David and Michael in the interview with Ali Plumb for BBC Radio 1 from 10th July 2023 (x) :).
AP: Do you get fans in the street quoting lines or just pointing and staring?
Michael: Well, I get a lot of 'To the world'.
David: Oh, yes. Nice.
Michael: People like to… yeah.
David: Yeah.
Michael: And 'You go too fast, Crowley.'
David: Ooh.
Michael: There's a lot of that.
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"...You had to be able to show too much of yourself. You had to be just a little bit more honest than you were comfortable with. And if people judged you, if they felt they knew who you were, that was just something that you were going to have to live with. And what was strange is, once I started doing that, and I was expecting to be judged, or shunned, or people’s opinions or to have to deal with things, what I discovered was, actually, their opinions were, we really like this. We love this story. That’s a good story. It felt huge. It felt personal. And I realized that’s because I was being honest about me.“ —Neil Gaiman
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putting my hands on your shoulders looking directly into your eyes why are you so insistent that Dazai is faking every emotion every second of every day except when he's acting mean or evil why do you think his dark side is more true than his happier or sillier sides
do you not also have multiple facets you show different people? are we not all beautiful multifaceted individuals? are your actions and reactions not influenced by your emotions and state of mind?
can't he laugh at his own jokes? can't he fondly think of the Agency? can't he be dramatic because he wants to? can't he be surprised by something suddenly happening, even if he knew it would happen? do you not jump when the jack in the box gets out even if you were the one working the mechanism?
why would the mean persona be more real? why would any and all joy be faked? why are you only allowing him misery?
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okay so you know how celebrities have fans who make thirst edits of them??
that but with bakugou aka dynamight. they’re edits of him when he’s about to take off, or mid-fight. omg when he’s finished the fight, he’s all sweaty and they managed to get a glimpse of when he pulls up the bottom of his shirt to wipe at his face. he’s just so grimy looking but he’s got a cocky grin — okay anyway, those but edited.
now imagine being bakugous partner, and he’s settling into bed next to you. you’re already in bed and waiting, on your phone scrolling through tiktok/twitter (whichever). there’s music suddenly playing from your phone and bakugou can’t help but glance over, and immediately he’s frowning.
“why the fuck are you watching that?” and his voice is so close it makes you jump, your head turning to meet his but he’s still glaring at your phone that’s now repeating the edit.
“what, i can’t appreciate big strong dynamight sweating after a long fight?” and he just levels you with this stare, deadpan look that says ‘are you serious?’.
“you just had me sweating all over ya, is that not enough for your greedy ass?” a pinch under the bedsheets to your thigh, a playful look in his eye.
“it’s just different! you’re never that sweaty.” he knows what you mean by that, the sweat after a fight is usually bad. he has to take at least two showers before he heads home — only to have another when he’s there.
“yeah? you want me to fuck you after patrol?” and he’s grinning, wickedly and you don’t get a chance to say anything. always the one to be so crude without an ounce of shame. “come by the agency tomorrow, i’ll give you what you want.”
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Love how Taika just breathlessly waits to crack Rhys up.
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it’s so wild watching movies that originate major pop culture phenomena
currently watching Dracula (1931) and i can’t stop thinking like oh okay so this is where it all comes from
but then also listening to @re-dracula and hearing the original-original, watching Drac is especially feeling like discovering the missing link
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OKAY OKAY but the way Louis is split in two with both Claudia and Lestat trying to vie for his attention, for his love, but Claudia is able to jump into his mind, to ask him to come with her without Lestat hearing, and that’s the moment Lestat calls him Lou, because he sees him looking towards her and he has no idea what she’s telling him but he knows he’s losing him to her. And how that desperation immediately turns to rage, to blame, to accusation. By turning them both, he’s turned them both against him, he can’t read them, can’t understand them as deeply as they understand each other, and it’s only when Claudia says out loud so he can hear exactly what she wants him to: Come with me. Let’s be vampires worthy of your love. That he truly snaps.
Lestat knows he’s lost. Has known it for all the time Louis had spent searching restlessly for Claudia’s mind.
And the conclusion to this rage, with Lestat and Louis flown out far into the sky, so far away that Lestat hopes no other mind can reach Louis’. So that Claudia can’t hear. So that they’re truly alone. And he finally admits just how deeply his love for Louis reaches, and just how fine a thread he’s been clinging to coming to terms with the fact that perhaps Louis doesn’t love him, may never have loved him, in the way that he loves him.
And yet even in that moment with Louis half drained and gasping the frigid thin air, with Lestat begging him to just admit it, that he doesn’t love him, Louis... doesn’t. Instead he says let go of me. And I wonder, perhaps, what Lestat hears in that, what those words connote for him. Is Louis only asking to be put down, or is he asking Lestat to let go of this obsession with him? That change in Lestat’s eyes, the bitterness of not getting a solid answer but still coming to some sort of conclusion sells it for him. So, when he drops Louis, it’s as performative as any other gesture.
He may want Louis to feel that he is done with him, but that will never be true.
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