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#there is no single character who is CONSISTENTLY well written

unnecessarilygrandiose · 9 months

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'i survived you, eva', is such a raw line at the end of such a raw speech which would have been literal perfection If Hen Hadn't Cheated

and. y'know, the cheating would be understandable too, actually, if hen and karen hadn't been married, because then we could say that even though hen loves karen part of her is still stuck on eva because she never got proper closure from that relationship

but like? if they're married surely hen had some degree of moving on? also. even if in spite of the marriage eva's call dredged up old feelings. the fact that hen just? goes to her? after promising her wife a romantic night? if they'd shown them fighting and hen being angry and confused at least it'd make a little more sense. but she just shows up to have guilty sex with her ex when she could be having happy sex with her wife whom she obviously loves?

what i'm trying to say is that this is a classic example of 'we weren't sure how to create conflict in this stable relationship so we got them to cheat' and admittedly the way they've handled the fallout is very good but based on everything we know about hen and the circumstances in which she did it the fact that it happened at all will never be convincing to me

#this is the only long running romantic r/s in season 1 too #chim is single #bobby is single #buck and abby are in the intial stages of their r/s so all the easy-to-make-it-look-interesting-on-tv parts of it are happening #so they took the one married couple (who happen to be lesbians which. adds a whole another layer of ick) and did this #the same storyilnes could have been handled a little better is what i'm saying!#wow god i didn't know i had these many feelings about this #it's just that hen is my favourite character and i do not like how they did her dirty in season 1 #thank god for everything following this though she might be the most consistently well written character after season 2!#911 rewatch #109

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vulcanhello · 2 years

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star trek the savage trade was. so much. there were implications. there were friendships. there were ten thousand unfulfilled ideas. it was not well written but it WAS a ten course meal of food for thought

the most interesting part of this book was the complexity between spock and valek which was completely disregarded even though it arguably had the most interesting stuff going on. for example; when they meet up again after over ten years

varen is her twin brother, which we’ll get to. but here she’s pretty rude towards spock, despite later telling kirk that she felt bad for bullying him/formally arguing against his existence when they were kids. which. okay. only to LATER find out she’s been amongst humans for over ten years. she even starts this little romantic thing with kirk like this

she does stuff like this multiple times. kirk as the narrator even frequently mentions how ‘un-vulcan’ her actions are

i thought it might have been heading in a direction where she also felt like her emotions were getting the better of her as a kid, maybe making her feel like spock was better than her even being half vulcan, but no. it was just about her going along with every other vulcan’s prejudice towards him. then there was this whole thing where she came to take back her opinions because she respected sarek and amanda so much, and of course once spock grew up and proved himself’ she respected him too. but like. there’s so much there. the main point made here regarding all this was that vulcans underestimated spock because obviously spock is great but he couldn’t earn respect until he proved himself in his profession. until then though it was public debate over his existence. imagine your classmate getting up and arguing you shouldn’t be alive. and the only person who’s disagreeing with her is her brother. WHICH.

next point: spock ‘when i feel friendship for you i feel ashamed’ has longtime childhood friends he still keeps in contact with? obsessed. what’s this? you’re not going to include him in the narrative? bro. varen is apparently spock’s only friend from way back and this isn’t even talked about. it’s basically just the reason why valek was angry with spock as kids but she already didn’t like him so it wasn’t like her brother and spock being friends was a catalyst. what i’m getting at is that this author put SO MANY interesting things in the story and then just didn’t use them. ACTUALLY GOING OFF THAT

obsessed when novels mention sybok. this one’s especially interesting as according to her, sybok was seen as better than spock. in the final frontier novel it went that sybok felt like an outcast already, and was noticeably more emotional than other vulcans. spock, who assimilated and became as vulcan as possible to offset being half human, was still seen as less? insanity. i just feel like there’s so much going on here talking about spock’s childhood and then when you read the end of the savage trade spock’s just chillin with ben franklin absolutely uncaring (which good for him. if i met a childhood bully who was now everything she bullied ME for? i would be ruthless. spock elects to lose to benny frank in chess multiple times so he’s above all that)

anyways there was so much the author could have done with valek because she was really really interesting but her and spock almost never interact and it ends up falling pretty flat. LOST OPPORTUNITIES, like pretty much every star trek book in existence

ok one final thing the spock and varen being vulcan lab partners thing was really cute

#sorry i literally want to tear this book apart with my teeth THERE WAS SO MUCH THAT COULD HABE BEEN EXPANDED UPON #and yet the runtime is filled with kirk and valek trying to get togethr 💀#also like half the plotlines of the first half of the book were completely dropped in the end this was NOT a well written book but bro #whatever happened with valek and spock and varen was ten thousand times more interesting #especially if we wanna discuss spock having a single friend from childhood he still keeps in contact with #i think that’s nice that’s something i want for spock even if it doesn’t really fit his character as someone who felt so alienated from v #vulcans that he ended up in starfleet #i would love to read abt him and varen what do they talk about? apparently varen attended the VSA so #they send their upcoming papers back and forth for editing and in the space version of google doc comments they drop all the drama from #their respective workplaces #ok fr tho i think this part of the book would have benefitted from valek and spock having more interactions. i mean she’s REALLY out here #acting very human and the FIRST thing she does is get on his case about FRIENDSHIP? when literal chapters later she commits the same crime!#i KNOW its bad writing bc in what world would spock admit to having friends but BRO. in the context of the story taking it at face value BRO #also. it was kinda funny that in the beginning of the book kirk is so wow mr spock its like we have a consistent and ongoing mindmeld we’re #so in synch <3 #and then turns around and falls in love with this woman because she’s sooo vulcan #sorry! it’s funny to me. what do you really want sir 🤔#ok kidding i thought the valek / kirk thing was kinda sweet #i need to annotate this book and everything because the only thing mccoy did this whole story was have crazy sex with the ex gf of the #guy who wrote candid which. not my fav of the high school lit but #there was a slavery plot that mostly got dropped with the two alien races from the beginning #i think if i could rewrite any book it would be this one because it was THERE IT WAS ALL THERE. it just needed the talent and the time #okokok im done. for now #captain’s log #trek books #tos

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ssahotchnerr · 10 months

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DBF Hotch is my weakness. Especially when it’s combined with jealousy and protectiveness.

Like you’re going out a on a date - hotch is already incredibly jealous about the whole affair.

BUT then you call him, crying, asking if he will come pick you up because the date was absolutely awful. He was such a prick to you and now you’re standing outside the restaurant, alone at night. And his protective instinct and anger at your date kicks in and he’s breaking every traffic law to get to you.

only one

it's been a while since i've written dbf!hotch and i've missed him SO MUCH thank you for requesting <3 wc; 1k cw; fem!reader, age gap, dbf/jealous/protective!aaron, aaron's a bit mean BUT doesn't last long at all, ends fluffy, some suggestiveness

all characters within this are 18+

you've been on your fair share of bad dates, but nothing compared to what you had just endured.

backhanded compliments one after the other, interruptions amidst all your sentences, snide remarks, even rude behavior towards the poor server waiting on the two of you. and to end the night, your date left you with the full responsibility of the check (you made sure to leave a generous tip too, rightfully deserved), and without a ride home.

your only solution was aaron, and you knew it wouldn't come easily; the image of his clenching jaw flashing through your mind when he heard you had a date, his disappointed and irritated 'have fun' as you left. but at this point, you didn't care. he was also the only one you wanted to speak to, the only one you needed.

"yes?" aaron's tone was neutral when he answered, not harsh but not enthusiastic either.

you opened your mouth to speak, but you simply couldn't find any words. shame and embarrassment prickled up and down your spine. your cheeks felt hot. you wanted to disappear.

"i'm getting work done. so if you have something to say, say it. don't waste my time." there it was.

you had been doing a fair job at fighting the sob that was aching within your chest, but his hard toned words finally caused the dam to shatter. your vision blurred from the multitude of tears, a string of whimpers and a sniffle leaving you.

his front dropped immediately. "tell me what happened."

"he-" hiccup. "god, it was awful. he treated me like i was an inconvenience to him. at the end he told me, it-" another hiccup. "and i, were a waste of time and-" you poured out everything, leaving aaron with a sick pit in his stomach.

his eyes squeezed shut, gripping so tightly onto his phone it could snap into two. "where are you?"

once you told him where, he hung up, not allowing you to say anything else. as much as that stung, relief filled you; at least he was coming to your rescue.

if your estimation was right - aaron was currently over thirty minutes away, maybe a bit more as result of saturday night traffic - consisting of people who were having a much more enjoyable evening than yourself.

however, he was pulling up at the restaurant within half the time, the wheels skidding to a stop as he approached. once parked, his door hastily opened, and he all but tore out of the car. his actions were hurried, enraged, and before you could blink he was at your side.

"get in." his hand found the small of your back, guiding you - and not very gently - towards his car, opening the passenger door for you as well. again, his urgency didn't give you the opportunity to utter a single word.

you slid into your seat, a push of air embracing you as aaron slammed your door shut. he moved around the front of the car, getting in himself. saying nothing, he began mindlessly driving the route back to your house.

the silence was tense in the air, thick as humidity on a hot summer's day. but then again, there had always been lingering tension between the two of you. and neither of you were stupid, you both knew what it was.

"well?" you finally said, both quietly and timidly.

"what?"

you exhaled heavily, wiping at your tears but failing miserably. "aren't you happy?"

your voice was defeated and a heavy sigh left him, all his anger vanishing. this wasn't a war. "sweetheart, i'm far from happy."

"and i can tell you're mad-"

"i'm furious." aaron interrupted, and you winced slightly. "but not at you." to accompany his words, his grasp on the steering wheel tightened, his knuckles turning white and his foot pressing a bit harder on the gas. "i'm livid that prick had the audacity to treat you the way he did."

you nodded slowly, the tears on your cheeks glistening from the outside lights - cars' headlights, the street lamps passing by.

"you know you're worth it, don't you." aaron asked, but there was also no question within his words.

another sniffle escaped you, followed by a shrug.

"i mean it. if that dense fool can't see everything you have to offer, he's clearly not in his right mind. and definitely not worth your tears."

he paused. when you failed to answer, he prompted, firmly to ensure you would no other doubts. "okay?"

you nodded again. "yeah. i guess."

"and i didn't mean to snap earlier." aaron took ahold of your hand, his eyes averting from the road to look at you. "i'm was upset, to put it bluntly. i'm not very fond of sharing you, and i wish i didn't need to."

you turned slightly - still clutching onto hand - finally allowing yourself to face him. "then why haven't you asked me out?"

the forbidden question. the circumstances made it difficult, you were his best friend's daughter. he was your father's best friend.

but you were tired. aaron was tired. both of you were in desperate need of each other. when you were around aaron, the constant burn of needing him close, needing to touch him, needing to indulge in him until you forgot your own name and more, was becoming agonizing. you couldn't care less about all the holdbacks anymore. you needed him.

and aaron now, seeing your tear slicked cheeks, knowing no one else could treat you better compared to him - he's never wanted you more. no matter how wrong it was, nothing was more right.

aaron flicked on the turn signal, choosing the route that would drive you away from your home. his voice was confident, casually dominant. "the night's still young, isn't it? give me the chance to turn yours around."

#aaron hotchner x reader #aaron hotchner #aaron hotchner fluff #aaron hotchner x fem!reader #aaron hotchner x you #aaron hotch x reader #aaron hotchner imagine #criminal minds #criminal minds imagine #criminal minds x reader #criminal minds drabble #aaron hotchner drabble #criminal minds x fem!reader #criminal minds fanfiction #hotch imagine #criminal minds x you

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iwritenarrativesandstuff · 1 year

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The Book: Everything We Know So Far and Possible Connections

The Book's lore is driving me crazy and I had to write this. This isn't meant to be a solid cohesive theory on anything but I wanted to compile everything we know about the Book, some rather disturbing implications of what that might mean, and which characters may or may not have a connection to it, as well as what that connection might be.

This is a long post, so I've bolded the key info. You can skim those if you don't want to go through everything. :)

***Major spoilers for BSD and for Beast!***

Main Series Information:

The first mentions of the Book occur in Chapter 28, when Fitzgerald tells Atsushi that the Guild's goal is to locate it. He tells Atsushi that only one copy of this book exists, and that neither flames nor abilities can damage it.

Fitzgerald claims he knows the Book is there because a prophet ability user foresaw that it had been sealed within Yokohama. When Atsushi asks what the relation is between him and the Book, Fitzgerald says that Atsushi is the guide to the Book.

In Chapter 35, Fitzgerald states that his goal is to use the Book to bring his daughter back to life.

The next mention is in Chapter 46, when Dazai talks to Fyodor in the alley. Dazai mentions that since Fyodor and the Rats don't have the firepower to burn down Yokohama, he instead needs to exterminate Yokohama's ability users to get to the Book, hence the cannibalism strategy.

Dazai says the true Book is a single novel with blank pages where anything written becomes the truth. Fyodor wishes to use it to make a world without the sin of ability users. Dazai says basically "good luck with that dude" lol. (Actually the line is "Give that a go, if you can, that is." which... might be significant?)

Chapter 58: Taneda dumps a lot of info on Ranpo. His assailant, who we know to be Sigma, stole a page from him, a single page removed from the Book in order to study it. The page has exactly the same capacity to make anything written become reality, it just has limited space to write. However, the Book has a restriction: it requires karmic/narrative consistency.

In Chapter 58.5, Mykola's speech about cages and the freedom of birds is ironically dictated word for word by a mysterious author. The translator note on the unofficial version I'm reading says the mysterious author is using imperfect Japanese with lots of katakana - I cannot confirm this myself, but it has interesting implications on our mystery author's identity if true. The page is used to position the Agency as the terrorists in the white hoods and frame them.

Chapter 59: Ranpo believes the Book was not made by an ability user but by something far greater than that. His proof is that unlike Mushitarou's ability, which can also alter reality, the people affected by the Book also have new memories to fit the alteration to the events. The Agency members remember committing the crime, even though they know they didn't.

In Chapter 70, Mushitarou reveals the DoA plans to use the other side of the page to eliminate the country at the next full moon. I am curious as to the significance of the full moon, given the moon's frequent recurrence in the series and Atsushi's ability connection to it. Chapter 74.5 establishes that the Sky Casino, with its 13 year history, was created 8 days ago when the page was written on, as a base for the next stage and also to "repay" Sigma for the use of his ability to retrieve it. In Chapter 75, Fyodor claims that Sigma, too, was written into existence via the Book 3 years ago - he has no memories before this point.

Chapter 77: the page was written with a condition that no police or law enforcement would believe in the Agency's innocence. However, Tachihara broke through that condition by reaffirming his identity as a member of the Mafia, which (metaphorically) tears the page.

Later references don't tell us too much more but I'll summarize them regardless. Kamui/Fukuchi has the page, which Atsushi knows from Sigma's info. Ranpo made an appeal to the police, explaining that the Agency was framed and the page preventing them from seeing the truth, and half the force sees the truth for themselves, breaking through the page's condition. Ranpo believed the direct opposition to the page's restrictions might sway Fukuchi into believing them (unfortunately, we don't know if this was right, as Fukuchi was not affected in the first place, being Kamui himself). And that's what we have so far.

Disturbing Implication #1: The Special Division knows/knew the location of the Book.

Taneda mentions that a page from the Book was taken to study. This implies that at one point, the Special Division had the Book or knew of its location. The higher ups may still know where it is. There are a few potential timelines here: the first is that the page was removed many, many years earlier, perhaps during the war, and the second is that the page was removed and tested 3 years ago, and Sigma resulted from these trials.

