#they could show him saying he loved his sons before peacing out of his consequences but not the bifrost moment

[drakoneve]

The Poisoned Cup

request: Hey, dear! if you are taking requests could i get an angst imagine/oneshot Daemon x Martell fem!reader where she and Daemon are married (they really love each other) and she is pregnant and they are beaming, but reader ends up being poisoned and consequently loses the baby, feeling guilty she ends up running away, but before she leaves a letter for viserys asking for an annulment, before making any decision he talks to Daemon who is furious that she ran away and asks for an annulment + so he goes to Dorne after his wife, she doesn't want to see him at first but he doesn't give up, eventually they talk and reader expresses everything she is feeling just like he does, they cry together and he assures her that everything will be fine and asks her to come back with him, which she agrees to, please? (with a lot of angst, fluffy and happy ending)

pairing: daemon targaryen x y/n martell

word count: 3k (#oops)

warnings: fem bodied!reader, miscarriage, poisoning, reader’s feeling guilty and v depressed

a/n: i apologize if there are any mistakes regarding house martell, i don’t know much abt them. i also didn’t describe much of the reader besides longer hair 

When your older brother Qoren Martell told you he’d arranged a marriage between yourself and Prince Daemon Targaryen with King Viserys, you were unbelievably angry with him that you wouldn’t speak to him for days. But eventually you came to accept that marrying the prince was your duty to keep peace between Dorne and the rest of Westeros following the war in the Stepstones. 

Daemon talked to you before the wedding about how he wanted to wed you in the traditions of Old Valyria, and you agreed even though you were quite hesitant. In the end it was a beautiful ceremony and you felt undoubtedly connected to your new husband.

It wasn’t but three months after your wedding that your lady in waiting, Elaena, pointed out to you that you hadn’t had your monthly bleed. You visited the maester that morning and he confirmed you were indeed with child.

Everything was going smoothly until two months later, when Rhaenyra ended her search for a husband ended and King Viserys announced a marriage between his daughter and Ser Laenor Velaryon, son of Lord Corlys Velaryon of Driftmark. The feast of celebrations had begun and you sat at the end of the royal table in between Daemon and Lord Lyonel Strong, Hand of the King. 

“Everything to your liking, my love?” Daemon asks, then sips on his wine. 

You grin at him, pulling apart the sweet roll in front of you to get to the soft, warm center. “Mhm,” you hum. “We’re quite satisfied, dear husband.”

He reaches his free hand to rub your growing belly. You cover his hand with yours and continue on to dine on the fine food presented before you.

Unbeknownst to you, Ser Gerold Royce approaches the royal table.

“Your Grace, Princess Rhaenyra, congratulations are in order,” Ser Gerold greets the king and princess.

“We are honored to have you as a guest, Ser Gerold,” the king says graciously. “I must say, I was most distressed to hear of the Lady Rhea's tragic passing. I'm very sorry for your loss.” “Lady Rhea was a unique character. Her kind... is not soon to be seen again,” Ser Gerold says before turning to glare at Daemon. “In the Vale, men are made to answer for their crimes. Even Targaryens.”

“If there is anything the crown might do to aid House Royce...” Viserys tries to deflect, but Daemon doesn’t allow the show of disrespect.

“Who are you?” Daemon quips as if he hadn’t paid the man the slightest bit of attention until now. 

“Ser Gerold Royce of Runestone,” he announces proudly with a puff of his chest.

“And?”

“I am cousin to your late lady wife, Rhea Royce.”

Your stomach clenches at the mention of Daemon’s first wife. You not only knew the truth of what happened, but you helped Daemon plan it out with the help of some of your spies in the Vale. They were married at the time Daemon proposed to you, and there was no way you believed Viserys would allow his rebellious brother an annulment or a second wife in the traditions of Old Valyria. The only solution either of you could come up with to open the negotiations for your hand in marriage was to rid Daemon of is bronze wife completely.

Daemon’s lilac eyes harden as he clenches his jaw before eyeing the man. “Ahh, yes,” he says finally. “Terrible thing. I was positively bereft. Such a tragic accident.”

“You know better than anyone, it was no accident,” Ser Gerold spits.

You gasp lightly, placing both hands on your stomach as if you were in shocked by the accusation. Daemon caught on and sat up in his seat, feigning concern on his features.

He turns back to Ser Gerold with fire in his eyes. “Are you confessing some guilt, Ser Gerold?”

“I am making an accusation.”

“You know, in King's Landing,” Daemon all but growls, “men are made to answer for their slanders. Even old bronze cսոts like you.”

Before Ser Gerold has the chance to come up with a rebuttal, chaos breaks out amongst those on the dancefloor. You can’t see exactly who, but a Kingsguard has overpowered someone you cannot see at all, and is pummeling down with a hard right fist. 

Knights from behind the royal table rush forward upon the king’s command, furthering the tension in the room. At this point you’ve risen from your seat and secured a place behind Daemon, who has now drawn Dark Sister from her sheath.

The chaos lasts for a few more minutes but eventually the Kingsguard take control of the room, and the knight who began the fight in the first place was escorted from the throne room. Maids immediately begin working on cleaning the mess (minus the body removed by knights), and party goers resume dancing on the remaining dance floor.

Daemon pulls out your seat out for you and you kiss his cheek before taking your seat. You reach for your wine first before Daemon begins feeding you off his own fork and plate. After a few bites, alternating between the pork your husband was feeding you and the roll you were still tearing apart, a feeling of nausea began to overtake you.

You motion for Daemon to stop, at the same time placing your left hand over your stomach. “Daem, I don’t-“

You don’t even get to finish your sentence before you jump from your chair and turn around just in time to throw up behind the table and not in front of the entirety of the throne room. Daemon is at your side instantly as is Lyonel, and who is already yelling for the maesters. Before you can even really catch your breath, you get sick again.

Muscles in your abdomen tighten as a cramp shoots through you. You cry out in pain and Daemon can’t stand it anymore as he picks you up bridal style out of the throne room and to the privacy of your chambers where the maesters can take care of you properly.

Long after the throne room had emptied and Rhaenyra and Laenor were wed the maesters came looking for Daemon. Despite fighting to stay by your side, Viserys convinced his brother to step away from you and allow maester Orwyle to do his work. 

Orwyle approached Daemon, accompanied by his brother and Lord Lyonel, with his hand laced together in front of him, a grim look upon his face. “Prince Daemon,” the maester begins solemnly. “I come with grave news. I’m afraid your lady wife has lost the babe, my prince.”

The news hits Daemon like a punch to the gut, but he swallows his grief for the moment. “And what of my wife? Is she alive?”

“Yes, my prince. She’s asleep now, I gave her milk of the poppy to ease her pains.”

Lyonel steps forward, “What’s the cause of such illness? The princess seemed fine all evening.”

Maester Orwyle nods grimly, “I believe the princess’s illness to be a direct result of greycap poisoning. How the princess ingested such a thing is yet to be discovered, but I will not stop until I’ve discovered it. Thankfully this is not the first time I’ve encountered such a thing.”

Viserys reached out a grateful hand and squeezed his trusted maester’s shoulder. “Thank you, Orwyle. Your services do not go unnoticed.”

Daemon turns away from the group of men and begins down the hall for your shared chambers.

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Two weeks after the attempted assassination and you finally began to feel healthy again. Daemon hardly left your side during your healing process like he no longer trusted anyone else in the world with your care. Maester Orwyle was still giving regular updates to Viserys which you advised him was unnecessary. 

It wasn’t the poisoning that had been plaguing you the past couple weeks, it was the loss of your unborn babe. This was your first pregnancy, and neither you or Daemon could’ve been happier to receive the official word from the maester. Everything was going well in terms of the pregnancy until the attempt on your life. 

You couldn’t help but spend your time recovering riddled with the guilt of the idea that you could’ve- should’ve done more to protect your baby. Your one job for nine months was to home and protect your baby and you felt you’d failed completely. As a wife, especially to someone of Daemon’s status- the Prince of the Seven Kingdoms, your job was to give your husband as many heirs as possible, and you couldn’t even do that. 

The guilt had been eating away at the strong resolve you’d built over the years of being an outspoken woman in court. You’d failed your husband, your one true love. Now, even weeks later and after everything he’d done to support you, you found it difficult more now than ever to meet Daemon’s eyes. 

When you first learned you were with child you were beyond ecstatic as was Daemon. Despite his previous union, Daemon had yet to become a father and was looking forward to becoming one. You hadn’t any children either and the two of you spoke often of various names for your unborn babe, and began to pick out some of Westeros’s finest silks and fabrics for clothes to be sewn. Now there was no need.

How he didn’t revolt away in disgust, you had no idea. You couldn’t understand why Daemon would stay so loyally by your side when you’d been so unprepared to give him a healthy child. Daemon’s own loyalty did nothing ut remind you just how majorly you’d failed him, and this worked as the straw that finally broke down all the fight you’d had left.

So, you wrote the king a letter.

King Viserys I Targaryen,

I must first apologize to you for the chaos my circumstances has caused the Red Keep as it was never my intentions to cause such disruptions within your court. My brother Qoren stressed the importance of my union with your brother Daemon, and the past year I’ve spent as his wife has been the happiest year of them all. 

So it is with a broken heart, and the purest of intentions, that I graciously ask you to annul my marriage to Daemon so such tragedies do not continue to plague your court. 

I leave for Dorne as soon as I hand off this letter, where I will be awaiting your word in Dorne alongside Qoren. I thank you for the kindness and generosity you have shared with me this past year, your Grace. I wish you good health and fortune.

Sincerely, 

Lady Y/n Targaryen of House Martell.

And true to your word, you along with your lady in waiting Sylva, whom you’d known from before your marriage to Daemon, snuck out of the Red Keep from under the guards’ noses and set out for Dorne. 

Viserys received the letter hours after your departure, just as you’d instructed the maid to do, after Daemon had taken off on Caraxes for Dragonstone on crown business. In the time that he’d known you, the king had never known you to be one to hide away in a dark corner when trials and tribulations came your way. The king knows Martells to live honorably by their words “unbowed, unbroken, unbent,” a sentiment that had been proven when he met you.

Unfortunately for the king, Daemon would not return for another day or so, and therefore would be delayed in receiving the news of your departure for Dorne. Viserys wanted to keep the matter close at hand as he hadn’t wished for yet another set of rumors to go swirling about about Daemon. He feared his brother’s reaction should he have sent a messenger to Dragonstone to inform the rogue prince, so Viserys decided to wait until Daemon’s return to deliver the news himself. 

That’s exactly how Viserys met Daemon two days later in the Dragonpit. Daemon had just barely slid from the saddle strapped to Caraxes when approached by the king.

Before wither man has the chance to utter a word, Viserys extends his hand out to his brother, your letter in hand. “This was delivered to me two days ago, brother. I was hoping to have the matters resolved before your return, but I’m afraid I have been unsuccessful in reaching Y/n.”

Daemon snatches the letter from Viserys’ hand at the mention of your name and he wastes no time in reading it. His first reaction is anger- how dare you leave King’s Landing? How dare you leave him, your husband? The parchment of your letter crumples in his closing fist as Daemon turns away from his brother and back to Caraxes.

“Daemon!” Viserys lurches forward, trying to reason with his temperamental younger brother. “you must proceed with caution, Daemon! Your actions are sure to have dreadful consequences should you not think before you act.”

Daemon whips back around to face the king, shoving him hard once in the chest with both hands. “I do not need you to govern how I act, brother. Much less in the matters involving my wife.” 

With that, Daemon mounted the great blood wyrm and set out for Dorne just as he had the first time.

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Qoren wasn’t exactly pleased with you upon your return, moreso afraid of what Daemon might do to Dorne as a result of your abandonment. Though you confidently assured your brother King Viserys would handle the matters, you weren’t entirely convinced yourself.

Daemon was as unpredictable as any man, though twice as dangerous on the back of a fire breathing dragon. Even the time the two of you spent together would not ensure your safety should the wrath of House Targaryen turn its ugly head towards Dorne. 

Despite the circumstances, you were happy to be home. Before your marriage you had never left Dorne before, and you’d missed the familiar comforts of your homeland while you were away. You spent time with your brother and some of his friends, catching up on all the Dornish things you’d missed while you were away.

After the second round of wine began to be poured, a member of the Martell Guard steps forward towards Qoren. “My prince, a dragon has been spotted circling overhead.”

Qoren looks to you first as if telling you to deal with the problem yourself. You sigh and reluctantly stand from your seat. “I shall take care of it,” you announce. 

Daemon has landed outside the gates of Sunspear and already dismounted from Caraxes. The moment the gates opened and he first caught a glimpse of you, he began making his way to you. You met him halfway despite the tightening knots of nausea twisting in your stomach.

Still you don’t meet Daemon’s eyes as he approaches you, afraid of his fury. Daemon is but two steps from you now and he finally plants his feet. “Imagine my dismay,” he begins. “upon returning home to King’s Landing only to be informed my lovely wife had fled back to the sun scorched sands of her homeland after asking my own brother to free her from our marriage. Tell me, wife, did you intentionally wait until I had departed from the Keep to make your escape? Or was it purely circumstance?”

His lilac eyes are furious. Daemon is no doubt holding his tongue to keep from saying something he might truly regret. A part of you wishes he wouldn’t, however. You wish he would let go and take out his anger on you, as you believed you deserved it.

Tears began to well in your eyes as you finally met your husband’s gaze. “I only meant to rid you of your burdens, my prince. A man of such status as you musn’t be burdened by the troubles of a wife who cannot provide..” 

Somehow you don’t have it in yourself to finish your sentence before erupting into uncontrollable sobs. Daemon reaches out for you and pulls you into a tight embrace despite your desperate pleas. He allows you to cry into his chest for a moment before grasping your face in his large hands and forces you to look at him. 

It’s only then you notice his eyes are red and wet with tears as well. “You had nothing to do with the poison, or with the death of our babe, dear wife. Had it been up to us, our dragon would still be in your belly, would it not?”

“Yes,” you cried pitifully, reaching one hand down to caress your stomach where you once felt the growing of your babe. “I want my baby, Daem. I want my baby.” You all but collapsed in your husband’s arms, using his large stature as support.

“I know,” he replies, voice thick with emotion. “and I swear to you, Y/n, that I will not stop until I have Ser Gerold’s head on a spike. Until then, my love, we can always try for another if you so wish.”

You pulled away, sobs ceased for the moment. “Ser Gerold? Of Runestone? What does he have to do with these matters?”

Daemon clenches his jaw before relenting. “I believe, as does Maester Orwyle, Ser Gerold is behind the attempt on your life and the murder of our babe. I planned to make way for Runestone upon my return to the Keep, but I’m afraid I’ve been side tracked.” 

In that moment the guilt that had settled itself in your gut quickly turned to a bright hot rage. “Take me with you,” you demand forcefully. “and we shall show Ser Gerold, and the rest of the realm, just what happens when you scorn the house of dragons.”

A wicked grin spreads across Daemon’s face before he offers you his hand. “Come, dear wife, and we shall show them all.”

You grasped his hand in yours before beginning towards Caraxes, but not before Daemon pulls you to a stop and leans down to bring you into a kiss. Daemon has never been one to kiss you slowly, typically opting for quick kisses in the eyes of others, and more passionate kisses for the bedroom.

But now as the two of you stand wrapped around each other in the Dornish heat, he kisses you softly, slowly. As if he’s trying to tell you he loves you in the only way he knows how. 

When the two of you finally part, you smile up at him. Your first genuinely happy smile in nearly a month. Perhaps Viserys knew just what he was doing in delaying your request for that annulment.

#prince daemon targaryen #daemon headcanon #daemon targaryen x reader #daemon x reader #daemon targaryen #hotd daemon #hotd imagine #hotd x reader #house martell #martell!y/n #martell!reader #x reader #miscarriage #angst #angsty #alicent hightower #rhaenyra targaryen #young rhaenyra #princess rhaenyra targaryen #otto hightower #lord corlys #corlys velaryon #rhaenys x corlys #princess rhaenys targaryen #rhaenys targaryen #viserys i targaryen #king viserys #king viserys i targaryen #100 #200

[raayllum]

What Aaravos says : And i can better serve you

What Aaravos means : And you can better serve me

So like I've been mulling this over because

What is the difference between a servant and a pawn, if there is one?

Is such an interesting question, thematically. And it shows how someone can take concepts and either purposefully misconstrue them or genuinely honour them, which is to say: King Harrow and Aaravos are set up as perfect ideological opposites and I think it's really fucking cool.

Where Harrow sees strength in children

"The great illusion of childhood is that adults have all the freedom and power. But the truth is the opposite: a child is freer than a king."

Aaravos sees them as someone to dismiss

"These are the champions you've gathered to try and stop me? Why, they're nothing but pathetic children."

Where Harrow did his best to be a servant king as the most powerful person in his kingdom, for Aaravos (the most powerful being in the world), it is a guise and a mask

Their hatred of arrogance

as well as the core principle of Freedom that Harrow has that Aaravos is chasing, both interwoven and passed down to Callum in giving him the Key

Where Harrow did everything he could to make Callum feel welcome and at home in their family, Aaravos merely wants to add him to a collection of pawns

There are also old concept art in which Aaravos was blindfolded, reminiscent of Harrow's choice from Lady Justice. Not to mention Harrow as someone who was like Aaravos (and many others) in that he perpetuated the cycle out of misplaced love / a rageful grief (which, if Aaravos is doing the same because he fell in love with a human, would also provide those sweet Harrai parallels) but unlike Aaravos, he changed his mind. Even if their ideas of servitude are a bit similar, re: the kneeling motif

Which of course, makes sense; Harrow was a man with his life tragically shortened, burdened by regret, anchored by his own crown/chain and by the end of his life, believed wholeheartedly in the Narrative of Love. Even more than someone like Viren, Aaravos appears to wholeheartedly believe in a Narrative of Strength (especially if there is no one left he loves). Which is why I think it's so interesting like, Arc 1 for Harrow is a tragedy told in retrospect and at least partially in reverse; unlike everyone else, he never lives to see the Dragon Prince that he felt so much guilt over returned, that the peace he probably wanted (for his sons if nothing else) was not only achievable, but something that happened. And now Arc 2 is starting to shift the stage, beginning in S4 with setup, of being a tragedy for everyone else who outlived him (for S5 and S6 at least) because the Wheel of the Cycle has yet to stop fully turning and it's so fucking good?

Which is compounded with what I've touched on more briefly before of each of the Main Trio having Core Traits of Harrow that they are then responsible for carrying for the sake of thematic exploration.

Rayla is Harrow's martyrdom (right or wrong) and concept of paying the price, as well as hunting down 'monsters' to solve all her problems; Callum wrestles with Harrow's temptation regarding dark magic and the weight of choices / unintended consequences; Ezran has the place as literal king with a reinvigorated crown and having to well, be king, as well as upholding a relationship to Xadia / the dragon monarchy that's the opposite of his father. All three of them are called to Do Better.

So Aaravos being in some ways the embodiment of history - powerful, ancient, unknown and lost to time - is the perfect opposing threat, because how can you Free yourself from the Past, from the Chains of History, if you can't "learn from it, understand it, and then let it go"?

But like Harrow said so long ago, and as S4 is demonstrating even in a post-outright war world

And now we get to see it unfold first hand

#tdp #the dragon prince #tdp meta #king harrow #aaravos #tdp aaravos #tdp harrow #the cycle #pawns #arc 1 #arc 2 #parallels #analysis series #analysis #god i love surprise meta when it slaps this hard #kneeling motif #theme: freedom #personal fave

[deepfried-dildos-again]

a little embarrassed to ask for this one but can i get some more comfort lobo?? maybe him trying to calm you down after you start thinking hes cheating cause he stopped seeing you as much as he did before?? and if you do decide to do this one could you just copy paste the ask i have too many ppl that know me on this account 😭 tysm still love how you write lobo

I have got you you don't even have to trip.

Content warnings: It's like pg-15 the whole fic, references to cheating, domestic disturbance ig? You yell at him

That. Son. Of. A. Bastich. You hated him. You really did. Oh yeah, sure, it would be a SUPER great idea to catch feelings for possibly the most well known flake in the universe. It would be a FANTASTIC idea to actually believe him when he said he had feelings for you, too. And it would just take the proverbial CAKE if he was cheating on you.

Sure you didn't have concrete proof, but the long bounty trips, the vauge air of coldness, and his very NATURE were the giveaways you needed. So you were leaving. If he cared enough to go after you, you'd chew him out and turn him in. If he didn't, it was whatever.

There was a "Dear John" letter to consider, however. You still cared about him enough to tell him WHY you were gone. But the words just wouldn't come to you. That was probably what gave him the time to come inside before you left and sneak up behind you.

"Whatcha writin'?"

You jumped, dropping your pen on the desk and standing to get up. Your surprise in turn surprised him, and he raised his arms in a gesture of peace.

"Woah, babe, didn't mean ta spook ya. Thought you heard me come in."

Still shocked, your mouth twitched to form words, but none came. That amused him.

"What, writin' a letter ta yer secret side piece? How come ya never do that romantic crap ta me?"

That was the kicker. He accused YOU of cheating? While he was the one actually DOING IT? It didn't even register to you as a joke, and you lost it.

"Oh you WOULD. GOD I cannot believe I ever- you- you-"

"Hey, what's-"

"DO NOT HEY WHAT'S ME, YOU KNOW EXACTLY WHAT'S WHAT."

"..."

"Answer me!"

He furrowed his brow, and you saw his pupils dilate as he thought. So it was multiple people.

"The girl!"

"The huh?"

"The girl or guy or whoever it is you're fragging cheating on me with!"

"What- babe."

"DON'T BABE ME!"

"Ok, ok, no babe. But will ya listen ta me?"

"Oh, yeah, listen to you weasel out of any consequences I might give you, I hate you so MUCH."

"Listen. Ta. Me."

Clenching your fists, gritting your teeth, you tried to push past him.

"Let me by."

"I can't."

"Let me BY."

"No."

"Why?!"

He opened his mouth and looked like he wanted to say something, but then seemed to shrink back from the thought. Instead, he took your hand. Surprising yourself, you let him.

"Just... I can show ya paystubs, tickets, whatever. Just let me tell ya why I'm out so much."

You could hear the slight shake in his breath, but what you couldn't hear was the mantra running through his head:

"Please don't leave me. Please."

You could feel it though, subconsciously but you could feel it. So you let him sit you both down on the couch and continue holding your hand.

"Ok, so, uh. Ya know my kid, yeah? Crush?"

You nodded, remembering his estranged daughter.

"Well, she uh. She got inta some trouble with th' Darcan mob. She's in on the bounty huntin' shit too, jus' goes after live targets, but one'a the guys she grabbed was th' Capo's son."

"So she-"

"Lemme finish. I got wind a their... plans fer her afore she did. She still doesn't know. I made a couple deals with em. Work for em, take down a couple'a their rivals, that kinda shit. Trouble is, they don't pay union rates, so my cashflow decreased. I had ta go after more bounties, outside'a theirs. It's been... 'sbeen a long couple months."

"Why didn't you tell her?"

"We ain't exactly on speakin' terms."

"Why didn't you tell me?"

"You'd worry."

"Of course I would! You're a hitman for the fragging Darcan mob!"

"Was. I paid off th' debt."

"When?"

"Bout six hours ago."

"Bo... you could've told me."

He looked away from you. He looked... ashamed? Worried? You couldn't exactly tell.

"Lobo, I'm so sorry I yelled at you. I must have sounded totally crazy and-"

"Woah, hey, nah. Y'sounded pretty reasonable. From where yer standin', at least."

"Still..."

He just sighed and leaned back onto the couch.

"Can we... not talk right now? 'M tired."

You nodded, then leaned into him, resting your head on his chest. You could actually feel him relax under you.

"Sorry I made ya worry."

"Tell me next time. I promise the worry I feel while knowing will be less bad than the worry I feel while not knowing."

