The Average Alfred Pennyworth Portrayal: *is Bruce Wayne's capable and somewhat cryptic butler*
Gotham!Alfred Pennyworth: *threatens an 11 years old boy to eat his dinner proper because if he doesn't he'll be too light in weight by the morning and the Balloonman will come for him and will tie him to a balloon and send him to the skies to die because he's rich and corrupt and forever guilty*
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guy who so desperately tries to find god. who wants to have faith in a higher authority to guide him out of the hole he's in. from the weight of guilt from simply existing, as the person he is. but every time he thinks he's answered his higher calling it turns out he's made the Morally Incorrect choice and his path to goodness and holiness was the road to the devil all along
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I was looking at a few posts about autism (as one does) and it just suddenly clicked into place a fundamental thing about Yuri's character that I'd been grasping at, but hadn't really been able to adequately identify. I still have a much longer and more thorough analysis going through a whole lot of my thoughts on Yuri's character and her experience of autism that i'm working on (of which this will likely be a component), but I thought I'd share this separately just to emphasize.
Post I saw which made this click for me was making fun of the fact that most media depicting impaired empathy in autistic characters explicitly depicts them with this unflappable confidence of never having been rejected by people they love. The crux of this is that in actual reality, autistic people almost always have that experience at some point, for some behavior, for reasons they don't really understand. "There is an invisible line where people will get sick of you, and you have no warning of when you're about to cross it." So frequently, autistic people attempt to ride a razor thin edge, walking on constant eggshells to desperately attempt to avoid crossing that line.
Very often autistic people will attempt to avoid doing anything at all which could be considered weird, or off-putting, and will try their absolute hardest to do things in a way that is acceptable to other people, sometimes to the point of outright suppressing their emotions, because they are afraid that they'll say something just wrong enough that the people they care about will push them away, and they don't understand WHY it happened, but they know it's THEIR fault. Sometimes masking is fighting to appear aloof all the time because you can't regulate your emotions in a way that is acceptable to other people.
And holy fucking Jesus, that fits the exact mold of what I've been trying to talk about with the particular way Yuri's anxieties manifest.
It really feels to me like Yuri has this constant fear of breaking the "rules" of socializing, despite not really understanding what those rules even are. She's constantly afraid of saying something wrong, when she doesn't even know what wrong would be, she's just sure everyone ELSE will know it when they hear it. I think a huge part of her social anxiety comes from her own understanding of herself as a very weird person who doesn't really get a lot of how to socialize, and it seems to me like she's probably dealt with her fair share of social rejection and isolation based on those traits. She then felt she had to take responsibility for those traits, probably because it's the one thing she can change, and she is the one common denominator in all of these bad situations (This is something which is pretty common, actually! "Everyone else can socialize just fine, and I have so much difficulty with it! I must just be broken in some way. I have to try super hard to be normal to make friends!")
I think a big part of why it's so apparent in the Literature Club is because she really thinks she's found a place where she can make friends in spite of all of her issues, so when she starts...being herself, and receives even the smallest HINT of pushback, she overcorrects and tries to rein all of herself in to fix her "mistake", because she really wants to make friends here, and doesn't want them to reject her as well.
She's had this experience of others pushing her away for being weird so often that, coupled with her acknowledged trouble for reading situations, when anybody responds poorly to something and she recognizes it, she immediately overcorrects out of fear of being an annoying burden to everyone around her, and that "correction" consists of suppressing herself into being "normal" (or at least "less weird"), because she believes nobody could actually like her just for being who she is. There's something wrong with her fundamentally, and to make friends, for people to like her and want to be around her, she has to "fix" herself.
it's just, like...
it's really hard for me to interpret Yuri's character that doesn't involve her being somewhere on the spectrum, bros. she's written with such delicately constructed autistic coding, despite the appearance of just being a hackneyed weird girl visual novel trope. she deserves the world.......
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My take is that hunters new hair is okay (not terrible, not great) but I'm mainly into it because I think it ABSOLUTELY implies an emergency "oh god oh fuck I'm a clone I need a sense of individuality STAT" haircut and I could not be happier at that implication
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I remember when I was reading DOTC when I was around 10, and ever since Misty died I had been waiting for the moment where Birch and Alder learned about her murder, how everyone in their lives has kept it a secret. And then it just didn't happen.
I also remember obsessively re-reading the part where Quiet Rain blows up at Clear Sky.
Birch and Alder are two characters that are just so...
I WANT to say they were forgotten about, but that word doesn't feel right for how they're constantly showing up on the screen. Clear Sky occasionally feels guilty about how he murdered their mother, but for the vast majority of the time, that's described in passive voice. So you're not reminded of just HOW cruel he was, and still very much is.
It's like they're not allowed to be characters.
