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#they had some good movies
raine-world · 5 months
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When MatPat came on screen I freaked out (in a good way) and got so light headed I missed the entire conversation and almost passed out until he said "But that's just a theory-" which shocked me out of it like a sleeper agent code word
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leonstamatis · 8 months
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one of the more interesting parts of the barbie movie i think is the presence of weird barbie, actually. like yes, the kens serve to show how women being in power isn't actually that much better than men being in power, because consolidating all that power in one group means the other becomes disenfranchised and lower status or class by default. but there are also interesting things to be said about femininity and the way this movie addresses it!
like, look at every single barbie and you'll find a lot of extremely feminine women. yes, they win nobel prizes for literature and they're scientists and they have a whole range of skills. but they're all also conventionally attractive and feminine, for the most part -- excluding that one line about "you're a physicist, do you want some pants?" (very odd, bc it's not as if scientifically inclined women cannot also be effeminate, but that's a whole other point i'm not going to get into right now.)
the only one who is not stunning, who is not put together, is weird barbie. and despite her status as part of the socially established higher class via being a barbie instead of a ken, she is still ostracized, because her version of being a barbie is not what is expected of the group. she does not comply with the guidelines and rules and structure of femininity. sure, she has a dream house, but it's away from everyone else. sure, she's a barbie, but everyone calls her weird and stays away from her, and she's a sort of old wives' tale about what could go wrong.
while she may receive some benefits of being a barbie, i.e. a woman, in this hierarchical structure, she does not receive all or even most of them -- because she performs it incorrectly. (aside: i wish they hadn't cleaned her up and made her into an attempt at hot alt pink fashion toward the end. when she's more put together, she loses a lot of what makes her special, i think.)
allan fills a similar niche, in that he is neither allowed a place within the power structure when the barbies are in control nor when the kens are. he is a man, as far as we know, but he is not a ken. and because he is not performing his identity in the ken-approved way, he does not reap the benefits when they take over. he continues to exist as lesser, and aligns himself with the barbies.
i suppose the point i'm trying to make is that both weird barbie and allan serve an important role in this movie in pointing out the ways that those who exist outside of perceived binaries or structures are still yet harmed or disenfranchised by the enforcement of them. if that makes any sense at all.
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myaverageartblog · 8 months
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So I watched the Barbie movie yesterday,,, I feel like the light music club would see it together~
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sualne · 11 months
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have some trans swan lake barbies
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the “comic vs movie” thing with nimona is less “which of these is Better” and more “cool, two cakes!”
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catofoldstones · 28 days
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we already have people bitching about how “i can’t stand Chani, she’s so annoying 🙄” and “Paul chose Chani to be the mother of his children, Irulan is just at the sidelines eating dust as she should”, like brothers we cannot do this again. We can’t Chani v Irulan our way out of this one because the problem is Paul and the Empire. Gosh, we truly are never getting out of the patriarchy.
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batcavescolony · 2 months
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just saw someone say Rick Riordan making a TV show is just as bad as anything JKR has done. BFFR you're comparing Rick Riordan trying to make his world more inclusive, changing some parts because of money/time constraints, or just making changes cus he thinks they're needed, to JKR being a terrible person!
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mewharley · 4 months
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After rewatching Trolls World Tour, I just realized the relevance of the high five at the start of Trolls Band Together <3
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It means they have a strong connection!
On the second movie he failed to talk with Poppy about their relationship and then she called him a friend. He got so caught up on that, that they failed to make a connection and having a good high five.
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Failing miserably.
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Just look at him, he feels so bad
Also I love how easy the confession was at the end
Just so casual
"and I love that we are different"
"And I love you Queen Poppy" the way he says it, so simple yet clear
"And I love you too Branch" and Poppy and her little smile, that was the smile she used to give Creek before the whole fall out, she´s now smitten with Branch :) and she loves him too, what else can you ask?
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the love was always there, they just needed to have a better connection, you know, the whole thing where she wasn't actually listening to anybody because she was too focused trying to be a good queen
Also I love seeing Branch happy, it´s so tender
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And they finally have their perfect high five!