"Ok. Promise."

#lobo my beloved #lobo x reader #my writing #lobo dc #lobo

[myfanfictiongarden]

In defence of Gabriel's “redemption”

It is no news that we people in the Miraculous-fandom tend to disagree on things or even interpret certain parts differently from each other. That's part of the fun of being in a fandom.

Yet, with the s5 finale having aired, it appears like the majority seems to be on the fence on the ending to Gabriel Agreste´s arc. He, the main villain, got away with his evil doing without consequences

Did he thought? Or was the “redemption” we witnessed well earned?

The old saying says “The road to Hell is pawed with good intentions” and that does more or less apply well to everything Gabriel did throughout these 5 seasons. All he wished for is having his beloved wife back alive so they could be a family again with their wonderful son who was born a miracle after many years of sadness. To achieve that he took up a supervillain persona, began to exploit people's negative emotions for his own gain and became a feared terrorist with no mercy. To say his reasoning behind becoming a danger to anyone opposing him simply because he wished to avoid the feeling of grief was not-at-all-reasonable would be the understatement of the century. 

So, why would I defend him, after he constantly attacked the innocent all while ignoring his own 14y old son who was going through grief as well?

I don't defend his actions, I defend the resolution to his actions.

Throughout the show we are constantly remaindet of how terrible the consequences of The One Wish would be- you wish for something and something else has to be taken away, you change reality and reality collapses. If Gabriel made the wish to bring Emilie back to life someone else must die in her stead and we know it wouldn’t be him or they wouldn’t be a family again. Further, we know that the use of multiple Miraculous at the same time can lead to the loss of sanity of a weak mind, hence Gabriel’s growing madness in season 5. With all that on him one would assume that when he made his wish he wouldn’t take a minute of consideration before dooming all of humanity. But he doesn’t. 

We know how much he loves Emilie but it becomes clear that he never watched the recorded message she left him, and so, when Ladybug shows him a similar message made for Nathalie, he finally breaks down. After months of silence he hears his wife’s voice, sees her alive, understands her wish. She willingly risked her life for a family, for the opportunity of sharing love, and willingly sacrificed herself so that her great love (Gabriel) and her beloved son (Adrien) could still have a future together. It doesn’t matter that both Adrien and Nathalie would comfort him that Emilie wished him to be happy even after she was gone, it had to come from her for him to understand it. Ladybug showed him the video and thus he was forced to be confronted with how far his madness had led him. Ladybug won.

Ladybug didn’t manage to stop him from making a wish, but Ladybug won by changing the outcome of his wish.

He understood now that Emilie went on her own terms, understood that Adrian’s happiness and well being is all she would wish for, that Nathalie was on the wedge of death because of his blindness, he understood that bringing Emelie back would fix nothing.

If he had made his wish like first intended and now with both him and Nathalie dying, three people would have been needed to be sacrificed instead. The universe demands balance. 

So instead he sacrificed himself to heal Nathalie, at peace knowing that Adrien would be well off in her hands, and with it all released Adrien out of the emotional prison he had build up for him.

There is a reason why I put “redemption” in quotation marks, because the show didn't decide to make Gabriel suddenly into a hero and martyr (and the “perfect” image of him that Adrien and the people of Paris were left with will certainly be addressed in s6), all it did was make him face the ugly consequences of his actions so far and act upon it with the bit of goodness he had in him. And it has all been laid out there since season 1.

This is not me telling you what a great guy he was all along, this is just pointing out that the writers knew what they were doing.

#probably didn't explain half the things I wished on this topic #but this was important #the writers knew very well what they were doing #miraculous ladybug #miraculous ladybug 5 #analysis #my thoughts #tv shows #things i like

[navree]

Hi, first I wanted to say that I really like your takes and how eloquent you communicate your thoughts. I could never. I aim for a 5 sentence max paragraph and end up with an essay 😅

Anyways, I’m usually not one to dwell on other’s interpretations of a character or scene, especially if I don’t agree because it’s just fiction anyways…but sometimes I just see a bad take have to rant. I came across this take (I’ll copy and paste since I don’t want to @ op. I’ll also omit some filler words just in case): “the exhale, almost like relief. Alicent will finally escape a life she’s never had a say in. She won’t have to deal with the consequences of putting Aegon the throne and the look of horror when she realizes she’s alive” and ma’am. No.

Let’s say Alicent may be suicidal/have suicidal ideation, in that moment I’m pretty sure she was terrified that her sons and daughter were about to be burned alive. Even if she wanted to die, I’m not sure she would leave her children and grandchildren behind unprotected. Also, “deal with the consequences of putting Aegon on the throne”?? I know the show basically went “lol, anyways” in regards to Alicent’s fear that’s been growing for the past 20 years but she should be relieved that Aegon is crowned. They’re all (seemingly) safe. The “only consequences” are cruel, unjustifiable acts of “revenge” aimed at literal babies.

This take annoys me even more because I know that op and co. were the same ones who ran with “Alicent poisons Aegon in the name of retribution” and “Alicent is disgusted by Aegon’s touch during coronation scene when she removes his hand from her side and holds it instead”.

I know that her children were forced on her and loving them can’t be easy, but all Alicent has are her children. Aegon and Aemond were quick and brave enough to face an angry king to spare her, Aegon accepts the crown for her and their family, Aemond wants to gift Luke’s eye to her. Helaena has never done anything wrong. She doesn’t hate them; she loves them the most.

You guys are being so sweet to me today oh my goodness!! You're too kind, thank you <3

And yeah, I saw the exact take you're talking about, and the one about the hand too, and I did have to stop myself from vaguing about it cuz it was early in the morning and I have the capacity to be mean. There's this bizarre idea people have where they decide they're fine with Alicent being more sympathetic, but only as long as she repents the things she's done and realizes that she actually Did A Bad Thing and she's so sorry and regretful guys, really. And listen, interpretation is up to the interpreter and all that, but it's a bad interpretation.

Alicent is not, in fact, semi regretful while smiling at Aegon's coronation, she was under a lot of stress and she's finally seeing her son safe from harm for the first time in his entire life and actually embracing something, she's relieved. No she's not trying to prevent Aegon from touching her during the scene, boy has a sword and is very clearly trying to push her back and behind him so he can try to protect her before she stops him and is the one holding onto his hand to make sure that he doesn't try it again. No she is not "sighing in relief" she's just accepted that there's nothing she can do in the face of a dragon but at least she's with her son, at least her first boy won't die alone, at least she'll be there for him. No she is not horrified to be alive, she's now incredibly stressed once again and also realizing that Rhaenyra's going to find out that Aegon has the crown before Alicent was able to send over a peace delegation with honorable terms to potentially blunt the blow and prevent backlash. Like I'm sorry, but did some of these people need a hospital stay, cuz I'm assuming they pulled some muscles pretty badly with all that reaching.

Alicent did not have much say in how she lived her life. And there might have been times where she might have had some sort of suicidal ideation or something similar. But for one, that is hardcore fanon because there is nothing in the text or subtext or supplementary materials that has ever even attempted to claim that Alicent has any suicidal tendencies. It can make for a good fanfic idea, but fanfiction isn't canon. For two, we don't even know if that's something Alicent would be willing to do. We don't have a clear view on some of the tenants of the Seven, but it's meant to be analogous to Roman Catholicism (similar views on women, marriage, sex, homosexuality, the works) and in Roman Catholicism, suicide's a sin, it's actually a really big sin, so it's entirely possible that Alicent doesn't have any concrete thoughts on suicide and the like because it's against her beliefs and she's kinda big on those. And when it comes to whether or not Alicent would do it when she's got kids, suicide is a complex topic and sometimes you can have the most loving family in the world but if the factors are too stacked against you in other ways, it won't matter, but likely not. Alicent is a person who puts duty over everything, who literally lays her own body on the line in the defense of her children, she's probably not going to think about doing something for herself even if it'll make her happy so long as she's got the kids.

And yes, sorry to some people, but Alicent loves her children. Very, very dearly. I've discussed it many many times so I won't repeat it in detail again for anyone who's sick of it, but Alicent takes an active part in raising these kids, she is their primary parent, they clearly rely on her love and support, and she's very willing to defend them at all costs. She attacks Rhaenyra for Aemond, she demands Criston take Helaena to safety, she literally places herself between Aegon and a dragon. And Alicent's children love her, Aegon clearly does and half of his issues come from feeling that this love might not be reciprocated back, Helaena doesn't seem to mind her mom wanting to engage more in her interests, and the scene in episode 9 where she shies away from her touch is because she's aggravated no one's understanding her prophecy, and Aemond of course adores his mother through and through likely more than anyone else in his entire life (until Alys comes along).

When it comes to Alicent wanting to avoid consequences of putting Aegon on the throne, again, no? Alicent is not stupid. Alicent is very aware that there are going to be consequences to putting Aegon on the throne. That's why she and Otto lock the castle down, that's why she immediately calls a meeting of the Small Council, that's why she wants Aegon found and brought to her first, that's why she makes sure to talk with Aegon in private about Rhaenyra on their way to the Dragonpit. Alicent has been the de-facto ruler for nearly ten years, and she's the one spearheading a lot of this, she is textually aware of the consequences. There are consequences that we know are coming, like Vhagar going off script or Daemon deciding to indulge in some child murder, but those aren't consequences that anyone who isn't the book-reading audience could have ever foreseen. So let's also add "Alicent is not worried about facing the consequences when she's got the King, the King's government, the entire capital city, multiple dragons, and several powerful and influential Great Houses behind her and she's got a clear view on how to deal with the foreseeable consequences of this decision" to the list.

A lot of these takes come from the idea that Alicent can only be likable if she's constantly self-flagellating herself for her choices and is in constant self hatred mode for anything done against the characters they actually do like, or a view that Alicent is, I guess, the dumbest person on the planet who can't see further than two feet in front of her. But Alicent isn't constantly hating herself, she might hate her life but she does view herself in the right more than she does in the wrong, and she's smart and capable, and she's allowed to, you know, have ambition for her son and love her kid and want to stay with her family and protect them to the best of her abilities.

And of course, this was a take found on Twitter. Some of the Team Green side of HOTD Twitter is good, the rest of HOTD Twitter, literally the site is basically a disease at this point. There's a reason I frequently delete the app off my phone and try to limit my use, and I actually need it for work and connections.

#personal #answered #anonymous #the 'alicent is repulsed by aegon's touch' one is particularly galling to me because a) no he's trying to protect her and she's saying no #b) as i've mentioned many times AEGON'S the one i think has touch repulsion issues #put some respected on the wounded puppy dog's mental problems

[jungkxook]

—moonstruck. (m)

⟶ pairing: taehyung x reader

⟶ genre: werewolf!taehyung au / arranged marriage au / smut with a sprinkle of fluff

⟶ words: 7,421

⟶ rating: 18+

⟶ summary: in hindsight, being friends with a pack of werewolves and, thus, suddenly being thrown into a world of supernatural furries and other inhuman beings isn’t something you would recommend but it was too late to back out now, especially when you consider the fact that apparently you’re now being “hunted” and the only way to save you is to be mated with taehyung. whatever that means.

⟶ warnings: multiple smut scenes, first time (virgin!taehyung), clumsy sex, soft and gentle sex, sort of rough sex, all the sex, cunnilingus, riding, hair pulling, knotting, buckets of cum, biting kink, slight impregnation kink, unprotected sex, creampie

⟶ disclaimer: first fic back after a long hiatus and i’m suddenly v nervous to post this!! also this is shamelessly and 100% inspired by an episode of the show outlander (to be exact, the wedding episode). i couldn’t help myself!! 

“Are you serious right now?”

In hindsight, being friends with a pack of werewolves and, thus, suddenly being thrown into a world of supernatural furries and other inhuman beings isn’t something you would recommend but it was too late to back out now, especially when you consider the fact that apparently you’re now being “hunted.” Whatever that means.

Had you heard yourself speak a year ago before meeting Taehyung and having your life turned upside down, you would have surely thought you were insane, and you would have definitely thought Taehyung is insane, and the rest of his friends who are, subsequently, now yours ━ each of whom are all currently splayed out before you in Namjoon’s spacious country-side home with similar grave looks staring back at you.

“Dead serious,” Hoseok takes the liberty of breaking the odd silence saturating the kitchen. He’s made it a point to be on time for once, which you consider great and all if it wasn’t basically to dispute your current death sentence. “Always thought Jaebum’s pack were sons of bitches ━ glad to know it’s still true.”

“Hoseok,” Yoongi scolds. “Be a little more compassionate.”

“Am I wrong?” Hoseok refutes.

From off to the side, Jimin pushes himself forward with a frustrated groan, shaking his head. “Tae, I told you this was a dumb fucking idea ━ bringing Y/N into the pack━”

“I didn’t think this would happen,” Taehyung protests hotly. He’s leaning against the wall somewhere behind you, arms crossed over his chest and a deep frown darkening his face.

“How could you not think this would happen?” Jungkook retorts bitterly.

“Shut up, Jungkook.”

“She’s a human,” Jungkook says. “Jaebum wants her gone, but if he were to get his hands on her, then who knows what could happen━”

“I said shut up, Jungkook,” Taehyung snarls, an odd vehement tone dripping from his every word that is out of the place for the usually tranquil boy. Jungkook’s mouth clamps shut at once, though you suspect it’s not to do with defeat more so than because he’s the newest addition to the pack and, while Namjoon is their leader (or Alpha, as you’ve heard being thrown around before), Taehyung was something of a second-in-command. You could only imagine the consequences of crossing either Namjoon or Taehyung within the pack.

“Hold on a second,” You try to sputter for air, lungs wheezing. Your mind has since been spinning, struggling to keep up. At first you thought they were joking when they had told you, but now you were beginning to understand the severity at the very least. “I’m being hunted? Why?”

Now, Namjoon looks from Taehyung, then to you, and back again. Taehyung hesitates to answer at first, and Jungkook scowls. “Well, tell her, Tae. You dragged her into this mess. She deserves to hear it from you.”

As you twist in your seat to look up at Taehyung, your eyes locking briefly with his, the boy grimaces and then has to look away. He takes a deep breath before responding. “Okay, look. You know that pack I told you about? Jaebum’s?”

You nod, though the memory is vague. You’ve heard the name in passing before, but you could only gather that there was some sort of animosity between his and Taehyung’s pack.

“He found out about you, and I don’t know how,” Taehyung explains. “And now he wants you gone, and he’ll do anything to see it through.”

You blink once, dumbfounded. Terrified, even. Taehyung can certainly hear it in your voice and it makes him flinch again, as if being striked across the face. “Why?”

“Because you’re not one of us,” Taehyung says. “Because you’re human. When I first told you about us, I was risking everything. It’s uncommon for one of us to bring a human into the pack just because, and often even frowned upon. There’s a fear you’ll expose us to the human world or the hunters. Jaebum’s threatening to start war if we don’t deal with this situation ourselves.”

It’s only then that the dread begins to creep upon you, chilling you to the bone. “Deal with it… how?”

“The ultimatum is either kill you ourselves, or give you over to Jaebum to deal with, as a sort of peace offering,” Namjoon says carefully.

“Which probably also results in death,” Hoseok points out morbidly.

Jin scoffs. “Or worse.”

“Is there any option that doesn’t result in death?” You ask warily. At this, the group falls silent once more.

“Well, there is one.” Namjoon glances fleetingly around at his brethren, then sighs. “You become one of us.”

“I━” You stammer, face suddenly hot. “You mean, like, a werewolf?”

“I mean, a wedding.”

“A wedding?” You gasp. “How is that going to save me?”

“Not a wedding like you think,” Namjoon says. “More of a bonding. A handfasting. Right now, as a human, you’re vulnerable and exposed. We have no claim over you. But if you become one of us ━ without being turned ━ then Jaebum shouldn’t be able to touch you.”

Slowly, you begin to piece together the fragment of your dilemma. “Marry who?”

A beat of silence passes amongst the group in which time you spot Namjoon nod in the direction of Taehyung’s figure beyond you, a wordless yet clear gesture. Suddenly, a stubborn warmth of a blush pinches at your cheeks. You wonder if they can notice, if Taehyung can notice. You start, “Taehyung━?”

“He offered to be the one,” Namjoon says. “And Jaebum knows Taehyung’s role in the pack. If he knows you’re mated to Tae, Jaebum would be absolutely insane to try and come for you. It’s the only way, Y/N, and it ensures your safety.”

“Marrying Taehyung?” You ask shrilly, voice dangerously thin. “How is marrying Taehyung going to ensure my safety?”

“It’s not just a marriage,” Jimin explains.

But of course you already know this, werewolf laws a strange and intricate jumble of rules that you’ve long since grown accustomed to. When he speaks next, you already know it’s much more than a marriage; and, when he speaks next, you fear you’ve already had your fate decided for you.

“It’s not just a marriage,” Namjoon repeats, matter-of-fact, “because we’re making you Taehyung’s mate.”

“You didn’t have to do this.”

You try not to think about it. Admittedly, marrying your friend who you have only known for a year isn’t something you had been expecting. But, as Namjoon had explained it, it wasn’t necessarily a legal unification between you and Taehyung, though you suppose it’s as valid now as any marriage with the ritualistic handfasting ceremony making it official. That, and you favoured living to see another day instead of becoming a werewolf’s next meal or ripped to shreds by one.

Only a day after your conversation with the boys of Taehyung’s pack, you’ve come to your ultimate decision which has led you to where you are now, returning to Namjoon’s home for a wedding. Your wedding. You hadn’t very long to decide your own fate anyway, with the boys grimly warning you it was now or never. But you trust them, despite this crazed ludicrous situation you find yourself in ━ and you trust Taehyung more than anything, your friendship with him having quickly blossomed into something so sincerely profound over the year that you’ve known him.

If you’re being honest, Namjoon’s pack had at least made an effort for the occasion because despite how unconventional it is, it was still a celebration. A celebration for your marriage, and a celebration for their hopeful victory over Jaebum. Still, the underlying threat of the evening remains, made more prevalent by the fact that it was required to invite at least another pack (of which you’ve met the leader, Jisoo, a handful of times before) as witnesses. It’s a simple ceremony too, quaint and cute if you weren’t clinging to life. You had made it a point to dress up, digging a pretty white dress from the depths of your closet with flowing butterfly-like sleeves; Taehyung had forgone a suit but was still handsomely dressed too, leaving you to feel like less of an idiot. Namjoon had officiated it, standing before you and Taehyung as you held one another’s hand, wrapped delicately in ribbon, listening to the vows being proclaimed that talked about true love, and the passion and yearning involved.

When the handfasting finally draws to a close, you’re shoved into a room alone with Taehyung for a moment of privacy by Hoseok, who can be heard quipping wolfishly, “Get it over with quick!” before vanishing behind the closed door. You wager he’s left to join with the rest of the festivities outside where, no doubt, every werewolf is currently drinking themselves blind.

Finally alone with Taehyung, a saturated silence fills the air that has you wringing your hands anxiously in front of you. You sit on the edge of the bed in the center of the room. “What other choice was there, Tae?”

Taehyung takes a moment to respond, and even he knows the thought is a useless one when it crosses his mind before voicing it aloud. “We could have ran away.”

“How far would we get?” You sigh. Still, the sorrow earnest in his voice and riddling his face is enough to make you look up at him sympathetically. “I’m no use to you if Jaebum or someone worse finds us by ourselves. Besides, the boys need you.”

“No, you need me,” Taehyung insists. “Jungkook’s right. I dragged you and the pack into this mess. It’s my responsibility to fix this.”

He drags his feet towards the bed, then flops down onto his back on the mattress. A troubled groan punctuates the air, and you sneak a glance behind you to see him rubbing warily at his eyes.

You decide now would be the best time to ask the one question that has been on your mind since the night before when you were sitting in Namjoon’s kitchen to discuss Jaebum’s scorn. “Is that why… Is that why you offered to be my mate?”

“Yes,” Taehyung admits meekly. “Sort of. Think we’d all rather it be me than Joon, anyway.”

You don’t argue with this. The reasons as to why it had to be Taehyung satisfied you well enough. That, and aside from having befriended the pack over the months, you’re much closer to Taehyung than you are with the others.

“So…” You trail off, clearing your throat. At this point, you’re simply speaking for the sake of filling the void. “What now?”

Taehyung shrugs. He looks around the room. “Nothing.”

“Well, what did Hoseok mean just now? Get what over with?”

“Erm━” Taehyung opens his mouth, as if preparing to explain, then decides otherwise. “It’s nothing.”

“Taehyung, we literally just got married and you’re already keeping secrets from me,” You retort. “What’s wrong?”

“Nothing’s wrong,” he insists. “It’s just that… Well…” He sits up from the bed, meeting your curious gaze. “This was essentially a mating, and every mating needs to be seen through to the end to be considered valid. The pack can tell when it’s… uh… done.”

Oh.

Now it hits you. It’s the way he awkwardly trails off, hand ruffling through his long locks, that has you immediately understanding what he’s trying to imply. You gawk upward at him. “Are you asking me to sleep with you?”

Suddenly, Taehyung looks flustered and he shakes his head frantically. “I mean, they expect it, but I would never force it on you.” Then, he straightens up, as if captivated by a newfound confidence. The smallest of smirks dances upon his lips that you don’t miss. “Besides, I never said it had to be between you and me. As long as they can sense it, I’d say your hand would do just fine instead ━ but you have all night for that.”

“Oh my god.”

The smirk widens into a devious look now. “You said you wanted honesty.”

As he dissolves into a fit of stifled chuckles, you scowl but you wager it’s mostly an attempt to hide the frazzled look on your face. Then, hurrying to change the topic, ask, “Is every mating like that then?”

“Yeah,” Taehyung admits. “If two mates want to stay together forever, they complete the process with marking, usually by a bite. It strengthens the mating bond.”

Taehyung notices you squirm in your spot, crossing your knee over the other and squeezing your thighs together. He can sense you’re uncomfortable, understandably with your current situation, but can’t quite pinpoint what else seems to make you sit so rigidly.

“What was it like for you?” He decides to ask. “The handfasting?”

The question takes you by surprise, though his sincere intrigue makes you smile smally to yourself. “I’ve never experienced anything like that before, but it was… It was nice.” You think back to nearly an hour ago, and the way Taehyung had looked standing before you. While you were marrying him out of necessity, there was something candidly beautiful about the entire ceremony. At the very least, you were glad it had been with Taehyung of all people. “Can I be honest with you, Tae?”

“Of course,” Taehyung says. “At this point, you can pretty much tell me anything. Don’t think anything’s as shocking as coming out as a werewolf.”

An innocent giggle bubbles at your throat. Suddenly, you look sheepish. “I might have had one too many glasses of wine before coming.”

“Ah.” Despite the interested hum of noise, he looks genuinely entertained. “So you’re drunk?”

“Not quite. Pleasantly buzzed,” You say. “Well, can you blame me? The occasion called for it considering a bunch of wolves want to kill me and I’m being arranged into a marriage.”

“So you don’t remember anything about your own wedding?”

You pull a face, though Taehyung gathers it’s because of the blunt mention of the word. “I do. Just… not all of it. Some things are clearer than others, but I think that’s mostly because I was nervous.”

“I remember every moment,” Taehyung muses thoughtfully. “I remember seeing you there, in your dress, and everything felt right despite it all.” His stare hardens in that moment, as if probed by the harsh reminder of the reasoning behind the night in the first place. “You know I’ll do anything to keep you safe, right? We haven’t had time to sit back and talk it over but you really do mean the world to me.”

A muffled groan eclipses your lips. You dig the heels of your palms against your eyes as you bemoan, “Don’t say those kinds of things, Tae.”

“Why?”

“Because… Because…” Your eyes shoot open, though suddenly you refuse to meet his curious wandering gaze.

But Taehyung doesn’t even need you to finish your thought. You wonder if it’s one of the many keen abilities possessed by these shapeshifters or if it’s simply a Taehyung thing, being that he’s quickly become one of your closest friends over the year that you’ve known him.  