Disturbing Implication #2: Ranpo says the Book was created by something greater.

Something greater than ability users. I suspect this may be something outside their world. At this stage, it seems very likely this "greater entity" is an author - the author of the world we read about (it's Asagiri omg). An author, to the world they write, is akin to a god. I'm kind of joking about the Asagiri thing, but the "author" of the Book is likely someone/something that exists beyond the scope of the world of BSD.

Contradiction: The Book cannot be damaged by flame or ability, but pages can be torn out of it? How?

Beast Information:

Oh boy. Where to even start?

Beast Dazai states that the Book is the origin of the main universe's world, and it contains an infinite number of parallel worlds within it.

"What you write becomes a reality" is actually a misnomer. Writing in the Book calls a parallel world that aligns with what is written directly from the Book. This parallel world will then trade places with the real world.

There is a single physical reality, and infinite possible worlds. The Beast universe exists within the Book, as a possible world.

A version of the Book exists in the Beast universe. However, this Beast version of the Book is more of a weakness. Orders from the real world can overwrite Beast. And anyone who tries to write in Beast's Book will make Beast cease to exist.

Beast Dazai jumps at the end of Beast. This is because if more than 3 people know the truth about the Book, the world will destabilize - it may even disappear without Beast's Book being written in.

Beast Dazai created a singularity using his ability. It's not explained how he did this, but it has something to do with his nullification. He did this to read the memories of real-world/original Dazai - the Dazai who exists outside the Book. (It seems all but given that this is Dazai from the main timeline.)

Though the above conflicts with some of what we know in the main manga, we can take it as fact, I think. The narration is heavy on emphasizing that Beast Dazai is telling no lies in this scene.

Disturbing Implication #3: Any alterations are not inventions but transferrals, which means these events actually occurred in another universe.

This means that the Agency really were the DoA terrorists in a parallel world and they did carry out the plan. They really did take the hostages in this world. Tanizaki really did push the button. This would explain their memories. The caveat of no one in law enforcement believing them might make sense too - they're actually criminals in that world, so they would have no reason to believe them. "Trading places" also implies that the terrorist Agency universe has the terrorists trying to save the hostages like the Agency originally planned to do (potentially).

Sigma is an interesting case. If he really was written into existence from the Book, then he was called from another parallel world - literally displaced from his home. His amnesia likely occurred in that parallel world too.

Disturbing Implication #4: The parallel worlds are more fragile than the main world of BSD.

There is something different about our main universe. The Book that originates here is the real deal. But Beast's (and all the Books from different parallel worlds) leave them vulnerable. These worlds can be destroyed at any time if anyone tries to write in these Books. Only a select number of people can know how it really works before it starts to destabilize. What's more, at any point, someone could write in the real-world's Book and overwrite it entirely, and there would be nothing that any of the people within that world could do about it. And Beast Akutagawa, thinking back on the events of the story, comes to the conclusion that even though his world is "but a shadow", the desires, feelings and actions of the people within it make those people no less real than those in the original.

Beast is a goddamn existential horror.

Character Connections

Now, onto the characters who are known to have some kind of connection to the Book.

Fitzgerald wanted the Book in the Guild arc to bring back his daughter. While this is the first mention of it, given that he got his info from clearly secondhand sources (the prophet ability user or Fyodor, most likely), I don't think he has any sort of deeper understanding of it, nor a more personal connection. Ranpo seems to be figuring out the Book's logistics rather quickly, but I expect nothing less from the greatest detective, and he doesn't have a strong personal connection I can see as of yet. As for Fukuchi, whatever knowledge he gained 36 years ago might be connected... but again, I have nothing else to say on this front, considering we have little else on this (I'm actually more inclined to think it has to do with the war - which may tie in with the Book, but not necessarily). I would also be very surprised if Mori doesn't know something but I have no real evidence for this other than that the man is suspicious as hell. Then again, there's also Tokoyami Island, which "appeared" seemingly out of nowhere and is where Yosano's backstory took place and Fukuchi headed after his argument with Fukuzawa. It seems possible, if not likely, that it was created with the Book. So, let's go over some characters who we actually can expand on a little.

Taneda

Not much to say here other than what kind of research was being done with the Book? Given that Taneda had the page on him, was he the one responsible for the research being conducted on it, or was he just involved?

What kind of research was being done with the page? How were they testing it? The page was blank, so they must not have created anything with it yet. How then, did Taneda know how it worked and that the page would have the same capacities as the full Book?

Taneda doesn't seem to understand the Book completely - he thinks it was created by an ability user, after all, and like everyone else in the main universe he doesn't know the reason the Book requires narrative consistency (that it is pulling from other worlds, not just making anything written come true).

The Special Division likely had the Book at one point, but by the time Fitzgerald comes to retrieve it, it has been "sealed". Did the Special Division seal it? Why and how?

Atsushi

We know he has a lot to do with it. Atsushi and the Book are incredibly intertwined, and the initial conflict was kicked off by a bounty placed on his head for this connection.

He is called the "guide" to the Book. What does that mean? Is he meant to locate it? Unlock the seal? Or is he a guide on how to use it properly?

6 years ago, Shibusawa found Atsushi at the orphanage when he was just a kid and tortured him to extract his ability. He was a researcher who learned about the tiger from Fyodor, who called Atsushi's ability "one that guides the envy of all ability users". And we know Fyodor has been after the Book for a long time, so it's difficult to imagine this does not have something to do with it.

Atsushi is the only character to directly reference a real-life novel in the series and recall reading it. "The head may err but never the blood" and "I only regret what I haven't done" are from the real Nakajima Atsushi's "Light, Wind, and Dreams", a fictionalized autobiography detailing the last few years of the life of Robert Louis Stevenson. While other characters quote their namesakes' fiction on occasion, to my recollection, Atsushi is the only one who explicitly remembers reading the book, but finds himself unable to remember the author's name. Cute reference, or plot significant? You decide.

Atsushi's tiger is heavily associated with the moon, particularly the full moon. For some reason, the other side of the page is to be used at the next full moon and cannot be used sooner. Atsushi's ability crystal, pulled out of him by Shibusawa as a child, is described as "pale and glittering like the moon".

It is entirely unlike the red crystals that form in the Dead Apple separated abilities - including Atsushi's tiger (also red). It is, however, similar to Dazai's, which is white. Atsushi transforms into the tiger to swallow the moon-like crystal - to reiterate, it was outside him when he transformed. What's more, from Beast it's known that this instance was when his ability apparently activated for the first time - how could it do that if it was already removed from him? Later on, Shibusawa tries to take the crystal again and Atsushi's transformation deteriorates, that's true, but bear in mind that Atsushi was convinced that crystal was the tiger, which may have psychologically influenced this. In fact, the moon crystal may not be the tiger at all. It is entirely possible it is something else, and it is likely that which makes Atsushi so sought after. If it is, I refuse to believe this has nothing to do with the Book.

Atsushi's ability is described as the "spark of life that resists all abilities". A reference to his healing factor, perhaps? Or something more meaningful?

He's also referred to as an "angel" by Shibusawa who canonically got his information from Fyodor so... make of that what you will.

Tachihara

This isn't so much about Tachihara having significance in future but more about what his breaking of the page's conditions might mean.

At the crux of this is his split identity - he's a Hunting Dog, but also a mafioso, and his struggle between these identities is his core conflict in the Sky Casino arc.

Eventually, Tachihara, recalling Hirotsu and Gin's words that anyone in the Mafia knows that the Agency is innocent, frantically realizes they have the wrong culprits, thus breaking through the page's caveat that all law enforcement would never believe them, accompanied by a metaphorical tear in the page.

It's intriguing because we don't see this same dramatic depiction later on with the police when Ranpo appeals to them - Tachihara has changed his expected role from police to mafioso. Tachihara is no longer playing the "character" he was meant to play.

He tore out of that restriction in the story. His story line is now on a different path. There are some serious implications of that if a change in character can literally break people free of the Book's reality-altering influence. It is all-powerful so long as everyone plays their expected role in that narrative. Breaking out of that can change the story, even if only minutely.

Sigma

Of course Sigma is connected. He was apparently written into the Book three years ago - which means he came from one of the parallel worlds. (Provided Fyodor is telling the truth about his origins, but I think it would be very strange narratively if this wasn't - at least partially - true.)

I am curious if Sigma will regain some of his memories soon, or if it is even possible for him. If he can regain memories, then they would be from a world within the Book. Or, perhaps his memories don't exist because that world has been overwritten and no longer exists?

Is it possible for Sigma to communicate between worlds using his exchange of information? Maybe this is completely out of left field... I'm just curious what role Sigma is going to play in all this.

It's strange, for someone so obviously connected I... really don't have much to say about him. I just think we don't have enough.

Mykola

There isn't too much to say for certain about him, but I know I was super uncomfortable with his entire speech about birds and cages and freedom being dictated in real-time by the page. That's rough, buddy.

As of this moment, he's supposed to be dead, but somehow defied his fate and is still alive. He decided not to play the role ("character") he was previously meant to, and now he is the cast's biggest wildcard.

Mykola's fixation on freedom at all costs may have some interesting implications for his interactions with the idea of the Book. When his words were written on the page, was the page dictating his speech, or was it merely recording what he was already saying? If the Book is the story, then does the story control the characters, or, as it has been implied by Mykola and Tachihara, can the characters defy the story? When they defy the story, the story changes to accommodate this. Have they really, then, defied anything of significance at all? (For clarity: I don't know if this is where BSD will go with it - in actuality, I'm always confused when people theorize the Book's author is evil and controlling, or that the series will end tragically, given how much BSD loves to emphasize the importance of writing and reading and understanding and living. This is just an example of a few possible questions it may make sense for Mykola to fixate on.)

I don't have a lot to say for certain, but given his need to be free, his connection with Fyodor, and his Dazai-foiling traits, I'd think it very odd if he wasn't involved to some extent.

Dazai

...where to even start.

Dazai clearly knows things about the Book. He appears to know much of what Fyodor does, and it makes me curious as to whether it came up when they first met (whenever that was).

However, main series Dazai doesn't seem to have all the info Beast Dazai does. For one thing, he too echoes that the Book makes all that is written into it become reality. He may know about the parallel worlds within it and could just be lying by omission, but I've seen very little to suggest that this is the case.

Main series Dazai appears to know about certain events long before they occur (not everything though; I need to remind people that he can and has been thrown off/wrong about things before) - notably, most of these planned events revolve around Fyodor. He's been preparing Atsushi and Akutagawa specifically to deal with the upcoming threat posed by Fyodor's pursuit of the Book.

Beast Dazai was somehow able to read the memories of real-world Dazai by creating a singularity with his ability... somehow. It's assumed he must've created it while in contact with the Book (otherwise how else could he have read the memories) but it's actually not elaborated on and we still have little to no details.

If his nullification caused a singularity, then how? Was it a singularity with the Book? Himself? Whatever the Book was sealed with/in? Singularities are still quite mysterious, but they need to involve one of two things - an insurmountable contradiction, or an uncontrollable increase in power with no way to cap it. Given that nullification doesn't lend itself to an increase in anything, it's likely an inherent contradiction.

I think it pretty obvious that Dazai has some special knowledge of the Book; some connection to it. He's been preparing to combat Fyodor for many, many years, and he seems to want to take Fyodor out as quickly as possible. Clearly, his potential use of the Book is a big deal to Dazai and worth putting his full effort into preventing, which is a little odd, honestly, considering he only met him once before the events of Dead Apple. Fyodor must've really made a terrible impression on him.

Where did he come from? There's that post about how Dazai is in everyone else's backstory for some reason, but we don't know his yet. Here's what we do know: He has some kind of connection with the Old Mafia Boss. He wandered around Yokohama for awhile. He's not related to Mori or an orphan he picked up.

While I've seen suggestions that Dazai met Fyodor in the 2 year gap between his leaving the Mafia and joining the ADA, I think there's reason to suggest he may have met Fyodor before he ever joined the Mafia, as a young child. Just bringing it up as a possibility because Beast Dazai's forming of a singularity with it sounded intentional - which means at 16, he would already have known what the Book was. Did he get his knowledge from Fyodor? Someone else?

Why did young Dazai become so listless and unable to find a reason to live? How did he become convinced that he will lose everything he wants so badly to keep when he gets it? Why did he think he could predict everything in advance? Is it just his intelligence and observation? Or is there more to it than that?

While I'm not a huge fan of the "Dazai is the Book" theory (given that it would make him literally inhuman, which I think runs antithetical to his story), on reviewing all this I've come up with a new incredibly deranged and not-at-all-sound theory:

Dazai is the Book's seal. In this essay I will -

Fyodor

First of all, we know hardly anything about him. We don't understand his ability. We don't even know how old he is. He's been with V/the Decay of the Angel for many years apparently... he was involved in Shibusawa's actions... he has some kind of a history with Dazai... he perfected the art of dramatically standing on windy roofs... truly, he's an enigma.

On a more serious note, all we know is that he wants the Book to create a world free of ability users. Free of sin.

This doesn't seem to fully align with Fukuchi's goal. My proof? They have differing concepts of "angels".

Fukuchi's "angels" borrow from the Buddhist concept of Devas and also likely references Mishima Yukio's The Decay of the Angel. Fukuchi tells Tachihara that the angels are the politicians who remain in their lofty seats and send soldiers into war to die. His goal isn't revenge per se, but it does appear to involve dethroning them in a sense. He doesn't mention wiping out ability users nor of having any particular ill-will towards them.

However, Fyodor's concept is closer to the Abrahamic concept of angel, what with the numerous references to original sin, the script for the play in Untold Origins speaking of angels banished by God for their sins, etc. What's interesting is that the play emphasizes ability users as "angels" who have regained some of their prior powers (I find it difficult to believe Fyodor was not involved in the creation of this) - so Fyodor's "sinful angels" are likely ability users. What does this mean for their goals? Are they still aligned? Is the undermining of government necessary for the elimination of ability users? (Also quick note: do not quote me on any religious stuff - I am not religious myself. I do research sometimes but I'm very, very far from an expert ahaha.)

So, now: Cannibalism was part 1 of the DoA's plan, and all the ensuing stages will culminate in the use of the other side of the page.

Firstly, there's the obvious "what will the other side of the page be used for?"

But then there's something else. By the time Cannibalism occurred, the pieces were already in place for the next phase of the plan, where Sigma would steal the page from Taneda. Why then, does Fyodor still claim, on numerous occasions, to be after the Book? The page should be able to accomplish anything the Book can. Either there is something misleading in the information we have been told, or there is something he wants to do with the Book that isn't writing in it. I think the former is more likely but I digress, the latter is still a possibility.

A few more outstanding questions: Why was he spreading info on Atsushi to Shibusawa and presumably Fitzgerald, but not going after Atsushi himself? Wouldn't he want Atsushi as the Book's guide?

What is his connection to the prophet ability user Fitzgerald mentioned - is it him, with his uncanny predictive powers? Is it someone else associated with the DoA? Is it someone in the government? How long ago was this prediction made - was it made long enough ago that this is why V was active in Yokohama?

There's a lot that's very confusing about Fyodor, and I don't think we know nearly enough about him to make proper predictions as to his relation to the Book yet.

Akutagawa

He's only really tangentially related to it through his connection to Atsushi - if any showdown is going to happen involving the Book, you can bet he and Akutagawa will be teaming up for that.

At the same time, Dazai selected Akutagawa as a mentee a long time ago, and he's been planning for them to work together since he met Atsushi, specifically so they can prevent Fyodor from achieving his goals. In Beast, he mentions their abilities form a singularity together - likely that ability to "cut through anything".

