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#this also explains why Robert can also travel back in time because if you play sails in the fog you would know that something happens early
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I HAVE AN obsession with the color green. It’s a color of opposites. Green is life, growth, and health. It’s also sickness, greed, and envy. It’s good and bad at once. And it’s everywhere this afternoon as I sit down with actor, producer, author, and entrepreneur Sam Heughan — most recognized for his starring role in the Scotland-based time travel drama “Outlander.” His shirt bears a green tartan pattern, somewhere between jade and emerald. To my right, the glass bottle of his new gin is a transparent seafoam. Above my head is the leafy expanse of a tree, planted in the courtyard of New York’s Crosby Street Hotel. The gin we sip tastes green: grassy and alpine, fresh as menthol and bright as a sour apple. Most vividly is the green in my mind’s eye: the wet, rich, misty green of Scotland, a place Heughan speaks of with rapture.
Missing home is what drove Heughan to launch his spirits brand Sassenach, after the Scottish Gaelic word for an English person, or rather, an “outsider.” “When I was in London away from home, a jobbing actor, missing Scotland, I remember my first time trying a single malt whisky and I had such an emotional reaction,” he recalls from across the table, his bright blue eyes wide. “It reminded me of Scotland.”
I remark on the gin’s legs, thick and viscous, streaking the sides of my glass. Heughan nods, “I increased the strength. It just gives it a bit more weight. I love a bit of weight on my tongue.” Toasted oats give a creamy feel to the cornucopia of flavors present in the liquid: pine resin, heather, blackberry leaf, blaeberry — and, again, that sour green apple. “There’s no citrus in Scotland. That’s why I chose apples,” Heughan explains. “I remember as a kid, picking them and throwing them at people, eating them, then being really ill because they’re so sour.”
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Heughan’s family — his mother, brother, and uncle — still live in Scotland. His uncle used to have a ceilidh band. “[Ceilidh is] a traditional Scottish dance,” he explains. “It’s madness. Everyone’s drinking whisky and the dancers get faster and faster and there are lots of spinning people around.” Heughan listens to a lot of Scottish music. He later sends me a song called “Blackbird” by Martyn Bennett, known for mixing dance tracks with traditional Celtic music. I tear up at its aching slants. “It makes me homesick for a home that’s not mine,” I message him. “That’s Scotland,” he writes back. “It does that to people.”
Sam Heughan Is in Good Spirits Image Float
Heughan was raised by a single mother in the south of Scotland — the rural stretches of Dumfries and Galloway. “Spent a lot of time on my own pretending I was a knight or Robert the Bruce.” The land’s botanicals now flavor his gin. Courtesy of Sam Heughan.
“It’s one foot in the present, one in the past,” muses Heughan about his country, adding a splash of tonic to my gin, whose flavor now reveals a pleasant salinity. “The castles. So many great battles. You
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can feel the history. I think that’s what makes it so magical.” This history is inextricably linked to ritual, observed in Scotland to this day. Take Beltane, a pagan ritual beginning serendipitously on Heughan’s birthday, April 30. “You’re supposed to stay up all night and wash your face in the fresh dew when the sun rises, then go to bed and dream of your future spouse,” he describes. “It’s all about rebirth and nature.”
We talk about other parts of the world that have shaped him, as I remark on his fusion accent: a bit Scottish for sure, but mixed with something else, sort of American and British, too. America’s opportunity and diversity captivate Heughan. He came here for the first time at 18, hostel hopping in San Francisco. “I remember looking at the Golden Gate Bridge for hours, playing my cassette of ‘(Sittin’ On) the Dock of the Bay’ by Otis Redding over and over. I was living on $5 burritos — one a day. It’s all I could afford.” He speaks of Hawaii with reverence — the local culture’s connection to wildlife and the sea. He spent time with a fisherman and his family there who taught him the Indigenous way to fish: “Gut it straight away. Take out the heart, say a prayer, and throw it back into the ocean immediately to allow the soul of the fish to live on.” New Zealand also moves him. He was there recently and learned about tā moku, the art of Māori tattooing. “You sit with an artist and tell him your story. He chooses where it goes on your body and makes it there and then. He stuck [the initial sketch] on my left forearm here, and it was all about my mom and my brother and the absence of my father.” He wants to return to New Zealand and get the tattoo next time.
My gin has opened up even more, spreading out into softer, aromatic florals as Heughan uncorks a bottle of his whisky. “People have called you a global heartthrob.” I begin, “Is that a role you’re —”
“Who has?” His eyes grow bigger in feigned shock. (Fun fact: the Sam Heughan fanbase even has their own name — “Heughligans.”)
“Someone I talked to in the subway.”
“Right, right,” he nods gravely, pouring new glasses.
“Do you,” I continue, taking a sip, “feel comfortable in that role?” The whisky tastes like a spicy Werther’s caramel.
“My character is what some people aspire to, and I understand why. He’s this incredible human being who’s just so in love with his wife and does the most romantic things. Selfless. People then think you might be that person. I’m certainly not. But it’s something to aspire to.”
“Are you comfortable,” I press, “being an object of desire?” Heughan shares that in earlier years, he was treated in a way that would no longer be tolerated. “I’d be asked, ‘What’s under your kilt?’ or ‘How do you get your abs?’ I wish I did have abs! We were just in a different industry. I don’t have resentment or a grudge. But I would like to be seen for the work that I do, rather than my looks.”
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While he’s still based in Scotland, Heughan also has a house in LA, a city he’s not exactly sold on. He toys with the idea of New York as his next home base. He loves it here. “The cocktail bars. Cycling along the West Side. SoHo. The river. Getting a ferry. I’m so into ferries! I’ll go to Staten Island, then come back again. We got a helicopter the other day back from the Hamptons — I don’t like helicopters. They’re not meant to fly. However, seeing the Statue of Liberty from there, it’s so good. New York could be my city.”
I show Heughan around some local spots that evening. We sit at the bar of Superbueno for mezcal drinks and tacos. The music gets louder and so do the crowds. Mouth full of al pastor, I semi-shout a question in Heughan’s direction, asking if he ever gets overstimulated. “No, not really,” he replies simply, between chewing. At 6 feet, 3 inches, Heughan towers over seemingly everyone. Maybe it’s calmer up there. There’s an overall good-natured quality to him; it’s soothing to be around.
We head to another bar, Mr. Fongs. The air is thick with the smell of trash and rats dart to and fro. A subway thunders overhead as we walk below a bridge in Chinatown. “This is awesome,” Heughan murmurs. We order the bar’s specialty: salty plum old-fashioneds. “I want a place where the second I walk out my door, I’m right in the center of all of it,” he says decidedly, whistling a little at the (notoriously strong) drink. “Right in the middle.”
Heughan is noticeably unadorned. I suggest some rings and an ear piercing for his New York era. A candle light flickers against his cheek, evoking another world — someplace old and rural and rugged. At this moment, I see his character, a fantasy projection of the leading man. But really, we’re just in Chinatown, weighing the pros and cons of earrings on men. “Sadly I don’t think I’m quite cool enough,” he sighs, “to pull that off.” ▪️
Our Contributors
Sophie Mancini Writer
Sophie Mancini is an editor at Departures. Born and raised in New York City, she holds a degree in creative writing from Johns Hopkins University and has a background as a writer in brand and editorial.
Diana Markosian Photographer
Diana Markosian (born in Moscow, 1989) is a Russian-American photographer of Armenian descent. Her work explores memory and place through a layered, interdisciplinary process that uses photography and video. Her photographs have been published in National Geographic, the New Yorker, and the New York Times.
Robert Ormerod Photographer
Robert Ormerod is a photographer interested in telling stories. He is based in Scotland, working across the U.K. for titles such as National Geographic, The Guardian Saturday magazine, The New York Times, T Magazine, The Wall Street Journal, and Bloomberg Businessweek.
Tom Craig Photographer
Tom Craig is a photographer and director whose work has been featured in Vogue, i-D, and Vanity Fair. His work is driven by a desire to tell stories and the urge to travel. His work often blurs the line between fashion photography and straightforward reportage.
**Full article from @departures www.departures.com
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episodicnostalgia · 6 months
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Star Trek: The Next Generation, 114 (Jan. 30, 1988) - “11001001”
Written by: Maurice Hurley & Robert Lewin Directed by: Paul Lynch
The Breakdown
The Enterprise is overdue for a software upgrade, and the crew need some downtime, so Picard decides to dock at station 74 and kill two birds with one stone.  While everyone preps for shore leave, Picard and Riker stay behind in case they need to assist the Bynars, who will perform the upgrade.  We Learn that the Bynar people have effectively hooked their brains up to the cloud, and as a result they think and speak in binary, and always travel/work in pairs.  They seem harmless enough, but when Picard explains they need to leave sooner than planned (due to a time sensitive mission), the Bynars starting acting REAL SUS and then bring on a second Bynar-pair to help speed things up.
Not one to be easily distracted, Riker begins to suspect that something is awry, and keeps close watch on the Bynar’s progress.  So they proceed to easily distract Riker by upgrading the holodeck so he can go play in his own little custom sandbox.  That’s right folks! we finally get a chance to see Riker’s deepest desire, which is apparently to play Jazz Trombone in a 20th century New Jersey bar for the benefit of a personalized, sentient, totally life-like, sex doll.  And let me tell you folks, she is AROUSED by Riker, because apparently the algorithm designed her to be, based on our horny first officer’s browser history.  Also, the whole situation it is NOT-AT-ALL troubling, nor should it raise any serious ethical questions.  Thankfully Picard interrupts with an impromptu visit, just as things are getting steamy, and finds himself equally intrigued by Riker’s new companion.  Minuet (her name) then regales both men over drinks, with her lifelike beauty and charm.
Meanwhile, the Bynars have been busy stealing the Enterprise.  Unable to reach Picard or Riker (due to trickery), Data orders an evacuation because of an impending antimatter breach.  The whole thing is revealed to be a ruse orchestrated by little math nerds, and simply wanted everyone off before they hightailed it back to their home planet. They also programmed Minuet to distract Riker and Picard so they wouldn’t leave the ship.  Once Picard figures out what’s going on, he and Riker jump to into action, and beam themselves onto the bridge for the fight of their lives (they even prepare to blow up the Enterprise if need be), only they discover the Bynars are all dying.
It turns out they just wanted the Enterprise to store a back-up of their iCloud account, because a solar flare was about to EMP-the-shit out of their plantary hard drive, without which the Bynar’s brains will overload and shut down.  After realizing the Bynars had always intended for him (and Riker because it’s a two person job) to  upload the Enterprise’s backup into the Bynar systems, he proceeds to do so, and the day is saved just in the nick-of-time.  So why didn’t the Bynars simply ask for help?  Because they believe in “Better to beg forgiveness, than ask permission.” Seriously that’s the reason. They afraid the Federation would say no, so they leapt straight into grand-theft-starship.
Epilogue: Riker goes back to the holodeck to be with Minuet, only to discover that the software upgrades are gone, leaving her a mindless shell of what she had been.  Riker returns to the bridge to a saddened man, and Picard is like “dude it never would have worked,” but since she meant so much to poor William I’m sure she’ll be referenced again frequently over the show’s remaining six-and-a-half seasons.
The Verdict.
This episode is very much split down the middle for me.
The main story is quite engaging, at least right up until the climax where things get silly. The crew having to make emergency command decisions, in the absence of the captain and first officer is pretty exciting.  There’s also plenty of tension built up around the fate of Picard and Riker.  The result is an episode that makes great use of it’s ensemble cast, including those with less screen time.  For starters the performances all feel more casual, and the dialogue less forced (something which I attribute largely to the actors in this instance). The ship feels like a place with real community, and each character gets to show a side of themselves and their interests beyond their professional ambitions. If the reason for the Bynar’s deception wasn’t so ridiculous, I’d be tempted to give this episode a 4 star rating.  Except…
…for the parts with Riker on the holodeck.  We spend a WHILE just watching Riker swipe left on a bunch of holo-models as, as the computer works to construct his perfect fantasy girl. Once he finally gets her (aka Minuet), he constantly pontificates at her about how real and perfect she seems, all while very obviously undressing her with his eyes. It honestly just seems a little... icky. Predatory, even. After Picard joins, the tone becomes less sexually charged, but then the two men spend their time discussing Minuet right in front of her as if she’s not there, or nothing more than an intellectual curiosity.
Perhaps I’m thinking too much about it.  Many of my favourite episodes involve and feature holodeck characters, and similar objections could (and have) been raised there too, but there’s just something about the way Riker and Picard openly objectify an intelligence that, for all they know, is both sentient, and also at their mercy.  I will concede that I don’t think that subplot was intended to come off as creepy, nor does it outright ruin the episode for me.  You win some, you lose some, and sometimes you break even. At the very least it’s mostly fun, just not beyond criticism.