“You’re still nervous,” he hums as delicately as possible. It’s not an accusation, but a simple fact of the matter. He pushes himself to sit on the edge of the bed beside you, leaving an appropriate amount of space between the two of you. “Are you nervous because of me?”

“No.”

“That’s a lie,” Taehyung snorts. When you don’t respond immediately, a small inkling of a doubt makes him question apprehensively, “Are you scared of me then? I wouldn’t blame you, especially after everything that’s been going on━”

“What?” You finally turn to look at him, a look of incredulousness contorting your face. “No! No, I’m not scared of you, Tae. I could never be scared of you.” You don’t dare turn to face him, instead keeping your eyes fixed on your hands as you continue. “You make me nervous, but not in a bad way. Does that make any sense?”

“Yeah. Yeah, it does.” When you chance a look at him, you find him smiling softly to himself. “It’s the same way I felt when I saw you earlier tonight.”

Your heart quickens in pace against your chest, and you’re almost positive he can surely hear it. Now, you finally lift your timid stare to meet his pensive look, and you have to bite back the smile that threatens to form on your face. He looks distracted, though not in a way where his mind is elsewhere entirely; instead, he seems besotted, dark eyes shimmering gently, and there’s a palpable shift of energy in the atmosphere.

Without even realizing it, the pair of you begin to gravitate towards one another, leaning in close enough to shorten the distance between the two of you. You pause, lingering near enough to feel his warm breath fanning against your neck. He can’t help himself, and reaches out with his hand to brush his fingers along your shoulder to the base of your throat, sending chills down your spine. His hand comes to rest against your neck, fingers stretching outward to cradle the back of your head. He guides you toward him this time, closer and closer.

“Taehyung…” You whisper.

He stops at once, clamps his mouth shut and squeezes his eyes closed. His restraint seems to be not without labour, judging by the sobering small shake of his head, and the way he leans his forehead against yours, tendons in his jaw fluttering as he clenches his teeth. “I’m sorry. I shouldn’t.”

“I want you to.”

He’s startled when you’re the one that moves first, catching his lips onto yours. He’s unmoving at first, basking in the feel and taste of your mouth smoothing over his. It’s slow, steady, but then he’s craning his neck to deepen the kiss and something feverish overtakes the both of you. You clamber onto his lap at once, swinging one leg over his and settling back onto him, your dress bunching up at your thighs. He’s taken aback for a moment, though his hands instinctively come to grip at your waist and you try not to focus on how large and warm they feel, burning against the material of your dress. In fact, every inch of him radiates a thermal energy that is both comforting and excites you. You chase his lips, yearning for another kiss, but he hesitates at the last moment, jerking his head away. He doesn’t move very far at first, then he drops his head into the crook of your neck. His nose burrows against the base of your throat, his lips brushing against your skin as he moves along your neck to your shoulder, then back again. You can tell he’s holding himself back, not quite allowing himself to enjoy this. To enjoy you.

“You said we have all night, didn’t you?” You rasp. “So why not start now?”

“I also said it didn’t have to be between you and me if you didn’t want it to be.” Taehyung finds his voice at long last, however hoarse it may be. You’re already driving him crazy, just by your smell alone. “Are you sure? You said you wanted honesty, so be honest with me, Y/N. Don’t just say it’s because it has to be done. I don’t want you to regret anything.”

“Well, don’t you want this?” You question.

“Fuck, yes.” He groans against your neck. Something feral seems to stir within him, and you can feel his canines bare against your skin. “But only if you do.”

You aren’t quite sure what seems to possess you all of a sudden. He’s intoxicating, you think. Your hands tug at his hair now, desperation wearing your own voice thin. “Yes, Tae. Please. I want you inside me so badly.”

Finally, he presses his mouth against your throat, tonguing hot open-mouthed kisses there. His grip tightens around your waist, tugging you harder against him, and the feeling of him growing harder against your inner thigh in a matter of seconds has you both enraptured by a newfound heated ferocity.

Grasping at a moment of clarity, you ask meekly, “Isn’t this your first time?”

“Is it that obvious?”

You want to tell him anything but, the way his hands and lips move across you an indicator of that. “I thought you wolves are all about sex. Don’t you, like, go into heat or something?”

It’s a feeble attempt at a snarky joke, judging by the way your lips unfurl into a languid smirk. “Typically. But I never wanted sex for the sake of fucking. The boys make fun of me all the time for it.”

You snicker, but the delightful noise is lost in a simper as he continues to kiss upward to the underside of your jaw. He grips tightly at your waist and moves, shifting the two of you around, until your back is splayed out on the edge of the bed and he’s hovering directly over you.

“Taehyung…” He grunts in response, though you don’t blame him for not responding. The way his cock bulges against your core now, the way you press your hips up into his instinctively, is enough to drive you insane, let alone the boy. Still, you manage to rasp, “Tae, just don’t bite me. Promise me.”

“I won’t,” he assures, though now he certainly seems preoccupied. He inhales deeply, nostrils flaring, and whines aloud, “God, I can already smell you. So fucking good.”

His head falls into the crook of your neck as his hips dig harshly into yours in a way that makes you aware of what his words seem to mean. Slick arousal already begins to form between your legs, pooling into a mess on your underwear that has you squirming beneath him. The thought of him being able to smell you makes your face heat, but he doesn’t seem to notice. He kisses down to your collarbones, then, without warning, flips you over at once. Rough hands grasp at your waist, pulling you to your knees and your ass off the edge of the bed. As he fumbles to tear your panties from your hips, then lifts the skirt of your dress up with one hand, he hurries to undo his belt and the button of his pants with the other.

“Wait, Tae━” You gasp. Before he can push himself into you, you heave yourself up with your hands and twist just enough to place your palm above his waist on his abdomen, stopping him in his place. “What are you doing?”

“What’s wrong?” he asks, brows creasing with concern. “Isn’t this how it’s done? I’m not totally helpless.”

You bite back your abrupt grin, swallowing your amusement when you realize he’s genuinely confused. It’s hard to grasp how he can look so innocent even despite his leaking cock still in his hand. “Well, yeah, but not always.”

“I just thought it was like how dogs go at it, y’know?” Taehyung says. “The guys all seem to say so anyway.”

You can’t help it now when this newfound information has you keeling over with laughter. You’re fortunate he doesn’t seem offended by your delight, instead grinning sheepishly to himself as he watches you wipe tears away from your eyes.

“What?” he asks promptly, and then as if to nudge you back to reality, tightens his grip on your waist and yanks you towards him gingerly. Pressing his front flush against your back, he catches your ear lobe between his teeth and nibbles on it.

“Then I feel sorry for their mates,” You manage to choke out. “It’s not bad, but I want to be able to see you the first time around. It’s better that way. More intimate.”

You squirm out from beneath him, turning to face him properly. Still sprawled out before him, you prop yourself up on your elbow and then reach out with your other hand to grab at his face and pull him down to you.

“Noted,” he hums into your mouth. “Anything else I should know?”

“Nothing that I can think of at the moment,” You admit, though maybe that’s simply because your mind is spinning at the sight of his length.

He’s much, much bigger than you imagined, tip irritated and swollen red already, glistening with precum as he swipes his palm over himself a handful of times. You hike your dress up further around your waist as he guides himself towards you.

“Stop me if it hurts,” he says.

You nod, though you trust him well enough to know he’ll treat you right in the best way possible. As he pushes the tip of his length against your folds and into you, your reactions are almost immediate. He ceases above you, face scrunching up at the feeling of your slickness around him. You notice his furrowed brows, the way he bares his teeth. A guttural growl sounds deep within his chest that has you shuddering in anticipation.

“Oh, fuck,” he moans. “You’re so fucking wet. You take me so well, baby. I don’t think I’ll last long.”

“Don’t care,” You whimper. “Just wanna feel you.”

He pushes himself in further, slowly and carefully, inch-by-inch, in just a way that has the both of you feeling how he stretches you open every single step of the way. You wonder how much further you can go until he’s stopping, bottoming out within you. He sputters for air, collapsing against your chest entirely as you fall back onto the bed. He waits just enough for you to adjust to the girth of his weight in you, then rolls his hips into yours. Then again, and again, until he’s grinding into you with such measured and deep strokes that you melt beneath him entirely. You kick your legs up to wrap around his waist, head lolling back at the feeling of his mouth sucking against your throat.

“I’m gonna━” His voice splinters off then into an abrupt cry. “Fuck, I’m gonna cum━”

He’s quick to dissolve into shambles, grunting and moaning every time you clench around him and every thrust of his hips. Just when you think you’ve lost yourself to the moment, he cums much faster than you thought and entirely unexpected for him too, in hot waves that have you still writhing beneath him. When he’s spent, his weight falls slack against you, crushing you beneath him but in a comforting manner. It’s silently peaceful for a few moments as he settles, heart thundering in his chest and against yours. Your fingers smooth over his sweaty long locks, scratching at his head. Then━

“That was terrible, wasn’t it?” he mutters wretchedly.

“Not terrible,” You confess. “What was that? Three minutes, top? For your first time, I’m honestly surprised you lasted more than a minute.”

“Fuck off.” His fingers poke at your sides teasingly as you burst out into laughter. He lifts his head to meet yours, perhaps a little embarrassed. “Don’t tell the guys. They’ll never let me live it down.”

“Doesn’t matter,” You hum, tracing your finger down to his lips. “We can practice whenever you want. I’ll make you into a lover so good, you’ll want me to brag to them.”

“Practice, huh?” His eyes sparkle mischievously. He pulls himself from your core and you hiss at the sudden loss, tugging at his chest as if to keep him close to you but he seems to have other plans. “Why stop now?”

You watch him curiously. “Easy there, boy. Don’t wear yourself out.”

“Well, I have to make it up to you,” he points out. “Especially on your wedding night. It’s only fair. What kind of lousy mate would I be to call it a night without having you cum on my face?”

“Romantic.” You roll your eyes but you marvel at the way you had shuddered at the word only moments ago and now, under such a different circumstance, the way he utters it makes your heart flutter in your chest. “Is this the first time you’ve eaten a girl out?”

“I said I was a virgin,” he says. Your eyes stay trained on the boy as he shifts himself further down your body to wedge himself between your thighs, throwing one leg over his shoulder. He kisses at your navel, then down to your core. He takes his time as he reaches out with his fingers to swipe at your folds, admiring the way his cum leaks from you; then, with his forefinger, he wipes at a stray bead of his arousal and pushes it back into your cunt slowly. The simple action is enough to have your back arching off the bed, hands flying out to brace yourself by gripping at his hair. “I never said I didn’t know how to please a woman elsewhere.”

“Enlighten me.”

“Gladly.”

He sinks lower to your core and out of sight, leaving hot open mouthed kisses along the way. His finger never once leaves its spot within you, and instead is joined by another that spreads you wide in absence of his cock.

“Do you know how hard it is to focus on anything other than your beautiful cunt?” he asks, voice low and sultry. “From the moment I could smell you, I wanted a taste.”

His tongue probes against your clit, the wet muscle a sudden startle that has you slackening against him. He flicks it back and forth, mouth wrapping around the bundle of nerves and sucking hard. A moan threatens to fall from your lips but an intrusive thought crossing your mind has you swallowing it with much difficulty.

“Can’t the boys hear us from down there?” You ask. You wonder how the celebration for your “wedding” has unfolded over the night without you or Taehyung there, or if they even notice your prolonged absence.

“No.” His voice is a deep mumble, rattling you from your core outward. “We learn how to tune out sounds nearby unless we really want to pay attention. The new ones struggle a bit, though.”

He curls his fingers inside you, stretching them upward. You pant, “Isn’t Jungkook still new?”

You can feel his smirk unfurling against you even before he pokes his head up to look at you with devious, hooded eyes. “Yeah, well, it’s a bit of a hazing process.”

You hardly have time to register the thought, though it doesn’t matter much. You’re far too overwhelmed by the way Taehyung is making you feel to even care. He drops his mouth from your clit to your folds, tongue swirling against your aching core. He laps at your cunt like a mangy dog as his fingers continue to work within you. The further he burrows into you, the harder his nose digs against your clit and sends you over the edge. You try to hold on just a little longer but your core is already achingly sensitive from when his length had made it home.

“Cum for me,” he murmurs. “Don’t hold back, baby. Let me taste you.”

Fingers twisting in his hair, he growls roughly against you, basking in the way you mewl and moan his name. Time seems to blur and, before you know it, you’ve reached your high. You’re embarrassingly wet, soaking his chin and nose which glistens with a mixture of yours and his arousal. Taehyung doesn’t hold back, instead licking you clean of every last drop, a muffled moan of content emitting from him.

“So good,” he says. “All mine.”

When he finally pulls away from you, he licks at his lips as if not quite finished with your every taste. From where he sits, you’re an entire mess, brows scrunched in concentration, teeth tugging at your lower lip. Needy hands yank at his hair and he obliges, kissing his way up your body to meet your mouth. His tongue pokes through to lav at your lips and wedges itself beyond, and you suck delightfully at the taste of you and him mingling on it. His own hands caress your body, bringing you back down from your high gradually but you can still feel his straining dick against your thigh and it invigorates you even further despite the beginning hints of exhaustion starting to creep upon you.

“Want more,” Taehyung growls with a newfound intensity, catching you off guard. “Need your cunt. M’gonna make it mine. Need to make you mine. Gonna fill you with my cum till you’re bursting with my pups, how does that sound?”

Mind spinning, you nod eagerly at the thought. Your words form in the shape of a moan. “Yes, please.”

“Gotta get this dress off first,” he mutters, greedy palms wandering up beneath the hem of your dress.

You scurry to obey, helping him slide the dress off your arms and toss it away on the floor. He’s more than pleased to see that you had decided to forgo wearing a bra earlier in the day, and reaches out at once to grasp at your perked breasts in his large palm. He buries his face into your chest, catching one of your nipples between his teeth. He busies himself by marking your chest red with small nibbles until you grow impatient, tugging at the shirt he’s still wearing. He’s quick to oblige, shedding himself of his clothes; then, his nails are digging viciously into your hips as he flips the two of you over with incredible ease.

“Sit on my cock,” he snarls into your ear. “Need to feel you again.”

Legs weak from your past orgasm and the huskiness of his voice, you sidle onto his lap, tossing one thigh over his. He sits up to join you and helps push himself past your folds, though you finish by settling back on his length carefully until you’re filled to the brim. Despite already knowing what to expect from the first time around, you still shudder at the feeling, mouth unhinging as you roll your hips leisurely against his. He hardly strays from your body, instead continuing to kiss between the valley of your breasts and up to the underside of your jaw and back again. Fingers poke and prod at your body as they follow his lips, then grasp at your ass to push you closer to him each time you grind against him.

Just when you begin grinding against him in a new angle that makes you moan into his ear, a sudden noise startles the both of you but only just. It takes you both a moment to register it’s the sound of knocking on the other side of the bedroom door (that you can’t remember if Taehyung had locked, because you certainly hadn’t), followed by Jimin’s familiar voice. “Joon said he wanted us to check in on you!”

Taehyung immediately groans into your neck out of frustration, though you suspect it’s because your pace starts to stutter and not because of his bothersome friends.

“Taehyung,” You bite at your lip in an attempt to hide your moans. You tug at his hair, as if to portray what your words fail to do, but he can hear it plainly riddling your voice. The concern, and the sudden shyness, as if fearing Jimin may walk in. But part of you is thrilled at the thought, and judging by the way your unabashed cry of glee slips from your lips without much hiding is proof of that. “Oh, Tae━”

“Shit,” Taehyung’s muffled grunts of pleasure and the way his hips continue to dig into yours to meet your efforts makes you aware Jimin is the least of his current troubles. “Fucking hell━ Don’t stop.”

“Are you guys okay in there?” Now comes Hoseok’s voice, a little faint but undeniably there. Can they hear you? Do they care? They must know what’s happening beyond the door.

“They’re doing it on purpose. Fucking idiots,” Taehyung snarls as he slams his hips up into yours. A contented whimper falls from your mouth, and you cling to him tighter as you quicken your pace. Taehyung grabs at your chin, forcing you to keep your eyes fixed on him despite wandering to the door. “Look at you fucking yourself on me still even with them listening. Such a good girl, huh? So desperate for my cock, aren’t you? Gonna breed so well.”

You think Hoseok and Jimin give up and leave at some point, though you don’t recall when. Instead, in the next moment, something primitive seems to awaken in Taehyung once more and he’s shoving you onto your back on the bed. Kneeling before you, he pummels his hips into yours again and again until you’re only crying his name.

“Mine. All mine,” he growls. “Wanna feel you cum on my cock.”

So wearied from your first high, you tumble easily to your second, coming undone in a matter of seconds, spurred on by the lewd wet noises of his length thrusting into you.

“That’s it, baby,” he mutters, basking in the sound of your moans. “Fuck━ Let them all know who you belong to━”

But just when you think Taehyung has reached his own orgasm ━ sputtering for air and crescendoing in moans of your names, panting hot breath into your ear as he leans against your chest ━ he doesn’t. His thrusts become desperate and sloppy, bordering on frantic, that the soreness between your legs begins to burn. It’s an amalgamation of stubborn yet bearable pain and something harshly pleasant that has your head lolling back.

“What’s wrong?” You moan, blindly tugging at his hair. “Taehyung?”

“I can’t━” He cries out. “I can’t━ I’m so fucking hard, it hurts. I don’t know what’s wrong━”

Confused yet too tired to keep up, you reach out to smooth your fingers across his back. “It’s okay. Just let go, baby. Cum for me, Tae. Please.”

“I’m trying,” he chokes out. “I just can’t━”

Your mind works in a haze to understand what’s happening, but through it all you’re able to discern one reasonable thought. What had Taehyung said about matings and bonds? Aside from the obvious of sleeping with a mate, he had said that typically certain bonds require marking. But he had also said that marking proved to be almost irreversible, resulting in a connection so close that a pair of mates would be together forever. It was a troublesome concept to think about, especially when considering you didn’t think you were a fit match for Taehyung if only because you’re human.

But is that what he needed? The physical strain he puts himself under now to reach his high is almost unbearable to watch. So, you settle on a whim of a decision and conclude that you won’t think of any consequences until after the fact, only wanting to see the poor boy in relief.

“Tae,” You whisper. “What if you bite me?”

“I won’t,” Taehyung says through gritted teeth. His pace has slowed as he slumps against your chest in nearing defeat. “You told me not to.”

“I don’t care,” You retort. “Just bite me.”

He hesitates, lifting his gaze to look at you. When he sees your earnest zeal, he grimaces as if despising that this is his only option. Still, the look of relief that crosses his face is undeniably there. He presses his mouth against your throat, lips brushing faintly against your flesh as he grazes the smooth expanse for a spot, sharp canines poking against you. You brace yourself for the bite, though the pain isn’t as bad as you had thought. A sharp jolt runs down your spine as he sinks his teeth into your skin, and his reaction is immediate, crumbling into pitiful moans of glory.

“Fuck!” he wails. With one final slam of his hips into yours, he finally reaches his high and it’s unlike anything you have felt before. As if he begins to swell within you, his length pulsates as he cums in you to the point where you can’t help but feel so full. It overflows and leaks from your core and onto the sheets, a sticky mess that lingers even long after he’s done. Your mouth pops open at the foreign feeling, whimpering his name.

“I’m sorry,” he flinches. “I’m sorry, does it hurt?”

“No,” You manage to say. “It just… It feels so good━”

He sluggishly rides out the rest of his high until you both physically can’t take anymore. When he hears you hiss his name in a soft reminder, he apologizes once more. Then, as the room falls oddly silent, he slumps against you. He lavs his tongue over the fresh mark on your neck, the gentle motion alleviating the sting left behind. As Taehyung settles finally, he shifts his head to look up at you. You note the faint yellow hue lingering in his eyes, fading now.

“I’m sorry,” he says again. “We might have to stay like this for a while.”

“Can’t say I’m mad about that,” You croon sleepily. “You better draw me a bath after this.”

He laughs, rubbing gentle circles against your hips. “Of course. I’ll do anything for you.”

You believe him wholeheartedly when he says it, smiling against his mouth when he leans in for a kiss. His tender wandering hands over your body does wonders in calming your shrill heart, the stretch between your legs, and the bite on your neck. He nuzzles his face into your collarbones, the tip of his nose tickling against you. As your fingers rake through his hair and scratch at his head, he mewls in content.

“Is it always like that?” You ask through a stifled yawn. “You had so much energy, I could barely keep up.”

“No,” he admits groggily. “It’s only like that when you’re mated with someone.”

“What does that even mean anyway?” You ask. “To be mated with someone?”

“Well, it’s━ It’s not really a conscious decision. It sort of just happens,” Taehyung says. “It’s a connection. You gravitate towards one another. You can’t live without the other. We call it imprinting. Sometimes you’re mated to a person who doesn’t even want you, but those are rare instances.”

“So we’re the exception?”

“I thought we were,” Taehyung trails off now. He finally lifts his head to look at you, perhaps a little embarrassed. “I━ Well━ All of this, and especially the bite, doesn’t just happen ━ and definitely not with humans.”

“Oh.” You blush now, face warming under the boy’s introspective stare. “So you’re saying we’re…”

“I always thought there was a connection, but I didn’t think it meant this,” Taehyung murmurs to himself. “As crazy as it sounds, I think we were meant to be.”

“So the bite…”

You don’t finish your thought, instead already having pieced it together in your mind. It does sound crazy, but even you have felt it before. A strange connection to Taehyung, far more exceptional than simply having feelings for him. And the bite is what draws it all together, proving his point and your previous speculations about some sort of affection between the two of you.  

“Are you starting to regret this now?” Taehyung asks sheepishly, a weak attempt at a joke to what he had asked you earlier in the night.  

He braces himself, as if waiting for your outburst of annoyance or anger. To push him off of you and leave forever. But you do neither, instead reaching out to grasp at his face in both of your hands. You delicately lift his head, meeting his docile stare, entirely and utterly bewitched by him.

“No,” You say earnestly. “I couldn’t have asked for a better night.” A smile forms on his face, innocent and ardent in nature. “I’m just wondering how I’ll hide the mark.”

“I think there’s little to hide now after tonight,” Taehyung grins wolfishly. “Especially with the boys.” 

He quivers with laughter at the sight of your scowling face and fingers poking at his sides. As he settles, he leans into your ear to hum, “I’ll make it up to you. Everything. Jaebum, the bite, the boys. But I think you should rest now. We’ll deal with all of that later.”

You don’t argue with that. You’ve already begun to fight the beginnings of sleep, eyelids drooping and itching with a need to just close them ━ and with Taehyung’s arms wrapped around you, his body emitting a pleasurable heat, you decide there’s no place else you’d rather be, moonstruck and in love.

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[buckyownsmylife]

daddy issues - epilogue

The one where Ransom doesn’t feel ready to become a father, but he should have thought about it before sleeping with a complete stranger.

When Ransom’s latest one night stand lets him know that he’s going to become a father, he finds himself looking for the qualities he never believed to have so he can become the parent he never got to witness as a child.

for general warnings and author’s notes, please go to the fic’s masterlist.

A/N: as always, I'm excited to keep writing for this universe in the form of drabbles, so don't hesitate to send me your ideas/requests.

Ransom’s P.O.V.

“And they lived happily ever after. The end.” Closing the book, I glanced at the child sleeping peacefully by my side, clutching his little gray elephant tightly. He had fallen in love with the plush toy ever since Harlan first gifted it to him, back when he was still a newborn.

“Every Drysdale man should have his companion.” He winked, running a finger over my son’s soft cheek. I was still so fucking soft from the whole experience of Y/N’s childbirth, all I could do was laugh.

“Where’s mine?” I teased, caressing Y/N’s arms as she rested against my chest. Harlan paused his observation of Cedric’s sleeping form to lay his eyes on us, a poignant expression on his face as he looked from her to me.

