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#theres so much more depth to both of them because they dont exist in the way they do
sillyyuserr · 2 months
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A longer, more in depth (9 parts all in one) terukane analysis, and/or everything i could find, compiled (one of my better pieces of work imo) ⭐️
Ok so it might be the fact that i ship them so i see alot of things they do as possibly romantic even when theres no romantic undertones, but the amount of times it feels like AidaIro seems to be implying that teru likes akane is getting to a suspiciously high number. Like lets look at this from a non-shipper’s pov
Item A: teru looking at akane
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If you told me (with context) this was a STRAIGHT man looking at another STRAIGHT man, i’d be a little iffy (for lack of better words). Without the fact that he’s looking at akane, he genuinely looks like he’s showing something of raw emotion, unchanged by his “fake persona” but a genuine reaction. I mean i wouldn’t say “omg hes so in lovveee!!!” But considering he doesn’t really open up to like anyone, i think this is definitely something.
Item B: them going together on a romantic outing
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Yes i did make it sound much more compelling then it actually is but cmon man. The school festival is considered a “romantic event” and these two spent the entire time hanging around the school together. Giving the excuse that "it's our job being in the student council" (which i guess it is) but in reality it was because no one wanted to come with them.
Which i mean they also did technically go on an actual date together
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also nene looking like a hamster 😭😭
Item C: teru trusting akane more than anyone (?)
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Teru likes talking to akane, trusts his intellect, and considers him someone he can rely on but doesn't like it when his whole world starts to revolve around aoi. My guy, that's jealousy.
He is shown to trust him and even show his back to him in multiple instances, knowing he wont hurt him, and he’s someone he can trust (lets ignore what happens on the literal next page)
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Even literally being one of those “i fight alone” type of people but when akane’s there, he’s never fighting alone
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Item D: not sure if thats whats happening here but im pretty sure he tried rizzing akane up, even going as far as to blush, all so he doesnt rule him guilty
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And then got agitated when it didn’t work
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Item E: akane knows teru better than we think
When kou and teru were fighting, the reason teru even walked out in the first place was because of the fireworks. And whos idea was that?
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Akane’s. He knew he liked fireworks and that they’d lure him out of his room. And again, he was right
Item F: valentines day event
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i dont think i even need to break this one down. Its a picture of JUST them TOGETHER posted on VALENTINES DAY. 2/14/24. THE ANNUAL HOLIDAY THAT CELEBRATES NONE OTHER THAN ROMANTIC LOVE. Also teru’s color being used as akane’s sparkles and akane’s color being used as teru’s sparkles kinda shows that AidaIro arent just showing us two characters, they’re showing us TERU and AKANE, TOGETHER. If it really could be anyone im sure they’d put them in a general setting, but with the paired colors i’d say that says otherwise.
some might say they’re looking at eachother
Item G: possible fruit symbolism
first off, this picture.
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First lets look at hanako’s. We can see he has two drinks, both red + with strawberries, along with a red straw. While also being pictured near other red fruits.
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In this picture, nene’s flower(s) are literally strawberry flowers, putting the association between strawberries + nene out there. Meaning the strawberries in his drink could be purposeful, along with the red undertones. (red being her eye color) (sorry for quality im doin this on iPhone)
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Moving on to teru’s, he has one drink, being yellow-ish with pineapple on the side, and chunks in the drink itself. Whilst his straw is orange, while also being pictured around a ginormous pinapple
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And this isnt the first time we’ve seen him pictured with pineapples
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This god awful picture unfortunately exists so im adding it as proof/evidence for my argument. (Oh and not to mention akane has green pants on so everyone’s a lil funky igs)
notice how as soon they got to his house his outfit changed? This is him when they got to his house (clearly in a long-sleeve shirt, not the hoodie)
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this is him with akane + nene going on a date
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All within the same chapter i think, but him changing outfits i feel like says something. Like we’re supposed to associate that with something other than aoi (them talking ab how to save her at his house) or his family. He even straight up left when they started talking ab how they missed aoi at the karaoke place. (More or so when he left they started talking but ykwim) Since nene is being associated with strawberries it leaves the only other person to be akane, this making sense also because of the straw color. (The straw being orange)
also the fact that fruit is literally associated with the queer community
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Item H: triangles + queer symbolism
Quick history lesson, A triangle has been a symbol for the queer community, initially intended as a badge of shame, but later reclaimed as a positive symbol of self-identity. In Nazi Germany in the 1930s and 1940s, it began as one of the Nazi concentration camp badges, distinguishing those imprisoned because they had been identified by authorities as gay men. In the 1970s, it was again, reclaimed as a symbol of protest against homophobia, and has since been adopted by the larger queer community as a popular symbol of queer pride. More or so, the upsidown triangle. and guess whos ALWAYS wearing a fucking upsidown triangle
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My guy has one for EVERY OUTFIT 😭 also im not even shitting you i would add more but ive reached the limit of 30 photos per post
Item I: extras
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This picture. Him holding akane’s shirt and aoi’s bag really shows that AidaIro REALLY doesn’t want us to know which one he likes 😭 (if you’re confused, to sum it up AidaIro did a really good job keeping teru’s stance on the “love triangle” between akane, teru and aoi, ambiguous. If you are STILL confused go check out my other analysies i only have like 5 other posts, they go more in depth ab it)
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Him looking at akane after he ate his “home made cooking” 😭 ALSO HIS EYES?? Dude they’re glistening. And the slight blush too
In the “kiss comic” part of the art book, not only are teru and akane’s on the same page, but they also look like they go together
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Thats all i got for now (´-ω-`) MAN this took me like 5 different consecutive days. I wrote like 3 parts on one day, 2 more parts the next, and 1 more part today. 😭 hope you enjoyed and this re-gave you faith that terukane might be canon one day 😔 fake it till you make it
Feel free to comment and tell me ab anything i may have missed!! :3
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nonbinarygamzee · 8 months
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i think it is very interesting how people pick and choose which characters to sympathize with on the basis of being reduced to plot devices or being in general captives to their narratives. and obviously you dont have to like or give a shit about every character to exist especially not in a work so simultaniously dense and flat as homestuck, but i have both an intense interest in sociology and too much experience with how this fandom treats people for liking the "wrong" fictional children not to be eternally preoccupied with what makes these distinctions. when the character is liked, they are allowed the grace of being kind of poorly written; its the fault of the author, or theres some significant nudging about of their story beats to recontextualize them into something more nuanced and whole. by contrast, if the character is generally agreed upon to be uncharismatic, their personality flaws are inflated and the flatness of their writing is either erased in preference of integrating those authorial decisions into the characters personality (regardless of how glaringly contradictory) or more concerningly becomes a means of shutting down criticism on the basis nobody should care about the unserious/unwritten ones anyways.
interestingly, with gamzee in particular, ive found that people tend to do one or the other moreso than both; dont get me wrong, theres still a plethora of moralizing over peoples sympathy for This particular fictional child going on, obviously, thats basically the reason i am trapped here. but because gamzee is accepted as not a character but a plot device or an obstacle, a lot of people arent invested enough in her potential personhood to insist that the (antithetical) ways that she behaves are proof of her being "iredeemable". but they still have a negative emotional response to people having investment in her character. it isnt relevant whether or not shes a bad person, or whether she is being puppeteered, because her functionality in the world she exists in is to propagate the story and stand in opposition to its protagonists.
however as interesting as i think that is and for all i do think it says about an individual persons approach to homestucks presentation, i also cant ignore that that dichotomy only really started to Exist once it became less in vogue to harrass people for their character allegiences. in the same way, it seems like we as a fandom cannot escape the trap of being really, really weird about tavros every couple of years. skirting around some of the more blatantly ridiculous stuff because i do actually value my sanity a little bit, he is definitely one of the characters i first noticed people using critique as a pretense for passing judgement on people who liked or cared about him. again basically coinciding wiyh when it stopped being generally socially acceptable to just openly laugh about what a pathetic loser the disabled kid being humorously abused onscreen was. when ableism started to become a topic people cared about and disabled people and fans who related to tavros began to provide more in depth critique of the writing choices, and of fans, namely fans who made very light of his disability or who had a general refusal to talk about vriska's(and others but you know why its about her here) ableism, there was a massive uptick in people feeling the need to talk unprompted about how boring and shitty tavros is, questioning how anybody could like him when hes so badly written, etc. all in ways that did not try very hard to hide the fact that the concern about character writing was disingenuous and only really served the purpose of shutting down critiques of ableism in the fandom and comic. obviously this all seems to stem from investment in canonicity but i do notice it informs even the choices of people who approach their engagement in a "my city now" type of way. because the presentation of these characters impacts the wider perception, which impacts the ways people will deconstruct them. and this is why the idea that "homestuck doesnt have a canon" is a lie being sold to you for the sake of shutting down investigations od authorial motivation. was not intended to be epilogue snark but thatd as good a way to end this nonsense as anything else.
