#they're having heart to hearts but they also have no idea what they're doing.. they just experienced something terrible but
M sounds like such a maxiel prompt. Up to you what shenanigans Daniel asks Max to do. Or maybe he could be asking him to come live on his farm with him in the off-season?
M — "I need to ask something of you." "Always. Anything." "Don't say that before you hear what it is. Seriously."
This was such a maxiel prompt but it took me so long to decide on just one way it could go
Somewhere in the club, Martin was giving one of the best shows of his life, all to celebrate Maxy's fourth consecutive championship win, but Daniel couldn't care a single bit about Martin's music. All he wanted to do was find Max.
"Maxy!" Daniel cheers when he does finally find the Dutchman ensconced in between Charles, Lando, and surprisingly George.
"Daniel!" Max greets, always so happy to see Daniel, and god does that do wonders for his ego. It’s always nice to know that someone other than your parents is delighted by your presence.
"Boys, I need to steal the world champ away," Daniel tells the others. He doesn't wait for a response, just drags Max away from them. Max for his part, comes along happily and giggling.
"Where are you taking me?" Max questions.
"I need to ask something of you," Daniel tells him when they're in some quiet corner of the club away from everyone.
"Always. Anything," Max replies without hesitation. If he's honest, then Max's answer is terrifying. It gives him too much power, too much control, something that he doesn't want to have over anyone, especially not Max. Especially not when it concerns what he's been dying to ask Max all year long now.
"Don't say that before you hear what it is, seriously," Daniel states, his mind wandering back to how Max had always listened and never denied him anything. Even in the middle of the night, Max would answer his texts and calls with a slightly concerning promptness that not even his mother had.
Daniel has spent months trying to figure out how to finally express his feelings to Max after years of pulling away when they got too close. He’d spent months thinking of the best way to tell Max that he’d been an idiot for years now and wanted, no needed to be Max’s in every sense of the world. He’d planned out his every word just to make sure he wouldn’t make a mess out of it like he had so many times in the past.
But instead he says, “tattoo me. Mark me as yours and yours only.” Which is far from what he had planned to say, but still the general idea.
“Are you serious?” Max is all wide eyes and parted lips as he stares at Daniel in that mesmerizing way of his where Daniel just drowns in Max’s Maldives sea colored eyes.
“As a heart attack,” Daniel answers
Max doesn’t tattoo him that night or for many nights to come, instead he marks Daniel in other, less permanent ways. It makes Daniel curse himself for being scared of having this for so long, but also so glad that they’d begun this part of their relationship when both of them were mature and wiser. He would have hated to lose Max after experiencing him so intimately.
He’d never been one to get hard when someone tattooed him, pain didn’t connect to pleasure in his mind. Pain was pain and it was not very fun. But Max with his brows furrowed and attention solely focused on Daniel’s upper thigh as he pressed the tattoo gun onto Daniel’s skin definitely did things to Daniel.
High on Daniel’s thigh, where no one except Max will see, there’s a tattooed heart with M + D in it. Just like they’d joked about well over a year ago.
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north!! i hope ur doing well!! im really interested and curious abt jennifer emily shes seems very giving in tough love but i hope i request some hcs or sketches im already in love with her i love her i love her id do anything for her
I've been doing well the best I could, but thanks for asking! It's been an exhausting time for me, but I'm getting by :] Here's a colored sketch of her, as you requested! Still working on her reference so she'll take a bit (same to the others as well), but I hope this suffices!
Thank you for being interested in my grumpy gal, and for the lovely ask! I'll try my best to explain my headcanons and that kind of thing for her! And honestly same, I would just do whatever she wanted so that I don't get on her bad side lmao.
Plus I really like the idea of Henry having an older sister - originally she wasn't really in the story, but I really liked the idea of an outsider from the Freddy's drama finding out what kind of thing Henry got himself into, and I thought Jennifer suited that role nicely.