“Well, it took a while, but don’t you have yours now?” As realization dawned on me, I squeezed my girlfriend in gratitude of being able to call her that now.

“Can’t believe you’re trying to take credit for our relationship.” But my grandfather only smiled.

“Oh, I’m not the one in charge of assigning the companions, Ransom. It’s a much more complicated job, and it takes intelligence from our part to recognize them for what they are.”

I remembered looking at Y/N to find her asleep in my arms, much like our son was doing on the crib next to me. And I had never felt happier or more at peace.

I decided right then and there that I would do whatever it would take to keep that feeling alive, and share it with her and Cedric, too. I wanted them to know this happiness, this overwhelming excitement that I felt as I realized I had everything I had ever wanted in life.

But I didn’t need to worry. It never faded away. Every morning that I got to wake up with Y/N by my side, kiss her cheek and go grab Cedric from his crib, I was filled with it once more.

I knew it was a part of me now.

I was still lost in my reminiscences when I went downstairs to join my girlfriend in the kitchen, watching her finish putting away the dishes before reaching for the ring she had taken off while washing them.

My ring. My pinky ring, to be precise. I’d given it to her the very next morning after Cedric was born, for no reason other than I wanted to show her in a material gesture how I was feeling at that second - how she made me feel by giving me the family I’d never allowed myself to believe I would have.

Y/N’s P.O.V.

I caught sight of him standing by the threshold of the kitchen and I smiled as I finished wiping down the counter so we could go to bed. He looked lost in his thoughts, transfixed even, and since I didn’t know what had provoked that I couldn’t help the frown that took over my face.

“What’s wrong, babe?” I asked, moving closer so I could hold him, see if I could find any answers in his beautiful blue eyes.

“Would you be okay with getting married?” He blurted out, hands wrapped around my wrists as my eyes widened in surprise. Of all the things I was expecting him to say, it was safe to assume that this one didn’t even make the list.

“Would you?” I had to ask, earning a chuckle from him. I giggled excitedly when I realized what was happening. He really wanted this. This hadn’t been the consequence of some sort of psychological pressure or even something he felt obligated to do.

He truly wanted to marry me.

“Yes,” he answered, simply. “You’ve made my life better in every single way. I don’t want to live without you anymore.” Cradling my face, his thumb wiped away a tear I didn’t even notice had fallen. “I want the toys scattered around the house right next to law books and case files. I want all of it, forever.”

My heart was beating so loud I could hear it in the empty kitchen as I struggled to find the words to say how I felt. But Ransom wasn’t the kind of man who relished in the silence, so he just kept going.

“Falling in love with you was the most terrifying thing I ever did, but it was well worth it,” he smiled, and a hand flew up to cover my mouth when a sob broke free at the sight of his beautiful eyes glistening with tears. “Nothing could be better than this, darling. So please, give me the pleasure of doing this forever.”

I took a few seconds to take in the sight of this flawed, perfect man, who had the courage to tear down his walls to let me in and love me like I never allowed myself to believe I’d ever be loved. There was no doubt in my mind as to what my answer would be.

“Yes.” His triumphant smile had me laughing, but it was a wet, teary sound. It amused me to no end that he actually considered, for even a second, that I could possibly answer anything else. “I love you, Ransom.”

I turned my face to kiss the palm of his hand before I allowed him to capture my lips in his. “Then will you let me breed you?” It was so damn unexpected that I broke down into laughter once more, shaking my head at the antics of my future husband.

“I believe you already did, Mr. Drysdale,” I teased, rubbing my nose against his just to see his frown. “And the proof is waiting for us upstairs.”

Of course, I knew what he meant. The fact that he could ask me to do it this time was so fucking hot to me.

“Let’s do it,” he insisted, hands settling on my hips. “Let’s give him a little sister.” He was already hoisting me up on the counter, lips searching for mine before I could find something to say.

“Right now?” I asked, even though I craved to feel him inside of me just as badly. “You don’t want to create your next child in a bed, Mr. Drysdale?”

He hummed against my mouth, hands slowly running up my thighs until they found my underwear and expertly pulled the fabric down my legs.

“Any place is good enough for me, sweetheart. Just as long as I get to cum deep inside this pussy.” He didn’t give me the option to retort anything, opening me up with his fingers for his tongue to swipe through my lower lips.

He lapped at my arousal with a hunger that was now familiar to me, and yet it still brought me warmth as nothing else. Getting on my elbows, I watched him lick me like I was the most delicious nectar he had ever tasted, taking notice of how he had his eyes closed as if to fully concentrate on this moment.

“God, you’re delicious,” he complimented finally, pulling away from my cunt to stare at me too. “Nothing tastes this good.” I was panting by then, desperate to get him inside of me.

“Come here.” I pulled him up by his shirt, capturing his lips with mine on a wet kiss that allowed me to taste myself. “Get in me, babe.”

He didn’t waste much time. Rubbing the head of his member between my lower lips, his head fell on my shoulder to suck bruises on the soft skin when I released his lips to moan at the pleasurable stretch.

“C’mon, baby,” he urged, thumb rubbing circles over my nub in the hopes to help me accept him quicker. So many fucks later and I still struggled with his size…

“You’re too big,” I groaned, knowing how much he loved to hear it. He smiled against the skin where he was gliding his lips, feeling way too smug with himself because of what I’d said.

Truthfully, he had every right to be.

“I know you can take it,” he insisted. “I know you can take every inch of me, be a good girl for daddy.” Giggling, I hid my face in the crook of his neck, breathing in the scent of his expensive cologne.

“Did I say something wrong?” He questioned, fingers tightening against my hips and tickling me in the process. “Am I not your baby daddy?”

The overwhelming sensations both inside and outside of my body had me biting on my lower lip, head falling back until I couldn’t take it anymore, and conceded, “Yes! Yes, you are!”

When I finally managed to open my eyes, Ransom was smirking at me. “I know you love it.” I wrapped my arms around his neck, hoisting myself up to kiss him.

“Okay, I do,” I agreed, taking a deep breath before adding, “… daddy.” It was hard to contain my laugh when he sucked in a breath, eyes darkening even further as his hips sped up and he started jackhammering into me.

My orgasm took me by surprise, my nails biting into Ransom’s biceps as I struggled to hold back my moans so as not to wake Cedric up. “Fuck,” he cursed, sweaty forehead falling against my shoulder as he neared his own peak. “Why does it feel even better now that I know I’m getting you pregnant?”

I didn’t have an answer to that. The sounds he released as he came brought me to another minor orgasm, and the way he looked at me while he caught his breath didn’t help with my arousal levels, either.

There was such softness in his eyes, it was really no wonder I still wanted him to fuck me - fuck me all night, fuck me until I passed out, crying and begging him to stop.

“You’re so beautiful, darling…” He whispered, unaware of the filthiness in my brain. “I love you so much.” Pulling him by his sweater, I connected our lips once more.

“I love you too, honey,” I assured him. “Now fuck me some more.”

#my series #ransom drysdale x reader #ransom drysdale reader #ransom drysdale reader insert #ransom drysdale reader inserts #ransom drysdale fanfiction #ransom drysdale series #ransom drysdale fic

[linkspooky]

THE TOP THREE HEROES ARE ALL FAILURES

In the sense that Enjdeavor, Hawks, and Jeanist all embody the failures of the hero system. The first clear sign that all three people who were set to inherit All Might’s Legacy would fail in doing so, is that none of them really understood what kind of hero was in the first place. 

Endeavor only ever saw All Might’s Strength, and thought All Might’s genuine desire to save people was just him playing to the crowd. Hawks thought Endeavor’s desire to surpass All Might was heroic, and what made him a better hero because he didn’t give up when everybody else said it was hopeless, but we the audience know Endeavor gave up early and took it out on his family instead. Best Jeanist thinks what’s most important of all isn’t saving people but rather “The Image” of Heroes to the public. Except, the only reason All Might was a hero obsessed with image is because he wanted even those he could not reach to be able to live in peace and save themselves. 

The top three heroes are all lacking in what All Might had, in that none of them actually believe that Heroes should save people. Enji believes in strength above all else, Hawks in sacrificing one’s self for the faceless masses, and Best Jeanist in the image of heroes to the public. 

It’s really showing that the option of “Saving Dabi” did not even occur to them once, despite the fact that they are completely willing to give a helping hand to the man who made Dabi.

The current number one, two and three heroes are all obsessed with All Might’s Legacy, however all of them are failures to All Might’s Legacy as well because they don’t understand the underlying ideal of heroes saving people. All three of them represent the failures of hero society, which is why they aren’t shown being overly concerned at hero society’s victims. Even when it’s revealed that one of hero society’s greatest villains Dabi, was actually one of hero society’s greatest victims too, created by one of their own, their beliefs barely change.

1. Enji Todoroki 

Enji was never concerned with saving others being the job of a hero. His one and only focus was just to be the strongest. He even has a shallow view of All Might’s ideals and goals because of this. He thinks the reason that All Might won number one was because 1) his all powerful strength and 2) his popularity with people. 

Enji never once mentions that All Might became the hero he was, because his number one priority in every situation was to save as many people as he could. Because, Enji doesn’t view it as the job of heroes to save others. 

Toshinori worked so hard because he genuinely wanted to be the shining light for others. He didn’t become the number one hero because it was his own personal dream, but rather because it was others needed of him. All Might isn’t a perfect hero either, but there’s still a difference between someone who wanted the number one spot because he genuinely thought it would save the most people, and someone who wanted the number one spot because he wanted to be the strongest.

Even after Endeavor’s supposed revelation where he saw Shoto being gentle with flames, rather than forceful and violence, Enji became the exact same kind of hero he was before. 

Think of the way Enji fought Shigaraki, burning him alive. He made several attempts to kill him during their fight, even though the rule is heroes absolutely must not kill, that’s what makes them different from villains. Heroes prioritize the safety of people, and saving civilians, except for Endeavor apparently. Endeavor as a hero is the exact same kind of hero he was before, and the flaw with that is if he had fought Dabi the same way he had fought Shigaraki.

He would have burned his own son alive. Enji isn’t even concerned in the least with saving people, even when the person most in need of saving is his own son. He sees villains as an absolute evil for him to punch and beat up in order to prove his own strength. The only way Enji knows how to be a hero is violently taking down crime and no one has ever challenged this, even though it’s the exact attitude that led Toya to his death.

Enji, only ever taught Dabi how to turn up the heat, because Enji wasn’t actually that concerned with his son’s well being. Toya was only worth something to him when he was strong, so Enji only ever taught Toya how to be the strongest hero and nothing else that a father should teach his son. Even now, Enji doesn’t let go of this idea of his that he has to be the number one hero, and being the strongest hero will solve all of his problems. 

Endeavor has used playing hero again and again as an excuse to run away. Now that Hawks is giving him another chance to be hero, he’s enabling him to run away again. 

It’s incredible how still even after the reveal, it’s always Toya who has to pay for the consequences of Endeavor’s mistakes. Toya is left alone to burn to death and spends the rest of his life covered in burns forgotten by his father, and it’s Endeavor who gets the unconditional support and love Toya needed as a child offered to him, just because he happened to be a hero. If he was a villain he would have just been locked up.

Endeavor is framed as the hero who does not give up, and yet, he very easily runs away and lets Toya take the blame for the majority of his actions. If Toya had been able to carry his dream he would not have abused Shoto. If Toya had not died that day he would not have doubled down even harder on Shoto. Toya’s the reason they could not come together as a family. It’s never Endeavor’s actions, it’s always, somehow, Toya who is blamed, and Toya who is burned as the consequence of Endeavor’s actions. Now, Toya is the one who needs to be stopped when Enji is just as guilty. 

I’m not saying that Enji should not be given a chance to get better, but why is the good side of Enji’s actions expressed over and over again and not Toya’s? Toya is trying to reform all of society. Toya is trying to hold his dad accountable for abusing him and neglecting him to the point that he died. That’s murder. Someone who lets their children die because they couldn’t be bothered to supervise them can be charged with involuntary manslaughter in a court of law. Enji has killed too, but rather than admit to his own flaws it’s must easier to cast Toya s the villain that needs to be stopped and himself as the hero that needs everyone’s support. 

Toya deserves the same chance that Enji got. 

2. Hawks

Hawks only saw self sacrifice in All Might’s actions. He saw someone harming himself over and over again for the sake of others, and that’s probably why he admired Enji’s pursuit of strength more because it was the opposite of him. 

If Enji is the extreme result of the attitude that villains can’t be saved, only stopped by putting themselves down with violence, then Hawks is the extreme result of self sacrifice. Hawks seems like the ideal hero on paper, he would do anything, and give up any part of himself to save a faceless stranger just like All Might. However, Hawks also has decided that he has the right to sacrifice others as well.

Hawks is self-destructive. That’s the extreme end of self sacrifice. However, unlike All Might who took the burden entirely on himself, Hawks will choose others to sacrifice as well. If Hawks sees himself as a tool for the greater good he will extend that to others as well. If Hawks sees himself as a bad victim who turned his back on their parents, he extends that to others as well. 

So basically, Hawks’ number one problem is with himself. He can’t reconcile his past. He feels guilty for being abused by his parents. He feels guilty for not forgiving the same abusive parents. He puts everything he has into being a hero, and yet, he doesn’t feel like he himself is a hero. Hawks’ only way he knows to feel good about himself is to continuously sacrifice himself for the sake of others. 

Because he learned when he was young the only way to be good was by sacrificing himself to protect others. He only received the help he needs because he showed he was “one of the good victims” but deep down internally he feels like he’s the bad one, for not being able to do anything for his mother, for not reaching out to her. 

Hawks can’t see himself as a victim and it messes with the way he sees other victims as well. He divides them into good and bad, and then tells himself that he’ll offer to help the good ones, the ones willing to improve. Hawks’ represents Hero Society’s own willingness to throw the bad victims to the dogs. 

It’s specifically Hawks who Twice calls this out on. So we have a number one hero who thinks the only way to deal with villains is to violently suppress them, and the number two hero that thinks the only people who deserve to be saved is the ones he deems as “Good” or “Trying to be better.” 

It’s all because Hawks has this really self destructive idea of what kindness is. That kindness is somehow destroying yourself for the sake of others, that it’s being overly forgiving and not holding any resentment at all. 

It’s like how Deku acts like forgiving his father is a kind act. However, at the same time implying that holding onto resentment would be an unkind one.

Even though the reason Natsuo won’t forgive is because Toya is dead, and Enji never showed any apparent remorse for it, and didn’t try to fix anything. Even though one son died because of Enji’s training, and then Enji just decided to train the one remaining son he had left a thousand times harder. Natsuo is attempting to hold his father accountable for his actions, but Deku acts like blanket forgiveness would be the kind thing to do.

Even though Deku himself is willing to overlook all of Enji’s past abuse of Shoto, and his murder of Toya, but at the same time stresses how unforgivable Toya and Shigaraki are. 

Deku just saves people in a self destructive way. He breaks his bones to save others, thus mirroring Hawks who just saves people without genuinely thinking through who needs to be saved. They save people, because that’s the way they hurt themselves to prove how useful they are. However, neither of them actually goes through the trouble of thinking who genuinely needs saving, and that’s why they’re able to carry such a false double standard. Enji needs help because he’s trying to be better, whereas Toya’s not trying to be better. Ignoring the fact that you know, Enji tries to be better by just, forgetting everything he did in the past and sweeping his past actions under the rug, whereas Toya is still suffering from the scars of Enji’s abuse, permanently on his body. 

However, between Twice a person willing to die to protect his friends and act of complete selflessness, and Enji who can’t even bring himself to think that maybe he should try to save the son he let burn to death on a mountain peak which one do you think was trying to be better? Enji who spent ten years, even after Toya had already died to his training, training up Shoto instead even harsher. Enji who referred to Toya as “a failure” and “almost perfect” when talking to Shoto about his death. 

“I’m going to help anyone trying to be better” is just an arbitrary line that Hawks draws.

That’s even the critique that Twice levelled at Hawks. Hawks doesn’t care because he never actually tried to see the good sides of the other people, but Toga was someone who comfotred Twice and understood him. Toga was someone who made the league feel like home. Hawks labels Twice as the only good one, because he just didn’t bother to see what was good about the other villains. Yet, at the same time he strains himself to see the good in Endeavor, to the point where he constantly apologizes for Endeavor’s actions and sweeps them under the rug. Endeavor is a good man who is just misunderstood in Hawks’ eyes, who just went wrong somewhere, but Hawks can’t ever offer up the same sympathy to the worst victims of society. Who lash out and hurt other people in the same way that Endeavor did, except Endeavor’s is excusable and there’s isn’t because...??? 

 Hawks is in denial, because he refuses to look at the good sides of the villains. Twice didn’t choose to accept his offer of help, so obviously he didn’t want to be better, therefore Hawks is perfectly justified in putting him down. Notice though how Hawks mentioned prison time for Jin, but not for Enji (neglecting a child to the point where they burn to death is... still a crime). 

Hawks is still in denial about himself. He thinks he’s offering people a helping hand. However, from Jin’s perspective we see how manipulative he is. Hawks didn’t offer Jin a hand, he held him at gunpoint and told him to surrender and betray his friends. Hawks is just lying to himself, because he didn’t go out of his way to save Jin, he ruthlessly manipulated him, and then betrayed him. He’s not framed as a hero trying desperately to save a villain, but rather a friend betraying another friend who trusted him. Because, Hawks does not just sacrifice himself. He’s the extreme result of self sacrifice. Self sacrifice turns into self destruction. Self denial. Hawks sacrifices other people. He forces himself to dirty his hands, because he believes this is the only way he can be a hero. He’s too weak individually, so he has to manipulate, pull strings, and even kill in order to achieve the results he thinks will save the most people. However, by doing that he ignores the suffering of the victims right in front of them.

Not only that, but he ignores what contradicts his simple black and white narrative. Enji was trying to be better so he deserves help and support, Twice didn’t want to be better so Hawks revoked his offer of support away. 

He’s willing to give support to a man who abused his family for no good reason, and who continues to evade any consequences or legal punishment for his actions, but then insists that Jin who was pushed to his actions by poverty and not wanting to starve to death just did not want to be better. He’s like, so unaware of what the problem actually is with society, he can’t possibly think why Enji leaving his own son to burn to death might have left his son a bit miffed. Enji is just a person who made a few missteps along the way but genuinely wants to be good, Dabi is just a selfish person who doesn’t want to be better, so says Hawks. 

Nevermind how hard Toya tried to be a hero, and how he never gave up on earning his father’s love. Nevermind how hard Twice tried to be helpful to other, and how much he loved the people around him he was willing to sacrifice his life. Twice’s last action was to save his two closest friends. Enji’s actions are always just to beat up villains to prove how strong he is. Enji is never concerned with anyone. Hawks does want to save people, but he never thinks about the people who need to be saved.

Therefore, heroes are always good. Even when heroes do bad things, Hawks contrives some way to not hold them responsible for it ever. Well, Enji isn’t like that now. Well, we don’t need to announce that Enji was an abuser, because that will just upset the public. 

The actions of Enji are apologized for over and over again. Because rather than holding him accountable for his actions. Instead of pushing him to actually fix his mistakes, it’s better to keep sweeping the problem under the rug. Because, as is repeated again and again heroes don’t save people. When a hero fails to save someone, rather than trying to fix that mistake it’s easier to blame the person who didn’t get saved. 

Even if it was your own son that you left to burn to death. That is somehow miraculously alive.  That has given you a second chance to save the person you should have saved that day by just, showing up, and actually acting like a father for once. 

Enji will just choose his job over and over again. Because heroes don’t actually have a responsibility to save people. Being hero is just a job. Enji, Hawks, Jeanist they consider it a profession, not a responsibility. Which is why all three of them are willing to blame Dabi for his own actions, but not Endeavor for his. Which, just proves Dabi right. 

Heroes aren’t actually concerned with saving people. Heroes don’t think about who is most in need of saving, and who the real victims are. Heroes just protect their own. 

Enji, Hawks and Dabi are all murderers. They have all killed someone in pursuit of their goal. Not only did Enji murder a child by neglect, he also tried to kill Shigaraki several times over, and even tried to murder Pop Step in vigilantes. Hawks killed Twice in pursuit of a goal. 

However, Hawks and Enji need to be supported, whereas Toya needs to be stopped. Because they are heroes, and Dabi is a villain. But sure, watch Dabi continually burn his own body over and over again and push himself to the very limit so he can achieve a society where another hero will never get away with abusing his family like Enji did his, and say that he doesn’t want to be good. Watch Toya burn himself over and over again as a child just trying to be a hero because he thinks it’s the only way to earn his father’s love, because he genuinely looked up to his father and wanted to be just like him, and insist that Toya just stopped trying to be better, that he was just a jealous child, that he was never good. 

Jeanist isn’t a fully developed character so I’m not going to talk about him as much, but he represents the attitude that heroes “only pretend to save people” because they fuss ove image, rather than doing the actual work of helping victims.

The thing is someone who is genuinely trying to be better would listen to Dabi’s words, to Shigaraki’s words. However, Jeanist, Hawks, Enji all think of themselves as the hero, therefore they assume they are good and that their actions are good. 

Whenever someone contradicts this, they just flat out ignore any criticism. Heroes don’t save people. Heroes just protect their own image as heroes, because they assume that’s what is necessary for peace. Even now, Hawks and Jeanist aren’t focused on the innocent people suffering from the victim break outs, but rather taking down the man out to ruin their reputations. 

They pretend to see those they haven’t protected. Even when that person is Endeavor’s own son, his pain gets swept under the rug, because the image of Endeavor as a shining hero is far more important than the responsibility he has to help his own son, that’s in pain and need to saving. 

#mha 303 #mha 303 spoilers #bnha 303 #bnha 303 spoilers #mha meta #hawks #takami keigo #endeavor #todoroki enji #best jeanist #dabi #todoroki toya

[coalitiongirl]

Fic Recs (under 300 edition)

So I wanted to get back to reading Swan Queen fic regularly, and I asked people to rec longfic that they'd read (not written) and loved that had fewer than 300 kudos! I haven’t read most of these, but I’ve collected them here so y’all can go through the list and discover some new fics with me! Please try to kudos and review every fic that you read! It means the world to the writers and will keep em writing, and then we all win. 😁

Atonement by SgtMac (M): With Regina's magical heart failing thanks to years of previous evil, Emma and Regina and Henry (and Granny!) set out to save her life by traveling to the Enchanted Forest and requesting help from ancient magical beings known as the Guardians. Given a mission as simple as it is impossible - to achieve atonement by creating peace - the ladies find themselves joining a rebellion and fighting for the very soul of the Enchanted Forest all while trying to help Regina to understand that the self-loathing and guilt which have driven most of her actions don't have to doom her chance for a new beginning or even, a chance to live and love again. A S4(ish) SQ love story set against the turmoil of war and the chaotic savagery of the old world.

Blood and Sand by cheshire6845 (E): A/U The Savior is a slave forced into the role of fighting as a gladiator for the House of Hearts. The odds are against her survival as she will have to win in the arena, navigate Cora's schemes, outlast a general's vengeance, and not be killed out of spite by the current House of Hearts Champion - Regina the Undefeated. This story follows the major plot points of Starz Spartacus with some twists along the way.

But what if there was no time by KizuRai (M): When she wakes up, it's dark. She can't move, she can't see, she can't feel and she can't hear. Where am I? She feels a forceful oppression, pressing her down, draining her of her energy and she's powerless to stop it. How did I get here? The question of here is relative, she's not even sure where here is. What happened? There must be some reason for being stuck here but her memory is fuzzy, like all her thoughts are being sifted through a filter. Who am I? She's not sure if she actually exists or she suddenly became sentient in the darkness.She hears a voice reverberating in the distance, it's distorted and quiet but she hears it all the same. It breaks the monotony of the silence. Someone's coming for her, they will get her out. She's just not sure she wants them to as the price might be too great.