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beesmygod · 10 months
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So TotK seems to be clicking where BotW wasn't. Any insight on what the key differences are that work for you?
note: i played botw up until the calamity ganon fight and then went "yeah ok ive played a zelda game before", put it down and never went back. didnt play the dlc
i dont think anyone would be surprised to know that im a "majoras mask was the best zelda" guy but the reason has little to do with the "darker tone" or the lore but because reusing assets allowed the dev team to greatly (GREATLY in this case holy shit) expand on the actual contents of the game itself. i love gold/silver best for the same reason.
botw is like running around an empty movie set. theres nothing in that fucking game. at the time, due to the proliferation of crafting mechanics infesting literally every AAA game, it felt like nintendo was more focused about hitting all the checks on a checklist of tired mechanics that were included just for the sake of saying they had it. crafting! weapon durability! open world! pbbbbt.
none of these things proved to be enjoyable to me. keeping in mind that ive been playing zeldas since the snes (skipping only a handful of handheld games), the changes felt like steps away from what makes zelda games unique. crafting felt like an arbitrary step between me and potions. i wanted to swing my master sword with power, not experiment with clumsy weapons that stop existing after i finally get a feel for them. and the open world, frankly sucked.
mm rewarded me for my curiosity. experimentation and exploration would lead to interesting or gratifying results (did you know theres a paper airplane in ikana canyon...). botw is like playing in the window xp background. theres barely any landmarks, except shrines, or anything to do outside of getting the yiga clan's ass. theyre easy to pick out because theyre literally the only people on the road. the world is put to waste; i cant play with it, i can just observe and be extremely artificially hindered by its vastness.
this doesnt really fit anywhere else in the above open world rant, but trading the shrines for small and sparce dungeons was a huge let down. i was hoping for a series of cohesive puzzles intended to help my mastery of my newest weapon or ability. you know. like a zelda game
totk fixed this and every other problem in the best way possible; the devs dumped a ton of toys into my playpen, gave me a hot glue gun, and told me to go buck wild. i love to build a horrible contraption to solve my stupid problems or kill me instantly. i love that experimenting with weapons involves actual experimentation if you desire or you can have an inventory exclusively full of spear type weapons with vastly different properties by gluing a bunch of rocks or monster parts to it. but most importantly....the "stock up->head out->explore->return" loop no longer feels like i have to go to the dmv over and over.
sure, the depths are artificially large in the way that the map in botw was; theres not a lot to do except reveal the map and do plot stuff. but the overworld was given a complete overhaul using the empty map as a starting point. theres actually stuff to look at, ruins to explore, caves to investigate, holes to jump into, and all that shit in the sky to explore. the sky map might be sparse but its meticulously crafted so that just the process of explorating the archipelagos feels like a puzzle you need to solve, as opposed to a hurdle you have to jump.
there is so much more to do in totk that im pretty sure im over 20 hours in and havent done any of the regional main quests. ive been running around picking up side quests, uncovering the map, exploring the depths, fucking around in the sky, and dying my clothes. but its not annoying or overwhelming. it feels more alive and less like a weird map in an abandoned gmod server. im having fun.
for crit: imo, one of the biggest criticisms i have for both these games is that the voice acting is horrendous. nintendo has too much money to be tapping people who sound like they just got out of the shenmue soundbooth. zelda was not improved by voice acting and they should probably go back to everyone just having short exclamations like "HEH HEEH!" or "hmmm...".
also link doesnt roll anymore and its really fucking me up. im really struggling here lol. i keep trying to do dark souls shit and every fight involves me accidentally zooming in with the sheikah slate instead of locking on, hitting l1 istead of shield, and whistling for my horse instead of drinking estus.
also nerf rain
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nahalism · 6 months
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Hi! Do you sometimes catch yourself analyzing things too much, always getting really deep underneath and kind of ending up having too little room to actually be carefree and sort of experience life without the constant buzz of those thoughts, searches/analysis/seeking meanings/truths/lessons? Or do you find that’s it’s possible to + that you do best when you have both happening simultaneously? If the question doesn’t make sense let me know and I’ll rephrase it. Love& love
hey. i think i get what you mean but lmk if i didnt— i think im the type of person that ricochets between extremes in order to understand myself, the world, what balance means for me,,,, and then when i find the 'truth', or where that extreme has led me, i have a level of understanding about either me or the world that i can hone, either as an ideal to understand or one i can live up to/aspire to. — so there have been times where im in the kind of haze you described. over analysing, over thinking, isolating myself, getting deep into rabbit holes or theories about why what is what. but then i also swing to the other side of the pendulum and have times where im completely in my body, in my feelings, and in response to the world. im not over thinking, although im still hyper vigilant & it feels like im processing the world on drugs. its just in that moment, the need to understand, analyse and chew over the information on my own isnt there yet. something allows me to register everything in a more intuitive way? to where the 'buzz of thinking' still exists but its an energy i can ride rather than one thats stifling me or causing me to over question, over think, & ultimately doubt myself.
there are benefits and disadvantages to both ways of being. sometimes it feels good 'taking things lightly' and feeling unbound and i feel more social because of it. other times it feels good being alone so i can really process the world in the depth i want to without interruption or a need to discuss/debate what i feel. other times solitude and analysis feels overbearing, and the clarity feels stifling. theres all the concepts but they have nowhere to exist out of your head. their just a glass cage youve made for yourself & it can be lonely. that compared to the rush of action and freedom i feel in my 'non disciplined state' is horrible. buttt at my heart i am a serious person. i do like to consider and process and understand. so when i am in a more carefree space, i might have the freedom and the energy to express myself, but the energy is hard to harness or channel to anything thats not purely hedonistic or running off of the same impulsive energy as me. the key / balance here would be for me to channel the momentum of my energy in those moments toward goals/aims set when i am in the analytical, precise, clear space.
and so yeah the reason i explained it in such a drawn out way is that both the extremes help me understand and then actualise the middle ground thats right for me. unless a persons too uptight they may never have the reason / face the kind of discomfort that makes them understand the necessity of being happy go lucky. and if your never happy go lucky you may never understand the necessity of seriousness, or learn that there is a difference between being carefree, and being lackadaisical. vice versa. every experience especially the negative ones show and teach us things either about ourselves, what we need to keep doing, or change, to be where we want to be. deeper than that, sometimes your learning things, seeing things that you arent meant to understand now. they go in your rolodex/subconscious and pop out to save your life/tip you off to something when you least expect it.
dont let anxiety, over analysis, or anything rob you of your life, but trust your brain, trust body and trust your heart to be true mirrors for you. know that they are showing you and telling you things about your reality & that nothing shown is ever wasted. trust in ur journey bb. 🌟
feel free to dm me if u wanna chat. big love to u <33
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moss-and-marimos · 8 months
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this is a Free Rant Pass. please share anything u want to please pass go and please collect 200 dollars
oh my god I need to go feral about jrwi right now
(spoilers for jrwi riptide up to episode 95 bc thats where I am right now) this is going to be a long nonsense ramble that jumps around a lot just so you know
godddddddd I love albatrio, they make me really happy, but also really sad vbhjhdj
seeing like how much they've grown over the course of the campaign makes me really emotional, and like learning about their backstory stuff and their similarities and differences from eachother. gill and jay understand eachother more than like chip and gill for example, because both were raised to be weapons and to see things very black and white. jay went undercover because she wanted to find out who killed her sister, under the idea that all pirates were evil. gill was raised to think that all humans were evil and must be killed, but as soon as he comes to the surface he finds out thats not true, even if he second guessed sometimes like after the things with episode 15. and seeing how differently episode 15 chip handled their fighting to episode 86 is so much character development, he knows how much it meant to gill and he stayed up all night to build an arena so that they could fight, and it was a much more fair fight, because he knew he shouldn't have kept the secret about edyn from gill and im rahhhhhh
also when theyre just having fun together, I love them a lot, theyre so ridiculous /aff like theyre a pirate crew and they make a waterslide out of ice like its a cruise ship, they have the worlds most intense game of tag/hide and seek because one of them can fly, the other is a fish guy, one has such wild stealth or persuasion or something I forget which rolls that he automatically gets at least a 25, in the weirdest way possible they are very evenly matched, and theyre doing that to make the small boy they keep on their ship happy, who also happens to have a belt of giant strength and so chip is very outmatched here as the only like normal human besides his high rolls vbjdfd
at the carnival when we got to see flashbacks to how they were as kids it makes me really emotional, gill was covered in bruises, wearing armor too big for him, holding a sword he could barely lift. chip was incredibly malnourished, he looked like he hadn't eaten a day in his life, and jay looked like the more 'normal' kid of the three, but knowing her family her childhood wasn't great either.
theres so much depth to all of these characters and it makes me go wild, and like everything is connected even if we dont know it at the start. chip was one of the black rose pirates as a kid before it crashed, drey, jays uncle, was too. so was Finn, gills grandpa.
chip has said before that he didnt believe in destiny until he met gill, but now he can't imagine a life without them, and I think about sometimes how different things could have been. if jay hadn't taken that undercover mission, or if they left a day earlier or later. if they left at any different time they might not have found gill, freshly exiled, just floating in the sea.
they mean so much to eachother and its so so clear. they find out their best friend might be doomed to destroy the world in some capacity? "I would drown the world for you" is chips response. they are the trio ever. "we're not just friends, we're a crew"
they are simultaneously the worst and best pirates in existence, they dont know the pirate code, the only rule of it they know is 'dont piss your pants' yet somehow they manage to follow it better than most pirates, because they actually care about helping people and being honorable and things. they were a crew held together by trust for the longest time, rather than any actual oath, and when they did make an oath it was sitting on a rooftop, comforting chip. and the oath they came up with was "I do solemnly swear to fuck shit up, to help those in need, and to be the best goddamn pirates anyone has ever seen."