I know this may be entirely wild and out of left field but if it can cut through anything... could it damage the impervious Book? Could it even destroy it? Or maybe it could destroy whatever is sealing it? Who knows, but it makes me think they're going to have to destroy something. (Interesting how this runs counter to sskk's need to act as protectors of the Book in Beast... so maybe it will be in defense. It's all so unclear.)

There's also the whole "dragon is the manifestation of the chaos of ability users". Atsushi and Akutagawa are the tiger and the dragon, at odds with each other via rivalry but also in balance. I think it would be very strange if Atsushi's ability were unusual but not Akutagawa's.

In addition to all the above, I am also side-eyeing all the author characters in this series. For one thing, there's very few of them. For another, two of them have died, changing the path of their respective best friends' lives - and in a series that actually... doesn't kill that many named characters off permanently, it's worth taking a look at.

Yokomizo wanted to transcend the boundaries of fiction in his writing to create a mystery that bled into reality - the ultimate mystery. Mushitarou writes to see his friend again, to connect with him through his greatest passion. Poe's ability allows him to take real people and pull them into constructed narratives that can be escaped once they are "solved" - when the story reaches its conclusion. He is also the one who spurs Mushitarou into writing to cope with his loss.

Natsume wrote a few books as well. We don't know completely what they were about (and from my brief research they don't seem to correspond perfectly to his real life novels - might be a reference to Kokoro but the story does not appear to be the same...), but at least one was a series of three novels, with the last featuring an assassin who stopped killing, but Natsume derided these books and said they were not very good. He tore out the last few pages from the third, final book that explained why the assassin changed his path, and gave the book to a young Odasaku with a note "Don't blame me if you regret [reading] it".

Odasaku wanted to complete that novel. It completely changed his perspective on the world and opened his eyes - he re-read it multiple times (if I remember correctly, he also read it over and over to a wounded and exasperated Dazai in TDIPUD lol), and the lack of an ending bothered him immensely, not just because the story was incomplete, but because the scene was necessary to understanding the assassin's character. Odasaku wrote to understand himself and others, because writing novels is writing people. Natsume seemed to think he was uniquely qualified to do so, but Odasaku disagreed, thinking that someone who took lives was in no position to write about them - to understand them.

Odasaku dies. In every universe, and before he gets the chance to write the novel that sits in his mind - except in Beast, where Dazai painstakingly maintained the world to ensure he stayed alive. It seems oddly specific that this one random person should die before having the opportunity to write the story he wished... and I have to wonder if the universe really doesn't want him writing that book for some reason. And if that's the case, then is there any reason (beyond saving Oda from killing) why Natsume encouraged him to do so?

As a bonus, in the anime, Odasaku is the one to title drop "to the stray dogs" as a cheers, which Dazai will later echo. This doesn't happen in the novel... but if you look back at the difference between the anime Book and the manga Book - you'll notice the manga Book's cover is blank. The anime's says "Stray Dogs". Could be something, could be nothing. But it's worth mentioning.

And that's pretty much it for now! As we get more info, I'll continue to update this post. If anything here gives you ideas, please feel free to ramble about it in the tags or comments, or shoot me an ask! I love to read all your thoughts. :)

#this is so long. if you made it through... congratulations! you are probably just as obsessed as i am hgnkvhgvnskf #feel free to add on. these aren't full theories or anything and a lot are just suggestions or open ended questions #i hope this is a helpful reference and at least sparks some interesting thoughts!#bsd #bsd meta #bsd the book #i don't want to tag everyone...#so i won't lol #storyrambles

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bonefall · 5 months

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while i do agree with the sentiment that bloodclan should be more nuanced as an entity i still believe it is wrong to portray them as the necessary "response" to clan injustice (haven't read the books in years but i am pretty sure that bloodclan started with no connection to the clans) / an opposition to the clan's flaws. some of the thing scourge did was out of selfishness and bloodclan isn't the other colour of the black and white debacle with the clans. the clans are heavily flawed yes, but it isn't realistic to completely say that their structure had no redeeming qualities altogether and that all outsider groups is fundamentally better than the clans.

all clans and groups are flawed in their own way and i believe we shouldnt brush past the things that other groups (the sisters and what they do with their toms *cough cough*) did solely to be able to degrade the clans and their culture.

Buddy, you're setting up a strawman. I promise you that if you look into the reduxes I've made of BloodClan, Guardians, The Sisters, and the Tribe, you will see that I don't make any of them a "flawless" alternative to Clan life.

Nor do I say that the Clans have no redeeming qualities. In fact, you can browse the "Clan Culture" tag to see the various expansions I've made to show how these traditions, values, and technological advances make Clan life so alluring.

The overarching theme of BB is that the nature of culture is change. For better AND for worse.

With respect, I think there's something insidious in the wording of "the things the other groups did." We're talking about fan responses to a work that consistently demonizes and degrades foreigners to make the Clans look like the "best way to live," justifying xenophobia. These are not real groups, they are writing choices.

In the franchise with some pretty extreme examples of misogyny, the authors said "What if bizarro world where women rule and have no men... woag..." and only includes a single Clan-alligned member of this culture, with a BAD opinion of them, who can't even do his diplomatic job because he HATES them so much.

In the same franchise that shows Fireheart getting bullied, facing prejudice, and fighting a murderous tyrant who publically executes a mixed-race character, their endgame villain is an outsider, like him, but this one IS a godless heathen who HATES love and friendship and banned families.

In the VERY same franchise which made its first non-malicious group barely able to get through an arc without needing to be saved by Clan cats, totally unable to defend themselves, framed as "whiny" for not wanting their clearly 'inferior' culture to be forcefully changed.

And I'm re-stating all this because, again, no offense to you in particular Anon, but I've been seeing a few people with a sentiment like yours lately. Complaints into a vacuum that don't make targeted critique of anyone's fanworks, gesturing at this broad "woobification" which is apparently out there somewhere over the rainbow, saying things like "well Scourge is selfish" or "well Moonlight abandoned her 13 year old" as if we haven't BEEN knew.

As if we're not all directly responding to these choices. As if I haven't written ESSAYS on this topic.

Since this was about BloodClan in particular though, and you admit you haven't read the books in years, please go back and actually read Rise of Scourge before trying to make critique of the ways fanon rewrites its origin. It's EXPLICITLY a response to the Clans, in the text, that the Erins wrote, it is canon that fanon is working with.

And you want people to take that out and approach it a different way... why? Because it's so incredulous to you that a nation forms in response to a threatening neighbor? That a common enemy through invasions is a way that people might choose to unite, and encourage their new culture to value brutality? Because you don't like the idea of Clan Culture's XENOPHOBIC BATTLE CULTURE affecting surrounding communities??

Could YOU, maybe, be doing this "woobification" thing I keep hearing about? Can I play this stupid game too? What's our stupid prize? Can it be a lollipop? Do we get stickers

TL;DR, ok.

#bone babble #Warrior cats analysis #Warrior cats fanon #Bloodclan #''Ok yes scourge is practically cold war era xenophobic stereotypes and i understand that is a part of canon you dont like.''#''But have you considered. Hes mean''#Yes. Yes i have considered it.#If I get another take like this in my inbox im gojng to fucjing add a scene where he kisses babies and looks at the screen and says #'Mmm wowow thank u for the babygirl juice fire star :)'#JUST to annoy them #People gonna be funny to me? Im about to be Hilarious.#Also ANON just to be clear im annoyed because like. Ive been seeing this around.#Sadly today you are the Genocide Frisk to my Angry Sans u.u #I am taking ur ask and turning it blue and smashing it against walls #Man it would be cool to have bone themed powers... i am a bone guy...#But anon you're fine. Just like. Think about what I said ok?

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bogkeep · 5 days

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Would you recommend the SSSS comic? I know little of it beside the very beautiful artstyle and premise

to answer the question of if i would recommend SSSS as a comic: yes, yes i would.

a description for those who don't know: Stand Still Stay Silent is a post-apocalyptic horror + adventure webcomic set in the nordics (norway, sweden, denmark, finland, iceland) that have been isolated from the rest of the world and gone back to their old gods. the the world outside of safe zones is full of trolls and beasts - humans and mammals that got infected by a horrible virus and turned into monsters. the story follows a ragtag crew that ventures into the old world (derelict denmark) on an expedition to collect books.

the comic updated every workday until it concluded in 2022, and consists of two Adventures. the creator had plans for many adventures with these characters in this world, but ended it after two when she wanted to take a new direction with her life.

what i love about it:

- the art is GORGEOUS. it's been a huge source of inspiration for me. open any page and it's a masterpiece, and you will ask yourself "how the FUCK did she update this FIVE DAYS A WEEK"

- the characters are wonderful and endearing. i just, i love them so much. i am so thankful lalli hotakainen exists he is one of my #1 blorbos forever

- the world is so cool. the blend of chunky sci-fi and norse mythology fantasy magic slaps. it goes so hard. i fell so hard for this comic when i got to the big ferry ship with a viking style dragon head prow added to it. it's everything

- it really really gets nordic cultures. it's difficult to explain all the dynamics and nuances but it just gets it. it brings me as a scandinavian a lot of joy to read a story that speaks to my heart this way. the attitudes, the language barriers, the cultural differences... it was so refreshing to me in a media landscape dominated by american stories. when the pandemic hit, i decided to reread the comic because i found such an odd comfort in seeing how it depicted the scandinavian countries reacting to, well, a pandemic.

- there's kittycats

what i don't like about it:

- the most glaring and obvious flaw is that everyone in the comic is white. there's not a single character of color anywhere, not even i background shots or the prologue. there's no mention of the saami people (the indigenous people of northern europe), either. i believe this was done in ignorance more than malicious intent, but the implications are Extremely Bad and it's been bothering me (AND MANY OTHERS) since day 1. that is the number one caveat i will give to anyone wanting to check this comic out. i've been in the discourse trenches and i am not going to excuse this. it's just bad!

- you can tell in the middle of adventure 2 that the creator has kind of lost interest in the work, around the time when she found jesus i guess. like, very few people can keep up work on the same creative project for years and years and years and i think it's fine that she wanted to drop it, but it's a bit sad to see the comic dragged to its end like a limp corpse, and feeling like the creator no longer really cares about the characters.

- minna sundberg has said and done some questionable things, presumably gotten somewhat radicalised over time, and has also converted to hardcore christianity which is what her new works are about. there's nothing about this in SSSS - there is a moment of christianity represented in the story in a sort of mythological sense, just like the other religions, but this was written before minna's conversion. her new works... are a Choice. i have much to say about them, and i have, and im not gonna rehash it now.

SO YEAH hopefully this will help you take an Informed Choice! i got into this comic in 2015 and was deep in the fandom and it's for better or for worse part of my soul foundation now.

i also recommend A Redtail's Dream, minna's "practice comic" before SSSS, based on finnish mythology and the kalevala.

#stand still stay silent #might as well tag this if i wanna dig it up later

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canmom · 12 days

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reading Brainwyrms by Alison Rumfitt. it's interesting. clearly part of the post-Topside wave of trans lit, with the same 'plugged in to twitter' energy, but way more British about it. which means most of the allusions are very transparent to me. it's a combo of... hardcore kink driven romance as the main arc, in a near-future setting in which TERFism goes further to the point of outright bombings, and a scifi element with alien brain parasites that it's gradually building towards.

compellingly written, I'll give it that for sure - I lay down to read for a bit and before I knew it I'd read like a third of the book. the main character's disaffected, traumatised air is well observed, and the kink doesn't hold back.

I think my reservation with it so far is that it feels a little too much like a polemic blog post about the way things are going. the MC Frankie is a trans woman with a pregnancy kink who survived a bombing at a GIC and now works in social media moderation - it's all stuff that is blatantly Relevant To The Argument, as it were. it's tricky to criticise it for that because it's like, what you're saying is that it's tightly constructed and thematically consistent and that's bad somehow? but I think I've come to feel that I like fiction to bring me something a little new and unfamiliar.

the chapter I most enjoyed so far was actually a more metaphorical, abstract interlude, in which resistance to fascism is cast as becoming 'one mass of queer flesh, which now grabbed and clawed...'; 'faces locked in kisses until they became one face. the cops would try to pull at this mass, but to no avail'. very 'faggots and their friends between revolutions' stuff.

the chapters which are presented directly as social media posts and articles are also sharply observed. i think a lot of fiction in which the internet features heavily suffers from not understanding the internet very well (Hosoda's Belle for example), but for example the chapter 'Curious Cat' where an anonymous person (blatantly Vanya) is sending messages asking for help with a parasite, and getting rebuffed or misunderstood, and the chapter where Frankie relates a murder of an instagram model by a stalker who posts about it to a reddit community devoted to her, read as very real.

a lot of the story is about responding to a terrifying political situation in sexual terms - a flashback chapter depicting Frankie having sex with some terf's pretentious brother ("with each thrust from him, she thought to herself, I am a traitor, I am a traitor to the cause"), or the preface which jokes about how in another world the author would be writing 'cool horror stories about vampires raping werewolves, ones with no subtext at all'. I prevaricate a little on whether this is a compelling examination of a theme that I do find interesting (the mysterious origins of sexual desire) or just edgy for its own sake.

this is an odd novel for me in some ways because while on one level, this is about people who I could very easily be a single degree of separation from were they real, it's also about a facet of life that is still quite alien to me and in many ways I only know about second hand. I've never been to a kink club (that wasn't in an MMO anyway lol), I'm way too much of a nerdy autist shut-in to know what it's like to be someone who would feel put out if she hadn't had sex in a week. so even before the parasite stuff, it's hard to know how much of Frankie and Vanya's stuff is real, and how much is fantasy. is this really how things go between people? it sounds kinda fun, but unlocking the door this far has already taken years.

when I've read books about the crazy lives that American trans girls supposedly live and interesting sex they're apparently having, they've been at a certain remove, the other side of the Atlantic. and this book feels sort of similar, even though I know it's set right on my doorstep. idk, I've never been good at this.

anyway I don't think I want to write fantasy novels so directly about The Discourse of the day, but it's probably good that someone is. that said, it's hard to parse like... ok, it's titled brainwyrms, and 'brain worms' is a common way of describing an obsessive, cultish idea you receive from the internet.

and like if you look at the newspapers, or twitter trans discourse, you certainly could believe that this country is on a rapid slide to putting us in camps. however, my day to day life has been... it's not without hostility, but the average street harasser isn't doing it because of a Guardian or even Mail article. this country has a subculture of deranged weirdos who hate our guts, and a political class who will happily stoke culture war shit to score points, but most normies I've met don't care one way or another that I'm trans - they might mention a family member or friend they know who's also trans. the day to day conflicts are over way more prosaic shit, the landlord vs tenant forever war, or how the kitchen should be cleaned. which of these windows is more informative of the 'overall' state of affairs? not that a more violent terf cult is a bad premise to write a novel around, but a sense of impending doom is a pretty powerful mechanism to keep you scrolling, right?

like in 20, 40 years - will the terfs really be bombing the Tavistock and banning transness, as Rumfitt imagines in her near-future setting preface? or will they go the way of those newspapers in Thatcher's time who smeared the gay movement, just as they smear us today? of passing political obsessions like 'new atheism'? I don't know the half-life of cult shit.

anyway, time to read the rest of the novel, and see how it handles this brew that it's concocted.

#fiction #sff #novels

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genericpuff · 24 days

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Since you have mentioned your own original webcomic has time travel, do you have any advice for people who want to make comics or simply write stories that deal with time travel?