Finding Home by evl_rgl (T): “I wanted to remember you so badly that I pulled back your cursed town just so that the memories would make sense. I needed you so badly that even when I had no memory of you, I still tried to find you.” Regina gave Emma and Henry memories of a happy life together before they fled Pan’s curse, leaving them with no memories of their lives in Storybrooke. However, when the memory spell shows signs of failing, threatening to rip apart the minds of both Emma and Henry, Regina makes a drastic choice to go back and fix it, understanding that it will mean living alone in a world where her son doesn’t know her. Was the spell really faulty, though? (swanqueen)

Five Flames by MariaComet (U): In the past, Emma Nolan disconnected from her peers in high school, preferring to keep to herself. In her sophomore year of high school, she decided to try and join the boy’s wrestling team because she was bored. She didn’t expect herself to become the champion of the most bullied kid in school or the secret best friend of the school queen. She also didn’t expect to join a club that would change her life. In the present, Emma is trying to cope with a humiliating loss in her martial arts career. She claims to be “training” but is stuck in limbo between wanting to retire and try again. She is isolated from her former best friend, Regina Mills, a local celebrity chef and the rest of her old friends. When one of them calls her with an idea to honor their deceased teacher, she is confronted with unresolved feelings and questions about how powerful love truly is.

A Glamour of Truth by PrincessCharming (T): After 2x10, Regina uses magic to show Emma the obvious truth. A tentative trust forms between them amid hilarious bickering. With Emma's help, Regina struggles to regain a place in her son's life... until Cora arrives, wanting her daughter back. Pieces of Regina's past emerge showing that the board was set long before the game started. The final battle begins soon.

His Dark Materials 'verse by MoonlitMidnight (M): A modern Alternate Universe in which Dæmons (the external physical manifestation of a person's 'inner self' that takes the form of an animal) are present. In which Emma and Regina have led slightly different lives and they make slightly different choices.

How Many Miles to Avalon? (WIP) by RavenOutlander (E): Regina would do anything to save Emma from the darkness and bring her back home safe and sound. Even put up with the two idiots, Captain Guyliner and a bunch of dwarves she decidedly wanted to drop off at the nearest exit. But in their search for Emma, they find that she might not need that much saving after all. Caught up in a search for the infamous Philosopher Stone, an all out war between DunBroch and Camelot, and ghosts from the past to haunt her every waking moment, Regina finds herself scrambling to keep her and her family's happy endings from falling apart.

The Hyperion by FrankenSpine (M): After wishing upon what she believes is a shooting star, Emma Swan finds herself aboard the Hyperion, the royal starship of an alien Queen from a faraway galaxy. She quickly learns of the tensions between the Queen's people and her own, but the Queen takes an interest in her and agrees to take her away from Earth forever. Adventure awaits. *(Loosely based on Guardians of the Galaxy with just a hint of Farscape)*

If Wishes Came True (It Would've Been You) by Angeii_K (M): After Regina films a guest appearance on her friend Neal’s popular show, he invites her to spend the weekend with him and his girlfriend. What she never expected was to actually like the woman. Sparks fly between the two, which results in them questioning everything and making choices they will later regret. 4 years later, they meet again in the most unexpected of ways. Now co-stars on the same show, they are forced to work through the emotions from their last encounter. What will happen next? Only time will tell.

The King Doesn’t Have To Know (WIP) by highheelsandchocolate (M): The White Knight had never seen anyone like her before: the Queen was nothing short of mesmerizing. Her possessive yet neglectful husband, however, was another thing entirely.

The Lich by Dangereaux (M): Gay disaster Emma, exasperated Regina, and a monster. A Halloween special.

Maybe if We Close Our Eyes we Can Reach the Stars by wellthizizdeprezzing (T): Emma is a lonely astronaut. Regina is an adventuring alien. Their paths cross leading them onto a journey of new discovery. Between galaxies and many miles of cold black space, despite not speaking the same language, they manage to fall for each other. An out of this world love story.

A prisoner long forgotten by sugarsweet_19 (M): ‘I wish I had a child as white as snow, as red as blood and as black as the wood of the window-frame. Soon after she had a little girl, who was as white as snow, with lips as red as blood and with her hair as black as the ebony of the window-frame. She was therefore called Snow-white.” This is how our story starts but how will it end?The evil queen as been locked up in a tower and forgotten that is until princess Emma looks for a place to hid from her parents after they tell her she has to marry Neal the son of the dark one.

Revenge of the Three Little Pigs by mskyo (M): Regina and Emma find themselves alone and looking for the rest of their party. The Evil Queen must face the consequences of her past actions. Will Emma come to her aid, or understand that justice must be served... *Some chapters have fairly graphic sex, and violence*

Things I Almost Remember by cheshire6845 (T): A/U Despite an oncoming war between the Dark and the Light, Emma and Regina are best friends growing up in the Enchanted Forest. When war does come, they find themselves on opposite sides. Regina will have to defy her mother to save Emma. Will Emma be able to save Regina when Cora curses her daughter to live in the Land without Magic?

What We Make (WIP) by DiazTuna (M): “My mother.” He says calmly. He’d known all along, she’s aware. But he’d known that today would be the day that would get this going. She wants to ask what it was like, to have woken up this morning, laced up his boots and walked into hell just knowing. “It’s programmed the cyborg to kill her. Before I have a chance to be born.” -In which the leader of the future sends his best soldier back to the past to save his mother from a killer cyborg. Terminator AU.

The Wrong Way by pcworth (M): Takes place right after Zelena steals Regina's heart. Zelena offers Regina a chance to go back in time with her and change both of their lives for the better. But what will be the price of that decision. Slow-burn to SwanQueen

zombie trash by 13pens (T): Zelena could have her brain and eat it, too. Fic operates on three premises 1. this takes place in any universe where zelena is a reformed asshole 2. zombies are a thing and exist iZombie style 3. i have NO chill

#swan queen #fic rec #ouat

[adorerdraco]

Healing Heart ✧ Draco x Reader Mini-Series PART 2

PART 1

Summary: PART 2  ! of Draco falling in love with reader during his sixth year (HBP) and dealing with the consequences of opening his heart to someone. 

Warnings: angst !!! but just a little fluff as always, BLOOD, violence, more crying, very detailed sectumsempra scene, mentions of death

Words: 4.9K

A/N: omg i can’t believe so many people liked the first one and to everyone who left me a comment, I appreciate you so much you have no idea plsss you guys are so beautiful. but here is part 2 and I hope you guys like it as much as the first oneee !!!!!!!! this one got dramatic. I’m thinking of doing a part 3, but I’m not sure and i also want to make it be mostly fluff so PLS let me knowww <3 i do not own gif. 

It was an awful feeling; the feeling of needing a specific someone to bring him a peace he so very much lacked in his life. It was a feeling of not being able to feel joy unless he had you by his side. He felt stupid and pathetic knowing he had made an even bigger mess of himself and regrettably of you. He felt more weak too, wondering to himself why he couldn’t stop crying and do what he needs to do without several potions or you with him to get him through the day. 

He didn’t want to need anyone. He didn’t want to need help. He didn’t want to need advice.

“Why can’t I just do this?” he cried to himself one night in the room of requirement, kicking something by his foot across the floor in frustration. He stared at the dead bird in hopelessness, not wanting to move it from its spot in the vanishing cabinet. He had managed to send inanimate objects, but not living things and that was only a discovery he was able to make when you were still in his life.

It had been weeks, since he left you under the tree, broken and in tears. He regressed back into to his old ways of lacking proper self care, of sleeping and eating, his studies being the last thing on his mind, him distancing himself from his Slytherin friends again. It was right back to square one, maybe even below that this time.

In Potions, he didn’t dare look at you, ever. He moved to a seat in the very back of the class where he would be hidden from you and could sulk to himself in peace.

“Mr. Malfoy, forgive me as it is none of my business, but why are you no longer working with Miss Y/L/N?” Slughorn asked him one day as he came by to grade his potion.

“It is nothing of concern, Professor,” Draco answered bitterly, holding back the scowl that wanted to show but deciding against being any more rude to authority. “I just rather work by myself.”

“It’s a shame, Mr. Malfoy, you both were my star pupils,” Slughorn mixes the potion around, eyeing it with a frown. “Now the both of you are falling behind. This potion is not passing, you forgot to mix in the dried periwinkle leaves.”

Draco never noticed how you would glance at him throughout Potions class. Of course, he was ignoring you and you felt that nasty realization every time your eyes landed on the platinum blond.

You felt numb, to say the least. You cried for days and days on end. If you weren’t in class, you were in your dorm, wrapped underneath the covers wondering why someone you shared so much love and time with had dropped you with no explanation. You tried endlessly to get him to talk to you, cornering him in the corridors, going up to him in class, but he would ignore you until you went away. He never once met your eyes, and your heart broke more every time you saw the coldness in his icy gray’s that made you feel like you didn’t even exist to him.

Your roommates and friends had gotten involved, forcing you to take better care of yourself. Staying up and hugging you while you cried. Bringing you meals from the Great Hall into the dorm. Brushing your hair when it started to become matted. Encouraging you to divulge yourself in studies rather than your sadness.

“Y/N, you are so much more than what you’re feeling,” your closest friend whispered to you one night as you cried in her embrace. “You can’t keep going like this. It’s okay to cry and be sad, but this is eating you up. Remember how strong you are. Remember the healer you are trying to be. You’ve helped so many people, inside and out, let your friends help you now.”

You nodded sadly, and finally accepted the help your friends had been trying so desperately to give you. You allowed them to take you out into the Great Hall again for meals. To Hogsmead for a fun day out. To the courtyard where you guys would sit and just talk. It was nice, feeling your old and normal life coming to light again even if it was just for a couple hours. But when you couldn’t sleep at night and your mind wandered off to Draco, you felt that same empty feeling of a gaping hole in your heart sting at you. 

There was nothing you could do or say anymore. The cornering him was getting desperate and made you feel weak. The ignoring was never going to stop. You didn’t cry anymore, forcing yourself to bottle up your feelings for him deep down into your mind, body and spirit to the point where you just tried your best to recognize him as a dream. 

Your brain didn’t know any better, right?

✧･ﾟ: *✧･ﾟ:*

Draco sat on the floor of his dorm, head resting against the side of his bed as he twiddled with the letter from his mother between his fingertips. His owl, Aquila, sat beside him and enjoyed the loving pets he was giving her with his other hand. It was rare she let him do this, but he figured it was because she felt that he might have possibly needed this. She nibbled on a crumb of a biscuit he gave her that she had brought with her on her journey from home. Draco sighed and opened the letter again, his eyes scanning over the perfect cursive of his mother’s handwriting once more.

My Dearest Draco,

          How are you, my love? I feel as though we have gone too long without writing to each other. I must say, the Manor feels lonely without you and your father here, but the house elves have been keeping me company. They are quite entertaining, some of them. I do hope you enjoy the small pastries I sent with Aquila that the elves also send on their behalf. 

I know the pain you are feeling, my son. I know it wears at you and I am deeply sorry that I cannot change it or help you. Please do entrust in Professor Snape, as he is the only one who can help you and understands your circumstances. You cannot get through this alone.

Please also remember that you are just a boy. In these times of turmoil, it is easy to lose yourself in your own despair. You are young, Draco, only 16 years of life and it has already failed you. Please find it in your heart to locate the little several joys in life that keep you going. Despite your situation, It is okay to be that 16 year old boy and revel in those joys for as long as you can before it is too late and they are no longer there. Do not succumb, it is what he wants. 

I will always love you, and I hope to see you soon. 

All my love,

Mother

He felt tears sting at his eyes, clutching the letter to his chest as if his mother had charmed it with the feeling of a hug. It wasn’t, but he swore he could feel it. He felt sad, knowing she was all alone in that house, but suddenly remembered that his aunt was seeking refuge with her at the Malfoy Manor and his mother left it out for the sake of keeping Bellatrix’s location secret. Seeing as she was a maddened Ex/Present Death Eater and escaped prisoner on the run. The thought of Bellatrix left a bitter and foul taste in his mouth, making him feel even worse that his mother was stuck at home with that beast who was nearly as bad as the Dark Lord himself. He didn’t care that that was her sister, his aunt, she had no empathy for anything, especially not for him. He recalls her telling him right before he went to school, that he should be grateful and honored for being entrusted with a task so important.

As much as Draco wanted nothing to do with his tasks, he didn’t ignore them. He begrudgingly let Bellatrix teach him Occlumency, something he desperately needed to learn and was now a little good at. He had even tried convincing himself that he needed to do this. It was all up to him. He was chosen for this. He hated it, but he was chosen nonetheless. And he would try with everything to save his family and to make them proud, even if it killed him.

He ignored the thoughts of his aunt and his dreadful life options, refocusing on the words his mother wrote to him. They echoed in his mind, imagining her saying them to him. 

“It is okay to be that 16 year old boy and revel in those joys for as long as you can before it is too late and they are no longer there.”

His mind wandered to you, knowing full and well you were are the one and only joy in his life he so deeply desires. His mother’s words hit him hard, to the point where he almost ran out of his room to go look for you. Almost.

But he was stubborn and still couldn’t pull himself out of the mindset he had boxed himself in where he thought being with you would be worse in the end for you than not being with you. 

So he went over to his desk, Aquila following him before flying up to the wooden surface where she perched herself in front of him as he sat down and pulled out a parchment and quill to begin his responding letter for his mother. He thanked her for the pastries, told her he would try his best in confiding in Snape, loosely promised he would fulfill her wishes of him finding some happiness, and gave her his love. He gave the letter to Aquila, smoothing the feathers on the top of her head one last time before she chirped and flew to the window and then out of his room and into the open dark starry sky. 

✧･ﾟ: *✧･ﾟ:*

More weeks had gone by. And then a month. You were seeing less and less of Draco and for a healing heart, it was the best thing for you, but also the worst. He had even began skipping class as much as he could, not that anyone ever noticed, except you and Slughorn of course.

“Miss Y/L/N, may I have a word?” Slughorn came up to you while you were working on a potion with your friend. The same friend who had given up her seat to Draco who she now despised and regretted ever doing in the first place. She gave you and the professor a look before getting up and heading to the front of the class where she began to pick up vials and jars to store the potion.

“Of course, Professor,” you answer with a polite smile.

“I spoke to Mr. Malfoy about a month ago, he seemed rather distraught,” he began, placing a finger over his chin in thought. “I’m beginning to grow worried of the boy! Is there a reason he’s no longer showing up to class?”

You swallowed thickly before responding, “your guess is as good as mine, Professor.”

“Ah, well, one mustn’t pry too much,” he says. “Also, I’m pleased to see your marks improving in the last couple weeks. Keep up the good work, Miss Y/L/N.”

And with that the professor turned around and left to go check on other students, your friend returning.

“What’d he want?” She asked, setting the supplies down on the table.

“Wanted to know about, Mr. Malfoy,” you mocked quietly, your voice turning bitter when the name left your lips. 

You knew Draco’s disappearance was your fault and you felt that twang of hurt beat against your chest thinking about it. That whole conversation with the Professor killed your entire mood. It wasn’t great to begin with, but the feeling of nothing had turned into hurt. 

You were roughly stirring the cauldron, preparing to put the nearly finished potion into the two large jars so it could sit overnight. They were right beside your arm and you felt your elbow collide with the glasses, cringing internally when you heard them crash onto the ground and shatter. Luckily there was nothing in them, but you had still made a mess of glass. In your heat of embarrassment and with the people are you now staring at you, you forgot you could easily clean up your mess with magic so like a klutz, you instead bent down to pick up the shards of glass that scattered the floor with your bare hands.

A loud gasp left your mouth as you began to pick them up, feeling the largest piece of glass in your palm deeply slash the skin of your hand. You dropped it, feeling the blood begin to drip down your arms and onto the floor.

“Oh no, Y/N,” your friend sighed from above you, gripping onto your other arm and lifting you up. “Are you okay?”

The question was meant for your hand, but you felt it hit your soul just as it did whenever someone asked you that question when you were so overwhelmingly not okay. You shook your head no, the pain from your hand and your heart taking over you completely as tears began to trickle down your face. 

Slughorn came up to the table, waving his wand over the mess of the floor and fixed the damage done to the vases and making the small puddle of blood disappear.

“Class is dismissed, students, you are free to go to the Great Hall for lunch,” Slughorn announced and everyone quickly packed up their things and hurried out except for you and your friend. The full-bellied Professor watched you with concern and you turned to your friend where she took your hand in hers and placed it palm up for you.

You shuddered, bringing up your wand to the cut and simply thought your healing spell before watching it completely fade into a faint light pink scar.

“I’m going to explain to Slughorn what happened and put away our stuff,” she says to you, a sad glint in her eyes. “Go clean yourself up and I’ll meet you at our table for lunch with everyone when you’re done.”

You could only pathetically nod before you slung your bag over your shoulder and trudged off into the direction of a bathroom. You decided to go up to Moaning Myrtle’s bathroom, wanting to be alone from everyone so you could clean yourself up in peace and also have a meltdown. You didn’t know why you wanted to torture yourself with the ghosted memories you shared with Draco in that bathroom, but you still went. 

You took your time getting there and you were only down the hall when you saw the entrance. It was then when you heard a familiar ghastly screaming and wailing. It was horribly loud.

“MURDER! MURDER IN THE BATHROOM! MURDER!”

Moaning Myrtle floated from the large wooden double doors, screaming so loud it ricocheted off all the walls of the now deathly silent castle. You felt all the blood drain from your face as an awful and sickening feeling had bubbled in your stomach.

“It better not be Draco,” you said to yourself, your legs taking longer strides towards the bathroom. “Please, don’t let it be Draco.”

By now, you were sprinting towards the end of the corridor, throwing your bag to the floor as soon as you reached the doors and flung yourself through and into the destroyed bathroom, stepping into a pool of water that had streaks of crimson red. Your eyes followed the trail of blood, stopping suddenly when you found the source.

A blood-curdling scream twice as loud and stronger than Myrtle’s, left your throat as you tripped over your own feet to reach him. You saw Harry Potter, standing a little ways by the door, a panicked and pained look in his eyes as he tried to understand what he had just done. 

Once you reached Draco’s nearly lifeless body covered in angry red gashes, you fell next to him, his eyes finally meeting yours for the first time in ages. He was breathing raggedly in choked grunts, clutching at his mauled chest as he struggled to breath. The stormy eyes you loved so much were clouded in fear. Nothing but fear.

You shoved your hand into your pocket, searching for your wand and pulled it out hastily. You shakily waved it over his cuts, thinking and saying any spell you knew that came to your mind in the matter of 5 seconds. This was what you did. This was all you did. Why couldn’t you heal him? None of your spells worked.

“I, I can’t heal you,” you sobbed, resorting to putting your hands over his chest at a failing attempt to stop the bleeding. “I’m sorry, I’m so sorry.”

“n...o,” Draco said weakly and quietly. He mustered up all his remaining strength and placed a bloodied hand over yours, you grabbed it tightly and leaned over him when you realized he was trying to speak. “S-sorry. lo...ve. y...ou.”

It felt like there was a knife in your chest being repeatedly stabbed into your heart and twisted. His eyes closed and you cried harder, knowing you were going to lose him. Everything was happening so fast. You had only been in the bathroom a solid 10 seconds, everything around you moving in a slow blur but so quickly.

It was as if Merlin had answered your pleas, the sound of the door slammed open and a maddened looking Snape rushed inside, pushing Harry roughly to the side and looking down at Draco and then you only momentarily before dropping to his knees beside him and opposite of you.

“Vulnera sanentur,” he began running his wand over the cuts on Draco’s chest and you watched with wide teary eyes as the blood pooling around you began to retreat back into the wounds. He said it again, and once the blood was back in, the cuts began to close. He chanted it one last time, and the cuts had healed into thick and reddened scars. “Miss Y/L/N, please help Draco over to the hospital wing for some dittany, and quickly please. We might be able to help with the scarring, perhaps avoid it completely. I need to deal with, Potter.”

Draco was half conscious, a dazed and confused look in the gray of his eyes as they fluttered open and closed. You noticed the scar beginning to form on his paled face and you bit back a sob. You knew if that scar stayed there, it would only drive him into a deeper hatred for himself.

You quickly got up, Snape picking up Draco and throwing his arm over your shoulders so that you would be able to help him over to the hospital wing which luckily happened to be a hall away from the bathroom. The adrenaline and sheer love for the boy was pumping through your body which had made you feel stronger in basically carrying Draco through the halls. He was dragging his feet, mumbling incoherently and you couldn’t stop crying.

You saw the doors to the hospital wing open, Madam Pomfrey staring at the scene heading towards her in horror. 

“DITTANY!” you called to her. She threw open the doors wider, nodding before she ran back inside in a hurry. A passing seventh year Hufflepuff had dropped all of his books and his bag and linked arms with Draco’s free side, helping you take him inside with much more ease. Madam Pomfrey yelled to rest Draco on the nearest bed and she quickly returned with the dittany, shooing the both of you away from him.

“I’m afraid the two of you are going to have to leave, immediately,” she demands, her hand reaching up to grab the privacy curtain before shielding her and the love of your life from you and the prying eyes of shocked students gathered at the doorway to see what had happened. The Hufflepuff that had helped was already out the door, but you couldn’t bring your legs to move.

“Away from the door!” McGonagall suddenly appeared from behind the crowd of students, a disgruntled look etched into her aged skin. “Return to your house’s common rooms! That goes for you too, Miss Y/L/N.”

She gently placed both her hands on either of your shoulders, guiding you outside the door and out of the hospital wing. She gave you an empathetic glance before grabbing the handles of the doors and shutting them with a loud clang.

The lingering students stared at you in discomfort and grimaces. You looked around, still in a daze and then looked down at your body. You were drenched in blood and water, looking straight out of a horror movie and closely resembling the clothing of the Bloody Baron, Slytherin’s house ghost.

Everything still felt quiet and slow. You didn’t even notice your friends rushing towards you in hysterics, throwing you in hugs as you only stood there, unable to react. You let them pull you away, leading you to your house’s common room, tripping every now and then. You caught a glimpse of Moaning Myrtle in the distance, her cries still very loud and apparent. She had gone around the entirety of Hogwarts wailing the same news that had broken you, only this time you heard the new choice words she had added along the way.

“MURDER! MURDER IN THE BATHROOM! MURDER! HARRY POTTER HAS MURDERED DRACO MALFOY!”

✧･ﾟ: *✧･ﾟ:*

You sat immobile on the edge of your seat besides Draco’s hospital bed. Much to your surprise, Madam Pomfrey had allowed you to stay overnight with the fallen Slytherin Prince. You recognized it might be her way of paying you back from all your countless volunteering and because of that, she trusted you in knowing exactly what to do when it came to the medical field of the wizarding world.

It was around three in the morning, the incident having happened well past twelve hours ago. You were showered now and in a fresh pair of robes, your pajamas holding in your warmth as a cold draft flowed throughout the dark dimly lit room. The hospital wing was tall and large, it felt like a castle in itself, and it only made you feel more feeble. You scooted your chair closer to the bed, placing a hand onto the mattress right next to Draco’s paled slender hand.

Fingertips ghosted over his knuckles, your body shivering at the closeness of the near contact. You didn’t know how he was going to react when he woke up. It was all a waiting game, and your heart squeezed with anxiety as you awaited his regained consciousness. You didn’t forget the words he said to you right before he slipped away. They rang and rattled in your head like a pinball game on loop.

He had told you he loved you.

The thought of him dying and you never being able to tell him you felt the same haunted you. You thanked Merlin that Snape got there when he did. You also made a mental note to hex Harry into the oblivion the next time you got a chance. 