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Wait, did she hug him at the end? 🥺
I hadn´t noticed
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I love their relationship, since the first movie and how it evolved
it´s just so tender and wholesome
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violetrains · 4 months
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i love you tinker bell i love you silvermist i love you rosetta i love you iridessa i love you fawn i love you vidia i love you clank and bobble i love you terrence i love you queen clarion i love you fairy mary i love you pixie hollow i love you neverland i love you pixie dust i love you lost things i love you cute little fairy dresses made of flower petals and leaves i love you pompoms on tinker bell's shoes i love you music box with the ballerina that belongs to wendy darling i love you nature magic powers i love you tinkerfairy inventions i love you animal companions i love you fairy humor i love you fairy lore i love you tinker bell soundtrack i love you credits at the end with the cute illustrations i love you disney fairies movies i love you tales of pixie hollow books i love you tinker bell franchise
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braisedhoney · 10 months
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haw-yee or whatever! old west au except it’s just narry who got fixated on american western films and stole (what he thinks) is the aesthetic.
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(plus narry if he really fully committed to the bit… lol. he looks so different with more hair.)
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ato-dato · 1 year
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There’s a new doctor in town and Charlie doesn’t know how to feel about that
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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ganondoodle · 2 months
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im quite tired of talking about totk, like im sure you all know by know just how frustrated i am, but something i still strongly believe was the logical, and best thing to do in a sequel.. -
while botw was about you feeling lost in a strange world with neither you nor link knowing anything and both discovering it as you go, the theme of lonelyness and isolation, freeing the spirits of dead friends you need toremember again, in the end finally reuniting with one of the only friends still alive, after a 100 years
totk should have been about community, about working together with zelda at your side, as a companion, after having been seperated for so long, and seeing nothing of the time between titles, this should have been her travelling alongside you, after botw you'd WANT to spend time with her and get to know her more, her being the diplomat, the archtitect, the scientist, the translator of old texts, a historian trying to find out the truth about what her fathers kingdom was built on, to right old wrongs perhaps, for a better future- theres so much that she should have been, so much of her character was primed to go into this direction- and instead she is a pretty prize with no personality you get at the end like this is an 80s cartoon still
(this is disregarding the whole fact that ganondorf, AS WELL, should have been a giant factor in all this, in the history of it all, to explore his character and his actions, to have zelda research and find out about histroy clearly written by the victors- theres so much potential depth here that it dirves me crazy, botw was such a set up for more that was wasted, utterly wasted, for something i wouldnt even want to call paper thin bc even paper has more depth than anything in totk)
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clowningaroundmars · 27 days
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punkflower hcs bc i need to see more of them being cute teen boys together.... like, playful and creative and stuff
looong long wall of text under the cut (no nsfw)
♡ miles and hobie definitely exchange art often, even collabing on some punk zines and graffiti pieces occasionally. hobie also makes mixtapes on cassettes and slaps a million stickers on them just for his bf. miles appreciates the kind gesture but reminds hobie that he doesnt have a cassette player. "yet," hobie tells him with a wink :)
♡ miles draws a million little doodles for hobie on scrap paper, post it notes, hobie's gear, hobie himself. ofc hobie loves them all, esp when he gets to go home with his arms and chest covered in stars, cartoons, graffiti, and hearts
♡ miles is a lot more shy about dancing in public than hobie is, but whenever they manage to have any downtime at all hobie will wrap his arms around miles and sway them around. if music is playing anywhere, hobie will bop to it and get miles to join in
♡ hobie's love language? touch. any kind, anytime, anywhere, for any reason. words of affirmation come next
♡ miles' love language? quality time, and he's big on kissing. hobie isnt much of a kisser but loves his sunflower just the same, and does not complain at all when miles places little kisses on his hands, ears or his back
♡ sometimes hobie will be a lil mean to miles just as a flirty thing. just usual teenage boy stuff like kicking miles' sneakers, manspreading to get into his space if they're sitting anywhere together, using his height to bully miles into a corner away from everyone so they can flirt some more, crashing into miles on purpose just to be annoying
♡ anytime they get to go on multiverse missions together they somehow manage to get into the craziest shenanigans. breaking into a zoo to stop a villain from mutating the animals, saving a group of schoolkids on a field trip from a killer robot (?), one time hobie even drove a runaway car to stop it from crashing right into jamaica bay and miles was scarred for life
hobie tries to control the car as he haphazardly swerves it around pedestrians and barely manages to miss a group of elderly people.
miles clings onto his seat for dear life. "HOBIE!! you're gonna kill us man, where'd you get your license from!?" he yells.
hobie scoffs. "license?! i said i could drive, mate, i aint mention nuthin' 'bout no license!"
