Oooooooh do you have any more lore for your immortal au? It sounds so cool agh
I do! So much! So glad people seem to like the concept this au has been rotating in my brain for such a long time <3
This is gonna be a bit of rambling but thank you so much for helping me organize this enough to explain
So! Our little immortal, Perkeo (could be your yn, at this point this is more a nickname they choose to go by than the legal name they are using) has been around for a good while, few centuries at least
They lived a lot, laughed a lot, loved a lot
Suffered a lot
They are the can't age can't die type of immortal. Cut them to tiny pieces and you'll see them back in one piece somehow
They are a very social creature and are always happy to mingle with people, liking to make people happy because the world is rotten enough as it is
However, as the years go by, they've grown tired of seeing close people come and go — even if someone spends their entire life next to them, they will be gone one day. Perkeo is ultimately lonely
So, as technology advances, they decide to give it all a last shot
Which is how they end up working at the pizzaplex at it's very beginning, home of a few of the most advanced robots and artificial intelligence there is
What's a decade of wait for someone who has centuries?
They could, but do not want to build something to love them. That would be forced, that is not love — so, why not befriend an already built robot instead? They are basically like people at this point, besides, fazbear entertainment is not known for caring that much about their animatronics, so if the place closes down they will eventually be left to rot anyway, isn't that a win? Just gotta wait around for the plex to shut down and eventually have a new life with your friends if they want to go with you
It's not stealing company property if said property is abandoned. And also if you have enough time to transfer the property ownership to you by messing with some papers
Especially if it's the chance you've been longing for all along: to have someone able to be there with you forever as long as they wish to
Robots can last a very, very long time as long as well maintained, can't they?
(Perkeo has a whole background too which is a whole other story. Jobs they've had, people they've known, how they've affected them, there's so much)
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And my girl Scully figured out that Diana and Phoebe were abusive to him and that’s why she was ready to disintegrate them with whenever they breathed Mulder’s air iktr. (Also to me that’s part of the reason Mulder was oblivious and defended them, people who are in abusive relationships are not always aware of it)
YUPP you’re literally dead right, anon, in my opinion. it really bugs me when people talk shit about mulder for “trusting” both phoebe and diana, as though that’s not like…the only thing he’s been taught to do.
i’ve been thinking a lot about the difference between scully’s reactions to phoebe vs. diana. when phoebe showed up, scully had only known mulder for a few weeks. and still she knew almost instantly that something wasn’t right.
i didn’t notice until i rewatched fire the way that she never leaves him alone with her. if mulder and phoebe are working on something, you can see scully. against the wall, peeking around the door, pacing in the hallway. he tells her that she’s “off the hook,” that he’s not going to “put her through this” with “phoebe’s little mind games,” and she takes it upon herself to investigate phoebe’s case herself, until she solves it and phoebe can go the fuck home.
girlbosses catch serial murderers singlehandedly to get their best friend’s shitty ex away from them.
when phoebe was around, scully is passive aggressive as hell. constantly hanging around and making little quips and mocking her accent.
when diana shows up? five years later? she’s just aggressive.
she said nah, we aren’t doing this again 😭😭
(one of my favorite scully moments is when she snaps “and not just because i think that woman is a….well, you know what i think that woman is” and mulder is just like “no you hide your feelings sooo well” lmfao)
i really do think meeting phoebe so early in their partnership informs a lot about the way scully reacts to his exposure and relationship to other people throughout the series. she really doesn’t trust a soul around him.
i always think of this line from madness by kittenscully (a post-syzygy fic, addressing the detective white incident):
“A surge of righteous indignation at the notion makes her sit up straighter, and she bites her tongue to avoid a very unpleasant comment from slipping out. As always, she thinks of Phoebe, of his wide, trusting eyes.”
diana was scary levels of manipulative and violating. but diana loved mulder, scully knew that and used that to plead with her in the end.
phoebe didn’t care about anything but playing with fire. she got off on scaring him, crossed state lines just to fuck with his head and hurt him, just like in their relationship a decade earlier. mulder knew this, he knew from the start what she was doing and what she wanted, and he helped her anyway. he praised her anyway. he connected with her and invested in her anyway.
y’all know i’m always thinking about the script note about phoebe’s coldness “eliciting some old need in him to have her affection.”
by the time diana came back around, scully had sat on the floor of a hotel and watched phoebe smile and shake hands with bureaucrats while mulder couldn’t breathe.
scully had stood in the next room when his questions to his mother got him little more than a slap to the face.
it’s different with diana because there’s a lot more history and connection there, and because at that point there is heartbreak and jealousy on scully’s side (when phoebe was in town, she hung around in doorways. when diana reaches for mulder’s hand, she turns around and holds back tears in the car.)
it’s a difficult position for both of them. he doesn’t know how to do anything but appease and trust and be loyal, to help whoever asks. he doesn’t care if it hurts him, he’s been groomed his whole life for that, to feel like he deserves it.
it makes scully crazy. he’s her best friend. she can’t believe anyone would look at that kind of softhearted hope and want to exploit it or crush it, rather than look up to it, follow it, nurture it.
and it hurts!! it hurts to watch him fall back into these traps, and especially with diana, it hurts to feel that your input and relationship doesn’t matter enough to have influence. to not be listened to, to feel like you’re not being chosen.
she doesn’t know that he went to search diana’s apartment after she told him not to trust her. she just heard, “i know her. you don’t. scully, you’re reaching.” and watched him leave.
it’s just this perfect crossroads of each of their most vulnerable spots. scully wants to protect him, always, and she also wants to be chosen.
mulder has to stand by his allegiances, to seek ‘affection’ in cruelty, to play his role in the larger scheme. this is what CSM knew when he recruited diana into the conspiracy, and he knows because he “created” it.
you can’t judge either of them, they’re both following their natures, and furthering the narrative they were chosen for.
