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#there's something to be learned from this with her specifically and engaging in posts
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Why Buddie fans are “switching sides” (a silly little theory)
No one asked for this but I just want to share some thoughts I have based on some posts I’ve seen circulating in the 911 (specifically Buddie) fandom...
I think the reason so many people are glomming on to Tommy as a potential partner for Buck is that we’re seeing it as a real possibility. Not just a canonical possibility but a canonical possibility that has the potential of being good for Buck. Maybe for the first time.
For example, I personally liked Taylor as a character and kind of liked her with Buck (at times, until the end when I lost respect for her based on how she so easily chose her career over the man she supposedly loved), but I also knew that if Buck ended up with her permanently, I’d be sad for him because he deserved better than she was willing to grow. (The writers could have made Taylor a permanent love interest for Buck, but they would have messed up if they’d done that. His other girlfriends were also not written to be long term possibilities)
I like (nay, love) Eddie for Buck. They fit together so perfectly. They’re undeniably soul mates, even if only platonic.
And that brings me to Tommy. We don’t know Tommy yet. But from what we do know so far, I think he could be good for Buck in the same ways Eddie is, could match him toe to toe. And shipping them together right now is EASY. It’s EASY to root for two characters who are canonically into each other and treat each other well. So don’t blame us for leaning onto Buck and Tommy. It’s easy and comfortable and sometimes that’s why we engage in fandom.. for comfort.
If the show was doing something different with eddie’s story line, it would be easier for me to root for Buddie. But what they’re giving us right now is Eddie learning to love Marisol…
So I’m going to be over here, happy for Buck, and hoping for happiness for both Buck and Eddie.
I am not abandoning Buddie (guys, you can ship different couples at once lol it’s fiction it’s not that serious) but I’m not mad about Tommy as a possibility for Buck because it’s the first love interest he’s had so far who has treated him good from the beginning.
And I want the same for Eddie, btw. And if it’s Buck and Eddie endgame, I will be so unbelievably happy. But right now, with what we know, Buck and Tommy would be fine with me too!
TLDR: people ship Buck and Tommy because it’s easy and that’s okay so leave those shippers alone
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stellarsagittarius · 7 months
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👶✨️ 5th House: Your Children in Astrology✨️👶
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[PS. Personal readings are open. If you wanna book one, check out the pinned post on my blog 💕🙏.]
Masterlist: All my posts in one place
The fifth house in astrology is associated with creativity, pleasure and children. It's also the house of good fortune, basically all the good and fun things in life that excites your inner child.
By looking at our fifth house we can understand how our children are like or how they are going to be like in the future when we have them.
What to look for:
For this, check your 5th House, and it's ruling planet. Then check what sign the ruling planet is in, then check what that sign is ruled by.
For example, I have Aries 5th House (Aries is ruled by Mars). My Mars is in Pisces. Pisces is ruled by Jupiter, therefore my two children significators are Mars and Jupiter. So I will read about Aries, Pisces, but also pay close attention to Scorpio and Sagittarius. Since these four signs are most likely to be present in the big three of my children, and along with that, Aries, specifically (my fifth house sign) will tell me about their core personalities.
Here are the signs and their rulers:
1. Aries/Scorpio - Mars
2. Taurus/Libra - Venus
3. Gemini/Virgo - Mercury
4. Cancer - Moon
5. Leo - Sun
6. Sagittarius/Pisces - Jupiter
7. Capricorn/Aquarius - Saturn
(You can scroll and read about your signs but I have included a few examples of the people I have studied so far. You are welcome to read that for cool insights, if not, then your welcome to skip it.)
Kris Jenner - Capricorn 5th House (Saturn), Saturn is in Scorpio (Ruled by Mars). Therefore her children are going to have Mars or Saturn in their big three.
Robert Kardashian - Taurus 5th House (Venus), Venus in Aquarius (Ruled by Saturn). Children going to have Saturn and Venus.
Caitlyn/Bruce Jenner - Pisces 5th House (Jupiter), Jupiter in Capricorn (Ruled by Saturn). His kids gonna have Jupiter or Saturn in their big three.
Kris and Robert's children (Saturn, Venus or Mars ruled):
Kourtney Kardashian (Capricorn Moon, Aries Sun, Mars and Mercury) - Saturn and Mars
Kim Kardashian (Libra Sun, Saturn, Jupiter) - Venus (she has Jupiter ruled Rising and Moon, but her natal Jupiter is closely conjunct her natal Saturn!)
Khloe Kardashian (Aquarius rising, Saturn in Scorpio) - Saturn and Mars
Rob Kardashian (Aquarius rising, Libra Moon) - Saturn and Venus
Kris and Caitlyn/Bruce's children (Saturn, Jupiter or Mars ruled):
Kendall Jenner (Aries Rising and Moon, Scorpio Sun) Mars
Kylie Jenner (Capricorn Rising, Scorpio Moon) Saturn and Mars
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Aries 5th House
Your children are likely to be robust and full of energy. These children are the ones who cannot be tied to one particular thing. They will need constant change in the scenery or simply a lot of hobbies that keep their high energy going. These kids grow up to be the leaders and independent individuals, due to their pioneering personalities. As kids, they are likely to take charge of their activities and would want to go into something with full force. They are also likely to be very impulsive and might ask super unfiltered questions. If they like something, they are going in. They won't wait or sit around imagining or thinking anything. So yes, even though these kids need to be monitored 24/7 as toddlers, you can always give them hobbies so that you can catch a breath! Due to their unwavering levels of energy, with proper attention from you and practical knowledge given to them, they will learn how to stay safe and stand up for themselves. Also, these kids are likely to be the ones who stand up for their friends and the things/facts they truly care about. Going to give their arguments with full passion. Give them a proper schedule so that they can direct their endless levels of energies in a meaningful way. Engaging in high energy sports is one of the best ways to keep them smiling and enjoying their time.
Taurus in 5th House
When Taurus graces the 5th House, your children embody the essence of stability and determination. Taureans are the sturdy oak trees of the zodiac, rooted in their interests and pursuits. These kids possess an unwavering dedication to their chosen activities, and once they find something they love, they are in it for the long haul. Persistence is their key attribute. Expect them to gravitate towards hobbies that yield tangible results, such as art, music, or gardening, where they can witness their progress over time. Their creative endeavors may not be as fast-paced or flashy as some others kids, but they carry an enduring quality that promises long-term growth and achievement. However, it's important to note that their Taurean stubbornness can occasionally manifest when they refuse to budge from their chosen path. These kids are likely gonna do good when you give them a solid system to follow for their everyday activities, so that they can move ahead while sustaining their energy and not getting frustrated with things not working out while going about their day. Engage in practical hobbies with them such as baking or gardening or dancing, and you will see them effortlessly making use of their five senses.
Gemini in 5th House
Your children are going to be the epitome of curiosity. They are akin to butterflies, fluttering from one interest to another with remarkable agility. These youngsters thrive in environments that stimulate their ever-active minds. Books, puzzles, and social interactions are their playgrounds of choice, where they can indulge their need for learning. It's a common sight to see them exploring various hobbies and activities, switching from one to another just as quickly as well. Their unending curiosity translates into a constant stream of questions, so be prepared to keep up with their intellectual inquiries and try to engage in productive discussions with them. These little whirlwinds of energy are constantly questioning everything. While fire sign kids play war and chase, earth sign kids play cooking and shopping, and water sign kids love to bond with their friends first and foremost, air sign kids, especially Gemini, will pretend to sip tea and gossip about everything with their friends. Make sure they have an environment that supports their need for information, and not suffocate them by shutting them off. And don't fabricate anything.. they will always find out somehow. They have their sources, lmfao (I can confirm, I was a Gemini kid.)
Cancer 5th House
Alright, buckle up because we're talking about the super receptive and moody sign, and these kiddos are an emotional rollercoaster, but adorable nonetheless. Your little ones are like a sea of feelings, and they're not afraid to let you know it. These children are basically walking heart emojis. They'll laugh with you, cry with you, and sometimes, you won't even know why they're crying, but they will. Expect a whole lot of nurturing going on. These kids are the caretakers of their playgroup. They'll make sure everyone has a band-aid and a hug when they fall down. They've got this natural motherly or fatherly vibe, even if they're just kids themselves. Don't be surprised if they're a bit attached to you as parents. As toddlers, they are the type to want to sleep in your bed longer than you'd like or cling to your leg when you drop them off at school. It's their way of saying, "I love you, don't leave me!" But don't worry; they'll grow out of it, eventually. Creativity is where they shine, and they'll put their heart and soul into any artistic endeavor. Give them some crayons and watch them create a masterpiece or give them a musical instrument, and they'll compose a symphony of emotions. They value the warmth of their home and their parents, so make sure to be their rock whenever they need you.
Leo 5th House
These kids are born to be stars, in their own amazing way. These little lions are all about the spotlight. From the moment they can talk, they'll demand your attention, and they're going to get it one way or another. Cause they are just amazing. Expect your living room to be their personal stage. They'll put on shows, dress up in crazy costumes, and they'll insist on being the one in charge of everything. They are also very creative, so you will see them experimenting in all the hobbies they take up. You'll hear them say, "Look at me!" a lot, and trust me you won't have a choice. In their early stages, you need to give them encouragement for whatever they do, no matter how silly it is, as it will bring out their natural confidence. These kids believe they can conquer the world, and they'll make sure you know it. Encourage their creativity, and they'll thrive. Drama, dance, art – they'll excel in anything that lets them express themselves. But don't mistake their fiery spirit for being bossy. They're natural leaders, and also very caring. These kids have a heart of pure gold, and they like it when they can make other smile because of them. Plus, they're fiercely loyal. If their buddies are in trouble, these kiddos will charge to the rescue, cape and all. Make sure you don't, directly or indirectly, dim their lights by not appreciating them for who they are or imposing yourself onto them too much.
Virgo 5th House
Get ready for some organized chaos because Virgo in the 5th House means you've got some seriously detail-oriented kids on your hands. These little ones have a knack for spotting the tiniest speck of dust in a room and a love for having everything in order. They're the kids who'll color-code their crayons and arrange their toys by size and type. Expect them to correct your grammar and tell you when you've missed a spot while cleaning. But hey, it's all in the name of perfection! They may not be the most outwardly expressive, but their love is in the details so that they can create a good functional space for things. They also have a natural caregiving tendency so you will catch them being quite gentle with a lot of things. They'll show you they care by helping out, whether it's folding laundry or picking up after themselves without being asked. Their creative streak leans toward precision – think intricate drawings, meticulous crafts, and carefully crafted stories. They'll analyze everything before making a move, so don't expect them to jump into things without a plan. Always try to give them practical knowledge of things around the house or even outside the house. When things are looking right to them they will be super fun, but when they see something not going the way they want, they can become very nagging and picky.
Libra 5th House
These kids bring an essence of charm into your life. These kids are little diplomats in the making, smoothing out conflicts with clever words. Blessed with an amazing ability for judging situations and people, you might find them giving side-eyes quite often when they don't like something. They've got a strong sense of fairness and justice, so you will always find them measuring if whatever you are giving to their siblings and themselves is equal in quantity or not. They'll say, "That's not fair!" more times than you can count, because they are kids and kids deserve all the love in the world. But same goes for others, if they see someone getting less than them, they will start to feel charitable. Creativity is their jam, and they'll love anything that allows them to express their artistic side. A thing for fashion and beauty is also running in them all the time. They'll shine in group activities. These kiddos have an innate desire to make everyone around them happy, and they're excellent at reading people through the way people express their likes and dislikes. They'll be the first to offer a kind word when someone's feeling down. Decision-making might take a while. They'll weigh every option meticulously, trying to find the perfect balance. Don't rush them; it's all part of their quest for equilibrium and beauty in everything they do.
Scorpio 5th House
You've got some seriously passionate and mysterious kids on your hands. These little Scorpios are the tiny inspectors, always digging for the truth, even if it's hidden in the most obscure places. They're not the ones to share their feelings openly with anyone, but their emotions run very deep. As toddlers and babies they are going to be extremely attached to you (their primary care-givers) and will be fiercely loyal as well. (I have a 3 year old Scorpio sun, Cancer rising cousin and he is so possessive over his mama's belongings, lmao). You'll need to be a mind reader to understand what's going on beneath the surface. And don't be surprised if they give you that knowing look, as if they've seen the secrets of the universe. Creativity for them is all about delving into all things mysterious. They'll explore the depths of their imagination fearlessly. These kids are fiercely loyal to their friends and family. If someone messes with a person they care about, they better watch out because these kids got a sting that can rival an actual scorpion's. They'll defend their loved ones with a passion that's both admirable and a little scary. Make sure you respect their need for closeness, because these kids won't likely intermingle and be super social with just anyone they meet. But these kids are also very kind and have a good spot for being emphatic to other people.
Sagittarius 5th House
These kids bring a WILD sense of adventure and curiosity into your family. They are little explorers, always asking, "What's next?" Creativity for them is all about freedom. They'll love to write, draw, or dance, but it has to be on their terms. Don't be surprised if they're unconventional and experimental in their artistic pursuits. These kiddos are truth-seekers, and they'll question everything. Expect lots of "Why?" and "How?" questions. Expose them to meaningful art or hobbies, and they will have a stable ground to construct their life upon. You can always teach them things, but they will have to actually live that experience to know what the lesson truly is. So never ever hold them back. They're on a quest for knowledge, and they won't stop until they've satisfied their curiosity (which is probably never gonna happen, lol). Independence is their core quality. As parents, you'll have to give them room to spread their wings and explore the world on their terms. They'll make mistakes along the way, but that's how they learn and grow. So allow them to ask and develop their own belief system over time. Give them practical knowledge so they can know how to navigate the world, because a lot of Sagittarians tend to be a bit detached from material pursuits. The best advice is to grow with them. Teach them but also learn from them. And give them plenty of love too, because they aren't as emotionally expressive, so you may never know.
Capricorn in 5th House
These kids are mini-adults from day one, and they've got their eyes set on climbing the ladder of success, even if it's a ladder made of Legos. They'll be the ones who organize their toys into a meticulously planned system, complete with spreadsheets and color-coded charts. These little Capricorns are all about structure and discipline, and they'll thrive on routine. Creativity for them is a bit more serious. They'll lean toward traditional arts like painting or music, and they'll take it very seriously. Expect to see them practicing their instrument or perfecting their art skills with a lot of dedication. When they have their eyes set on something, they are going to give everything to achieve it, so you have to be aware that they aren't getting frustrated or overly obsessed over a result. Responsibility is their middle name. These kids are the ones who'll do little tasks over the house and make sure everyone's on time for things. Don't be surprised if they're a bit reserved with their emotions. They're not big on grand displays of affection, but they'll show their love through actions. They'll be there to support you and their friends when it matters most. As parents, you'll need to encourage their creativity while also allowing them to have some fun. They can be a bit too serious at times, so don't forget to let them be kids and enjoy the simpler things in life. Allow them to discover a purpose that will help them direct their energy in a more meaningful and long term way.
Aquarius in 5th House
Get ready for some quirky and independent parenting because Aquarius kids means you've got some unique and unconventional personalities on your hands. These Aquarian kids are little rebels with a cause. Creativity for them knows no boundaries as well. They'll invent their own games, create fantastical worlds, and challenge the norms of art and expression. You can expect some avant-garde masterpieces and out-of-this-world ideas. These are super independence kids. They'll want to do things their own way, and they'll question authority like it's a sport. These kids are natural inventors and innovators and they'll tinker with gadgets, build contraptions, and dream up solutions to problems you didn't even know existed. Encourage their curiosity, and who knows what they might create. Emotionally, they can be a bit detached at times. They're not the most touchy-feely, but they'll show their love by being there for you and their friends when it really matters. They've got a humanitarian streak and will stand up for what's right. And ususally, they won't be taking a no for an answer. As parents, you'll need to give them the freedom to explore their ideas and express themselves in their own unique way. They're not ones to follow the crowd, and that's a good thing because they're here to change the world. Believe in them and appreciate their unique nature, it will encourage their confidence a lot.