Like, how does Alder feel about Clear Sky, who seemed to be acting as an adoptive father until he beat her as a child? How did Birch respond later, when Clear Sky was so busy thrashing his sister that he was threatened by a dog? How do they feel about the man who took their mother away from them?
They keep getting cited as "Good Examples Of Non-Campborn Cats," dodging around the fact they were stolen and raised by Petal. Like a lot of the other "adoptions" in the series, she quietly stops mattering to them. But even this fact... like, they're being OTHERED when they were functionally raised SkyClan.
How do they feel about THAT? That their earliest memory is SkyClan, and yet, they'll never be considered truly, fully "clanborn."
Their whole life taken from them, by Clear Sky's cruelty, their formative years spent in his violent shadow, and the narrative is just not interested in that.
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Ouhhhh friendship I love friendship……..
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Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship
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You fill the room with sun, hold me close and let me breathe. I am foreign to that kindness.
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Some soft moicy, featuring my latest obsession which is to cover everything in flowers. I hope you all enjoy this as much as I enjoyed drawing it!!
Closeups:
This piece is also available on my INPRNT, if anyone wants to buy this for themselves!
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you ever just. become overwhelmed by a sudden out-of-nowhere wave of tenderness and affection and longing for reconnection directed towards someone to whom you no longer speak for Very Good Reasons
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okay weird q incoming but what ways do you think speedsters can get sick? Like to my understanding, they can’t really come down with normal virus’ like the flu, right? But they could get things like chronic migraines?
NANOBOTS!!! This is one of the best pieces of canon lore ever. I did a whole post on it but TLDR: normal human metabolisms have so much shit going on that they don't even notice nanobots in their body BUT speedsters have hyper accelerated metabolisms that are the equivalent of the straight A's overachiever in school on meth. So speedster metabolisms do notice nanobots and they attack full force, triggering all of the body's defenses and responses.
But the nanobots are metal so it obviously doesn't do anything. It just leaves the speedster lethargic, feverish, vomiting, dizzy, with a headache, sore muscles and a runny nose, ect. It's basically an allergic reaction.
Now, poisoning them can work depending on what the poison is/what the dosage is. You would need a 100% fatal poison and you would need a fairly high dose. Because speedsters heal fast and they have a hyper accelerated metabolism, so any poison that is based on toxicity (alcohol poisoning for example) would be out of their system faster than it could even take effect.
But poisons that can't be cleared out/processed by the body (take cyanide for example, it binds with the chemical receptors in your body making it physically impossible to use oxygen) wouldn't really be affected by their metabolism at all. So while the speedsters could heal the damaged tissues from these poisons fairly quickly (making it seem as though they were only slightly affected) they would ultimately need time to do so, time they would not have if it kills them first. This isn't technically what you are asking because there would be no substance that 'makes them sick', there would only be 'fine', 'not fine for like a minute and then fine again' and 'dead'. (... unless they were hooked up to a steady supply of the toxin)
Likewise, (this is getting more into theoretical territory, less canon) there might be some illnesses that would affect them? Not for long but if you got something super fucking fatal like Rabies, it might make them display mild cold symptoms for a day or something.
I don't know though. They have really fucking good immune systems. And even super fatal diseases can be fought. Take my example of Rabies, while it is commonly thought to be 100% fatal once symptoms show up there actually have been cases of people surviving it. Rabies is a very stealthy and fast disease, so the main problem with treating it is that your body's immune system isn't fast enough to stop it. People have survived by being placed in medically induced comas (slowing their bodily functions and thus the disease) for long enough that the medication can eradicate it. So for a speedster? That's gone in a minute tops. You would need an insane disease that I'm not sure even exists.
There's also like... pregnancy and menstruation. Growing pains, muscle pain from running is a BIG ONE, being dehydrated/starvation, blood loss, ect. Lots of ways to fuck with a speedster in a way they can't immediately fix.
There are also speedster specific ailments. It's basically 50/50 if a natural born speedster gets a weird highly fatal aging disease. Sometimes speedsters can be born without a kinetic energy shield which makes using their powers at all incredibly fatal to them. All speedsters will have connectivity issues at some point that can be fatal. Sometimes Time Gets Bad™ (shout out to when Barry kept chronically stealing time from people/things every time he used his powers). Sometimes they have too much energy and can't maintain human form (shout out to when Wally didn't know what the speedforce was and was accidentally cosplaying Ghost Rider). Velocity 9 is a highly addictive drug that works on speedsters and makes them display typical addiction behavior (and withdrawal). V9 can also cause a speedster to 'overdose' (burst into flames/lightning/energy). They all have the constant urge to yeet themselves into the speedforce. Ect.
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would you guys be interested in venom/the magnus archives crossover fan art
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restricted area
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Yes, I would be very interested hearing your head canon (@tim-ribbert-56) (in response to this post)
I have decided for my personal entertainment that Clarisse de Cagliostro is related to Lupin III, and here's why.