something something about cycles, about how chip keeps nearly breaking down realizing that hes been trying to recreate what he had as a kid and the guilt from that
something something gillion realized because of his friends that the teachings of the undersea were wrong, that he was raised as a weapon, that he didnt deserve the awful awful things they did to him, that hes worth more than what he can do for other people, that hurting himself, throwing himself into danger all the time, hurts his friends too
something something jay, realizing that not all pirates are bad, and that she gets to be her own person, defined not by her family but by her choices, and that even when she betrayed her friends they didnt give up on her, even when she quite literally shot them
its gill hyping jay up when she has to call her grandma, its jay comforting gill when he had to face the council again when he was stuck in the dimension bc of the deck of many things, its chip trying to sand out the 'millennium chipper' from the ship, thinking they don't need him, and jay carving it back in because they need him more than he knows. things like that
also the less interaction-ey things, like them all making deals with Niklaus to save other people, considering themselves to be worth less than the crew even though theyre supposed to all be equals. its chips seal with Niklaus being where a tramp stamp would go vjbhdfjbh and also having a constantly updating tattoo across his ass of how much debt theyre in from the goldfish loan, its gill constantly showing their money off the ship to appease said goldfish and pay their taxes- theyre a pirate crew who pays taxes. what the fuck guys. one of chips pranks was literally just drawing boobs on their pirate flag. its jay getting bit by Anastasia and gill, asexual icon, stopping drowning just to go "what the fuck." when she was into it vdbjhbdfhj, also for some reason jay is into mimes. actually no she broke into a maximum security prison in a clown costume. theyre ridiculous vdbjhfvh
aaaaaaaa i dont have the words for the rest of this but just the way they comfort eachother and stuff, like chip knowing he wont be good at comforting gill so he asks jay to do it because of her similar background to gill and stuff, I just rahhhh theyre co-captains !! theyre closer than friends !!! co-captains or a crew really is just the best way to define how they feel about eachother and I like them a lot and they love eachother a lot and yeah I rotate them in my mind
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transexuality · 8 months
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rhe thing about kairi is that she is so underdeveloped to an utmost degree beyond any other kingdom hearts character even though she is the POINT of kh1. yes, sora and riku's relationship is in the forefront of kh1, but sora is searching for KAIRI hes mad at riku for what hes done to KAIRI. but she has 0 agency. she is asleep 90% of the game and for the last 10% she does nothing. naminé and larxene are the next original female characters introduced in chain of memories and immediately we see them have more interesting development and storylines and personalities than kairi. naminé suffers a bit from being a female character written by men who dont know how to write women, but she has struggles and she has her own motivations, she is complex. she feels jealous and wants sora to forget everything and stay with her, but she sacrifices those wants because she knows its for the greater good. larxene is an active antagonist and she is a ruthless villain, with agency and power in the narrative. jump to kh2, naminé has become basically a ghost, larxene is dead, and kairi has been captured again. we get moments in kh2 of some personality from kairi, certainly more from what weve seen, but ultimately she still lacks agency and doesnt do much. riku just sort of gives her a keyblade at the end and then shes there to reunite sora and riku, since finding riku is the point of kh2. they had the chance to make her do more in kh3 and while i appreciate that she at least is given a fighting chance it ultimately falls flat because her character revolves around sora. her existence is to support sora and riku's friendship. shes the case that is replace her with a rock and nothing changes. and im saying this as someone who loves kairi! shes fun! shes cute! shes sweet! shes snarky sometimes! but ultimately her personality is Nice Girl Who's Nice :) and there is an untapped well of potential for her to get some depth and it ultimately isnt there as the writers have made her character shallow that pales in comparison to her counterparts. but somehow people hate her EXISTENCE for this and thats what drives me crazy. even with all of these criticisms i have with the writing i still really like her and think that she needs to exist. and yeah sure sora and riku have much more chemistry and are written with such a beautiful bond that its hard to see it as anything other than accidental gay romance but sora and kairi is still there and its still sweet. soriku shippers hate kairi for whatever reason cause it gets in the way of their gay ship and thats whats frustrating. sora and kairi are clearly intended to have romantic undertones and while yes its a shame that kairis character is reduced to this, people shit on it for the wrong reasons. theres nothing wrong wirh sora and kairi's relationship, and its been there from the very start and its not going away. they both care a lot about each other and its sweet! kairi is hated on for merely existing but people dont take the time to step back and critique the way that she is developed and written, they just go for the jugular and perpetuate the misogyny that is already written into the franchise. you can have a problem with the way things are handled, but just shitting on a female character for existing in a male dominated cast written by men is just not cute. Can anybody hear me
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heretherebedork · 2 years
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Theres something y’all are missing. And that the whole gang actually think that black is you know THE black. They dont know that its white. Doesnt this mean that both gram and sean have feelings in black? Like im just very confused. In the first episode we had gram sort of hitting on black on the motorbike and then gram bandaged blacks wounded hand. Seamed like gram and black were on good terms before and gram was someone who could comfortably touch the scary black (hence bandage his hand)
On the other hand, the very first encounter between black and sean after black got back to the garage was sean almost punching black in the face for JUST STANDING INFRONT OF HIS DOOR?? like sean was irritated by his mere existence near his door? Whats even weirder that despite being absolutely irritated by black, we have sean throwing himself into glazing fire to save black putting his own life on the line. We have sean getting jealous of gram bandaging blacks hand. IM CONFUSED so from what i gather is that
1.gram and black kinda had a thing that everyone in the gang kinda knew about but no one brought up
2. Sean secretly liked black enough to risk dying for him but also hates him so much to be irritated by his mere existence and doesnt accept the fact that hes rich?
Im sorry for any mistakes english isnit my first language
So, I'm going to go off a lot of this and just go off.
Sean may have liked Black in the past but doesn't any longer. I think Sean considered Black a mentor and a friend and then felt very betrayed by his actions in leaving him behind and, while still respecting his drive, no longer trusts him. Yes, he thinks White is Black (it's why I often put quotes around his name, because Sean thinks he's Black but he isn't) . And that's part of why he's so confused. Sean is acting instinctively in response to White and not understanding why he's suddenly feeling so different around Black. That's why he keeps pushing him, why he's asking other people about him, why he's got so many questions.
Gram definitely had a crush/liked Black and still thinks he does like Black but likely has never had the courage to mention it and so isn't acting on it.
The difference here, for me, is that Gram likes Black and Sean likes White. But they currently think that's the same person and so Sean isn't willing to like Black (the rejection and the pushing and the pressure he keeps putting on him) but is caught up in his reaction to White (aka this softer, gentler Black that brings up instincts and feelings he doesn't recognize). Whereas Gram genuinely likes Black and just sees White as Black being a bit softer/more playful and doesn't see the big differences that Sean does.
Now, this is down to analysis and views of their relationship.
But I think this is supposed to illustrate how different White and Black are but also how different their friends' views of them are as well. Sean knows Black as the person who abandoned him whereas Gram knows Black as the person who taught him what freedom is.
So Sean sees White as Black as an outlier and something very odd while Gram just sees White as Black as a different side of him that is peeking out after a life or death situation.
Honestly, that's the beauty of this show. There's so much depth to the characters, the character relationships, the past and the future and the present.
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cryptideye · 2 years
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i make jokes abt it but i dont actually care WHERE frecklewish is, shes not real and i can just draw her in starclan with that being just as canon as the website article, im just pissed that the current “team” just. very clearly does not give a shit about their own books. that article has the EXACT vibe of fans who will skim a wiki page and then get mad at you for stating something that canonically happens in the books, except to a MUCH larger scale since they actually. have power over what happens in them.
the article also clearly doesnt exist to give new insight into a character. it was made to say “shut up youre wrong and were right just accept it and stop disagreeing with us” which is. super insulting ! especially since nobody on the writing team actually wrote the books, and the SOLE AUTHOR agrees with the interpretation that frecklewish and all of mapleshades other victims deserve starclan
i cannot imagine how you could write that article while also having... read the books. this isnt even a “my interpretation is fact” thing like its CANON in the books that mapleshade is an unreliable narrator and this article is acting like mapleshade’s assumptions are factual, which is a take you could ONLY arrive to if you only skimmed her wiki page instead of reading the book, or if youre like 9 years old. not to be harsh but they blatantly LIED about the context behind the confrontation between mapleshade and frecklewish when frecklewish says she wishes mapleshade were dead instead of her kits, i absolutely do not trust that whoever wrote that section read the book in any depth. you cant convince me they did
like, if their reasoning was “freckle called the kits half clan creatures which would be traumatizing to them, and she never seems to think that this line of thinking is wrong” id get it ! because thats something that actually happens in canon! but it contradicts rainflower being in starclan despite her abuse of crookedkit, AND contradicts the fact that STARCLAN THEMSELVES sent the message about the kits not belonging, and since the writers REFUSE to admit any wrongdoing on starclans part they cant say that xenophobia is wrong
this is not the first time the writing team has ignored fan complaints, like with the abuse shown in spottedleaf’s heart and squirrelflight’s relationships apparently being “unintentional” (and therefore isnt important enough to be acknowleged or fixed) and the writers just never even ACKNOWLEGING warriors racism problem even when fans were OUTWARDLY complaining about that very recently
the most weve ever gotten from them is changing that disgusting line about briarlight being happier dead than alive (but they also reinforced their “disability as punishment” shit in the frecklewish article so clearly it didnt get through) and getting a TERF fired (though theres also no canonical lgbt rep in warriors besides two gay couples being confirmed outside of the books text)
i get why ppl are emailing them but like. they arent gonna do shit ! the backlash about that ableist line was way more than it was with frecklewish (as someone who was in the community during both of these “dramas”), but they still clearly havent taken it to heart. they arent gonna do anything! just draw frecklewish in starclan and pirate the books
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harborchild · 3 years
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Harbor's AUs and OCs i guess
AUs:
Feral Children Colony- Six, after defeating the Lady, accidently crashes the Maw into the Forest/Wilderness' shores and the Children held captive break free an now theres jus a colony of feral children living in the wreckage of the Maw. this ones jus ment to be cute, RK lives cuz he was in the Hideaway when the Maw crashed, RK is the "leader" of the Colony because 1. nobody else wanted to and 2. he has experience from the Nomes. Six and Seven(RK) have an adorable protective sibling relationship, nobody knows if their actually related or not Tag: Feral Children Colony
Masked Six- this au exists because i really like the Rascal Mask and Six and Mono get to be mask buddies. the kids have their funky lil powers and are learning how to control and use them. Tag: Masked Six
Monster Friens- Mono an Six are both big signal tower Monsters but theyr still friens. RK is also there but hes still smol cuz he jus got snatched and he is very frighten. outside the Signal tower Shadow Six and Static/Shadow Mono ponder their funky new existance. Tag: Monster Friens
Pokemon- Six is a Mimikyu, Mono is a Phantump other than that its pretty much the same (if Mono's a phantump dose that mean Thin Man is a Trevnant?) The Maw is in a Giant Lapras Shell. Tag: LN Pokemon AU
Living Maw- where the Maw Itself is some kind of eldritch sea creature contained in a giant metal shell. occasionally peices of the hull fall off and expose the creature itself and also all the characters are creatures because i say so. it has a happy ending Tag: Living Maw
Littol Nightmares- i have no self control they are so smol and there are several of each of them. what is the term for a group of littl Sixes? a Poncho. and a Group o Monos is a Static. a Group of RKs is a Retreat (thanks to that anon for the lighthearted names nwn) i dunno theyr jus smol
Halloween AU- Magical and Spooky things happen around Halloween time. dolls, puppets and even static itself all comes to life!