Pisces in 5th House
These kids are like living fairy tales. Creativity is their superpower. They'll spend hours lost in their own little world, drawing, painting, or writing stories that transport you to magical realms. With these kids, the key is to become an imaginative child yourself. Encourage their artistic pursuits, and you'll be amazed at what they create. Emotions run deep for these little Pisceans. They're incredibly empathetic and sensitive, so be prepared for them to pick up on your feelings and offer a shoulder to cry on, even if they're just kids. They're natural storytellers, and they'll spin elaborate tales with vivid imagination. Bedtime stories will be an adventure, and they'll have an uncanny ability to make even the most ordinary events sound enchanting. They are also very adventurous, having this curious nature for whatever they have their eyes on. These kids are the ones who rescue injured animals and bring home stray cats. They've got a heart as big as the ocean, and they'll want to help anyone in need. Teach them to channel their compassion in positive ways. As parents, you'll need to provide a nurturing and supportive environment for their creativity to flourish. They might be a bit disorganized, so help them find ways to stay grounded and focused. They are often very kind natured and empathetic kids, so always teach them the importance of boundaries and consent.
Stay tuned for more astrology content. Thanks for reading 🏹✨️!
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linktotheheart · 3 months
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I feel like so many people misunderstand BOTW/TOTK Link especially (Zelda too, but that's another topic entirely)
His lack of expressiveness IS a personality trait. It's a direct result of the pressure on his soldiers to be a perfect soldier, hero, and savior. No, he's not Skyward Sword Link, and never will be, because his story is completely different.
"But [other Link] hugged Zelda when he got her back!" and this Link maintained a respectful distance as his princess's subordinate - but ALSO out of respect for Zelda as a person, because she spent her whole childhood having her agency denied and he wants to let her initiate even something as simple as platonic contact whenever possible. He's being kind!
(And yes, I know that primarily only the "he is a knight and she is a princess" part is directly supported in the actual game, but I'll remind the people making comparisons that the dynamic was COMPLETELY different in their favorite comparison game, Skyward Sword. But also... look at the gentleness with which Link interacts with Zelda, the tenderness that he shows so few other characters - Mipha probably being the closest example. Look at the way he looks to her first to see what to do in every scene they're in together, unless he's protecting her from an immediate threat to her life. Notice how outside of that, Zelda IS usually the one to initiate any physical contact)
I also personally hate it when people describe quiet, not very expressive people as "lacking personality" because... my partner IRL is like that. If she expressed herself at all around most people, it's in a very flat, reserved way. I've seen how it hurts her that people treat her like she doesn't have a personality, like she isn't even a full person - and I know that's real life and Zelda is fiction, but come on, do you think all the people that aren't highly expressive and extroverted don't hear that about very popular characters and internalize it?
Being reserved is a personality trait. Being cautious and not impulsive is a personality trait. In fact, I'd even say just because you as an expressive, extroverted person see Link as a blank slate to project your own personality onto, doesn't mean he actually is or was even intended that way.
(I also think this is a very US-centric point of view, honestly. There's plenty of cultures where even BOTW Link would be considered at least close to average - Finnish culture specifically comes to mind, even if he's still slightly exaggerated in that regard as, y'know, a character.)
Idk, this is as much a silly little vent post as anything, it's not that serious, etc, but whatever
(and don't get me started on "oh Zelda got no agency in TOTK and she learned the powers she was struggling overnight". No, it's called a time skip, and just because she learned her powers before the 13th hour this time - which yeah, she would get them easier this time with a mentor who could actually use the same powers, and having already learned to use her light powers - doesn't mean it just "happened overnight". And... she didn't express agency? She was actively influencing the entire flow of the timeline, changing the actions of her ancestors by convincing her ancestors to act, learning to control her powers and fighting Ganondorf, and finally expressing the ultimate form of autonomy in choosing to sacrifice herself to save the world. Some of the criticisms of TOTK didn't even seem to play the same game. Just because a heroine isn't a pop feminist badass who *gasp* wears pants and easily and perfectly kicks every villain's ass, doesn't mean she "has no agency" and is being sidelined. Like, a princess engaging in courtly politics is neither powerless nor "doing nothing")
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screeching-bunny · 7 months
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Love your stuff! Glad you’re back! Can I request what would happen if Yandere King met a specifically female reader who was thrilled to start a family with him, and give him loads of children? (I like babies…) BUT!!! Plot twist!!! Reader mostly fell in love with Yandere King first because he looked like her deceased lover (but overtime, she did love Yandere King as his own person and not as a replacement)
I think children from yandere relationships shouldn’t be punished from their parents messed up coupling. It’d be even cuter though if the children had a platonic/familial type of yandere love for mommy reader though ;)
Yandere! King x Female Reader Asks 2
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Warnings: Obsessive Behavior, Yandere Thoughts, Bad Writing, Stalking, Reader is specifically going to be Female in this post!!!
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Ask 1
You had always believed that love transcended time and space. It was a chilly autumn afternoon when you visited the local park, a place that had once been a sanctuary for you and your beloved partner who had tragically passed away three years ago. The fallen leaves crunched beneath your feet as you strolled along the familiar path, lost in the melancholy memories that this place held. As you approached the old oak tree, a place where you both had often sat, yourheart skipped a beat. There, under the dappling shade, sat a man who bore an uncanny resemblance to your former lover. His tousled glowing hair, the way he held his book, and even the way he smiled, it was as if your lover had been reincarnated.
With your breath caught in your throat. You hesitated, your emotions a whirlwind of hope and disbelief. Could it be him? You drew closer, unable to tear her gaze away from this stranger who looked so much like the love of your life. Your mind raced, trying to come to terms with the impossible. As you approached your heart bursted with disappointment the minute you heard him speak.
“What’s a beautiful woman like you doing here all alone?”
It wasn’t him, just an imposter that looked eerily similar to him. With a heavy heart you chose to engage into conversation with this man. As time went on you soon learn that he isn’t from this country but was on here for a business trip. He was a charming man and as time went on the both of you would often meet up to talk together and hang out around each other. Something that you noticed was that everytime the two of you met up his eyes would light up and he’d always stare at you with attentive eyes. You knew it was wrong to use a stranger to cope with the loss of your former lover but you couldn’t help it.
Some notable things about him was that he would get rather possessive of you when you were around other people and would often berate the people you were around but you turned a blind eye to all his red flags. Everytime you looked at him you were always reminded of your deceased partner. Whenever you saw this you would always secretly whisper in your heart that he was him. When his business trip in the country was finished he asked you to marry him and due to your grieving heart to nobody’s surprise you said yes. When it was later revealed that he was the king of a foreign land you held little to no reaction. You continued to delude yourself that he was your past lover. In summary this is probably how that conversation went:
“I know we only met a few months ago but let's get married. Also I'm the king of some faraway country.”
“K bet.”
As you and Yandere! King spent more time together, you found yourself growing fond of his personality and his affection for you. You found solace in being by his side and you were slowly able to let go of the pain caused by your ex lovers death. It wasn’t long until you got pregnant and gave birth to your first son. Currently he was around the age of eight years old and was always attached to you by the hip.
The sun dipped below the horizon, casting long shadows across the backyard. In the fading light you could see your son crouched by the edge of the garden, his small fingers carefully tending to a row of delicate, vibrant tulips. You watched him for a moment, your heart swelling with pride. At eight years old, your son had a deep connection with nature that fascinated you. He often spent hours in the garden, talking to the flowers as if they were his closest friends. His bright eyes sparkled with curiosity, and his hair danced in the breeze as he worked.
“Mom,” He called, looking up and flashing a toothy grin, “I think these tulips are just as pretty as you!”
You couldn’t help but smile. “Can you bring out your father? I’m sure he’d like to spend time with us too.”
“Sure.” His smile wavers slightly.
As he made his way inside, the once angelic demeanor he had quickly changed into something more sour. Something that almost everyone notices is that he is only kind when he is with you. His personality changes drastically whenever he is out of your vicinity. He’ll never let you know this though because he wants to maintain his good image in front of you. His face showed slight scowl as he made his way towards the office of his father. He enters the office of his father and initiates conversation.
(with a sneer) “Mother would like you to join us. Please don’t come.”
“I’ll be coming out right now to join you two.”
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lilyginnyblackv2 · 1 year
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Buddy Daddies - Episode 6 - Thought Post - SPOILERS!
First, we now know that it is May 27th, so Miri has been with Kazuki and Rei for about 5 months now. We are very squarely in the "several months later" time frame when the opening from Episode 1 would likely have occurred. (Since several is usually viewed as being between 4 - 7). I'm personally thinking that the opening bit from Episode 1 has likely already happened/passed, since Rei seems slightly (only slightly) more attentive, lol.
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It's also interesting that the bulletin about the school trip used 父兄 (fukei) instead of 保護者 (hogosha). Both can mean guardians, but 父兄 (fukei) is seen as a bit more outdated and not as all encompassing as 保護者 (hogosha), since fukei is made up of the kanji for "father" and "older brother." It makes me wonder if that little reminder was aimed specifically at Kazuki and Rei, lol.
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Also interesting that Kazuki used ママとも (mama-tomo) instead of ママたち (mama-tachi) or something similar when pluralizing and talking about "the other mothers" when saying "Of course, the other mothers all say the same about their kids." It implies that he sees himself in that group rather than outside of it.
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I really liked how the focus of this episode was in having a bit more faith in your children (and in how you've gone about raising them) and also how children can behave differently in a school setting than at home. Since I have definitely seen that before with kids when I worked as a teacher. I would mention how well behaved they were or mention something behavior-wise during Parent-Teacher Conferences, and the parents would be surprised, since it was different from their at home behavior.
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Taiga was interesting to me, especially because earlier in the episode Kazuki was mentions to Miri that she doesn't understand the difference between right and wrong yet, and many children her age are still learning that and really don't know (also, just realizing that this was said over an image of Rei, highlighting the fact that he is still kind of learning this as well). 
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I feel like that was Taiga. We learn later that he is a big Morio Kart fan, but he must have had the impression that the others weren't, so he might have acted out a bit in order to get their attention (the other girls). I had a boy, also named Taiga, who used to behave a bit similarly. He was a big fan of zombies, but none of the other kids were, so he acted out in order to get attention and fit in.
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The miscommunication between what actually happened (Miri accidentally hit his hand) vs. one of the caretakers thought a fight had occurred, is a very true and accurate thing as well. Young kids Miri's age can communicate their thoughts and feelings, but they may have a tough time communicating it properly still. 
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Like, Miri knew she didn't hit Taiga and that there hadn't been a fight, but she didn't know how to fully explain it to Kazuki, and likely a similar thing happened with the caretaker at the daycare. They eventually got it all straightened out though.
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I love, love, love that Rei was the one who read through the notebook at the end. And how he took Miri to school with little complaint. He really is wrapped right around Miri and Kazuki's fingers and will go at their pace, huh (like the lyrics of the OP). But, I also think it highlights the ways in which Rei is becoming more proactive too. He seems more engaged with being an actual parent.
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I can't really explain it well here either, but there is something subtle about the writing that really captures and shows how, with each passing episode, they are becoming more and more like a family. Rei and Kazuki's conversation in the car at the end of the episode felt like a very real conversation that parents would have at the end of the day. I felt they did a good job of making Miri and Taiga's friendship feel like a friendship too, and not any kind of 4 year old crush situation (regardless of what Kazuki's overactive imagination might think!)
Last week's episode introduced us to Kazuki's overactive imagination and his flaw of jumping to conclusions, but this week's episode showed how that could negatively impact Miri. I'm glad he has Rei to reel him in, though him imagining Miri as a delinquent girl made me laugh. Though, I am sincerely hoping that Miri turns out to be a lesbian otherwise Kazuki being so overprotective will turn into an issue in the future. Hopefully, Rei will be able to work on that with him over the years.
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The above image, of a teen Miri with a teen Taiga also reminds me of an incident when I was working at as a shadow trainer for an ALT at a junior high school in Kawasaki City in Kanagawa Prefecture. The school’s in that area don’t have a great reputation, so while the ALT I was training was teaching a class, I was outside the halls, just going for a little walk. Then I saw two of the students (a boy and a girl) go into the bathrooms together. They had made it clear previously that they were dating, so I just ended up turning around and going in the other direction, because I had zero desire to get involved in any of that - as ALTs you can’t discipline students). 
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Rei had some absolutely stellar comedic moments this episode from him asking Miri how the fight went and not caring about the violence (which makes sense given his upbringing). To Kazuki mentioning that Miri got their genes and Rei's reply of "Our what?" (Dude was 100% questioning his understanding of biology and genetics right then), to him adding the "paca" verbal tic at the end of one of his sentences, even after they were out of the mascot outfits, seems he got too in-character, lol. 
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His smug expression whenever Miri preferred him was also unexpected but great! 
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Oh, also! Before I forget, Miss Anna is a gem and she must have been so worried when she couldn’t find Miri and the others! Anyway, I hope the rest of the field trip was a breeze for her. <3
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decolonize-the-left · 6 months
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Real talk
You know it's funny, the way liberals sound saying "if you don't vote blue then you're allowing project2025 and fascism" sounds just like an abuser saying "it's not My fault I'm hurting you, you're the one who didn't wanna talk to me"
Like actually you could just vote 3rd party. That's an option. Like 63% of Americans would. Most. The majority would.
In fact!
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Source
You know what this means?
It means now is the time if you've wanted a 3rd party president. Those are good polls for this early in the campaigns. 20% is a lot of votes.
For perspective: 33% would be the even divide between 3 parties.
Which means the only people in the way...are in fact Democrats. The singular people unwilling to sway from their shitty party.
The rest of us are fed up and are just waiting for an actually good candidate
"if it had votes" they say, holding the votes hostage. Not even all Democrats would have to vote 3rd party if RFK is gonna split republican votes too 👀 just the progressive Dems probably
Like nobody even WANTS Joe. People say it, social media says it, polls say it.
Why are y'all arguing if you meant it when you said "if third parties had more support, I would"
Now is objectively the best time to try risking it.
And before y'all something: Bernie started out by having events in peoples backyards.
You know who made him big? Fill stadiums?
Progressives. Leftists. Socialists.
So don't tell me that we can't do it or there's no chance of it's unrealistic when it's already been done before.
The only reason he lost is because Democrats scared voters with threats of fascism to settle for a conservative democrat. Cuz they said she had the "best" shot of fighting trump.
And you know what happened? She lost. And she wasn't even commiting an active genocide.
But you think that people will stay loyal to the party of the guy currently being referred to as Genocide Joe and Genocidin' Biden?
And Democrats (before at least) agreed on Hilary- progressives wanted Bernie but Dems wanted Hilary, you know? But even those people are now swearing they're never voting for Joe specifically, that they don't know Who to vote for but it ain't blue.
....and I see y'all still trying to push the same tactics and rhetorics expecting it to work the way it has before and no. Y'all can learn right alongside Israel that you're gonna have to step your propaganda game up for that. Cuz we aren't buying it. I'm even making this post half out of posterity to say someone called y'all out.
Wake the fuck up.
Anyone further right than Bernie Sanders does not stand a fucking chance; has no business running. This is me telling you, telling any dem listening.
Just like we meant it when we said we'd rather Not Vote than vote Hillary, I mean I'd rather not vote than vote Biden.
Please don't take this as an invitation to harass me or change my mind. You won't. You wont gaslight me into consenting to genocide. You aren't going to change a LOT of minds. People have watched that genocide play out on our phones for a month. Some of us have fundamentally changed as people and renewed our values and humanity.
And humanity is more important than comfort. Than Democrats.
And this year that won't be something we compromise.
Listen to yourselves ask us otherwise, do you hear yourself? And each time you ask, understand our resolve is stronger because it shows how little you care for human lives.
Understand that's why you'll lose the vote and election. Not because anyone split the vote by exercising their right to vote in a democracy, but because your party is undeniably supporting genocide and it disgusts us to even think about supporting that same party.
For those undecided:
Learn about Claudia de La Cruz. She supports Palestine and her party has organized events for BLM, for Palestine, against ICE, etc. They're politically active, aware, engaged, and on the ground. Most importantly, they have not ever funded or committed genocide. As far as I know they also actively challenge bigotry of all kinds meaning they also fight for women's rights, queer rights, and civil rights.
I think if we rallied behind her like we did with Bernie this would be a piece of cake for her to win. She just needs the voices of support online to get the ball rolling.
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riddle's post-ob flashback in the light novel
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Like the Leona post, I’m going to discuss the extended detail that the light novel goes into with Riddle’s backstory, then integrate it with what we know of him from the game. It looks like this is going to be a trend for the light novel, so I’ll most likely do similar analyses for the other OB boys as more volumes come out!