You sighed deeply, your voice quavering as your ran a hand through your tangled hair. His face glistened under the orange lamp on the bedside table, his skin tinged with a grayish undertone and his eye bags deep and dark. The scar you had seen on his face earlier was gone, the skin now just holding a skinny reddened line going across his features as if he was just hit with something. You smiled slightly, knowing it would be gone in the morning and feeling grateful for him that he wouldn’t be scarred with it.

His body was covered in a hospital gown and bandages infused with dittany, but seeing how bad his cuts were before they healed, you knew those would leave something behind no matter what. In your studying towards becoming a Healer, you read about the effects of dark magic and the marks it left behind on its victims. You didn’t know what spell had done what it did to Draco, but it was violent and radiated with darkness. 

The softness of his his skin was met under yours, your hand finally allowing itself to fall over his and you let out a sharp exhale at the touch. It wasn’t like earlier when you were holding onto him for dear life, rough and filled with fear and pain, this time it felt familiar. It felt warm despite the coldness of your skin and his. You shook quietly, another set of tears rippling through your body as you tried your best to not wake him. You sat up and slowly leaned over him, looking down at him to observe his peaceful features. He slept soundly and peacefully, his breathing even and quiet. Even though he almost died earlier today, he looked as though he was having the best sleep of his life. The sleep he gravely needed but seemed to never be able to get. 

Your free hand softly rested on his cheek now and you carefully moved your lips towards his forehead where you placed a long kiss. A stray tear had fallen onto his skin as you pulled away and you frowned, wiping it away with your sleeve before moving your hand up towards his hair. You smoothed it back, the soft blond strands feeling like silk between your fingers. He was a dream, an angel to you. You stood by what you had told him that unfortunate day under the tree, he was good, and you would tell him again and again until he believed it himself.

Just as you pulled back from him, a sharp gasp erupted and he shot up in bed, grabbing and tearing at his gown as breathless quick pants fell from his lips. 

“Hey, Draco, I’m here, you’re okay, relax,” you coo gently, grabbing his hands and holding them tightly in yours so he wouldn’t tear his bandages. Your heart battered against your chest, the waterworks in your eyes beginning all over again. He stared at you, searching your eyes and he began to cry too. The same broken and deep sobbing from months ago you had grown accustomed to hearing. 

He threw himself onto you, crying even harder as his arms wrapped around you, his hand on the back of your head pressing you into his chest. You climbed into the bed in deep shaky breaths so that you were now sitting on your knees between his legs. It was overwhelming, to put it lightly, both of you crying into each other as you remembered the fall out, the lonely days and nights, the wasted opportunities, the endless missing of one another’s presence in their lives.

“I’m sorry,” Draco chokes out. “I never meant to hurt you. I thought that by pushing you away, you would be safer, but I can’t do it anymore. I need you, I love you, Y/N.”

You cradled him in your arms, rocking the two of you back and forth, and you shook your head reverently.

“I forgave you the second I thought I was going to lose you,” you respond quickly. “Merlin, Draco, you scared me to death. I thought you were gone.”

The same words from his mother echoed in his head again and he finally understood what they meant. 

“It is okay to be that 16 year old boy and revel in those joys for as long as you can before it is too late and they are no longer there.”

Darkness was going to arrive one way or another, it was going to steal the rest of whatever life he had left in him one day. It was out of his hands, out of his control. The time to live his life was now. Because he didn’t know when he would ever have this opportunity of love again, of safety, of light. Everything was undefined and unknown and he felt the anguishing regret of all his decisions when he had seen you in the bathroom hovering over him with a hopeless look in your eyes. He promised himself, to Merlin and to the sun, the moon and all the stars that in the 1% chance that he survived that close call with death, he would never abandon you again. His heart pained at the memory of him trying to sputter out his final ‘I love you,’ not knowing whether or not you heard it or if you understood how genuinely he had meant it.

The room was only filled with sniffles and shaky breathing, both of you still in the same rocking position, afraid that if you let each other go, the other is going to disappear.

“Draco,” you say, lifting his head up from the crook of your neck so that he could look you in the eyes. “I love you, too. More than you’ll ever know. Please don’t ever, ever leave again.”

“Not in a million years, darling.”

PART 3

#draco malfoy #draco x reader #draco malfoy x reader #draco malfoy imagine #draco malfoy x you #draco malfoy x hufflepuff!reader #draco malfoy x ravenclaw!reader #draco malfoy x gryffindor #draco malfoy x slytherin #draco x you #draco imagine #draco fanfiction #draco malfoy x female reader #draco malfoy fanfiction #draco malfoy angst #draco malfoy x y/n #draco malfoy fluff #draco malfoy series #harry potter writing #harry potter imagine #harry potter #draco x y/n

[stxleslyds]

What do you think about the theories that Jason was sexually abused as a child? Or even possibly while he was comatose after his resurrection?

Implications of this theory include his conversation with Mia (Speedy) and Bruce's message (Battle for the Cowl). In addition, when he was Robin he expressed what was then considered uncharacteristic rage towards the perpetrators of sex crimes.

Garzonas - unrepentant rapist who got no consequences

When a woman killed her sister's rapist and murderer (because Batman's evidence was not admissible in court), Batman said that she went too far with murder. Jason's disagreed with "Good riddance". Good for you, Jason.

His recklessness when dealing with a child sex trafficking ring.

I highly doubt that DC would ever confirm this theory. I would rather they leave it ambiguous because I don't trust them to not botch Jason... much less respectfully address the subject matter.

I have read so many thoughts on Jason that they're starting to blend together. So I apologize if you've already answered this before.

Hello friend! Aside from the fact that I took way too much time to answer your ask, this was also a hard question to come up with an answer to, I wanted to remain respectful of the subjects at hand even though I don’t second this headcanon. But before we keep going, let me put some trigger warnings in this post.

trigger warning: mentions of sexual abuse, child abuse, rape.

First, I would like to bring up these two concepts because I oftentimes mix them up when talking about these “ideas”.

Theory: a supposition or a system of ideas intended to explain something; an idea used to account for a situation or justify a course of action.

Headcanon: Headcanon generally refers to ideas held by fans of series that are not explicitly supported by sanctioned text or other media. Fans maintain the ideas in their heads, outside of the accepted canon.

I think the idea of Jason having been sexually abused at any point in his lifetime is a mix between a theory and a headcanon. Why I am saying this? Because as you have put in the ask, there has been instances where fandom has found pieces of information that they have considered the base of this idea.

So, if we say that there is a piece of text that might support that idea and they build from that to justify a course of action we would be looking at a theory. In this case Jason having been abused would the reason as to why he acts in that strong and violent way towards cases of sexual abuse/harassment.

In the other hand those pieces of text might not support that idea so fandom headcanons that idea in order to build another layer to a character, in this case Jason having been abused would also justify his actions towards certain criminals.

The “text” (panels, issues, mentions) are most of the time ambiguous, which makes readers have different perspectives in what is being written and what then is made into a theory or headcanon.

Personally, I don’t like this theory or headcanon for various reasons (which I will explain later in the post), and I have read and understood those moments mentioned as Jason just having survived Crime Alley as something general, I don’t think he suffered that kind of abuse but I think he was made aware of that type of behaviour every day that he spent alone in the streets and that why we saw Jason in Batman #408 saying that he had “graduated a long time ago from the streets of crime alley”.

Having said that, I do understand that some of the moments mentioned can be seen as ambiguous and that’s what leads people to theorize/headcanon that idea, because of that I would like to show the panels mentioned in your ask so everyone can read them and make up their own conclusions and then I will talk about the reasons why I don’t like this particular theory/headcanon.

As Robin:

Batman (1940) #422

In these panels we can see Jason as Robin jumping in to defend a woman that was being attacked by a man. There I only see Jason acting like a vigilante would, maybe he was hitting too hard or whatever but Batman has hit people as much as Jason was doing it this time around, plus I, personally, don’t see any kind of problem with Jason beating a man that was harassing and threatening a woman with death.

Right beside we have Jason being on the side of the woman that killed her sister’s attacker. He didn’t see any problem with that woman seeking justice for her sister on her own when the police, Batman and himself couldn’t get the job done.

Here I see Jason having a big problem with authorities and justice system, which is not something new, in Batman #408, Jason says very clearly that he doesn’t trust the system in Gotham (the police, social workers and such), and he was also shown in that comic talking very fondly about his mother and about how much he cared for her when she was at her worst. Let’s remember that Jason loved his mother, he took care of her and resented his father for being abusive towards her and even introducing her to drugs.

Instead understanding these panels as Jason having been abused himself, I see it more as Jason having a humongous understanding of how much women and others suffer in Gotham due to the justice system’s lack of action. I also see Jason as the kind of boy that respected all women and could not sit and do nothing when people were hitting and abusing women just like his father did to his mother.

Batman (1940) #424

This issue starts by saying that Jason jumps into action as soon as he hears someone scream but that he wasn’t going to be prepared to see what was happening. This is the issue where all of us meet Felipe Garzonas, the abuser and rapist of many women. At first Jason doesn’t know what Felipe was doing but after he and Batman “defeat” Felipe, he goes to the room where he finds Gloria in a bed badly hurt and scared. Jason is shocked when he first finds her and after hearing her story in the police station, he becomes more and more happy about the fact that by having caught Felipe, he and Batman would be able to offer some peace and justice to Gloria after he goes to jail, but that doesn’t happen.

They had all the evidence to put Felipe in jail and the police could easily see that Gloria was the victim but because Felipe had someone to back his made-up story up, he was able to not be arrested and jailed.

Jason once again is baffled at the lack of action by the police or simply justice not being able to be made in favour of the true victim. Batman even says that he has noticed that Jason “had become to emotionally invested with the case” which could favour either idea (Jason having suffered sexual abuse or not), in my case I see this once again as Jason not being able to remain calm after doing everything to keep that woman safe and the justice system not being able to do it themselves in a more permanent way (jail time, or whatever).

But that’s not all because Jason being too emotional with that case was brought up as a way to show that Jason couldn’t see that Felipe had been under the influence of drugs, which is something that Jason can see in people very well (do to experience with his mother and his training with Batman). So, Felipe is now a rapist, an abuser, he does drugs and he also has a market for it.

Because Felipe was allowed to go back to his “normal” life he had Gloria be killed, and he kept abusing drugs and women, when Jason finds Gloria’s dead body and that Batman still seems to abide the justice system he snaps. He goes alone to see Felipe and that’s were this iconic panel comes from. The moments before Jason made his first kill and felt no remorse about it. I know this is kinda soft topic because Jason was a teenager, but good for him, kill that bitch. Gotham doesn’t need more people like him.

Batman (1940) #226

This is the issue where Jason attacks the men that were involved with some very nasty stuff involving children. Batman narrates and says that him and Jason had been working on this case for three weeks. Jason jumps into action suddenly and “recklessly” even though Batman considered their investigation wasn’t over, he also says that he thinks that Jason had been “acting oddly” and that he was very “moody, resentful and reckless” and that that attitude could “get him killed”.

This could be used as to add more proof of the abuse idea but I actually see it as build up to Jason’s death, that happened two issues later. Let’s remember that Jason found out of his birth mother and was desperate to find and save her from Joker, because he was a good son but also because he didn’t feel like Bruce loved, cared or appreciated him anymore. Ever since Jason made it clear that he didn’t see the world and justice in the same way that Batman did back in issue #422, Jason and Bruce’s relationship suffered, they just couldn’t see eye to eye on some subjects and Bruce’s neglect or lack of care for what Jason believed in drove Jason to act the way he did in the case involving his mother and the Joker.

Jason obviously has major issues with kids being abused and put in dangerous situations, he as the Red Hood (Winick’s Red Hood) is the same, he really wants kids to be taken far away from drugs so they cannot be manipulated, used and abused by Gotham’s Drug Lords. Here I can see some of the same thing, Jason being protective of those kids and getting fed up with how much time he and Batman had to wait to do anything about the subject, along side it I bet Jason wasn’t seeing the police or the justice system doing anything about the whole thing so that could have probably fuelled his desperate attack of those horrible people.

As Batman/Red Hood:

Batman: Battle for the Cowl #3

Battle for the Cowl… yeah I am going to be brutally honest about this, if anyone thinks that this is someway or somehow proof that Jason had been abused in the past then I think we have very different ways of thinking how survivors must be treated or written in comics and other media.

This to me is pure bad writing, this is some of the worst things I have seen being written in comics. Whether or not this implies Jason being abused or not, Bruce’s message is absolutely disgusting and not at all helpful, it is even worse when you realise that Dick, a canon sexual assault survivor, is the one playing the message to Jason even though Jason explicitly said that he didn’t want to hear it again. That Book, issue, page and panel are extremely badly written and is one of the most terrible Jason and Dick characterizations ever.

So, I don’t really care if this panel is supposed to offer support to that theory or headcanon, I really dislike that speech and if it is actually referencing Jason as being a survivor of child abuse, then Tony S. Daniel needs to make an apology from today to the day he dies.

“Of all my failures, you have been my biggest” “You were broken and I thought I could put the pieces back together. I thought I could do for you what could never be done for me. Make you whole” “What happened to you as a child… the terror, the pain, the horrors” “You needed repair and instead I gave you an outlet to act out on”

Absolute garbage writing. Me, as Bruce is number one hater, know that that speech is even out of character for Bruce. Listen, if Jason had been a victim of sexual assault or just being a kid living alone in Crime Alley, no one should leave a message like that, telling a victim that they were broken and needed fixing, what the hell? No, thank you, this issue proves nothing except that Battle for the Cowl was a mistake as a whole.

Green Arrow (2001) #72

Judd Winick is clever I will always say that, and while I do see why people think that Jason is making the “child abuse idea” canon I still think that the way that he talks is still fairly ambiguous if not just him playing mind games with Mia.

I know it sounds wrong, but hear me out, Winick, in this arc makes Batman say that Jason distracted him and Oliver just to take Mia as a “hostage” because that was Jason’s way to mess with him. This arc happens right after UtRH and Jason is a bit more unhinged than ever. But he doesn’t harm Mia, he just talks to her, he tries to make her see why he acts the way he does and to do that he talks about how much he sees of himself in her. Do I believe that Jason suffered the same things Mia did? No. Do I think that their past is similar? Yes.

But Jason doesn’t only use the fact that they have similar pasts to make Mia rebel against her “no killing ways” and Oliver like he did with Bruce, but he also brings up the fact that their past is incredibly different to the lives of Bruce and Oliver, and that those differences are of importance.

Maybe it’s just me, but I didn’t see Jason bringing Mia’s past for anything other than manipulating her and kinda make her see Oliver in a negative light the way that he does Batman and Bruce. Jason was at a point in his life where all he wanted to do was deliver the same pain that he had gone through but he didn’t do it by physically harming anyone (Mia was left unscratched), he was just out there trying to play mind games so he could break more havoc in Batman’s name.

Mia’s past is just way too different to whatever we have seen in canon from Jason’s past. Maybe I am wrong, after all, I only read about Mia in that arc.

-

With all that having been said I think it’s pretty obvious that I just don’t think that Jason’ having been sexually abused as a child actually happened, and I also don’t like to think about his past in that way. His canon suffering could have made him act that violently against criminals involved with sexual attacks and drug-related crimes, but I also think that’s just how Jason was, he really disliked the justice system in Gotham and saw how much it failed to protect victims, so now that he had the training to help those who couldn’t do it for themselves, he tried his best to bring criminals to justice.

And when that didn’t work, he grew more and more frustrated with Batman’s methods which led him to be more unforgiving and violent.

I also don’t like the theory/headcanon as a whole because I think its one of those things that Fandom comes up with just for that extra angst factor in their favourite character’s story so they can make him suffer more and because of that no other Robin or character as a whole can ever understand his pain or whatever. In this fandom there is a lot of “competitive trauma” going on and I honestly dislike it a lot.

About Jason having been assaulted while he was in a coma, I don't really know, he was at a hospital for what I believe were six moths, maybe that idea comes from real life happenings but I have never thought of that happening in Jason's life and I would rather not give it much more thought.

Also, I believe that DC just like fandom would have never been able to handle the subject of Jason having been a sexual assault survivor with the respect and care that it actually needs. We have seen DC treat sexual harassment and abuse as nothing but a side plot or bringing it up in an extremely disturbing way. In Fandom some (very few) people end up glamorising or romanticising these subjects so, I don’t believe the comic world was or is ready to treat a backstory like this with the respect it needs.

Maybe I haven’t even treated the subject with the respect and care that it needs and if that’s the case then I am truly sorry.

I had never answered a question regarding this subject before and I really appreciate all the questions you send my way; they do make my brain happy. I am really sorry it took me this long to write an answer to you but I hope the post is good enough for all the time I made you wait!

I hope you have an amazing week!

#jason todd #red hood #robin jason todd #batman #tati writes and is nervous about it #theories and headcanons #dc comics

[satanourunholylord]

Love and Love Making Among the Vikings

Below is an infodump post which focuses on these topics:

Courtship: The Viking Way

Good Personal Hygiene

Sex Before Marriage

Homosexuality being Acceptable (with limits)

Some Viking Marriage Customs That Survive Today

Viking Sexual Euphemisms

Acceptance of Adultery in the Viking Age

Viking Women Divorcing Their Husbands

Vikings in popular culture are often viewed as the brutes of the Dark Ages, robbing, raping and pillaging people and goods. However, an analysis of their personal lives shows a much different side. Family life was important to Norse men, and every proper, upstanding Viking aimed to marry and have children. And although their parents arranged their marriages, Norsemen liked to court their ladies- and made a special effort to impress them with their appearance.

As for Norse women, although they had to put up with their husband’s affairs with live-in mistresses, slaves and even other men, they had the right to divorce their partners for violence, neglect, and various sexually related issues. In fact, Norse customs of love, marriage, and sex set a high standard in their time- and some even survive to this day.

Courtship: The Viking Way

Courtship wasn’t strictly necessary in Norse culture as marriage was more about alliances than love. The prospective bride and groom’s families would command the negotiations, to create a match that would bind the two clans as allies – and sometimes end feuds. Many brides were promised as "peace pledges" to smooth troubled waters between rival families. Although the couple in question could voice an opinion, it was fair to say they had little choice but to go ahead with the match.

That didn’t mean there was no romance -but Norse men had to handle it carefully. If a potential groom was too slow in making advances to his prospective bride, the lady’s relatives could take this as a slight and seek blood vengeance. Eighteen courtships in the sagas ended in this messy fashion. On the other hand, it also didn’t pay to move too fast or stretch out the courtship too long. If the couple liked each other too much to wait for the wedding night, matters could become complicated by an unwanted pregnancy.

So attempts to cultivate what the Norse called ˜inn matki munr’ (‘the mighty passion’) were intricate and involved specific rituals. Meeting and talking was one way to forge a relationship. But some odd practices were also employed. For instance, if a girl wanted to show her man she liked him, she made him a shirt. As for Viking men, they would go out and handpick their lady a bunch of purple flowers- and then slap her around the face with it!

Love poetry, although a favorite of the Norse gods, was viewed with suspicion. In fact, Icelandic law forbade skalds to compose Mannsong, (‘maiden songs’) for women who were not married to them under the threat of outlawry or death. This suspicion came about because the Norse believed that the poems could act as spells to seduce and bind women. Worse still, such praises could suggest that the skald or his patron knew the lady more intimately than he should.

Even if they were not in love before the wedding, the couple would try and cultivate it afterward. Husbands would seat their wives next to them if they wanted to show affection. Couples could also express their closeness by sharing the same drinking horn. If a husband were feeling very affectionate, he would ˜put her on his lap’ where he and his wife could indulge in “kyssir hana’ – a kiss and a cuddle. Or he would put his head on her lap, and she would stroke his hair.

Good personal hygiene was a must

Central to making a good impression on a potential or actual partner was good personal hygiene and pride in one’s appearance. This practice applied to both men and women. Norse graves are packed with grooming essentials for the afterlife- regardless of whether they belonged to a man or a woman. Combs, toothpicks, tweezers and ear spoons were all familiar, demonstrating the Norse liked to be neat and tidy-and clean. The Arab, Ibn Fadlan may have felt horror at the Viking practice of sharing a communal wash bowl, but at least his Norse acquaintances washed their face and combed their hair daily.

In fact, the Norse were probably the cleanest people in the Dark Ages. According to the Saxon cleric, John of Wallingford, they bathed weekly, on a Saturday. Wallingford complained that this, and their habit of changing their clothes regularly, was to “ undermine the virtue of married women and even seduce the daughters of nobles to be their mistresses.” However, the Norse were not content merely to be neat and tidy. Ibn Fadlan also noted the Rus- Viking traders who occupied what is now modern Russia-favored bleaching their beards to a saffron yellow, using a strong lye soap.

This method was probably also used on the hair of men and women. Norse women would have been particularly keen on achieving the long, fair, shiny hair that was the feminine ideal, although the white skin that men also coveted was probably only managed by the wealthy. Men also favored long hair, as only slaves wore their hair close cropped. However, this did not mean they were unkept. Figurines show Viking men wearing their hair trimmed and their beards well groomed- either styled to a point or shaped as a goatee.

Finally, there was the question of clothing. When it came to making an impact, the Norse liked to dress to impress. As well as being clean, garments were brightly colored and adorned with the most costly array of jewelry you could afford. Cloak pins and arm rings all showed off status, impressing the object of your desire not only with your appearance but your wealth and prospects in life.

Sex before marriage was acceptable

It wasn’t always possible to marry the one you loved - or lusted after. The sagas make constant reference to “the illicit love visit.” In such cases, a young couple, forbidden from marrying would meet in secret. The sagas never mention sex occurring. However, it is highly unlikely the young man would risk a secret tryst simply to ˜talk’ to the object of his affections. The lovers, however, were said to ˜enjoy’ each other. A document detailing a wife’s dissatisfaction with her impotent husband because she couldn’t ˜enjoy‘ him suggests this is a term linked to sexual fulfilment.

Indeed, although female virginity was the ideal, it was just about acceptable for a woman to have had sexual relationships before her marriage-with certain provisos. First, she needed to have been discrete and not too prolific in her pre martial encounters. However, most importantly, she should not have had any children out of wedlock. This restriction was not for moral reasons. Illegitimate sons could become their father’s heirs- if he recognized them. Rather, society censured Illegitimacy because of the burden it placed on the maternal family, not because it was deemed wrong or shameful.

Illegitimate children were the responsibility of the mother’s family- and so a burden to it. It was they who ultimately supported the child. Even if the father acknowledged his child, he and his family were only obliged to provide two-thirds of its support. Worse yet, the mother probably lost all hope of marriage, as few men would want to take on the responsibility and expense of another man’s child. Thus her family would lose out further as she would gain no bride price and no family alliance. Thus chastity was often the safest bet.

For men, sex outside marriage posed no such strictures. They were free to indulge themselves however they pleased-as long as they submitted to marriage in the end. For to remain unmarried in Norse society was unacceptable. A man accused of shunning wedlock was said to be ˜fleeing from the vagina.’ Women who did the same were “fleeing from the penis.’ Such people risked becoming social outcasts because they were not fulfilling their ultimate role: the procreation of children for the survival of their families and society.

Homosexuality was acceptable- with limits

Pre Christian Norse views on homosexuality weren’t simple. On the face of it, Norse society accepted sexual relationships between men. However, there were restrictions. Firstly, such relationships could not interfere with any future or current marriage. So the man still had to marry- whatever his views on the opposite sex- and his wife and her family had to be prepared to ignore her husband’s male lover or lovers. It was most important that the man did not neglect his conjugal duties. He still needed to have sex with his wife.

More important was that no free Norse man was the passive partner in a homosexual relationship. Vikings would rape males and females when on raiding trips to shame, degrade and weaken them. To be penetrated was to be submissive. It was acceptable to gain pleasure from penetrating someone- but not from being penetrated yourself. One of the worst insults an enemy could hurl at a Norse man was “sordinn” (penetrated). Any man branded as such would fight to the death defend his honor. These conflicts led to Scandinavian law codes making such types of insult illegal because of the bloodshed, with the slanderer often outlawed- if the injured party didn’t kill him first!