Jennifer Emily in my AU - she's a very tough love and blunt kind of woman (Henry unintentionally got his bluntness from her partially), preferring to just be straightforward rather than sugarcoating everything. She just prefers having things done first before she deals with the ungodly things called emotions - she can be a bit brash and can get easily irritable, but she means well, she just says what's on her mind sometimes, so she can sound pretty harsh and brutal. And sadly, she's not really the best at consoling someone or helping them get through their emotions, but she tries her best to console in a different way.
She's a car mechanic, but genuinely has an interest in racing cars (even got racer's jackets and photos of race tracks/racing tournaments she had watched - she's a racing fan, damn she would've loved the Cars movie lmao) and custom car stuff (I imagine her car is like modified a bit to look like a race car for the aesthetic - probably would've collected sports car toys and the like) and that kind of thing - she really wanted to be a racer someday, but alas, that's simply just a child's dream, but she's happy enough to be someone who fixes something she loves as a living, but she was definitely frustrated with the whole misogynistic remarks she gets for just being a car mechanic. Also she doesn't Henry to repair his own car and would rather find him and his run-down car in the middle of nowhere than get him to try and repair it on his own.
Another thing, it's never explicitly said in the story/treated as a big deal at all, but my Jennifer is a lesbian woman, and Henry doesn't really care and loves her all the same regardless (and honestly he's not even surprised mostly because he sort of knew she dated women before). She never really found luck finding love though, but she tries her best to go by her life regardless.
Back when Henry and William were just new friends back in college years, she highly disliked William - Henry always argued back/stood up for William, but she just never really liked him. Her personality would always clash with William's, and she really doesn't like how wishy-washy William can be and how much he puts on a show for people, and how much he can be a "people-pleaser" in her perspective. The British accent also made her feel like he was being pretentious and posh individual. Of course, years down the line, Jennifer just sort of got used and just kept her dislike for William all to herself/to Henry, but Henry sometimes alludes to it sometimes in a light-hearted manner.
She also lives alone, with her dog (A Doberman, they're very sweet) :] She never really saw herself as someone who can take care of kids, let alone know how to deal with them, so she's honestly living the best life she could! It's honestly why she doesn't mind Henry coming over every once in a while, she doesn't like to admit it but she gets a little lonely there by herself sometimes.
Sorry for another long post, but I really hope I've explained her stuff well! Thanks for the ask as well it was really fun answering this question!
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the other thing too is that losing weight is NOT a neutral action in the same way that being fat is.
what do I mean by that?
well, it is morally neutral in that no one should be judging you for wanting to lose weight & wanting to lose weight does not make you a bad person
however. it's not a neutral action. in the same way that feminists critique the beauty industry and makeup and constantly get replies like "but I LIKE wearing makeup!!!!" that completely miss the point. that's sort of the same thing happening when fat activists/people that advocate for fat liberation point out the flaws in diet culture and get "but I NEED to lose weight for (xyz "good" reasons) are you saying I'm a bad person?" that completely miss the point.
in an ideal world, people could lose and gain weight without a single bat of an eye. but we don't live in that world. not only is it scientifically proven that most people CANNOT sustainably keep weight they've lost off (and no, not due to lack of self control) and that losing weight (especially rapidly) can have some huge health consequences, but, more relevantly, these ideas of weight and health and beauty are SO tangled up in fatphobia and western beauty standards that it's nigh impossible to reach some Enlightened State where your reason for weight loss is untouched by it.
you want to lose weight to "be healthier?" who told you you were unhealthy? was it your doctor? doctors that routinely suggest fat patients lose weight for every complaint ever including the common cold or a broken bone? was it society telling you being fat is unhealthy even though you ARE healthy? and if you're Not healthy, do you know for sure it's your weight? because thin people can also have high cholesterol and heart problems. there's other ways to fix these things that don't involve weight loss to dangerous degrees, but doctors are already so up their own ass about fat people that they probably didn't discuss anything with you other than "lose weight." does that mean no fat person ever is unhealthy because they're fat? no. but it Does mean that that reason is so tangled up in fatphobia that 100% stating you're free of diet culture when you say it just is Not accurate
you want to lose weight to "feel better about yourself"? well this one's easy and won't be as long as the last. why do you feel that way? who taught you that being fat is something to feel bad about? if you lived 500 years ago before diet culture, would you feel pressure to lose weight to feel better about yourself?