Could be any kind of time travel, like time loops, characters traveling to the past/future, dealing with paradoxes, etc.

Short answer: don't LOL

Long answer: Obviously if you wanna tackle time travel, go for it, but the first and most important rule of any time travel is to establish your rules. How does the time travel work? And how will you commit to consistency?

Some basic time travel rule structures include:

Clone travelling - This is the most common form of time travel that's used the most. When you go back in time, your past self is present alongside your present self. Examples include Harry Potter and the Prisoner of Azkaban, Doctor Who, and Austin Powers.

Singular consciousness travelling - This is one I've only seen used a couple of times, and the only one I can think of off the top of my head is Life is Strange, but what I like to call 'singular consciousness travelling' is the form of time travel where instead of travelling to a point in the past, you return to a version of your past self, fully aware of the future that awaits you but 'stuck' within that past to live out the timeline in real time again. Though it's not as commonly used, it's one that will typically present less paradoxes as there are less moving parts to worry about. Prophecy storylines also use a similar philosophy to this, albeit without the literal time travel and more so 'time travel' via premonition (could we call Raven from That's So Raven a time traveller?)

Loops - This is a form of time travelling seen in media such as Groundhog Day, where a person continuously travels back to the same point in time over and over again to relive the same events until they can somehow break the loop.

There are loads more of time travel structures I could go over, but those are three of the most basic. Regardless of which structure you use, you have to be willing to commit to it. It's like choosing a writing perspective and tense, if you choose third person past tense ("he said, she said, they said"), then suddenly switching to first person present tense ("I say", "I do", "I feel") without any context to establish that switch will be jarring. Make your rules, and if you have to break them, make sure they're broken for the sake of the story (ex. if you present some sort of plot twist to reveal the 'true nature' of the time travelling plotline).

Here's a great video that goes over some different time travel plotlines from movies/books/etc.:

youtube

As for my original comic, we go for the time travel = multiverse theory approach, where any changes made to a timeline in a past state will not change that timeline's future, but rather, create a new timeline where those past changes are true and written into the script, essentially relegating every single new timeline to a parallel universe. This is essentially how it's done in Avengers: Endgame , but instead of characters abusing the laws of quantum physics to travel back in time, it's characters abusing a magical book of diary entries that are primarily used by the main character to help him control and guide his time travelling abilities. Every diary entry essentially serves as a roadmap for him to find his way back to his home timeline from which he disappears every time he jumps. Much of the story is written entirely atop a paradox, specifically the bootstrap paradox:

(because if there are gonna be paradoxes no matter what you do, may as well have fun with them!)

There's a lot more I could go into regarding that, but for the sake of sparing the handful of Time Gate readers here of spoilers, Time Gate's laws of time travel dictate that you can't really change your past, just the future for other versions of you that you create when you try to change things.

All that said, I will say that in most cases, thinking too hard about any time travel story will cause it to fall apart, because time travel is a fictional trope that relies a lot on logical sequencing of events to work. So you kind of do just have to 'let it go' and have fun with it - but having rules to stick to will make things less of a headache for everyone, especially when it comes to telling a coherent story. Even my own criticisms of LO's time travel really don't matter in the end, because LO's problems go far deeper than some cheaply-made time travel and any of the time travel problems in the story will undoubtedly be explained away as "timey wimey shit". I'll still be pissed about it, but time travel isn't real (at least not for you) so it's not worth getting too bogged down by. Just do your best to tell an entertaining and coherent story.

#ask me anything #ama #anon ama #anon ask me anything #time travel

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dragonfoxgirl · 5 months

Text

I started to become aware of the life I've built up. I have transformed into a character from a book I'm not entirely sure I've written myself. But if this is the case, my creator has certainly placed me in one of the strangest, happiest chapters.

I've become a house witch. Surrounded by her animals, plants and colorful trinkets.

I create with my hands. My eyes, the window to the worlds inside me.

I cover my body in colors and comfortable fabrics and bask through the mornings in bed with my three cats, my dog and my amazing fuzzy rabbit.

I walk barefoot as much as I can. Naked as much as I want. I lay on the cool floor, stretch like a cat and relishing in every single crack and pop from my achy back.

I drink terere like it's a magical potion and it may as well be in the sense that every zip is like drinking the scent of fresh soil.

I go out for no reason at all. I take my rabbit with me, sometimes my dog too and we sit at the supermarket bench enjoying the breeze of the door ventilators and people-watch.

I talk to them too. The ones brave enough to approach the crazy lady with a rabbit and dog in her lap. I see myself as the coocky zanny character they'll go tell their spouces about later.

I relish in the moment of being the magical creature in young children's minds when they see me in my rainbow hippie-ish clothes and walking my bunny on a leash because I know they'll recall my image for the rest of their lives while reminiscing about their childhood.

I enjoy my food unapologetically like an animal. I dig my teeth into my guilty pleasure burgers while whipping ketchup with my arm.

I've got a bird living in my bathroom as I raise it from a fledgling. A pigeon who takes showers with me. I talk to my plants as if they're my children.

I have lost the need for a standard and majorly consistent routine. I've created my own because I live and work for me. Me and my children, ofcourse.

I've become somewhat ... adapted to my limitations. But from that, I've embraced what I've accomplished and I've expanded them into real-life fantasies.

Maybe I'll never have the classic happy life. Maybe I'll never call anyone husband or work in a studio. Maybe I'll never drive a car or have many many many friends.

Maybe, I'll never dare to step outside my comfort zone in a major crazy way.

Because I don't want to risk this. This life I have. This autonomy. This freedom. This leasure.

To be crazy, messy, wild and fantastically deluded. I'm supposed to be!

I'm the crazy neighborhood lady. The witchy aunt figure that teaches you how to throw clay and lose your fear of bees.

I'm me. This me that exists for now.... and when that starts to change as I move to the next chapter... God I hope it still feels like it.

#artists on tumblr #neurodivergent #spirituality #wild woman #witch

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emojiglyphics · 1 year

Text

Emojis aren’t Hieroglyphs. But they could be. Because I have insomnia.

🌊📰🐍 1 🦉🥞📰⬇️ 🦉 🎵🐶📰👕🕛 🐶🐰🐰😩

🌊💡🕛 🦉🚶 🥞📰🐶🐰🐶🤔

🌊🦘😩 🦉📰🐶 🌊🐰😩

That’s the opening to Poe’s The Raven. It doesn’t represent the story, it says the words. Those are two different things, and I can prove it.

Two presidents ago, when a large segment of the population was still acting like emojis had just been invented, people used to call it “modern day hieroglyphics.”

And I got very “akshually” about it because part of why we’re able to read hieroglyphs is because it is a written language, but emojis, of themselves, are not.

Sure, you can “tell” a story with emojis, but you can’t read them the same way you read a sentence. Everybody who looks at them is going to say a slightly different explanation, whereas with a written language, everybody will say the same exact sentence when reading it aloud (in theory, there are valid exceptions).

It’s not that I’m afraid to put emojis on a pedestal, but rather that I think it diminishes the Egyptian language.

But anyway, it did get me thinking about how it might be possible to actually write English using emojis, treating them like Egyptian hieroglyphs.

Modern languages are generally written with characters that represent sounds, or characters that represent whole words at once. Even in written languages that use both (like Korean and Japanese) generally use separate sets of characters that are either phonetic or logographic.

But Egyptian was a little more free-form. The exact same character can be used to stand for a sound, a broad concept, or a narrow concept, and even a whole word by itself. And the phonetic ones might represent one consonant, or they might represent two, or three! And sometimes, if you have a double or a triple, you can tack a single at the end to remind the reader of what the extra sounds are. So you can’t even save space that way. Go figure. But then again you’re usually not worried about space because there are no vowels! I know that we’ve all been told that the Vulture is an A and the reed is an E, but this is not really the case. These letters are consonants for sounds that English does not have. So we make it kind of a fairy story that lets 1st graders write their name in “hieroglyphs”. It also makes it more convenient for Egyptologists to pronounce them.

But how on earth does this work? With each letter potentially representing so many different things, how do you read it? Well a typical Egyptian word will be constructed like this:

1. A group of glyphs acting as consonants, usually the shape of the glyph is a clue to the sound it makes

2. If needed, some extra single-sound glyphs to act as a reminder if the word happens to have any doubles or triples

3. A glyph which gives a general idea of what the word is probably about

So for instance, if you saw something like: “grp (food)” you’d be like, “guh... guh-ruh-puh, grup-- grape!” Of course, educated Egyptians wouldn’t have to sound words out like that because once you have spellings memorized, reading is basically reading.

So now we come back to The Raven. Let’s say we wanted to respell some words using emojis in a hieroglyph-like system. We want it to be consistent enough that readers can pick up new words, but no system is perfect, especially not for a language with as many trap-doors as English.

Let’s break down the first word in the Raven, “Once”, looking for consonants, concepts, but not vowels.

The first consonant is W. And it’s definitely a consonant and not just the “oo” sound. Don’t believe me? Try making the “w” sound without raising the back of your tongue. Now make a real “w” sound and leave your tongue in place while trying to say “too”. Doesn’t sound right. So now we scan through the available emojis, and we see 🌊 , the wave. Wave starts with a W sound. That can be our W emojiglyph.

The next sound is N. We see 📰 , the newspaper. Perfect.

The final sound is the non-voiced S. So we need to find an S emoji. Some of you may be wondering why we’re not looking for a C, and the answer is because we don’t really care how the word is spelled in English. That’s just the 1st grade swap again. We care about the sounds in the word. And the sound at the end of “once” is S.

We find 🐍. The snake. Love it. The word snake starts with an S sound, and snakes hiss. Very easy to remember.

So now we have 🌊 📰 🐍. But it’s missing something. We just have W-N-S. That could also spell “wince” or “whence” (in most accents). We need to add a determinative, a conceptual glyph to let people know what the word is about and narrow it down. In this case it’s easy because the concept is the number 1.

🌊 📰 🐍 1

Boom!

Next word: Upon

Little bit of a tricky point here: If we are super strict about the rules, we will have a word which is spelled P-N. That’s just too vague for my tastes. Let’s bend the rules and give ourselves a clue that the word begins with a vowel.

And what rhymes with vowel? 🦉Owl. BOOM. For the moment, the owl is only for indicating vowels at the beginning of the word. I don’t want to deviate from how hieroglyphs work too much. But even just an initial-vowel indicator hugely improves readability. .

Going through the process again, vowel-P-N (downward)

🦉🥞📰⬇️

🌊 📰 🐍 1 🦉🥞📰⬇️

Once upon

BOOOOM.

Something else that the rest of my spelling has in common with egyptian: exceptions. Not all the words above have a determinative at the end. Sometimes the spelling alone seems clear enough.

One final thing I want to make clear; for something like this to work in the real world, it would need to be made consistent. Right now, it feels kind of like a sandbox for creating puzzles, but a written language should not, by design, be puzzling. A language is a contract we enter into. You and I agree that Apple means Apple and sounds like Apple and is spelled Apple. Although there’s no shortage of exceptions, that’s what languages are usually trying to be. So although there’s no reason to necessarily pick the Yarn over the Yin Yang for Y, or the Newspaper over the Nib for N, it’s something that a formal system would want to lock down.

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cr-pisacs-evil-brother · 8 months

Text

Pathologic Bachelor ARG Megapost

This post is a culmination of months of (mostly my own) research into the Bachelor ARG. For far too many days and far too many hours, I’ve been doing my best to solve this, with the help of a few other people. I looked very deep into most Fyodor Vitin posts, played through The Marble Nest several times, looked extensively through the Pathologic wiki, and read/analyzed countless outside sources for this post, and I will link as many of them as I can. (If there are links that you think would help the ARG that you’d like included in here with credit please let me know.) For any people that are credited, an “@” before their name implies that it’s a Tumblr username, while a “u/” proceeding their name implies it’s a Reddit username. I have discovered and analyzed dozens of leads, some of which are more likely to be important or intentional on the part of IPL than others. The primary purpose of this post is to give all of you Pathologic fans new leads and theories to analyze in pursuit of solving the mystery behind this ARG, so many of the things within this post should be looked into further! With this post, I will lay out my findings in a series of sections, all of them having several connections to each other. This post is more than 10,000 words and is not meant to be read all at once, so feel free to read sections, take breaks, re-read sections, or skip around if you'd like. “Observations, Research, Analysis” is a vast majority of this post and consists of observations made about the ARG material, as well as any research I did into those findings that bore fruit, and analysis/connections to other things. The additional notes section consists of some of the conclusions I’ve reached after putting all of my evidence together, as well as some connections I didn't really make in the previous section, but keep in mind they’re still just theories so they could obviously be wrong. I would like to emphasize that I am not a native Russian speaker, but I did have many native Russian speakers helping me along the way, and in particular, I’d like to thank @kurury-chan for her massive help with this. She transcribed the newspaper for me, provided tons of consulting, translated many other Russian sources, and actually went out of the way to go on an irl tour of a certain ARG-related location to see if my theories about it could hold any ground! Because I'm not a native Russian speaker, the sections where I'm required to analyze Russian text (notably the newspaper section) will probably be the least interesting and I'll probably end up making a lot of points that aren't valid. Additionally, I’d like to thank @cryingsyren (who also happens to be my bf) and @ded-not-ded for their help. As for formatting, since Tumblr doesn't have tiered lists for some fucking reason, all main points will be written as bullet points, and any sub-points within that bullet will then have numbered points afterward. For example like this:

The first main point about a topic

Sub-point of the first point

Second sub-point

The second main point about a topic

I'll either do that or I'll do it like this:

First main point

First sub-point First sub-sub-point

Second sub-point

Second main point

Edit 1: I've had to revert much of the Chat text (the font I used for the sub-points above) to regular text because of a formatting glitch that irreversibly changed most of the Chat text to bold, which was very confusing.

Depending on which looks better in the context of the points. Because that formatting is so awkward and clunky I'll try to minimize the use of tiered lists as I convert this from the Google Docs format to the Tumblr Format. Most of the time that I use tiered lists here it's to deal with the character limit Tumblr has on single blocks of text within a post. With that out of the way, let's just get into the post.

Observations, Research, Analysis:

"The Accident" Fyodor Vitin post

The first thing I noticed about the newspaper when I took a good look at it was the use of bolding with certain letters. If you look at the Newspaper you’ll also see ink splattered on the page in several areas, which could be a clue toward noticing the bolded letters, or it could be something else I’ve yet to discover. I knew I wouldn’t be able to transcribe the entire newspaper by myself, not being a Russian speaker (although I’ve just started learning!) so I enlisted the help of @kurury-chan, a native Russian speaker, and she transcribed the entire newspaper for me in Cyrillic. After getting this transcription I went through and spent a couple of days looking for which letters were bolded, writing them down, and coming up with possible translations/meanings. I’ve come up with lots of possible meanings for these, but for many of them I couldn’t figure anything out, and I’d love help if anyone has any idea what they could mean! To me many of them seem like word fragments that are simply missing one or two letters, and so in the document where I list all of the bolded letters I put some words/phrases that are very close to the seemingly fragmented words. Once again keep in mind that, while I’m trying to learn Russian, my understanding of the language is still rather weak, so I may have mistranslated some of these. Another small detail to mention is that there’s a prominent crease on the left side of the paper that runs through a decent portion of the bolded words. First, I’ll start with the bolded letters on the left side of the page. I may have missed a couple, and I may have written some of them down as bolded when maybe they aren’t supposed to be seen as such.