However, if such abuse was believed or proven, it had grave consequences for the man in question. Although Norse myths tell of gods such as Loki and even Odin taking on a submissive role in sex, Norse mortal society did not tolerate passivity in men. The man in question would become a social outcast, branded "ergi” (unmanly). Such men were believed to lack the ability to be vital and virile members of society. They were deemed liable to be ineffectual as fathers and fighters- and as such of no use. Dominant homosexuals were quite another matter.

There is no mention of lesbianism in the tales. Nor are there any references in other Old Norse texts to female homosexual relationships, so we cannot gauge pre-Christian attitudes to female homosexuality. However, Icelandic Christian law suggests lesbianism did occur in Norse society. In the 12th century, Bishop Porlakr Porhallson decreed “if women satisfy each other they shall be ordered the same penance as men who perform the most hideous adultery between them or with a quadruped.”

The Eddas and some of the sagas also specifically mention Freja having sex with other women. In fact at a banquet Loki accused her of having slept all the other Aesir at one time or another, a claim which Freja never denied.

Some Viking Marriage customs survive today

The Norse held their weddings on a Friday, the day of Frigg, the goddess of marriage and fertility. The time of the year was also crucial. Late summer or autumn were the preferred times. This period of the year was harvest time, a time of abundance and plenty. A good supply of meat, fruit, and grain was essential to ensure an amply provisioned wedding feast.

One beverage was of particular importance. The ˜bridal ale’ was first consumed in a loving cup by the bride and groom at the marriage feast. The couple would use the mead-like brew to seal their union with a toast to Odin and Freya. The bridal ale was brewed with a good deal of honey, to ensure the fertility of the newlyweds. Their families gifted the couple with enough of this sweet beer to last them a month- a custom that gives us the modern term ˜honeymoon.’

Before the wedding, both bride and groom took a ritual steam bath. Although they did not wear special clothes for the wedding, both wore specific tokens on their special day. For the bride, this was a floral wreath upon her head. For the groom, it was a sword, purposely robbed from one of his family’s burial mounds (or an old family sword buried in a fake mound that he ritually disinterred.) This sword was presented to the bride at the exchange of vows, as a way of making her a custodian of his family line.

As is common today, the bride and groom exchanged rings- both finger rings and arm rings as they spoke their vows. Once the ceremony was complete, the “brud hlaup” occurred. This was a race run by both wedding parties to the feasting hall. Whoever arrived last served the ale. But before the bride could enter, she had to be escorted over the threshold by the groom. The Norse, like many pagan peoples, believed thresholds were dangerous places for in transition to a new stage in their life.

The groom would then thrust a new sword, a gift from his bride, into the central pillar of the house. The depth of the resulting cut was used to determine the success of their union. Then, after the feast, eight witnesses lighted the bridal couple to bed. The groom then removed the bridal wreath from the bride- a ritual deflowering before the real event.

Viking Sexual Euphemisms

The Vikings could be quite ˜direct’ about certain matters. However, they could also be rather coy about sex – or at least, so their stories suggest. The sagas had various ways to refer to sex that describe it in a rather round about way. A man about to have sex with a woman was said to ˜turn towards’ her, “laying his hand/arm/thigh ” on her. The rest was up to the audience’s imagination. However, what was clear was the man was in charge. He took the lead. His partner followed.

Once the action warmed up, the sagas implied the increased activity in similarly guarded terms. A couple in the throes of passion would ˜crowd together in bed” (hviluthrong) and ‘enjoy each other. ‘ If things were particularly raunchy, the tales would describe the man as enjoying a good old brolta a maga or ˜romp on her belly’ or describe the couple as ˜travelling together.” Once they had exhausted themselves, the couple spent the aftermath at ˜hvila meth henna ” (rest with her), or he would ˜amuse one’s self.’ This activity referred to him enjoying a quiet conversation or game of cards with his partner.

However, the everyday terms used by the Vikings were probably not quite so reserved, judging by sexual words they have bequeathed to modern times. The Old Norse ˜thviet’ for a cut or slit began life as a sexual euphemism for a particular part of the female anatomy. Gradually it evolved into the old English ˜thwat’ and later into the more familiar twat which is used today as a term of abuse. The same occurred with another Old Norse word for the female genitals “Kunta’.

However, not all euphemisms were this crude. In contrast to these rather basic sexual terms, the Old Norse for sexual desire was “munuth.” This word derives from the root word for love “mun‘ and that of thought or memory ˜hugr,’ making the sexual impulse a ˜love thought.’ So perhaps the Vikings could be romantic souls after all.

Adultery was acceptable for Viking men, but not their wives

Many Norse men adored their wives, judging by the last words of one man just before he was hung:

” Happy am I to have won the joy of such a consort; ” said the condemned man of his wife. “I shall not go down basely in loneliness to the gods of Tartarus. So let the encircling bonds grip my throat in the midst; the final anguish shall bring with it pleasure only, since the certain hope remains of renewed love, and death shall prove to have its own delights. Each world holds joy, and in the twin regions shall the repose of our united souls win fame, our equal faithfulness in love “(Saxo Grammaticus)

Sadly, however, not everyone practiced “faithfulness in love” The basic requirement of a Norse man was to produce children with his wife. He was not, however, obliged to be faithful. Norse men could keep concubines known as frilles – lower status women who they did not marry and who lived with the man and his wife. According to Adam of Breman, a man could keep as many frilles as he could afford. Society regarded any children from these liaisons as legitimate.

Norse men also kept bed slaves. These unfortunate women had little choice in whether or not they lay with their master. Nor was it a great advantage to be the master’s favorite. Ibn Fadlan described witnessing a Viking funeral where the favoured bed slave of the deceased man was killed to accompany him to the afterlife. However, the one taboo liaison for a Norseman was to lie with another man’s wife. For this, he could be fined or killed.

Wives, however, were expected to remain faithful, probably because of the possibility of falling pregnant with a child that was not her husband’s. It’s unlikely that every wife did remain constant. However, if anyone caught a woman being unfaithful, the penalties varied. At best, her hair would be cut off. At worst, she could be divorced or fined- or killed. Adam of Breman even states that she could be enslaved.

Viking women could divorce their husbands

Viking women may have had to put up with their spouse’s affairs. However, they didn’t have to put up with their husbands ‘until death‘. Although a Norse wife could not divorce her husband for being unfaithful, there were other circumstances where it was perfectly acceptable. If her husband hit her, a woman could fine him. If he abused her in front of witnesses, not only did the fine apply, but his wife could divorce him after the third blow.

There were also various sexual reasons why a wife could divorce a husband. Men who dressed in feminine clothing such as low cut shirts, for instance, could be cast off, as could those who were homosexual- even if they were the dominant partner. A wife could object to the lack of discretion in homosexual liaisons – or the attention they distracted from her relationship with her spouse. In each case, the now ex-wife could claim back her original dowry and any inheritances she received during the marriage.

Another, perhaps surprising reason for divorce was if a man did not satisfy his wife sexually. A man who had refused to have sex with his wife for three years could be set aside. Likewise, if he could not perform or was leaving his wife sexually unfulfilled, he was at risk of being divorced. For if a couple wasn’t having sex, they weren’t producing children. Also, an unhappy marriage bred bitterness and resentment that could boil over into violence and family feuds. So it was better for a sexually unsatisfied woman to look elsewhere for a partner.

Judging by the sagas, it was the women who generally instigated divorce. All that was required was for them to assemble witnesses, cite their reasons and declare themselves divorced. This had to occur three times: in their bedroom, in front of the house and before a public assembly. It was Norse women’s one significant freedom. For if they were to remain tied to one man, run his home and land and put up with his lovers, the least they could expect was satisfying sex life.

#Viking infodump #vikings #nordic history #norse paganism #pagan #paganism #norse heathen #norse deities #norse pantheon #norse gods #norse mythology #old norse #heathen #viking society #viking #norsemen #norseman #history #culture #viking culture

[dancingstarsbornfromchaos]

Some random background story headcanons I have for Evil Rick, since there’s really not enough content about his character! (And since I was encouraged to share by a lovely person)

As a young kid, Rick showed all the signs what psychiatry would later label as a Conduct Disorder (which in teenagers is called Antisocial Personality Disorder): complete disregard for social norms, delinquent behaviour (mostly in the form of skipping school, stealing and destruction of property), lack of empathy, cruelty towards animals, intimidating behaviours, open aggression. So, he was damaged goods since the very start, capable of, and very willing to, destroying and twisting everything he touched.

Being as smart as he was just made it worse. He quickly learnt how not to get caught, how to act behind others’ back, how to make sure that he could get away with it, even when everyone was aware of the kind of little monster he was. But no proof, no crime, right?

He even sent several of his classmates to the hospital through his elementary and middle school years, leaving some of them deeply traumatised in the aftermath and a couple physically impaired.

His family never did anything about it. The Sanchez struggled with money and Rick’s mother was far too busy working her three job’s to care for her son...a son she hadn’t wanted to have to start with. As for his father, the man was half an alcoholic and half a criminal and, while absent in his son’s life, he was around more and the only figure Rick could learn something from. And what he learnt was that when you wanted something, the quickest way to go around the issue was to take it, rules and consent be damned.

While his parents never physically abused him, Rick grew up in a state of complete neglect (emotional, but also material), having to fend for himself since an age when he should have been too young to even just be alone in the house.

At every new school he was sent to, he attracted the attention of the local bullies, but it never lasted. Eventually, something really nasty happened to them and everyone learnt to keep their distances, kids and adults alike.

School still felt like a waste of time to him, so he chose to focus on teaching himself what he needed and wanted to learn. And that was were most of his efforts went. While he never felt the need for a connection with other people, unless it involved causing them pain or gaining something out of it, science was the one thing that made him feel more than just anger, frustration, boredom or the need to break everything around him. Where he usually lived following a primal urge for destruction, it gave him a chance to experience what it was like to create.

He left home at 16, and his family never even thought of looking for him. He made money through his inventions and crime, usually never getting fully involved and preferring to stand aside and watch the chaos his schemes and twisted games led to.

Soon, however, all that was no longer enough. Everything he did got dull faster and faster and Earth started to feel like a prison, which lead him to work obsessively on finding a way to leave that ball of dirt behind.

Diane was a convenient opportunity. She was good-looking in a way that society approved, she was easy to fall for his lone wolf act and her will too see good even where there was none made her easy to manipulate. And, more importantly, she had enough normalcy to hide away Rick’s abnormalities too. He never loved her, nor the daughter they had together. He just got her pregnant so he could marry her and use her as a walking hideout while he kept on pursuing his own interests in peace.

The very same day he finished to build his space ship, Rick packed his stuff and left in the middle of the day, while Diane was off to pick up a 5-years-old Beth out of school. He didn’t leave a note, never looked back. And forgot about them both pretty quickly too.

In that bloodied, lawless mess that space turned to be, Rick truly thrived for the first time in his life. He turned himself into a mercenary, working for whoever managed to pique his interest the most and for whoever offered him the best chance to get creative with his work. The Federation was hardly the only one to suffer from his games and whims. Some came to say that Rick Sanchez destroyed civilizations for breakfast, if he woke up in that kind of mood. Or if he had a bit too much to drink the night before.

He met the Squanchy and the Birdperson of his dimensions, but they never became friends. They were just people he had dealt with while he sold weapons to the Rebellion, two faces who stood up just a little more in a sea of a thousands more.

Of course, his lifestyle and disregard for the consequences earned him an endless list of enemy. He was hunted down and captured, tortured in all the conceivable ways. He was almost killed several times, violated in the body and the mind alike. He lost counts of all the substances that were put and that he willingly put into his body, which by now was synthetic and part machine than human. Yet, he always came out on top, covered in blood and with that insane, terrifying tingle in his eyes shining just a bit brighter each time.

Meeting other Ricks and learning about interdimensional traveling marked a new turn in his life. He moved through different realities, took a vague interest in studying the differences in the course or history (and eventually found most of them pathetic and unworthy of his time). He even spent a couple of years living on the Citadel, hidden away in its darkest corners, always under the radar.

One thing stuck with him of all his experiences among his other selves, the same thing that eventually pushed him travel back to his own Earth, something he had never even just considered doing after having left it behind for good. The boy.

Showing up at his estranged daughter’s door, Rick quickly learnt two things: one, he wasn’t welcome but they let him stay anyway because he was bringing resources they didn’t have and, especially, because Beth was smart enough to figure that there was no denying him; secondly, his daughter’s family was no different from the one he had grown up with. A house full of indifference and neglect, where the kids were left to their own devices, no matter the consequences.

His 10-years-old Morty turned out to be nothing like Rick had been as a child. He was weak, easily scared, too full of stupid hopes and dreams, craving to be nurtured and given the affection that none of the people around him was willing to offer. He was pathetic, even, a crying, shivering mess. And yet, Rick didn’t miss it, the spark of strong willpower and stubbornness that would have allowed the kid to thrive just as Rick himself had done, if properly cultivated.

Useless to say, Rick didn’t hesitate to completely take over Morty’s life. It wasn’t like there was anyone to stop him or to worry or give a damn anyway. He planned on breaking the kid into pieces, literally and figuratively, over and over and over, using his own horrifying experiences as a guide. He would have forced him to accept that there was nothing in his life, in his universe but Rick. Then he would have put him back together, shaped him and molded him into something as resilient as Rick’s own wrecked life had made him. A sharp tool, a deadly weapon, a helpful sidekick. And, perhaps, one day, a partner. Because, whether or not he was willing to admit it, Morty was the first and only person Rick was ever able and ever wished to truly connect with.

#rick and morty #rick sanchez #evil rick #rnm headcanons #ram headcanons #rick and morty headcanons #[ he and Evil Morty are my second fave duo ] #[ I wish there was more content about them ]

[agentrouka-blog]

what do you think about obara?

Hi there!

Obara would be my third favorite Sand Snake after Sarella and Elia.

Obara Sand always walked too fast. She is chasing after something she can never catch, the prince had told his daughter once, in the captain's hearing. (AFFC, The Captain of Guards)

My goodness, what could it be?

Oh, right. Her mother. Her identity. Her sense of self.

She is the reason I can never ever truly like Oberyn.

“I am the whore's whelp, or had you forgotten?" (AFFC, The Captain of Guards)

No matter how heartbreaking Oberyn’s determination to get justice for Elia’s murder, I can never forgive him for this.

"The day my father came to claim me, my mother did not wish for me to go. 'She is a girl,' she said, 'and I do not think that she is yours. I had a thousand other men.' He tossed his spear at my feet and gave my mother the back of his hand across the face, so she began to weep. 'Girl or boy, we fight our battles,' he said, 'but the gods let us choose our weapons.' He pointed to the spear, then to my mother's tears, and I picked up the spear. 'I told you she was mine,' my father said, and took me. My mother drank herself to death within the year. They say that she was weeping as she died." Obara edged closer to the prince in his chair. "Let me use the spear; I ask no more."

(AFFC, The Captain of Guards)

Oberyn not only suddenly came to take her away from her mother. He did not come to offer her a “better life”, or do his duty to her as her father.

He made her choose.

He demonstrated an absolutely despicable abuse of power. He shows up out of the blue after presumably no contact and no support, assaults and humiliates her mother, a woman already on the very edge of society, and then makes Obara choose between this distorted image of victimized weakness, and his own power. Female tears vs. his phallic symbol. It’s a false dichotomy, the birth place of “not like other girls”, of internalized misogyny, of self-hatred.

She cannot have both. She cannot love both. She must disdain one to reap any benefit from the other. It is a horrifying violation. He erases half of her identity by dragging it through the dirt and creating a clear distinction between himself and his offer, and the woman who has been Obara’s caretaker all her life up to then. Her own mother. Her own sex.

We know that the young red-haired prostitute died trying to save her daughter, little Barra, while Robert had not lifted a finger to support them, and only had scorn for the girl’s choice of name. Was she weak?

Even her mother’s grief and desperate end is turned into a weapon against Obara, instead of proof of her mother’s love, it is proof of her mother’s supposed worthlessness. She must hate her mother because to stop would be to recognize that her father, her sole source of security in the world, was a monster to do this. She must cling to this phallic symbol of a weapon because Oberyn tainted all alternatives. The whore’s whelp she calls herself, spitting on her mother every time.

When she arrives at Sunspear to confront Doran about Oberyn’s death, she asks for troops and permission to sack Oldtown. Her hometown. For the wealth of the Hightowers, supposedly, but somehow her first instinct upon the news of her father’s demise is to attack the place she herself came from, her mother’s city. Begging to use the spear.

Perhaps it is the only way she knows how to express her pain, as Oberyn stole her tears. Self-destruction.

Even Nymeria understands there is a personal motive outside of Oberyn’s death.

“Obara would have me go to war.”

Nym laughed. “Yes, she wants to set the torch to Oldtown. She hates that city as much as our little sister loves it.” (AFFC, The Captain of Guards)

Obara is the only one of the elder Sand Snakes for whom GRRM constructs this kind of look back at her "acquisition" into the royal family, and I sincerely doubt that it is accidental. It is the one that matters, the one that is the most illustrative.

Nymeria has her noble Volantene mother’s beauty and bearing.

Tyene is said to carry her mother’s innocent appearance, and received a religious education at least thorough enough to enable her to “ingratiate herself” with the new high septon. It is, of course, a cynical facade.

Sarella proudly practices the marksmanship of the Summer Islanders of her mother’s heritage.

But Elia and Obara both show the real cracks that counter this hazy facade of the fierce Eight Sand Snakes, liberal Oberyn‘s loyal and independent daughters. They are all an extravagant self-indulgence on Oberyn’s part, created wherever he went and then picked up like a shiny tourist trinket. They all must revolve around him, the reflections of Oberyn in the looking glass of their mothers.

No," Elia broke in. "You're the one they'll want to ransom. You're the heir to Dorne, I'm just a bastard girl. Your father would give a chest of gold for you. My father's dead." (TWOW, Arianne II)

Elia, bless her, has her mother to lean on and still she keenly feels the legal reality of her position. Obara does not even have that. 

Sarella out of all the elder Sand Snakes, seems to be the most emotionally independent. She is the only one NOT around all the others in Dorne, and while she follows her father’s footsteps in Oldtown, she practices her mother‘s traditional archery and emphasizes her.

Alleras smiled back at him. "I only buy for friends. And I am no lord's son, I've told you that. My mother was a trader." (AFFC, Prologue)

This healthier balance, this valuing regard for her mother’s heritage (unlike Tyene's pretense) is what makes Sarella truly remarkable to me. She is not hot-headed nor does she seem to be boiling with a thinly veiled fury. She does not seem to advocate for murder, but we see her muse about feeding the people. She is serene, like the black swans on the Godseye, like the swanships, with a steady hand and a sure intention. Whatever exactly that intention may be. Ironically, sexism forces Sarella into a masculine role, as well. But it is a deliberate mask, elegantly worn. Freely worn. Unlike Obara's struggle.

The character in whom I see most parallels with Obara Sand is Jon Snow in his current iteration.

Ned, well-meaning though he may have been, robbed Jon of half of his identity and left him with an image that is considered tainted by the world around him. His mother is as inaccassible as Obara’s mother, emotionally, though for different reasons. Their father’s choices left both of them emotionally crippled to a degree. One mother was erased by silence, rendered invisible. The other, worse, was erased by violent and verbal degradation.

Consequently, it is Obara we see the most seemingly “unhinged”, when she is introduced, the most overtly violent, the most “unfeminine”. This is not an expression of personal taste, nor a handy mask. It is a grim adherence to the choice she was offered.

She is almost thirty, and came to Dorne almost two decades earlier, well before Elia’s murder.

"It has been twenty years, or near enough to make no matter.” (AFFC, The Captain of Guards)

She was somewhere between Sansa’s and Arya’s current age when Elia was killed. Does she perceive the contradiction in Oberyn living for vengeance for Elia, when he treated her own mother not so very very differently? He did not kill her truly, but he erased her just the same, with a violent contempt. A "weak woman", with only tears for weapons, her child ripped from her.

If Obara sees it, she is not letting on. She craves violence. She craves an expression of power to put something where tears might have their place. The way she was taught.

Of course, it would be boring if that is where it was truly headed. Much like Aegon and Jon, much also like Asha Greyjoy who adapted to an extremely male-dominated society, Obara would probably benefit from turning away from her father's looming shadow to a certain degree. I have some hope that GRRM will make room to explore it.

Obara is given a quest of justice and distraction: Darkstar. "Beard him in his den", as Arianne travels to "beard the dragon".

Your Speculation here (by @sayruq) is extremely interesting, placing Obara in the line of defense of peaceful children at the watergardens. The same children she had dismissed earlier, like the child she was not allowed to be. Wielding that spear not for vengeance or self-glorification but in the way it should be wielded: to defend those soft weak things that are precious.

I really hope this is where it's headed, and I really hope she will find her peace in that role.

#obara sand #anti oberyn martell #sexism #violence #sand snakes

[amuelia]

How do you think Roose will meet his demise? Or will he survive? What's your best Roose end game predictions?

Thank you for the question! This will be a long post under the readmore, going into my thoughts on the show ending and exploring what the books may have set up in regards to themes and characterization, as well as a bit of general analysis of Roose' story arc in a Dance with Dragons (and some speculation about Ramsay as well).

If you click on the readmore i will have divided the post into sections with bolded Headers, if you want to only read my specific endgame ideas you can skip ahead to the "His Endgame?" section.

In The Show

The show had him get killed by Ramsay in s6, which informs a lot of the fandom speculation about this storyline.

I am not a fan of the show's scenario as it was both similar to tywin and tyrion as well as a mirror of robb's death; it would also be offscreen in the books since neither of the characters are PoVs and Ramsay would need to do the act in secret. This would ultimately undercut Roose' role and impact, being a death scene that is not very unique and also isn't shown to the reader directly. Since no PoV is even in Winterfell currently, we would just hear of it from afar and not witness the consequences.

The show also has a different dynamic in the Bolton storyline, emphasizing Ramsay as the "main character" of this arc, and elevating him to the main villain for s5-6 to fill Joffrey's shoes as an evil character played by a very charismatic actor. Ramsay's show writing is informed by the needs of a TV setting that wants shocking moments and capitalizes on "fan favourite" actors; his rising importance in the show thus is not necessarily an indicator of his book importance. The show was also missing many central characters like the northern lords and the Frey men in Winterfell.

The show had a tendency to kill off characters early when they wanted to cull storylines or had no plans to adapt more of the character's story (like Stannis, Barristan, possibly the Tyrells...); In Mance Rayder we have the most obvious example, where they killed him off for real in a scene that in the book was a misdirection. We also have characters like Jorah where it appears the showrunners had their own choice of how they want his storyline to end, even if Grrm has his own ending in mind.

"For a long time we wanted Ser Jorah to be there at The Wall in the end," writer Dave Hill says. "The three coming out of the tunnel would be Jon and Jorah and Tormund. But [...] Jorah should have the noble death he craves defending the woman he loves." - Dave Hill for Entertainment Weekly

So a death in the show does not need to be an indicator that the books will feature an equivalent scene, even if it gives a hint as to what may happen. By s5 the show has become its own beast, and the butterfly effects from radical changes they made as well as the different characterizations results in the show having to cater to its own needs in many cases when it gets to resolving a plotline.

"We reconceived the role to make it worthy of the actor's talents." - Benioff and Weiss for the s5 DVD commentary, on Indira Varma's casting as Ellaria

In The Books

(Since this post was getting out of hand in length a lot of these arguments are a little shortened/not as in-depth as i'd like! Feel free to inquire more via ask if something is unclear or you disagree)

In the books i find it hard to make a concrete guess as to how it will end. Occam's razor would be to assume the show sort of got it right and that it will vaguely end the same, which could very well happen and i will not discount the possibility; Ramsay is cruel, desires the Dreadfort rule, and is a suspected kinslayer and has no qualms to commit immoral violence.