-pulls out Arsène Lupin's Wikipedia page-
In the novel La Comtesse de Cagliostro, a young Arsène Lupin (at the time going by the name Raoul d'Andrésy) was courting Clarisse d'Etigues, a young lady of a well-to-do family, and trying to win her hand, despite her father's disapproval.
Throughout the course of the novel, Lupin meets and falls in love with Joséphine Balsamo, aka the Countess of Cagliostro, and abandons Clarisse in favour of her. To clarify, Joséphine is not actually countess of anything, she is (or claims to be) a descendant of Giuseppe Balsamo aka the Count of Cagliostro (who was also count of jack shit), a famous conman from the 18th century.
Shenanigans ensue, which I will not go into in details on, but oh my god I am insane about Raoul and Joséphine, I want to dissect them and study them under a microscope. It turns out Joséphine aka Cagliostro is evil as fuck, Raoul/Lupin realizes that and goes back to Clarisse (whom he had previously abandoned like an old sock, I fucking hate this guy), marries her, and a few years later has her kid.
Unfortunately Clarisse dies in childbirth, and Joséphine, who was still around and very very pissed at Lupin (and jealous as hell of Clarisse whom, may I mention, had never personally antagonized her in any way whatsoever, Joséphine is just fucking bonkers). Joséphine also kidnaps Lupin and Clarisse's son, Jean, and raises him as her own son. (I have not yet read the following novel The revenge of Cagliostro so I don't really know what Jean's deal is, I just know he's an antagonist).
The following is my headcanon, based on these events. In the universe of Lupin III, Joséphine Balsamo was actually countess of the small kingdom of Cagliostro (maybe Giuseppe was count, maybe he conned his way into becoming count, maybe he bought the land and built a fake kingdom with a fake history, who knows).
After the events of The revenge of Cagliostro, Jean settles down in the country of Cagliostro, gets married, has a child, and that child will later have a daughter of their own, who they name Clarisse, after their late grandmother. Clarisse de Cagliostro, of Lupin III: The Castle of Cagliostro fame, would thus be the great-grand-daughter of Arsène Lupin, making her Lupin III's cousin/niece/whatever you call this specific degree of separation.
I am choosing to make Clarisse de Cagliostro a great-granddaughter of Arsène Lupin, rather than a granddaughter, because Arsène Lupin was very young when the events I described unfolded: he is 20 years old when he meets Clarisse d'Etigues and the whole Cagliostro debacle happens, and 25 by the time Jean is born. I'm assuming he had Lupin II much later in his life. So Jean and Lupin II (half-brothers) would have a significant difference in age, and so Jean's hypothetical child (grandchild of Arsène Lupin, so of the same generation of Lupin III) would be much older than Lupin III. Clarisse de Cagliostro is younger than him, maybe around the same age if you stretch it, so she's have to be a great-grandchild.
Now I need to read The revenge of Cagliostro and study Arsène Lupin's wikipedia page in more detail to determine when exactly Lupin II was born and who his mother was. And also where Albert's family branched out, because the fact that he's called D'Andrésy should theoretically place him as a descendant of Arsène Lupin's mother but not of Arsène Lupin himself; but Jean was also going by that last name, so who fucking knows.
No I am not insane I promise, I am just a gigantic nerd.
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I looked at the songs for the new Mean Girls musical movie and.. why did they leave out all the songs that show Cady's feelings or emotional development?? Like... It Roars? More is better? Do this thing?? These are some of my favorite songs!!
Also I saw that they made a new song that probably replaced It Roars but I listened to it and.. it's really not the same (in a negative way)
I also heard the new version of Stupid With Love and I am so sorry, I'm totally fine if they decide to make changes to the songs but this is just. No. Because this version of the song is so not Cady. She is this little weirdo who for the first time falls in love and has such big emotions and doesn't really know how to handle them but also this crush makes her really happy and the new version just smashes that into tiny pieces and glues them back together with a weird rythm and music that is supposed to be slow and romangic but just really doesn't fit with the lyrics at all. Like I'm sorry but you can't say calcu-lust like that. You just can't
Both of these songs on the new album lack the absolute extatic excitedness Cady has for a lot of the musical which are a big part of what makes her a really lovable character in my opinion and they're also just all around very fun songs!! So to take that away and Also take away two other songs that show her inner world just makes me kinda sad :(
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i fear that the undercover top secret government assassins are growing on me (cp9)
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Stale, self-critical, and needlessly bitchy take BUT AUs are no good unless they preserve the aspects of the characters that made the pairing so compelling in the first place. Otherwise literally go and write a piece of original fiction and spare me having to scroll past it. It's not even a case of "he would not fucking say that" at that point and more of a "who the fuck even is that?" and it's annoying
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