2.5 Stars (out of 5)
Additional Observations
Picard has come a long way in these past 14 episodes. At first he always seemed kinda grumpy, but lately he’s been more relaxed.  In this episode he has nothing but praise for his entire crew, and especially Riker.  As I indicated above, their dynamic feels a lot more natural in this episode, and it’s nice to see Picard develop into a friend and mentor to Riker.
I realize the shots of station 74 are recycled from Star Trek III, but it’s a great visual, and even the Enterprise looks especially breathtaking here.  Visually a very impressive episode all around.
I find Wesley so unintentionally funny.  Riker tells him to keep an eye on the Bynars, and he takes those instructions literally.  Every time we return to the bridge to check in on Wes, he’s standing in the same spot just glaring at the Bynars suspiciously, as if he’s not being super obvious, and it just cracked me up.
Inconsistent technology: This episode makes a point of showing us that Minuet is simply an elaborate puppet without the Bynar’s upgrades. I’m not bothered by later episodes/spin-off-series depicting holograms who are undeniably sentient, as that can be explained as a natural progression of the technology. However, in “the big goodbye” Picard has a conversation with a holo character who expresses genuine concern that he and his loved ones may cease to exist when the program shuts off. All of that sounds something that's selfaware and sentient to me. So then why is Minuet so much less interactive sans-Bynars? The only way I can reconcile this is to suggest that Minuet's file got corrupted after the Bynars left, and any attempt to rewrite the program would result in a new “person”. There, did I do it? Did I save the continuity?
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ledenews · 2 years
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‘Hoagy’s Heroes’ Need Tasters for Saturday BBQ Fundraiser
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He didn’t want to do it. “I didn’t.” Most of all, he didn’t want to ever do it again. “Never,” said Hoagy Carmichael. “Why would I?" “We did that very first poker run back in 2003, and everyone the next morning said they had so much fun that they wanted to know where the run would travel to the next year. My answer was immediate, ‘Nowhere,’ and they wanted to know why,” he recalled. “That’s when I told them that I spent about 60 hours organizing everything, and I didn’t want to do it again.” Insert Guilt Trip Here. “They all said, “C’mon, man; let’s do it for the kids,’ and you know what happened. One thing led to another, and here I am today still doing these events to raise money for the children in the area that need our help,” Carmichael said. “But it’s true. I did not want to be involved with it in the very beginning, but I’m a soft-hearted kind of guy, and I care about the kids.” Hoagy colored his hair for a fundraiser event he attended with his wife. 10-4 Good Buddy! He was known most by the handle “Space Trucker” when he was driving a truck, and barely anyone knows his real name. Hint: A few folks used to refer to him as “Bobby” before he became known to most as “Hoagy.” “But when I was a kid, if you heard Mrs. Carmichael shout out, ‘ROBERT LEE!,’ someone was in trouble,” Carmichael said with a laugh. “But for some reason, I’ve always had a nickname, and that played into it when people started telling me I needed to go online because that’s where all the action was. “That’s when people started saying things about a website, and that’s because we had so much success without anything being on the Internet. A lot of people thought it would help increase the amounts in the future,” Carmichael explained. “After I agreed to the website and to the Facebook page, I asked everyone what they wanted to call it, and that’s when they suggested ‘Hoagie’s Heroes.’” So, that’s when the legend was born. Carmichael has a lot of fun these days with planning and hosting events that benefit local children. “The website was developed and they put it up on the Internet, and I guess at that point, we were something really real,” he said. “And we’ve been doing what we do ever since, and we’ve helped a lot of families through very tough times. “And listen; not every child we’ve tried to help has made it. We’ve lost a few, and those occasions have been some of the saddest times in my life. It’s heart-wrenching.” He and his Heroes are utilizing his online presence to promote this Saturday’s BBQ Contest at St. Jude Hall in Glen Dale. The event is from 11 a.m. until 4 p.m. and will benefit the Ronald McDonald House Charities in Morgantown. There will be trophies for the best beef, poultry, and pork, and those who want to taste the entries can donate $30 per person or $50 per couple. Feel free to call Hoagy at 304-639-1863. A number of raffles also will take place during the fundraiser, including a 50-50 drawing and gift basket giveaways. “So, yes, it is true. At the beginning of all of this, I didn’t want to do it because I thought it was too much work like a lot of people think, but then I saw the differences we can make. I saw the smiles on the kids’ faces, the relief we offer the parents, and the fun that we all have knowing that we’re really helping others,” Carmichael confessed. “The smiles make it all worth it. “So, here we go again this Saturday, and there’s so much more coming down the pike,” he added. “We really never stop, and we like it that way.” Read the full article
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A good headcanon for the people who are in the Sails in the Fog fandom and the Distant Shore fandom.
The Sails in the Fog!MC is the DS!MC's distant ancestor, she is the pirate Queen and y'all can fight me.
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cevans16 · 3 years
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Ask Her To Dance
Summary: You’re part of the Avengers during the Infinity War era, you and the cast have a final party in Greece
You had all recently finished filming Infinity War, traveling to Europe to start the promo tour, ending up in Greece. You played a military veteran who had started working for the Avengers, you had grown close to the entire cast, having a crush on Sebastian. Sebastian had always been a quiet one except when he was with you or Anthony Mackie. 
It was the last night after a ton of interviews, photoshoots, etc. Robert had suggested you all go out to a club to blow off some steam and as as last hoorah. So there you were in a midi skin-tight lavender summer dress and black high heels. Scarlett had done your makeup in a dark smokey eye look balancing the rest with a natural shade while Lizzie did your hair in voluminous curls, you looked sexy to say the least.
“Wow....you look wow, I’m not a lesbian but I would turn for you” Scarlett said once they took a final look at you. 
“What am I not hot before this look?” you teased
“Oh of course you are but now I can’t hold myself” she said smirking at you. 
While they were finishing up you heard someone knock on the hotel door, you went to open it to find the boys standing there, they didn’t say a word but their eyes looked like they were about to pop out. 
“Okay...where’s (Y/N) and what have you done to her?” Robert jokingly asked
“Stop! You guys coming in or what” you said stepping aside to allow them in
“I think they’re almost done, I’m going downstairs to get us a cab” you said.
You didn’t see that Mackie had elbowed Sebastian to go with you to the lobby. Sebastian blushed and shook his head, “Come on.....hey (Y/N) you shouldn’t go alone, Sebs here will accompany you” Mackie announced. 
You looked at him with a confusing look but didn’t ask any questions, at least not in front of the boys. “Okay...come on Sebastian”. 
“Ladies first” he motioned to you to walk inside the elevator first to head down
“Such a gentleman” you said. You leaned on the elevator wall, tapping your heel on the floor
“You look beautiful (Y/N)” Sebastian said in a soft whisper, you felt your cheeks heat up at him complimenting you
“Thank you, you look great as always” you replied, this time you saw him blush, he smiled scrunching in his nose in that adorable way that he always did when he got shy. 
You let the driver know that you would be down in about twenty more minutes. You and Sebastian headed back up to see if everyone else was almost ready. You walked in to the room with Scarlett and Lizzie finishing up the last of their makeup. You grabbed a mascara to touch up on your own eyelashes. 
“You ladies take forever” Chris Evans teased you three
“Okay then wait for us over there” you turned to say to him 
You kept eyeing Evans for a bit, he obviously caught onto your expression.
“Noooo whatever it is don’t” he said a little frightened
“Seriously, you two film a movie where you are a couple and now you act like a couple” Robert teased
Robert’s comment caused Sebastian’s heart to drop a little bit. He knew you and Chris Evans were only great friends but after seeing some of the footage of the Knives Out movie you and Chris played as a toxic couple, Sebastian couldn’t help but wonder if there could be something more between you and Chris.
“Oh stop no, its not like that but I do have an idea...well more of a favor” you said
“What?” Chris asked you
“Can I please put mascara on one of your eyelashes because yours are so long and I want to see what they look like with mascara!” you asked him excitedly
“What the fahck noooo” he said, his little Bostonian accent showing
“Please Chris, just one eye! I promise I’ll wipe it off.....please, I’ll drop on my knees to beg you” you pleaded
“Can you at least wait for all of us to leave, we don’t want to see that” Robert joked
“Shut it Downey” you said laughing, “Please Chris, I’ll give you ten bucks”
Chris narrowed his eyes at you, mulling over the situation for a second. He couldn’t say no to you though, you had become such a great friend to him.
“Fine, just one damn eye that’s it” he said to you
You did a little jump of joy, walking over to him. He was on the end of the couch next to Sebastian. You set your knee between Sebastian and Chris who had scooted a bit over to give you some space. 
“Why am I letting you do this?” Chris said already regretting his choice
“Because you love me” you teased at him
“That I do” he immediately replied
Sebastian would be lying if he said that he wasn’t jealous at hearing Chris say that, or seeing you get along great with Chris, let alone seeing how close your face was to Chris’. He didn’t say anything, only intently looking at you place the mascara on Chris’ eyelashes. Mackie on the other hand could tell the little green monster was getting the best of Sebastian slowly but surely.
“Ohhh my gosh -CHRIS- this isn’t fair” you yelped seeing his eyelashes grow longer and darker
You glanced quickly over to Sebastian, he looked away instantly, a light blush on his cheeks. 
“Wait, you have long lashes too, not like Chris’ but--OKAY this isn’t fair, why do you boys get long lashes” you commented
“Yours are long too so stop whining” Chris said
You were still looking at Sebastian’s eyes, they were a beautiful shade of blue, you loved his eyes, this was the first time you were able to see them so upclose though. 
“Are you going to stare at him or can I wipe this damn makeup off?” Chris asked pulling you out of your trance. This time you felt yourself blush with Sebastian being the one to catch you.
“Sorry- yes Chris you can go now. Sebastian, would you let me put mascara on” you now asked him
“I’m sure he’d let you do anything to him” Mackie commented, earning a deathful glare from Sebastian
“It’s okay if you don’t want to” you immediately added
“Nahh let me see doll” he smiled at you, leaning his face closer to yours, you felt your breath hitch.
“YAY, okay look up just a little bit-oh wait hold on” you said, you put the mascara that you had in your hand behind your dress, you pulled out another one from your thigh, Sebastian was a little confused at the switch.
“Don’t say anything but I used waterproof mascara on Chris” you whispered giggling at your confession. 
“You’re bad” Sebastian replied chuckling at your little shenanigans, Chris was going to flip. And he sure did.
“Okay I’m almost don-” you were about to say
“(Y/N)!!!!!” you heard Chris yell for you, he came out of the bathroom followed by the girls who couldn’t stop laughing
“What?” you asked innocently
“Don’t ‘what’ me with those eyes, you put waterproof on didn’t you!?” he stated
“Noooo look” you said showing him the mascara you had in your hand
“That’s bullshit where is it!?” he yelled
You knew he wasn’t entirely pissed but he wasn’t too happy either
“Chris I don’t know what you’re talking about” you said trying to hide the smirk on your face
“I see it” Chris said at the mascara that was placed behind your back in your dress. Chris swiped it out quickly, almost shoving it in your face.
“I’ll get you back” he peered at you 
“Ohhh how scary” you said cackling at this point. Chris didn’t respond however he slightly shoved you towards Sebastian who caught you with his hands on your sides, both of you blushing immensely.
“Sorry” you both said at the same time. You could feel everyone else’s eyes on you and Sebastian. You got up from the couch walking over to get a makeup wipe remover
“You have nice eyelashes too Sebs.....actually your entire eyes....its not fair” you complimented him
“Thanks” he replied shyly.
He was about to take the wipe from your hands but you shook your head, reaching over to his face to wipe away the makeup
“Why does he get special treatment?” Chris asked, he knew exactly why.
“Shut it” you said
“I’m still going to get you back, this shit does not come off easily” Chris said complaining.
The girls were finally done, all of you doing one last check before heading out to the bar lounge which was a little far away from the hotel. 
After a twenty minute drive you arrived to your destination, you and the girls headed to the restroom while the guys got some drinks and headed over to the private section. The place wasn’t too crowded or crazy but there were enough people to give it a great atmosphere. It also overlooked part of Greece and the ocean, the warm humid weather being complemented with a nice breeze.
“So now that we’re done with the tour, maybe you should ask her out before you start filming here?” Mackie encouraged Sebastian.
“Ehhh I don’t know man, I don’t think she likes me” Sebastian replied shyly
“Oh don’t start with that, she is into you! She just doesn’t make it obvious, Scar told me that she thinks you’re cute sooo can’t be wrong, won’t hurt to ask” Mackie said. 
“Trust me she likes you” Chris added in with a wink at Sebastian. 
“Where did you go?” Hemsworth asked him
“I was getting payback” he smirked
Sebastian was going to ask Chris what he meant until he saw you and the girls walking over with your drinks.
