginning of your love story.
This was officially your in. Now that he followed you, you were able to swipe up on his Instagram stories. Every couple of days when Gavi would post, you would leave him flirty messages, never thinking he was going to respond.
"Amazing goal Gavi! You know you could score with me any day tho ;)"
This unfortunate cheesy message got a like. When you saw the small scarlet heart, you almost went into cardiac arrest. It was working. Slowly but surely you were getting him to recognize you.
Gavi hated pulling out his phone in the locker room. He would instantly hear wolf whistles and cheers from his teammates.
"Ay, Gavi, who are the messages from? The pop princess or the real princess?"
He would turn bright red, hiding his face in his shirt. He had seen your comments, and he didn't know who you were at first. He approached Pedri one day, asking him if he knew who you were.
"Gavi please be serious. You haven't heard of Rumores? They're opening for Rosalia this summer. They're super talented. And each member is hotter than the next."
"Wait," Balde chimed in, "who from Rumores is sending Gavi messages?"
"y/n"
Balde's eyes widened to the size of satellites. He grabbed the phone and started recording a voice message on the messages between you and Gavi.
"y/n my darling, this is Alejandro. Forget about this idiot Gavi and DM me your number. Let me appreciate you in a way that he cannot."
Gavi grabbed the phone back. The voice note had already sent, and you had opened the message. Shit. He was practically shaking, not knowing what to do.
"Ale! Why would you do that?" He asked, trying to look away from the three dots that indicated you were typing.
"Pablo you idiot. Do you know that she was number 5 in the "World's Hottest Women" ranking? She won best face AND best ass in Spain last year. If she wants a Barca player and you're fumbling, I am willing to step up." Gavi shoved him on the shoulder, eliciting a laugh from Pedri.
"Hermano, talk to her. She has made it more than clear that she likes you."
Gavi looked at his phone again, still confused as to what to say, when a new message popped up on the screen.
"Thanks for the offer Ale, but I'm still holding out hope that Gavi will message me back one of these days ;)"
He smiled and bit his lip, locking eyes with Pedri, who wiggled his eyebrows at Gavi suggestively. He hit the older boy on the shoulder, and they went out to his car. When they arrived at Pedri's, dragged Gavi onto the couch to show him clips of you talking about Gavi.
*y/n being in love with a spicy midfielder for 17 minutes*
"Pedri why do you have this video in your favorites?"
"Be quiet and watch."
The video started playing, and Gavi was stunned when you popped up on the screen. It was a clip of you at an award show, dresses in a gorgeous maroon two-piece that showed your midriff and lower stomach, as well as ornate stomach jewelry.
"y/n you look absolutely gorgeous this evening. We heard you were a Barcelona fan? Is this true? And if so, who is your favorite player?"
You smiled widely, causing Gavi's intestines to twist into pretzels.
"Of course I'm a Barca fan. All hot girls are Barca fans. My favorite player of all time is Messi, but on the current squad? Pablo Gavi. He's so talented and not to mention gorgeous."
Gavi brought a cushion to his chest and hugged it tightly. He was used to people calling him attractive in comments, but it was different seeing it live, hearing it from someone who the whole world thought was gorgeous. The next clip was a TikTok, in which you and Valeria danced in matching Gavi and Pedri jerseys.
"See Pablito, she already has your shirt for when she comes to the games to support you."
That comment earned Pedri a swift smack, which he was unable to dodge. Gavi continued to watch the rest of the video, borderline kicking his feet at how fuzzy he felt hearing that you thought he was hot and talented.
"Thanks for watching the Bestie Quiz! Make sure to like the video and subscribe to Vogue Espana. Bye!"
The camera switched off, and you and Valeria stepped off the chairs you were sat in. You immediately got onto Instagram live to pub the video.
"Hey everyone! We just got done filming for Vogue Espana's YouTube channel! Make sure to tune in when the video comes out. And... tomorrow we'll be touring a certain football stadium. Make sure you're following us here and on TikTok to stay up to date with all the latest from us!"