(until scully stands in front of diana and begs, “i just want you to think…stand there in front of me, look me in the eye”…and breaks the whole thing down.)
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Feeling very violent rn so here's a very controversial opinion:
Everything after season one of Young Justice sucked.
Look, I know I'm obsessed with the show but that doesn't mean it's good, it means that I'm too deep into it at this point to get out. There are good moments within the other seasons but in general? They were not good.
I'm sorry. I understand that they wanted to be creative and have a neat narrative and deep lore and all that. And they do! The narrative and lore is extremely deep.
But the plot? The characters??
Season one was an actual functional show that balanced character development, plot and dialogue with world building, lore and messaging.
The other seasons do not do that.
Season two bounced back and forth between like 16 characters. We got some development for some characters but even that was minimal compared to the character development in S1. And this isn't me complaining that the og group wasn't in S2 enough. That's not my issue. I would've loved to focus on a new group and I think that Jaime, Bart, Ed and Gar would've been super cool to focus on. I loved what character development they did have and I craved more.
But the problem? The problem is when you have 16 fucking characters that you are trying to develop and shove into a coherent plot and have actual meaningful scenes. There just wasn't enough focus on S2. Imo, S2 was meh because the characters got left by the wayside. The plot, dialogue, world building, lore and messaging was fine, there just seemed to be a lack of heart/warmth in the show because of the characters. It's hard to get invested.
Then holy shit. S3 introduced more characters. And the plot got more contrived and 'big picture' to the point that it started to abstract. It felt like nothing mattered. There were no stakes, you were just watching things happen. There was 50 fucking things happening an episode and 80% of it was lore/world building. It felt like I was studying for a fictional history exam.
I'm pretty sure the main character in S3 was earth 16. Just the entire universe. Because goddamn. We checked in on almost every living being and EVERYTHING was a plot point. Most of it wasn't even relevant to anything happening in the season. Man it was.... it was bad.
And at that point it just wasn't enjoyable at all to watch. I probably should've stopped watching but at that point the sunk cost fallacy had already kicked in. I knew it could be good. Maybe it could be good again. And people were constantly praising it as cinematic genius so I was like 'okay well maybe I'm missing the point? Maybe you aren't supposed to enjoy shows? Maybe this is fine?'
But season four broke me.
The creators heard that people were frustrated by the lack of character focus and the episodes following 72 characters and the episodes switching between 50 different subplots every episode and their solution? Their solution was to take allllllll the different unconnected plots and, instead of evenly spreading them throughout the season, jam them all into 'arcs'. So you had a bunch of mini seasons consisting of 3-5 episodes dedicated to a cast of ~5-8 characters (some of them new). And each of these episodes had unconnected a plots, b plots and c plots.
THAT IS NOT A SOLUTION
Holy shit that is not a solution.
Not to mention the overarching plot of the season, in which we had no fucking clue what was happening until the final episodes where everything became a speedrun to wrap everything up. We literally had no idea what the main plot was until it was ending.
Good god it was bad. It's bad writing!
I know people liked it and good for them. You should like what you like and you don't have to justify it. But for me it was insanity. I'm sorry I actually don't want a season long subplot where Beast Boy is depressed and sleeps all day. I would be cool with it if it had anything to do with the larger story but, surprisingly, spending five minutes watching Beast Boy sleep every episode didn't make for compelling storytelling.
I'm still not over how we didn't even know who the main villain was until the end of the season. And then all of a sudden he does a villain monologue to tell everyone his evil plan and his motives. Super cool actually. I love it when I have no idea what the stakes are for the majority of a show. It's incredibly good storytelling when you leave the audience in the dark about a major player in the plot for all of the plot. And then doing an info dump evil monologue in the final episodes to rush through the explanation??? Fucking fantastic and not a sign of terrible pacing at all.
I'm just so frustrated. The show isn't about being a show anymore. The show is an entire cinematic universe shoved into 20 something episodes. It's desperate to tell every single story at once, audience, pacing and good writing be damned.
I'm so tired of the constant praising of Greg. His whole 'i don't write endings because life doesn't have endings' and 'i don't write cliffhangers, I just leave things open ended' thing is pretentious bullshit. I'm tired of pretending it's not. A good story has an ending. Stories are not life! Some of the best shows I've ever watched had planned endings. And oh my god. The cliffhanger thing... that's just semantics my guy. Greg you write cliffhangers. You can insist they aren't but I'm going to call a spade a spade.
It's also.... I'm fine with explaining things, in fact I love it because it's an excuse to talk about the stuff I love, and I have a fairly decent knowledge of comic book lore. So, I could not only understand what was happening in the show but I was also super enthusiastic about explaining it to people. But hey Greg? Hey buddy? If 90% of your audience doesn't know what the fuck is going on and needs to be familiar with super specific obscure comic characters from the 70's then you might have a problem.
I think I realized halfway through s4 that the most enjoyment I got from an episode was when an obscure comic character would cameo in it. But then I realized that a) they generally weren't explained at all and b) 50% of the time they weren't just hanging out in the background and they were vital to the plot. So to understand who the fuck they were and what the fuck was happening you had to be familiar with... well all of DC comics actually.
Anyway this rant is getting long and unhinged and I don't think there's a point so I'm going to cut myself off even though I have so much more to say on the topic. I think my general point is just that I didn't enjoy watching the later seasons and it's chill if you did and we should all respect each other's opinions ✌️
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