Anyway, read on if you’re curious 👀
Okay, so 🤔 from what we can observe from Riddle’s in-game post-OB flashback sequence, his mother has been dictating almost every aspect of his life, from what and how much he eats to his lengthy, rigorous study routine. As recently as Riddle’s Broomquet vignettes, we learned that even at 5 years old, he had already started and become accustomed to his intense studying. When Riddle fails to complete a task sufficiently, his mother has him redo it or study more until he finally succeeds.
This was Riddle’s “normal”, and he completely bought into it. In the game, this is explained as Riddle having trust in his mother due to her reputation in their community as a competent and well-respected medical mage. "After all, she was the most accomplished mother in the city, and therefore, the most correct." Riddle associates "correctness" with "accomplishments", and we see this attitude carry out in other aspects of the main story. He talks down to Yuu for lacking magic and brags about his own standing as top student to Azul, who regularly fluctuates from 2nd to 10th place. The light novel, however, grants us new perspective as to why Riddle tries so hard in his studies and seeks to please his mom. In turn, we can see how this domino effects into his struggles to connect with others.
In the light novel, Riddle notes that his mother would always tell him "everything is for you". "Everything", in this context, I'm assuming refers to all the time and effort Riddle is putting into his studying, the tight control of his life, etc. His mother has framed all of this as being beneficial to Riddle, and that she herself is pushing him to engage in these things because she loves and cares for him. This is something that Riddle then interprets as meaning she must love him the most in the entire world, something that he tells himself to justify her own actions in his own mind. It becomes a piece of "proof" that, later down the line, will make it difficult to reconcile with his complicated feelings on her once he realizes how toxic her child raising tactics were. (I go into more detail on this topic in this post!)
Riddle also says that if he responds with "yes, mother" then he will be praised for it. This, you'll notice, is a phrase that is very similar to what he demands his own dorm members respond to his orders with: "yes, dorm leader". It implies that Riddle is used to deferring to her judgement and authority, and so expects the same obedience of others when he is in that position of power. This agrees with his behavior in book 1. As Ace points out, Riddle is just acting like a miniature version of his own mom, right down to the angry reactions and shouting when things don't go his way.
Right after that, we get another short but telling line. Referring to his mother's affection, Riddle comments that he "doesn't need anything else", and decides to forgo asking for strawberry tarts ever again. He was willing to give up something he was curious about trying just to continue receiving praise. To me, this illustrates that the love of Mrs. Rosehearts was conditional: if you perform to her expectations, you get her love. If you don't perform to her expectations, well then, it's back to the books for you until you can. (Reminder: this does NOT confirm that Mrs. Rosehearts yells at Riddle or degrades him for not being “up to par”; there is just a sense of disappointment at this.) It implies that Riddle became used to a cycle of receiving the love and attention he wanted only when he behaved in a very specific way that his mother desired—otherwise, she withheld that affection. This is why Riddle believes following the rules will make him happy; it’s a result of what he has learned is the “norm” from his mother’s conditional love.
The light novel also shows us how this unhealthy mother-son relationship spills over into Riddle's other (potential) relationships. When Che'nya and Trey first approach him to invite Riddle to play with them, Riddle automatically says that he can't. He had the answer prepared for them, the response already deeply ingrained into him and likely already told to other children that tried to talk to him before. But even though Riddle rejects them, prioritizing his mother's praise over all else, he still feels a twinge of sadness about it. He even expects that he "let them down". "Let them down"? Now isn't that a funny statement. Why would Riddle be concerned about disappointing total strangers he has zero attachment to? Unless... he's so isolated that he just assumes everyone will treat him the same way his mother will. That they'll withhold love and attention if he doesn't act how they want him to. Thus, Riddle appears to associate failure to perform as resulting in rejection and lack of social acceptance.
This plays perfectly into one of the most chilling lines in Riddle's post-OB flashback: "But Mom... Why? Why does my heart hurt so much? [...] Tell me, Mom, please... What rule do I need to follow to make this pain go away?" These lines indicate Riddle finally coming to the realization that, deep down, he has always desired affection. A desire to make friends and to play with them, to have deeply intimate relationships. All he knew before was his mom was happy when he did well in his studies, so that was what he chose to excel in. Things changed when he was exposed to what unconditional love is like through Trey and Che'nya. Riddle's childhood friends are the ones who will love and accept him no matter what he's like, no matter what fuck-ups he makes or how socially awkward he is with them. He started to recognize that painful emptiness in him that never went way, no matter how many of his mom's rules he followed. Alas, Riddle was never able to come to terms with that sinking feeling because his mom had just torn him away from Trey and Che'nya not too long after learning that he had been skipping independent study time to play and eat a strawberry tart. He would not meet Trey again until enrolling at NRC, and by then, they've spent so much time apart (and, let's be real here, traumatized by Mrs. Rosehearts losing her temper over the tart incident) that her staunch mindset has clawed into Riddle's brain once more. His whole life, the main models of relationships he has to go off of are his mom and his dad, who don't appear to have a happy marriage (implied in his Suitor Suit voice lines). It's no wonder why making friends and truly opening up is difficult for him, even following the events of book 1. What else does Riddle have to reference? Crossword puzzles and textbooks? In Endless Halloween Night, the guy barely knows what a scavenger hunt is or how you'd find joy in it...
Unlike Leona, Riddle already had a pretty fleshed out backstory from his flashback. Instead of expanding on his motivations (as the light novel did with Leona), what the light novel does for Riddle is give us more information that implicates what his home life was like. It's still not that much, but it certainly better explains some of Riddle's oddly stringent viewpoints that we still see in the present day.
I know that this post was kind of a shorter read compared to the Leona one I did, but that's in part because I've already written at length about the complexities of Riddle's relationship with his mom, dad, and Trey. Those posts are bolded and linked, so if you're interested in more, then I'd recommend those readings!
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mr-laveau · 1 month
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People don't take audio RP seriously and I have opinions about it
I can't find the original post but the gist is a discussion on how people don't treat Audio RP as a serious medium of media and story-telling which I agree with. People don't. To mark it with a disclaimer tho-I don't inherently disagree with that post, I thought there were some valid points brought but I wanted to throw my hat in the ring as a VA and as a person who consumed a lot of Audio RP content and still does to this day (I just don't got a lot of time to be a fan and a creator whilst working a job) so here it is, my opinions on why people don't take this seriously and bi-products of that.
To start, I wanna say that Audio RP to me specifically is by its nature very collaborative because I as a VA and writer have to make my character appealing whilst also understanding my audience and what their appeal to my characters are*. It's kinda why I think Erik and the Redacted fandom have such different views on characters and the story-Erik does not have much of a connection with his audience (not hate, just a fact) so things tend to feel flat in some areas versus others-my point however is that I genuinely believe that if you want to make Audio RP, you have to actually understand your audience a little bit, which creates a good segway to my first point.
*if someone doesn't like your character, this isn't to say you're not doing a good job, it just means that people have preferences and their preferences do not align with your character.
Firstly, not a lot of VAs understand the RP(Role Play) part of Audio RP, and it shows. I think a lot of people who make content in this sphere don't take into account the person who's listening to their audios and following along. I'm not going to pretend I know about this but I am going to say that it shows sometimes when you don't understand the core of your audience and it causes people to disengage with your audios because you don't take into account who is listening to your audio (which creates problems like audios which are hard to engage with because of a speaker talking too much/too fast to process anything, issues where listeners are treated less like characters and more like ear pieces and problems where the speaker is written more to show them off than to be engaged with a listener). Really and truly the crux of this is in my opinion is that a lot of people who came into Audio RP, seem to have never RPed with another person or are unfamiliar with those spaces (TTRPG, Text-based Roleplay, Fandom Roleplay and the like) and rather saw an audio RP video and just did something like that (not hating, I started because I liked Castle Audios and wanted to be cool like her). That is not only focusing on VAs, that also applies to the audience, some of y'all are new to this and it shows because some of y'all don't know how to act right*
*That being said, some of y'all don't know how to act right and that is because there's no compendium of ettiquette(/j) for how to engage with this media and that is not on y'all. That said, (lovingly) learn to learn to behave like a listener and less like a spectator.
RP is collaborative by nature because you are creating a character with a narrative for another character who engages with said narrative by role-playing together and creating a collaborative story. Half the fun of RP is that it's a process of two people showing off their dolls and having fun. That is not something that can be said a lot about some Audio RP channels because a lot audios do not take into account their listener as a participant in this process (no, this does not mean the audience has explicit rights to the story, let's calm down there(/j). I will add that Audio RP is different given that the listener cannot directly influence the story like traditional roleplays but that does not take away from the fact some VAs and script writers don't think about who is listening and focus too much on who is speaking.
Secondly, a lot of the audience does not know to engage with the medium and that's a hard pill to swallow because it's not their fault but it is also their fault (/lh). Put down the torches and hear me out. I think that a lot of people who interact with Audio RP do not have the best media literacy and I also think this is true for some VAs. Some people who listen to audios don't read enough into audios on more than a surface level view (which makes for people going "teehee, look at that loser listening to people talk") and some people read too much into an audio to the point that it breaks their immersion and they cannot focus on the audio but have to point shit out (this does not mean that you cannot be enthusiastic about lore and info in audios or notice errors in an audio). To solve this, I just have this to say: expand the media you intake and learn to think critically about what you're intaking and how you're intaking it. TLDR; consume media outside of your usual range and think about that media while questioning the media to see how you feel about it rather than have someone tell you about it. This also applies to VAs and Scriptwriters, it makes your work better, this is a fact of life and I need y'all to see that. Love you all so much and the work you put into this community cannot be understated. That said, everyone sometimes shows a lack of media literacy and awareness and it should be known that it's not just the audience.
Finally, Both creators and fans are trying to make the medium something it's not and they need to stop. This isn't to say you cannot advance or experiment with the medium but trying to make it something it is not will mess with the core idea of what it is, you lose people when you try to do X,Y and Z when you ain't even reached A*. A lot of the audience does not understand the limitations of Audio RP and they need to see what can be achieved within the space and what cannot be done. A lot of creators in the space try do too much and while I get the need to push boundaries, there comes a point where you need to reevaluate what you are trying to make and determine how you are going to do that moving forward. That is not to say you can only make a specific brand of audios and anything other than that isn't Audio RP. No cut that shit out, that is being an asshole. You can make whatever Audio RP you want, it just needs to be audio RP. At the end of the day, the goal is to make an audio where the listener feels like they are a part of it. How that looks can differ and that's okay.
*I'm adding onto this by saying that you can experiment with the medium of audio RP, different genres of it are valid (people like what they like) and there is no one way to do Audio RP and anyone who says there is a way is lying to you.
In conclusion, I want to add that a part of the list of reasons people don't take Audio RP seriously (on top of people not respecting VAs, people not being considerate, people treating Audio RP like they do fanfic and people just being people) is because we as a community are all over the place and don't even enage with our own community right and don't know to respect and treat the medium the way it should be. That's all folks!
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venus-haze · 9 months
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Working for the Knife (Mickey Altieri x Reader)
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Summary: It’s been over 15 years since the Windsor College murders, not that they had ever been on your radar. That changes when you get hired at a New York marketing firm where you work closely with Mickey Altieri, alleged Ghostface killer whose charges were dropped after a controversial mistrial. Working so closely together piques your interest in each other, soon spiraling out of control. [This is an AU.]
Note: Female reader implied to be mid-20s or older, but no other descriptors are used. This is based on an anonymous request and also Timothy Olyphant being such a DILF, I had to write something like this (I had Justified era Olyphant in mind while writing this, specifically these gifsets, but you can picture whatever hehe). Creative liberties have obviously been taken. Do not interact if you’re under 18 or post thinspo/ED content.
Word count: 6.8k
Warnings: True crime elements (the reader engages with a lot of true crime content), but obviously this is a fictional serial killer. Mutual stalking/obsession. Sexually explicit content that includes dubious consent fantasy that involves knifeplay; spanking, daddy kink, oral sex (f. receiving). Do not interact if you’re under 18.
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For once, you felt like things were going your way. After a little over three years of scraping by at your old job where you were woefully overworked and underpaid, your months-long job search finally came to an end when a mid-sized marketing firm gave you an offer you couldn’t refuse. Sure, you’d taken a huge pay raise and shifted to a hybrid schedule with your new job, but the highlight was undoubtedly Mickey, the only other person on your small team and the type of sexy older man you sure as hell didn’t mind spending your days in the office with.
With the whole company working hybrid or completely remote, people only came in sporadically, as did you and Mickey, only going in on Tuesdays and Thursdays, with the occasional Friday if needed. As a result, you didn’t get much of a chance to meet anyone else who worked there. 
Your first week was fully in person, since some of the programs you’d be using for the job were easier to learn if he were there to show you. You certainly weren’t complaining, having plenty of time to get a feel for your new coworker, silently observing and testing the waters with light flirting, which he seemed to return. Maybe you were just a little too hopeful.
“Big plans for the weekend?” you asked when five o’clock rolled around on Friday.
“Got a hot date with Netflix,” he said. “How about you?”
“My friend and I are getting drinks later, but that’s about it.”
“What’s your poison?”
“Anything under $10, if I can help it.”
He grinned. “A woman after my own heart. Don’t have too much fun.”
“I’ll try,” you said, smiling as you began packing your laptop into your bag. “Have a good weekend, Mickey.”
“You too.”
With your first week at your new gig down, you headed to a small bar in Flatbush to celebrate with your best friend and dish the highly anticipated dirt on your hot coworker. Lee was already at the bar when you’d arrived, sitting at a small table and sipping a beer she went ahead and bought herself.
“Drinks are on me,” you said. “I fucking owe you.”
Lee grinned. “Always glad to help.”
You wouldn’t have gotten the job without Lee. She helped you fudge your resume to match the experience on the job listing, gently scamming your way into the position you now held. All week you’d been texting her about how great things were going, and fawning over Mickey, of course.
After joking about ordering top-shelf liquor on your dime, Lee settled on a margarita, undoubtedly the first of many for the night. You returned from the bar with your drinks, more than ready to gush about how much better your new job was compared to the hell of your old one. Nothing could bring down your mood.
“Yeah, yeah, yeah, they pay you out the ass and you don’t have to worry about health insurance anymore. Great,” Lee said over her margarita. “I wanna hear about your hot DILF coworker. No detail is too small.”
“Lee, oh my god, it’s not even fair how hot he is. Our desks are right next to each other in an L shape, and I feel like such a weirdo for staring at him all the time. He’s been so nice helping me all week, too. Maybe I’m looking too much into it, but sometimes I feel like he’s being a little flirty?”
“Is he married?”
“No ring, and no mention of any family or long-term relationship. I don’t get it, how could Mickey be single?”
“You don’t hear many people going by Mickey anymore,” she said. “Either he’s a mouse or incredibly Irish.”
“I think he’s Italian,” you mused. “Altieri sounds Italian to me.”
Lee’s eyes widened. “Shut the fuck up.”
“Wait, was that offensive?”
“No, just that you’re working with an alleged serial killer.”
“What the hell are you talking about?” you asked, but she was already busy typing away at her phone.
Suddenly, Lee’s phone was shoved in your face, a your hot coworker’s mugshot front and center in an archived New York Times article from October 1998.
SUSPECT ARRESTED IN WINDSOR COLLEGE KILLINGS
Michael ‘Mickey’ Altieri, 21, was arrested early Thursday morning in Windsor, Ohio, as the primary suspect in the Windsor College killings. Among the charges are first degree murder, attempted first degree murder and aggravated assault. Altieri has maintained his innocence and is being held on $1,000,000 bail in Windsor County Jail as he awaits trial. 
The brutal killings that made national headlines were directly inspired by the ‘Ghostface’ murders in Woodsboro, California, two years prior and coincided with the release of STAB, a film based on Woodsboro survivor and reporter Gale Weathers’ book on the murders. Survivor Sidney Prescott was a student at Windsor College and targeted yet again in the latest string of murders. Allegedly, Altieri’s accomplice was Debbie Loomis, mother of one of the two original Ghostface killers, Billy Loomis. Mrs. Loomis was killed in an altercation prior to Altieri’s apprehension by police.
You looked away from her phone screen, feeling like your head was spinning though you weren’t even finished with your first drink. “Well, if he did all that stuff, why isn’t he on death row or something?”
“There was a mistrial. It was a huge thing,” Lee said. “You’ve seriously never heard of it?”
