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#this is a repost of an old post I had
thereinafter-art · 3 months
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A rare quiet moment for Cassandra and Leliana.
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dualitieds · 9 months
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popfizzles · 5 months
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me lately
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rickybaby · 2 months
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Daniel & Yuki | Vegas Car Launch
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freneticfloetry · 2 months
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from the bottom of my heart
So it turns out the presentation was so extra it was too large to upload to Slides, and the best I could do was export it as a video. His ass literally wouldn't fit on Google.
Either way, please enjoy this visual ode to TK Strand (and yes, his bottom).
And please note that this was created for shits, giggles, and @hoko-onchi-writes, and is in no way intended to praise or condemn any pitching or catching preference. All opinions are my own. In other words, don't @ me, it's not that serious.
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beesinspades · 8 months
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if i'm late to post the next chapter of my canon divergence fic in which wolfwood finds eriks stuck in his creechur form, this is why :3
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tackypies · 9 months
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something that irks me with modern american snow queen adaptations is they want to "feminize" it by making gerda someone who doesn’t Need a Man (i.e. the journey for kai is stupid) when the snow queen was never abt gerda and kai being in love. it’s about childhood.
i’d even go so far as to argue that gerda and kai are less separate individuals and more parts of a whole. kai being the one who succumbs to "growing up" too fast and being obsessed with logic, while gerda saves him with her "childhood innocence"
the ending of the snow queen even says as much: what saved kai was not "love" so much as "innocence." it’s the ability to keep your wonder and curiosity and love for the world alive, even as an adult
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the moment you treat the snow queen as "this is stupid why is this girl going so far for a boy" you lose the nuanced readings of andersen playing w/ 19th century gender roles & what he’s trying to say about human nature
like believe me the only remotely lovey dovey stuff going on is between gerda and the robber girl.
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smalltimidbean · 2 months
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Unrelated to previous posts, but mildly concerning that my post count suddenly dropped by like 15 posts
Hope they weren't important posts!!!
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tricoufamily · 5 months
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2023 Tumblr Top 10
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rxttenfish · 7 months
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Merfolk Relationship Hierarchy
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Merfolk are hypersocial macropredators. This shouldn't be new information to anyone on my blog, but the sheer extent of merfolk sociability cannot be overstated. Their social nature is the entire reason they were able to become and specialize into macropredatory niches in the way that they have. Their close relatives, the leviathans, are an excellent example of what merfolk might have become if they didn't have their intense communal proclivities — being much more typical, expected examples of a secondarily aquatic large marine predator akin to marine reptiles of the past and whales of the present. Without their social bindings, merfolk might have entirely lost their hands for flippers, would lack their heightened connection to sound and language, and certainly wouldn't have shaped the ecosystems and the world they inhabit in the same way.
For this, merfolk relationships are complicated. They started as a way of forming a simple hunting group and handling life in large colonies, but as merfolk specialized further, so too did their relationships. More and more they focused on interpersonal politics and the complications of maintaining a large social group that was constantly evolving and shifting, which fostered the growth of their intelligence and sapience, which then led back even moreso into needing the ability to maintain and keep up with their relationships.
A merfolk in isolation is not a merfolk at all. While the exactness of this thought varies across their different cultures, it still holds true for all of them. On a literal level, merfolk can and do die of loneliness, their social needs as much of a requirement to them as the need for food or water. If you were to isolate a merfolk, to the point where they could not hear nor see anyone else, then they would endure a brutal one or two weeks, and then die. Every other need can be met, they can be otherwise entirely healthy, but without anyone else around, they cannot live.
On the more metaphorical level, a merfolk cannot exist solely on their own. Most merfolk cultures accept that the individual does not exist, and that there has to be some outside dialogue with other merfolk in order for them to even be alive. The self and identity are inherently plural to them, a multifaceted soul which exists in the bodies and lives of merfolk in a group, and which can't be broken down. Maintaining relationships and fostering them is as essential as feeding yourself, or feeding someone else.
For all of this, merfolk require much higher amounts of social interaction and connection. This is not to say that introverted merfolk do not exist, but they would be introverted by the measure of their fellow merfolk, and not by what humans might judge them to be. Much like how even the most introverted human could not endure the life of a solitary snake or spider, an introverted merfolk could not endure the life of an introverted human. Similarly, even an extroverted human could not compare against an extroverted merfolk.
Likewise, not every social interaction is the same to merfolk, and they maintain different emotional connections with different people, fulfilling a wider assortment of social needs. In fact, it is easiest to think of merfolk social structure as being like one large, interwoven, piece of lace, where each individual merfolk is represented by a single knot. They are all tied together into larger pieces, repeating patterns, all working together to create a singular, complex web of all the ways every merfolk is connected to every other merfolk.