Gavi's jaw dropped. Of course he tuned into the live. He was eager to hear the sound of your voice, see your face lit up with joy. He had been thinking about you for weeks now, unable to say anything to you from embarrassment. He didn't know how to be charismatic and suave and the man that the internet portrayed him to be. He was a dork. He didn't know how talk to you. So when he heard that you were visiting a football camp, he texted the groupchat.
[Gavi]: Is that girl group coming to Camp Nou tomorrow?
[Pedri]: ah ah ah no one respond. Gavi, go ask your admirer. A good way to start a conversation.
[Ansu]: ^^^
[Alejandro]: retweet
He rolled his eyes. They were right. It was the perfect opportunity to reach out to you. But he was still nervous - what if he didn't live up to your expectations?
He typed out a simple message and hit send with his eyes closed.
@pablogavi - are you coming to el campo tomorrow?
"Valeria, remember how you told me that he would never talk to me because I was 'creepy' and a 'weirdo'? Well, eAT YOUR WORDS HE JUST MESSAGED ME!"
You flopped onto the couch, kicking your feet like a lovesick teenager.
@uruser - if I am, will you give me a special tour? xx
@pablogavi - i'll try
The next day you were positively giddy with joy. You were going to get a private tour of Camp Nou with your three closest friends. And you were going to be breathing the same air as Pablo Gavi. This was your chance to shoot your shot. You put on a black tank top and some light wash jeans that enhanced your award-winning ass. You turned on a livestream so people could watch you and Valeria do your makeup, playing Meg Thee Stallion as you got ready. You started dancing, twerking a little bit in the mirror.
"She's practicing for later when she sees Gavi."
You slap Valeria on the arm, the chat exploding at the idea. You ended the live shortly after, getting in your car to be driven over.
Gavi was a nervous wreck. He had changed his shoes three times, wondering which pair of Dunks would impress you the most. Gel or natural hair? Should he wear his classic long sleeve or just the jersey? Pedri's honking was disturbing the whole neighborhood. He ran downstairs (he picked the gray dunks), getting in Pedri's car as fast as possible.
"If Alejandro get to her first, you only have yourself to blame."
Gavi laughed lightly, but he felt like he was going to be sick.
You and the girls arrived to Camp Nou at 10am, eager to take a tour. You were greeted by several members of staff, including Sara, who worked the team's social media. She would be following you all throughout the day to get clips for the official Instagram and Twitter accounts. You walked into the office, greeted first by Xavi. You were all super excited to be in the presence of the coach and World Cup winner. He spoke with you about the history of the club, then lead you through the facilities to the locker room, where you would be meeting the players. Your group members walked in ahead of you as you grabbed a selfie with Xavi.
Gavi would never admit it, but he stood on his tiptoes to try and catch a glimpse of you. He was in jeans and a jersey, ditching the long sleeve since he wouldn't be hurting his arms (not because he saw a video of you saying that you were in love with his arms. That could never be the reason). You walk in and it was like someone had lit his veins on fire. He was so overwhelmed by your gentle laugh and your bright smile. Your eyes scanned the players and landed on Gavi, biting your lip and winking at him. He looked to the floor, hiding the satisfied look on his face from the cameras recording. You greeted all the players, and after getting past Ferran and Alejandro, you got to Gavi. He put one sweaty hand out for you to shake.
"Nice to finally meet you, Gavi. You're even better looking in person."
You shook his hand and pulled him in, giving him a kiss on each cheek. Typical for Spain, but not something you had done for the other players.
"I as well also think meeting you is good." Gavi stammered out, making absolutely no sense. You smiled at him, causing his heart to race faster. Your hand lingered on his for a moment before you moved on to Pedri.
"You're going to make a really bad impression on Xavi if you break our young talent in the middle of the season." He said to you, causing you to pull away and laugh, pretending you didn't have the faintest idea what he was talking about. At the end of the greetings, the team members pulled out the shirts that had been prepared for all of you. Sara pulled out yours and handed it to Gavi, knowing keeping you together would produce the best trending content. Fan service pays the bills. He unfolded the shirt and saw your name at the top, and under...
"Number 6?" He asked, lifting an eyebrow at you. You looked at him from your seat, patting the spot next to you. He reluctantly sat down, and held up the shirt for the photo. You placed your hand over his for the photo, and he felt like he was 12 again experiencing his first crush. When the photographers looked down to make sure the shot was clear, you leaned into Gavi's ear.