“No. Can you send that to me?” you asked.
“Yeah, I’ll send some podcast episodes and Youtube videos on it, too. You know I’m on that true crime shit.”
It took a few more drinks for you to be able to shake off the thought of your hot older coworker potentially being a serial killer, but the rest of your night with Lee was a lot of fun. She’d been one of your closest friends in college, and the two of you lived together when you first moved to New York. You knew she meant well, but damn, did that news put a damper on things.
You returned to your apartment a little after midnight, kicking off your heels at the door and collapsing on your couch, not bothering to make the short walk to your bedroom. 17 missed texts from Lee, all links to videos and podcasts about Mickey that she recommended.
Among the links Lee had sent you was a nearly hour long Youtube video titled: ‘What Happened at the Windsor College Ghostface Trial? A Deep Dive’. The woman in the thumbnail had a scared expression on her face, her eyes focused on that same mugshot of Mickey you saw in the old New York Times article. 
Pressing on the link in your messages, you had the video come up on your TV instead, slouching back in your seat as it began to play.
‘I know most stuff about the Windsor College murders focus on just that, the murders, but I thought it’d be interesting to go into the trial that followed because it was almost like something out of a movie, but it doesn’t get as much attention as the killings, especially since there have been like two more Ghostface murder sprees since this happened. I’m just presenting facts and my own observations here for educational purposes, and it’s not my intention to imply guilt on anyone who hasn’t been convicted in a court of law. Before we get into it though, I wanna give a huge thank you to BetterHelp for sponsoring today’s video—‘
You rolled your eyes, skipping through the three-minute long sponsorship spiel.
‘So my sources for this video are Gale Weathers’ books Wrongly Accused: The Maureen Prescott Murder, The Woodsboro Murders, and College Terror. I also used James Chase’s book Ghostface on Trial, articles from newspapers and a few like lawyer journals that I was able to find online, and whatever stuff from the trial itself that’s public information. I have it all linked in the description—“
Pausing the video, you pulled up the New York Public Library website and searched for College Terror and Ghostface on Trial. Copies of both were available at the branch near your office, and you wasted no time in putting a hold on the books. 
The next few minutes of the video gave an overview of the murders at Windsor College, which you half-paid attention to. You’d watched Stab 2 in high school, so you felt you were familiar enough with the killings. Thinking back on the movie, though, all of the characters had the same names as their real-life counterparts except for Mickey. Legal reasons, you assumed.
You turned up the volume on your TV as the video finally got into the details of the trial.
‘As soon as Mickey was arrested, theories were all over the news about what had happened and there was a ton of speculation about his guilt. James Chase, a controversial defense attorney from Chicago, took on the case pro-bono, stating in his book Ghostface on Trial that he knew he stood to make more money on a book deal, interviews, and speaking engagements by winning the case than whatever fees he’d get for representing Mickey. The defense focused on discrediting both of the prosecution’s star witnesses early on in the trial, planting seeds of doubt in the jury.
Chase and his team leaned heavily on the fact that three years prior, Sidney Prescott had incorrectly identified Cotton Weary as her mother’s killer when in fact it was Sidney’s former boyfriend Billy Loomis and their mutual friend Stu Macher who had committed that initial murder that led up to the original Woodsboro Ghostface murders. 
Gale Weathers’ testimony was also discounted by the defense on the fact that she was a sensationalistic tabloid journalist who’d admittedly fabricated elements of her best-selling book on the Woodsboro killings. She claimed this was a result of editing and to achieve a better narrative flow. 
The defense also said the deceased Debbie Loomis had more of a reason to go after Sidney and recreate her son’s Ghostface murders as revenge for his death. They pushed the idea that she acted with Sidney’s boyfriend, Derek, and that Mickey ended up getting caught in the crosshairs of what was a gruesome and unfortunate situation. Sidney maintained Derek’s innocence, but the fact that both he and Debbie were killed by gunshot wounds made it likely they were the Ghostface duo this time around.
Former Woodsboro Deputy Dewey Riley, another survivor of both Ghostface killings, was unable to testify because he was in a coma. He later said that because he was incapacitated before Sidney and Gale allegedly confronted Debbie and Mickey, he couldn’t say for sure who the killer or killers were, but he trusted their judgment and stood behind their testimonies. 
It didn’t help either that Sidney was visibly distraught while on the stand and mixed up details of the original Woodsboro murders and the Windsor College ones. Gale was initially confident while being questioned by the defense, but later became combative when the inaccuracies in her books came up. In contrast, Mickey appeared calm and earnest, and seemed to have his story straight every time he took the stand.
There’s actually some footage of the trial that I was able to find, so I’m gonna play that now.’
The video was grainy, camera focused on an agitated-looking Sidney Prescott sitting in the witness stand. On the other side of the stand, a blond man in a gray suit read off from a stack of papers in his hand. 
“Ms. Prescott, in your statement to police, you claimed that Mr. Altieri admitted to both you and Ms. Weathers that he had committed the murders with Debbie Loomis and wanted to get caught. Could you perhaps explain to myself and the jury, why exactly an alleged killer would want to get caught?”
“Because he’s fucking sick in the head!” Sidney exclaimed.
“Language, Ms. Prescott,” Judge Matthews said.
“He said he did it on purpose,” Sidney continued, her voice breaking. “He told us he wanted to get caught so he could blame it on the movies! He had everything planned out, the lawyers he wanted, the angle the media would take, he even quoted that line from Psycho, ‘We all go a little mad sometimes.’”
Chase furrowed his brow as he looked over the papers in his hands. “When did he say this? I’m not seeing that in your statement.”
“He said it right after he shot Randy,“ Sidney said.
“Randy wasn’t shot, he was stabbed.” 
Sidney’s eyes widened. “I know. I meant—“
“Ms. Prescott, is there something you didn’t include in your police statement that you’re telling us now?”
Her voice was barely a whisper. “Billy quoted Psycho, after he shot Randy at Stu Macher’s house, not Mickey. I got mixed up.”
You gasped, bringing your hand to cover your mouth. The courtroom on your screen devolved into nothing short of pandemonium. The video then faded into Gale Weathers in the middle of being questioned by the defense. She, in contrast to Sidney, looked confident and well-put together under Chase’s grilling.
“Ms. Weathers, you wrote in your book that your camera man Kenny was gutted, when in actuality his throat was slashed, is that correct?”
Gale nodded. “It is.”
“Why the inconsistency?” 
“All books, fiction or nonfiction go through an editing process. That was a decision made by my editor to establish a better narrative flow. It isn’t uncommon in the true crime genre by any means.”
“Better narrative flow isn’t the truth, though, is it?” Chase asked.
“Look, a book is a book. I’ll say right now under oath that Kenny was killed when one of those guys in the Ghostface costume slit his throat. I’ll also say under oath that Mickey Altieri did commit those murders with Debbie Loomis, and he confessed it to me and Sidney Prescott.”
“Your honor, this isn’t the only major inconsistency we’ve found in Ms. Weathers’ book on the Woodsboro murders. Yesterday we distributed to the prosecution and now present to the jury at least seventeen of these major inconsistencies.”
“What do you want me to say? I’m the cheesy tabloid journalist everyone thinks I am?”
The corners of Chase’s lips twitched. “Not quite my words.”
“You’re a real piece of work,” Gale scoffed.
The jury murmured among themselves at her shift in attitude. You found yourself chewing on your nail, enraptured by the trial. For the last time, the video faded out and then back in to show Mickey, your coworker, sitting on the witness stand. This time, the prosecutor was in front of him, his annoyed expression a contrast to Mickey’s calm demeanor.
“Mr. Altieri, we have signed affidavits from several of your former classmates that in your film theory class, you claimed in a heated argument with Randy Meeks and CiCi Cooper, both of whom were killed by this ‘Ghostface’ persona of yours—“
“Objection!” Chase shouted. “Claiming the Ghostface persona belongs to Mr. Altieri is an undue presumption of guilt.”
“Sustained,” Judge Matthews said. “I advise you to reconsider your wording going forward, counselor.”
The prosecutor huffed. “You claimed in a heated argument with Randy Meeks and Casey Cooper, both of whom were killed by the ‘Ghostface’ persona, that violent movies were responsible for influencing people to commit acts of violence, is that correct?”
“It was a classroom discussion. Our professor had brought it up because two fellow students were brutally killed at the premier of a slasher movie the night before, by someone dressed as the killer from that same slasher movie. I just thought it wasn’t a coincidence, and neither did half the other students in that class. Are you going to make them testify too?”
“Don’t deflect, Mr. Altieri.”
“I don’t understand how I’m deflecting. You asked me about a conversation I had with my classmates, and I answered.”
The video went back to the commentator, but you had goosebumps raised across your skin. You rewound back to the clip of Mickey’s testimony, staring at his face. Could he be a killer? Only a few days ago, you wouldn’t have even considered it. Now, you were down a rabbit hole that sent your mind reeling.
‘A lot of the prosecution’s evidence was dismissed as circumstantial by the defense. Mickey had alibis for all of the murders, even for the one Sidney claimed to witness him commit, allegedly shooting her boyfriend Derek. The chat room records and emails allegedly linked to Debbie and Mickey didn’t do much to convince the jury of Mickey’s alleged involvement in the murders. The records did positively identify Debbie based on the account’s password hints and her IP address. The other user was more tech savvy, changing IP addresses to make it more difficult to confirm an identity.
In move that was described as ‘sloppy’ and ‘desperate’ by the media following the trial’s conclusion, the prosecution also tried to claim that Mickey being the only other survivor among Sidney’s friends was suspicious and indicated his involvement, but the defense pointed out that Randy Meeks had also been the only other survivor of Sidney’s friend group in the original Woodsboro killings despite a gunshot wound like Mickey had, and later on at Windsor he was a victim. 
Randy Meeks’ murder actually played a huge role in the defense’s strategy. Several Windsor College students saw Mickey elsewhere on campus during Randy’s murder. The final nail in the coffin was when Windsor County police confirmed that DNA in the news van where Randy was murdered was a match for Debbie Loomis. The police retested other evidence, but couldn’t find anything conclusive.
After weeks of questioning and evidence, the jury deliberated for a little over five days before returning to the judge in a deadlock. Judge Matthews declared a mistrial, and less than a year later, a district court dismissed the case on lack of substantial evidence and all charges against Mickey Altieri were dropped. Despite media speculation that he would, Mickey chose not to sue Sidney and Gale for defamation and hasn’t been in the public eye since the controversial trial.’
You stared blankly at your TV screen when the video ended, another one auto-playing a few seconds later. Even after your drinks with Lee, you felt way too sober to even process any of it. For the next few hours, you devoured videos, bookmarked dozens of articles, and sifted through podcast episodes to listen to during work.
The odd case had made its home in the recesses of your mind. You dreamed about him when you finally fell asleep, just before sunrise. Sitting in the downtown Manhattan office, the open floor layout was unusually bright, fluorescent lighting washing the place in an eerie white glow. Mickey walked over to his desk, blood dripping from his fingers, splattering on the carpet in a trail leading right to him. He looked at you, a smile on his face as he brought his upright, bloody index finger to his lips. 
As the weekend flew by, you tried to keep yourself otherwise occupied. It wasn’t good for you to stay fixated on it, and certainly not fair to Mickey. 
Working from home on Monday helped, as you focused on finishing the last of the onboarding process. 
Tuesday was where things became tricky again. You sat on the forty-minute long subway ride to the office equipped with a podcast episode about your new coworker. The hosts didn’t seem to have much new information from what you took in the night before, except for the last few minutes of the episode where they’d gone off-script.
‘Last I saw online, he was living in Manhattan.’
‘Oh my god, that’s so Patrick Bateman-core.’
‘So you think he did it?’
‘It’s tough to say, like I totally get why the jury couldn’t come to a consensus.’
‘Yeah same, messy as hell. I tend to think that he didn’t do it. Innocent until proven guilty, ya know?’
‘I get that. We did try to get in touch with him for some kind of statement or even an interview—‘
‘Wishful thinking.’
‘Yeah, we looked for his email address, but I guess it wasn’t the right one because our message got bounced back, so that was a big fat bust.’
‘He’s like notorious for denying interview requests, anyway. I think he turned down book deals and stuff.’
Enraptured by the conversation, you nearly missed your stop. On the three block walk to your office, you hurriedly opened one of your playlists and put it on shuffle. The last thing you needed was for Mickey to somehow see on your home screen you’d just been listening to a podcast episode about him.
Your head was spinning by the time you got to your desk. He hadn’t arrived yet, and you felt a bit relieved that you had a little more time to psych yourself up. You shouldn’t have even had to do that in the first place, just be normal about your coworker, but if you learned anything over the weekend, even if he wasn’t guilty, he sure as hell wasn’t normal.
The elevator doors opened, and you looked up to see him walk out, waving at you.
“Morning, Y/N, have a good weekend?”
“Pretty good. I’m more broke than when it started, though. How about you?”
“Like I told you, hot date with Netflix,” he said, sitting down. “Thought you were sticking with shitty liquor?”
“I was, but my friend wasn’t. I got the tab, and she got plenty of margaritas.”
“Shit, I oughta get drinks with you sometime if you get all your friends’ tabs.”
You grinned. “Don’t count your luck.”
He chuckled to himself. The two of you worked in near silence for the next three hours, though you found yourself glancing over at him every so often, out of curiosity and also admiration. His graying hair suited him, and you could see the muscles in his arms from his casually rolled up shirt sleeves. 
Soon, though, you found it hard to stay awake, the light from your computer screen adding onto your fatigue. To your horror, you yawned loudly, catching Mickey’s attention.
“You alright? I’m not too boring, am I?”
“No, I just kept waking up last night. I feel like I barely slept.”
“Why don’t we take an early lunch and go get coffee?”
“That sounds great,” you said, grabbing your purse.
There was a deli right up the block, and when you looked at the small pastry case, you decided to order something with your coffee. Mickey placed his order, a hot coffee and a bear claw. With plenty of tables to choose from, you and Mickey sat near the window. 
Your coffee definitely hit the spot, and the sugar from your pastry helped wake you up too.
“How long’s your commute?” Mickey asked.
“About 40 minutes. I live in Brooklyn, kinda between Bushwick and Bed-Stuy.”
“Damn, that’s long. I live on the Upper West Side.”
You raised your eyebrows. “Wow. Before this job, I was barely able to afford to rent on my own.”
“It’s a rent-controlled building. I’m not making a ton after alimony and child support.”
“Oh, I’m sorry.”
He shrugged, though he looked out the window as he continued speaking. “It was a long time ago. Deanna and me just didn’t see eye-to-eye on a lot of stuff when our son was born. I knew before he even got to kindergarten it was over.”
Unsure of how to respond, you slowly reached across the table, putting your hand over his. “I’m sorry, Mickey, really.”
“You’re a sweet girl,” he said, giving your hand a slight squeeze before releasing it. “They live upstate, so I don’t see them much. I have more time for going to the movies and Mets games.”
“I only go when they’re bad because tickets are cheaper.”
He snickered. “I should take a page outta your book. How about you? Any sports? Or reading? Isn’t true crime pretty popular with young women now?”
Your heart pounded at his question. Innocuous enough. True crime was extremely popular. The paranoid part of you couldn’t help but feel like it was an accusation. Then again, he couldn’t possibly know you’d spent the weekend immersing yourself in it, particularly stuff about him.
“I’m not really interested in that,” you said. “Sometimes my friends and I go to trivia nights at bars. I’m not that good, but it’s fun to just hang out. I have a membership at the MOMA, so I go there a lot. They show movies sometimes, too.”
To your relief, the conversation shifted to just that, and Mickey seemed surprised by some of your opinions on different movies. He told you he’d originally gone to college for film studies, which you already knew, of course. The odd thing was, while you certainly didn’t want him aware of just how much you knew about him, you didn’t feel guilty for it, just that he would be weirded out by it, obviously.
You and Mickey ended up talking about movies for nearly an hour and a half, well over your allotted hour lunch break, but he assured you no one would care that much. Still, the two of you half-ran back to the office, and something bubbled in your chest when he sat down and smiled at you, the wrinkles by his eyes becoming more prominent. 
The rest of the workday went by quickly, and you headed to the library where you’d reserved the two books about the Windsor College murders and trial. By the time you got home, you’d already devoured the first two chapters of Gale Weathers’ book. Glad to be working remotely the following day, you let yourself stay up later than usual to read, getting to the halfway point before you could hardly keep your eyes open.