“Man this place is beautiful!” You yelled over the music. 
“You’ve never been to Greece?” Lizzie asked you 
“Nah it’s my first time so be gentle” you joked, Sebastian almost spit out his drink
“Speaking of first times, how’s the movie for you two going?” Scarlett asked you and Chris, you both turned to look at each other
“Not bad actually, definitely more risqué than what I did in Vampire Diaries” you explained.
“Ohhh I may or may not have requested that song” Chris Evans confessed while drinking his beer
“What!! Why?!” you yelped
“Oh come on, you know people go crazy when they see you on the screen with that song playing” he smirked
He was right, there was a certain scene in the show you had done where your character is a newly turned vampire, almost dirty dancing with one of the bad boy vampires at a college party. 
“I swear everywhere I go they play that song” you added
“It’s not necessarily a bad thing” Evans said. 
“What show?” Sebastian asked curiously, he had heard about the show but never watched it. Sebastian’s comment added onto the fuel of everyone around you. 
“Out of all people, YOU for sure have to see it, she looks hot” Scarlett motioned over to you
“Scarrrr” you gritted through your teeth. Luckily you were saved by the song playing over the speakers, Feel So Close by Calvin Harris boomed over the place. 
The intro had you moving to the beat, you loved this song, it brought you great memories from when you were part of the Vampire Diaries show
Almost a minute into the song the DJ yelled, “We hear a certain vampire is in the building!! Give it up for (Y/N)!!!!!”
Sure enough they played that certain party scene on the big screen. You and your former costar Ian Somerhalder killing it as vampires dirty dancing.
You felt yourself blushing, embarrassed at the unwanted attention. You turned to Chris Evans who was laughing his ass off while recording your reaction and everyone else.
“Let’s see your famous vampire moves!” the DJ yelled into the microphone
You yelled over to Lizzie and Scarlett, “Too bad I don’t have my friend to dance with me”
You moved your hips stronger to the rhythm of the song, twirling, making the exact moves you did when you had done that certain episode. You were laughing, carefree, having fun almost forgetting about your embarrassment.
Sebastian was paying attention to both you and the scene playing, he had to watch this show he thought to himself. He always thought you were gorgeous but this scene seeing you with blood, fangs, dancing, turned him on more than anything. However he also wished he was the guy who had been dancing with you for that scene.
Your final move was another sway of your hips, in the show you had ran your finger on your costar’s face to wipe some blood, sucking on it. You did the exact same move to Scarlett who acted like she was fanning herself. The boys and Lizzie laughed at your move, the entire place going crazier.
When the song ended, you shoved Evans, “I hate you!!!” you yelled over to him
“Payback’s a bitch sweetheart” he laughed, you shook your head, “ahhh come on, you know that song brings you back to good old times” he added
“I hate to say it but you’re right” you agreed, the song reminded you of great times with your former castmates
“What about it? You and that guy dated” Sebastian asked curiously
“Ian...no he was dating someone else but he’s still a great friend of mine. We had such a blast filming that part, brings me very fun memories from when I did that show” you explained.
After Evans’ little stunt on you, you guys were all dancing around having a great time. 
The next song to come up was Gimme Gimme by ABBA causing you and the girls to go crazy, the boys only laughed enjoying your excitement.
You, Scarlett and Lizzie made a sandwich between each other, all dancing carefree. You all took turns lip syncing, twirling each other.
You yelling “GIMME GIMME GIMME A MAN AFTER MIDNIGHT!!!” with Scarlett and Lizzie doing a supposed back up dancing. 
Sebastian had never seen this side of you, at this moment he really wished you were his girlfriend because he really wanted to kiss you. 
“You should ask her to dance” Robert yelled over to him, motioning to you
Sebastian instantly shook his head, “I can’t...I don’t want to make it awkward plus she’s having fun” he added. 
“Suit yourself” Robert said walking away to get some water
You were all at the lounge for about another two hours, enjoying a night out with each other. 
One of the next songs was I Feel Love by Donna Summer
Sebastian wasn’t going to ask you to dance until he saw you were with Evans’ heading towards the dance floor besides Hemsworth and his wife Elsa dancing next to you and smiling at you both. 
You started to hold Evans’ left hand moving to the beat as it picked up both of you laughing about something. Sebastian looked at Mackie who was smirking at him, “You’ll regret it if you don’t” leaning in closer to Sebastian, “trust me though there’s nothing more going on between those two” he explained referring to you and Chris.
Like clockwork, Sebastian walked over to you and Evans, Lizzie and Scarlett noticed because they called Evans over to dance with them, you were about to follow when you heard Sebastian yell for you. 
“(Y/N), want to dance?” he said smiling shyly
You felt your heart skip a beat, you weren’t sure if it was a good idea because you knew your feelings for Sebastian would probably get worse but you decided to just live in the moment
“Sure!” you yelled, placing your hand onto his, he twirled you first and then you two were moving into a great rhythm to the song
You liked that Sebastian kept you close but still was respectful to your space, its not that you didn’t want to be grinding on him but you also wanted to respect Sebastian. 
At one point he pulled you in close to his face and said, “I really would like to kiss you (Y/N)” 
You looked up at him, you didn’t know what to say at first so you pulled his face down towards yours, playfully licking his nose with your tongue causing him to laugh
“What was that for?” he asked surprised at your action
“I’ve wanted to kiss you too Sebastian” you confessed
With that Sebastian then licked your nose with his tongue while he held your face with both of his hands and then he kissed you passionately. You two kissed each other like there was no tomorrow while still keeping to the beat of Donna Summer’s sultry song.
“Holy shit!!!!” Evans yelled over you two, “fucking finally!!!” he added while the rest of cast cheered you and Sebastian on.
Although the song is almost eight minutes long it felt like two with Sebastian. You two kept dancing, giving each other a few kisses here and there. 
At one point you were all back to your private section again. The final song was 34+35 by Ariana Grande 
“Oh-I love this song!” you yelled
“YOU, innocent (Y/N)?!” Mackie exclaimed
“It’s not that bad” you said defensively 
“Just give me them babieees” you sang loudly but looked at Scarlett, making a come here gesture for her to join you.
You kept singing the song, surprising everyone because you weren’t much into pop let alone a song about explicit sex. The girls joined in including Robert’s wife Susan and Elsa, Hemsworth’s wife.
Sebastian was mesmerized by you in so many ways it drove him crazy.
“Baby, you might need a side belt when I ride it” you acted like you put a seatbelt on, saying your hips like your were riding. 
“I’m living for this” Lizzie chuckled while dancing with you too
“Sebastian...look away” Evans’ said covering Sebastian’s eyes playfully
“Nooo leave him alone” Elsa laughed
After a while, you all started gathering your things to head back to the hotel. Sebastian grabbed your hand, kissing it and smiling at you.
“What” you asked him smiling back
“Nothing, well, would you like to uhm.... go out on a date with me?” he asked you a bit nervous
“I would love to Sebastian” you said
He scrunched his nose in a cute way that he always did when he got nervous or flustered. 
“I can’t wait” he said leaning over to give you a kiss on your forehead
“I told you to ask her to dance” Robert said smiling over at you both.
You were glad that Sebastian had listened.
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a-libra-writes · 3 years
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okay so like what i thought of was basically it’s a stark reader(robb’s twin) like in the hc, BUT up until theon left to go recruit his father they had a kind of unspoken thing going on and we’re clearly in love with each other just neither one had the guts to say it(theon would even pick out whores specifically bc they looked like the reader) and so(like in the hc) roose bolton captures her and their direwolf at the red wedding to marry her to ramsay. who subsequently becomes slightly(but let’s be honest this is ramsay) obsessed with her, and one day her direwolf makes its way into the kennels only to find and lay next to theon. it refuses to come out and even snarls in a protective way if someone tried to get theon out of the kennel. the servants decide that the best way to get the direwolf out is with its owner, reader and theon have a ready reunion and he kind of snaps out of reek for a short period of time. butttttt then ramsay gets jealous and chaos ensues :))))) hope you like it!!!! yeah it is kind of based off of the hc you did lol
first of all how dare you anon???????? i thought about this ask way too much today and it HURTS
So lets start with this. Theon was ten when he was taken from his family, he’s witnessed his home be invaded and the castle walls destroyed. Heard about his older brothers being murdered. May have seen their heads on spikes. Taken from his sweet mother, and older sister, probably didn’t see his uncles and father??? there sure as shit weren’t any nice goodbyes.
Yes Ned didn’t approve of this whole thing, but he saw it as a better alternative to another war coming up. Robert saw it as mercy; he wasn’t destroying the whole Greyjoy line or burning their keep to the ground.
So with all of that, he arrives in Winterfell, where it’s freezing. Travelled with the man that may have led to the deaths of his older brothers. Meets this man’s wife, who clearly isn’t happy he’s there. And meets this man’s children, who are young and just staring at him and his strange clothes. 
Now that we’ve got that out of the way....
I really like Theon and Robb’s friendship, and how it almost progressed to the level of Jon and Robb’s brotherhood, but not quite. I think that’s because he’s older by several years in the books, and while Jon is “at least” Stark, Theon is not. He’s a hostage. A potential danger. Catlyn likely doesn’t want her oldest anywhere near him but if Robb is going off to play with the Ironborn boy, why can’t Y/N? She’ll sneak out if she has to! She wants to talk to him and ask him questions. He’s annoyed by a stupid girl trailing him around, and tells her as much. 
I like to think they have an annoying sibling relationship for a while, and Y/N is very fascinated with him, but she also has a great deal of empathy because she starts to realize his situation. She’s still a child, but she knows he was taken from his family and struggles to understand why her father would do that. Ned tries to explain it to her, but I think it’ll always feel wrong to her, so even if Theon teases her and she teases back, she’s always nice to him even when her mother tries to discourage them socializing.
And of course, my favorite trope.  They get older and start to realize feelings, she grows into a beautiful lady and still wants to hang out with him and Robb. She still smiles at him during feasts and comes to watch him practice at archery and still glares at anyone who dares insult him. “You’ll do well to keep your words to yourself, especially where it pertains to matters you don’t understand,” She’ll sneer at lordlings who come in to gawk at the Ironborn. Theon loves it when she talks “like a lady” to annoying guests and lords. She speaks far more casually with him and her siblings. 
His crush is intense!!!! It’s so much. It hits him early and puberty + Theon brain just makes it worse. Like you said, he absolutely picks whores that look similar to her - I HC he generally seeks whores at an early age bc 1) thats just an OK thing to do for young men in Westeros and 2) he’s really lacking in physical affection and acceptance in general. 
He has no chance with a Lady Y/N Stark. Not a single fucking chance, but he still daydreams. When he was younger especially, when he hoped the Starks would accept him, when he thought he’d never return home - maybe they’d see him like a son, maybe, if he was good. Maybe if he was good enough, she’d ... but no. That’s all pipe dreams. The older he gets, the more he knows it, but knowing doesn’t help the bitterness.
I think it’d be even worse if Y/N saw him in a more romantic light than a familial or platonic one. The yearning. The pain!! The shared glances after touching each other’s hands, wondering if the other person knows or cares as much, but never knowing for sure because how the hell can you ask that? How would it ever be appropriate? 
There’s so much to this. Ramsay just adds a dozen layers of angst and complications 😂
Obviously Theon’s betrayal and “death” would break her heart, among other things. The war is not kind to the Starks. She has a lot of pain by the time she’s married to Ramsay. 
Also YOU’RE BREAKING MY HEART like the idea of her direwolf sniffing out Theon, even after all that, or just seeing him and instantly curling up. Theon’s half asleep, half delirious, but he feels the warmth of the fur and for a wild moment believes it’s Grey Wind. He feels the wet nose on his face and the wolf gently licks his wounds. This isn’t the hounds that snap at him and bring their fleas. The wolf curls up with him, and it’s probably the most peaceful sleep Theon’s had in months.
Later Y/N realizes her direwolf has been gone for hours and searches for it in a panic. She doesn’t want to go into the dungeons, she hates them, hates the sounds and the smells coming from them, but she doesn’t know where else to look. She’s sick to her stomach wondering why her wolf is down there, what if Ramsay -? No. He wouldn’t... would he?
And yes, Ramsay’s men have been trying to get Theon out per their master’s orders and can’t. The direwolf refuses. Theon has to crawl out on his own, all bones and scars and scabs and wounds, and the wolf sticks to his legs. Shows its teeth to anyone even looking at him. That’s when Y/N hears the commotion and comes down, she has no idea who this old man is - then... Recognition. Terrifying, heart-wrenching recognition.
When she holds him, she’s not sure who falls down first. It could be either of them; Theon from weakness and shock, her from heartache and relief. And he’s Theon again. He says his name, and her’s, and it’s hard for him to think straight and get the words out. But there is I’m sorry.