"I wanted to wear your new number. I hope it can bring you some good luck."
"You... you want me to have g-good luck?"
"Of course Pablo. When you do well you're happier, and then I'm happier."
Gavi was going to explode. What kind of woman were you? Who was this forward about their feelings? He took a deep breath and composed himself. The girls were all taking sneaky pictures, wanting to capture the moment that you and Gavi first fell in love (because they knew that you would never let him out of your sights now). His teammates were snickering, in awe of how the firecracker that they had come to love was now a pile of mush, blushing like a schoolgirl and stuttering over his words.
"Alright, we're going to film some challenges in pairs now. The rest of the team will get their pairs. Gavi and y/n, you're going to come film with me." Sara said, walking quickly outside the locker room, expecting you both to follow. Gavi got up quickly and gestured towards the door.
"Um, after you."
"Wow, you're such a gentleman." You said, giving him a gentle squeeze on the bicep before you followed Sara. What was he supposed to do now?
You walked outside into the stands and both took your seats, handed personal mics to attach to your shirts. You clipped yours on in about a minute, having done this numerous times for different shoots. Gavi, on the other hand, was struggling slightly.
"Do you want some help, Gavi? Of course that would require me to touch your chest."
He looked up at you, wire still tangled. "You're going to touch my chest?"
"Only if you want me to gorgeous." You replied with a wink. He didn't trust himself to make words, so he nodded instead. You gently grabbed the wire, threading it through his shirt, fingers lightly brushing against the toned muscle of his chest. You clipped it at the top, smoothing his shirt when you were finished.
"All done. Now we need to test them out with a sentence to make sure the staff can hear. I'll go first. Test sentence: Gavi is adorable and I'm going to ask him out before I leave today."
"You're going to do what?!" He said, eyes widened, sweat glands activated.
"It's just a gibberish test sentence. Your turn."
"Um, hello?"
"It needs to be longer than that." You said, getting comfortable in your seat.
"I don't know what to say." He said, smiling shyly and looking down.
"Try whatever comes to your mind Gavi. Literally anything."
"Okay. Ehem test sentence: I'm really nervous around y/n so I hope I don't make a fool of myself in this video."
Your cheeks heated up but you looked away, trying to play it cool. You loved that you were making him a little bit flustered, but he was gaining some confidence to respond. The camera crew stated that you were rolling, and you looked at the camera.
"Hello everyone! I'm y/n and I'm here today with Gavi, and we're going to be playing Barca's 7-second challenge!"
"Ah, my brain is too slow for this game." Gavi said, tossing is head back. The staff handed you the envelopes, and you began.
"Alright I'm going to be asking first. Name three Barca players that contributed to a goal against Real Madrid."
"Ah easy. Leo Messi, Luis Suarez, and me." He said, winking at the camera.
"Good job. You would have been my first answer." You responded. Your rizz game was insane today. You wanted to make an impression- who knows if you would ever have a chance again?
It was Gavi's turn. He opened the envelope and read the question.
"Ah this is too easy. Who are 3 Barca players that have worn the number 6?"
You smirked at the camera. "Super easy. Denis Suarez, Xavi, and the best looking in number 6, Gavi." You said, winking at him. He smiled widely, turning away from you.
"Ah lalala don't let Mister Xavi hear you say that."
After you finished filming the game, the sun had moved from the middle of the sky, making the field more pleasant. The staff informed you that the final piece of content you would be filming would be Gavi showing you how to play football. Gavi was excited. Finally something he could excel at (and maybe embarrass you for once). You both got onto the field, and you laced up the football boots you had been given by the staff. From your position on the ground you looked up.
"Should I keep one untied so I can play as well as you?"
"I- I think you should keep them tied. I'm used to falling, but I don't want you to get injured."
"Awe how cute Pablo you don't want me to break my face." You said, getting up from your spot on the ground and pinching his cheek. It was quite warm to the touch.
Once the cameras were rolling, he taught you some basics, and then he decided to show off. He started playing keep-up with the ball, moving from hit feet to his thighs to his head and shoulders. He passes the ball to you, and you tried to receive with your chest, forgetting about the extra tissue there. You bent over in pain and he came up to you, checking on you.