Here is a link to a list of all the letters I think are bolded on the left side, which lines they’re on, and possible meanings, many of which I’ll be discussing here. I will not go individually through what I believe all the bolded letters mean, but I will go through and explain the ones I think are most meaningful and important, as well as some connections I’ve made with them. And here is a link to the original Russian transcription and my best attempt at an English translation.

It’s possible that the crease that runs through the left side of the paper and notably runs through many bolded words somehow denotes that those particular bolded words are special, or perhaps that they should be seen as separate from the other bolded words.

Line 15 has a rather interesting bolded phrase, because it actually appears to make a somewhat coherent 3-word phrase, but one of the words seems to be a surname, “Pepe.” Additionally, the crease on the left side of the page starts right above the word “ПЕПЕЛИЩЕ” in the title, and splits it so that “ПЕПЕ” is separate from the rest of the word. (ПЕПЕ is Pepe in Cyrillic.) If you want to know what the non-Pepe words say, skip to the next bullet point, because the rest of this one is my analysis of the ПЕПЕ part. So, of course, I looked into the name a bit, looking through all notable historical figures with the last name, and found one that I think is of special interest: Guglielmo Pepe. Born in the small ancient town of Squillace, Pepe entered the army at a very young age, and was an Italian commander during the early 1800s, but his military career was fraught with trouble, as he also had rather revolutionary politics, which angered both the government he was serving and many of his peers, and he was exiled on several occasions. Upon Pepe’s return to Italy at the age of 30, he was given the rank of general. After this, the most notable events in his life would largely consist of his attempts at going rogue in revolutionary attempts to change the existing power structure, for which he was usually punished. (It’s also perhaps worth mentioning that his brother was part of the attempted French invasion of Russia.) All of this is to say, Pepe obviously shares some striking similarities to General Block, perhaps the most striking of which is his status as a 30-year-old general, which is an aspect of Block’s character that is highlighted several times. So, of course, I looked into Block’s character a bit more, and discovered that in the Russian version of the game he is called “General Ash” instead of “General Ashes.” “Strange,” I thought, until I saw that in Russian, Ash is “Пепел” which is pronounced as “Pepel” for anyone that isn’t familiar with Cyrillic. If we look into it, we do see that the letter after the Пепе is л, but it is notably not bold. This is, if you're counting, two separate times in this paper where the plural for ash, пепелище, is split up so that only the пепе is emphasized. As for other connections between Pepe and Block, we could look at them both harboring some revolutionary tendencies and being punished for it, both by The Powers That Be and his peers. General Block also tells Artemy that he was born in a town not too dissimilar to the Town on Gorkhon; this is interesting because there are some connections to be drawn between Squillace and Gorkhon, primarily that both of them preserve the beauties of ancient times that have all but been lost to most people. Related to this, it should also be noted that I believe the plot of The Marble Nest was heavily based on the plot of The Seventh Seal, which is the same movie that inspired the character Alexander Block.

The rest of line 15 is also interesting, but I’m not sure exactly what it’s supposed to mean yet. It translates to “Heaven on Pepe” basically. I consider the “Pepe” part to probably be the most important, since there’s a large crease that runs through it, which I think probably denotes a level of importance? The line’s meaning might be related to the fact that “heaven” is sort of a synonym for “utopia,” or the character that Block is based on is the protagonist of a movie that revolves around the ideas of heaven and Christianity, which is something we saw very briefly with Block in Pathologic 1. If you have any ideas please post about them and tag me, or simply comment/reblog this with your ideas!

Line 1 and line 18’s bolded letters both start out with “ов”, and for my English speakers out there it is pronounced sorta like “ove.” ов is interesting because if you translate it as о-в it actually is the shortened form of “island” in Russian. Line 1’s bolded letters read as “ов попо”, and for people not familiar with Cyrillic попо is basically “popo.” There are, apparently, many Popo islands in the world, and I couldn’t find one that I think directly connects to the ARG or Pathologic, but maybe someone else out there will, or perhaps that line has a different meaning to it. As for line 18, it says “ов испустивших” and according to Russian wiktionary, the second word is one letter off from the word “Emitted.” I looked a bit deeper, though, because that didn’t satisfy me (why would they use the incorrect spelling of a word after all?) and I didn’t see much, but I did find two things that used the exact word “испустивших” that interested me: A Saudi Arabian newspaper that has been translated into Russian, as well as a Russian poem from 1777 celebrating the birth of Grand Duke Alexander Pavlovich, also known as Alexander I of Russia. The latter is more interesting to me for numerous reasons, the first one being that it might serve my theory about the connection between line 1 and 15, as line 1’s bolded letters end with попо and line 15’s end with пепе. The connection is weak, too weak for me to make it a separate bullet point, but strong enough for me to want to explain. So, as we know, there is a connection between line 1 and 18, it’s what this whole bullet point is about, and this theory (using the term “theory” loosely) relies on us seeing them as very closely connected. Basically, Alexander I was the ruler of Russia during the French invasion, which is interesting because, if you’ll remember, Guglielmo Pepe’s brother, Florestano Pepe, took part in the French invasion. This, to me, is an interesting connection, but I do admit it’s definitely a reach.

That’s where I’ll stop talking about the bolded letters on the left side of the paper. If you’d like to see what other bolded letters there are, what they could possibly mean, and try to decipher the meaning for yourself please go to my linked Google Doc(s).

As for the right side of the Newspaper, there are some bolded letters, but I can't seem to make much sense out of them, and by this point in my research I was starting to pursue more promising ARG leads, so this section is rather incomplete. Just as a reminder, the right side of the newspaper is an advertisement for a lantern/kerosene shop. I personally think the right side is more interesting than the left for a couple reasons, but most of them are either self-evident or will be discussed later.

The lantern on the right side of the paper is the same model that’s used throughout the Haruspex’s route, but most notably it’s used a ton during The Marble Nest as set dressing. And when I say "a ton" I really mean it.

I also remembered vaguely an unused lantern item found in the game files of Pathologic 2, so I went to the Pathologic wiki to look for it, and surely enough the exact lantern used by Artemy, the one that appears so many times in The Marble Nest, is also an unused item present in the game files. When using console commands to give yourself the item, you’re able to click on it and select the “touch” option, upon which you’ll see the number 6192355001378070 where the name of the item should be, and 6192355001378072 where the touch text should be. I’m not sure exactly what these numbers are supposed to mean; my first thought was that they seemed long enough to be coordinates, so I put them into google maps and it does lead to a location in Russia! Nonetheless, the numbers are a little bit too long to make sense as cohesive coordinates. Still, it might be something worth investigating. You'll see later in this post just how significant numbers and number patterns are in this ARG.

The word used to describe one of the victims of this inferno, “academician,” has sorta interesting connotations in countries that were once part of or heavily influenced by the USSR. This person is referred to as “Mr. F.L.” in the article. This guy is also said to be a historian and a “бытооописателя,” which as you can probably tell by the fact that I’m not using the translated English version is a weird word. Perhaps the strangest thing about this word is the fact that it clearly has 3 o’s where there should only be one. The actual meaning of this word is odd, as it’s very rarely used, and according to all sources I could find (including native Russian speaker and linguistics enthusiast @kurury-chan) it is either an archaic term for a historian or a term meaning “writer of everyday life.” I’m honestly not sure what that means, and at first, I thought it meant something like a blogger. The most complete and coherent definition I could find describes it as “author of works describing everyday life.” A different translation I found seems to say it means something like "chronicler," which I suppose makes some sense.

In the bottom right part of the paper, you will notice what at first appears to be a signature. Admittedly I had almost no hand in this part of the investigation, except for the isolation and upscaling of the text. Most of the work here was done by @cryingsyren with some help from @kurury-chan and @ded-not-ded. Here is the image that I got for them of the text, and here is our current interpretation of it: It at first seemed to be Russian cursive (and it probably is supposed to be), which complicates things quite a bit, and @cryingsyren spent a couple days trying to figure out exactly what it says, (with some help from @kurury-chan) and as far as we can tell it’s four letters, which are separated into either two or three sections. I think we have a decent grasp on what they’re supposed to be in Cyrillic, but the interesting thing is that they do look a lot like both Russian and Latin cursive. I’ll describe them now using what Latin character they look like in quotes followed by what Cyrillic character they look like in parenthesis. The first section is an “M” (М) and a “K” (К), which are very clearly connected. The next section is either an “H” (Н) or an “H” and an “n/u”. We’re not exactly sure whether the H and the n/u are supposed to be connected, but the n/u being lowercase seems to imply it is. The interesting thing about the n/u is that, while it looks like it could be a Latin n or u, it also looks like it could be a Cyrillic и, which is the italicized version of the Russian letter и. It seems all too coincidental that all of the letters they used have almost exact visual counterparts in the Latin alphabet. At the moment our working theory is that it could be initials, and this is where I come in, because for days I knew I recognized the "MK" part of the signature, but I couldn't remember exactly where from until today. For anyone that has played too much Pathologic Classic HD like me, you may recognize the "MK" signature from the center of the loading screen in that game, scrawled in a way that most people wouldn't pay attention to it, and certainly that most people wouldn't have it committed to memory like me. During the roughly 170 hours I've spent playing the game I've probably looked at that MK more than I've looked at my youngest brother. This presents the question, who is MK? Well at first I thought it could be Mr. Katzman, as referenced in the "Mask" post, but that didn't seem right to me. This is when the fact that so much of my brain is Pathologic lore facts came to help again, when I remembered state inquisitor Mark Karminsky, who you may remember as being one of the men people thought would come to the town before Aglaya Lilich showed up. As for the rest of the writing, I'll leave that up to you guys to figure out.

Something to note for later on: We know there to be 19 inquisitors when Pathologic takes place, and in this ARG the number 19 becomes very important with later clues.

"Mask" Fyodor Vitin post

Arguably this is the Fyodor Vitin post I’ve done the most research into, and it eventually led me to develop a very deep and passionate interest in the Buryat peoples that has so far caused me to read several books and around a dozen academic papers about them. I haven’t only done research into the Buryats for this post, though, because although the Buryats are the primary inspiration for The Kin, they’re not the only inspiration. Despite all of this research work, this section will be rather short because I’ve already been through and exhausted most possible leads I’ve found, and this is what remains. Since the post is in English, and I think everyone that follows me presumably knows English (если вы не говорите по-английски, я хвалю вас за то, что вы зашли так далеко) I won’t summarize it, so I’d recommend reading the Vitin post and then coming back.

We see in the post the mask of “Muu Shubuun,” which we’ll immediately notice is almost the exact same mask as is used by the Executors in the game. Actually, in the Marble Nest, you can acquire the Executor mask, and its touch text reads, “The mask of Muu Shubuun, ‘the wicked bird.’ Part of the Reaper costume from the local theatre.” I have found several different sources that lead me to believe this is based on actual Buryat folklore, however, I’ve heard several conflicting accounts on whether Muu Shubuun is an evil spirit that tricks people by taking the shape of a beautiful woman, or if it’s closer to what we see in the game/ARG, but both seem to be documented as existing within sources on the Buryats. I think this confusion between the two likely means the stories and connotations associated with Muu Shubuun vary based on different groups of Buryats. An alternate spelling I’ve seen used is “Mu Shuvuu.” Possibly related to this is the character “Shar Shuvuu” (which means “eagle owl”), who appears in The Marble Nest during the “marriage” scene in the steppe camp behind the cathedral. In fact, a surprisingly high number of NPC characters in this DLC are named after birds.

The phrase used in the post to describe a seasonal festival, “dosoo ba beshē tēēhēē” is where I’ve devoted much of my research, with most of that research being from about a month ago. Only the third word in this phrase, beshē, appears as a kin word in the games as far as I know. However, we can use a method here that people in the Pathologic community have been using for years to figure out the meaning of kin words: Most of the steppe language in the game is based on one of many languages: Buryat mostly, Mongolian sometimes, Tibetan sometimes, and some parts of it also take inspiration from other languages of similar origin to these. A majority of the language seems to be based on Buryat, and many Kin words come straight from the language. A few words in the game seem to be made up entirely by Ice-Pick Lodge, and many are based on words from the aforementioned real languages but tweaked slightly, as if to indicate that the steppe language spawned from those languages but has some distinctive elements. To determine what this phrase means, I tried my best to dig into the languages and find parallels:

“Dosö” in Buryat means “inside”

In Mongolian “dooshoo” means “down”

In Mongolian “ba” means either “and,” “we,” or “sorcery”

In Tibetan, “ba” means “cow”

“Beshē” in the game’s steppe language means either “not” or “other”

The prefix “të-” in Buryat means “to transport”

In Mongolian the prefix “te'e-” also means “to transport”

As for the “-hee” part of the word, I have not found a single source that could tell me what it means. I’ve found several Buryat words that end in “he,” but I can’t seem to find a connection between them strong enough to suggest what it denotes.

Upon first seeing this festival mentioned, I believe I commented somewhere on the Pathologic subreddit that it might be the same one we see in the Kin’s camp behind the cathedral in The Marble Nest. While I’m not 100% convinced still, I also don’t doubt it that much. One interesting thing to note for any people that might wanna investigate this in the future is that I’m pretty sure what we see in the Marble Nest is the same thing that Nara and the Haruspex perform in the abattoir, as they both seem to happen on day 10, and if you look close you can see that Nara is the one that is cut open in The Marble Nest. Seemingly with the Haruspex gone, there is no one that knows the lines and so the ritual doesn’t go as smoothly as it could.

“Messages” Fyodor Vitin Post:

This particular Fyodor Vitin post is the third one, which if you know Ice-Pick Lodge certainly has some importance to it. The post is a series of letters and images, one depicting an Executor and one depicting Voronika Kroy, who's a minor character in Pathologic 2 and the main character in the Pathologic Feverish Feelings ARG. The letters detail how the recipient’s reports about Voronika Kroy have been seen and have started an investigation by the Federal Bureau. What’s most interesting to me are two things: the jumble of (Latin alphabet) letters in the bottom left, and the number used within the letters (the post-card letters in this case).

The number in question is “196-17-1” which is apparently the case number used for the Voronika Kroy investigation. This number will be more important later in relation to other clues. One interesting thing I've found is that the RGB value for 196-17-1 is a deep red.

The jumble of letters at the bottom of the picture is “eiamrucdvrturxoevecid”. It is 21 letters and can be divided up into chunks of 3 or 7 letters. 3 and 7 of course being Ice-Pick Lodge’s favorite numbers. Up until this point, it has been assumed that this is an anagram, and I have no reason to doubt that. It has already been pointed out in the Pathologic subreddit that the words “Executor” and “Corvid” can be found in the anagram, as well as the Latin words “Cura”, “Curare”, “Curari”, “Medici”, and “Vivam.” Credit for finding the Latin words goes to u/apostforisaac who is apparently studying Latin at university! Additionally, u/Own_Sympathy_9814 deduced a possible meaning by unscrambling the anagram and finding “MAVRUD + VERIDIC + EXECUTOR”, which they believe hints toward the answers lying in the Marble Nest (I wrote the entire Marble Nest section of this post before finding their post about that, so I do feel pretty validated by it). Many people have been approaching this anagram, like many other parts of the ARG, as if they have one right answer, and frankly, I just don’t think that’s in the style of Ice-Pick Lodge. I’ll quickly list out some words/phrases I found in the anagram and what they mean/how they could relate. I will also include words that have already been discussed, and they’ll be marked with a “*” so you don’t think I found them. Most of the ones marked with a * I won’t be discussing, as most have already been discussed extensively. I also won’t be discussing the ones that I think probably don’t have much meaning, but I’m including them because it still could be something later on down the road.