She demands an explanation from Roose. There’s no point in hiding it now. And she turns on Ramsay for it, and lord knows he won’t feel guilty about it. I feel like Theon would get slightly better treatment now, both because the direwolf is at his heels as much as Y/N’s and now she has a close eye on him. If anything else happens, she’s going to raise hell in the Dreadfort. All the anger and fire and outrage has been stoked again. Ramsay is not pleased with any of these developments.
And yeah if she and Theon had romantic feelings, this is about to get much more complicated :^)
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thanksjro · 3 years
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More Than Meets the Eye #33: In Which I Write the Word ‘Quantum‘ 19 Times
Dang, I forgot what happened at the end of the last issue. It was pretty important, too, but I don’t have time to reread. Maybe the establishing shot can help me out?
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Oh, that’s right, Rewind happened!
Everyone’s pretty jazzed that Rewind is here, non-exploded, and supposedly alive. Megatron carries this ridiculously small man over to a table, while Skids is busy admonishing Nightbeat for trying to put the pieces of this mystery together.
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That’s one of the two first canonically, openly gay Transformers, Megatron. You bet your ass he’s important.
Nightbeat’s dragged Nautica over to look at that poster for Crosscut’s play they saw last issue. Together, they discover something interesting, and it’s not that Nightbeat’s chin has elongated to the point of absurdity. On this future ship, the play was completed and produced a mere few weeks after the initial launch of the Lost Light.
While this is going on, Rewind wakes up and asks Skids what the hell is going on. Skids, likely not wanting to poke at farm-fresh trauma, glosses over the fact that everyone on this ship was violently murdered, and that they found Rewind blacked out inside the hollowed torso of his brother-in-law.
…This is a dark story line.
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You see, the joke here is that “Dark Cybertron” sucked major chrome.
Megatron reminds everyone that they’re still in grave danger every moment they stay aboard this ship, but Skids is more concerned with Rewind’s mental health. Which is sweet, but maybe not the thing to prioritize in such a precarious situation.
Rewind takes the fact that Megatron is an Autobot now pretty friggin’ well, as well as the introduction of gender into his species. That is, until Nightbeat, the king of social graces, saunters up to the scene to ask Rewind what the hell happened to the ship. He does get his answers, despite Rewind being horrified to the point of speechlessness.
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Over at the hole in the wall, Nautica and Riptide are taking a gander at the quantum drums, which house the quantum foam for the quantum engines so quantum jumps can happen.
As Nautica explains the process by which quantum travel works, she realizes that the answer to what happened to everyone who disappeared was right in front of them this whole time.
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Quantum, quantum, quantum- doesn’t even sound like a word anymore, does it?
The data slug Rewind made corroborates this theory, showing a series of events that definitely didn’t happen to the Lost Light we’ve been following throughout this story so far. The data slug contains this Rewind’s version of dead Rewind’s “Little Victories”, the travelogue that was never completed, where the question “are you happy?” revealed just how emotionally unhealthy most of the crew is. I’d like to imagine this Rewind’s film is called “Small Achievements”, or perhaps “Dear Fucking Lord, We’ve Been on this Trip for Three Hours and the Captain Has Been Killed by a Goddamned Soul-Vampire”, or maybe even “Where the FUCK is Our Therapist”.
The DJD came into the equation by way of someone having led them to the Lost Light. We get a flashback panel of the gorefest, in which Tarn appears to have learned how to fly, given the angle he’s coming from.
Because Rewind’s big thing in this series is being the guy who records stuff, the DJD take the opportunity to make some movies of their visit to the space yacht.
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James, why do you keep getting Rewind involved with snuff films? I’m starting to get concerned.
Now, the thing about Rewind is that he’s almost always accompanied by his other half. Where is Chromedome, anyway?
He’s dead, that’s where.
Turns out, when you tell the DJD that you won’t do the thing they want you to do, they have a habit of doing nasty things in retaliation. Chromedome got stabbed in the friggin’ visor with his own finger needles, because Vos enjoys ironic deaths, I suppose. There’s some other stuff that’s implied to have happened, but we’ll get to that once we learn a little more about the DJD themselves.
While Rewind recounts the grisly tale of his husband’s demise, Riptide notes that the quantum foam has begun to spread at a remarkable rate. This is a bad thing, because that shit can and will explode, given half the chance, and this wreck is floating right above a potentially-inhabited planet.
Though I could have sworn we established that this planet was a Smartplanet, and therefore very much populated by students and staff. I don’t know. Maybe we conveniently forgot that, so we could make this a learning moment for Megatron.
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Jiminy Christmas, Megs, do you even listen to yourself?
Skids, who has had a very long day of finding corpses and learning about quantum theory, snaps at Megatron, telling him that in order to actually be an Autobot, you have to have a little frickin’ compassion for those outside of your peer group.
Which is sort of contradictory to the Aequitas trials, the Killswitch debacle, the POW situation back on Cybertron, and whatever the fuck Prowl’s whole deal is, but maybe Skids is speaking about his own, personal relationship with being an Autobot. Hopefully so, otherwise he needs a class on critical thinking, STAT.
Never mind all of that though, because the problem just got a lot worse- the quantum foam has expanded to a point where any holes in the stuff are too small for the Rod Pod to get through. We’re going to have to get creative if we want to save the day.
Luckily, we’ve got a quantum duplicate of just about the tiniest little dude in the franchise here to do the job. Now we just need another, equally tiny little man, so the quantum drums can be shut off at the same time. Nautica commits more microaggressions, and this gives Getaway inspiration for a witty quip, which in turn gives Skids a brilliant idea.
The gang heads down to Brainstorm’s lab, to look for the mass displacement gun that was used for treating Ultra Magnus’s nanocon infestation back in the 2012 Annual. While they search, Nautica explains just why the hell the Lost Light disappeared in the first place. You see, quantum duplication acts on the Cain Instinct— it’s fine, as long as the duplicates don’t perceive each other. However, the moment contact is made, it says “oh man, guess I’m gonna have to end you” to one of the duplicates. The contact in this case happened when the Coffin Rodimus was brought aboard the ship.
Anything that wasn’t aboard the Lost Light at the point of the takeoff/explosion was never duplicated, and thus wasn’t erased from reality once shit started going to hell. This is why the Rod Pod is still around, and why the remaining cast are— well, the remaining cast.
While this conversation is going on, Nautica and Nightbeat uncover yet another dead body; it’s Brainstorm, and he’s a little underdressed.
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…Someone run a paternity test, I think Cyclonus might be the father.
Also, Brainstorm’s a double agent.
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Fucked up.
Getaway is furious that a Decepticon has been living on the same ship as him for the last six months, right under his proverbial nose. Even Megatron’s surprised, stating that Brainstorm isn’t usually who the recruiters aim for.
So, no mass displacement gun, and now they’re aware of the fact that there’s a traitor on the ship who’s had access to a LOT of weapon tech. It’s at this point that Megatron decides to stop lying by omission and tells everyone that he can mass-displace, since he used to turn into a handgun.
Smashcut to Megatron and Rewind floating out in space, the former now not much taller than the latter, as they traverse the web of quantum foam to get to the drums. Nautica instructs them from the Rod Pod. If this works, anything produced or connected to the quantum engine will be neutralized, and maybe we’ll even get the other Lost Light back! YAAAAAY!!!
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Y’all really let this man go out there to fuckin’ kill himself for the greater good, didn’t you?
Rewind is honestly pretty chill with ceasing to be, seeing as he watched 200/+ people die today, including his long-time spouse.
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Jesus. I’d say get him a therapist, but in order to do that, we’re going to have to wipe him off the map anyway.
Rewind asks Megatron if the Chromedome that isn’t his and his duplicate are still together. And I mean…
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Luckily, Megatron has the good sense to lie.
With that, they flip the switches, and deactivate the drums.
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And that’s a series wrap on Rewind! Congrats to Mr. James Roberts for the esteemed honor of burying the same gay twice!
Later on, everyone is back inside the Rod Pod, as their disappeared shipmates return from being nonexistent. Chromedome pops back in, and Skids is on him like a shark, telling him to go on the roof. Skids doesn’t even try to explain why. Which, fair. How the hell do you explain to someone that their dead husband’s quantum duplicate survived both a terrorist splinter cell attack, and the laws of quantum sci-fi bullshit crashing down on his tiny, tiny body, and that he’s right there on the roof waiting for them?
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Welp, there goes the Chromedome/Dominus endgame. Shame, that.
Looks like Chromedome finally hit the threshold for having earned Roberts’ pity, and won’t be directly targeted by the plot for a little while. This isn’t something you see very often, so let’s really soak this in.
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…Someone had to have told Rewind what happened to the other Rewind, right? I wonder what that conversation was like.
Back inside the ship, Blaster gets word that the Lost Light has reappeared. As they navigate towards it, Megatron requests that an encrypted call be made to Rodimus, to discuss the Brainstorm problem.
In the interim, Ravage is offered the opportunity to be a part of the crew, so he doesn’t have to keep skulking around in the shadows. We don’t get an answer from him, as our focus shifts over to Nightbeat and Nautica.
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Nightbeaaaaaaaaaat, stop stating the themes of the comic verbatim! People are going to start thinking you’re a shonen anime protagonist!
Nightbeat’s somehow managed to keep ahold of the briefcase that they found on the other Lost Light. Unless Brainstorm’s boyfriend is in there, I don’t think this one was the work of Huey Lewis and the News’ hit single from the Back to the Future soundtrack.
Over on the Lost Light, specifically in Swerve’s, Brainstorm’s making his way through the crowd, briefcase held gentle like hamburger as he goes. He makes it to the bar, where Atomizer tells him he can’t have his briefcase in here. Brainstorm has what most would accept to be a healthy response to being told “no.”
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It’s what I would do.
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Richard Speight Jr's speech at the All Heroes Monument in Tonawanda
A couple of articles in full in case you have trouble accessing the links without a VPN:
Article by Peter Gallivan
BUFFALO, N.Y. — On June 6th, 1944, Warren "Skip" Muck was one of hundreds of American servicemen who dropped into Normandy to force Adolf Hitler's army out of France and beat them back to Germany.
On January 10, 1944, the City of Tonawanda native was killed in a foxhole in Foy, Belgium at the Battle of the Bulge. For decades, his family back here in Western New York had few details about his service and the day he died. That all changed with a simple phone call according to his niece, Becky Krurnowski. Becky says her mother, Skip's sister, got off of a call back in 2001 with more questions than answers. "She said there's an actor trying to get a hold of me, and something with Tom Hanks. They want to make a movie."
As it turned out, the actor was Richard Speight, researching for his upcoming role in "A Band of Brothers." Becky and her sister began a series of emails back and forth with the actor, telling him stories of Skip growing up, such as the time he swam across the Niagara River. Speight then took the stories to the writers and all of the sudden what was a bit began to grow, and Skip Muck became a series regular.
Krurnowski adds that this 75th anniversary of the Normandy invasion will have special meaning to her, taking her back to the world premiere of "A Band of Brothers"— one she attended as a guest of the studio, on Omaha Beach, Normandy.
Krurnowski says until Episode 7, they had no idea exactly how Muck had died. It showed him sharing a foxhole with one of his best friends, Alex Penkala, when they took a direct hit from a German canon shell. Becky says her mom found comfort in knowing that Skip was with his men and with his friends when he lost his life.
Lou Michel article from the Buffalo News
Saluting 'unbelievable sacrifices' Monument honors local ties to "Saving Private Ryan" and "Band of Brothers"
As some area veterans know, the story lines of two epic movies about World War II - "Saving Private Ryan" and "Band of Brothers" -- center on two local families.
Now the memories of those World War II soldiers will be enshrined along the banks of the Niagara River in the City of Tonawanda.
That's because the four Niland brothers, whose story helped inspire "Saving Private Ryan," and Sgt. Warren H. "Skip" Muck, a central figure in "Band of Brothers," hailed from Tonawanda.
An Amherst couple, Rick and Lisa Lewis, donated $150,000 for the multistone monument to pay special tribute to the Nilands and Muck for their sacrifices.
"There will be one stone for each family, and etched on the stones will be the stories of the Niland brothers and Skip Muck," said Rick Lewis, whose family lived nearly a century in Tonawanda and became prominent when it owned the Talking Phone Book.
In the center of the veterans memorial plaza, which will be dedicated Saturday, will be a 10-foot-tall granite replica of the Washington Monument with a tribute to all other City of Tonawanda veterans from various wars.
"This will be in Niawanda Park directly behind City Hall, and at night it will be prominently illuminated, and I believe it will become a signature landmark for the City of Tonawanda," Lewis said.
The story about the Niland brothers is well known in some veteran circles.