♡ hobie's universe is set in the 1970's and living in a dystopian police-state means it's too risky to bring back a phone with him, so he's often left out of spiderkid groupchats. miles still tries to keep him up to date on the latest memes and inside jokes though. they also have their own inside jokes too
♡ hobie wouldn't bring a smartphone with him anyways since he's so mistrusting of tech in general. video games, laptops, and "smart" tech mystify him, and smart watches? forget about it. when miles gets one for christmas one time, hobie clowned on his bf so hard the watch was never seen again
♡ that being said, they love exchanging music often so the only piece of technology hobie ever brings back to his dimension is an ancient half-busted ipod (it was probably rio's at one point) filled with music miles managed to download for him that week. spiderman-ing and living as a homeless teen means hobie doesn't get much time to explore genres outside of the UK punk scene and listening to brand new genres is often a trip! hobie finds out he loves drum n bass, grindcore, industrial techno, UK drill, deep house and 90's hip hop
♡ hobie gets miles to make him cool posters for whatever venue he plans on (or doesnt plan lbr) playing at every now and then
♡ rio LOVES hobie. hobie is the perfect gentleman (gentlespider?) around her and often tries to help her around the house when he can. miles... does not enjoy how much his mom favors his partner. jeff is also not so crazy about this smart-mouthed punk
♡ miles and hobie absolutely swap clothing as often as possible, with hobie "borrowing" miles' clothes more often. miles' parents keep commenting on how much of a rockero he looks with all the punk stuff and hobie never returns clothes without having altered them in some way (pins n bits everywhere, a mysterious rip or two here n there, pinned-up sleeves, etc)
♡ miles is absolutely horrible at cooking and feels left out when he sees hobie helping his mom in the kitchen. he desperately tries to learn, but it's a wonder how he hasnt sliced his fingers off yet trying to peel and cut platanos so they can make tostones
♡ for a person who's built like a lamppost, hobie is shockingly graceful with his movements. he always slips around a room like a cat and miles is so jealous of that. long gangly limbs should be a deterrent from moving like That and yet here he is, practically pirouetting around miles for fun
♡ which is a total TRIP when they go out swinging around a city. once the mask is on, every movement hobie makes is chaotic, frantic and unpredictable. spiderpunk and hobie are very different people sometimes
♡ rio often points out hobie's thinness as a typical hispanic mom does ("jóven, pero tu 'ta tan flaco, hobie honey come eat! i have leftovers here!") and miles also agrees that hobie could eat a lil more too. he is always sneaking bits of food into hobie's pockets or bags, saving fries and last slices for his partner. sometimes hobie brings home armfuls of tupperware filled with caribbean food back to his boat
♡ in return, hobie is like a magpie and brings back shiny gifts for them, some handmade stuff too. miles' drawers and nightstand are filled with jewelry, bottles, knickknacks, and other handmade accessories. his walls are filled with collages and zines hobie makes for him and rio bought frames for some of the pieces he makes her
♡ the first person to say "i love you" was miles, but by accident. after realizing it, he was nervous as hell worrying that hobie would clown him to death since he didnt seem like a big romantic. instead, hobie went nuts about it in his own hobie way, writing lyrics about miles' face when he said it, doodling them together more often, teasing miles about it often but lightheartedly. he flaunts miles' love whenever he can
♡ miles has a lethal puppydog face and he KNOWS it! one 🥺 look and hobie immediately folds and gives miles whatever he wants. but not before hemming and hawing about it first, playing up his hesitation just to make miles laugh
♡ speaking of laughter, hobie does Thee Most just to see his bf laugh or smile. he will always goof off in the bg, crack jokes every 2 secs and pretend to get hurt sometimes. hobie is naturally sarcastic and goofs off in general anyways but around miles he dials it up to 200
♡ hobie tries to get miles in on the whole anarchism thing but 1. the texts and manifestos from his dimension are different than miles' and 2. miles is a teen boy. he doesn't know anything about the theory of alienation or effective mutual aid and won't really care at the moment. "mm, you'll learn all 'bout it soon enough, though... eventually," hobie muses
♡ miles is not as big on pet names as hobie is. hobie has like 24984 nicknames for miles but miles mostly sticks to just calling his partner by his name. one day during history class tho a lightbulb moment happens, and when they meet up again miles is excited
"hobie!! guess what, i really got it this time. i have a nickname that i know you're gonna love!"