"Don't worry I'm fine. But if you ask nicely I'll let you kiss it better." He stood frozen with his hands on your shoulders.
"I, I, I- do you want to do something else?"
"No no, it's hot watching you play."
Gavi was at his end. He was embarrassed beyond belief. He could not believe how forward you were, and he could not believe how much he liked it. He felt special - wanted. He brought you to the front of the box, deciding to end the day by teaching you to shoot a penalty. He helped position you, and you two spent the next ten minutes making shots at the goal and joking with one another. At the end, the crew came and collected your mics, and you waiting for the other girls and players to join you.
"Oh, I almost forgot. Here, can you sign my jersey?"
You handed him the pen, turning around and lifting your hair out of the way. He bent over slightly, uncapping the pen with his teeth.
"Who should I make it out to?" He asked.
"Make it out to your future wife. Or future long-term girlfriend if you don't believe in the institution of marriage." You felt the pen meet your back, smiling to yourself.
"I have never met a girl that was as forward as you. It's a little intimidating."
You turn to him, taking your pen and sticking it into your back pocket.
"I know I've said this a million times on every platform, but I think you're cute and interesting. I'm not going to be shy about that. If I make you uncomfortable though I'll stop."
"No no. That wasn't a complaint, but I was wondering...."
"Yes, dear husband?"
"Were you serious about asking me out?"
"My God Gavi. I have made it so painfully obvious that I'm had over heels for you. I have to ask you out as well?"
"You make me shy! I can't even begin to think of where I could take you on a date. I'm just going to let you stay in the driver's seat and I'll keep being a little stupid."
"What're you going to do when I come to one of your matches? Blush and giggle in midfield?"
"You're going to come to a match? The we have to go out before then. Let me get the awkwardness out over dinner so when I'm on the field, you'll be the one blushing and swooning."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~A/N: this is so long omg :') thank you so much to whoever requested this. It was really fun to write a super confident character. I hope this is what anon was looking for, and I'm so sorry if not. I hope y'all enjoy this one, and please leave any feedback in the comments/ send them in my asks!
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wen-kexing-apologist · 8 months
Text
Taking Pause for Reflection- Part 1: Respectable Promiscuity and Only Friends
Well we are three marvelous episodes into Only Friends, and are already seeing the ways in which the narrative is making preparations to sow chaos in every single character’s life. By this point we have seen numerous examples of Boston fucking with Mew’s relationship, watched Top hook up with Boston, took note of Ray’s reliance on alcohol, his drinking and driving, and how he abandons his games with Sand the second he can play hero for Mew, and we’ve already unlocked Nick’s #hotgirlespionage era. In short, we are getting complex, messy, shitty, realistic, and three dimensional queer people on our screens.
As we all continue on our Only Friends journey, I think it is vitally important to look at the research that has been done on the subject of representations of queer people, and understand recurring themes in engagement with queer communities that I have personally seen being repeated in the reactions some people are having to the queer characters in Only Friends. 
Disclaimer: I am a Westerner, writing this from a Western gay lens, with Western sources, and primarily targeting the Western BL audience with this essay. That said, I would love to hear other people’s, non Westerners especially, thoughts on the themes I will be discussing here.
Anyway…
On the Subject of the Acceptable Queer and Respectable Promiscuity 
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To make sure anyone who reads this is on the same page, I just want to define the term respectable promiscuity 
Respectable: Decent or correct in behavior or character (Miriam-Webster)
Promiscuity: having or involving multiple sex partners: not restricted to one or few sex partners (Miriam-Webster)
Respectable Promiscuity as defined by Jody Ahlm, “captures the negotiations individuals engage in as they enact stigmatized sexual practices, manage sexual reputations, and give meaning to their sexual practices within a specific sociopolitical context.” (2017)
Or in my understanding, how people cope with and justify the sex they have that society may see as morally wrong. Because so much of our world has been captured by this idea that sex, especially non-monogamous sex, sex outside of wedlock, or queer sex is inherently wrong or sinful, it is far more likely that queer people will be accepted by society if they are at the very least perceived to be engaging in respectable sex (aka monogamous, moderated, and more vanilla sexual practices). 