On June 6, 1944, at the start of the Normandy invasion, Michael I. and Augusta Niland received the first of three telegrams that three of their four sons were missing in action. Two other telegrams soon followed, notifying the parents that two more sons were missing.
Their fourth son, Sgt. Frederick W. "Fritz" Niland, an Army paratrooper, was participating in the invasion.
War Department officials wasted no time ordering Fritz Niland out of the combat zone, once his whereabouts were determined. It was that effort that inspired the basic storyline of Steven Spielberg's 1998 movie starring Tom Hanks and Matt Damon.
The other Niland brothers were not as fortunate. Tech. Sgt. Robert J. Niland perished on the day of the invasion, and the next day, Lt. Preston T. Niland died. The third missing brother, Tech. Sgt. Edward F. Niland, was shot down over Burma and captured by the Japanese. He survived 11 months as a prisoner of war.
As for Muck, he became famous posthumously, with his story told in the best-selling book, "Band of Brothers," and later in the HBO cable network movie miniseries of the same name.
Muck was a member of Company E, 506th Infantry Regiment, 101st Airborne Division, and one of about a dozen main characters. The story told of how the soldiers, first meeting in paratrooper school, became like a family.
"They banded together because they were up against so many hardships. That's why they called themselves the Band of Brothers. If any got injured, they would go to the hospital, get patched up and want to be back with their guys," said Becky Krurnowski, a 55-year-old niece of Muck.
In her City of Tonawanda home, she has a reminder of her uncle, who was killed Jan. 10, 1945, during the Battle of the Bulge.
"A million years ago, my mother gave me the American flag that had covered my uncle's coffin," Krurnowski said. "It's been in my family room for about 20 years now on display."
Adding a sense of irony, Lewis said, is the fact that Skip Muck and Fritz Niland were best friends before going off to war.
"The sacrifices made by the Muck and Niland families in Tonawanda are just unbelievable," said Thomas Beilein, a Niland family cousin and former sheriff of Niagara County who now serves as head of the State Commission on Correction.
"As children, we didn't hear stories about the sacrifices. The family never talked about it. They never held it out there for the world to see. They didn't wear it on their sleeve," said Beilein.
The monument will be officially unveiled at 11 a.m. Saturday with members of the Niland and Muck families present. Surviving members of the Band of Brothers, all around 90 years of age, are scheduled to travel here from different parts of the country to attend.
The actor who played Skip Muck, Richard Speight Jr., will also attend and speak at the dedication.
A military flyover and reception are also planned, and HBO has agreed to provide free showings of Band of Brothers after the ceremony in the nearby Riviera Theatre on Webster Street, North Tonawanda.
Pete Niland, son of the late Edward Niland, also is scheduled to speak at the ceremony.
"I'm going to especially thank Rick and Lisa Lewis, who are sponsoring this, and I'm going to make mention that this is an honor not only to our family but to all the Tonawanda families who sacrificed, and there were a number of them," said Niland.
Lewis said he and his wife have wanted to honor the two families for years and put a spotlight on the City of Tonawanda.
"The area has been very good to my family, and we're anxious to do some things for the community," said Lewis, who organized a special committee a year ago with City of Tonawanda Mayor Ronald Pilozzi and representatives from several veterans groups, including Post 264, American Legion.
Pilozzi, a Vietnam veteran who was awarded a Bronze Star with Valor and a Purple Heart, says he feels a special closeness for the monument.
"One of the reasons I'm so proud of it is I was in the 101st Airborne Division in Vietnam," Pilozzi said, explaining that Muck and a Niland family member were in the 101st.
The 101st faced its toughest assignment during the Battle of Bastogne, one of the more famous encounters against the Germans during the Battle of the Bulge.
"The 101st Airborne was completely encircled and cut off by the Germans, but they made their stand and held out long enough for Gen. [George S.] Patton to come in and relieve them and basically defeat the Nazis," Pilozzi said of the division's bravery.
Describing himself as an amateur historian for the modest working-class City of Tonawanda, Lewis said the memorial will ensure that no one ever forgets the sacrifices and bravery demonstrated by the deceased relatives of the Niland and Muck families.
The City of Tonawanda has a tremendous history of which it can be very, very proud," he said. "I still have family members there and consider myself an amateur historian of the city."
The monument, Lewis explained, is designed with enough open space to add additional stones in the future, should Tonawanda want to honor other veterans.
The monument was chiseled and inscribed by Stone Art Memorial Co. of Lackawanna. The grayish colored granite was quarried in Maine.
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Historically Booker’s native language would be Occitan and not French . He would also probably deeply resent standard / Parisian French since the government did their damnest to erase regional languages and still do it today .
Agreed! There was another post about this, but since I got an ask (I love you, anon) I’ll elaborate. Buckle up for a primer on the evolution of the French language with a brief aside for troubadours, traveling musician-poets you wish were still a career option. No, being a rock star is not quite the same.
In the early medieval period (as early as ~900CE), the country we now call France had a language divide between the northern and southern regions. In the north, they spoke langues d'oïl which is what eventually became modern standard French. In the south, they spoke Occitan or lenga d'òc and a modern form of this language is known as Provençal. Looking at the regional sub-dialects, the more northern Occitan begins to sound like a langue d’oil and the more southern dialects begin to sound like Spanish.
As I touched upon in a previous post, this is because they all share similar roots as a romance language. Even though modern standard French is a langue d’oil, occitan managed to sneak a few things into the language. If you’ve learned French as a second language, you’ll know that when you respond yes (oui) to a negative question (you don’t like cheese? / tu n’aimes pas le fromage?) that you use a different yes (si). This is a skeleton of Occitan! 
The why of the invention of “standard French” is, as most “standard” things are, a detour into nationalism. In 1635, Cardinal Richelieu (under Louis XIII) founded the Académie Française (French Academy) which was tasked with standardizing the French language so that it could be exported to the rest of Europe and used to gain further prestige of the role of French philosophers during the Enlightenment. During the French Revolution, it was disregarded, but Napoleon Bonaparte restored it as part of the Institut de France (Institute of France) in 1803. To this day, the Académie is tasked with publishing the French dictionary and inventing new words for things such as “e-mails” so that the French needn’t stoop to using English loan-words.
Another part of this was the Toubon Law (August 1994) which required French (the standard French from the Académie) to be used in all official documents and advertising. It required all advertising to use French and even set a certain percentage of music on the radio that must be French. This law was literally the government going “let’s make the French french again.” If a school doesn’t instruct in French (modern, standard French of course), then they can’t receive government funds. The only exception is Breton-language schools (Breton is as north as it gets and is a langue d’oil so it still helps crush Occitan).
Since the previous paragraph probably made you mad as heck, let me give you some irony to laugh at: some French people refer to this as the loi Allgood (“law” Allgood). To explain this joke, it helps to know that Toubon is the last name of the Minister of Culture at the time the law was passed. If you break down his last name, it sounds like “tout bon” in French which translates to “all good.” People took this law saying make everything French, goddammit and replied, sure thing Minister All-Good. I love it.
Now, for the troubadours! I learned standard modern French in high school, but at university I came across Occitan because of those romantic poets. I’ll put this aside below the break so you can continue on with your day if for some reason you’re not interested in medieval French rock star-poets...
Let me begin by quoting the Wikipedia definition:
A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz.
Right away you may notice a few things: 1) they wrote and sang in Occitan; 2) it was an equal-opportunity field (though it was rare for a woman to be one). The first Troubadours were mostly noblemen, but later ones could come from any social class. Yes, you read that correctly: egalitarian travelling poets! If that doesn’t sell you on these performers, I don’t know what will. The troubadours spread their tradition throughout Europe and the only thing that could stop them was the Black Plague.
As you’d expect, they mostly sang about love. A lot of their poems were about courtly love and chivalry, but they could also get bawdy. The especially good performers would be sought after by courts like famous painters. Troubadours are essentially the apex bards: romantic, witty, charming, talented, and able to make serious bank.
To finish this, I will leave you with one of the bawdiest troubadour poems I know of, Farai un vers, pos mi somelh (The Ladies with the Cat) by Guillem de Peiteus. It’s essentially the story of a dude who has sex with these women who pick up a knight on a pilgrimage (though it plays with reality and this guy’s fantasies). I’ll include it in the original Occitan, and then a translation by Robert Kehew (I believe), verse-by-verse. Forgive me for my commentary in between, but I just want you to understand how freaking clever this poem is!
Farei un vers, pos mi somelh Em vauc e m’estauc al solelh. Domnas i a de mal conselh,    E sai dir cals: Cellas c’amor de cavalier    Tornon a mals.
While sound asleep I’ll walk along In sunshine, making up my song. Some ladies get the rules all wrong;    I’ll tell you who: The ones that turn a knight’s love down    And scorn it, too.
The singer is establishing himself as a troubadour. The protagonist is dreaming, so we should be careful about what is real and imagined. He’s also invoking the trope of the philandering knight constantly falling in love and breaking his heart.
Domna fai gran pechat mortal Qe no ama cavalier leal; Mas si es monge o clergal,    Non a raizo: Per dreg la deuri’hom cremar    Ab un tezo.
Grave mortal sins such ladies make Who won’t make love for a knight’s sake; And they’re far worse, the ones who’ll take    A monk or priest-- They ought to get burned at the stake    At the very least.
The Middle Ages were not at all chaste; yes, monks and priests were having sex. This isn’t as sexist as it may come across on a first reading however. He’s not saying women shouldn’t have sex (he’s actually saying that it’s a sin not to being having sex), he’s just upset that women who are clearly willing to have sex are turning *him* down. He’s not going to get any awards for feminist of the year, but he’s not the worst. I’m sure this would rouse cheers from a tavern.
En Alvernhe, part Lemozi, M’en aniey totz sols a tapi: Trobei la moller d’en Guari    E d’en Bernart; Saluderon mi simplamentz    Per sant Launart.
Down in Auvergne, past Limousin, Out wandering on the sly I ran Into the wives of Sir Guarin    And Sir Bernard; They spoke a poper welcome then    By St. Leonard.
These are recognizable locations along a pilgrimage route. There’s a good chance that these names are replaceable (Bernard can be replaced with any last name that rhymes with a saint) and this song could be used to goad the audience. And no, he hasn’t had sex with these ladies yet. They’re just saying hello (for now).
La unam diz en son latin: “E Dieus vos salf, don pelerin; Mout mi semblatz de bel aizin,    Mon escient; Mas trop vezem anar pel mon    De folla gent.”
One said in her dialect, “Sir Pilgrim, may the Lord protect Men so sweet-manned, so correct,    With such fine ways; This whole world’s full of lunatics    And rogues, these days.”
I think most would agree that this is happening in the knight’s sex-dream because she’s just sweet talking him. The awesome part is that the “dialect” reflects the singer actually adopting a Northern French language (they’re mutually intelligible). Guillem didn’t have to go that hardcore, but he did.
Ar auzires qu’ai respondut; Anc no li diz bat ni but, Ni fer ni fust no ai mentaugut,    Mas sol aitan: “Barbariol, babariol,    Babarian.”
For my reply--I’ll swear to you I didn’t tell them Bah or Boo, I answered nothing false of true;    I just said, then, “Babario, babariew,    Babarian.”
This guy just mocks their accents as a reply. Wildin’.
So diz n’Agnes a n’Ermessen: “Trobat avem que anam queren. Sor, per amor Deu, l’alberguem,    Qe ben es mutz, E ja per lui nostre conselh    Non er saubutz.”
So Agnes said to Ermaline, “Let’s take him home, quick; don’t waste time. He’s just the thing we’d hoped to find:    Mute as a stone. No matter what we’ve got in mind,    It won’t get known.”
In this stanza we see two repeats and a new thing. First, the names are easy to replace (Agnes doesn’t even have to rhyme with anything) so that this can be done to call out a specific woman’s name. Second, the language skills are being flaunted again as this Occitan-speaker is just casually showcasing that he can sing about sex in other languages too, thankyouverymuch. Lastly, this is WOMEN voicing their desire, not men. The man is silent, they think he’s incapable of speech. This is two women in a poem/song getting to steer the story how they please. Stepping back, this is a guy’s sex-dream so you could argue he’s just got a kink for dominant women, but regardless that’s a pretty cool way to turn masculinity on its head.
La unam pres sotz son mantel Menet m’en sa cambra, al fornel. Sapchatz qu’a mi fo bon a bel,    El focs fo bos, Et eu calfei me volentiers    Als gros carbos.
Under her cloak, one let me hide; We slipped up to her room’s fireside. By now I thought one could abide    To play this role-- Right willingly I warmed myself    At their live coals.
Yes, this dude is saying he’s more than happy to let the women take charge. Don’t kink-shame him.
A manjar mi deron capos, E sapchatz agui mais de dos, E noi ac cog ni cogastros,    Mas sol nos tres, El pans fo blancs el vins fo bos    El pebr’ espes.