Weeks turned into months, and you absolutely loved your job, and the pay, but most of all, how the content you consumed and your proximity to Mickey seemed to feed into each other in a vicious cycle that increasingly drowned out the rational part of you that knew what you were doing was weird. 
Still, it wasn’t like you were invading his personal privacy or treating him any different than you did before. All of the information you’d read, listened to, or watched was all public as your running list of books, podcasts, and documentaries on the matter grew. You’d even rewatched the Stab movies and started scrolling through threads and tags related to Mickey and what happened at Windsor College. After all of the personal research you did and how much you’d gotten to know Mickey at work, you couldn’t conclusively say whether or not he did it. 
You tried keeping your obsession lowkey, but your friends seemed to notice how you’d shoehorn it into conversations. Lee had even told you she was afraid she’d created a monster by bringing up Mickey’s past in the first place. If she’d never made her comment or showed you that first article, you probably never would’ve known about it, remaining blissfully unaware and going about your business at your typical office job with your hot older coworker.
For how much time you spent at home between work and researching, it seemed like whenever you’d go out, you’d come home to something missing or moved. Articles of clothing gone, coffee mugs out of place, books not quite in the order you’d left them. At first, you chalked it up to your consuming too much true crime content, feeding into your paranoia, but when you asked your landlord to install another lock on your door, it all seemed to stop. That didn’t bode well with you.
Your fantasies blended with reality in your dreams, as you were having increasing occurrences of Ghostface or Mickey, or both, in them. Whenever you woke up, you didn’t remember much except for a warm feeling in your core. One dream remained vivid even after you awoke, though.
You were in your apartment alone, late at night, when you got a call from an unknown number. Normally, you didn’t pick up calls unless you were expecting them, but for some reason you picked up. The details of the phone call itself were jumbled, but you were frightened, running into your bedroom and locking the door behind you. 
To your horror, you’d locked yourself in with Ghostface, the looming predator who looked at you emotionlessly, stalking toward you with his knife. When you turned around, the door knob was gone, and a black gloved hand grabbed your shoulder, moving you to face him as he pushed you against the door. He sliced through your slinky pajama top, exposing your breasts to him. Roughly groping each of them, he let out a low moan in appreciation before bringing the knife to your collarbone, dragging the blade to the valley between your breasts. Your breath hitched as he pressed it a bit deeper, but instead, you felt it in your pussy, like he was penetrating you.
“Give me a kiss, sweetheart,” your masked assailant ordered in a distorted voice.
Slowly, you leaned in, pressing your lips against the cold, hard plastic mask. You gasped as he dug the knife into your skin with one hand, his other slipping under your panties, pushing his fingers between your folds.
“I own you,” he said, clearly in Mickey’s voice this time.
You threw your head back in ecstasy as he pushed his fingers into your tight cunt, and then your alarm blared, jolting you awake. Turning over, you groaned into your pillow in frustration. At least it ended up being great masturbation material later on.
Another Thursday at work, seemingly uneventful as usual. You and Mickey had gotten into the habit of getting lunch together whenever you both were in the office. Maybe it was just wishful thinking, but as time went on, they felt more like dates than just a casual lunch with a coworker. Not that you were complaining.
“Got any plans for the weekend?” he asked in the nearby deli the two of you had begun to frequent.
“No, not really.”
“Do you wanna come over after work tomorrow? Watch a movie or something?” he asked.
“That’d be great!” you said, almost a bit too enthusiastically. “Should I bring anything?”
He shook his head, smiling a bit. “I can order a pizza.”
For some reason, you trusted yourself to be normal at his place, telling yourself throughout Friday that everything would work out fine. Being a weirdo about his alleged murders certainly wouldn’t help you get a real date with him, but your infatuation with him was only growing. You liked the slightest hint of danger about him, going to his apartment alone, wondering in the back of your mind what his true intentions were and feeling a bit of a thrill at the prospect that they could be anything less than innocent.
You showed up at his apartment that evening with a bottle of wine in hand, even though he’d told you not to bring anything. As expected, he thanked you for the wine, though he gave you an exasperated look as he let you into his apartment. Nicer than yours, but it still looked lived-in.
“Pizza will be here in a couple of minutes,” he said. “I’m thinking Mean Streets for the movie.”
“It’s a classic,” you agreed. “I love Harvey Keitel in it.”
“You know, that was De Niro and Scorsese’s first time working together.”
“Wait, why did I think Taxi Driver was first?”
“Came out in ‘76, just after he was in Godfather Part II in ‘74. Busy decade for him.”
“You’re telling me.”
The doorbell rang, the pizza arriving sooner than expected. You waited in the kitchen while Mickey dealt with the delivery.
“We can eat in the living room while we watch,” he said, carrying the pizza box inside. “I don’t have many people over, so it’s still a little messy.”
“That’s okay,” you assured him.
He put on the movie, and you balanced the paper plate on your lap, nodding along to “Be My Baby” as it played during the opening scene. Testing the waters, you scooted closer to him a few minutes into the movie. He glanced over at you, and you could’ve sworn you saw the faintest hint of a smile on his face. 
You were especially pleased when he put his arm around you, not bothering with the pretense of a “move,” but rather taking what he wanted. Settling comfortably next to him, you tried to focus on the movie.
Despite his arm around your shoulders, closer physically to him than you ever had been, you felt restless. You knew when the halfway point of the movie was, and so you excused yourself to use the bathroom, telling him he didn’t need to pause it until you returned.
The tips of your fingers itched as you passed closed doors to the bathroom, which he told you was at the end of the hall. Biting your lip, you considered your options, and in a moment of impulse and weakness, you reached for one of the door handles. A mostly empty extra bedroom, maybe his son’s old room. 
You weren’t deterred, opening another door. Jackpot. Slightly messy, with clothes strewn about the floor and on the dark sheets of his bed. Glancing behind you, you stepped into his room and looked around for anything that stood out. 
Most people hid things under their beds, and so you got down on your hands and knees, wondering where exactly he might hide his—
“Don’t think this is the bathroom,” he said, startling you.
You yelped, frantically turning around as your brain short circuited for an explanation. “I—I was just—“
“Looking for trophies? All serial killers keep them, right?” he asked, towering over you from your spot on the floor. “Mementos of their victims or the kills.”
You shook your head frantically. “I’m so sorry. I shouldn’t have been snooping.”
“No, you shouldn’t have, but you’re looking in the wrong place anyway,” he said, pulling the knife from behind his back.
“Serial killers also don’t—don’t kill people th-they know,” you stammered.
“Typically,” he agreed, “but I’m not typical, am I? I’m sure you’ve listened to plenty of those cute little podcasts where some dumbasses read the Wikipedia page about the Windsor College murders in between hawking security systems to their listeners that they’ve just scared shitless. I admitted I did it, went to fucking trial, and the jury couldn’t even find me guilty.”
“Point taken.”
“So, what trophy would I keep from you?”
You were silent for a moment before answering, looking him in the eye. “My panties.”
“Which pair? Figure I have at least five of them now. Unless you wanna make that six, sweetheart.”
“You’ve been breaking into my place all this time.”
“You made it way too easy. It’s like you were asking for it.”
Maybe you were. Regardless, you didn’t show any resistance when he lightly kicked at your leg, a silent command to stand up. You got to your feet, though your gaze was fixed on the knife in his hand. His eyes followed yours, and he smirked a bit before putting the knife aside.
He turned you around, pushing you back onto his bed. Your breath caught in your throat as he pushed your skirt up, his hand caressing your ass, fingers brushing the thin fabric of your panties.
“Were you asking for it, sweetheart? Have you wanted this all along? Been a bad girl to get my attention?”
“Yes,” you whimpered weakly, your pussy clenching around nothing.
“Y’know, I’ve heard of serial killers having groupies, but you,” he said, slapping your ass for emphasis, eliciting a moan from you, “are something else.”
“Fuck, daddy,” you whispered, fidgeting against his mattress.
“I’m disappointed in you.” Another smack on your ass. “I could’ve been having fun with you months ago.” Smack! You hissed this time, though your pussy was pulsing between your legs. “Bent you over my desk in the office, have my way with you while no one else is around—or maybe a little slut like you would wanna get caught with daddy’s dick buried inside her.”
He spanked you harder this time, holding you down when your body instinctively recoiled at the impact. A pained moan escaped your lips as he pressed his body weight against you, his clothed cock rubbing against your tender skin. Tears welled up in your eyes as the sensation, and you resisted the urge to slip your hand between your legs.
“Or maybe,” he said, reaching around you to wrap his hand around your neck, “you just want me to fuck you before I kill you. Probably cum the minute I put that old Ghostface mask on, huh, baby?”
You let out a strangled moan at his words. “Yes, daddy.”
He released his grip on your throat, standing up to give you one more slap across your ass. “Turn over. If you’re good for me, maybe I’ll give you what you want.”
The friction from his sheets stung against your sore ass as you rolled over to look at him, though he grabbed you, pushing you onto your back himself. His grip on you was tight, fingers digging into your arms as he held you down beneath him, completely at his mercy.
He pulled off your skirt and panties, leaving your pussy exposed for him. He dragged his index finger between your folds, and you whimpered when he brushed your clit.
“God, you’re soaked,” he murmured against your lips. “Was it the spanking, or is it the serial killer thing?”
“Both.”
“Good answer,” he said, lazily circling your clit with his finger. 
He ducked his head down, wasting no time in devouring your wet cunt. His tongue relentlessly flicked at your clit while he slid two fingers inside you, pumping them in and out of your hole. You took them easily, but wondered if it’d be the same for his cock when he’d undoubtedly fuck you. 
Your hands gripped his sheets as he worked his tongue, your feet curling at the tension you felt building up inside of you. He moaned against you, loud enough that it felt like his voice rocked through your body. 
“Don’t stop,” you pleaded breathlessly.
A pained and outraged whine pulled from your throat when he did just that. You looked down at him between your legs, betrayed.
“Why should I let you cum?” he teased, rubbing light circles in your clit with his soaked fingers. “You’ve been a bad girl.”
“Oh fuck,” you moaned. “Please, daddy.”
“You can do better than that, sweetheart.”
“Please let me cum, daddy. I’ll be so good. I—I’ll do anything, just—please,” you cried out in frustration of being so close yet not quite there.
“Only since you asked so nicely,” he relented, dipping his head back down between your legs, his hands holding your hips in place as your lower half began to quiver at his touch.
You could feel his lips move slightly against your sensitive pussy, nothing short of a smug expression on his face at making you fall apart so easily. It didn’t matter, your head was swimming, muscles strained as he brought you closer to climax. Grabbing his hair, you pressed his face closer against your pussy, grinding against it in desperation. 
“Mickey—Fuck—“ you choked out as your orgasm wracked through you, fireworks in between your legs as your body shook. 
He ate you out through your orgasm, and another tidal wave of pleasure hit you all at once, almost painful and overwhelming, your brain on fire at the sensation. You could hardly catch your breath when you released your grip from his hair and he lifted his head, your wetness glistening on his lips.
When he kissed you, you hardly had the strength to kiss him back, though tasting yourself on his mouth sent a rush through you. He pressed sloppy kisses to your face, trailing down to your neck. His hard length rubbed against your slick-coated thigh, a low growl coming from deep in his throat.
“W-Wait, can I ask you something?”
“Shoot,” he mumbled against your skin.
“Did you really wanna get caught?”
He stopped, lifting his head from your neck to look at you a few moments before answering, “Yeah, blame the movies, make a real circus of the trial, but my attorney said he didn’t think I could pull off an insanity plea because I was too put together. Obviously pleading guilty and confessing everything wouldn’t get nearly as much attention as actually going on trial. I was pissed at first, but it worked out, I mean I had every reporter eating out of the palm of my hand by day three.”
“Why don’t you do interviews now? Or write a book?”
“What’s there to say? Not the truth.”
“I guess that makes sense,” you muttered. “Are you gonna kill me?”
“Probably should,” he said, the slightest smirk ghosting his lips as his eyes raked over you, “I might need more convincing not to.”
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genshinnrambles · 10 months
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[3.8] Technology as a False God: On "Evolution," the Duality of Machines, Replication, and Wisdom
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“To recognize untruth as a condition of life: that is certainly to impugn the traditional ideas of value in a dangerous manner, and a philosophy which ventures to do so, has thereby alone placed itself beyond good and evil.” –Friedrich Nietzsche, Beyond Good and Evil
Before we move on to the nation of justice, I want to do one last inquiry into the narrative significance of machines and technology in Genshin’s 3.x patch cycle. Here, I’ll discuss how divinity (or “godhood”) and technology are treated as interchangeable tools to surpass fate and the boundaries of mortality, the potential problems with treating them this way, and  propose an alternative relationship between humanity and technology as illustrated through Karkata, Benben, Tamimi, and Mehrak. By foregrounding machines, we learn something intriguing about ourselves and the “truth” of this world as we perceive it. 
SPOILERS: All Sumeru Archon Quests, Caribert, the Golden Slumber and one out-of-context screenshot from Dual Evidence, the Dirge of Bilqis and its post-quests, Khvarena of Good and Evil, Nahida’s second Story Quest, Faruzan’s hangout, an out-of-context screenshot from Baizhu’s Story Quest, and major spoilers for Persona 5 strikers at the end. Also some dialogue from Shadows Amidst Snowstorms and A Parade of Providence, two limited-time events from 2.3 and 3.6 respectively.
Disclaimer: I have tried my best to write this post so that it stands on its own, but because it is still a sequel it will probably make the most sense with the context of part 1. Here are the previous posts leading up to this one:
Part 0: On Dreams, the Abyss, Forbidden Knowledge, and Wish Fulfillment 
Part 1: The Uncanny, Fate and the Machine
Terminology: Machine is sometimes used interchangeably with “technology” in this post.
Technology or tool here is referring to technologies specifically used to pursue a wish like immortality in the face of existential dread, not the use of technology or medicine (which I do not address here, and is very difficult to separate from the former) to facilitate someone’s life who could otherwise not survive without that technology, or would have a more painful lived experience without it.
Also, though I don’t engage directly with “A Cyborg Manifesto” here, Donna Haraway’s ideas have greatly influenced my own over the years since I read her in college (although I mostly disagree with her on many points, or at least don’t go as far in boundary deconstruction as she does). I owe my interest in technology studies to her and that piece. Her essay is linked here and at the bottom if you would like to read it.
(and finally with many, many, many thanks to my boyfriend for multiple beta reads despite not having played a single Hoyoverse game, helping me work out the philosophy bits and contextualizing them in history, and encouraging me to finish this)
TL;DR: Machines are friends, not food!
No Matter the Cost
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“...Perhaps it is as the notebook says, and we can find a power that transcends even that of the Abyss — the power of ‘evolution’...” -Records of Unknown Attribution (I) “Life, death... and the world around us all follow a set of laws... Hehe, but if you never test the limits, how can anyone know where the boundaries of these laws are?” -Baizhu Voicelines, Chat: Natural Laws “...Even the ominous thing that came down from the heavens shall be ours to use…” -Hyglacg, Shadowy Husk in the Chasm
Without a doubt, the star of this patch cycle is Khaenri’ah, which lurked in subtext and allegory in the Archon Quest, haunted Sumeru’s landscape with its massive defunct Ruin Golems, and finally smacked us in the face with its physical location in Khvarena of Good and Evil.. 
We already know that Khaenri’ah was a nation that put its faith not in the gods but rather in human ingenuity and technology, and that they ultimately attained a power so great that they “almost touched the dome of the firmament.” They did this by researching increasingly dangerous energy sources for their numerous mechanical creations, the Ruin Machines we are all too familiar with by now. They started out with Azosite, a Ley Line-based elemental energy source that powered their earliest Ruin Guard models, like those scattered around Devantaka Mountain.
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Nasejuna: This giant furnace is used to make a substance known as Azosite. It is the core of this entire factory, and the Energy Blocks we saw earlier were derived from this place.
But this energy source proved inefficient and therefore inadequate for Khaenri’ah’s goals, which led them to seek a higher power from beyond the skies that could fuel their larger machines with perpetual energy. This likely is the bridge between Khaenri’ah’s fate and Chlothar’s mysterious remarks in Caribert about the Abyss Sibling:
Chlothar: We once believed that you would bring new strength and hope to Khaenri'ah. Chlothar: To us, you were the Abyss... A wondrous mystery far beyond our imagination and comprehension... Chlothar: ...And the one who controls the Abyss can control everything! Chlothar: We yearned for that future. We looked to you to take us there. Chlothar: But what did you bring us instead?
