#there is no human on earth that isn’t here for some sort of purpose even if it’s to show us how evil humans can be and of what not to do

[wiserodin032402]

Kobeni from Chainsaw Man is a D&D Fighter

Okay yeah crazy people make dumb shit in D&D all the fuckin’ time, you can just say what the fuck on the internet. Some idiot made an article on how to play Cyberpunk Edgerunners characters in D&D what’s the big deal?

The big deal is that the D&D Fighter isn’t really...well represented in actual fiction. Controversial take, I know, but most uh...most mundane characters in fiction don’t really fit the bill of ‘Only good at combat but in a mostly superficial way that’s completely outclassed by the real shit of the setting’.

They’re not this:

This unique blend of...hell on earth that just isn’t present in actual fiction. One could say completely fucking unplayable. For those not in the know, this is D&D 3.5′s iteration of Fighter. For those who play 5e, this is basically the widely-mocked Champion Fighter subclass.

They’re proficient with all simple weapons, all martial weapons, all armor, and all shields including tower shields. They also have the following class skills: Climb (Str), Craft (Int), Handle Animal (Cha), Intimidate (Cha), Jump (Str), Ride (Dex), and Swim (Str)...with a grand total of 2 + Intelligence bonus skill points per level. That’s right, if you’re a Fighter of Average intelligence, you get to be okay in...2 skills.

And their saves are atrocious. If something even slightly scary shows up, the average Fighter is shitting themselves and running for the fucking hills.

This is obviously wildly fucking unrepresentative of any character in fantasy fiction. Too many demonstrate the ability to do more than just fight, and the characters who are famous for focusing on fighting are in series where being good at fighting means you can cut mountains in half or blow up the moon. And they’re all so...brave. Immune to fear even.

Enter God’s Chosen Failwoman

She’s a Public Safety Devil Hunter from the hit manga Chainsaw Man. She does this because her family made her, and it was either killing devils or prostitution.

Kobeni is a massive coward and in the first arc she’s introduced in with The Eternity Devil, she’s all too willing to simply kill Denji and give his heart up. When something scary is happening, Kobeni is the first to coward out.

Kobeni also isn’t very skilled. She quits public safety to go work fast food, and she can barely do that. Fast Food, considered entry-level work in this hellish economy due to how easy it is to teach someone to do it.

And yet, something curious.

When it comes to completely normal, completely mundane, completely comprehensible violence, Kobeni is unphased, and is insanely good at it. Sure, her partner got shot, but her reaction was to simply kill the shooter

and then go find the perpetrators

And when confronted by a frankly mundane demon attack, it doesn’t even touch her:

She’s also good enough with that knife, which for all intents and purposes is a completely mundane kitchen knife to slice clean through bone:

It’s groundbreaking. I’ve searched far and wide, but I’ve never found a character in fiction who perfectly lines up with everything that D&D 3.5 and even core Pathfinder 1e Fighter sets out to emulate. Someone who’s only good at violence, who’s insanely good with only one weapon, but can never break out of being completely mundane with their violence. Who, no matter how strong they get, how hard they work, is only human, with entirely human limits.

Here’s how you build Kobeni.

You need a high Strength and Dex. You need to be a Human. You need Weapon Finesse. You need to take Weapon Focus and Weapon Specialization, the full featline, with whatever knife of your choice (Weapon Focus, Weapon Specialization, Greater Weapon Focus, Greater Weapon Specialization, Melee Weapon Mastery). Take Lighting Reflexes. Take Light Armor Specialization.

Hell, if you want to more closely emulate how Kobeni functions, take the Combat Focus featline, which puts you into a sort of battle trance once you make a successful attack that lasts for about 10 rounds, which gives a bonus to will saves and other effects. Effects you can only get in Combat.

And guess what? You’ll be getting the genuine Kobeni experience. Being only good at completely mundane violence in a world that dramatically ramps up in stakes and moves past you.

