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#think LOA but not really
fahbev · 10 days
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You know, a lot of fanfics have the batkids call Damian “demon” or “demon brat”. And I’m just wondering if anyone actually does call him that. In canon I mean. Do y’all know?
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skitskatdacat63 · 2 months
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Paul Atreides is sooooo T.E. Lawrence coded
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Listen, I’m not gonna sit here and argue whether or not LoA deserved to have a third book since I wasn’t that invested in it, but I will say that it would have been best for book 2 to be longer so it could wrap up more satisfactorily.
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asleepinawell · 1 year
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and I have seen more wipes there than all the other alliance raids combined 🙃
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15 Lines Challenge
Rules: Share 15 or fewer lines of dialogue from an OC, ideally lines that capture their character/personality/vibe. Bonus points for just using the dialogue without other details about the scene, but you’re free to include those as well. @fablewritesnonsense strikes again! As always, no pressure, I just really admire these lovely folk's work: @helena-bug @just-another-wasteland-merc @roystory4 @druidgroves @heylittleriotact
(I'm going to be completely honest, I'm working of off 5 incomplete scenes if I just do BG3, so I'm also going to throw in some By Any Other Name quotes. It's technically the same character from a different story. The backstories vary a little but I'm confident the character is still there. By Any Other Name quotes are marked with an asterisk * at the end)
Wynleth Reiden
“Lathander isn’t going to strike me down if I don’t stop and kneel."
“Are you stupid?”
“Of course I’m not going to kill you!”
“And I’m still not sure you are actually what I think you are or just some freak with filed teeth and a biting kink!”
“My faith is entirely a different matter.”
“I am going to drown myself in the Chionthar.”
“It is precisely because you are a depraved beast that you get the juiciest gossip.”
“Yes, good sex!”
“I was married, he died… fifty-four years ago come Mirtul?”
“I- I think I need to be alone for a bit. I need to pray. I need to do something or I’m going to fall apart.”
“Is that why I took up the role of a garden water feature when I tried to dominate it?"
“Becoming a Paladin, beginning a life in politics, was how I could take control back. I never had a connection to Lathander like you did. I didn’t find him when I lost. He was never there for me in my darkest moments. He was forced upon me because it was expected . He inundates every single one of the worst moments in my life. Because of them .” *
"Here, every second of every day is focused on the words and what they mean and it's been like that for centuries. We are like an ouroboros. The dogma is causing us to consume ourselves.” *
"You are a soldier with faith, I am a priest sent to war. They are entirely different things.” *
"I have Saints, Martyrs, Prophets, all manner of Holy Persons in my family line. I was supposed to follow in their footsteps. But I didn’t. Not totally.” *
If you would like to see more of my writing (or some of the incomplete scenes these are pulled from) check out my tag on my account #Jericho Writes
If you are a Legends of Avantris and Edge of Midnight fan, By Any Other Name is a published oneshot about the Chapter 17 memory ritual you can find on my Ao3!
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Alastor Possessed by Erzulie Dantor
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cosmictulips · 1 year
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How do we know that our manifestation is working?
You are bold to ask me this questin Star Cadet because everyone is going to tell you something different.
The main point of my answer is going to be "well that depends". because... well, that depends.
You can't necessarily put a time frame on manifestations. because, in some cases, that shows that you have worry and the point of LoA and manifesting is that you have infinite trust that everything is happening now and for your betterment. and that's not to say you should not acknowledge the worry when it shows up, but simply live that moment. be like "yes, you're here but also, I know what is mine is mine and I need not worry about it because it's already here"
so when it comes to knowing that your manfiestation is working, simply look at what you have and know that that was brought to you the same way you are asking for... your manifestation to come to you.
You could ask for a sign, but again, that just shows worry.
I've asked for signs before and have recieved them. I personally think asking for them isn't always a bad thing. sometimes you just need the signs to know you're on track and sometimes they'll just appear regardless.
So then that brings up the question "okay but then what are the signs?"
signs are what you make of them to be honest. they're odd occurances, and things that just don't normally happen to you. Like, lately, I've been seeing a lot of the number 4. what does that have to do with my manifestations? well, it helps that what I'm trying to manifest is stability. which is what the number stands for.
signs are going to be individual and highly tailored to you. but the thing is, if you're always looking for a sign, everything is going to be a sign.
and that circles back to the whole thing of "trust that it's already yours and let it go". You know your manifestations are working, because you already have other manifestations. you already have this one, and it's going to be presented to you.
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becca-davenqueer · 2 years
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💫 OC LIs for a hypothetical urban fantasy/dark academia book 💫
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From left to right I named them: Lydia Cheng-Johnson, Malcolm Albertine, Diya Singh, and Aaron Jimenez.
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stephantom · 3 months
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Just found out that Peter O’Toole was only 5 years older than Anthony Hopkins but played his dad in The Lion In Winter lol.
I watched a free and not-very-crisp-looking stream of The Lion In Winter, so that may have obscured people’s ages a little. Did not realize Katharine Hepburn was 61 in it! I’d figured idk, somewhere in her late 40s or 50s? And I figured Peter O’Toole was playing older than his real age, but I didn’t do the math or wonder about it. The costuming and body language do a lot, like he was effectively giving old-man vibes, but he still looked young enough that every time he mentioned being so old, I was like, “uh huh, sure, you’re like 43, maybe a young-looking 50 AT MOST.” Turns out Henry was in fact supposed to be 50 and his wife 60, so it all checks out, I guess.
But. Peter O’Toole was in reality only 36. That’s my age. Loool
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patchedpope · 1 year
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I feel like I’m so close to shifting but I can’t get that final stretch. I feel the symptoms and meditate/visualize heavily but I can’t quite get out of my own body in that final push. I can feel it in my Third Eye pushing but I can’t get it out
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piplupod · 1 year
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Really sucks to see someone who was clever and kind as a teen turn to "divine feminine" and "law of attraction" and at first she insisted she was trans-inclusive but she's reblogging from open radfems now and I'm just... tired. I'm very tired. It is so exhausting and crushing to see a very clever kind person fall down that rabbit hole turned pipeline.
anyways y'all please stay away from new age spiritual shit. use your critical thinking please. spirituality and religion are good things, but the new age movement is not. I hate seeing people I've known for years fall into it and I can't bring them out of it because they get so strangely brainwashed by it :')
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yourqueenb · 1 year
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Naur cuz what does she get out of this…
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obsessed with the black parade is dead performance of sharpest lives currently
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The rock-paper-scissors of broken anime super powers.
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vetyr · 5 days
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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT
Hi! Long answer alert. Once a chatterbox, always a chatterbox.
When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.
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I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.
Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.
For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.
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Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.
The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!
It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.
I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).
Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)
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