and none of this is to say you CAN'T chose to lose weight. it's your body. you can do whatever the fuck you want with it, good or bad. but when people talk about fatphobia and fat liberation and your first response is "oh but I'm losing weight for the GOOD reasons" stop yourself. ask if that's relevant to the conversation. ask yourself if those reasons ARE neutral. if they're tied to health, body image (including dysphoria!), or how other people perceive you? the answer is no
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the angst in your zombie au bREAKS MY HEART INTO PIECES (I LOVE IT VERY MUCH)
okay, okay, so!! if the kagebros got separated from reigen and teru when mob is still fine, i imagine that their reunion would be hEARTWRENCHING also, i'm a bit curious, would mob still be able to recognize teru and reigen? or would he thought about them as strangers?
(tbh, following your lore, i imagine mob would act a similarly like nezuko from demon slayer? but instead of little hums, his zombie sounds would more like babbling and incoherent mumbles :"D)
the reunion is fuckin AWFUL man it's SO gut-wrenching. both reigen and teru feared this for Months while looking for the brothers; pretty much the worst case scenario was that mob or ritsu or Both turned—a lot of humans prefer death over being a zombie any day, so the idea of ritsu or mob having to go through that and wander around aimlessly until starvation or smth else gets them,,,
it hurts them so much to think about. teru forces himself not to dwell on it and he's pretty good at that but reigen thinks abt it a lot and he's honestly not sure what scenario is worse. best case is that they're both alive and unturned, obviously, but what's the worst case? you'd think it's both of them getting killed, or turning, but reigen also knows that if One of them got killed/turned, the other would probably lose their mind, especially if they had to watch. the fact that they're kids makes this all three times worse and reigen has to act like he's Not worrying himself sick over the brothers while he tries to keep teru in high spirits
the reunion itself is rly fuckin gut-wrenching for them. they see mob from afar, wandered off just a bit from ritsu and tome who are just around the bend looting a place, and they book it bc ofc they do, it's mob!! but then they see how pale he is, and when he turns around they don't see that light in his eyes that's usually there and the red is dulled and dead looking,, teru almost moves in for a hug before he realizes mob looks vastly different when he Rly takes him in, and mob doesn't rly react too much besides staring at them blankly. the obvious answer is almost too horrifying to even consider, so it takes them a minute to rly,,realize what's going on
tome comes around the bend and shouts, cuz when humans and zombies mix it's usually guns pointed at zombie heads. ritsu comes running out after her and when he sees reigen and teru his thoughts go, in order: holy shit is that reigen and tero ohmygod oh my god they're alive they're alive ohmy god i could fucking cry, and ohmy god they see shige ohno oh no oh no
ritsu sounds like a lunatic when he pulls mob away from them on instinct and says that he's safe to be around and that he's "still him" and he's "not gone" and he's very aware of that. he's very, intimately aware that he sounds fuckin crazy, bc ofc he does, this is what all the crazy people in zombie movies sound like. but he doesn't care, he doesn't care if reigen or teru dismiss him as nuts—he has to make them understand that his brother is still in there somewhere
and yeah, they both kinda think that ritsu's lost his marbles a little bit, but while teru is focused on that and the fact that mob doesn't look like he's rly tuned into Anything that's happening rn, reigen is a bit more focused on the fact that both ritsu and mob look awful? they're both very skinny and very dirty, obviously barely scraping by. they're cut up and ritsu's jacket is basically blood and dirt with a little bit of green fabric mixed in. and just by the look in ritsu's eyes, reigen can tell, man ... reigen can tell ritsu is like.not okay at this point he's kinda lost it.