They served fat capons for our fare-- I didn’t stop at just one pair; We had no cook or cook’s boy there,    But just us three. The bread was white, the pepper hot,    The wine flowed free.
A capon is a castrated rooster, fattened for eating. He’s being fattened (and emasculated by letting them take control) before the women get down to their  fun with him.
“Sor, aquest hom es enginhos, E laissa lo parlar per nos: Nos aportem nostre gat ros    De mantenent, Qel fara parlar az estros,    Si de renz ment.”
N’Agnes anet per l’enujos, E fo granz et ac loncz guinhos: E eu, can lo vi entre nos,    Aig n’espavent, Q’a pauc non perdei la valor    E l’ardiment.
“Wait, sister, this could be a fake; He might play dumb just for our sake. See if our big red cat’s awake    And fetch him, quick. Right here’s one silence we should break    If it’s a trick.”
So Agnes brought that wicked beast, Mustachioed, huge, and full of yeast; To see him sitting at our feast--    Seemed less than good; I very nearly lost my nerve    And hardihood.
So yes, he’s joking about almost loosing his boner and there’s that language play again. The big part of the ending, however, is the imagery of the red cat. Cats are typically associated with women, and the color red tempts the mind into thinking of it as female passion or some kind of prowling sexuality (with undertones of evil). The subtext here is that they’re going to test him by letting this cat scratch him up to see if he’ll cry out. If he can keep his mouth shut and allow the womens’ passions, he can stay. If he can’t, he’s out. Ultimately, I’m going to say that this poem is subtly for women’s empowerment. Go scratch up your knights, ladies.
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First off i want to say that i think calling someone a misogynist based on their feelings for one character is wrong. You don’t know people and to make assumptions like that is unfair. I don’t really care who the character is. That being said i do think social norms can paint how we view certain situations. I also think traditional (Western) gender roles play a role in how we view the incident at the Trident aka that one time where the adults present were useless and irresponsible. 
Who is responsible for the Trident and who gains sympathy is really interesting. I’m not going into responsibility because it was 100% the adults and Joffrey who the problem here. Who gains sympathy from the fandom, though is interesting. We fight over it. A lot. And the more i think about it, the more i think i can understand where some of it comes from. Key word, of course, being “some”, I’m not about to sit here and tell you why you think the way you do. 
By (western) social standards, Sansa is the more sympathetic character. She is one of the most sympathetic things you can be. She is a little girl who just lost her pet and is crying. The important part is the crying. She doesn’t get mad until later, at the jump she is crying. 
“ Robert had hardly been seen; the talk was he was traveling in the huge wheelhouse, drunk as often as not. If so, he might be hours behind, but he would still be here too soon for Ned's liking. He had only to look at Sansa's face to feel the rage twisting inside him once again. The last fortnight of their journey had been a misery. Sansa blamed Arya and told her that it should have been Nymeria who died. And Arya was lost after she heard what had happened to her butcher's boy. Sansa cried herself to sleep, Arya brooded silently all day long, and Eddard Stark dreamed of a frozen hell reserved for the Starks of Winterfell.” - Ned IV, AGoT
It’s a normal human reaction. Of course we sympathize with her (or at least we should). What’s interesting is that we see a bit less sympathy for Arya or something added to it, like “yea i feel bad but she was at fault”. We see people who say that Nymeria should go to Sansa because of the Trident or Arya should be forgiven for it because she was so young. It feels like half of the fandom forgets Arya was sad, she was depressed. The difference between her and Sansa, though, is that Arya gets mad too. Look again at the end of the Ned IV quote. 
“Robert had hardly been seen; the talk was he was traveling in the huge wheelhouse, drunk as often as not. If so, he might be hours behind, but he would still be here too soon for Ned's liking. He had only to look at Sansa's face to feel the rage twisting inside him once again. The last fortnight of their journey had been a misery. Sansa blamed Arya and told her that it should have been Nymeria who died. And Arya was lost after she heard what had happened to her butcher's boy. Sansa cried herself to sleep, Arya brooded silently all day long, and Eddard Stark dreamed of a frozen hell reserved for the Starks of Winterfell.” - Ned IV, AGoT
Even Jory points out that it’s weird. 
“They have been with you every day, my lord. Sansa prays quietly, but Arya …" He hesitated. "She has not said a word since they brought you back. She is a fierce little thing, my lord. I have never seen such anger in a girl.” -  Ned X, AGoT
Arya doesn’t do what we expect her to do. She doesn’t weep or cry until later. First she gets quiet and angry.
“Only that was Winterfell, a world away, and now everything was changed. This was the first time they had supped with the men since arriving in King's Landing. Arya hated it. She hated the sounds of their voices now, the way they laughed, the stories they told. They'd been her friends, she'd felt safe around them, but now she knew that was a lie. They'd let the queen kill Lady, that was horrible enough, but then the Hound found Mycah. Jeyne Poole had told Arya that he'd cut him up in so many pieces that they'd given him back to the butcher in a bag, and at first the poor man had thought it was a pig they'd slaughtered. And no one had raised a voice or drawn a blade or anything, not Harwin who always talked so bold, or Alyn who was going to be a knight, or Jory who was captain of the guard. Not even her father.” - Arya II, AGoT
In fact she gets so angry that she pummels Sansa when Sansa is trying to tell her side of the story. 
“You rotten!" Arya shrieked. She flew at her sister like an arrow, knocking Sansa down to the ground, pummeling her. "Liar, liar, liar, liar.” - Ned III, AGoT
 We can forget that she went through something as well. We forget that it must have been scary being 9 years old and hiding for three days in the woods. We forget Arya also lost her direwolf. Just because she’s alive doesn’t mean she’s there. We forget Arya is dealing with the loss of her friend. Arya is dealing with a lot of guilt and isn’t until we get to Arya II where we see her break down. 
“Arya desperately wanted to explain, to make him see. "I was trying to learn, but …" Her eyes filled with tears. "I asked Mycah to practice with me." The grief came on her all at once. She turned away, shaking. "I asked him," she cried. "It was my fault, it was me …” - Arya II, AGoT
And it isn’t until Sansa III where we see Sansa lose her cool. The interesting part of Sansa III is that Sansa looks at her little sister who had missing in the woods and tells her it should have been you that died, but the fandom tends to focus on the fruit aspect of it. Why? Because it is easy to deal with. Arya messed up something Sansa worked very hard on and cherished and she is at her wits end. It is much easier dealing with that than her anger. We gloss over what she says because it can be explained away. She was just angry, but she isn’t usually like that. She can’t get angry at the people she should truly be angry at. Besides the adults don’t seem overly bothered. Why should we be? 
Sansa’s grief is easier to deal with and to an extent what she goes through is easier for us to process because we have a clear villain and she has the correct responses. Her trauma is awful and we can pretty easily point out who is at fault. Arya’s gets harder for us to deal with because she becomes harder and disillusioned and doesn’t respond the way we have been taught she should. It is also harder to deal with because it isn’t as easy and x and y and z. She’s starving because during the war the Riverlands burned. She’s being beaten and made into a child soldier, but at least the HoBaW took her in. 
Because Arya isn’t delicate and meek and completely social conforming, we don’t think she is entitled to the same protection or sympathy as girls like Sansa.
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melchron · 4 years
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Nightmare Time Episode 2 Thoughts
But first, my brain right after it ended:
No no no NO NO NOPE
Idc what Nick says this isn't canon
THIS WAS SO GOOD
AAAAAHHHH
😭😭😭😭😭😭😭
*nervous laughter*
Occasional squeals for every emotion
Me texting my mom it traumatized me
Me scrolling through tumblr up until right before I started typing this
I LOVE THIS
I HATE THIS
I'M CONFUSED
WHAT THE HECK JUST HAPPENED
Ok thoughts now:
MARIAH AND ROBERT DUET!!!
Rob in a turtleneck had me concerned for a second
They sound amazing
These are the cutest vows
HIDGENS IS OFFICIATING? Wait that means he's legally a wedding officiant. Why is he a wedding officiant? What made him want to do this?
TED SHUT UP
BILL IS THERE
Is MIAH someone's friend or relative? I WOULD LIKE TO KNOW WHO!
So we have Emma droid and Paul clone know huh. I feel so bad for real Emma. Wait does she know Jane is dead? OH NO DROID TOOK HER PHONE WHEN TOM CALLED SO PROBABLY NOT! SHE REALLY SHOULD HAVE STAYED IN GUATEMALA!
Paul where did your brain cells go? Emma told you there is someone else out there that looks exactly like her and she stole the life of. I know she said other girl died but you didn't even consider the possibility? It took you seeing them together for you to get it. Paul I love you but you stupid.
Good job to the citizens of Hatchetfield for making sure real Emma was ok. Good job respecting women.
EMMA WHY ARE YOU SELLING YOUR DNA?!??! THERE ARE OTHER WAYS TO MAKE MONEY SWEETIE!
OMG PAUL CALLED EMMA PET NAMES
Dang they are getting so much use out of Lauren's ring. Devin's video, Konk's proposal, and now this.
I now know that Dylan owns a beanie that says Daddy on it. Idk what to do with this information.
Lauren Lopez is an amazing actress! How do you play two characters that are essentially the same and also interact with each other and have it be this amazing?!?!? It makes no sense.
ALSO Jon did such a good job! Paul loved Emma so much and Jon made me believe it.
I believe 23 loves Emma just as much as 22 did.
Are they only cloning Paul? It seems weird to just choose him. Maybe others are getting cloned too. What if we have multiple Ted's because of time travel but we also had others that were clones!
Why did they continue to make clones? What was wrong with the first 22?
DROID EMMA CARES ABOUT THE ENVIRONMENT I LOVE HER
Kim's voice is so angelic
Nick, Matt, can you please stop making me like Ted?
Ted is a jerk and a creep but he doesn't deserve all this
SPANKOVSKY
HIDGENS AND CHAD IS CONFIRMED
BILL HAS A NEW GIRLFRIEND!??!?!! I'M SO HAPPY FOR HIM!!! SYLVIA SEEMS NICE! I HOPE ALICE LIKES HER!! BILL DESERVES TO BE HAPPY WITH SOMEONE!!
So Ted is a jerk as a defense mechanism? Ted I'm sorry you got hurt but this isn't it. What you need is help. Go to therapy.
Ted really considers Paul to be his best friend huh. Well know I feel bad that he wasn't invited.
Omg he looked to happy during his blackout dream. Why do I like this? Why do I like happy Ted?
JEFF'S VOICE OMG THAT IS TERRIFYING
Really random but I wish my school made Rubik's Cubes
And Paul asked him to be a pal! Don't play with his feelings like that Paul! Say that if you really mean it!
So in the future everyone is a android? WAIT Emma droid said she was from the future. How did she get to the past? Did future ccrp teach her how to use the office as a time machine?
Lol Robert's face when he's calling security. He's not even mouthing words
JEFF WITH THE VOICE FILTER IS TERRIFYING!!
Lol Robert and Jaime using their phones as laser guns. And Jaime's is barely showing up because of the green screen.
TED DON'T BEAT UP COLLEGE KIDS 15 YEARS YOUNGER THAN YOU!! HE LOOKED SO HAPPY AND SWEET TOO! GREAT TED YOU JUST RUINED HIS LIFE AND NOW HE WANTS TO KILL YOU!
Ted why don't you just tell your younger self what to do? Remember, you didn't travel back into your younger self. You're the same as how you came. Meaning that all Jenny will see is so gross pedo man trying to hit on her.
Jenny calling him Teddy is so cute
Ted is an idiot. Of course she doesn't want some horny jerk. Expect better of your friend. Also don't grab people when they're trying to get away from you. Especially not GIRLS 15 YEARS YOUNGER THAN YOU!!
Jenny deserves better. We just met her and she's Spiderman-ing.
STOP MAKING MY FAVES TED!!! Homeless man was sweet man who deserves the world that I would give my bank account to. You know what screw it. I like Ted know. There I said it. I LIKE TED! I simultaneously want to hug him and get a restraining order on him. Nick, Matt, Joey, you're all buttheads and I love you.
This- this doll isn't cute. Like you made these available to buy I would still get one but I don't like him. Tinky can stay far away from me.
Ted is such a good friend trying to warn Paul about his droid gf. PAUL GIVE HIM SPARE CHANGE!! I KNOW YOU HAVE IT!
AND THEN THEY KILL HIM!!!! TED GETS MURDERED BY SOMEONE HE CONSIDERED HIS BEST FRIEND!!!! JUST EXPLAIN TO HOMELESS MAN THAT YOU'RE COOL WITH YOUR DROID WIFE, MAKE HIM PROMISE NOT TO TELL, GIVE HIM SPARE CHANGE (not as a bribe), AND MOVE ON
Joey is absolutely amazing!! He made me like Ted. TED!!! Of all the characters! Also those quick changes. Just amazing!!! Gosh these guys are so friggin talented.