For this, merfolk have different names for each different pattern, each different part at different scales and sizes. All are important, even if some are closer and tied nearer to the individual merfolk in question, and require greater maintenance to keep healthy.
These patterns and connections are, by far, what is most important to a merfolk. While merfolk are fully capable of experiencing platonic, familial, romantic, and sexual connections, it should be stated that this is not what the relationship hierarchy is based off of. They might be a part of that connection, but the connection itself and the place it occupies within the hierarchy is of far greater importance to a merfolk, to the extent that all else pales before it. Any point and connection within this web might be platonic, or familial, or romantic, but even a romantic connection to a merfolk might mean nothing against a platonic or familial connection if the latter outranks the former on their hierarchy of relationships.
Hence, from the smallest unit to the largest, this is (approximately) what the merfolk hierarchy of relationships looks like:
Yuu'itv + Ul’kiha
This can be thought of as the singular knot, as the individual merfolk themselves. This is what is most familiar to landfolk, as it typically does not refer to any more than one merfolk.
To the merfolk themselves, however, this is more theoretical and functional than a real part of their relationship hierarchy to be maintained. This is the building block of identity, the pieces which make up one true self, but pieces which are not as concerning or deserving of as much time as the selfhood itself.
The exception, as you might have noticed, is the inclusion of ul'kiha at this rung. Ul'kiha (in the common-technical language) is loosely translated as the water that runs through someone's gills, but in the plural. Less literally, it refers to a shared breath, a breathing as one. A shared body, in less flowery terms. Soulmates, in the easiest localization.
In short, an ul'kiha is another merfolk and individual who is so close to another merfolk that they are thought of as one person. A plural-becoming-singular, if you might. Other merfolk will treat two ul'kiha as the same person, talk to them as the same person, view their relationships to them as one person. It represents the tightest, closest bond any merfolk can have.
For this, ul'kiha are rare. Most merfolk will never take an ul'kiha in their lives, and for those that do, taking more than one is next to unheard of. Ul'kiha is, likewise, the only instance where a rung in the relationship hierarchy is solely romantic, and the only true crossover between the relationship hierarchy and humanity's views on relationships. While half of ul'kiha will refuse to take any other romantic partner, this is not comparable to marriage either, as the intensity of this connection could be thought of as codependent in a way that's natural for merfolk but doesn't occur in human relationships. While ul'kiha can split up, if one ul'kiha dies and the other doesn't, the living partner is expected to never take another ul'kiha again, and quite often the loss is enough to kill them too.
Miivt'ia
These are the first few knots the initial knot is tied to, and the first true rung on the relationship hierarchy.
In a sense, the miivt'ia is a merfolk's inner circle. These are the people who they are closest to in their lives, who they have a unique and potent bond with. A miivt'ia, likewise, is a group which is exclusive to itself, and all the members of a miivt'ia will feel the same way about each other, and count themselves in each other's miivt'ia.
The closest example we might have to what a miivt'ia is would be the concept of a friend polycule. None of the members inside a miivt'ia are exclusively platonic, familial, romantic, nor sexual with each other, but they have a tight and exclusive bond which is solely shared amongst each other. In fact, each member of the miivt'ia might feel differently about every other member of the miivt'ia and have their own, unique dynamic with every other member, but all are united in the closeness given by being members of the miivt'ia.
Miivt'ia are often formed right as a merfolk is first growing up. Family members can be included in the miivt'ia, but not always, and those included are almost always siblings, cousins, or others who are similarly close in age. Childhood friendships that begin to deepen often become a part of the miivt'ia, as are the most serious of relationships. However, miivt'ia can also be created outside of these formative years, and there are many miivt'ia that essentially act like guilds or a "family" business, being closer than mere coworkers but sharing the same job.
Miivt'ia are the people with whom a merfolk has near-constant contact with. They are expected to live together, and often will share the same job, or similar jobs. All of their personal belongings are considered as belonging to the miivt'ia over any individual, and legally the miivt'ia is the individual upon which laws apply to. A merfolk without a miivt'ia is effectively homeless, and spiritually merfolk consider the miivt'ia to be the soul. Merfolk that go through the Coral Festival (Habp'll pl'qe ane'jhe Oikahj) will go through it together with their miivt'ia. Any children the miivt'ia has or adopts is considered the child of everyone else in the miivt'ia, the members all acting as parents and considering themselves equally as responsible in the care for that child. Miivt'ia are not only expected to be constantly in contact with each other and to participate in everything together, but they are expected to care equally about every other member of the miivt'ia and to feel each other's emotions as one.