i think the most painful thing about this whole reunion in general is that later that night, when reigen and teru r finally like ok we get it he's,, he's still mob. we believe you (they want to believe him... [they Do believe him, later, wholeheartedly]) and they settle down someplace safe, teru asks how long mob's been like this. and ritsu has to answer "since we got separated" and they both have that to stew over while everybody else sleeps
they realize that ritsu likely watched mob turn, watched the entire process, and that process takes a long time. it's at least a week of deteriorating motor functions and cognitive skill, and the fact that ritsu stayed for that to keep mob company is .ough. and it doesn't end there bc ritsu obviously stayed after that too
given how these things usually go, ritsu probably did think about killing mob. it probably did cross his mind, bc that's basically what everybody's been told to do. kill them before they have a chance to do any more damage. and it's obvious that ritsu did not have it in him
ritsu not only did not have it in him to kill him, he didn't even have it in him to leave him there. the kid fucking took him with him. a zombie. and he's somehow made it work, for months. and the next few days are filled with watching him still treat mob like a brother and take care of him and gently steer him away from a bird he tries to follow down the wrong street.ritsu is as gentle and kind as he's ever been with his brother. and even tho they're both hungry and tired and barely making it, ritsu is doing a rly good job taking care of mob with what he's been given
the kid obviously wholeheartedly believes in a cure and that mob is still There. he's gone through the trouble to take care of him, and the grief of continuously seeing a loved one that many would consider effectively dead, to get him that cure. to get him his brother back. and mob doesn't seem to be in any pain or distress, so reigen and teru think that this path ritsu has followed is probably infinitely kinder than the mercy kill method they've been taught to do
i think they have a new respect for ritsu, after that reunion
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there are a lot of reasons i'm really, really impressed by how well sdmi portrayed the dynamic of an abusive relationship with pericles and ricky, and one of the big ones is how accurately they show what it looks like when abuse starts to escalate.
the extent of that is yet another thing that'll take a longpost of its own to go into, because it spans like.... the entire arc of their relationship in the show. but one thing that stands out to me in particular is their portrayal of the massive red flag that is a partner trotting out bigoted behavior against a group you're in. especially insults, and especially directed right at you.
this show has a LOT of fatphobia, jesus christ does it ever, and there are certainly some fatphobic tropes going on with ricky; but i've always been surprised and impressed by how many of the nastier ones they avoided, especially considering his role in the story and what his arc is about.
he is a major, nuanced character whose trauma is treated with full weight and sincerity. it's implied that his body type changed the way it did due to the trauma he went through when he was younger, and the ensuing mental illness, which is a pretty realistic experience for a lot of people. the things that happen to him are played for full tragedy and horror, when it would have been so, so easy for them to make light of it because Tee Hee Fat Guy and Tee Hee Male Abuse Victims Funnee. despite how his whole thing involves corporate greed, they don't go the route of portraying him as Gluttonous and Hedonistic; if anything he is very obviously not using all that money for even basic physical self-care, and the only time we ever see him eating anything it's when he's drinking wine grape juice with pericles. which, like, there's issues to be unpacked with that too, but jesus christ it's an improvement over what usually happens with characters like him.
he's a fat queer man who isn't degendered or made feminine in a mocking and/or predatory way. (there's nothing wrong with feminine fat queer men and they need more non-shitty rep, please and thank you god, but there is a lot of nastiness in the tropes they're often used for in mainstream media, and one of those tropes is when people consider 'fat queer man' and 'masc' to be oxymorons.) no one ever once calls him ugly; if anything multiple people in his life think he's attractive and desirable, for better or for worse. no one body-shames him. and no one ever mentions his weight.
except pericles.
'The Horrible Herd' and 'The Devouring' are two halves of a whole here, re: escalation of abuse. 'Devouring' is when the abuser goes full mask off and shit hits the fan; 'Horrible Herd' is the wind-up before the punch. HH is when ricky realizes things are getting Bad and he needs to put a stop to this now, and Devouring shows what happens when he tries, because by the point where it's gotten bad enough to give him a wakeup call it's already too late. it's how abusive relationships tend to go, and it's chillingly accurate.
and what's one of the things pericles says during Horrible Herd when that punch is winding up? something no one's ever said before now, including him? 'you pudding-faced dummkopf.'
he body-shames him. he insults his weight, and that's a major turning point. bigotry is something that's often there to some degree from the start, but not always, because some abusers are good at hiding things like that until they're confident they've got you where they want you. the message with ricky and pericles is loud and clear: when this happens, the walls are dripping blood. get out.