MATT DAHAN IS AMAZING!!! I WAS FEELING ALL THE FEELS AND THEN MUSIC WAS ALWAYS PERFECT!! I HEARD THE SHOW ME YOUR HANDS THEME GO OFF!!!
Matt and Nick I swear looked up every au trope and decided the weirdest ones to mix together. And I have no idea how but it works.
AND THEN IT ENDS ON A SONG ABOUT PEANUTS!!??!? NOT NOW I'M EMOTIONAL!! ALSO PRETTY SURE THIS IS THE FIRST JOEY AND LAUREN DUET SINCE GRANGER DANGER!! AND PEANUTS CAN TALK NOW!!??! SCREW THIS!! SCREW HATCHETFIELD I'M DONE!! LITERALLY ANYTHING CAN HAPPEN I CAN'T!!! MY BRAIN WILL DIE IF YOU KEEP THIS UP!!!
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doctorreids · 4 years
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folklore - spencer reid x reader
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CHAPTER TEN - illicit affairs 
series masterlist | previous chapter | next chapter 
word count: 2k
warnings: slight mention of alcohol as a coping mechanism
a/n: sorry about the glitch !! here’s the new chapter x
“take the road less travelled by, tell yourself you can always stop. what started in beautiful rooms, ends with meetings in parking lots.”
It had been one whole month since they’d first kissed. The working weeks had gone by slowly -the first few cases had been local, they had all night to spend wrapped up in each other. The smell of her perfume filtered through his apartment, almost as if it always belonged there. Her pillows smelled of his cologne. They belonged to one another. At last.
They hadn’t intended on telling the team, not until they’d actually considered the whole ‘what-are-we?” conversation. However, she was certain that Spencer was forever. He always had been.
From nights spent in both their apartments and small dates outside of town were all they ever needed. Less of a chance to run into anyone from work, he would assure her as they drove an into D.C. Soon enough, small restaurants around D.C became their safe haven when they got the chance. She knew Spencer preferred home-cooked meals though, but she never said anything when he would stop her before they left work to let her know he’d pick her up soon.
The cases away were harder - no chances to sneak from one hotel room into another, nor were there chances to grab dinner between the two of them. She was frustrated. This case in Tampa wouldn’t let up and all she wanted was to be around him.
That’s how she ended up in the parking lot of the Tampa P.D, her back pressed up against their SUVs, waiting for her coffee. He turned the corner and her whole body lit up, pulling the coffee cup out of his hands.
“Woah, someone’s eager then!” He laughed.
“Shut up. I’m tired - you have no idea what rooming with JJ is like,” giving him a dirty look, she continued, “Anyways, why did you call me out here?”
It was so quiet she almost missed it.
“Pardon?” She took a sip of her coffee.”
“I just missed you.”
Cupid pulled his arrow and fired, straight into her heart.
“Spencer…”
“It’s stupid I know but I-“
She goes to protest but he stops her.
“You know we could just ask Hotch if we could pair together on the next case?”
“Spencer, you know we can’t.” Her eyes are soft, not with pity but sadness. She just wants to hold him.
“Would it be so bad if they knew?”
She paused.
“So you think it would be a bad idea then?”
“No, god no. I just don’t want anything to change.”
He gives her a perplexed look.
“It’s just… the paperwork, the stress, long nights, HR, and the rest of the team. I just don’t want them to treat us any differently.”
He slips his arm around her shoulder and meets her gaze.
“Two roads diverged in a wood, and I- I took the one less travelled by and that has made all the difference.”
She laughs, “Why are you quoting Robert Frost to me in a parking lot?”
“Because… this is not something that we can compromise on.”
There’s weight in his words.
“We either decide whether or not this, us, is worth fighting for. Sure, telling the team may be the road that few have decided upon but would you simply give up on us just because?”
She reaches for his cheek, brushing her fingers over his blush-stained cheeks.
“Okay. The road less travelled is our road then.”
He smiled and nothing in her life could ever compete with the beating of her heart and the happiness that followed them as they walked hand in hand.
He was forever.
“and that’s the thing about illicit affairs,
and clandestine meetings and longing stares.
it’s born from just one glance,
but it dies and it dies,”
It was cold when she started working at the Bureau, she could never forget it. She had wrapped herself up in her royal blue knitted scarf her grandmother gave her when she turned 16 - a small, juvenile good luck charm she kept close to her.
It also protected her from her new colleagues having to see her shiver from the cold.
Pulling it tighter around her neck as she walked into the conference room, she saw him. He sat around the roundtable, sat beside Morgan and JJ. He didn’t look up when she walked into the room but as soon as Hotch announced the newest recruit his head shot up.
His eyes met hers and her entire world shifted. Something inside her changed when she looked at him.
Her first thoughts were that he was beautiful, criminally so.
Then he started to talk and she could feel herself falling deeper and deeper into wonderland.
She was sitting at her desk when he first directly introduced himself.
“Hi, I’m Dr. Spencer Reid.” She looked up at the soft voice.
“Ah, umm, Garcia told me you were the resident genius. I’m Y/N Y/L/N.” She gave him a genuine smile, the first one she had given in a while.
“Well, I have an IQ of 187, an eidetic memory, and can read 20,000 words per minute. However, I don’t believe intelligence can be accurately measured.”
She giggled at his deflection.
“Don’t deflect - you’re a genius. It’s cool.” She shot her hand out to shake his.
Watching him carefully, he hesitated and she knew.
“Germaphobe. I get it.”
His eyes brightened at her statement.
“How did you-“
“You hesitated. Most people would return the gesture. I understand though, handshakes pass twice as many germs as giving someone a high five. I only do it to be polite.” She explained
“Kissing is safer.” He blurted out.
She laughed, “What are you insinuating Spencer?”
“N-nothing!” He stumbled over his words. “It’s just scientifically proven that kissing does not pass as many-“
“Don’t worry about it! I was only joking.”
A moment of silence as he lets his eyes trail up and down her body, almost as if he was assessing her.
“Oh. Well, in that case, I wanted to tell you that you can bring your own mug for coffee or tea and to not take mine. They’re labelled, see?” He holds out his Star Trek adorned mug.
Her heart swelled thinking about his labelled coffee cups - ‘who is this man?’ she thought.
“Well, the more you know! Thank you, Spencer.” He turns to leave. “Although,” he turns back, meeting her eyes once more, “I have to say, I do prefer Star Wars myself.”
Derek passes as she says it, muttering a small “Here we go again…” before Spencer launches into the scientific inaccuracy of Star Wars.
As he spoke so passionately, she knew from that moment she had found her kindred spirit. She wanted to know how he took his coffee, his favourite meals, where he goes when he wants a moment alone, what his favourite constellation is, where he grew up, what his family was like. She wanted to know everything. Everything and more.
She could feel the school-girl crush rise within her but this time it was different. It wasn’t juvenile nor naive, no writing his name in red hearts at the side of her work planner. It was pure and sweet, the sound of his voice was a symphony she had never heard before and one she didn’t want to stop hearing.
For the first time, she felt it. That yearning to be close to someone, to hold them, to know them. For the first time, she wasn’t scared of it.
Weeks went by and she started to write down all the little facts he would drop, sometimes half facts if the team stopped him. She wanted to remember them all, even though she knew one day she would forget. The same with his notes, she kept them stored in a memory box she had been keeping since she was little.
Full of little mementos of her life as a child, seashell necklaces and keychains from her trips to her grandparents at Christmas, to her life as a teen, the band of her prom corsage and photo-booth pictures of her and friends from her past. It hadn’t been touched since she had graduated but something told her to store them away, keep them for a rainy day, for when she needed to smile.
One day her crush on Spencer was small, minuscule, telling herself not to hope for it to be returned and the next she felt herself falling.
She was in the middle before she knew she had even begun.
“look at this godforsaken mess that you made me, you showed me colours you know i can’t see with anyone else.”
She felt like a fool, an idiot, to even believe he would come back.
Flicking through the notes he had written her, she knew she had burnt too many bridges. She smiled at the memories of her first days in the Bureau. She wonders about that scarf. Last place she remembers seeing it was in the back of her closet. She’d practically replaced it with the Doctor Who scarf Spencer had knitted and given her.
Looking down on the rest of the box, forgotten memories of her life pass her by like flickering candles in a dark room. The memories exist in her consciousness but they are not vivid. They are not as painful or as bright as the memories she shared with Spencer.
Her life shifted when she met him, she became Dorthy walking out of Kansas and into Oz when she was with him. The world was in bright technicolour. The world was her canvas and he was her paint, colours she had never seen before.
He was her muse. He was the blues and the purple-pink sunrises and sunsets. He was soft jazz playing on a late, misty Sunday afternoon when the sun is still in the sky but it’s low down, getting ready to melt into a dark night.
There was an unspoken element to their relationship, their own language; how he would drape his jacket over her on the rare chance she slept on the jet, how they would squeeze each other’s hands under the desk when a case hits home, or when he would squeeze her thigh when they drove back to either of their respective homes. It was the brush of his hand on the small of her back when they cooked together. It was the soft, longing looks that caught and knew long before she could ever call him, hers.
Her only regret was how the life they were building together ended. She can’t remember when the language they shared was forgotten but she wishes she could go back and change it. Everything else, however, she wouldn’t change for the world.
Her second glass of wine sat on the cabinet beside her. Untouched and completely still. She had drunk about half the glass. More than she would care to admit to anyone.
Alcohol was supposed to make her brave, fearless. Now, it only makes her feel numb. Something to ease the pain of watching him almost every day. She knows better to not make a habit of it. So she stops.
There were very few cars that passed by her apartment late at night. The hum of an engine pulling to a stop was familiar to her. Although, she knew it was probably just the young guy who lived in 2C. He was almost always coming home late but she wasn’t at her apartment long enough to know the patterns of her neighbours - duty always called.
She let Joni Mitchell’s sweet voice wash over her and took a sip of her wine.
‘Maybe I should look for that scarf.’ She thought.
Getting up for the first time in an hour or so, her legs creaked as she walked with the bottle of Rose and her glass in search of that scarf.
---
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introvertguide · 4 years
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Goodfellas (1990); AFI #92
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The current film up for review is Scorsese’s famous crime drama, Goodfellas (1990). It is the story of Henry Hill and how he lived through the psychotic and neurotic life of a mafia member. The film was nominated for six academy awards including Best Picture and Best Director, but only took one trophy home for Best Supporting Actor (Joe Pesci). I watched the movie 3 times over the last 2 weeks and my opinion changed from one opinion to another as I watched each time and I want to discuss why. First of all, however, we need to do summarize the plot with a standard warning...
SPOILER ALERT!!!!! I HAVE ALREADY GIVEN AWAY THE PLOT IN PREVIOUS POSTS AND I AM ABOUT TO DO IT AGAIN EVEN MORE SO!!!! CHECK OUT THE MOVIE FOR YOURSELF IF YOU HAVEN’T ALREADY!!!
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The movie begins with three men checking the trunk of their car and finding that the body in the trunk was actually alive. Tommy (Joe Pesci) stabs the man multiple times and then Jimmy (Robert DeNiro) shoots him multiple times. Henry (Ray Liotta) looks on and explains his life in voice over and how the men all got to this position. 
In 1955, a young man named Henry Hill becomes enamored with the criminal life and Mafia presence in his working class Italian-American neighborhood in Brooklyn. He gets a job working for local mob boss Paul "Paulie" Cicero (Paul Sorvino) and is introduced to the entire family. Most important were associates James "Jimmy" Conway, an Irish truck hijacker, and Tommy DeVito, a fellow juvenile delinquent. Henry begins as an errand boy for Jimmy, gradually working his way up to more serious crimes. The three associates spend most of their nights in the 1960s at the Copacabana nightclub where they can impress women. Henry starts dating Karen Friedman (Lorraine Bracco), a Jewish woman who is friends with Tommy’s current date. She is initially troubled by Henry's criminal activities but is eventually seduced by his glamorous lifestyle. She marries him, despite her parents' disapproval.
We follow Henry and his rise in the mafia along with Jimmy and his growing paranoia and Tommy with his constant chip on the shoulder. In 1970, Billy Batts, a made man in the Gambino crew who was recently released from prison, repeatedly insults Tommy at a nightclub owned by Henry; Tommy and Jimmy then beat, stab and shoot him to death. The unsanctioned murder of a made man invites retribution; realizing this, Jimmy, Henry, and Tommy cover up the murder by burying the body in Upstate New York. Six months later, however, Jimmy learns that the burial site is slated for development, prompting them to exhume and relocate the decomposing corpse. At this time, Jimmy begins watching his back, Tommy feels invincible, and Henry takes on girlfriend while Karen stays at home with the kids.