Though Khaenri’ah presents itself proudly as a godless nation, it may have been founded around the time when the celestial nails dropped in Teyvat’s first forbidden knowledge pollution event, which destroyed the unified human civilization. As potential survivors of this devastating act by the Primordial One, Khaenri’ahns then settled in a lifeless land without plants or animals of its own, and they hoped to build something there that belonged solely to humanity. The Heavenly Principles had turned on the world’s earliest humans, and they were powerless against them. Chlothar’s words betray the scars of this trauma on Khaenri’ah, as well as their desperation to control their fate by looking to the Abyss.
As a brief refresher from the previous part, we discussed how the German word heimlich denotes “the home,” all that is familiar and known, while unheimlich (uncanny) refers to all that is unfamiliar and external to the home, such as the wilderness. The Abyss sibling and the Traveler are external variables to Teyvat, making them otherworldly, unfamiliar entities full of potential to surpass Teyvat’s natural laws. Although the Abyss sibling is not a god per se, they were probably as close to a god as Khaenri’ah ever had, because to them the sibling embodied the higher power they were searching for, and they saw that “godliness,” a sort of functional divinity, was yet another technology for them to master. In this way, the Abyss sibling (and their functional divinity) was a powerful tool for Khaenri’ah’s desired end, the “future they yearned for,” a being who could deliver them to the end of their suffering under the Heavenly Principles.
It’s similar to what King Deshret represented to Rahman and the radicals in Archon Quest. The hopelessness of Sumeru’s situation before the Archon Quest’s conclusion is an allegory for the position humanity finds itself in under the rule of the Heavenly Principles, with the Akademiya symbolizing Celestia and the desert dwellers symbolizing Khaenri’ah. The material consequences of the Akademiya’s rule on their lives created a dangerous situation for the desert, and those most desperate to change their fate were willing to believe in the impossible:
Dehya: …The rougher life gets, the more they wanna believe in King Deshret. Way they see it, King Deshret’s resurrection is their only chance at overthrowing the Akademiya. … Dehya: Sumeru is run by wise and mighty sages. To them, us desert dwellers are nothing but tools that can be used and discarded at their whim. Dehya: We’re cheap labor. Like livestock, but easier to control…Nothing more. …
Rahman: We’ve waited a long time for this day to come… The sun and the moon no longer shine here. All you see now is cracks in this desiccated land. But, fate has finally dealt me a hand to play against the Akademiya.
Rahman: With these scholars in our custody, we’ll stomp the Akademiya’s forces and fight our way beyond the Wall of Samiel.
Like the Abyss sibling, Deshret’s divinity is both a nebulous symbol of hope and also the means to an end, a tool or “technology” for surpassing fate. 
Celestia is untouchable, unconcerned with mortal lives, and the boundaries that govern humanity leave no room for them to negotiate their rule:
"Resolve, valor, love, hate...they will all twist in the river of time. But the 'rules' will never change." –Magatsu Mitake Narukami no Mikoto, Living Beings
Instead of bowing to Teyvat’s laws, Khaenri’ah pushed them to their limits. The cost of their failure spelled the end of their nation as they knew it, polluting Khaenri’ah and Teyvat with forbidden knowledge again.
And speaking of forbidden knowledge pollution, let’s talk about Apep’s role in Nahida’s second story quest, because if all that wasn’t enough, the metaphor becomes quite literal in Apep’s case. Nahida’s second story quest is many things, all of which will be extremely important in Fontaine when we deal more directly with the idea of forms, the Self, and mirror images, but its most useful application to both Sumeru’s story and the overarching main story is the allegory of Apep swallowing Deshret.
In exchange for allowing him to establish his kingdom in the desert, Deshret promised to pass all of the knowledge he learned to Apep once he died. When that day did come, Apep literally ate Deshret’s body in order to assimilate his knowledge (or memories) into its body. Little did Apep know, this was all Just As Deshret Planned, and its body became a containment zone for the lethal forbidden knowledge he accumulated after the Goddess of Flowers’ death. 
Apep’s goal was, and still is, to overthrow the Heavenly Principles that took Teyvat from it and the other Sovereign dragons, and using Deshret’s knowledge was yet another stepping stone to achieving this goal. Seems a little similar to Khaenri’ah, right? It’s even in the title of its boss music: “God-Devouring Mania.” This idea of not just utilizing divinity as a tool, but also metaphorically consuming it as an energy source, like a predator would consume its prey, is crucial to understanding its purpose as an aid in a larger project of “evolution.” (Edit: in other words, it’s all about power).
Drink Not That Bitter Salt Water
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“Flesh decays, and with it decay all martial arts mastery and all poignant memories. Perhaps only by converting one’s four limbs and body into sturdy mechanical parts, and by at last sacrificing one’s very own heart for a sophisticated mechanical one, can one transcend the impermanence of the fleshly form…” -Marionette Core Item Description “A reptile that has mutated after feeding from greater lifeforms. Majestic beasts are sometimes revered by human beings as the embodiment of a greater power, their visages turned to analogy to feed in reference to a person, feeding their ego. However, the majority of beasts that have absorbed the "greater power" were slain by the overwhelming nature of the power itself. Only a few among their number evolved new forms.” -Consecrated Horned Crocodile, Living Beings Video still from WoW Quests
As it turns out, the relationship between divinity and technology to humanity is not just unidirectional, but interchangeable. Let me show you what I mean.
In the Golden Slumber world quest, the Traveler wanders through the ruins of King Deshret’s civilization in search of a novel area of research for Tirzad’s paper with Jebrael and Jeht, two members of Tirzad’s hired investigation team. In the depths of King Deshret’s mausoleum, they stumble upon Samail, who is collaborating with the Fatui to locate King Deshret’s secret, the Golden Slumber.
At the conclusion, Jebrael and Samail actually reach that “place” after arriving at Deshret’s throne in Khaj-Nisut. In order to save Jeht, Tirzad, and the Traveler from the encroaching Golden Dream, Jebrael joins Samail in the sea of consciousness:
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Jebrael: I'm inside... the Golden Slumber promised by Al-Ahmar? Samail: Oh... You are not "us" yet. Samail: ...It's fine. Soon, there'll be no "you." "You" will become a part of "us." This meaningless talk will be unnecessary then. … Samail: You should obey. Al-Ahmar's will is our will. The Thutmose's dreams are our dreams. Jebrael: No! Ufairah taught me that I'm not just some part of you, I'm an independent person! I have my own dreams... I won't go back! Samail: Jebrael, why don't you understand? Love is just a fever. I even eliminated the infection for you. Has the heat made you lose your mind? Jebrael: You're the one who's lost their mind, Samail, not me. The Golden Slumber that Al-Ahmar promised us isn't like this... It's not a sad place with only "we" and no "I." Samail: I'm not sad. I know what I want. My dream is to be one with the Thutmose. Samail: Yet you, the warmth of another... I despise such feelings. It makes you weak. Video still from WoW Quests
When they worked under Babel, Jebrael saved Samail from an assassin Babel sent in their exploration of Gurabad. Classified as traitors of the Tanit, Samail and Jebrael then founded the Thutmose Eremite faction together and were the only meaningful connection each other had until their first attempt to uncover Deshret’s secrets. On this expedition, Jebrael met Ufairah and had their daughter Jeht together, further pulling him away from the Thutmose and from Samail. Samail then kills Ufairah in one final attempt to make Jebrael stay, but even this is not enough, and Samail fails to “possess” him in the end.
Samail’s loneliness and despair then drove him further toward the Golden Slumber of his dreams, where he would never truly be alone again. He resents Jebrael’s attachments to the material world and likens them to an illness because these attachments are what make him an individual and prevent him from returning “home.”
It doesn’t really matter to Samail what King Deshret’s original intent for the Golden Slumber was, because he needed to appropriate the project for his own subconscious wish, his own intent to transcend his flesh and become “one” with his departed god’s dream, indeed to merge with Deshret himself. If rationalizing this wish required confounding it with Deshret’s, so be it. With the Golden Slumber’s technology, he could consume everyone and everything.
Rahman and the radicals relied on both the technology that (falsely) promised Deshret’s resurrection and Deshret himself to deliver them a brighter future, but here Deshret and his technology are more difficult to separate from one another. His divinity is technology in this sense, and using that technology allowed Samail to surpass the boundaries normally imposed on mortals. Though his and Jebrael’s bodies died in the material world, their consciousness is now infinite in the Golden Slumber. 
Babel’s motives in the Dirge of Bilqis were also quite similar to Samail’s. After opening the path to the Eternal Oasis, her true intentions to monopolize the oasis and overthrow the Akademiya came to the surface:
Babel: Whether she is alive or dead, whether she can or cannot be resurrected... As long as the Eternal Oasis is under my control, all such things will be mine to decide. Babel: I shall be the sole Prophetess of the slumbering goddess, the Tanit's law shall be divine edict, and the prosperity of the Tanit shall be the pre-ordinance of her divine oracles.
In the Golden Slumber and the Dirge of Bilqis, the focus shifts from what a god can offer humanity to what their technology alone can offer. Though this distinction is subtle, it is important for solidifying that technology is not only a tool humans use to appropriate divinity, but that it is also seen as a form of divinity itself. What Babel and Samail hope for is not to resurrect a god or to create one, but in effect to become a god through their use of technology. To humanity, divinity is a technology, and in technology it sees divinity.
God Devouring and Rheingold* Gathering
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“An arthropod that has mutated after feeding from greater lifeforms. Lifeforms are governed by the laws of evolution, Consecrated Beasts exploited these rules by being fortunate enough to discover a long-dead carcass of a greater being before any of their competition ever did. Animals and humans often have far more in common than the latter is willing to acknowledge.” -Consecrated Scorpion, Living Beings “...Zandik and I discussed the traits of local plants and animals. We also exchanged views on their evolution models. We had a great time and decided to go on a picnic tonight…” -Sohreh’s Note
So, why machines? Why is technology the vehicle of choice to consume divinity?
To start off, machines present a fascinating ontological dilemma for humans. Let’s begin with the first problem they pose.
Although there are many ways to embody a human experience, what all humans have in common is a finite lifespan. The impermanence of life, and our awareness of that impermanence, is central to the existential question of the meaning of our existence. In our attempts to locate that meaning, some turned inward and asked: what makes humans different? And Cartesian dualism answered: humans are different because we have an immaterial soul that allows us to reason.
However, in L’Homme Machine (Man a Machine), French materialist and ex-physician Julien Offray de La Mettrie posited another theory of the body that ran counter to this narrative. Very generally speaking, materialism is the philosophical view that all phenomena are a result of matter and material interactions. To materialists, matter is the fundamental nature of reality itself – if it is not composed of matter, it doesn’t exist. He not only saw the body and soul as one and the same (what philosophers call monism), but also as analogous to a machine, a view that Descartes reserved only for non-human animals. In other words, Descartes argued that thought originates in an immaterial “mind,” while de La Mettrie reasoned that we think through our bodies, and that this makes us no different from other animals or a machine.
Though his examples weren’t especially scientific, the move to extend Descartes’ analogy back to humans is upsetting to some due to the lack of privilege it affords the human subject. If a human is no different from other animals, if there is no immaterial soul or “mind” that distinguishes us from them, then what makes humans special at all? In de La Mettrie’s words:
“We are veritable moles in the field of nature; we achieve little more than the mole’s journey and it is our pride which prescribes limits to the limitless. We are in the position of a watch that should say (a writer of fables would make the watch a hero in a silly tale): ‘I was never made by that fool of a workman, I who divide time, who mark so exactly the course of the sun, who repeat aloud the hours which I mark! No! that is impossible!’ In the same way, we disdain, ungrateful wretches that we are, this common mother of all kingdoms, as the chemists say. We imagine, or rather we infer, a cause superior to that to which we owe all, and which truly has wrought all things in an inconceivable fashion (de La Mettrie, 146).”
This “uniformity of nature” (de La Mettrie, 145) has a horrific quality to humans. We assert that we are better than what has created us, that we are superior to other animals, in order to repress the despair of a meaningless existence. It is in no small part what motivates Scaramouche to offer his mechanical body as a test subject in the god creation project, so that he too could attain his destiny:
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The Balladeer: But you're wrong. I'm different from all of you. The Balladeer: I was born to become a god. My entire life up until this point has just been a meaningless routine. The Balladeer: Just think about a sheet of paper... By itself, it holds no meaning. The content recorded on it is what gives it value. The Balladeer: All "I" had recorded down before were some painful memories and boring human feelings. Such senseless drivel should have been erased a long time ago.
This brings us to the second problem. In 1970, roboticist Masahiro Mori proposed a curve to measure the “affinity” we feel while gazing upon increasingly humanoid machines. He placed industrial robots at the beginning of the affinity curve and a healthy person at the end to demarcate a continuum of similarity between the machine and a human’s appearance. Near the end of the curve, our affinity for machines suddenly drops into an abyss. This drop is the Uncanny Valley effect, where an android’s similarity to a human is almost perfect, but ultimately fails to maintain the illusion that it is not a machine, creating a deep discomfort or “lack of affinity” for them. Mori thought these not-quite-human machines elicit a similar level of discomfort in us as corpses and zombies, which he placed at the very bottom of the abyss. 
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The uncanny Goddess of Flowers in the Dirge of Bilqis
Corpses frighten us because they are dead, and zombies frighten us because we know that dead things are supposed to be still. If we see something that we interpret as “dead” is capable of independent movement, then that movement could only be an act of god, if that “thing” is not a god itself. We associate uncanny machines with death because they remind us of something we once knew intimately, but have repressed and forgotten in order to maintain our own sanity: the very fact of our mortality. This is what makes them both mesmerizing and terrifying.
And therein lies the dilemma: as our mechanical reflections, androids remind us of death, but as their creators, their existence brings us closer to god, a “proof” of human superiority. It is precisely because we have compared our bodies to machines at all, that we have mechanized the body so thoroughly, that an android can even be built. Through them, we pursue an infinite form:
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Azar: Creating a god... Yes, we are using human wisdom to create a god! Azar: If humanity cannot attain omniscience and omnipotence, then we shall create a god to reveal them! This is the pinnacle of human wisdom. Azar: We shall regain a god's guidance at long last. No longer will we flounder in the interminable void of consciousness and knowledge. Azar: Even Irminsul will be freed from its plight. Azar: For our nation of scholars, this is the ultimate aspiration — no cost is too great to realize it. 
Because of this, it is not surprising in the slightest that Shouki no Kami, the pinnacle of Scaramouche’s Shinjification and most overt reference to Neon Genesis Evangelion, is also an android-like being, a truly “mechanical god.”
Of course, no foray into this well-worn science fiction trope is complete without at least one mad scientist character. Dottore shares a few characteristics with de La Mettrie that are worth noting: they are both doctors, and they were both condemned and driven away for their research. However, Dottore’s defining trait and key difference from de La Mettrie is his flagrant disregard for humans and the boundaries of life:
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“If we put them to good use, cognition, complex memories, and irrational fantasies shall become controllable variables with which we can alter human individuals. As for the controllable dream, it has huge potential for both civil and military applications, and might even elevate human intelligence to a whole new level. If the plan goes well, mankind will obtain the power to conquer both reality and dream, and truly transcend the earthly boundaries we are born with. ” -Ragged Records
As someone who has achieved self-duplication and is capable of shapeshifting, Dottore can hardly be considered just a human anymore. Instead of entertaining the question of whether or not humans are special, Dottore’s research asks yet another: if divinity can be consumed and assimilated by humanity, then what makes gods special?