(if you can. and be careful when you try.)
when this show is good, it is really, truly good. god damn.
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losers playing ttrpgs... losers playing ttrpgs save me...
mike is running a multi-year homebrew ttrpg campaign that is basically just a combination of any rulebook the losers can get their hands on + anything they come up with. i know it to be true. the campaign started as a call of cuthulu campaign but it is now a terrifying mix of call of cuthulu, dungeons & dragons, and cyberpunk with elements from a dozen other games including star wars: the roleplaying game, warhammer, harnmaster and somehow alma mater(??? idk how. but i know this happened). richie was like. "mike man, i love you forever, you're great at this. but why don't i have magic powers?" and he pointed at ben's collection of d&d rulebooks he'd been browsing through and he sounded so earnest and excited that mike knew in that moment he was going to sacrifice the integrity of his cool mystery campaign so richie could cast vicious mockery (99% sure vicious mockery didn't exist yet... don't quote me on that but it doesn't matter because the idea of richie using it constantly is hilarious)
they've all been playing the same characters for years and they keep convincing mike to add more stuff so they're all like super powerful and mike keeps having to come up with more and more powerful enemies.
mike's dice collection is so so so cool he has so many dice, and whenever he introduces a new important character he goes out and gets dice that fit their theme and it is such a moneysink but it's worth it because ooooh pretty dice
after four occasions where the losers decided to adopt a random npc mike hadn't planned anything for, mike has started planning every single npc out down to the specifics of their childhood education. he has endless character sheets hanging out in his room with characters he's created that populate his game world.
okay hanbrough agenda time: bill is the most oblivious guy in the entire world. i know this. (he is the guy who looks at brokeback mountain and goes "what do you mean it was gay? why can't men be friends anymore?" this is based on that one passage at the beginning of the book where he goes on one of those "why can't the curtains just be blue because they're fucking blue" rants lol. he does not know what media literacy is. to me) and mike is. increasingly frustrated and feels like he's losing his mind. he is like head in hands because he asked bill to go to prom with him and bill was like "yeah sure man! sounds great, you're my bestie forever!", and he has no idea what to do, because how is this man this dense, so he just starts having all of his NPCs fall head over heels for bill's character and flirt like madmen. it is painful for everyone involved. except bill. who still has no idea what is going on. that is a very unfortunate month.
mike and ben hang out a lot and ben helps mike brainstorm for the campaign so ben has all this insider knowledge and mike will just look at him before something insane happens in the campaign. they'll like make eye contact and ben will be like holy shit holy shit holy shit :0 and mike just drops some insane new lore. it's very special to me.
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People need to practice minding their own damn business
Don't come into people's inboxes giving unsolicited advice or criticizing their personal stuff. Don't reblog somebody's posts saying how much you hate it and their opinions.
Don't like somebody's characterisation, AUs or the kind of art they post? It might even annoy you?
Okay, cool. Go make your own post. Block them. Be a little hater about it to your friends. It's good for your soul!
But don't be goddamn rude to people. Don't make it their problem.
"I don't like what this artist likes mah mah mah"
Here's a wild idea;
Artists...don't need to cater to you. You are not entitles to their work. Nobody on the internet should coddle you and post only stuff you like.
Shocker, I know.
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What’re your favorite kh ships?
If I'm being honest... I really only true ship SoKai these days (my forever OTP). Mainly because I feel like that's the only one I can really ever see actually being canon (well, aside from Yozora and Nameless Star, and I also ship them: a lot of that for Versus XIII reasons. My heart won't let go). And, I mean, not that a ship needs to be canon for me to ship them. Not at all. But I'll admit that I've grown out of some of the KH ships a wee bit, as I've found more adult ones in other fandoms to get invested one.