For all of this, merfolk are highly loyal to their miivt'ia and will defend the members of their miivt'ia with their life. Any threat to any other member of the miivt'ia is considered a direct threat to all other members and to the individual merfolk's lives, and the loss of any member of the miivt'ia is mourned by all others to the highest degree.
There is a lot of responsibility placed upon those included in the miivt'ia, but the miivt'ia also has an emotional closeness and intimacy that isn't shared by any other merfolk in the relationship hierarchy (except the ul'kiha, see above). Being too overtly close and intimate with a merfolk can be seen as not respecting the miivt'ia and be seen as a threat to the security of the miivt'ia. Likewise, if someone wishes to join a miivt'ia, they will often endure a "courting" phase with all the members of the miivt'ia, where they attempt to forge connections equally as close to and intimate with every other member.
Dhe'jny'p usae
If the miivt'ia was the smallest initial pattern any relationship can have in the larger weave, then the dhe'jny'p usae is the actual shape of that pattern, when something becomes not just an oval, but a petal on a flower.
Dhe'jny'p usae, in common-technical language, is closest translated to "drift family". Humans might recognize the dhe'jny'p usae as being something similar to friends. They are not as close as the miivt'ia, but they might represent the next nearest thing, being a close emotional connection with associated responsibilities. The dhe'jny'p usae would be the closest other miivt'ia to the existing miivt'ia, acting as neighbors or close-knit family. If the miivt'ia had children, then they would be expected to provide care and look after those children alongside their own, and would cycle wider, communal responsibilities with the miivt'ia. Miivt'ia and members of the miivt'ia would hang out with and spend a lot of time with their dhe'jny'p usae, and this forms the base of wider merfolk sociability.
While the dhe'jny'p usae would be excluded from the private, domestic matters of the miivt'ia, they might still be gone to for emotional reassurance, or to simply have someone to talk to. Dhe'jny'p usae are expected to help in providing food for each other, and will switch out communal duties that require a layer of intimacy with each other, and legally are considered very similar entities. While they wouldn't share all personal belongings like the miivt'ia, they might share what counts for money, and be responsible for dividing it up among themselves. Dhe'jny'p usae, likewise, might live together in larger communal houses and share chores among themselves, but this might be considered closer to the individual members of a household, and its not as intensely expected for them to live together as the miivt'ia.
Dhe'jny'p usae are likewise the most common place to find what we might think of as typical merfolk romantic relationships. Dhe'jny'p usae more easily come and go, leaving and entering a merfolk's life, not solely remaining there for life like the miivt'ia, and for that, it's not uncommon for merfolk to have romantic and sexual relationships with their dhe'jny'p usae.
Faa'nek hus'llu
If the dhe'jny'p usae were the equivalent to people living in the same house, the faa'nek hus'llu is closer to the neighbors. These are acquaintances, support-friends, those that they are close to, though they maintain a degree of separation. If the dhe'jny'p usae was a flower, then this is the daisy chain, the interlocking patterns which form a distinct function.
More than anything else, the faa'nek hus'llu can be thought of as the connective tissue. They bridge the gap between the intensely bound and closely connected dhe'jny'p usae and miivt'ia, and the wider social community of merfolk. They do not bear the brunt of the emotional responsibility and are free to come and go in any merfolk's life as they please, but there is still a degree of familiarity here, a sense of belonging. While dhe'jny'p usae might live in the same communal house, faa'nek hus'llu live in the same town, neighborhood, community. The responsibilities they bear are far more physical, often serving as shifting turns for communal guard or repair duties, ensuring that everyone gets their turn taking care of everyone else.
The downside is that faa'nek hus'llu enjoy far less emotional connection and intimacy. What is shared and offered is far more obvious and physical, and far less detailed than that which other, closer relationships would receive. They might know someone is tired, and they might know someone is in grief after losing a member of their miivt'ia, but they wouldn't be able to navigate the emotional complexity beneath that. Trying to do so can be seen as a threat, either to your own dhe'jny'p usae and miivt'ia, or to theirs, demanding familiarity which has not been earned nor received.
A'antiu Muur'l
This is the far end of any merfolk's immediate social connections. The a'antiu muur'l is not merely the knot, nor the petal, nor the flower, nor the daisy chain, but the sides of the lace itself, the largest part that fits together with all others.
This is the community as a whole. It is a town, a city, a city-block, more of a legal entity than a social one but a social one nonetheless. The a'antiu muur'l is far more location-based than the other rungs on the relationship hierarchy, and merfolk only truly change their a'antiu muur'l with a change of physical location. The a'antiu muur'l is the community from which community names are given, and the a'antiu muur'l is to the commonfolk what a royal lineage is to a royal.