Fast forward to 1974, Karen finds out about the infidelity and harasses Henry's mistress Janice and holds Henry at gunpoint. Henry moves in with Janice, but Paulie insists that he should return to Karen after collecting a debt from a gambler in Tampa with Jimmy. The mafia is all about family and there is no divorce and appearances must be kept. Things don’t go as planned because, upon returning, Jimmy and Henry are arrested after being turned in by the gambler's sister, an FBI typist, and they receive ten-year prison sentences. In order to support his family on the outside, Henry has drugs smuggled in by Karen and sells them to a fellow inmate from Pittsburgh. In 1978, Henry is paroled and expands this cocaine business against Paulie's orders, soon involving Jimmy and Tommy.
In 1979, Jimmy organizes a crew to raid the Lufthansa vault at the JFK Airport, stealing several millions in cash and jewelry. After some members purchase expensive items against Jimmy's orders and the getaway truck is found by police, he has most of the crew murdered. This part of the film is based on a true story Jimmy, in fact killed almost a dozen people in attempt to keep things silent. In his voiceover narration, as dead bodies are being discovered all over the city, Henry theorizes that Jimmy would have killed them anyway rather than share the profits of the heist. Tommy and Henry are spared by Jimmy since they had worked so close together. Also, Henry wasn’t actually involved in robbery and Tommy is going to be a made man and Jimmy wants the connection. Tommy is eventually deceived into believing he is going to be made, but he is murdered on the way to the ceremony, leaving Jimmy devastated.
By 1980, Henry has become a nervous wreck from cocaine use and insomnia. He notices that a helicopter is following him but is trying to visit with his family and deliver drugs at the same time. He sets up a drug deal with his Pittsburgh associates, but is arrested by narcotics agents and jailed. After bailing him out, Karen explains that she flushed $60,000 worth of cocaine down the toilet to prevent FBI agents from finding it during their raid, leaving them virtually penniless. Henry has nowhere to go so he returns to Paulie to ask for help and admits to dealing under the table. Feeling betrayed by Henry's drug dealing, Paulie gives him $3,200 and ends their association. Henry meets Jimmy at a diner and is asked to travel on a hit assignment, but the novelty of such a request makes him suspicious. Henry realizes that Jimmy plans to have him and Karen killed, prompting his decision to become an informant and enroll, with his family, in the witness protection program. He gives sufficient testimony to have Paulie and Jimmy arrested and convicted. Henry is grateful to be alive, but he is forced out of his gangster life and has to readjust to normal life once again; he narrates, "I'm an average nobody. I get to live the rest of my life like a schnook."
The end title cards state that Henry is still a protected witness as of 1990, but that he was arrested in 1987 in Seattle for narcotics conspiracy, receiving five years' probation. He has been clean since then. He and Karen separated in 1989 after 25 years of marriage, while Paulie died the previous year in Fort Worth Federal Prison at age 73 from respiratory illness. Jimmy is serving a 20 years to life sentence in a New York prison for murder, in which he will be paroled in 2004, when he will be 78 years old.
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Even more of an update from the end title cards, Henry Hill and Karen Hill divorced in 2001 and then Henry remarried and fathered one more child. Karen and her kids have lived in hiding and fear they will never escape possible retribution. Jimmy died in prison in 1996 before he was eligible for parole and Henry died in 2012 of cancer. With their history of explosive violence, I am kind of glad that all three of the main men (Tommy, Henry, and Jimmy) have shuffled off this mortal coil.
So I ended up watching this film three times in the last couple of weeks and I liked it less and less each time. So many people have such good things to say about the movies (including me), yet what the movie is most celebrated for is what I like the least. The first time I watched was with my housemates and they talked throughout the movie and laughed at the antics of Joe Pesci. I feel that many viewers enjoyed that crazy performance, and this was probably the reason for the Best Supporting Actor award. I am sure that capturing the volatile nature of a lunatic mafia hitman is very difficult and deserves praise.
I then watched it twice more to take notes on the different camera shots and then to compare to the real story of the Lucchese family and Lufthansa heist. I was not disappointed with the camera shots since Scorsese tends to let his actors go wild and then move the camera in interesting ways to capture the action while telling the story he wants to tell. He uses extreme close up shots and the vertigo trucking shot to represent the paranoia of Henry Hill and Jimmy Burke. He used the tracking shot to bring the audience into the world of the mafia man using the the character of Karen Hill as the “fish-out-of-water.” The choice of music was great including using the Sid Vicious rendition of the classic “My Way” popularized by Frank Sinatra. The colors were so bright in the beginning and became so bleak and washed out by the end. Fantastic cinematography and direction. 
By the last watch, I realized that I did not like Tommy DeVito (real life name Tommy DeSimone) because he made everybody around him scared. It was like having a pet feral tiger and just hoping that he never turned on you. He was not loyal at all. In actuality, he tried to rape Karen Hill while she was married to Henry. He really killed a young bartender named Spider because Jimmy was teasing him. He brutally attacked and murdered out of anger because he was completely unhinged. Just watching Joe Pesci play the part made me anxious and I wanted him to go away every time he appeared on screen. I guess this makes him a great actor, but it also doesn’t make me want to watch his movies. 
I brought this up with the Godfather movies on the list, but do Brooklyn based Italian-Americans act like these people in the movies? Constant noise in which men treat women terribly and the women go off to the kitchen and make food? I can except the loud large families and the giant shared meals, but I sure hope that the poor treatment of women and the huge lack of equality between the genders is fake or at least outdated. I have met some really nice Italian people who are nothing like the people in these films, so I believe it is a stereotype (if this is true, then Hollywood needs to stop promoting these stereotypes).
A final positive note towards the acting, I thought that Lorraine Bracco did a wonderful job as Karen Hill. She played a sheltered girl that wanted a little danger and got way more than she ever wanted. There is a scene in which she realizes that her husband is cheating and that she and her children are miserable and unprotected. She wakes up Henry with a gun in his face, but she can’t kill him because she wants that drama in her life. She is treated horribly and at one point barely walks away from a hit set up by Jimmy, yet she still stays with Henry until she is forced into the boring life of Witness Protection and she leaves him. After wading through the history of all the different characters from the movie, I actually find her story to be the most interesting.
In the end, I still want an answer for the same two questions. Does this film belong on the AFI top 100? Absolutely. It is a well made movie with a strong vision about one version of growing up in Brooklyn and how searching to realize the American dream can lead you down dark and dirty paths. Great vision by Scorsese and a well told story. Do I recommend it? Not really. I recommend doing the research on these American mobsters and get a feel for what these people were really like. I recommend checking out clips on YouTube that show the filming techniques that have become hallmarks of great directors. But don’t watch these portrayals and laugh. They are not fun or funny like they come off in the movie, these are horrible (yet interesting) people that should serve as a lesson/warning and not have their lives glamourized by Hollywood. 
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bindi-the-skunk · 3 years
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Son Of Frankenstein chapter 4: Monster In Law
Cold... Why was he cold... Everything hurt...he wanted it to go away...it hurts...it hurts... voices...like he was underwater... "Get...octor...nyon!" "e's bleeding!" tay...ith...us...
He disappeared into the void once more
"You should have taken him to the hospital instead of calling me!" Robert Lanyon scolded, to get the news his lover had been run over like a stray dog by a carriage was bad enough! But to learn he was being called so that HE could try and sew the other doctor back together was the cherry on top of the cake!
"The hospital might not have accepted him if we told them the full story! Or put him in...the other hospital because of his...behavior" Miss Flowers mumbled as she looked at the bed where her boss lay.
Jekyll's head and some of his face were bandaged, thankfully his cranium had taken the least amount of damage, only getting some abrasions from where it had scraped across the stone street, but the scrapes were not pleasant to look at by any means and his bloody nose had fortunately not signaled it had been broken by the door.
Both his legs had been broken, the chemists left leg had been busted further up and his right ankle had been bent at an odd angle, being what gave Robert the most trouble with putting it to rights and his wrist had been in direct contact with the carriage wheel, thankfully no fingers had been crushed, but both hands had been badly bruised, his ribs did not seem to have taken any damage, but that did not leave out the possibility of hairline fractures, and Robert was not about to let the lodgers use him as a lab rat to try and see.
"Forget whatever behavior he displayed! He got RAN OVER by a bloody CARRIAGE!" Roberts's face had turned an unhealthy shade of reddish-purple in his rage, he was normally good at controlling his emotions, having been born and bred in the high class, but this time, this was the straw that broke the camels back! The lodgers were extremely lucky Henry did not die well they wasted time on dragging him back inside like a potato sack, which could have hurt him more, mind you! Then calling Lanyon instead of a medical carriage to take care of the wounds!
"Well, he did have a bit of a ..shock," Lavender said as she gently fixed the pillows, which had been haphazardly piled around the wounded doctor in an attempt to cushion his broken bones and no doubt sore body.
"A shock? What kind of shock?" Robert asked, he had gotten very little detail of what exactly caused his lover to run into the streets in a blind panic, perhaps now that would end.
"He found out he is my son and had an...overreaction" came Frankenstein's voice as she entered the room, walked over to be next to Lavender, and also started to fuss with the bedding.
"Y-your son!?" Robert exclaimed, having to bite back a flair of disgust, she looked nothing like him and behaved more like how he thought the mum of Edward Hyde would act! Henry had told him all about THIS woman! Sour, rude, and was perfectly willing to poison herself with unknown chemicals to prove the man trying to save her life wrong, and if her word was true, the biological mother of the man he loved, how LOVELY...not.
Then again, Victoria Frankenstein was his childhood idol, but after her rude behavior, after putting her on a pedestal for so long...of course, he would react badly to learning he was related to her, breaking apart whatever fantasy he conjured up over the years to comfort himself on why he was left behind.
Though Robert did have to admit, them being related explained a lot, neither seemed to handle emotions very well and were willing to die for their craft, and were stubborn as mules, though he was not about to go to a play with Victoria Frankenstein any time soon! He would rather drink something out of Henry's lab!
Robert put a very strained smile on his face and straightened his waistcoat, time to properly meet his future mother-in-law...and try not to strangle her with her own hair "Would the both of you kindly stop poking at him? He needs the rest desperately, and you will just end up disturbing him"
"Both Miss Lavender and I are not poking!" Frankenstein huffed but backed off to examine the conscious doctor, looking him up and down like one might a paticuarly filthy animal "I'm guessing you're the one who turned him into a society pleasing bunny rabbit?"
"Better than what she called him before..." someone mumbled in the crowd, sounded like Griffin.
"I am Robert Lanyon if that is what you are asking, Madam," Robert said, politely as he could muster in such a situation.
"It was not"
"Well, since it would not be wise to move him at this point and I'm the only conscious doctor here, what I say goes at the moment," Robert said in a tone that reminded him far too much of his father, that sort of tone that left no room for argument and made the Lanyon heir feel dirty beyond belief.
"Who made you the boss?" Frankenstein challenged, puffing up like a miffed owl, her travel clothes, messy hair, and rounded glasses only adding to the image of a disheveled bird, with all the talons and sharp beak that came with it.
"You did when your uncommiserating attempt at breaking news drove the founder into the streets to be hit by a carriage and as co-owner of this place, and his current doctor, that makes me the boss, and that means you need to leave the room because I have to monitor my patient till he wakes up and is willing to see visitors" Robert bit back a rise of sadistic glee at seeing the proud woman back off as if she had been spat at.
"Y-you can't just deny me the right to be in here! I am-" Frankenstein started only to be cut off by Robert raising his hand as a signal to be quiet.
"I know you are his biological mother, but, that is a fact you only found out this morning, and you seem to be taking full advantage of already, you have been little more than a pain in his neck the whole time you have been here up to this point, now perhaps you should go back to your room and think about how to word things a bit more delicately," Robert said pointing to the door.
"I am not treating my grown son like a baby! That is most likely why he ran out in the streets! Unable to handle his emotions because of such rearing!" Victoria argued, who did this little dummkopf think he was?!
"It's not treating someone like a baby to be nice to them and think about how they might feel in a situation, you most likely just blurted out 'I'm your mother' to his face without letting him properly process what he heard and acted entitled to his complete understanding of you dumping him like a drunkards bottle in the street"
"It was not like that!" Victoria almost screamed in a rage at being accused of something like that, a pained groan near her ear being the only thing that kept her from blowing the roof off.
"You can explain it properly better once he is ready, now go" Robert pushed the woman out of the room and locked the door, glad that everyone else was already outside.
At least that was taken care of for a little bit, the only good thing about this situation was that Henry was finally getting some sleep...he would need it for what was undoubtedly coming.
Well, the upside for Frankenstein is with both legs busted he can't run away from her NOW...
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