I am You don’t actually even have to unscramble the letters to get this one, as the second, third, and fourth letters of the jumble simply spell it out. What's interesting is that the 7 "I am" discourses are a crucial part of the Christian Gospel according to John. The Gospel according to John was an important clue during the Feverish Feelings ARG, which revolved around Voronika Kroy and her Inquisitor father, Peter Kroy. If we're speaking of the four canonical gospels, we must also address the Gospel according to Mark, which coincidentally is the name of an inquisitor that has popped up elsewhere in this ARG. Following this theme, there is actually a non-canonical Gospel According to Peter, which seems too cool to be a coincidence.

Eve This is one you don’t have to unscramble also. Interestingly, Daniil is often compared to a snake, even being called a snake-man in Marble Nest by Shaazgai, a man belonging to the Kin. In the biblical story of Adam and Eve, it is a snake, often thought to be the devil, that convinces Eve to eat the forbidden fruit from the tree of the knowledge of good and evil.

Retroviridae The scientific name for a retrovirus. If I was more knowledgeable about biology I would say more, but this seems important.

Rex Iudaeorum Translating in Latin to “King of the Jews,” this was the inscription that allegedly was put on the cross that held Jesus of Nazareth, as detailed by 19:19 in the book of John. Very interesting as Daniil does compare himself to Jesus at least once in the Haruspex route, on the night before Aglaya comes. The Gospels, as discussed before, all detail the life and crucifixion of Jesus Christ. The "19" connection is also interesting because of the inquisitor detail, and I'll talk about more of the connections to 19 later in the post.

Cardio Commonly used medically as a prefix for heart conditions, “cardio” is a Latinized version of the Greek “kardia,” which simply means heart. Heart imagery is very common and significant to the Bachelor.

Eva This is similar to the Russian version of Eve.

Corvid*

Cura*

Curare*

Curari*

Medici*

Vivam*

Mavrud*

Veridic*

Executor*

Order Could relate to the committee in The Marble Nest and the fact that after they’re replaced by tragedians the absurd order begins getting sent out to the orderlies.

Carex ericetorum This is a plant that would almost definitely be present in/around the Town on GorkhonThis is a plant that would almost definitely be present in/around the Town on Gorkhon

Creature

Marble Nest:

The Marble Nest, as we know, is very concise, only really lasting half a day in-game. Because of this, the dialogue does tend to feel a lot more intentional, as though the named characters are not necessarily speaking only to The Bachelor but also trying to convey a message to the player. This, of course, is because The Marble Nest takes place inside Dankovsky’s head. If this ARG will be revolving partly around The Bachelor, as it seems to be, then there’s no better place to start than digging into his head, which is why I’ve played so much of the Marble Nest for this.

There are several specific stories/myths/historical figures that are mentioned through Marble Nest. First, we’ll go through some of these.

There is a very interesting conversation that The Bachelor has with Georgiy Kain, where he is trying to justify his decision to lift the quarantine restrictions to The Bachelor, who is rather upset obviously. I’ll cut down and paraphrase most of the dialogue, since if I didn’t this would be much longer, but basically the conversation goes as:

[Georgiy introduces himself, and says he decided to let The Bachelor sleep so that he would have the strength to face the upcoming trial] [Daniil asks if Georgiy lifted the restrictions and let the plague into The Stone Yard] Georgiy: “Quite so. It's plain to me that you are on the verge of shredding me into pieces. But still your wrath. As a great Athenian once said, ‘Strike, if you will, but hear.’” Daniil: “Themistocles, I know. He met a rather gruesome end, by the way. Died of plague.” Georgiy: “No, it was Pericles. You are a learned man, but history is not your strong suit. Which is why you should listen to me. Perhaps it will help you see something that you missed in your previous studies.” [Georgiy then goes on to explain a bunch of other stuff about the plague, which as far as I’m concerned isn’t all that useful to the task at hand.]

I find this so interesting because The Bachelor, in his own head, poses a question to himself, gets it wrong, and then has another separate figment of his imagination correct him, and then proceeds to tell The Bachelor that he’s not great at history and should listen to Georgiy more. What’s even more interesting is that, as far as I can tell, Georgiy and Daniil are both wrong, it was actually Themistocles that said “Strike, if you will, but hear,” and it was Pericles that died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found:

Themistocles was a politician and general that broke the mold by being non-aristocratic and populist, which gave him the support of the people but put him at odds with the nobles and some of his peers. He turned 30 in 494 BC, which qualified him to run for the position of Archon, which he did, and won the position the following year. He had a prominent rivalry with another politician named Aristides. Whereas Themistocles was populist, Aristides primarily fought for the upper class. Themistocles eventually 20the rivalry after Aristides was exiled. Years later, though, Themistocles himself was exiled, and while he was gone his enemies took the opportunity to charge him with treasonous activities, knowing he could not defend himself. Because of this, Themistocles could never return to Athens, and so found employment and a home among the people that he once fought against while serving Athens. Given military command once more, he was actually Themistocles who said “Strike, if you will, but hear,” and it was Pericles who died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found: Pericles, to me, has less interesting things about him in relation to Pathologic, with the main two being that he rehabilitated the image of Themistocles and he died of a plague. What could be interesting is the fact that General Block and Captain Longin are in both Pathologic 1 and 2 often compared to Achilles and Patroclus, two Greek soldiers from ancient folktales, primarily known for being two of the most important characters in The Iliad. To me, drawing a connection between Achilles and Block, as well as Pericles and Longin, isn’t that absurd. What could also be interesting to note is that Pericles was the main character in a play written in part by William Shakespeare. While Themistocles' life almost exactly fits the character arc of General Block, down to the weird connection between him dying of the plague in The Marble Nest and Themistocles drinking bull blood (as well as Dankovsky thinking Themistocles died of the plague), I think how Pericles fits in could lie in the Shakespearean play, as we all know how important theater is to Pathologic. You see by now at least partially what I think this alludes to, but I’ll talk more about it in the additional notes section.

Next, I’ll discuss a mythical story brought up in the Marble Nest: The Tower of Babel. This is brought up by the clerks sitting directly outside Georgiy Kain’s house. I think most people would talk to these guys right before talking to Georgiy, but I have more to say about it so it’s written second. When talking to one of the clerks during their argument about the plague, one man mentions that he thinks The Polyhedron is at fault, and no matter how Dankovsky replies (he has 3 options), the man then says “History already knows an example of people trying to erect an impossible tower. It ended in tragedy.” I could go on explaining why I believe this guy is talking specifically about the Tower of Babel, this post is already long enough so just trust my reasoning here, please. Notable to the point I’m trying to make, one of the other clerks brings up that he thinks the plague was started because of the irreconcilable differences between The Kin and the town, and the fact that the Kin have been forcibly mashed into the town. When Dankovsky asks the man if something is holding the Kin in the town, preventing them from leaving and returning to the earth, the man says “Someone is… our rulers. They have embedded the steppe people into this town, carved them into its warm flesh. This isn't a town, it's an honest-to-God minotaur. A chimera. And chimeras have remarkably short lifespans and bad health. Can you breed a snake and a crane? You can, yes. But the progeny won't live long.” This dialogue is interesting for a few reasons, one related to the tower of Babel and two related to other possible ARG clues. The first interesting thing is that what he’s describing, drawing a connection between the Tower of Babel and the Polyhedron, actually makes a lot of sense. To him, the Polyhedron is not only an affront to God, but its accentuation of human hubris coincides with a beating down of nature and the earth, represented in part by most of the Polyhedron’s mass being concentrated far above the earth while also piercing the earth’s heart. The story of the mythical tower, to oversimplify it, is essentially a tale of people from many different walks of life all coming together to construct a giant, seemingly impossibly tall tower in order to avoid the possibility of a second biblical flood destroying most of humanity. God sees this attempt as an affront to both him and the natural order, and so before the men are able to finish the tower he divides them all by making them speak different languages, making it impossible for them to understand each other. So, in this second clerk’s interpretation, the plague is a result of the town both rebelling against/abusing nature and also taking the Kin into itself. Unlike the first man, who believes the tower itself is at fault, this second one believes it’s all because of the town making itself into a “chimera,” which he believes cannot live long. What’s clear to me, though, is that although these men believe they disagree, their explanations complement each other very well, which brings us to our third man, who has a rather simple but somewhat confusing explanation. This clerk believes that this plague occurred in the town because men should not be “remodeled or altered,” and when asked what that has to do with the epidemic he replies “I don’t know… It wasn't we who designed the world like this. I believe in men, Doctor; in superhumans, I do not. This earthly life wouldn't fit them. Immortals have no place in the world of the living. This is just how it works. Take from it what you will.” This man seems to be implying that Simon Kain, the immortal man, is the reason why this plague appeared in the town. This is when it all started to come together for me: these men's stories do really all complement each other, because here they are posing the Polyhedron, chimera, and Simon as all the same. This will further be explained in the additional notes section. Three parts of one whole if you will.

Now, the mention of the Tower of Babel is interesting for two other reasons, one of which will be discussed in the additional notes section and one of which I’ll discuss here. In the Fyodor Vitin “One can work here” post there are numerous items displayed in the room pictured, but perhaps most interesting to me is the golden bull statue that sits at the front and center of the photo. My first thought when seeing that image was “Oh! This reminds me of the biblical story of the golden calf statue, which I bet is what they’re referencing.” For those who aren’t familiar, I’ll be oversimplifying another biblical story now. While trekking from Egypt to the holy land, Moses leaves his people behind to climb to the top of a mountain and commune with God. Moses is gone for forty days, upon which the people are fearful that he will not return, and so they molded a calf statue out of gold to worship. God, upon seeing this, sends Moses down to the base of the mountain to punish his people for their sins. Moses burns the golden calf in a fire, ground it to powder and water, and forced his people to drink it. He then killed all of them basically. My thought process was related to the fact that The Bachelor is punished severely by The Powers That Be for his own affront to God, the pursuit of immortality. Now, after that previous discussion about the Tower of Babel, I am noticing some very interesting things in this picture, and primarily that there are two other related statues. Now that we have the previous context about The Tower of Babel and the clerks in our mind, we can see new meaning in these statues: a black statue of a centaur, and a white bust of a man. The interesting thing about the centaur should be obvious, it is another chimera. The bust of the man, which seems to be made of marble, reminded me somewhat of ancient Greek statues that are chiseled to glorify certain leaders and make them seem somewhat perfect while also immortalizing them in stone. You can probably see the connection I’m making here, and so I will leave the rest of the explanation for the additional notes section.

Another thing that's interesting to note is the aforementioned three men, unlike most characters in Pathologic 2 and the Marble Nest, do not stop moving when you pause the game; their animations continue to play even after you bring up the pause menu. If you’re unaware, there is actually a small detail in Pathologic 2 where pretty much everything nature-based or that is a natural force of the world, as well as everything that’s supposed to be seen in a meta-narrative sense, does not stop moving when you pause the game. This includes rain, leaves falling, the particle effects that come off the clocks, fire, executors (not orderlies), plague particles, etc. Once I noticed this (while trying to get a screenshot of some things to analyze) I tested out some other NPCs in The Marble Nest, and all of the other people I tested seemed to freeze when the game was paused. However, this is not to say that no other characters in the Marble Nest move when the game is paused. I only tested about 4 guys besides the primary trio we're discussing, mostly just to make sure it's not a thing that all Marble Nest characters do. If one of you people reading this would like to go through and see which characters in The Marble Nest also possess this trait, it could prove fascinating.

Finally, I’ll talk about two somewhat modern (at least modern compared to the previous two) stories that are brought up in The Marble Nest, although not directly: The Time Machine by H.G. Wells and The Masque of the Red Death by Edgar Allan Poe. Admittedly, I have not read either of these stories (it’s possible I read the EAP story 5-6 years ago and just don’t remember it), but I do actually know quite a bit about the stories and their themes from a couple of literary studies on specific genres I’ve done over the years. Additionally, for this section, I have done some more research on the plots and themes of these stories which yielded fascinating results.

The Time Machine is brought up when The Bachelor visits The Cathedral and speaks to a Tragedian standing within. The Tragedian talks about how the building is not a temple, but a machine. Daniil asks what kind of machine, and The Tragedian responds “This is a time machine. Time works differently on the inside and on the outside. It's frozen now. I think something's broken.” To which Dankovsky can say “A time machine? Are you saying it can transport me to the past or to the future? Like in that Englishman's book, what's his name…” For this, I did some research into what book he could be referring to, and almost instantly Time Machine stood out to me for a number of reasons. I think there might be something interesting to be said about how this relates to the ARG, but I’m not going to be the one to say it, because I’m honestly not sure how or if it does. I will describe how it connects to Pathologic though, in case that sparks anyones mind. The work is apparently seen as popularizing the idea of time travel and the time machine, which relates to what IPL has said about The Bachelor’s route I suppose. As for the plot, it’s about a Victorian man using a time machine to travel to the year of A.D. 802,701. He meets two races of people, one descended from the oppressed working class and one descended from the pampered owning class. Over hundreds of thousands of years of this lifestyle, the two races have started to diverge, with the owning class becoming child-like and basically useless, while the working class has been forced into a life of toil and hardship which has shaped them into a race of underground-dwelling animalistic race of people. Essentially the novel is a depiction of class struggle and the class contradictions inherent within capitalism, but with a bit of a metaphorical twist. The toiling of the working class underground is what allows the upper class to live in abundance without the need for work. There is very interesting commentary here to be made on the worms/odonghs in the game, as well as the eternal youth that is present in some elements of the stone yard, but this isn’t a Pathologic essay, it’s a Pathologic ARG essay.

The Masque of the Red Death is alluded to by The Bachelor in a dialogue with a wandering citizen, who opens up the conversation by saying “A masquerade ball will be held in the main square this evening. People want to celebrate our victory over the sand pest. You don't mind…?” To which The Bachelor has 3 possible replies, one of them being “I seem to vaguely remember a rather famous story about a masquerade held to celebrate a victory over a plague. Remember how it ended?” To summarize, The Masque of the Red Death is about a group of noblemen taking refuge in an abbey to hide from a plague (the plague is known as the Red Death). The plague’s symptoms are gruesome, and all people who contract it apparently die within a half hour. The main character, Prince Prospero, and his fellow noblemen believe themselves to be entirely safe, though, as they have welded shut all the doors and isolated themselves in the abbey. To entertain the guests, the prince holds a masquerade ball that takes place in seven of the rooms of his abbey, each colored differently. The first six rooms are blue, purple, green, orange, white, and violet, with the last being black and illuminated by a red window. No guests venture into the seventh room, as they are all scared to enter it. Every hour a clock in that room chimes, upon which the guests freeze and go silent momentarily, before resuming normal activity once the chiming stops, only to do the same thing after an hour. Once midnight comes, a person appears in robes covered in blood and resembling a funeral shroud, wearing a mask that depicts a person clearly infected with the Red Death. This figure walks through six of the chambers before the prince starts chasing them with a dagger. Confronting them in the seventh room, the prince immediately falls dead upon seeing this person’s face. The other party-goers all charge the figure, stripping them of their clothes and mask, only to find that there is no one underneath. The conclusion of the story states that the figure was not a person, but rather an embodiment of the Red Death. The Red Death also appears as a reference in the novel The Phantom of the Opera, as well as several film and musical adaptations. The titular phantom dresses up as The Red Death, and in many adaptations wears a skull mask as part of the costume.

I believe Hamlet is also brought up at some point in The Marble Nest, but I can’t seem to find the dialogue so I’m unsure if that’s true.