The a'antiu muur'l in common-technical best translates to "song family", and to a merfolk, this is because it is intended to include everyone that a single merfolk might hear at any given time. They are strangers to the individual merfolk, sure, but they are all singing together and speaking at the same time, and working to build the same song together to flesh out life and the place in which they live, so there is a degree of emotional connection. It is abstracted emotional connection, yes, but it is emotional connection all the same.
Merfolk might even include physical landmarks as part of their a'antiu muur'l, such as in the case of their singing buildings, or for a particularly endearing local landmark. This can include a large reef, or mountain, or entire mountain range, but so too can it include the one weird shady area where all the kids hang out that the adults don't want them near.
Ghray Uw'ghta Faahl
In common-technical language, the ghray uw'ghta faahl means "all-body". It is far more theoretical than the others, being spoken of to promote a sense of universal connection, but is not something that's quite so easily envisioned in turn.
In essence, the ghray uw'ghta faahl refers to all merfolk. All of their connections, each a'antiu muur'l, each faa'nek hus'llu, each dhe'jny'p usae, each miivt'ia, and each yuu'itv. Each and every merfolk is included, down through time, because each and every merfolk has had an emotional connection, and thus each and every merfolk fits into the ghray uw'ghta faahl.
Thus, the responsibilities here are far more abstracted, and far more represent the responsibilities all merfolk have to each other. This includes their hospitality culture, yes, but far moreso it includes a sense a dignity and a need to recognize that each merfolk has someone else and belongs somewhere within the ghray uw'ghta faahl. It's a source of recognition, and of community, and of understanding.
How much it actually fulfills that role, as ever, varies, but the thought and theory and gesture is still there, all the same.
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pastelaeqy · 1 year
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merry go round of life.
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spearxwind · 1 year
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Do you love the color of the sky? 🌤
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tekkenenjoyerblue · 15 days
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I forget the chokehold this man has on me till I think about him longer than a minute and then the parasite in my brain demands that I draw him
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northern-passage · 7 months
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Hi, I was wondering if you’ll ever make the old Patreon art/writing public since iirc you don’t intend to reactivate it for a long time? I was a member while it was active but I accidentally updated my app so I can’t view them anymore, I understand if you can’t/won’t though.
i can do that if people are interested! particularly thinking about those harvest festival snippets i wrote, those are well over a year (maybe even 2 years? time is fake) old and were on patreon the entire time & it's almost fall here... i say thru clenched teeth while it's still 100 degrees outside....
the majority of the snippets that were up were definitely like closing in on at least a year old so i do think it's been long enough and it would be fair to post them now... maybe i'll pick a random week and post them all one day at a time lmfao since iirc there's at least one for each companion (thinking specifically about the nsfw ones)
the art i don't plan to repost here though, mainly because i don't like it anymore 💀 but also because i dislike the way tumblr is handling their content moderation and i'm not interested in getting this blog flagged after 3 years because some human moderator decided my tasteful nude drawings of trans people (that 100% follow tumblr guidelines btw) are actually too offensive for their delicate constitution... but that's a whole other complaint for another post lmfao. i haven't had any issues at least with posting written nsfw so i'm less hesitant about posting that stuff instead.
but yeah i think maybe next month i can do the harvest festival snippets for october? i'll probably edit them a little bit since they're so old but i think that could be fun :-)
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alish-artie · 8 months
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I found some old drawings that I've drawn 5 years ago, so I decided to redraw them digitally to see if there was some change !
(These are ocs I've made long ago about the Paper Mario universe !)
How it started :
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How it’s going :
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…indeed there was some changes in five years-
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stormvanari · 1 month
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so um.
stuff about the HIE Squad:
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Serial Designation H:
This birb brain (affectionate) is empathetic, geeky, talkative (only with someone she is close to), stoic, introverted, and envious.
When she was a maid back on Earth, H was one of the many Workers who were constantly yelled on the auditory system by her human superiors. She endured hell in the manor, such as shielding her face from a utensil thrown on it for not following manor etiquette and getting thrown into the pile of decommissioned Workers for making a mess in a guest room due to being told to clean up a dust bunny when it didn't really matter to H. She now wears a mask to hide the injuries and continues so as a DD to soften incoming damage.
After CYN's massacre, H was sent to Copper 9 as part of a squad composing of I and E to eliminate traces of the Absolute Solver. H's memory of SD-I being the one behind her feathery companion's murder (she let, hid, and observed a "black bird's" activities in the manor like Hunter with Flapjack in TOH) is erased, but she still retains the trauma of losing one of her only two friends on Earth. Due to I's incessant and poor criticisms of his squadmates, H decided to work independently and became perceived as a cold/merciless individual.