Born of Blood- Six and Mono arrive at The Pale City, once a place of wonders and healing now fallen to ruin and Beasts, seeking a cure for Six's mysterious and painful sickness
Ghost Hunters- Mono can see (and Slightly Interact with) Ghosts, Six can pull her own Spirit out of her body to fight ghosts, RK is normal (no hes not thats a lie he has prophetic dreams) and RCG might know ghost-related magic, together they hunt ghosts!
Space Station AU- Six is a malfuctioing Repair Bot, Mono is a Secondary AI, both need to flee the stations that they are from, why not flee as a team? and why not collect more stray friends along the way?
OCs:
Crackle: (Any pronouns) Electric powred child who is the caretaker of The Harbor and child of The Generator
Matchstick: (She/It) Fire-Fond little girl, lives on the Maw, hair is naturally blond but is colored black with coal, Sibling to Petricor
Petricor: (He/Him) cannot say or spell his own name, very smol so so smol, baby, makes up stories about the places they explore, forgets they were makeing it up and gets upset about it, has survived purely off of stupildy dumb luck
The Inventor: (He/They/It) many armed very smart centipede man whos head is on backwards
Guise: (They/Them) Awful Creature. Rotten, empty little beast. a false child. Their own soul (or at least most of it) was stolen from them, leaving them acheingly empty and forceing them to take other's souls
Leech Prince: (It/They) kid who lives in the deepest darkest depths of the Maw, leeches dont attack them so they are the leech monach, can seemingly command the leeches
Scrunchy: (She/Her) lil nome. she cannot cook but nothing stops her from trying
The GateWalker: (Any Pronouns, They/Them prefrence) a strange little entity who cant remember who they were before they became the Gatewalker
Vernon: (It/They) cute little gremlin who dosent talk, but they do make critter noises! they like fruit and think Twig is cute!
Bagel: (He/They) Vernon's big bro! hes protective of Vernon and made a promise to protect them no matter what. He has heat powers and is resistant to high tempuratures! and wears a dragon-like mask!
Radio Kid: (He/It) Kid whos possessed by a Raido Frequency Entity whos got some grudges against The Signal
Shade and Fuz: (They/Them) a Shadow Kid and a Glitching Remain who are best buddies and also fused at the hand because theyr both ghostly and they held hands so much
H: (They/Them) Creature made by The Tower(hence the tv antennas and lack of facial features), lured away from the Pale City by The Maw, now serves the accursed ship, But is Friendly! I promise!
Grin: (It/Its) Gremlin born after the world fell appart, which resulted in their face being...strange. wears masks to hide their face. also got kicked out of home by its parent to "show it how the world is"
Reven: (They/He/It) Bird child, has wings, unknown if they can fly, lives in a graveyard and frequents an abbandoned hot topic with their flock or twisted ravens, throw rocks at people, and get chased. alot
Mosquito Kid: (it/he/she) Vampire, responds to any name directed at her, silent type, kills with little to no warning, constantly deadpan
Vector: (she/her) LOUD angery wasp child, has a poisoned stinger-dagger, you'll hear her coming, loud and screams and lots of threats of killing, often gets kills stolen from her by MK because shes so loud, also she has wasp wings
This List will prolly be updated. unless i can have some self control. which i dont. self control? whats that? a salad dressing?
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the-faultofdaedalus · 3 years
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But see you've watched IM2 you didn't just read read a bunch of fics and then decide you know canon and ran with it so I respect your AUs lol
YEAH like,,,,, Most of my aus. a good majority of them. are... "hey what if *insert small fact here* was changed in canon" because i ADORE canon divergent stuff. i think it's so fun to just.... play with chaos theory. nudge something there, watch the rest of it spiral WAY out.
i think the au i have that is the most like, Out There is the ares au? but i do think that the characterization IS largely fairly recognizable, all the names are just... different. theres also lots of jokes w/ me and my friends that at this point remortal tony is borderline an oc and like,,,, yeah fair enough. i feel like i'm doing at least mostly decently keeping him like, as he would be in that situation, though. guess we'll find out tho whoops.
and also like,,,, again, when i do oc stuff, i wanna do oc stuff, yknow? like, i wanna do it with my characters. with my worlds. i dont wanna just... write an au thing that gets low-key ooc i wanna do my OWN thing.
but also. my first exposure to 616 canon WAS just reading a bunch of fics and getting really really confused about "all these weird aus" because i was (and. lbr still am.) a dumbass. like,,,, fic w/ the og-ish 616 team in the mansion like "hey neat!" without realizing. i was reading (616) cw fic like "wow, this is a weird take on that movie! really good though!" and then being confused about why it was written before ca:cw came out. also, i read, like, so much noir fic, and even got into the filtered tag for it, before i realized it WASN'T just a super in-depth collaborative au and instead was, actually, a canon published comic. the two fics that got me into the fandom were a) circles of rust by kerosenesteve, which is a canon-divergent thing that splits off in im1, and space electric by icarus_chained, which is a space au. one that does follow like, the major plotlines mostly, but is still, you know, sci-fi space stuff!
so like. actually i have forgotten where i was going with this but if i want original stuff, i'll fuckin read original stuff. i'll write original stuff. i'll write stuff that has no fandom influence at all (as much as is possible, considering i cut my teeth writing for fandom and that is Still a very large influence on how and why i write) and i've even got a blog for just original fiction stuff that i write (shameless plug, @sorbusscriptor )
but when it's fandom i want? i wanna play what's already there. i wanna read into what already exists. it's not even about the shape of what is there, it's about the void that that shape leaves! its like brownian motion, canon is an iceburg and half the fun is finding out just what's knocking at it underneath the water to get it to be shaped the way it is.
like,,,,, finding a piece of media and filling in the holes, and what isn't said, and what happens inbetween what's happening on-screen, in trying to figure out what's up with the non-pov characters, it's so fun!!!! both when it's something you adore, and when it is a book or movie or show that is. absolute goddamn garbage lmao.
like, i watched Breach with my family a little bit ago (space "horror" movie feat. bruce willis that is shamelessly ripping off like every single other sci-fi movie that exists, that is just,,,, so weird with the plot things it chooses to use, and has so many holes it's practically a net.) and it was just.... so FUN being like "so hey, WHAT the fuck was happening here? why did this happen? why DIDN'T this happen?" because it's such a bad movie. there's an alien parasite some guy brought on the ship and like. it is never explained where tf this thing is from. it's from "the experiments" but like,,,, what does that mean. where did it come from. the guy is asked where tf these things are from and he's like "maybe they exist before time" and bro. WHAT? WHAT DOES THAT MEAN! and like. god its just so bad. everyone is trying to get into an escape pod when like. a) their ship is, uh... either doing a quantum-jump, or going at FTL speed, or, one of the 9 thousand different FTL-mechaincs stolen from various other medias, and im pretty sure the escape pod is not capable of going at that speed, so it sure seems like if that thing ejects Bad Things are gonna happen, and 2, they're like.... 40 fucking days away from the planet they're aiming for WHILE AT warp speed. WHERE DO THEY THINK THEY'RE GONNA GO it's just genuinely. the holes left in this movie are more interesting than the movie itself. and if you look hard enough, every piece of media is like that
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ronnytherandom · 3 years
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I forgot to watch content all week so i wrote about games ive been playing
9/2/2021: The Truman Show
You should fear your fears but embrace them and use them to guide you into the unknown, to explore and experience what life has to offer. Fear stands between you and the fullest experience of life so you must pass through it to better yourself. Heed not the walls built about you and the chains made to hold you. Though the architects insist it will preserve your life, containment is anathema to life. Do not take in faith the benevolence of powers that be; instead trust those who would support and liberate you, guide you through fear and into life.