Next, I'll talk about another random Marble Nest clue

The Bachelor’s hover text for the beetle item says “I used to collect these as a kid. Left the collection with my father.” @pseudoquiddity found that a paper on the top of “The Beginning” Fyodor Vitin post spells out Mechnikov, which is almost definitely referencing Ilya Ilyich Mechnikov, who was a Russian zoologist and immunologist who achieved incredible scientific discovery during his life, and notably for us he was largely focused on the issue of aging and extending human life. Mechnikov was actually brought up in an IPL teletype post as one of the Bachelor’s main influences scientifically, alongside Albert Einstein and Max Planck. The relevant thing about Mechnikov here is that, as a zoologist, he did many notable studies on insects throughout his career to see how their bodies reacted to things compared to how ours did. One thing that’s interesting to me is that the type of beetles we see in the game, I believe, are based on Trypocopris Vernalis, commonly known as the spring dumbledor or spring dor beetle, which is not known to inhibit the region that the Town on Gorkhon would reside in. Another thing I find interesting is the touch text from the Alpha version of the game, which reads “Some fifteen years ago, the Soul-and-a-Halves, the gang of children who are defined by sharing special bonds with their pets, actually considered to allow flower chafers as their "Halves" due to the beetles ‘looking as though they knew something’. The idea was quickly abandoned as ridiculous.” Maybe I’m just 8.6 thousand words into this post and have finally gone insane, but I think the beetles “looking as though they know something”, combined with their close connection to Dankovsky, it seems too intentional.

In the “Feverish Feelings” ARG, the Beatles (the band) were brought up indirectly and used by the players as a clue to get more information. This also related to the clue relating to the Gospel according to John. Additionally, speaking of Mechnikov, u/Fantastic_Advice5593 theorized that the numbers on Daniil’s train ticket from one of the original ARG notes could be hinting toward the date May 15th, or 5/15 (15/5 if you use the non-American dating system I believe), which is Mechnikov Day, and is commonly recognized as Mechnikov’s date of birth. Proving this connection further, the “Messages” Fyodor Vitin post was posted on May 15th. Another interesting thing is that if we convert the time that the “Messages” image was posted to the time scheme used in Pathologic (that is, a 24-hour clock), it comes out to 19:35 (Using GMT+3 time zone, as that’s where Moscow is located.) This is interesting because “Messages” was also posted 19 days after the previous post, and I know for a fact that 19 is an important number in this ARG: The newspaper from the “The Accident” post was labeled as issue number 19, the bible passage that we saw referenced in the anagram from the “Messages” post is John 19:19, the jumble of letters that we found in the touch text for the unused lantern item includes “19,” and so does the 196-17-1 number from Messages. In a way, the number 19 is sort of a self-checking method to substantiate some of the clues we’ve found thus far.

Griffins’ Tower

Many of the details in this section wouldn’t be possible without @kurury-chan who, upon my inquiry about the tower and its accompanying pharmacy, actually visited it, got tons of cool pictures, and translated a ton of the history for me! I literally cannot thank her enough for her help with many elements of this post, but especially in this section. In the original Pathologic ARG, “Feverish Feelings,” the Griffins’ Tower is brought up a couple of times throughout, and was part of an intensive fandom discussion because many elements of it paralleled many themes and plot points of Pathologic. The following connections/possibly related facts are a combination of fandom discussion from the time and my own research:

The tower is connected to a pharmacy that has existed since the 18th century. Both were once owned by the Poehl family, who were a rather eccentric yet somewhat mysterious rich family. Rumors from the time (The 18th/19th century) speculate that members of the family engaged in “…alchemy and witchcraft, and in the basements of the house he turned mercury into gold and bred griffins. Since ancient times, it was believed that griffins, mythical creatures with the body of a lion and the head of an eagle, were the guardians to secret sacred knowledge and treasures.”

In 1994, the artist Alexey Kostroma, together with the society "Here and There" (Tut i tam), organized a demonstration/art-piece to advocate for the preservation of the tower and the revitalization of the city, which they believed was falling apart before their very eyes. During this demonstration, they hoisted a large egg (approximately 1.5 meters) onto the top of the tower, and they painted (I’m not sure what was used to put the numbers on the tower, but I assume it was paint) numbers on almost every brick of the tower. While the purposes for the those two additions rarely get brought up in conversations surrounding it, the egg and the numbers are now some of the most well-known parts of the tower, despite the fact that neither of the two are there anymore. The Polyhedron, as we know, is a tower that at the top houses children and is made from its own complex blueprints. Additionally, in the Marble Nest, but also throughout Pathologic as a whole, there is a common piece of imagery that connects eggs and the Utopians. In the opening of The Marble Nest, the item that’s used on the loading screen is an egg. If you look at the egg sprite in P2, you’ll see a crack in it that heavily resembles the Polyhedron. Daniil Dankovsky commonly uses the Latin phrase “ab ovo,” which means “from the beginning” but when literally translated means “from the egg,” and his touch text for the egg in Marble Nest reads “To understand anything, start ab ovo — ‘from the egg.’”

While playing through The Marble Nest several times for this ARG, I noticed something that gave me more confidence in The Griffins’ Tower playing a role in it. If you guys have played Pathologic as much as I have you’ll know there’s a tower in between the Stone Yard and the steppe that you can’t enter and is barely ever really explained. If I’m picking apart my brain correctly for Pathologic 1 knowledge, I believe it is implied to be a Focus of some sort. If you’ve only played Pathologic 2, or you haven’t played through The Bachelor’s route in P1 enough, or you haven’t read through the Pathologic “Corpus” entries, you probably have an incomplete idea of what a “focus” is and all that it entails. I won’t go too deep into it now, but it’s said in one of the Corpus entries that, on top of the Polyhedron, Cathedral, Stillwater, Crucible, etc., there were a number of experimental Focuses that were built for Simon Kain to test the limits of what buildings could capture the human soul and memories. It’s a building you can’t ever enter, but it does have a visible door, which is very similar to the way that Simon’s focus is described by Victor Kain. I’d like to draw your attention to the visual similarities between that tower and the Griffin Tower. I’d also like to draw your attention to the fact that, in the original design concepts of Pathologic 1 every character is associated with a specific animal, and Simon Kain’s is a griffin. What is a griffin? Well, it’s a fusion between two drastically different creatures, a lion and an eagle; a griffin is a chimera.

Interestingly, in 2005 (the year Pathologic came out) the pharmacy connected to The Griffins Tower was closed for a while because it became flooded with water while trying to extinguish a fire.

There is a photo in the pharmacy connected to the tower (which has now been converted into a museum about the history of the place and pharmacies in general) that depicts, during the early 1900s, the pharmacy sitting next to a theater called “Simpatiya” (Sympathy).

While @kurury-chan was on a tour of the pharmacy/museum she found an interesting marmite that was on display. It was created by Samuel Clarke and it’s called “Pyramid,” and the marmite has an accompanying poem: Когда ночи темные, подумайте о Кларке, который попал точно в цель. Его ночные огни создают светлые ночи, в которых вы прекрасно видите. (When the nights are dark, think of Clark hitting the mark. His night lights create bright nights in which you can see perfectly) This is interesting largely because the poem reminds me somewhat of the body text for the lantern ad found in the newspaper post.

In the original email mentioning the Griffin’s Tower, Voronika Kroy appends the message by saying “P.S. I feel like I’ll need this memory later.”

Seventh Seal

I watched this movie after discovering all of the allusions to General Block we’ve seen thus far, but being unsure what to do with any of them. For those that don’t know, the movie The Seventh Seal’s protagonist Octavius Block has been listed as one of the main inspirations for Alexander Block, and since IPL seems intent on leading us to analyze certain works of literature/film/theater for this, I decided to look into it. What I found is incredibly interesting I think, because it seems that one of the main inspirations for The Marble Nest is The Seventh Seal.

The title is based on a bible verse (from the Book of Revelations) that reads “And when the Lamb had opened the seventh seal, there was silence in heaven about the space of half an hour.” This verse appears both at the very beginning of the movie and then again toward the end. This thirty minutes/half-an-hour element appears prominently in both this story and The Masque of the Red Death. One other place it appears is on the pocket watch in the first Fyodor Vitin post, where the time on it is 2:30. I am very confident that it also appears in The Marble Nest once or twice, but despite looking I was unable to find it. If anyone else knows where it might be, either comment on this post or message me, and I will put it in this section and credit you.

The movie's plot revolves around Antonius Block, a disillusioned medieval knight returning from the Crusades. Block is struggling throughout the movie with his inability to believe in God and his realization that his whole life has been wasted. He wishes more than anything to do one last deed before his death to give his life meaning. The movie is set during the Black Death, with prominent elements of the story revolving around the plague. The movie largely focuses on how Block takes in several poor and out-of-luck folks fleeing the plague, inviting them to stay at his castle and escorting them along the way.

Toward the beginning of the movie, Death comes to take Block, but he convinces Death to play him in a game of chess for his life. This game of chess continues throughout the movie, with Death allowing Block to take several breaks in order to find clarity about his life and death. Toward the end of the movie, he allows Death to take his queen, effectively ensuring he would lose the game in the next turn, so that his companions could get away without Death noticing. After returning to his castle, everyone has a nice meal before Death arrives and takes everyone, excluding the people that Block helped get away by tricking Death.

Many things from Pathologic seem to take inspiration from this movie; most notable being the storyline of The Marble Nest (Dankovsky’s “People” screen categorizes people as chess pieces, essentially implying that his struggle against death is a sort of chess match), but there are also some smaller things. For example, there is a scene where the characters encounter someone afflicted with the plague who cries out for help, and one of the women tries to get closer to give the man water, but another person stops her, as giving water to a plague victim is futile and dangerous; almost immediately after this, a personification of Death appears. This heavily reminds me of the intro/tutorial of Pathologic 2, where a similar scene occurs.

While watching the movie, it’s very easy to see how Block was directly inspired by the main character, but it’s hard to convey exactly how without describing many scenes in detail, so I will simply describe one of them. After leaving a church confessional where he admits to his faith faltering and wanting to perform one meaningful deed before he dies, Block encounters a young woman who’s about to be burned at the stake for allegedly having ties to the devil. He takes pity on this woman, seeing something special in her, and believes she can tell him about life after death. This, to me, seems very reminiscent of Block’s storyline with the Changeling in P1.

Another small lead before this part of the post is finished: This lead, I will admit, I stumbled across completely at random, and will not talk about much because there’s not much I can say about it that isn’t obvious. It might be worth looking into the Russian philosopher Nikolai Fyodorovich Fyodorov, and perhaps thinking about if Fyodor Vitin was based partially on him, since we know Vitin works closely with Daniil.

Additional Notes/Comments:

In the newspaper clipping, it is said that a man with the initials “F.L.” had been one of the apparent two victims of the fire that burned down several buildings. This man (who I’ll simply refer to as “F” from now on) is an academician, historian, and writer of everyday life, which obviously fits well with the man that we know as Fyodor Vitin, and it has been assumed up until this point that he was the victim of this fire. I think there are three possibilities here: Fyodor Vitin was not the victim of this fire somehow, Fyodor Vitin is not his real name, or the newspaper is lying to us. In connection to the light/lantern emphasis in the newspaper, it might be worth it to note that the word “vitin” in Faroese means something like “the lighthouse”/“the beacon”, while in old Swedish it means something like “to know.” What’s more interesting is that Vitin in old Swedish is a second-person plural present indicative, and for people that got a useful education, that means it’s a verb that’s used to factually describe the current actions of the people that the speaker is saying it to. If Vitin isn’t his real surname, his username could mean “Fyodor beacon”, or “Fyodor (that you all) know”.

As discussed extensively in the section on the Tower of Babel, there is a direct connection drawn between the Polyhedron, Simon, and chimeras. We elaborated a bit on this connection in the section on the Griffins’ Tower. What’s especially interesting then is the fact that, in The Marble Nest, the Polyhedron is labeled as “focus,” implying that Simon’s essence is infused in the Polyhedron, as is what happens in the first game. This, I believe, confirms our theory about the connection even further. What then makes this even more related to the ARG is the fact that in the “One can work here” post by Fyodor Vitin, we see the three statues depicting the golden bull, the centaur, and the marble bust of a man. It is then worth noting that this bust of a man made of marble could be a reference to The Marble Nest, perhaps trying to get us to look there for clues. I believe, if the golden bull is meant to represent the Polyhedron (or at least the Polyhedron argument in The Marble Nest), and the centaur is meant to represent the chimera, then the marble bust of the man is meant to represent Simon (or, once again, represent the Simon/immortal man argument from the Marble Nest). This is supported by my point about the marble busts both immortalizing men and also making them more into concepts than men (as the statue can only depict a small part of a man’s life, usually depicting him in battle, leading a governmental position, etc). In the original game, and as can slightly be seen in hints of the second game, Simon is sometimes seen as more of a concept than a man; he is the ideology of the utopians incarnate, the perfect man that represents everything humanity could be. As a chimera is vital to Burakh’s quest, so too is it vital for Dankovsky’s (and it’s interesting to note that Burakh has the chimera revelation while in conversation with Dankovsky.) If the Marble Nest is used to represent the stone yard, or the “town” in its purest form, then Simon Kain is the marble man. It then becomes important to figure out where the “One can work here” picture is supposed to be depicting. I believe, if the statues there are supposed to represent all that we’ve said so far, the location should be representative of Dankovsky’s fight against death, and therefore I say it probably has to be Thanatica.

Now, as for all the connections with General Block, there are obviously many of them, from the Guglielmo Pepe hypothesis to the mention of Aristides/Pericles to The Seventh Seal to the whole “ash” thing, it seems far too much to be a series of coincidences. I don’t think it’s too crazy to connect the prominent appearance of the number 30 in the Block/Pepe/Aristides context to the prominent appearance of the number 30 (as in half an hour) in The Seventh Seal, which makes the appearance of the number 30 in that first Fyodor Vitin post even more interesting. It’s long been theorized that, from what we see in the Haruspex’s route and what we’ve seen in Pathologic 1, the Bachelor’s new route will probably feature General Block much more prominently. Perhaps, as the first ARG was so focused on the inquisitors, we’ll also get to learn more about the army in this one. Maybe General Ashes even had something to do with the building that was reduced to ashes?

The topic of religion, and specifically Christianity, comes up a lot in The Marble Nest. I think all the connections I’ve made in this post to Christianity have convinced you that it’s seemingly an important part of this ARG. In the first ARG, there were certain biblical passages that acted as clues, specifically from the Gospel according to John, which we talked about in the section on the “Messages” post. As is also mentioned in that section, the connection to Inquisitors Peter Kroy and Mark Karminsky seems to be driving us toward looking into The Gospel according to Peter and The Gospel according to Mark. It’s also talked about in that section how these both relate to Daniil. Mark Karminsky specifically also seems to have had something to do with the "Accident" mentioned in the newspaper, and so perhaps combining numbers from the newspaper within the Gospel of Mark could lead to some clues.

Still, as much as I’ve said in this post, there is more I wish to analyze but have not yet. This post has been in the works for a while, though, and I don’t want people to be waiting any longer, so I’ll have to save that other stuff for another day.

If anyone can somehow get into the game files of the Marble Nest and retrieve the texture/model for any of the letters or books (like the two linked images), that will end up being very helpful.