…According to this [sexual value system], sex that is ‘good’,’normal’, and ‘natural’ should ideally be heterosexual, marital, monogamous, reproductive, and non-commercial. It should be coupled, relational, within the same generation, and occur at home. It should not involve pornography, fetish objects, sex toys of any sort, or roles other than male and female. Any sex that violates these rules is ‘bad’, ‘abnormal’, or ‘unnatural’. Bad sex may be homosexual, unmarried, promiscuous, non-procreative, or commercial. It may be masturbatory or take place at orgies, may be casual, may cross generational lines, and may take place in ‘public’, or at least in the bushes or the baths. It may involve the use of pornography, fetish objects, sex toys, or unusual roles. (Rubin, 1984)
Late last week I posted a whole essay on cruising culture in the queer community, and the possibility that Boston is a physical manifestation of historical queer cultural practices (a theme that I see continuing in Ep 3 simply with the kind of car that he drives). As part of that I talked about how the combination of the AIDS epidemic and the creation of mobile apps like Grindr have greatly contributed to the reduction in cruising culture, something similar can be said of the creation of respectable promiscuity: “The stigma of promiscuity in gay male culture has roots in the respectability politics of internal responses to AIDS, as well as homophobic responses from outside the community, and continues to haunt discourses of gay male sexuality.” (Ahlm, 2017)
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I think a lot about media and media influence on personal beliefs and perceptions, after all media is political. There is a reason that when I think about and talk about media, I am in some capacity thinking about who the audience is and who a film was made for. How many queer films were truly made for queer people? I mean, seriously, think about how many movies and television shows over the past few decades that either were about or included queer people ended in tragedy. Those films aren’t meant for us, they are meant to show heterosexual people the struggles of being queer. We are meant to be shown suffering so that heterosexual people may, hopefully, learn to have some sympathy for queer people. Brokeback Mountain, for example, wasn’t made for queer people, if it was the promotional material would not have straight-baited the audience, if it was we would not have had to watch Jack Twist get beaten to death for being a faggot. 
Historical queer activism was fighting for far far more than just marriage equality, but over time marriage equality has become the most popularized and pervasive queer civil rights fight. Now the repeated theme we hear over and over again, a message that a lot of the BLs and QLs are pushing, is marriage equality. We see it in Not Me, Moonlight Chicken, Cutie Pie, The Wedding Planner, Love in the Air, GAP, etc. etc. as a result, if we see sex in a show, we see generally pure, and if not pure certainly monogamous sex in most BLs. While a production company like GMMTV may have some of their talent switch gay pairings (looking at you Mark Pakin, Fluke Pusit, and pre-Khao era First) once they find a pairing that is popular and profitable to them, they rarely split them up across their other shows but especially not within the same show. Truly, we have seen the main pairs mix and matching in shows how many times? Two? Three? Off the top of my head I can only think of…
Earth with Papang and Mix with First in Moonlight Chicken 
*gestures vaguely at all of Only Friends*
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All of this to say: 
In the past two decades, marriage equality has been pushed to the front of LGBT organizing and with it the imperative of appearing ‘‘just like them(heterosexuals),’’ through sexual moderation, monogamy and the disavowal of deviant sexual subcultures. This assimilationist discourse is the foundation of homonormativity and the current politics of respectability in LGBT communities…‘‘Homonormativity’’ is a term Lisa Duggan (2003) uses to describe the assimilationist politics of the contemporary gay and lesbian movement that emphasizes individualism and sexual restraint. (Ahlm, 2017)
Which is a long-winded way of saying that in pushing for traditionally heterosexual practices, and general societal acceptance, representations of queer people have had to be pared down to seem less sexually liberated than our community may actually be (and just look at the way the aspects of queer culture like drag and like…just existing as a trans person are being increasingly associated with sex, sexual deviancy, and then warped in to pedophilia and sex crime narratives in order to turn society at large against us to make it easier to discriminate and eliminate us). 