As best I can lay it out, I think this is the philosophy of the Truman show but there is so much more to read into it also. There is critique of systems of commodification and celebrity (i.e. capitalism) reducing human beings to a consumable good as well as encouragement to find and pursue your goals despite adversity and even sensibility which is also tied to the illusion of economic responsibility. You can’t put a camera inside a human head, you can never “know” them without being an active and intrinsic part of their life, but also there is need for reciprocation. If one half exists with ulterior motive then the entire relationship is rotten; sincere humanity is what creates real connections. Without such your world is fake. A world built around one person is a world where no one can truly live. All these actors have given up basically their entire lives for the sake of watching Truman have his life built around him by outside forces, have allowed themselves to be commodified and dehumanised for the good of one man, Christoph. The man at the top has delusions of grandeur and thinks only of his own bottom line, he cares not for his subjects but simply wants them to do as he tells them because it benefits him to commodify their lives and interactions. Even then he cannot stand to lose control and in seeking to demonstrate Truman’s “realness” he structures his life so thoroughly that eventually there’s no reality left, only a script and adverts. But the people watching still empathise with Truman because everyone in the working class understands what it is to be trapped because real life is our own Truman show and one day we must all pass through fear, step out of the dome and create a real life for ourselves outside of the system of commodification which consumes everyone’s life and removes all realness and sincerity and emotional catharsis from it.
I unreservedly love this film.
14/2/2021: Assorted Game Reviews
Horizon Zero Dawn (Unfinished due to technical issues, 45 hours inc. parts of Frozen Wilds): This game is really cool and really fun. I think it is defined by its incredible setting which somehow creates a fresh feeling post-apocalyptic environment. Said environment creates intriguing alt-future lore and some very interesting environments to explore. I love the machine designs (especially tallnecks!) and was very sad to hear one of their contributing artists passed away recently but I’m glad their work lives on in this visually stunning game. I’m a sucker for Ubisoft-style open world games simply because it tickles a certain kind of itch and somehow this non-Ubisoft game has outdone Ubisoft on their own formula, which is hilarious, but also good for me as running around this world exploring and clearing map markers is engaging fun. Not least because of the combat. I have a minor criticism here that the combat feels slightly awkward on mouse and keyboard, the arrows never seem to go where I’m aiming, but aside from that the experience of fighting is a grand one. Enemies never lose their threat and I love the weak spot system the game employs which makes every tool useful in niche circumstance and rewards curiosity. It specifically manages this in a way that I feel the Witcher series could learn from if it ever returns; by making head on assault less viable and encouraging tactical hunting. I do feel this system makes hunting robots so fun that by contrast hunting humans becomes a chore however, though I noted this improves in the dlc with the addition of humans with elemental weaknesses limited in number as they are. I cannot speak for the story in entirety but what I encountered was pretty good, though I feel as if it was only just really getting going at the point where I could not continue. I find Aloy to be a compelling and well portrayed protagonist and though I can guess about her origin and the ultimate end of the alt-future apocalypse I still want to see how it plays out on screen, so will return to this as soon as I’ve fixed it.
Rimworld (122 hours. Familiar with but do not own Royalty Expansion):
Rimworld is one of those super special games that I don’t think I have a single problem with. Fair warning it can be brutal and is heavily dependent on RNG but this allows it to create truly unique and interesting scenarios on a constant basis. In the wider perspective it could be described as formulaic, with regular cycles of managing the settlement between raids and random events, but the devils in the details. Colonist traits, health and skills dictate how you play and sometimes you’ll be forced to adapt as some colonists simply refuse to perform some tasks. The depth of health particularly amuses me, in that each little part of someone’s body is modelled in a way. If you’re in a firefight you may take a single bullet which grazes your finger and you’re fine. Alternately it could pierce your human leather cowboy hat, your skull and kill you instantly and the game will tell you exactly what happened. The risk/reward element is addictive enough, and that’s without accounting for just how cool it is to see your colony slowly expand. Establishing more and more options for crafting is fun and shows off the full range of different items in the game which is fucking extensive. Between clothing, weapons, armour, sculpture and drugs to name only a few you have the opportunity to create many varied production lines either for your colonists or to trade for money and there is a lot of fun to be had here as well as it is quite satisfying to see psychoid you have grown personally become the cocaine your colonists snort to help them stay awake on limited sleep. From an archaeologist’s perspective it is especially cool to look back over your base and see the hints of how and why structures were built and remember the history of your limitations and development through structure. I think the lore of the universe is really cool too, a very 40k-esque kind of place except with far less order, somehow. But the universe does an excellent job of feeling alive and moving constantly on both a planetary and interstellar level. You can fully believe that while you build wooden shacks to shield yourself from terrifyingly low temperatures there are simultaneously rich pieces of shit living it up on the glitterworld that’s one system over. The music does an excellent job of creating the wild west frontier atmosphere the game cultivates to great effect. Ultimately, for just being a grid with a series of different numbers attached, this game does a fantastic job of creating a compelling, brutal and very real colony management experience. I dont think I can properly put into words the grandness and scope of this one. I didnt even mention the modding scene, which is expansive and tailors to basically any need you could have. The Rim is a terrifying place but theres so much fun to be had.
Factorio (86 hours, mostly 1.1): Having completed a game of Factorio I can tell you reliably that this is one of the best games ever made, thoroughly addictive and fun. If you like numbers, logistics, TRAINS, its gonna be your thing. Not to mention its probably the only documented case of a game with no bugs (so far as official forums are concerned). Strictly speaking this games combat is not the most engrossing thing but good lord do you feel it when you acquire a flamethrower. The way each aspect of the game (production, research, logistics, combat, upgrades for everything therein) feeds into the next is a really well constructed balancing act such that you must experience the full game in order to complete it and I always appreciate this kind of design. I think its one of the best tenets of factory game design especially as its something present in Satisfactory too. Beyond all of this generalised good the game is also excellent in its intricacies, the architecture necessary to build a maximum efficiency base, the level of planning and organisation that can be employed is mind-blowing. Not to mention the mod community, factorion is already an extensive experience and some mad bastards have seen fit to complicate it further, hats off to them. This really is a great moment in gaming.
 Destiny 2 (198 hours, all expansions, played some post Forsaken release, mostly Season of Arrivals onwards, spent roughly £20 on microtransactions):
This is a very interesting and enjoyable experience, but I must say it can be a bit controversial at times. What its does particularly well is moment to moment gameplay and design in all aspects. The game is stunning; between environments, cosmetics, shaders ships and ghosts there’s a vast range of incredible things to see, all rooted in the “pseudo-magi-science” aesthetic it’s got going on. The class design is excellent and you really do feel like you embody this rampaging madman / agile gunman / space wizard archetype, whichever you choose to play. The abilities, especially supers, are very satisfying. Everything has heft and power behind it which can be felt in all aspects of design; sound and animation is top notch. Movement is cool, you can feel how fast you move both on foot and in vehicles and the navigation has a little fun subtlety depending on your class jump, even if you can bounce unpredictably occasionally. But for the love of god why is the wall kick in there? It has only ever served to push me from a ledge into a bottomless pit. You're looking to remove antiquated content? Start there. Some guns are not so good to shoot but there’s such a great range of guns that are fun its like complaining about one drop in an ocean; and enemies are fun to shoot at, each faction distinct in meaningful ways and presenting an effective challenge. Speaking of oceans, that’s one way to describe the lore. I haven’t dived too deep but it keeps going down forever and everything I’ve read is intriguing. As a former Elder Scrolls lore nut this is something I could definitely sink my teeth into, though its much more of a pulpy sci-fi vibe than a pure nonsense vibe. I do think the game has a bit of a loot problem, primarily in regards to the conflict between high stats and looking good. This should never be a conflict, and yes you can apply ornaments to any purple gear but that’s not enough when I spend the entire time grinding power levels and thus must change armour and weapons on a constant basis to progress. This game needs a true transmog system and if not that, rethink how gear power level works. Perhaps rather than earning new instances of gear you always possess a version of it and the loot you acquire in missions just upgrades your instance to your current overall power level? This would serve to do away with the current upgrade system which I think is a needless additional grind. Perhaps it could be retained in using enhancement cores to empower gear as present but necessitating a whole upgrade module to keep your favourite weapon on hand is kind of painful honestly. There is also at present the issue of sunsetting gear, mildly controversial to say the least. If it’s necessary to streamline the game and make it function moving forward so be it but surely loot pools should be adjusted so you can actually get useful loot from older locations? And why sunset personal instances of gear which can be acquired at the regular power level anyway? I had to throw away my favourite bow and hunt down a new version of the exact same weapon for… what reason? I do think destination navigation leaves a little to be desired also. I get that having a physical hub world is meaningful but Destiny does not have a very extroverted community; I can count the times someone noticed me in the tower on one hand. And its not even like there’s fun activities to be found in the same sense as say Deep Rock Galactic, which really does take advantage of its hub. Perhaps for players who simply want to go about their business all of the vendors could be set into a menu system where just clicking an icon takes you to their menu from anywhere in the system rather than, per se, having to go through an entire loading screen (Which takes you to orbit and back) to reach a location which serves simply as the front for four menus. These are established player problems. As a dedicated PvE player I can say that this game is immensely fun in combat and growing in power does feel really good. It’s something I recommend getting into, there’s just some very large creases that need ironing which the Bungie should really take the time to address rather than pushing out new in game content every three months.