That being said, the KH ships that I do still care about are:
SoKai
RokuShi
Namiku
RokuNami
Terqua (though it seem these days the kids call it Terrqua. Or Terraqua?)
Gulava
Skulmera
Playerlitzia
YozoraNameless Star
Xehaqus
AkuSai
SoRiKai
RiKai
Roxiri (though not in canon. More in fanon. More for crack, kind of, actually. And friendship first and foremost)
I'm warming up to Replinami some these days, because of the tragedy of it all.
I've also started to warm up to Rion a wee bit... that past Shanna thought she'd never see.
SoNami in CoM only.
I could do XionRoxasNaminé. NamiXI, too.
VenAqua slightly, but I'd always choose Terra and Aqua over it (but one thing about the Wayfinder Trio for me, if I'm being truthful, is that I prefer the three of them as friends before any romance with any of them. Part of me even really thinks all three of them are truly just meant to be friends.)
A lot of people ship Ven and Strelitzia for some reason. And I doubt it'll ever happen, tbh. Who knows if they'll ever even really get a chance to meet and be friends. But I do get why they think it'd be cute.
And while I don't know if I truly ship them anymore, a part of me will always have a soft spot for Ventus and Naminé. Because for some reason, I really used to ship this crack pairing, back in the day.
I also don't really know if I ship them... but despite what I said above, I do get the feeling that Nomura might be doing something with Lauriam/Marluxia and Elrena/Larxene.
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I do find it very amusing that two of my more cold and stoic self-inserts - who are actually pretty similar in some ways, being nobles in a somewhat unfamiliar situation compared to the nobles around them for example - are for two of the F/Os who manage to make me most flustered simply by existing (or saying certain lines, more specifically)
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grown up, married, creaky old krbk has been the krbk flavor of the month so here’s another comic translation! this one i’ve read so many times that i genuinely can’t believe i haven’t posted it before! the funnily-long title of this comic is “the ‘wouldn’t it be nice if adult krbk can’t say cheesy lines to each other anymore’ manga”
Daughter: Paaaaapa! Do you love me?
Eijirou: Of course I love you, my little princess
Katsuki (internal): Ohhhh...?! You’ve never said anything like that to me?? When the hell did you start rattling off such cheesy lines?
-that night-
K: ...oi
E: Yeah?
K: Say that thing from earlier.
E: Huh? Earlier?
K: That thing you said to her.
E: Eh? ? What’d I say?
K (imagine like a heavy sigh here): You know. ....That you....love...me.
E: ! (surrounded by hearts) Ohhhh, my god, wooooow! You’re jealous of our daughter? You don’t have to worry about that, you know that’s different!
K: I know that!!!
E: Okay.
K: !
E: I. really, lo- loooooo..... ........
K: ? You said it earlier
E: I told you, that’s different!
K (internal): ...this isn’t too bad either
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the way that randos seem to have learned a tiny bit more about autistic people and are using this newfound power to give their ableism more range, like [inspiring: this gender-respecting bully will only give victims swirlies in bathroom that aligns with their identity] and [guy who researches your identity so that his microaggressions are more accurate] like oh radical that now you're throwing around the word "autistic" more comfortably as meaning shit like someone's "clueless" or "has an interest or perhaps talent" or what nonsense will follow when someone's breaking out the term "social skills" like oh nice, people accessing all the abilities of Autism Parents without having to be a parent
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Save me 🥲
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my hobbies are being a bitch and mashing different things from different medias together in my head like a big ultimate showdown of ultimate destiny
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i'm currently almost 900 words into my wild west!bruce fic and i have:
no clue if it's gonna be a oneshot or part of a series
what i'm gonna do with the "the sheriff of the town is actually a power hungry piece of shit who kills anyone in his way" plot line that i came up with in like 5 seconds
when i'm actually gonna like. introduce bruce to the story
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some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:
Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.
The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.
There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.
Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).
Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.
On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.
Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."
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