I am not sure how marriage equality was argued in other countries, but I do know that Obergefell v. Hodges, which granted marriage equality in the United States, was argued on the basis of privacy (and is also why people are fucking terrified at the reversal of Roe v. Wade, because that was also successfully won initially on the argument of privacy and was used as a precedent to win future cases like Obergefell). Which means that in arguing for gay marriage to be legally recognized, in order to get the rights that are afforded to us through marriage, we had to shift queer culture in to the spaces and definitions of privacy, rather than the public spaces that were foundational to historical queer culture. 
As the Lawrence ruling and the LGBT movement’s focus on marriage equality suggest, mainstream acceptance of gays and lesbians has thus far hinged on the sanctity of domestic privacy and the legitimacy of monogamous relationships. The success of this political strategy has brought about a dramatic shift in public opinion and legal recognition for same-sex couples in the USA, culminating in the Obergefell v. Hodges (2015) Supreme Court decision that extended marriage rights to same-sex couples throughout the country. This acceptance, though, is conditioned on creating a public image of group maturation where being gay is no longer associated with a sexual culture of promiscuity, bathhouses, outdoor cruising areas, and porn theatres. Language of sexual autonomy or sexual freedom has been replaced with the conventional wisdom that ‘‘what you do in the privacy of your own home is your business.’’(Ahlm, 2017)
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TL;DR: Homophobia and the AIDS epidemic contributed to a decrease in historical queer cultural practices of public and semi-public, non-monogamous sex practices and the push for rights like marriage equality further contributed to the queer community being pushed towards privacy about their sex lives, resulting in representation of queer culture shifting to the image of the monogamous, sexually moderated, non-kinky homosexual. 
Homonormativity, like heteronormativity, privileges whiteness. Homonormativity produces a systemic policing of sexuality and gender, in part through a politics of representation that erases queers of color, poor and working-class queers, and gender non-conforming queers. Guided by an ‘‘ethics of sexual shame’’ (Warner, 2000) the contemporary LGBT movement distances itself from sexual deviants, and more generally from sex itself (Duggan, 2003; Robinson, 2005; Rubin, 1993). (Ahlm, 2017)
A huge part of what got me hooked on Asian BL was seeing representations of queer people that were not just white men with power. Getting to watch two people navigate the political nature of their queerness in conjunction with their socioeconomic status, seeing just the most casual inclusion of trans women (something that like never happens in Western media). Part of what got me so obsessed with KinnPorsche as my first Thai BL was the existence of Yok, who has 0% of a plot about being trans and 100% of a plot around being a surrogate mother to Porsche and just a generally massive party girl. A reason why I like shows like Bed Friend and The Warp Effect so much is because they actually include kink in their shows. (Even though  Bed Friend only really does it once with the pet play in Ep. 6 still with monogamous sex, and Jojo can only get away with heavy kink focus in TWE through a heterosexual couple.)
Finding BL gave me ways to see a lot of different flavors of queers, different dynamics between queers, while still being made to cater primarily towards heterosexual audiences. How many queer romances exist in the West? Big Eden (my beloved), two Christmas movies and the butchered corpse of Red, White, and Royal Blue? [do not come for me here, I know there are more, I have a whole syllabus from @bengiyo that has more than that on it, my point is mostly looking at how popular and increasingly, rapidly abundant and easily accessible gay romance is in BLs compared to how popular abundant gay romance is the West]. I loved Gay OK Bangkok because it gave accurate and honest depictions of three-dimensional queer characters, not two-dimensional, spoon-fed perfect gay men. I loved The Eclipse because it gave me extremely morally gray, queer characters. I loved 3 Will Be Free for both the representations of polyamory, and also for the humanity that Jojo allowed Mae to have. 
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TL;DR Current LGBTQ+ political movements have started shifting away from highlighting sexual liberation as an aspect of queer culture, in order to make ourselves more palatable to the overarching heterosexual society. This bleeds through in to the kinds of media that exist, the types of queer people portrayed within that media, as well as how often gay sex is shown, the type of gay sex shown, and the number of gay sex partners depicted. (Read: generally infrequently, generally vanilla, generally one). 