(I personally think of H as a harbinger of sorts cause one of her ways to scope prey is perching on high structures, such as a street lamp, and watching Workers' movements intently before diving at them)
Evidently, the caped DD originally enjoyed killing the Workers because she felt envious for them being free from human control while H was not....yet. At some point, she comes to believe that perhaps the Workers did in fact deserve the freedom they got.
Maybe H will fly with them too.
In a lighthearted note, H is very knowledgeable and talkative about birds, especially the "black ones" outside of the manor (although this bothered E since his systems retain the memory of him being pecked to death by those birds while chained to a tree back on Earth). She got into the subject during one of her breaks at the building's library where H was tasked to sort books on their respective shelves and put them in "perfect positions." She also likes collecting stuff, such as animal bones and frozen owl pellets, and took up photography when she became a DD to pass the time between her hunts.
I feel like H does take pictures of her prey's "faces of pain and agony" before killing them as a way to project her feelings of being subjected to abuse back in the manor (her systems still retain that memory as CYN’s weapon against the Solver) through envy.
Serial Designation I:
The boss of H and E's squad is mimetic, playful, insufferably charismatic, deceptive, and impulsive. When he worked as a butler, SD-I tried to blend in with the other humans, only to develop unhealthy habits along the way (ex: as a DD, I consumes large quantities of oil not done by a normal DD like how humans get drunk). Furthermore, he looks down upon his own kind since I was extremely focused on escaping a mundane life as a Worker.
At some point after the separation of his squad due to H finding out about E's "murder" (he gets cloned and sent back to Copper 9 like J, after getting turned into a big eldritch worm) at the local Cabin Labs, a frustrated SD-I sets out to find better and competent Disassembly Drones to eliminate more traces of the Solver. It's driven by the fact he's trying to keep his title as one of JCJ's top-performing squads, so he wasn't really allowed to hunt on his own.
(SD-I was the one that sacrificed E to the Sentinels and H, who was at a different part of the Cabin Labs her other squadmates were in, wasn't aware of this until later on. SD-I committed the act because E failed to do something in the hunt for Absolute Solver material)
However, SD-I gets struck by an identity crisis because what was he truly killing for? Were the branded pens worth it? Did the humans really think of their own creations as waste of trash? SD-I played many roles that he doesn't have one that really defines himself as a Drone.
First, he was a cook for the manor kitchen that studied the knife.
Second, he performed for the humans on stage and got thrown into the pile of decommissioned Worker Drones outside for playing the piano poorly.
Third, he became a squad leader with the intent of leading his "extras" to eliminate traces of the Absolute Solver.
And fourth, they failed to comply with his expectations and he's trying to find someone that is smart enough to work with him (but we know damn well many of the DDs have their personality faults that don't align with SD-I's expectations).
(Also changing I’s voice claim to Specter from Pac-man and the Ghost Adventures cause both characters share similar qualities/traits)
Serial Designation E:
He’s rational, creative, clumsy, impatient, and "kalm" ("Are you tired of being nice? Don't you just want to go apeshit?"; He is very, VERY violent at shredding his prey when he can't take things anymore). He's the third member of a squad composing of H and I.
Back on Earth, E originally served as a repair drone for the manor. However, an accident that led to a traumatizing punishment transferred him to the role of an accountant afterwards: because he is very good at numbers, E was glued to calculating manor costs.
As a Disassembly Drone, E tries to get his squad together to avoid delays in their hunt for Absolute Solver traces. Additionally, he relies on electroshock weapons, such as a taser, hacks technology, and "revives" dead Workers to turn into abominable weapons that would make Sid from Toy Story cackling in joy. He usually works in the backlines, but he hunts for Workers for the sake of surviving until the squad's mission is complete.
During a mission to the Cabin Labs, E failed to catch a Worker infected by the Absolute Solver and a furious I threw his colleague to the Sentinels to maul E, thus abandoning the inventor DD with the other dead DDs. H was not aware of this situation until she got an alarming context clue from I at some point, and the squad separated from there (kind of, cause H and a cloned E work together to stop I despite the inventor DD's discomfort of H's love for birds) with the increasing antagonism between H and I following.
In a light-hearted note, E is a gamer. He found a broken Tintendo Swap and a box full of games compatible with it in an abandoned apartment during one of his hunts. Through cartoon logic, E fixed the device and finds himself enjoying the kaizo(-inspired/like) games. Also, E’s hunts involve him doing “video game moves.”
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