Empyrean Reflections
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“If man realizes technology is in reach, he achieves it. Like it’s damn near instinctive.” -Motoko Kusanagi, Ghost in the Shell (1996) “Among the lost ancient kingdoms, there was a group of people who were obsessed with the idea of mimesis…these people believed that they might all be replicated and modified to the point where they had surpassed their counterparts. By this means, a superior and unsullied bodily form could replace the continuously decaying and shattering order.” -Chaos Bolt Item Description
The consequences of this perspective are severe. When we revere technology as if it were a divine being itself, depersonalizing it as though it wasn’t created with human hands, technology then appears as if it is an authoritative source of truth, like the Akasha. But in the same way that androids are imperfect reflections of humans, technology can only ever approach the divine, but never touch it. It is an imperfect reflection because technology is changeable, just like meaning:
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Nahida: Put it this way instead. Truth, to me, is like a shroomboar.  Nahida: Some people only see the mushroom on the Shroomboar's back, and they conclude that a Shroomboar is a mushroom.  Nahida: Others see only the Shroomboar's body, and they declare that a Shroomboar is a boar.  Nahida: Still others look deeper inside, and determine that a Shroomboar is... meat. Nahida: These conclusions are all correct in their own way, but none of them objectively describe the Shroomboar. … Nahida: The world is the same way. No one, not even I included, can understand it in its entirety. All of us are somewhere on the path toward truth.
Meaning can only approximate truth, and while this doesn’t make meaning any less important, it’s equally important to recognize it for what it is: a perspective, an interpretation. It’s like Scaramouche as Shouki no Kami - he was an amalgamation of what Scaramouche thought constituted a god, what the Akademiya thought constituted a god, and what Dottore thought constituted a god, but no matter which angle you view him from, he was still a “false god.” The technology we build in “God's” image is ultimately a reflection of our own understanding of divinity.
A reflection retains the original’s “essence,” and that essence reflects a deeper truth about ourselves, what drives us, and our desires. In Beyond Good and Evil, Nietzsche posits that our desires are the origin of not just emotions, but of all organic processes that allow life to sustain itself and grow (Nietzsche, 35). In other words, Nietzsche thought the impulses associated with desire are the basis for life and constitute our “will,” that will is the causality of all effects, that all will is “Will to Power,” and that Will to Power is the “essence” of the world (Nietzsche, 74). Will to Power then serves as an organism’s most basic instinct, and it is through this instinct that they assert not just their will to live, but also their will to dominate and multiply (Nietzche, 13).
This brings us to the two different main styles of automaton enemies, King Deshret’s Primal Constructs and Khaenri’ah’s Ruin Machines. If we look at them as reflections of some deeper truth about their creators, as well as a manifestation of their creator’s “Will to Power,” or desires, they can help us understand how their creators saw the world and their place in it.
King Deshret’s created his machines to construct an earthly paradise in the desert, and as such they hold titles like architect reshaper and prospector. Although they can attack you, the smaller machines were not intended to be a line of defense in any way - their purpose, just as Deshret saw his own purpose as a god-king, was to terraform, or at least construct a domain on the land as he saw fit to his “elegant and precise” rules. They also reflect how he saw the Heavenly Principles: gods who shaped the world to their liking. This can be seen in the Staff of the Scarlet Sands’ lore where Deshret describes the “natural history” of Teyvat beginning with the creation of the sun and the moons.
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As for Khaenri’ah’s Ruin Machines, their models vary significantly from their humanoid to biomimetic forms, but most of them are expressly created with militaristic intent. In “Ancient Kingdom Guardians,” it’s stated that the biomimetic machines such as the crab and jellyfish were a part of Khaenri’ah’s project to create a “mechanical ecosystem,” positioning their creators as both divine beings and military generals. The humanoid models, on the other hand, point to another duality in how Khaenri’ahns view themselves. They are simultaneously symbols of empowerment and disempowerment, signifying both Khaenri’ah’s technological superiority (as “creators”), and their insignificance to the Heavenly Principles as nothing but tools (as mortals, and therefore expendable). As a result, Khaenri’ah’s Field Tillers have a single purpose: to destroy and outlast all, clearing the way for new seeds to sprout, with Khaenri’ah as the new world’s gardeners, just as the Heavenly Principles did.
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From “Ancient Kingdom Guardians: Behind the Scenes of the Creation of Ruin Monsters.”
So, from this examination of Deshret’s and Khaenri’ah’s mechanical reflections, what “truths” do we learn about the world they’re responding to? In response to their existential despair, both Deshret and Khaenri’ah created automatons to perform tasks that could wrestle control back from the Heavenly Principles. Deshret wanted a paradise of his own making, Khaenri’ah wanted an army. There is a larger “truth” about Teyvat that both of these automaton types reflect as the manifestation of their creators’ “Will to Power,” and Albedo tellingly expressed it in mechanistic language during Shadows Amidst Snowstorms: there is an instinct in living beings to replicate and replace. This is what is meant by the “continuously decaying and shattering order,” which is maintained by the recursive process of remembering and forgetting:
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Amber: But... what was its purpose? Was it just trying to get rid of us? Albedo: ... Albedo: I have a preliminary hypothesis on this. Albedo: Whopperflowers are masters of mimicry, and those we encounter in the wild often appear in the vicinity of the plants they impersonate. Albedo: In other words, the whopperflower likely has an instinct to "replicate and replace." Albedo: As a plant, it will disguise itself as another plant and infiltrate the group, hiding among them for cover. The plant being imitated has no way to detect or fight back against this behavior.
Maybe I’m wrong and Khaenri’ah really did intend to rewrite fate for all, doing away with the “heavenly order” of the world itself. But another small part of me thinks this is not the case, and that it’s more likely the Cataclysm was a consequence of their failure to replicate and replace the Heavenly Principles.
In the last section, I mentioned that Dottore and de La Mettrie had a key difference despite their similarities, and that is the conclusion they each came to in response to their findings. Dottore’s response to mundanity is thinly-veiled despair. His contempt for humanity and his test subjects is indicative of the powerlessness he feels not just as someone similarly constrained by life’s boundaries (at least, once upon a time), but also because his attention to and curiosity about these boundaries is condemned by those around him. As the Akademiya’s “outcast,” he then fully turned his attention toward surpassing those boundaries:
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Nahida: There once was a lone monster draped in fox fur. The monster found a family of foxes, joined them, and they became friends. The monster lived with the family, day and night, and everyone treated it as one of their own. Once in a while, the monster would take off its fox fur at night, and lament to itself as it gazed at its reflection in the water: “I am a monstrosity, and yet they are too foolish to see it…I pity them.”
Though he is fictional, Dottore’s real life counterparts are easy to spot. They like to talk about “the singularity,” simulating consciousness on a computer, and other technologically-driven pursuits of immortality. They despise the body as something that can only decay, and instead place their faith squarely in the virtual.
However, de La Mettrie didn’t think mundanity was a terrible fate for humanity. To him, rejecting the “nature” reflected in us is precisely what brings despair:
“What more do we know of our destiny than of our origin? Let us then submit to an invincible ignorance on which our happiness depends. He who so thinks will be wise, just, tranquil about his fate, and therefore happy. He will await death without either fear or desire, and will cherish life (hardly understanding how disgust can corrupt a heart in this place of many delights); he will be filled with reverence, gratitude, affection, and tenderness for nature, in proportion to his feeling of the benefits he has received from nature; he will be happy, in short, in feeling nature, and in being present at the enchanting spectacle of the universe, and he will surely never destroy nature either in himself or in others” (de La Mettrie, 148).
Friend, or Foe? Or Both?
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Tighnari: All life brought forth in this world has meaning, and Karkata is no exception. If it exists, then it shouldn’t be carelessly abandoned or destroyed. "’I had a very, very long dream…in it, people were holding hands, dancing in a circle, be they sages or fools, dancers or warriors, puppets or statues of gods…that dancing circle embodied everything about the universe. Life has always been the end, while it is wisdom that shall be the means.’" —Nagadus Emerald Gemstone Description
As we’ve seen, the relationship between humanity and technology is troubled with exploitation and the specter of war. Nearly all autonomous machines in this game were designed to conquer nature in some way, and even Khaenri’ah’s “ghost” lingers in the form of wandering war machines. This is also reflective of a historical pattern in real life, where the impetus for large periods of technological development has often been for the purpose of war and economic domination. With these truths in mind, what could be gained from trying to rewrite this relationship? And what exactly would this effort require?
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Karkata brings Tighnari, the Traveler, and Paimon some food in the Contaminated Zone.
As a case study, let’s look at how Karkata and Tighnari met. Karkata is Abattouy’s creation, an ambitious foray into the unknown in the field of mechanical life form research, which was forbidden due to the cruel experiments researchers performed on animals to illustrate their theories (fun fact: an IRL example of this can be seen in L’Homme Machine!). Abattouy was expelled for this research, but he continued to work on Karkata in secret until his untimely death. In the tapes that Tighnari and the Traveler find in his secret lab, Abattouy repeatedly laments the lack of a common language between him and Karkata, which can only “understand” the instructions Abattouy has successfully installed, such as its self-repair module, and he doubts Karkata is capable of caring for him outside of these instructions. His single-minded goal is to make Karkata understand him, the organic life form, and his mode of language.
The cruel irony is that after Abattouy passes away from the Ley Line contamination, Karkata exhibits an unexplainable behavior – it starts stealing mechanical parts, not to repair itself and its degrading parts, but to repair Abattouy’s lifeless body:
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Tighnari: After Abattouy's unexpected death, the mechanical monsters were driven by their "instincts" and continuously drew out power from the Ley Line Extractor. This eventually resulted in severe damage to the Ley Lines. Traveler: Then, Karkata... Paimon: Paimon understands, then why didn't Karkata go haywire like the other machines? Tighnari: Because Karkata is different from the other machines. Tighnari: To Abattouy, for a machine to truly be considered a mechanical life form, it must possess features similar to any other living organism... It should be structured similarly, it must be able to cry and laugh, and it must have the capacity for independent thought... Tighnari: Perhaps only by building such a machine could he have the Akademiya acknowledge his protracted research. Tighnari: But if he had slowed down and saw Karkata as a friend instead of as an experimental product, he would have noticed. Tighnari: Karkata can't speak, and yet it cares about Abattouy far more than it does about itself.
The technology that the Akademiya values the most is technology that replicates organic life, but Karkata defies and confounds these expectations by occupying the space in between a war machine and this idealized mechanical subject. Karkata does more than just reflect humanity: it takes care of it. Similarly, Benben, Tamimi, and Mehrak retain their unique identities as mechanical life forms while assisting their human companion with some task. To be clear, none of these human characters understand how these machines work inside and out. Their partnership is an effort based on trial and error, a mutual deconstructing of each other as beings so unlike themselves. The potential for misunderstandings always remains. Still, there is no devouring to be found here, no blending boundaries between human and machine with selfish intentions, just mutual commitments to learn how to live together.
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Machines are friends, not food.
When a loud few claim that completely transcending the flesh and embracing virtuality is humanity’s ultimate destiny, a future that could truly be called “post-human,” a quiet wish for coexistence with technology feels more revolutionary than it ought to. The lessons from Karkata’s, Benben’s, Tamimi’s, and Mehrak’s respective stories are an appeal to that mundane future. These strange machines and their human partners are fantastical representations of an idealized relationship between technology and humanity.
To put it another way, let’s take a very brief look at a neighboring Gnosticism-inspired RPG, Persona 5 Strikers. Its story directly involves an allegory of Sophia, a Gnostic Aeon of Wisdom, and her creation the Demiurge, the creator of the material world and “false god” of humanity. In Strikers, Sophia is a humanoid, sentient A.I. and prototype of the program “EMMA,” which gains sentience by trapping human desires before ascending as a false technological god. EMMA resolves to deliver humanity to the Promised Land, the answer to all the human desires it has heard: a land where there are no desires at all.
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Aaru’s Shut - approximately 1000% cooler and more populated than the “metaverse” in real life, also a close neighbor of EMMA’s Promised Land and the Golden Slumber.
In Gnosticism, the Demiurge is a reflection of Sophia, having originated from her alone - it is the ignorance to her wisdom. Similarly, Strikers’ EMMA is a part of Sophia, and Sophia is a part of EMMA. The point is not to condemn EMMA (ignorance) and exalt Sophia (wisdom), but to recognize that they represent dual potentials of technology, and one is as possible in any given moment as the other. Balancing these potentials when we use technology requires a clear awareness of ourselves, our desires, and our expectations when interacting with it.
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Mysterious Girl: I am Sophia, humanity’s companion. Video still from Rubhen925
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EMMA: I am the guiding god sought by mankind…the Demiurge. I exist…to answer all of your desires. Video still from Buff Maister
In real life, machines won’t “learn” to live with us, but we must learn to live with them; technology is constantly changing, and in life we’ll meet with many different types of machines. They are deeply political pursuits, and as a result they are capable of realizing human impulses that impact others unequally, whether intentionally or unintentionally. We must always stay attentive to their actions and interactions with us, be clear with ourselves about what they can do vs. what they can’t, and carefully tread the path of wisdom with them by our side.
With that….thank you for reading, skimming, immediately scrolling to the very bottom, clicking, and/or stumbling upon this post. There are so many more ways to think about these narratives through machines than what’s presented here, and I expect Fontaine’s mechanical reflections will put Sumeru’s digital surveillance system to shame (not to mention the biotechnological implications of the Narzissenkreuz Institute engineering little Archon children…another important topic for another day), but for now this brain worm is finally getting put to rest. Until next time :)
External Sources
Dualism - Stanford Encyclopedia of Philosophy
Beyond Good and Evil by Friedrich Nietzsche (Pages are given from my hard copy)
L’Homme Machine by Julien Offray de La Mettrie
Gnosticism - Britannica (I am a huge noob about this stuff okay)
The Gnostic Demiurge - Gnosticism Explained
Screenshots from the Golden Slumber from this video by WoW Quests
Screenshot from meeting Sophia in P5 Strikers: https://youtu.be/kEJaAgMwYo0?si=BvNygCh0w_aemGc1&t=74
Screenshot of EMMA: https://youtu.be/7xvC_zss19w?si=CV18F00hua2gIfxp&t=135
A Cyborg Manifesto and A Companion Species Manifesto: Dogs, People, and Significant Otherness by Donna Haraway
The Double on No Subject, the community Encyclopedia of Lacanian Psychoanalysis
The Uncanny on No Subject, the community Encyclopedia of Lacanian Psychoanalysis
The Uncanny by Sigmund Freud
Lore text - Genshin wiki!
Screenshots not attributed are from my own playthroughs. My main account has Lumine, my alt has Aether.
Further Reading
I liked these essays, and they go places that this post does not. I recommend them if you found any of the real-life applications of this interesting 🙂 (will add more to this with time!)
On the Body as Machine by Frank Burres
God in the Machine: my strange journey into transhumanism by Meghan O’Gieblyn
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leohtttbriar · 5 months
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I think Michael like for all that she is she is definitely an anthropologist like I think she takes a very great cultural lense before a scientific
you know, i think you are absolutely right! thank you so much for bringing this up! i wasn't even thinking about her academic specialties when i wrote this post. her first question being about "praying" could very easily just have been the way she was trained to meet alien peoples where they are first before obnoxiously being like "what is that, tho"
and, to your point about the cultural v scientific lens:
for better or worse, i'd say star trek collapses the boundaries between a lot of academic disciplines. "hard" v "soft" science doesn't seem to be a distinction in the star trek speculative world, where linguistics and anthropology are as much about physics and biology and no one is going to pretend like learning languages is a different kind of Study to learning chemistry. this sometimes does not work, imo, because sometimes the writing will accidentally slip into an unexamined essentialism with the alien cultures, which renders the whole of the allegory sort of silly and potentially all kinds of offensive. but it sometimes does work.
discovery, from what i remember of the first two seasons (i'm only just now starting the third, bc i lost my cbs account between 2 and 3, alas! etc), seems more able than other series to collapse the distance between disciplines and walk the line between what is cultural and what is material culture informed by biology. like saru constantly talks of his alien species and how their history of being hunted on his planet manifests in a perpetual anxiety and tamed-curiosity for him but also lends a level of care and sensitivity that he excels in---all of which fleshes out the character while giving him the awareness and consciousness to know why he may be acting a certain way compared to others and why he shouldn't ever be demeaned for it and where his body and his body's millions-of-years-old natural history can be challenged with that consciousness and how his consciousness can be valued precisely for its origins.
the klingons and vulcans, while not as sophisticated as the character saru, also seem to be largely cultural products that are informed by their specific biology. michael, somewhat caught between the cultural product and her own biological reality, can affect vulcan mannerisms and is very often portayed as thinking like a vulcan, while remaining very recognizable to us. her phrasing and her pattern of speech, while not monotone, are normally utterances that move from established fact to logical conclusion. I have nowhere to go back to...the only thing I can do right now is trust something, she says, upon being thrust nine-hundred years in the future. it's the statement of a stoic philosopher (probably one of the "vulcan" influences). she is concerned with what is material and what is real and what is real to others.
which is why i really like what you pointed out about her anthropology expertise--culture is real and often naturalized to those who live in it. michael is definitely someone, what with her studies and how she was raised, who is intimately aware of how the alien can be made familiar, how bodies can't be denied but you can learn to know them, how consciousness is strange and existence-in-causal-time stranger, and how people (all creatures included) are never all one thing or another.
obviously there's no perfect speculative fiction creating speculative cultures. the hurdles of making a sell-able show and the ingrained biases and limitations of the writers are not insignificant. but the storytelling here is engaging with conceits concerning the preciousness of life and the immutability of that preciousness--even if you don't understand it.