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dbzebra · 4 years
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☕️ OH YKNOW WHAT AT THAT NOTE? Talk about that dbs broly movie cuz yknow. That’s a hot topic of the ages that folk feel particularly really strongly about
ooooh ive been waiting for this one. We watched this together on discord so you know my general feelings but Im happy i got this ask lol.
putting this under read more cause it gets long 
The new movie that everyone seems to love and adore.... that I dont. It was a pretty middle of the ground, meh overrated af movie. Not bad, just nothing special. I enjoyed watching it sure, but not something I have an inkling to return to anytime soon if ever. It was just ‘there’ for me. 
First, I’ll say the good stuff. The visuals looked really pretty. Nobody was THAT out of character of the existing cast (save for the ending), which i feel weird to have to even mention it as a positive, but nothing really stood out to me as a defining moment for the little cast we had besides Goku’s “youre not a bad guy, i can tell” or w/e. SUPER SAIYAN 1 IS STILL GOAT. It looked soooo good in this movie i wish we couldve kept it the whole time instead of Blue. But i will say, Blue looked much better in this movie than the series. The darker-blue with the lighter blue eyes was a nice change from instead of the ugly bluish-green the series did. Also the aura looked better. Backgrounds like the ice area and even Planet Vegeta were amazing. Action was great too. little Bulla was cute. The OST i liked (the chanting really grew on me) and Blizzard is a banger i love that song. Oh and the aritisic license they took for the fusion scene with the reds and blues spiraling together was great
Anyway thats all the positives I have lmaoo
This film includes Minus and I already went in depth on why I hate Minus with a passion and why it’s the worst thing to come out of modern Dragon so yeah moving on. But the fact that they devoted screentime to Gokus backstory which ultimately served no purpose to the story of the film and couldve been used more valuably elsewhere. 
I said the action was good, and it was, but it almost too good. At times it was so fast to tell that was going on and really lessened the impact for me. Like when they went into the other dimension or whatever, Gogeta went blue and Broly went LSSJ (idc if the name is different name, itll always be legendary SSJ to me lmao) so ast it was a blink and you miss it moment. like what? those moments shouldve been given even a little bit of focus. 
Next the cast. Goku and Vegeta. AGAIN. snorefest. no Gohan, Piccolo is just there to show them the fusion, Goten and Trunks are still kids and look like babies (and Pilaf gang is with them which is another can of worms), no Android 17, who the series established as one of the top 4 fighters on Earth. 
Do we get any of that? Nope. Just the two Blue and Bluer fucking again and again I. dont. care. anymore. Their dynamic is so boring and played out id rather watch paint dry. It was fun in Buu Saga, hell it was even fun in GT, but DBS constantly forcing this dynamic and Vegeta as the second Main Character needs to fucking STOOOP. Toei and Toriyama has no idea how to further Vegeta’s character because theyre stuck in this infinite loop. 
Vegeta doesnt want to help Goku, he mentions Bulma and/or Trunks, Vegeta blushes, and then he decides to help. THAT HAPPENED LIKE SIX TIMES IN DBS ALONE. It happened in Buu saga as well, but it organically worked cause it was the first time but Bulma and Trunks were ALREADY DEAD/ABSORBED. The look on his face wasnt blushy or pouting for a gag, dude was legit shocked. I rag on Vegeta but he had some legit great moments in the early arcs and later parts of Buu Saga. Anyway im off track. They repeat that same exact character moment OVER AND OVER. cant tell you how many times we had “my Bulma, my bulla, my Trunks, my cabba” in the Tournament of Power alone, and this movie is no different.
DO SOMETHING ELSE FFS
Then we have Broly. ohhhhhh boooy Broly. if you can even call this version of him Broly. His backstory is kinda the same as original movie 8/Broly LSSJ, but its more tragic becuase according to most fans, if youre background is a sobstory, that equals better character. NO. sure it could, but that trope was so worn out so long ago I hate it. “waaa his life was bad, hes not a bad guy” bruh i dont care thats not Broly. just make an OC if you wanna do that. but nope. gotta use the marketing! (More on that later)
People like to criticize Z Broly as “he hates Goku cause he cried” or “all he says is Kakarot” which both are false. On the first point, Broly is a psychopath. He was stabbed as an infant and left to die along with Paragus cause he was too powerful. Then that same day Planet Vegeta explodes practically on top of them. The rest of his life hes basically either being controlled or on a rampage. So that one moment of peace is “ruined” by Goku in a sense cause he subconsciously associates that with Goku. On the second point, Broly was already mentally unstable and then nearly dying, getting caught in the explosion of a SECOND PLANET and then being frozen for seven years will fuck anyone up in the head. Z Broly in the original movie was sadistic af and he had a lot of memorable moments and lines that werent just screaming Kakarot, that Second Coming made him infamous for. 
New Broly is legit a man-baby. People talk about old Broly having no personality and this new version having a deep character, but I dont see it. He acts like a child when hes with Cheelai and Lemo and then once the fighting starts he doesnt say a single word but yell. SOUND FAMILIAR?? But he gets a pass because the canon police says so right??? fuck off. New Broly is boring. Im tired of trying to make the Saiyans into ThEyRe noT aLl BaD sEe The SaIyAns ArE AcTuAlLy GoOd!!!11111 ugh i hate it. keep Broly a psycho and keep Bardock a prick. even that guy that went with Buzz Lightyear I mean Paragus was a sweet guy who couldnt fight because of course he was. At least they kept Paragus being a prick when he killed him. Tho his death was lame. 
Cheelai’s overrated af. Shes just green bulma lmao. and the fact that they included the “big soft-spoken man gets mad and saves girl from drunk lowkey-rapey pervert” trope just had me roll my eyes like dude stop. Lemo was fine? Nothing against him but didnt do much for me either.
FUCK. FREEZA. i went over this one before too so ill be quick with this as well. I hate hate hate the fact that they brought him back not once but twice in DBS, but even worse that they left him alive to do whatever tf he wants including going back to mass murdering people and expanding his army again. Goku and Vegeta just LET HIM LIVE. Why tf did they go all out and attack Broly, but not Freeza? when one of them was fighting Broly th other easily could have taken out freeza but nope we need a token villain like Joker or Skeletor cause unoriginality. Even at the end, Gogeta does a full power blast to wipe Broly tf out, but when Freeza tries to kill Cheelai and Lemo (two innocent people, feelings on them aside) Gogeta basically just shakes his finger like nuh-uh! dont do that! and then he flies off. Just let this mfer die already im sick of seeing his ass. FUCK I HATE IT SO MUCH GFGFFGFGFGF
Lastly this movie is legitimately Dragon Ball Fanservice The Movie. 
Gogeta vs Broly, which the games have been doing since fucking 2003, is the main point of this film. Theres no originality whatsoever. Minus is discount Father of Goku special, and then its a mashup of Broly LSSJ and Fusion Reborn (both of which are superior movies imo). This creatively banrkupt shell of a franchise cant think of anything new, so they legit remake an old movie, through in fusions because that sells like hotcakes, and make the animation pretty because thats all that matters.
Imo, this movie, like 99% of Super, is all flash and flair but no substance at all. At least this movie looked nice. unlike the show. 
ok thats all i got lmao
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parasitegirlfriend · 5 years
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i am Now going to spend hours drawing comparison between bubbline and catradora. and their individual characters. 
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bonnibel and adora are often perceived as the ‘sweet’ and ‘good’ characters because of their alignment and because of surface views while marceline and catra are perceived as the ‘mean’ and ‘bad characters, or at least the morally ambiguous and while yeah, they are pretty morally ambiguous, their good qualities are overlooked in favor of their opposites (adora and bonnie)
bonnibel is like. a whole thing. she plays lawful good really well, but she’s also basically an evil scientist and has a serious lack of morals and empathy. while adora isn’t really anything like that, she’s still a character often put down as good when she’s more in a grey area. adoras dedication to causes rather than people DOES make her good, but it gives her bad traits, and brings up a lot of questions pertaining to loyalty. but as we’re only in season 2, i can’t go into further detail on that. 
when we’re first introduced to marceline she’s a lot like bonnie in that she’s pretty one-dimensional. evil vampire, basically. she torments jake and finn a lot, but as the show goes on, like bonnibel, she gains depth. she’s not an evil vampire. she’s one of the most empathetic and compassionate characters in the show, even if she doesnt show it a lot. 
her compassion towards bonnibel in varmints is a great example of this. you can tell how much she cares about her:
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she’s an incredibly complex character because on a surface level she seems uncaring and aloof. just like catra. 
they also tend to express themselves similarly, or at least have conflict with their counterparts that mirror eachother. 
see: marceline and catra lashing out because they dont feel that bonnie/adora see them as worthy, 
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while marceline is talking about how she feels that everything she does annoys bonnie, catra is talking about how adora doesnt see her as capable of taking care of herself. 
see: adora and bonnie internalizing their feelings, blaming themselves for others problems and pushing people away to protect them,
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(im pretty sure theres an example of adora talking about pushing her feelings down much like bonnie does here but i couldnt find it and its stressing me out but i KNOW it exists) 
other than that, bubbline and catradora have similar history. best friends for a really long time until the catalyst, for bubbline its bonnie becoming consumed with work and not having time for marceline and for catradora its adora leaving the horde. looking closely, theres so many similarities here. there are big differences of course, namely the horde being evil and representing an abusive family, but still. she’s still in some way, leaving catra behind and making her feel abandoned, whether intentional or not. similar to what bonnie did to marceline.
in order to get back together, they have to learn to live without eachother. they have to grow apart. they all need/ed time to heal. 
there are of course other similarities, more minor, but still similar. mostly in their dynamics and personality traits:
bonnibel and adora are uptight where marceline and catra are more likely to cause trouble for the fun of it. 
this ones more for me but bonnibel and adora? capricorns. marceline and catra? scorpios. 
bonnibel and adora are princesses. marceline is a queen and in my MIND catra is a queen but its very likely she’ll become a queen or princess later in the series. 
adora and bonnie: jock/preps. catra and marcy: jock/goths. 
they just...have such similar dynamics....uptight princess and aloof, funny queen??? *chef kiss* perfection. 
also:
catra and marceline both have pointy ears and sharp teeth and this is very important to me, yes it counts. 
theres so much more but i dont have the time to go full-scale meta analysis. so take this. 
conclusion?