"Ramsay killed [his brother]. A sickness of the bowels, Maester Uthor says, but I say poison." - Reek III, aDwD

Reek saw the way Ramsay's mouth twisted, the spittle glistening between his lips. He feared he might leap the table with his dagger in his hand [to attack his father]. - Reek III, aDwD

Arguments against this or for a different endgame come down to interpretations of the themes in the story arc and opinions on dramatic structure/grrm's writing, and are thus very subjective.

The way the story currently is going, Ramsay killing Roose treats Roose almost as a plot device; his death brings no change or development to Ramsay's character as we already know his motivations and cruelty align with such an act, and we can assume that he would feel no remorse about it either. The results of such a scene would be firmly on a story level, as it brings political changes and moves the plot along into a specific direction. Roose himself cannot have any relevant character development about it as he does not have a PoV and we would not be able to witness his reaction from the outside.

“The only thing worth writing about is the human heart in conflict with itself.” - William Faulkner, often quoted by Grrm

Further, killing his father is very difficult to pull off in secret (Roose is frequently described as very cautious, and employs many guardsmen). And even if Ramsay pulls it off (people often interpret Ramsay as Roose' blind spot, assuming he might be caught by surprise, not expecting Ramsay would bite the hand that feeds him), Roose is the one that holds his entire alliance together; The Freys would be alienated by Ramsay who would antagonize Walda and her son as his rivals, The Ryswell bloc appears to dislike Ramsay (especially Barbrey), and the other northmen are implied to not even like Roose himself. Killing Roose would quickly combust the entire northern faction, and hinder Ramsay's further plans (another reason why I am not convinced of a book version of the "Battle of Bastards"). Though this might of course, if we look at it from the other side, be grrm's plan to quickly dissolve this plot and move the northern story forwards.

"Ramsay will kill [Walda's children], of course. [...] [She] will grieve to see them die, though." - Reek III, aDwD

"How many of our grudging friends do you imagine we'd retain if the truth were known? Only Lady Barbrey, whom you would turn into a pair of boots … inferior boots." - Reek III, aDwD

"Fear is what keeps a man alive in this world of treachery and deceit. Even here in Barrowton the crows are circling, waiting to feast upon our flesh. The Cerwyns and the Tallharts are not to be relied on, my fat friend Lord Wyman plots betrayal, and Whoresbane … the Umbers may seem simple, but they are not without a certain low cunning. Ramsay should fear them all, as I do." - Reek III, aDwD

Roose' death at Ramsay's hand also removes him thematically from the Red Wedding, as we can assume such a death might have happened regardless of his participation in the event (seeing as Ramsay is getting provoked by Roose constantly in normal dialogue, and has a general violent disposition). Roose already took Ramsay in before aGoT started, and married Walda very early in the war, which is already most of the buildup that the show's scenario had. It also has little to do with the The North Remembers plot except set dressing, since the northmen are presumably neither collaborating with/egging on Ramsay nor would they appreciate the development.

Themes: Ned Stark and the rule over the North

Roose is treated as a foil to Eddard; They are often contrasted in morals and ruling styles, while also having many superficial similarities that further connect them (they are seen as cold by people, grey eyed, patriarchs of rivalling northern houses, etc...).

Pale as morning mist, his eyes concealed more than they told. Jaime misliked those eyes. They reminded him of the day at King's Landing when Ned Stark had found him seated on the Iron Throne. - Jaime IV, aSoS

They both have a "bastard son" that they handle very differently; Roose treating Ramsay in the way that is seen as common in their society. Ramsay and Jon as a comparison are meant to show that Catelyn had a reason to see a bastard as a threat (since Domeric was antagonized by his bastard brother), but also shows that her suggested plan for Jon would not have stopped any danger either (as Ramsay being raised away from the castle didn't help).

And if his seed quickened, she expected he would see to the child's needs. He did more than that. The Starks were not like other men. Ned brought his bastard home with him, and called him "son" for all the north to see. - Catelyn II, aGoT

"Each year I sent the woman some piglets and chickens and a bag of stars, on the understanding that she was never to tell the boy who had fathered him. A peaceful land, a quiet people, that has always been my rule." - Reek III, aDwD

It appears to me that Roose' story functions in some ways as an inversion to Ned. He makes an attempt to grab a power he was not destined to (becoming warden of the north), where Ned did not want the responsiblity thrust upon him ("It was all meant for Brandon. [...] I never asked for this cup to pass to me." - Cat II, aGoT). Where Ned rules successfully and his northmen honor his legacy ("What do you think passes through their heads when they hear the new bride weeping? Valiant Ned's precious little girl." - The Turncloak, aDwD), the Boltons are largely hated and there are several plots conspiring against them ("Let me bathe in Bolton blood before I die." - The King's Prize, aDwD).

It seems possible to me that in terms of their family and legacy, Roose might also live through an inverted version of Ned's story; where Ned died first, leaving his family behind, Roose already lived to see the death of his wives and trueborn heir, and might thus also live to see Ramsay's death. Ned leaves behind well raised children and a North who still respects his name, and even though he dies it will presumably all be "in good hands" in the end (in broad strokes, obviously this is all much more morally complex). Roose however built up a bad and toxic legacy, and also built his way of life around evading consequences; it makes sense to me that he would be forced by the story to finally endure all the consequences of his actions and witness the fall of his house firsthand. After all we already have Tywin who fulfils the purpose of dying before his children while his legacy falls to ruins, and a Feast for Crows explores this aspect thoroughly.

Roose' arc in A Dance With Dragons

The story repeatedly builds up the situation unravelling around Roose, and him slowly losing a grip on it and becoming more stressed and anxious.

Reek wondered if Roose Bolton ever cried. If so, do the tears feel cold upon his cheeks? - Reek II, aDwD

Roose Bolton said nothing at all. But Theon Greyjoy saw a look in his pale eyes that he had never seen before—an uneasiness, even a hint of fear. [...] That night the new stable collapsed beneath the weight of the snow that had buried it. - a Ghost in Winterfell, aDwD

Lady Walda gave a shriek and clutched at her lord husband's arm. "Stop," Roose Bolton shouted. "Stop this madness." His own men rushed forward as the Manderlys vaulted over the benches to get at the Freys. - Theon I, aDwD

It also directly presents him as a parallel to Theon's rule in aCoK, who similarly experienced a very unpopular rule and his subjects slowly turning against him. Presumably, the point of this comparison will not just be "Ramsay comes in at the end and unexpectedly whacks them on the head". Both Theon and Roose invited Ramsay into their lives, giving him more power than he deserves, and causing Ramsay to make choices that increasingly alienate others from them (the death of the miller's boys for example has repercussions for both Theon and Roose). Grrm is likely steering this towards a difference in how they will deal with this situation.

It all seemed so familiar, like a mummer show that he had seen before. Only the mummers had changed. Roose Bolton was playing the part that Theon had played the last time round, and the dead men were playing the parts of Aggar, Gynir Rednose, and Gelmarr the Grim. Reek was there too, he remembered, but he was a different Reek, a Reek with bloody hands and lies dripping from his lips, sweet as honey. - a Ghost in Winterfell, aDwD

"Stark's little wolflings are dead," said Ramsay, sloshing some more ale into his cup, "and they'll stay dead. Let them show their ugly faces, and my girls will rip those wolves of theirs to pieces. The sooner they turn up, the sooner I kill them again." - The elder Bolton sighed. "Again? Surely you misspeak. You never slew Lord Eddard's sons, those two sweet boys we loved so well. That was Theon Turncloak's work, remember? How many of our grudging friends do you imagine we'd retain if the truth were known?" - Reek III, aDwD

Roose' arc is deeply connected to the relations he shares to the other northern lords, which has been heavily impacted by the Red Wedding. It stands to reason that they are going to be an important part of his downfall, and we see many hints of them plotting to betray him.

The north remembers, Lord Davos. The north remembers, and the mummer's farce is almost done. My son is home." - Davos IV, aDwD

Themes: Stannis and kinslaying

The books set up Roose and Stannis as foils as well; Both lack charisma and have trouble winnning the people's support, Stannis and Roose both parallel and contrast Ned, Stannis appears as a "lesser Robert" where Roose is a "lesser Ned", Stannis represents the fire where Roose represents the ice, both struggle over dominion in a land that doesnt particularly want either of them, etc... What i find interesting is how they are contrasted over kinslaying:

"Only Renly could vex me so with a piece of fruit. He brought his doom on himself with his treason, but I did love him, Davos. I know that now. I swear, I will go to my grave thinking of my brother's peach." - Davos II, aCoK

"I should've had the mother whipped and thrown her child down a well … but the babe did have my eyes." [...] "Now [Domeric's] bones lie beneath the Dreadfort with the bones of his brothers, who died still in the cradle, and I am left with Ramsay. Tell me, my lord … if the kinslayer is accursed, what is a father to do when one son slays another?" - Reek III, aCoK

Stannis is set up as someone who is very thorough and strict in following his own code and his "duty", even if he does not like what it forces him to do.

Stannis ground his teeth again. "I never asked for this crown. Gold is cold and heavy on the head, but so long as I am the king, I have a duty . . . If I must sacrifice one child to the flames to save a million from the dark . . . Sacrifice . . . is never easy, Davos. Or it is no true sacrifice. Tell him, my lady." - Davos IV, aSoS

The armorer considered that a moment. "Robert was the true steel. Stannis is pure iron, black and hard and strong, yes, but brittle, the way iron gets. He'll break before he bends." - Jon I, aCoK

Roose however is frequently characterized as someone who tries to get as much as he can while avoiding negative consequences, and who does not have a consistent moral code and instead bends rules to his benefit to be the most comfortable to him.

It is often theorized that Stannis will end up burning his daughter Shireen; the Ramsay issue might then serve to contrast the two men. If Grrm intends it to be compared by the reader, I can see it going two ways: Either Roose will be forced to finally act in a drastic way after avoiding his responsibility in regards to Ramsay and he will be forced to get rid of his son, making him break the only moral hurdle he has presented adhering to during the story (though analyzing his character, the kinslaying taboo is probably less a sign of moral fortitude and more him using the guise of morals to explain a selfish motivation). Or he might not act against Ramsay and suffer the consequences, presenting an interesting moral situation where some readers might consider his action "better" or more relatable than Stannis', breaking up the otherwise very black and white moral comparison between the two men. It serves as an interesting conflict of the morality of kinslaying compared to what readers might see as a moral obligation of getting rid of a monster such as Ramsay; contrasting Shireen whose death would not be seen as worth it by most. Ramsay as a bastard (who was almost killed at birth if he hadnt been able to prove his paternity) also makes for an interesting verbal parallel with the bastard Edric Storm, and might be used for a look at the utilitarian principle of killing a child (baby ramsay/edric) to save countless people from suffering that underpinned Edric's story.

"As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy." - Grrm

"Robert, I ask you, what did we rise against Aerys Targaryen for, if not to put an end to the murder of children?" - Eddard VIII, aGoT

"If Joffrey should die . . . what is the life of one bastard boy against a kingdom?" - "Everything," said Davos, softly. - Davos V, aSoS

However Grrm decides to present these conflicts or which actions the characters will take in the end, it will result in interesting discussion and analysis for the readers.

His Endgame?

Looking at the trends of the past books, it is probably going to be hard to predict any specific outcome; every book introduces new characters and plot elements that were impossible to predict from the last book even if their thematic importance or setup was aptly foreshadowed.

Roose has a lot of plot importance and characterization that has, in my opinion, not yet been properly resolved in a way that would be unique and poignant to the specific purpose his character appears to fulfil. However I also have a bias in that i did not like the show's writing of that scene which makes me averse to see a version of it in the books, and i really like Roose as a character and want to see him have more scenes in the next book(s). This leads me to discount plot speculation that cuts his character arc short offscreen early. Roose is only a side character; however, i have trust in grrm's writing abilities and that he would give him a proper sendoff that feels satisfying to a fan of the character.

"…even the [characters] who are complete bastards, nasty, twisted, deeply flawed human beings with serious psychological problems… When I get inside their skin and look out through their eyes, I have to feel a certain — if not sympathy, certainly empathy for them. I have to try to perceive the world as they do, and that creates a certain amount of affection." — George Martin

Considering my earlier analyis, there is a case to be made for Roose killing Ramsay; however it appears grrm might have a different endgame in mind for Ramsay, foreshadowed in Chett's prologue:

There'd be no lord's life for the leechman's son, no keep to call his own, no wives nor crowns. Only a wildling's sword in his belly, and then an unmarked grave. The snow's taken it all from me . . . the bloody snow . . . - Chett, aSoS

I tend to think something might happen to Roose/the Bolton bloc later in the book that would cause Ramsay to attempt to flee the scene again like he did back in aCoK fleeing Rodrik's justice; perhaps Ramsay is sent out to battle but then flees it like a coward, or he sees his cause as lost. This time, the fleeing and potentially disguised Ramsay would not make it out to safety though, and get killed without being recognized as Ramsay, dying forgotten. This would serve as dramatic irony since Ramsay so strongly desired to be recognized and respected as a Lord of Bolton, without being too on the nose.

As for Roose, i could see him getting captured and somehow brought to justice (either when someone takes Winterfell or in some sort of battle). I see it unlikely that he will be backstabbed like Robb was, because it seems very "eye for an eye" and ultimately doesn't teach much of a lesson except "he had it coming"; But the various people conspiring against him could lead to his capture by betraying him (giving a payoff to the northern conspiracies and the red wedding). I would find a scene of him standing trial interesting since i believe we didn't have one of these for a true non-pov villain yet, and it would be an interesting confrontation that he cannot escape from (he also loves to talk so it would be a good read to see him make a case for himself).

I assume Roose will be out of the picture when the Other plot finally properly kicks into gear (whether dead or "in prison"). With Stannis as a false Azor Ahai and Roose as a false Other (with his pale, cold features), their struggle in the north seems to be a representation of the false "Game of Thrones" that distracts people from the "real threat" of the Others.

As always this is just my opinion, and it could all go very differently in the books! There could always be something that completely uproots my analysis and goes into a direction i did not expect from the material we had; But i have fate that Grrm as a writer will deliver and give me something i can be satisfied with.

#asks #asoiaf #asoiaf meta #roose bolton #valyrianscrolls #a song of ice and fire #not art #anonymous

[peppermintbee]

OMORI has poor writing (Part 1)

OMORI stans, just block the #omori hate tag now because I’m going to use it to vent my frustrations with this game. If you love this game, I am not going to try to convince you otherwise. I am glad you enjoyed it so much. I am glad it means a lot to you. I’m not here to take that away from you. I honestly wish I felt the same way!

However, if you are like me and finished the game feeling disappointed, underwhelmed, and maybe a little frustrated, then I am here to say you are not alone. OMORI--while having the right set pieces for an interesting game--is a narrative mess.

I’m splitting this into two posts. This first post is about problems with the plot. The second is about problems with the message/moral. 

(Note: I use “OMORI” in all-caps for the game title, and “Omori” in title case for the character name.)

Spoilers and criticism below.

Part 1: Plot Writing Lies

There’s a book by Brian McDonald called Invisible Ink which is about how to write a compelling story (you can read this great book online for free here). There’s an explanation of the writing “lie” that I find myself frequently thinking of. A “lie” in this context does not mean something is literally untrue, it means something FEELS untrue, unrealistic, improbable, or unlikely. For example, if a character gets shot in the leg but manages to do parkour, this is a “lie” since it seems unrealistic for that to happen. If a character witnesses their beloved parent’s death and shrugs it off, it’s a “lie” because that reaction seems highly unlikely.

In OMORI, the plot is held together by multiple little lies that--try as I might--I just couldn’t bring myself to believe.

1. Sunny’s friends care about him, and vice versa

A major theme of the game is how friendship can overcome any obstacle. Friendship gets Sunny over his fear of heights, spiders, and water. Friendship is what Sunny remembers before the final boss fight, and allows him to face his guilt and defeat it (and prevent him from committing suicide). With the photobook and dialogue you are reminded over and over and over and over and over again that Sunny’s friends love him unconditionally.

However, I just couldn’t bring myself to believe it. The childhood memories are cute but shallow, boiling down to simply hanging out and eating treats. Plus, Kel and Aubrey fight constantly, with Aubrey even physically hitting Kel when he steps out of line. Hero and Mari behave more like babysitters than true friends to the younger kids. 

But at least the other kids interact with each other. Sunny, on the other hand, showed nearly no affection or consideration towards his friends. He floats through the memories like a ghost--he could have been completely absent from all the photos and it would have made little difference. I was ready to accept this as Sunny being an unreliable narrator and not thinking he was a good enough for his friends, but this never contradicted. Instead we are given even more memories where Sunny just silently exists there being “cute.”

[Sunny enriching the lives of his friends by LARPING as a cat.]

Because of the lack of meaningful interactions between them, there was nothing in the game that made me think that these 12-15 year olds would have a strong enough bond that would survive 3-4 years of no contact after finding their friend hanged. In fact, that discovery only drove them farther apart. The only person who I could believe actually had a close bond was Basil, who almost literally filled that trope of being the friend who would help you bury a body (or in this case, help Sunny cover up the accidental manslaughter).

The writing fix for this would be simple: instead of showing us the same boring birthday and beach scenes over again, give the kids memories of overcoming some age-appropriate adversity together: heartbreak over an unrequited crush, anxiety over homework, sports injury, lost dogs, divorced parents, running away from home, bullying, etc. Set a precedent of the friends supporting each other through good times AND bad times. Without such backstory, Sunny’s friendships allegedly giving him the courage to overcome his guilt feels like a lie.

2. Sunny abandoning Basil in the bathroom scene

One of the most confusing moments in the game was Sunny’s negligence when Basil has his first breakdown in his bathroom. This part of the game is player-controlled, which is a strange writing decision because all you can do is click on Basil and various bathroom amenities over and over which completely saps the urgency out of the scene. When you try to leave, Basil begs Sunny to stay, but (due to a lack of player options) Sunny walks out without a word. With no option to talk to him OR get help for him, it makes Sunny seem exceptionally cruel to Basil. In fact, I was starting to wonder if the game was setting up for some sort of twist that Sunny DIDN’T care about his friends, which would fix some of the confusion in point #1. However, as we know, that is not the case. Therefore, Sunny’s negligence/apathy towards Basil’s pain feels like a lie.

The writing fix would be to make it MORE clear that Sunny is intentionally running away from Basil. Make it a cutscene, or, give a false choice such as “Leave Basil? Yes / Yes”. After Sunny leaves, Kel should make some remark about Sunny looking odd, “You look sort of shaken up, is there something you want to tell me?” then hit it home with Sunny shaking his head. This would make it more clear that Sunny is intentionally hiding Basil’s state, as opposed to just being a bad friend. As it stands, it just felt like a writing mistake.

3. Basil and Sunny working together to stage Mari’s death as a suicide

This is the plot hole that I see the most complaints over, but it’s so big I have to address it. Accidentally pushing Mari down the stairs I understand, but the rest is too absurd. Below are some of the “lies” that the writing tries to get away with:

That Sunny and Basil wouldn’t just claim she slipped and fell.

That either boy would even come up with this sick plan.

That they wouldn’t back out of this idea during the multi-step process (carrying her downstairs, outside, getting the jump rope, tying a noose, putting it around her neck, stringing her up, hiding the evidence... This is a series of multiple decisions, not one quick accident like the initial push.)

That it’s not the image of Mari’s death that traumatized Sunny, but the image of what they chose to do to her body that traumatized them. I understand the image of Mari hanging is more dramatic, but they literally did it themselves so why is that more haunting than Sunny killing her?

That Mari’s true cause of death wouldn’t be immediately obvious to the parents, the police, the friends, EVERYONE. (I’ve seen fans try to get rid of this plot hole by hypothesizing that the parents knew and covered it up, but the evidence of this is circumstantial at best. The father saying, “You’re not my son,” is unreliable since it happens in Sunny’s headspace. Divorce is common after the death of a child, and, at the very least, Sunny’s mom doesn’t show any evidence of knowing what happened. The way it is written, only Sunny and Basil know the truth.)

The ridiculousness of this twist is so extreme that it completely broke any immersion I had left. Frankly, the reveal that the happy, loveable Mari committed suicide is a far heavier and more realistic twist than a crazy murder-cover-up story is.

Additionally, it seems like Basil was only written into this scene in order to make Sunny the true victim of what happened. After all, Sunny may have pushed her, but it was Basil who came up with the demented cover up. (This is apparent from just the photos but the datamined Truth Album confirms it.) By having Basil come up with the plan, the game splits the guilt between the two of them to make the kids easier to sympathize with. It’s problematic because if Basil was not in the scene, there would be no way to justify what Sunny did to Mari. So why is what they did easier to accept when they worked together?

Fixing the writing lie: Sunny lies and says that Mari slipped. Remove Basil from the scene, and instead have Sunny confide in Basil which forces Basil to become a co-conspirator and burdens him with the terrible truth.

4. Sunny’s friends forgiving him and Basil for what they did to Mari

Last but not least, the story heavily implies that Hero, Kel, and Aubrey will forgive Basil and Sunny for what they did to Mari. I found this to be almost as unbelievable as the staged-suicide stunt.

It feels like a lie since the group’s friendship is never established as anything beyond shallow hang outs from 3+ years ago (see point #1).

It feels like a lie because this is hot off the heels of Aubrey being so distraught over Mari and the following fall out that in the last three days she 1.) attacked Sunny and Kel with a nail bat TWICE, 2.) Stole Basil’s photobook, and 3.) Shoved Basil in the lake. This trauma is still very fresh for her.

It feels like a lie because the complexity of the staged-suicide is so extreme, one would be hard pressed to forgive ANYONE for doing that, be it friend, foe, parent, sibling, lover, etc.

I’ve seen fans argue that the ending is not about forgiveness, it’s about telling the truth, and I want to believe that. Really. If the ending was about Sunny starting his redemption arc by telling the truth no matter what the consequences are, that would be a meaningful lesson. But the writing does not support that. The ending headspace segments are focused on assuring Sunny that his friends will support/forgive him no matter what. To do this, the game shows us the shallow photobook memories (again) to show how much they allegedly care about each other. Then, when fighting Omori, Sunny remembers these quotes from his friends, which directly correlate to their unconditional support:

KEL: Friends... Friends are supposed to be there for each other.

AUBREY: I hope you can find some peace... or you know... some happiness.

HERO: We made the mistake of leaving each other when we needed each other the most. This time... we’ll stay together.

BASIL: Maybe one day... things can go back to the way they were before.

The really direct evidence that this ending is about getting forgiveness is this quote from Basil in Sunny’s headspace:

[BASIL: “AUBREY, KEL and HERO are good friends. You have to trust that they’ll forgive us.”]

This is one of the last scenes before Sunny tells his friends the truth, proving that obtaining forgiveness from his FRIENDS is in fact the leading motivation for Sunny’s actions.

Fixing this writing lie is easy. Instead, adjust the writing to be about telling the truth, not about how much the friends will still love Sunny. Have headspace Basil say, “Even if they don’t forgive us, Aubrey, Kel, and Hero deserve to know the truth. It’s the only way to make things right... or close to it.”

Conclusion

OMORI is undeniably a cute game with a strong visual identity, and has a premise that could make for a very compelling experience. However, the sloppy plot and weak character writing cause the potential of this game to be squandered. There are other issues as well that I chose not to cover for the sake of time, such as the poor pacing of the dragged out dungeons and the bizarre, unrealistic behavior of characters in the “real” world. 

However, there are a few more glaring problems with OMORI that I have to address: In part 2 of my critique, I break down what may be the biggest problem with OMORI’s writing: the message.

[ Link to Part 2: OMORI’s Message is Mishandled and Distasteful ]

#omori #omori hate #omori spoilers #review #words #fun fact i named sunny 'moony' so I had to consciously change all the moons to suns in this essay #suicide cw