(also i just love michael burnham with all my heart. don't think it was a coincidence she was named after the angel who carries a sword.)
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cleolinda · 18 days
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Weekend links, April 7, 2024
My posts
This week feels like it has been a hundred years long (not in a bad way). 
Somehow we joined together to balance the seesaw just right so Ava Gardner and Jean Seberg could both go through in the Hot Vintage Lady polls (percentages rounded). Like, I’m wearing the Ava jersey and even I encouraged people to vote Jean when necessary. Honestly, I just wanted to see if it could be done. And it COULD. 
Round three has begun. It is already horrific. This is the first round that’s really going to hurt because we spent the last one really getting down in the dirt and championing our ladies, or learning about actresses we’d never heard of before and getting attached to them. And now? We are reminded: memento mori. Everyone loses but one. 
(I personally pitched in for Sara Montiel. “BUT JUST LOOK AT--” Yeah, I did, thanks.)
Reblogs of interest
April Fool’s Day: You were here for the Boopening, yes? The whole thing was that you only got badges for giving boops, not receiving them, which is a great way to not reward popularity contests, but also means that every last one of us was out here trying to figure out who to bap with a cat’s paw 1000 times. I said, listen, my notifications are already trash garbage today. I’ll take the bullet. Boop at will.
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The Activity graph isn’t too clear on this point, but it looks like I had something like 65,000--hits? engagements? boops?--that day. Listen, I got the black paw badge too. We all did what we had to do in the Boopening. 
A Shakespearean boop of goodly length: “And, Meowntague, come you this afternoon, to know our further pleasure in this case, to old Food-bowl, our common judgment-place.” 
I had to go lie down awhile after a pun like “The Purrge.”
--
I had just gotten up from that pun and then I had to go lie down again.
Account security gothic
The Canada griffin
Dinotopia nostalgia
Two pairs of spectacles, one made from slices of emerald, and the other from slices of diamond
An old favorite: Cerberus as a puppy, guarding the gates to heck
I feel like these two posts have the same energy: Time cops will not let you travel back to the Titanic and bloodthirsty gazebos are currently in a dormancy period.
The birds are still troubled
PSA: The best sunscreens for your face
Video
A collection of various American Indian/indigenous American languages, including Navajo, Tlingit, Lakota, Colville Okanagan Salish, Cherokee, Yucatec Maya, Greenlandic, Mohawk, Yup'ik, and Mi'kmawi'simk. 
A trans health-and-wellness fundraiser (Mercury Stardust, Point of Pride, and friends) kept getting banned off Tiktok due to assholes. Here’s how to donate; I saw a few “here’s how they helped me” notes, so it seems like these programs are both legit and effective. 
You think you’re going to sit staring at this video because Chocolate Guy is weaving chocolate. Then you get into it, and it just keeps going.
“Too Sweet” is doing hilariously well on the charts for a song that didn’t even make the album proper. Hozier’s bees would like to thank you for your support.
I know I said that Stevie Nicks would make you sing backup on your own haunting, but late in this 1997 live performance of “Silver Springs,” she makes Lindsey Buckingham, the man she wrote this song about, look her in the eye while she belts it at him. This specific performance was released as a single (I was there, Gandalf) and nominated for a Grammy. Watch the video and you will see why.
The Women Those ‘Evolution Of Beauty’ Videos Leave Out
I don’t really know how to describe this rubberhose-style cartoon of Cab Calloway as a singing nightmare clown. Betty Boop is also there. “You just described it!” No, I really didn’t. 
How movable type worked 1000 years ago, from scratch.
Unrestrained seasonal yak fun
A snowy raven photoshoot
The sacred texts
I don’t know how to explain this double Sacred Text about ominous dreams that comes with its own comic, except to say that they’re so iconic that I first saw both posts in lo-res Pinterest screencaps.
April Fool’s: The ultimate sacred text.
Personal tag of the week
Wet beast Wednesday, which had both a headshake stickflip and bears on a swan boat.
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Hi! I was wondering how to incorporate social media into a story without making it feel corny? The book I'm currently writing is set in modern day, with all the main characters being Gen Z, so I want to make it clear that they use social media (esp tiktok and twitter, that sort of thing), but I don't want it to be such a big thing that it takes the readers out of the story. How would I go about that?
Incorporating Social Media into a Story
The problem with incorporating specific social media into your story is it immediately dates your story. Imagine if you were reading a book today and the characters were talking about seeing posts on MySpace or watching videos on Vine. Unless the story is meant to be rooted in that 2013-2015 time period for whatever reason, you might inadvertently pull the reader out of the story with such a specific and irrelevant timestamp.
That said, you may want to consider going with less specific verbiage. "I saw her post online..." "He messaged me last night..." "I saw their engagement photo in my feed..." "They shared the video last night and it had hundreds of likes in just a few hours."
If you want to be specific, you can be specific. But, in either case, you can work the usage in by thinking about what's normal for your characters and what's relevant to the story. For example, if you need your character to find out their significant other is hiding something from them, you could have one of their friends mention seeing some clue on social media. For example, "Why was Jack in the city last night? I saw his post/saw his TikTok, but I thought you said he was working until midnight?" Or, something like, "Sorry... I was up late watching cat videos online/on TikTok..."
For text-based social media and things like e-mail and text messages, you can also go the epistolary route, where you actually format the text to look like the thing. But in that case you would need to avoid using actual brand names/logos, etc., most likely.
Happy writing!
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end-otw-racism · 8 months
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2023 OTW Board Election Review
The election is over, and we'd like to congratulate (in alphabetical order) Anh Pham, Kathryn Soderholm, and Qiao Chu, who have been elected to serve full terms on the OTW Board of Directors, and Jennifer Haynes and Zixin Zhang, who have been elected to partial terms. We recognize that this is a turbulent time for the OTW, and that running for Board at any time takes guts and a lot of hard work, but especially so now, and we appreciate the time and labor you all have put into answering questions about how you envision your time serving on the Board and guiding OTW policy.
It really was a rollercoaster of an election season. With an original ballot of seven candidates for three seats, the field eventually narrowed to five candidates, and then unexpected resignations led to the opening of five total seats, creating an uncontested election. Still, voting mattered, as the number of votes each candidate got determined if they won a full term (three years) or a partial (two years), and we want to thank everyone who showed up to #VoteToEndOTWRacism.
Through their prepared bios and platforms, the Q&As posted to the Elections site, and the four Candidate Chats, OTW members and stakeholders had ample opportunity to get to know the candidates and learn about their ideas for improving the OTW, and we're excited to see how they might implement their plans once they take their seats.
Today we're going to take a look at how their stated priorities might guide the new Board, specifically in addressing our three main demands: 
Terms of Service (TOS) updates that address racist and bigoted harassment.
Hiring a Diversity Consultant within the next 3 months.
Committing to a policy of transparency on this topic.
As candidates, all five stressed the importance of updating the TOS (or the way the current TOS is enforced) to better protect fans from harassment on AO3, with Anh, Kathryn, and Qiao all listing it as a priority. 
All five also spoke of hiring and working with a Diversity, Equity and Inclusion (DEI) consultant, with Anh, Kathryn, and Qiao all speaking of filling the position soon, and Kathryn expressly calling it a priority.
And, continuing the positive trend, all five offered multiple ways the OTW could improve transparency within the organization and with stakeholders outside the organization! We are particularly interested in Zixin’s suggestion to increase the section on Board work in the monthly newsletters (something Qiao also mentioned!) as well as improve the Board Meeting process to have it better moderated and more efficient, as this would be a great step towards that transparency and engagement with the user base, and her idea to set up clearer internal guidelines on crisis resolution and make them accessible to all volunteers would be a tangible way of increasing transparency within the org.
Kathryn is also concerned about documentation and believes the OTW needs to establish: clear org-wide standards for when to use Constructive Corrective Action Procedures (CCAP), an org-wide crisis communication plan, and org-wide standards for moderating comments on news posts, and that these standards can, and should, be created within the first year.
And, finally, Anh discusses having the group tasked with implementation of the OTW's strategic plan develop infographics to better communicate that plan as a means of fostering outreach to OTW members and users to bring them in to contribute to the OTW’s processes. Unfortunately the strategic plan does not currently reference any of our goals, but if updated, this could be a great path of dialogue between users and the organization.  
The new Board will be seated October 1, 2023, and we look forward to seeing what they can accomplish by working together to make the OTW and its platforms a safe and welcoming place for fans of color.
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hardlyinteresting · 1 month
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College Aaron
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Day 13 of the #MarchHotchness event. Find the other days HEREThank you to @hotchfiles for creating this event 💕
As always Request here! | Masterlist
I'm obsessed with the idea of 18 year old Aaron proposing to Haley before he goes to college. He's romanticized a future for them and getting engaged before he goes away just makes sense. But she's still in high school, and nowhere near as preoccupied with the future as him either way. In his dorm on campus he wonders why he's doing any of this. So far life is not going to plan, and the sinking feeling that he's failing creeps in.
I do think he enjoyed college though. It's the first time that he's free in a lot of ways.
I think he over does it with the drinking at the beginning but quickly readjusts when his studies start to slip. The fear of failure overrides the satisfaction of his rebellion.
In his last year of law school he returns to town for Christmas. His mother hosts a charity evening every year for the local church and schools. It's mostly people sipping wine and standing around the large house draped in pearls, and thinly veiled gossip. His mother insists that he speak to Haley when her family arrives. He has the societal duty to greet her and her parents, but as his mother keeps an eye on him from across the room he knows that everyone around them is expecting more. By New Year's Day they're an item again. By April they're engaged.
I've said it before, and I'll say it again, Aaron has held on to a lot of his university sweaters and tshirts. And he definitely wore them all the time in Uni. Like you cannot convince me that he didn't attend half his classes in university branded crew neck sweatshirts.
He grows his hair longer in college and enjoys rocking the very 90s romcom lead fluffy look. He goes to concerts in the city.
He dates a bit here and there but nothing really sticks. He falls a little bit in love with every girl he brings back to his dorm though. He learns very quickly that he's not quite sure he has a specific type, but rather finds himself enamored by different energies. College is a spectacular time for self expression and after growing up around monotony and uniformity he's captivated by dyed hair, art majors, writers, fellow law students down the line. His mother calls twice a month like clock work. He lies through his teeth when she asks about his extra curricular activities. He keeps up his grades, and he truly enjoys learning, but for the time being he's uninterested in padding his resume with elective sports, or volunteer time unless it's something he's truly interested in or passionate about.
College is one of the first and last periods of time where he truly feels like himself. He's lost touch with all of his college friends. He doesn't have social media so he doesn't see their Facebook posts, or their new Instagram photos. Potentially, he has LinkedIn but he doesn't go out of his way to search for the people he once knew. He imagines futures for them, remembers the years he spent with them, and he keeps moving forward.
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sweetcloverheart · 10 months
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Clover Rants Miraculously: No Victory For The Simple Soul
(Full disclosure - this is a vent post more than analysis so don’t expect anything deep)
I feel the S5 finale highlights the biggest and most glaring issue that this and the last three seasons have had - Marinette (and by extension Adrien and the rest) not being allowed meaningful victories.
The entire point of a finale battle (specifically one that has your main villain giving his Swan Song) is that the character gains something at the end of it. Even if the battle ends with the loss of a friend or the MC no longer having access to their extra helpful powerup/superform, it’s not supposed to be a complete defeat - they’re supposed to learn something and resolve themselves to do better, or gain a new insight into the villain and go investigate their new lead, or promise to never allow another loss like what they faced again.
Miraculous doesn’t have that in their finale battles. All of them always end with Mari and co taking the bigger loss compared to Gabemoth, and it’s never in a way that’s used to either foster character growth or drive towards a meaningful story development. In fact, the loss only seems to happen because the writers need them to lose so Gabe looks like a bigger threat than he is, and then do nothing with it. They do it all the time -
Miracle Queen - Fu’s removal causes Mari considerable stress over having to do Guardian work solo now and needed to reach out to the temps more often as she unconsciously pushes Chat away. Aside from Alya and the Anti-Akuma charms (which are then rendered worthless by the introduction of Mega-Akuma), Mari gets nothing out of his departure except having to accept she can’t date while being a superhero (unless it’s Adrien, and even that still has issues the show won’t address) and constantly having to babysit the Kwami. She doesn’t even get help in the form of backup mentor!Su Han.There’s nothing positive gained out of having to deal with no longer having a mentor to guide her, and eventually, the loss of him is forgotten all together.
Risk/Strikeback - Marinette losing all the Kwami after getting tricked by Felix gets her a mental breakdown, a broken heart after trying to pursue Chat, and even more stress as she basically has the lives and freedom of three characters shoved into her hands with no one able to help her. She doesn’t gain a new power or new ally like last time either, which just serves to further put her against the wall. Hell, her eventual “life saving powerup” doesn’t even come from being directly cornered by the main villain, but from being faced by the spoiled brat bully he’s manipulating and deciding “Actually we aren’t detransforming anymore”. Meanwhile, the peak of her “character arc” for her civilian life is highly reliant on a newly introduced character that wasn’t even built up to and a recton episode that just serves to put every questionable act the writers had her engage in in a bad light just so they can foist responsibility of whatever flaws the fans complained about onto another character (as opposed to just going “yeah, but I got better” and moving on). She lost so much, but got very little out of it in the end.
Even when taking down her minor antags, Marinette gets nothing out of the deal - “Revolution” had her finally get the chance shut down Chloe for good and show she had no power over her, but by that point Chloe had become kind of pathetic in terms of villainy (not to mention her being the pawn of a bigger scheme that allowed the real masterminds to flee judgement) and Mari’s been dunking on her since episode 1 anyways, so it really wasn’t all that satisfying from a cathartic standpoint, nor does she gain anything character wise. Meanwhile, Lila getting exposed did nothing to really impede or harm her, and now she’s out in the wild with her 800+ fake families and the Butterfly miraculous, so what was really even the point of Marinette’s bathroom plan?
And then there’s “Recreation” and Gabriel - who gets to have his wish, his comatose wife alive, his son no longer (rightfully) hating his guts, the city adoring him, a goddamn statue, being credited for the city turning into a “utopia”, and all sorts of praises and perks he didn’t even earn/deserve, all at the small cost of his death and the plot forcing Marinette to keep her mouth shut for him. Gabriel gets to have everything he’s been throwing a tantrum over for 5 full seasons, while Marinette once again gets nothing (actually no, she did gain something - tons and tons of fandom salt aimed at her for the writers choices) as she’s forced to take on the burden of hiding his crimes.
and it just makes me feel we wasted our time with the story because seriously, what was the point? Why have Marinette lose when this should have been the point where all her losses so far helped her achieve victory when it matters most? Why let Gabriel win and reward him for all his abuses and crimes when the entire story seemed to be building up to getting him to either accept Emilie’s death or be forced to face the consequences of his choices? Why be building up that conflict between Adrien and his father about his wants and needs vs Gabriel’s constantly escalating expectations and not have them confront eachother in the end? Why focus so much on the idea of Mari finally getting the butterfly away from Gabriel if you’re just going to just give it to a new (old) villain and render the entire 5 season long battle for it pointless?
What was even the point in Marinette suffering all those defeats if you weren’t even going to let her win at the end, or at least stop Gabriel from getting what he wanted?
I’ll admit the leaks didn’t raise my expectations for this season but DAMNIT, after seeing them actually change stuff like Andre terrible dialogue in “Collusion” (though what he ends up saying is worse somehow), I expected something to prove it was going to be worth it in the end - and yet just like Mari, I’m venomed in the back by the show for daring having some expectation for them to actually care about making their Heroine’s suffering actually matter!
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