How Respectable Promiscuity Ties in to Only Friends
IT DOESN’T! Jojo, Ninew, Den, and the rest of the team are not interested in creating a story that takes audience perceptions of respectable promiscuity into consideration. All the boys are thirsty, all the boys are fucking, Boston is promiscuous as hell, Top is (potentially) a slut (or at least a former slut), Sand has been in multiple relationships and has had multiple one-night stand sexual partners (no repeats). Mew is maybe not as virginal as he has led us to believe. Every time any gay boy is standing next to another gay boy that they didn’t know like a week before, a third gay person is wiggling their eyebrows like “oh how do you two know each other?” (aka, you fucked?) See: Nick to Boston and Top, Sand to Boston and Nick, Yo to Ray and Sand, Mew to Ray and Sand. 
Sex has been and will continue to be abundant in this show. Jojo himself said “[Sex] is coming every episode…I’m screaming for Prince but I love gay slut too. No matter slut or good person they should be equally represented”
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There have been no allusions to the contrary. Jojo has presented this as a bacchanal from the beginning. The pilot trailer has multiple sex and/or make out sessions, indications of cheating, First with a goddamn bat, pills, screaming, and crying.
The actual promotional trailer had: multiple sex and/or make out sessions, indications of cheating, First raining destruction down upon some glassware, pills, screaming, and crying.
The interviews with the cast members about why we should watch Only Friends had Neo saying Boston was an asshole, and you should watch Only Friends because it’s hot. In those same interviews Force said he was looking forward to everyone hating him. The playlist that Jojo made ages ago for this show has so many songs about sex, drugs, being cheated on, and breaking up. Jojo tweeted months ago that he had a meeting with the GMMTV office and he had permission to do whatever he wanted. Jojo and co have never once pulled the wool over our eyes as for what to expect from the physical intimacy in this show. We have been promised a sex fest, and we are getting a sex fest. We have been promised some form of a cheating plot line, and we are getting some form of a cheating plot line. We have been promised substance use issues, and we are getting substance use issues. 
Yet on tumblr I am seeing discomfort and as a result, alteration of character motivation and action, around behaviors these characters exhibit that result in sex. 
...Western cultures generally consider sex to be a dangerous, destructive, negative force (Weeks, 1981, p. 22). Most Christian tradition, following Paul, holds that sex is inherently sinful. It may be redeemed if performed within marriage for procreative purposes and if the pleasurable aspects are not enjoyed too much. In turn, this idea rests on the assumption that genitalia are an intrinsically inferior part of the body, much lower and less holy than the mind, the ‘soul’, the ‘heart’...Such notions have by now acquired a life of their own and no longer depend solely on religion for their perseverance.  
This culture always treats sex with suspicion. It construes and judges almost any sexual practice in terms of its worst possible expression. Sex is presumed guilty until proven innocent. Virtually all erotic behavior is considered bad unless a specific reason to exempt it has been established. The most acceptable excuses are marriage, reproduction, and love. Sometimes scientific curiosity, aesthetic experience, or a long-term intimate relationship may serve. (Rubin, 1984)
Boston is not a terrible person for cruising for sex, Boston is not a terrible person for being a slut, Boston is not a terrible person for not wanting to deepen his relationship with Nick beyond just having sex with him. What does make Boston kinda shitty is the fact that he manipulates people to get what he wants, strings Nick’s feelings along, and uses captured images and films of his friends and uses that to call their moral character into question.
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Nick is not pure of heart and dumb of ass for enjoying sex with Boston or for wanting to define his relationship to Boston. Subjectively, his actions for acquiring sex with Boston the first time (aka adding his photo to Boston’s phone) is a gay wrong we support for the chaos, objectively that is a massive invasion of privacy the likes of which rival Boston holding on to photos and videos of Ray and Mew together for two years. Subjectively, it is a power play from Nick to have wiretapped Boston’s car to catch him hooking up with another person and I am excited for Boston to potentially see some consequences as a result of this. Objectively this is once again a massive invasion of privacy, and it is entirely possible there will be a lot of fallout as a result of the evidence Nick just acquired, despite the fact that objectively Top and Boston did nothing wrong.
Boston never committed to monogamy, and Top and Mew never officially defined their relationship as boyfriends (yes, I know Top calls Mew his boyfriend at the bar, but he is saying that to someone he wants to stop hitting on him)  and we have seen no conversations around whether or not they are exclusive. Is it maybe kinda shitty that Top fucked Boston this far in to trying to become Mew’s boyfriend? Probably. But Top is not an inherently terrible person for having sex with Boston, nor is he an unwilling or inactive participant being pressured into having a second round with Boston (he even initiates the kiss). 