"spill," hobie says as he throws an arm over miles' shoulders.
"so you always call me sunflower all the time, right? and your name is ho... bee. get it? so i was thinkin' i'm gonna call you 'honey bee' now. y'know, you're not the only one who's got corny ass nicknames! it's good, right?"
hobie has to fight not to grin like a jackass
♡ hobie's sleep schedule is atrocious so whenever miles can manage it, he tries to wrestle his partner into any bed and tucks him in. hobie is touched that his sunflower cares so much about him ♡
♡ miles almost never gets permission to sleep over other friends' houses but on the rare occasions he does, he leaps into portals and goes to visit hobie in his dimension. his fave part of New London is hobie's boat, bc they set up a big hammock for them to lay in, feeling the sway of the boat and letting it lull them to sleep. not to mention that the boat itself is totally badass, and hobie more often than not encourages miles to cover it in graffiti
♡ hobie lowkey (but highkey) loves when miles gets a little bossy, forceful or stern. he loves ribbing miles about it (the "ill do it, but not cuz you told me to" line in mumbattan was a total joke from hobie btw LOL) and saying corny shit in response to a demand, but he loves seeing miles being confident and calling the shots every once in a while. it makes him proud
♡ if they can, miles and hobie try to gather up as much food as they can and take it over to the F.E.A.S.T. that's in hobie's dimension. miles meets hobie's "family" there and gets to know the community, which feels so much more tight-knit and welcoming than Visions. once miles gets over the major jarring differences between his world and hobie's, he finds he LOVES New London
♡ miles and hobie teach each other slang from their countries and time periods, you can't change my mind. miles walks around saying shit like "bloody 'ell" and "septic" all the time. the one time hobie said "deadass" completely unironically, all of the spiderkids DIED laughing
♡ miles learns that EVERY spider is a total dweeb in some way shape or form. even hobie! hobie's awkwardness comes out when theyre in big groups of people. hobie is oddly comfy with performing in front of crowds but when he's invited to parties and tries mingling, it's so... sooo awkward. miles secretly rejoices when he finds out hobie's weakness
♡ i'm an adhd hobie truther and i hc that miles buys hobie the weirdest fidget toys he can get his hands on. along with his switchblade, jewelry, and whatever he stole that day, hobie carries various different fidget toys in his vest to keep boredom at bay
♡ hobie definitely writes songs for miles but takes a very very very long time to actually admit it. miles finally finds out when one of hobie's songwriting notebooks falls open when hanging out in his boat, and hobie comes clean about it. with miles' encouragement tho, hobie makes the decision to add some of those songs into the usual setlist his band performs
♡ if miles ever has time, he tries to attend whatever gig hobie and his band has going on. he loves to see hobie perform on stage, his energy and stage presence is always electrifying
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shantechni · 1 month
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Here's your random assortment of Mikey moments from Bat in the Belfry:
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Btw, I'm sorry I accidentally deleted the ask and had to use a screenshot😭(half of me wants to flat out blame Tumblr ngl).
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I think my brain misunderstood the assignment though because most of these gifs are just Mikey being totally ADHD.
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springlock-suits · 5 months
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Au where Mike fucking died in that hallway and they made him possess the empty dog animatronic
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