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gayregis · 4 years
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if you've read season of storms is it any good? i read a sample and was kind of bored but i don't want to spend money on it if it's going to be like,,,,,,,,,lady of the lake
reading this i was like “wait lady of the lake was good though,” then i paused to actually think about it as a cohesive narrative for a bit, and went “actually wait never mind :/...” it was good thematically, and there were a lot of great scenes, but like as a whole book... if you could only read that book on its own... it would be very long and confusing. i just think lotl’s good because i do the uncivilized thing of skipping around to the parts i like and then i don’t read the parts i dislike
but luckily i have already ranted about season of storms before, and i’ll post that rant here now. for context, i actually read season of storms from cover to cover... yeah.
overall, it's a disorganized and aimless plot. it's set inbetween tlw and sod, so there's no quest to find ciri, because geralt hasnt met ciri yet, he's still our free bachelor geralt. which means hes still quite directionless and when it comes to his personal life it's mostly preoccupied with romance. but more importantly it means the plot is incredibly aimless and NOT PERSONAL to geralt, like all the stories in TLW and SOD and all the saga books revolve around events and people super meaningful to him. what happens in the plot is a whole JUMBLE of things that feel like sidequests from the witcher games, not a story from the witcher books. nothing really means anything for geralt's character development, and it suffers from being so long because there's like a lot of different settings and characters and everything just seems completely thrown together, mashed up, and not coordinated. 
i will admit that baptism of fire & tower of the swallow followed a style of “random encounters” in which geralt and the company traverse on and just interact with whatever they happen to find, but it felt like they were accruing knowledge (and also. members of the company) as they travelled on. in season of storms, it feels like geralt starts over and the entire book resets itself every time there is a new scene. none of the plotlines fit together, so it is just a super confusing and exhausting reading experience, unlike in bof & tos, where you can follow the action quite easily and it’s very pleasant to read because it’s all one continuous storyline.
in addition, all of these mashed up stories are pointless, because they dont END with the reader learning anything about the universe the characters live in or their relationships with each other. we might learn that sorcerers are power-hungry, but we already knew that. we might learn that people are violent and corrupt, but we already knew that. we might learn that geralt loves yennefer, but we already knew that. in the short stories, you learn so much about the world and geralts relationships (for example: we learn so much about the situations surrounding the elves in edge of the world, so it’s worth reading because otherwise you will not understand anything when the scoia’tael show up in blood of elves and later in the saga). and in the saga, this continues and more worldbuilding/relationship building occurs (geralt and ciri’s relationship grows from a question of price and then becomes crazy right around baptism of fire when they’re super linked by destiny). it really doesnt in season of storms. you don’t learn anything meaningful about the world or the characters like in the other witcher books.
another large flaw is that in the stories and saga, sapkowski was really good at creating likeable, enigmatic characters no matter how few pages he had to create them. they were deep and almost lifelike and also usually told a larger message. the NPCs- sorry, "characters" in season of storms are SUPER flat and uninteresting.
coral is h*rny for geralt and jealous of yennefer, like every sorceress ever to exist, pratt is a dick and corrupt, degerlund is corrupt and evil, mosaik is timid, the werewolf guy is JUST THERE, the auguara isn’t super interesting despite being cool, nimue feels flatter as a character than usual, even dandelion- okay actually jk i liked dandelion he was the sunny part of this book AS ALWAYS ... ofc he felt one-dimensional but he usually does so you know, EVEN GERALT feels a little one-dimensional and not his typical introspective self
one of the worst things sapkowski did was [SPOILERS] make the major villain character of the book gay and feminine... like its mentioned SO many times that "ohhhh this is a man that looks like a woman WOW HOW EVIL!" and he literally does the worst things like rip ppl to shreds and want to kill geralt painfully by torture with syringes, also he uses his sexuality to ?? seduce an older sorcerer to be his favorite so he can keep his job as a sorcerer?? 
and OK vilgefortz and bonhart arent complex villains. but theyre despicable and it feels a little deeper bc vilgefortz has that backstory and hunger for power, and bonhart is just terrifying and the embodiment of wretched evil, this guy from season of storms is just annoying and anime villainy like “OOHOHOH watch how i kill you now >:)” also theres a lot of crass humor like fart jokes and villains that are described as really super ugly like omg wow never saw that one coming!!! it just feels super bland and basic and almost like the antithesis of The Witcher as short stories and a saga, super out of place with the rest of the series. [END SPOILERS]
in my opinion, the BIGGEST FLAW with season of storms is that since the plot is so all over the place, and since the characters are so flimsy, the entire book feels meaningless. it feels like it would appease games or netflix fans who just want to read about geralt going on some crazy adventures, and it does serve that purpose, but it is NOT a “book belonging to the witcher series.” it has no depth where there should be... i do not feel like sapkowski is trying to tell me something as a reader about human nature, or the nature of parent-child relationships, or society, or violence and war... 
it just feels like geralt is doing all of this shit just because sapkowski had some remaining ideas and wanted to get all of them out into the world all in the same book, like sewing a vest out of fabric scraps. it was not refined like the witcher saga, because none of them were really meant to fit together anyways, and because they weren’t meant to fit together, there is a distinct lack of message and substance to it.
TLDR: no cohesive narrative and a confusing plot, no deeper underlying message or arguments about humanity or society or nature being made by the author, cheap new side & background characters, no ciri and no yennefer so geralt is quite directionless and stupid
other remarks that are just my personal preferences and comments:
geralt & dandelion:
geralt mostly works alone in this book... which is... not my favorite. this is why i got bored with tw3 after i read the witcher books, because i can’t stand geralt being alone, the world feels so... lonely! although he meets up with dandelion and has an affair with coral in season of storms, most of the book is him waffling about with side and background characters that i couldn’t care less about because sapkowski put no effort into developing them to be enigmatic or at least lifelike and likable (unlike some really minor characters in the witcher saga that, although they were so minor, were incredibly likable: for example, applegatt and toruviel i quite like). 
of course, i also have a preference for when geralt hangs out with dandelion, because it usually creates more of a lighter tone for the scenes and a more humorous nature overall, plus geralt changes his personality to be not in such a bad mood and we get to see him being kind and friendly. so it annoys me that although dandelion has some scenes with geralt, they never really have deep conversations like they do in a little sacrifice, or witty remarks & banter like in the edge of the world... i feel like dandelion was quite in-character for the whole book, which is good, but also, he’s dandelion so he’s pretty easy to get in character. he’s just easy-going, arrogant, preoccupied with earthly delights, cowardly, and friendly to geralt. but it annoyed me that their scenes together were both not very deep, and that they didn’t get as much interaction as i think they deserved. usually in a witcher book or story in which geralt and dandelion have met, they stay by each other’s side for like, the whole book or story, lmao... 
that being said, they do have some fun moments in this book and dandelion has some funny lines which i quite enjoy. like. they are eating at an inn, and the innkeeper asks them “how are you finding the pork?” and dandelion replies, “we’re finding it among the kasha. from time to time. not as often as we’d like to.” and somehow i just find that line so fucking funny... i think it’s just because it’s really relatable
sorcery:
coral is SOOOOO one-dimensional, she really is just like the same character as fringilla vigo or some other sorceress that’s jealous of yennefer for getting to bang geralt, and this lack of characterization is super transparent. people laugh about how many affairs geralt has had, but they never discuss how all of them have been super uneasy and unfulfilling.
already said that i hate degerlund as a character and all of the sorcerers being morally wack is predictable if you’ve read like, anything from the saga about the sorcerer/esses. also geralt talking with sorcerers is like, interesting if the sorcerer in question is vilgefortz, but everyone else is just super boring
other:
i didn’t really like ferrant de lettenhove until the very end of the book (which i won’t spoil) but because of this end, i wished that he got more backstory/development
NIMUE I LOVE YOU and it was nice that nimue got some more backstory in this.
i do enjoy the end of the book. not to say “my favorite part is when it ended,” but it’s true, because the ending in kerack is interesting and full of drama, the moments in the inn are alright if a little void of substance, the ending with geralt and dandelion on horseback is beautiful, and the epilogue with nimue is wistful and beautiful as well.
sheer pettiness:
oh my GOD why are the CHAPTERS so SHORT? it’s like, 20 chapters plus a bunch of interludes and an epilogue, and the book is only 357 pages long. it feels like as soon as i was getting into a scene, it switched to another chapter. i mean, idk whether i prefer this, or the haphhazard long as fuck chapters from baptism of fire where i’m not quite sure when a chapter begins or ends because i memorized the scenes and not when a chapter occurs. 
i dislike how coral is on the cover of it, even though it’s fitting, because if there was a work about... oh idk... the hansa... then angouleme could have been on the cover... and then i could have had geralt + yennefer + ciri + dandelion + the hansa on the covers... like wow that would be cool...
this book would have functioned much better as a series of short stories... i think sapkowski has talent for the short story medium, but novel-length books are more desirable by publishers, but this is literally just a guess, i don’t have anything to back this up
my recommendation: don’t buy it if you are just looking to read the witcher books as in, get a feel for the book canon world and characters. it’s pretty unnecessary for that. do buy it if you are a completionist like me / the witcher is something you’ve been into for years and you’re about to buy all the books as a set and it would feel weird to not have all eight books on your shelf and it’s only like $5 more to buy the set of 8 as compared to the set of 7. don’t read it and expect perfection, it’s basically like “drabbles” but canon from the author. there are like 2 or 3 nice gerlion moments if you care about that.