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On the opposite end, Mew is not perfect or immune from doing or causing harm in the past, present, or future just because he is withholding sex from Top. Mew isn’t dumb or naive, he doesn’t need protecting, he knows what game he might be in, and he is playing it to the best of his ability. Jojo and co are incredibly talented at writing complex characters, the fact that Mew is possibly a virgin, the fact that Mew is aware that sex for him means something deeper than sex might mean for Boston does not mean Mew should be placed on a pedestal of purity.
Much like I think Boston is a physical manifestation of older queer culture, I think Mew may be a physical manifestation of more current beliefs around queer people: 
As a result of the sex conflicts of the last decade, some behavior near the border is inching across it. Unmarried couples living together, masturbation, and some forms of homosexuality are moving in the direction of respectability (see Figure 9.2). Most homosexuality is still on the bad side of the line. But if it is coupled and monogamous, then society is beginning to recognize that it includes the full range of human interaction. (Rubin, 1984)
Mew is absolutely playing games with Top, he has said that himself, about holding out long enough to see if Top genuinely cares about him rather than just wants a virgin to conquer. But he has also stated that he knows that if he has sex with Top that he will become obsessed. He wants to know Top, and care about Top as a person, and know that Top cares about him as a person before he will have sex. Everyone around Mew is obsessed with his sex life, desperate for him to lose his virginity, desperate for him to join them on the other side of the line. So many of the other queer characters are trying to publicize Mew’s gay sex life, (including Top who publicly asked him to be his boyfriend), while Mew desperately tries to maintain the depiction of purity that his friends think he is. Which is to say, where Boston is cruising for casual sex, and frequently engaging in public sex, Mew is maintaining respectability and looking for long-term and intimate private sex. 
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(Also a tangential thought, but I don’t remember Ray saying anything about Mew’s need to lose his virginity, I think that has really only been Boston, Cheum, Yo in part, and even Top have all had discussions around Mew’s virginity or need to have his first sexual encounter). 
Conclusion
I want to end on this quote: 
Most people find it difficult to grasp that whatever they like to do sexually will be thoroughly repulsive to someone else, and that whatever repels them sexually will be the most treasured delight of someone, somewhere. One need not like or perform a particular sex act in order to recognize that someone else will, and that this difference does not indicate a lack of good taste, mental health, or intelligence in either party. Most people mistake their sexual preferences for a universal system that will or should work for everyone. (Rubin, 1984)
I hope as we proceed through this story, and more characters fuck, get fucked, and fuck up that we are able to interact with the source material and connect with the characters as they are presented on screen, not with what we have shaped them to be in our heads. I hope we are able to separate from the mindset of respectable promiscuity, and refrain from placing false perceptions of purity or morality to characters who do or do not uphold heterosexual society’s understanding of what a good homosexual is supposed to be. Only Friends has never lied to us, the characters might have, the way their dynamics play out might subvert our expectations, but the subject matter, the level of heat, the commitment of gay wrongs is what this show was always going to be. I don’t know about y’all but I am here to sit back, watch my BL boys commit as many gay wrongs as possible within 12 episodes, and write overly academic pieces on sex, sexuality, and queerness in Only Friends for the bit. 
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Stay tuned for Part 2 where I discuss racism and the commodification of queer men of color. 
Sources
Ahlm, Jody (2017) Respectable promiscuity: Digital cruising in an era of queer liberalism, Sexualities, DOI: 10.1177/1363460716665783
Chong-suk Han (2007) They Don't Want To Cruise Your Type: Gay
Men of Color and the Racial Politics of Exclusion, Social Identities, 13:1, 51-67, DOI:
10.1080/13504630601163379
Rubin, Gayle (1984) The Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality- Chapter 9: The Sex Wars. 
Acknowledgements
I would like to thank @bengiyo, @emotionallychargedtowel, @lurkingshan, @so-much-yet-to-learn, and @waitmyturtles for reading through this post, adding your thoughts, and helping with edits! Y'all are the best
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