Other screenshots from Pathologic 2/The Marble Nest that could be of interest:

Grigory Gorky (Pathologic 2) Grigory Gorky (The Marble Nest) Mikhail Goba (The Marble Nest) Daniil Death Certificate (The Marble Nest) Rug (The Marble Nest) Book (The Marble Nest) Familiar Bloody Handprint (The Marble Nest) Tipped Over Lantern (The Marble Nest) Staff Sergeant Plover (The Marble Nest) Avrely Gubar (The Marble Nest) Odd use of Roman Numerals (The Marble Nest) Cathedral Letter (The Marble Nest) Plant that I found several times in the Cathedral (The Marble Nest)

#pathologic #pathologic 2 #pathologic arg #daniil dankovsky #мор утопия #Bachelor ARG

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punkeropercyjackson · 1 month

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Hot take but Percy Jackson actually isn't anything like Harry Potter and the reason they're popularly compared is due to the mass mischaracterization and misenterpretation that leads to sanatization of Percy to turn him into a more standard protagonist despite the whole point his character being that he's NOT normal while Harry's is that he IS and that made him into a very bland and lowkey passive aggressive bigot that's an awful example for kids while Percy is the perfect role model.Like let's look them over.Percy:

Was born poor and never becomes rich

Is a child abuse victim with consistent trauma responses and unhealthy coping mechanisms all the way starting at The Lightning Thief

Beat up bullies as a kid,was targeted by them to begin with because he's neurodivergent and his teachers picked on him too

Has nothing but love and respect for his fellow minorities,women especially thanks to being a mama's boy with no positive older male figures in his life except Beckendorf

Is pessimistic,sardonic,anger issued,bad at socializing and gets embarrased to be overly open with his emotions but none of this turns him into a bad person but instead makes him realistic and relatable

And he's also kind,gentle,nurturing to the point of basically adopting younger demigods as his found siblings and pseudo-kids if they don't have positive adult figures in their lives already,encouraging,loyal to a literal fatal fault and has a distinctive and iconic sense of humor that never dosen't land

Didn't like Annabeth or Rachel for shallow reasons and instead for their personalities and only wasn't into Reyna because he was taken at the time and treats all three of them very nicely

Is an instigator who's driving point as our hero is taking down corrupted figures but also does activism for the lesser treated people in his world by helping out every time he gets a chance to,has one of his core trait's being that he's COMPLETELY devoid in power hunger and pretty arguably counts as an anarchist because of this

Relating to the sense of humor thing again,his whole PERSONALITY is distinctive-He's not just some fantasy protagonist,he's PERCY JACKSON.The name alone gives everybody who's read the books flashbacks to all his crazy ass shit(affectionate)and that's how you know you've got a well-written protagonist

And Percy is legitimately transfem-coded,because i've met so many trans women in the Pjo fandom and every single one of them without exception have said that she's a femme trans woman egg.This also applies to black/afrolatino folks and autistics in the fandom like me to a less near universal extent

While Harry:

Grew up middle class and then got riches out the ass when the series started

Is a very poor attempt at positive abuse survivor rep because he uses his mental health as an excuse to a huge dick with no consequences given to him afterward

Had no tormenters other than the Dursleys

A 'dosen't know better and refuses to learn' typa bigot with tons of passive aggressive remarks about girls and ableism and fatphobia thrown in too,not to mention racist moments like hating Dean for dating Ginny

Is the quintessential young male fantasy protagonist and this is exactly his problem because it makes him boring asf and we're dealing with so much fucking damage in the kids fantasy genre thanks to his musty ass

All his crushes were shallow(Only liked Cho for a pretty girljock and only noticed Ginny when she became one too and prioritizes looks and society's idea of 'coolness' on the other girls his age too like damn i wonder why he only ever saw Hermione as a sister,surely it can't be connected /s)

Never does actual justice fighting unless he's required to and don't tell me he shouldn't have needed to because this wasn't real life,it was a magics series so he should've fought evil on purpose like Percy did and so did Katniss Everdeen and the Pevensie Siblings and all the other actual good kids books protags.This genre is supposed to be a power fantasy for kids that they can be heroes too and Harry failed big time at his job just like he did at everything else

Again,he is VERY mediocre as a character but mediocrity sells and now we have a million clones of him instead of real mcs

Is part of exactly zero minorities,neither intentionally or accidentally,and that made him grow up to be a cop.Douchebag ass white straight boy Harry vs Autistic afrolatina transfemme slay Percy.No competition,Percy's punk so she'd kill Harry to earn her blue laces

And before Maraturds and Luke/gods stans get bold,you're literally him irl but worse besties♡

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tainbocuailnge · 6 months

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shalem's profile is weird because operator profiles are in lore written as rhodes island personnel files. a person in universe writes these files as part of the HR administration and so they are always framed through a lens of reporting on things operators told them directly, the operator's observed behaviour in the landship, things their independent investigations have uncovered, etc. occasionally there will be a section with ambiguous perspective or author where it's implausible a HR person would actually be able to write this down, but this is almost always the "promotion record" section and all the "archive file" sections are, well, plausible HR archive files.

this is consistent among pretty much all operators including fellow bearers of the curse like phantom and ebenholz, integrated strategists like mizuki, highmore, or valarqvin, ancient mysteries like the sui, and literal fairytale dreamland residents iris and bena. even sections that are written as flowery and ambiguous glimpses into their past use this framework of something a HR employee would reasonably write down in these files as relevant information on how to handle the operator in question, like bena's history being reported as a fairytale bena's grandmother told her, or fragments of sui history being conveyed through reports of ancient inscriptions.

all of shalem's files after the medical examination are written like this though

they're describing a character. and a mobile game character's profile describing a character to you likely won't even scan as weird on first read but it's completely out of line with the way every single other character profile is written. it talks about the future like it's obvious. it describes his nightmares without any mention of him actually having shared those with anyone. it explains in loving flowery detail how the crimson troupe recruited and indoctrinated its performers. it's completely unclear who wrote this or how they got this information. shalem doesn't get to contribute a single word in his own files, these aren't HR files describing what kind of person shalem is, it's a narrator describing what kind of character shalem is

the crimson troupe arguably has their claws in shalem way deeper than they do in phantom. phantom is the star performer that the troupe actually wants back but he has wiggled his way out of his role far enough that his files are actual HR files that describe him as a person in the setting. shalem refused to play the part of killer and ran away from the troupe, but even while eking out a new life in rhodes far away from his past he never once slipped out of character.

#arknights #shalem #shalem arknights #arklance

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bonni · 3 months

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I've talked before about how I think hisoka's reputation as a "well-written villain" is undeserved and I still stand by that for reasons I'll get into at the end of this post. but I think the most frustrating thing about hisoka as a character is that I understand where that reputation comes from, because sometimes his character really works and thinking about what he could have been compared to what he is is infuriating.

hxh is, at its core, a shounen deconstruction, and one of its major themes is how the blind ambition of hunters is damaging on both an individual and interpersonal level. this is specifically reflected in gon, who's ambition and stubbornness hurts himself and the people around him (this post isn't about kurapika but obviously he is a prime example of this as well and the two have major character parallels). both ging and hisoka act as foils to gon, harboring the same blind ambition as he does but in increasingly twisted ways, with ging becoming so easily bored he can't treat a single human being with basic respect, and hisoka literally fetishizing ambition itself; gon, as a child, also finds himself facing abuse and assault at the hands of both of them, and they both use their twisted world view as a justification, with ging neglecting him for his entire life, grooming other vulnerable people in the process, and instructing them to hurt gon, and hisoka literally molesting him.

people sometimes get offended when you talk about the similarities between gon and hisoka, because yeah it feels kind of icky to compare a 12-year-old kid to the adult pedophile who's assaulting him. but the parallels exist for a reason, and that reason isn't to say that gon's going to turn out like this guy, it's to illustrate that hisoka's path is one potential outcome to prioritizing your own ambition over the lives of others. hisoka doesn't have a single relationship that isn't grounded in his own selfish worldview, and neither does ging. these are the people that gon admires and wants to surpass.

gon finally landing a punch on hisoka is an awesome moment, but in retrospect, it's upsetting. it reminds me of utena's duel against mikage; instead of confronting the ways in which they're unhealthily similar to their opponents and maybe doing some soul-searching, our protagonists celebrate the progress they've made towards their own destruction. gon's march towards a self-inflicted doom is a slow and steady one, and the chimera ant arc is the climax. gon can't be a great hunter like ging or hisoka. he cares too much about other people, and it destroys him.

so, yeah. as a foil to gon and as a source of commentary on the way a traditional shounen world encourages child abuse (not unlike our own world, hm?) hisoka is actually a good villain. the problem is, he isn't written consistently. togashi seems to like him too much and is fixated on making him some sort of anti-hero, which completely detracts from his supposed role as a villain! and, elephant in the room, he's still a homophobic stereotype. if you're going to write a predator, don't make him effeminate, and also include gay characters in your work who aren't predators (I do believe killua is intentionally gay coded but let's be honest, it's not enough). and when we look at the way gon's history of grooming and characters like palm are handled, it just becomes increasingly obvious that togashi doesn't really care about making any commentary about csa in a respectful or appropriate way. at best, it's there for shock value, and at worst, it's literally a joke. I will never respect the way that hisoka's character is handled in the series, but I do understand his appeal as a villain, and I really do wish he was written in a more respectful and consistent way.

#chatter #hunter x hunter #hxh meta

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girltigerclaw · 4 months

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breaking into ur house rn

top ten characters and bottom ten. reasons are optional

I just finished this chart thing i think i actually stole from your blog a few months ago <3 Slightly edited to my own prefs.

If anyone wants the template check the reblogs, and feel free to add you own. I'd love to see. I'm just rambling under here:

Leafpool: She is more special and sacred than the virgin mary. She has everything. Daughter of the first protagonist, ex boyfriend for me to hate, TONS of wlw situationships<3, a lifetime of tragedy, and some of the most gorgeous canon art to exist.

Crookedstar: Crookedstar is a trans woman to me. Her life is genuinely just so tragic and fucked, I love it. The erins asked: “How much truama, death and misfortune can you fit into a single cat?” and then they wrote Crookedstar’s promise.

Tawnypelt: GIRLS WHO HATE THEIR FATHERS. The erins dont love her like I do.

Tallstar: I love old men… I fucking love seeing older characters and how much they’ve changed from their younger selves. Tallstar is considered one of, if not the most peaceful leader in the clans. But also when he was like 19 he went on a quest to fucking murder a guy :3

Cloudstar: I rlly do not care abt anyone in Skyclan(I like Leafstar but she's not a fav yknow?) Cloudstar... he was based as fuck. Why did Starclan get away with this shit for real??

Scourge: It’s fucking Scourge. He’s awesome

Briarlight: I’m disabled and I love her. She has such a consistent fun, sweet personality and she makes me happy!!<3

RavenBarley: It deserves all the attention and hype it gets. Though I wish mlm ships didn’t overshadow wlw ones in this fandom, RavenBarley is genuinely well written and makes me very emotional even if the publisher didnt allow it to be explicitly canon.

CrookedBlue: TRANS WOMEN CROOKEDSTAR YURI. Two leaders having a forbidden relationship and kits is way more interesting than Oakheart. The angst of Crooked and Blue sitting next to eachother every gathering while the entire forest has their eyes on them. Don’t look for too long, don’t let the mourning slip into your voice. You have to pretend your lover is a stranger. You… have become strangers. You can never be together again. You're enemies now. This is what we wanted, isn’t it? …We’ll never be happy again.

Mothwing: Her novella delving into her relationship with Hawkfrost was so good and heartbreaking.

Heathertail: Daughter of leader, sister of a major villian, and former love interest of a protagonist! Why did she fall off the second po3 ended. She’s shown to be very compassionate and willing to put her own feelings aside for the sake of others. Would’ve honestly prefered her as a mate to Lionblaze or get a pov herself over the nothing we got.

Blackstar: *Murders an elderly woman trying to stop me from kidnapping children. Supports a dictator openly abusing/neglecting children and the elderly. Murders a man for refusing to kill mixed raced children- then tells said man’s sister that she will never be safe.* Man…. i sure do feel bad for abusing and killing all of those people…. Good thing I will face no consequences and proceed to be made leader, where I will have even more power over the wellbeing of others.

I hate. This guy.

The New Prophecy: A classic. My first series was actually tnp! i feel more attached to first arc cats tho, if you couldn't already tell by my list lmao

Johanna Map- Best Tawnypelt content out there

BlueQuince: My personal handcrafted, homemade Yuri. Bluefur feels terrible about Tiny going missing and promises Quince she’ll help her find him. They never did, but they had a very… fleeting but intimate relationship. Quince is grieving and Bluefur feels so overwhelmed by the duties in her clan. They’ve always thought of eachother since but never met again.

Tigerclaw: My name sake<3 The angst of his earlier life is so, so facinating to me. Starclan being straight fucked up and decided killing him is their only option? He was a kid and they saw him as a lost cause from the start. They never tried any other methods, never tried to steer him in the right direction or… even just take it into their own hands and kill him themself, which they have SHOWN they’re capable of.

They watched all the the horrific crimes he commited, entirely aware they were going to happen. Thats. Fucking. Horrifying. Starclan is scary as shit… and his death? FANTASTIC. I only wish he’d gotten lives from cats he killed so that him coming back to life to suffer over and over was an actual curse from Starclan and not blessings. They knew how he would die and they gave him the lives to torture him for his sins…

Flywhisker: Adhd girlies. Painfully relate to that feeling of the constant scolding for never being “good enough” because I prefer to do things a certain way or struggle to focus. So, SO happy for her when she left the clans! You don’t have to prove yourself to anyone! Hope she’s happy and warm indoors with her brother💕

(P.S. I was very suprised to find she actually had an official art piece!)

Bluestar: Get behind me women with mental disorders. I will defend you. Beautifully complex and tragic character, my favorite written in the series. Literally can't think of a single other female character in handled as seriously and with the complexity of Bluestar. (Although her super edition was a bit of an L with how others treated her, it ultimately makes her breakdown even more painful.)

Exile from Shaodwclan: Nightstar my beloved! He's such a great guy. The rightful leader of Shadowclan, always and forever.

Ravenpaw's Farewell: HE DIED IN BARLEY'S ARMS, TELLING HIM HE WILL FIND HIM, NO MATTER WHERE HE IS. FUCK.

Crookedstar art: So beautiful. I genuinely think she's one of the prettiest cats in the series. This along with her official art by Wayne Mcloughlin.

Leopardstar: As a kid I hated her and loved Blackfoot, now I hate Blackfoot and love her. #feminism. But seriously I think she has way more going for her than he ever has. Her father is a medicine cat who hates violence, the DRASTIC change in Riverclan's view of outsiders upon Crookedstar's death and her leadership. Her already having a position of power before proving she's unworthy of it. (Unlike Blackstar who gets rewarded for his racism and violence by being made leader afterwards) and the fact she has to interact with her victims on a daily basis after what she did.

The writings attempts to redeem her are really lame and dismissive of the actually damage she did, but at the very least they TRIED to do something else with her. Personally, I would have loved to see her assassinated by Mistyfoot. Just like her mother Bluestar was almost killed all those moons ago by Tigerclaw... The parallels of violence for power and violence for peace. A victim repeating the actions of the very man who killed her brother to put an end to what he started in Riverclan.... A shadow in Riverclan, if you will. (<-Pretending erin hunter has hired me to rewrite their series)

Windclan: Tunneling as a concept and inviting outsiders into their clan so friendly and casual makes the clan seems so much more diverse than the others. It always stuck out to me!

Andddd there are my current warrior cat options as of 2023! If someone actually read this whole ramble ily<3

#THANKS FOR THE ASK. sorry i wrote you a novel❤#I already wanted an excuse to just throw all my favs and thoughts into one place so i used ur ask as that lol #asks #mypost

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