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edge-lorde · 4 years
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hp update: its ur favorite tumblr user back at it again with another great post. thats right, as promised here is a more in depth look at the recent dragon themed time sensitive event!
this event takes place in year 6. bill is graduated but has been coming back to the school periodically to teach us bootleg DADA just like harry did in the books. it is on one such occasion that bill lets it slip that his next job from gringotts involves him going to the dragon reserve that we know charlie will eventually work at. bill had not told charlie about this job prior to this discussion precisely because of what happens next, which is that charlie wants to go.
this brings me back to year 4 days with the first charlie focused sidequest, where we scrounged up money to by what may or may not have been a dragon egg (it was not) from a strange man who had been seen trying to approach other unaccompanied minors walking around hogsmeade. this pure of dragon centric heart, but dumb of dragon centric ass quality was what made me start liking charlies character in the game in the first place. he begins negging his older brother in a way that is very familiar to me as a younger sibling. i as the mc of course jump on the bandwagon with charlie immediately. 
bill sounds very defeated in this part because he knows the negging wont end, and/or knows that he will eventually cave to charlies demands. “no you cant come.” he says with a sigh.
but well see about that, because charlie and i go ambush bill at work to ask again. 
as stated previously bill works at gringotts bank, which is run by goblins. i already had access to the location diagon alley, but before this event gringotts itself was closed to me. newly unlocked, charlie and i walk inside. unlike the hogwarts kitchens, it does not feel like walking into hell for me to do this. unlike house elves which only have 1 basic model used for every elf except for the 1 named elf, there is some variety in the goblin designs. there appears to be one basic goblin face that i can tell, but its paired with several different outfits and hairstyles, giving them the illusion of originality typically spent on unnamed background characters. there are also 3 named goblin characters with all their own stuff.  
the first is obviously griphook, the only real goblin character from the books. hes bills supervisor. in the books hes a pretty unlikable guy but here, though hes not nice exactly, he seems at least kind of chill. he doesnt kick charlie or me out for barging in and says its ok for us go on the mission with bill. its nice to see him unstressed. 
the other 2 goblins are the perhaps, hopefully, cool ones. one is younger than the rest and has some friendly dialog with you and his other named goblin friend, who possibly exists so the first one has someone to banter with. they dont do anything else this event but gringotts stays open after the event is completed so hopefully they will come back again and get their own plotlines. 
anyway, charlie and i harass bill at work for a bit. his boss comes in, hears our plea, and doesnt immediately tell us to leave.  instead he tells us the rundown of bills mission: a long time ago a goblin boasted that he could craft a golden dragon egg that would be indistinguishable from the real thing. he did, and it was. so much so that a dragon destroyed his house and stole it, i think he died in the process. 
“so,” says griphook, “that is why we must send you, 18 year old we just hired, to go to a remote location filled with dragons by yourself to rifle through their nests and bring back what is rightfully ours. no we dont know which dragon took the egg or even the type. yes you can bring your little brother and his friends.” 
sounds legit. charlie and i convince bill to not only let us come with him, but also our other classmates from his DADA class due to scheduling mishaps. we go gather the rest of the class to tell them about this but only merula, penny, and barnaby show up and so only they get to go on the field trip, which is convenient because otherwise wed have half the school out there and that would be entirely too many characters for the devs to write at once. 
we borrow the same tent the canon characters will eventually use in all their camping shenanigans in the book from hagrid and get to the dragon reserve via portkey. the reserve now appears on the stairs screen as a permanent new location, not a fleeting one as i once thought. theres dragons flying all around, majestic as hell. 
its too late in the day to start searching so we set up camp and settle in, roast marshmallows, barnaby tells a story about a vampire broomstick. then we go inside the tent and play truth or dare. im asked to pick at one point which of my friends id most like to have with me if i were to get lost in the woods. i pick barnaby because hes the one who asked, but really id probably want merula there more. barnaby is supposed to be into dueling but ive never seen him in a real fight. ive seen merula take a Cruciatus curse and then get up and walk. pennys whole thing is potions too. i thought this choice would be relevant to something in the event but it was not. 
in the truth or dare game, merula gets bill to tell some embarrassing stories about charlie as a kid. he talks about charlie putting wings on their rat and a dragon mask on their owl, pretending that they are real dragons. everyone laughs.  this his a cord with charlie though and he storms out. we wrap up truth or dare and go to bed. 
the next day we begin the search.charlie has not come back yet. we realize this and begin freaking out, start looking for him instead. we scare a mother dragon off its nest for unfathomable reasons. eventually we hear charlies voice coming from inside a cave. we go in, charlie is alive and uneaten, but has a broken leg. he ran off to find the egg by himself in order to prove himself as teen boys are wont to do. bill and i then realize the other 3 didnt follow us into the cave, and a big ol dragon walks in. i gotta fight it singlehandedly while bill heals charlie in the back. 
the boss fight was actually pretty hard. it took me like 5-6 tries to beat the dang thing thing. much enjoyment many high stakes. i put a sleeping spell on it to stop its attack at the end, though i had the option to use the Cruciatus curse which seems a little intense, game. then the other 3 run in and are like cool your safe! sorry we couldnt help u fight the dragon, there was a dragon. im like “yes, understandable.”
bill had given up on finding the egg at this point, but then charlie finds it! its a gold egg. in retrospect this egg might have been the egg that will inspire the gold egg stealing challenge in hp book 4 but i forget if that was inspired by a story or not. 
then we have a cool down level with bill and charlie, where they both apologize, and charlie says what he did was stupid, but i insist its wasnt stupid it was cool and good even though that is factually wrong because thats what i would say in real life regardless. bill and charlie promise to never speak of this trip again, especially not to their mom. 
the last level is us going back to gringotts and regaling griphook with the tale of our journey, including the marshmallow and truth or dare bits. he says “great job, teens!” and then we all jump up in the air and the theme song plays as we freeze midair and the colors fade to black and white. we all learned some valuable dragon based lessons today friends. it took me 2 full hours to write this and i have to wake up at 6 tomorrow. 
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xhuth · 4 years
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too long dum post about my onions on f/f fan content
last reblog lol thats what so many annoying ppl want out of wuhluhwuh (wooloowoo(wlw)) shit. nothing higher than PG must be soft pure fluffy. “more fluffy!! not enough fluffy!!” shut up
tbh i hate engaging with f/f fan content most of the time bc its usually dumb shit idc about. m/m gets so much more room to be different things and have like. complicated dynamics and shit AND its gay. even if im not attracted to men i much rather read about two of them than a man and a woman most of the time bc hets go against nature [citation: that iconic post about how long men vs how women last in sex proving that homosexuality is what god intended]
but To Be Fair women in a lotta source material (read: shit written by men, which is a lot) are not written well and in a good way that makes me inch rested in them and men are written with so much more depth and interest than women in so much media. and especially less so in their relationships to other women. i put a lot of stock in the source material for shit. so i find myself not caring about many f/f ships because theres rarely a dynamic that has potential so everything is just. pure fan stuff or ooc or whatever. combined with the whole weird uwu culture around f/f making anything that exists not palatable to me. [see: my ao3 f/f bingo chart lmfao] whereas men and their relationship to other men get a lot of room to have nuance. BUT stuff written by women are so often notably better like even making het good. see: beastars, and dorohedoro (from what i hear about it) extra postulating about danganronpa under cut
thinking specifically abt danganronpa here in this post bc current hyper fixation lol. thats why im so into komahina bc theyre both actually interesting characters with a complicated relationship and i love conflict and that shit. but its very popular and theres a lot of content so its also like... availability statistic or w/e and i actually have an opportunity to be picky with content rather than eating any scraps i can find. theres v little (good) f/f bait in dr imo and what there actually is is boring as hell to me and anything that COULD be interesting has little to go off of. dr1, sakuraoi v cute but thats mostly what it is... cute... ppl dont explore the dynamic.  celesgiri seems cool but has little to go off of. dr2, whatever mahiru/hiyokos ship name is idk v straightforward and not too inch resting. ibuki is perfect girl love material but nothing with her feels right or interesting. JUNKO/MIKAN GOOD but everyone is afraid to write that bc its fucked up lol. love tokomaru at least
im not a big v3 fan but it does have much better women at least LOLLL also i follow an artist who genderbends a lot of charas to be f/f and i loves it so fucking much it makes so many more ships palatable. het fuyupeko? disgosting. hate it. awful. put it in the garbage. f/f fuyupeko? oh my god. het saimatsu? meh ok sometimes appealing. f/f saimatsu? incredible. amazing. actually most f/f kaede ships r good she has some fat dyke vibes. and then already good m/m ships are equally good f/f, f!komahina is cool and its nice 2 have those character traits of theirs (being weird and fucked up) expressed in girls who usually do not get to be written that way. Sorry For Talking About Shipping i swear to god my life is not centered around shipping i promise. ok end post. 
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