#my ramblings #D&D #fun meta and analysis #chainsaw man #kobeni

[aetherdecember]

Look, I love BBC Merlin and how they told the lore, but I’m a sucker for the relationship between Arthur and Mordred in the mythology. Specifically, I love how Mary Stewart (author of The Arthurian Saga**) and Nancy Springer (author of I Am Mordred**) wrote about the father/son relationship between them. So naturally, my brain has been conjuring up how I can include that in my Flipping the Coin au.

Since the main premise is Merlin died/Arthur lives, and now Arthur is the one waiting for Merlin to come back, things would stay consistent with canon up to the last episode (when Merlin flips the coin of their destiny and sacrifices himself so Arthur can live and thus stop Camlann from happening altogether). Which is where this idea will start:

Gwen is barren. She and Arthur never have kids. Eventually, everyone Arthur knows and loves dies. He can’t rule Camelot forever, and after Gwen’s death, he no longer wants to, so he fakes his death and wanders off figure out why he’s still here. He never gets an answer for that. Arthur spends the next millennium waiting. He keeps living. He meets people, experiences things he’d never experienced before, and learns things he’d never dreamed of learning. He can’t stay anywhere long, or else suspicions will rise, but he gets to see the world change, how technology advances, and witness humans continuing to be humans. When war breaks out, he joins the battle. It’s familiar. The rush of adrenaline is the same whether he’s wielding a sword or a gun. Only, he can’t see the enemy’s face anymore.

Peace comes again. At some point, he sleeps with a woman, and she happens to become pregnant. Bisexual disaster that he is, he’s had all sorts of partners from both sexes, but has never had this happen, even before the advent of reliable birth control. Later, he’ll learn her name is Morgause. She doesn’t look like the Morgause he knew before, nor does she act like her, but her name haunts him. After the baby is born, she gives him to Arthur, says she has no intentions of being a mother, and leaves. The last thing she had said to him was the baby’s name.

Mordred.

That night, Arthur holds Mordred and weeps.

There is irony in his son being named Mordred. First, in that the legends surrounding him, Merlin, Camelot, the Knights of the Round Table, and all of it, had long ago decided Mordred was his son. And two, in a retelling of that legend, it had aptly phrased what he sensed was happening now. Granted, he isn’t a sorcerer, he doesn’t have magic, so he can’t support his feeling with anything other than he’d been around a long time and knew to his very core that it was true. Mordred’s birth is a signal of the beginning of the end.

Fatherhood brings him a new sense of purpose. Gone are the days of loneliness and drudgery. Every day with Mordred brings a new light into his life. Each smile is a miracle. Seeing Mordred experience things for the first time brings a new appreciation. Being there to watch him grow makes time fly like it never has before. But Arthur is afraid. He doesn’t want to be his father. He doesn’t know how to be a father, or what the right way to do it is. In all the years he’s been on the Earth, he’s never known a man who could concretely say, “This is the way to raise a son,” and actually reap the fruits of their efforts. Too frequently, he’d seen sons grow outside of the visions their fathers molded for them and receive only disappointment and disdain in return. So he was afraid, because he too had been that son.

*cue a series of fluffy father/son one shots of Arthur raising Mordred until Merlin comes back, takes one look, and is is like WTF????? No, I won’t have Mordred for a step son >:(*

**Mary Stewart and Nancy Springer have several other works, not just the stories I mentioned. The ones mentioned are the ones I’m pulling inspiration from ^^

Additional notes below the break:

Guinevere’s barrenness is not a headcanon I typically subscribe to for BBC Merlin. My headcanon is that after Arthur’s death, Gwen gives birth, and their child eventually succeeds her as ruler.

I’ve always seen Mordred’s appearance as the harbinger of Arthur’s downfall. Thus, the reason for the plot bunnies in my brain going crazy with this idea of how I could bring him in, still remain mostly canon compliant with BBC Merlin, and build off some of my favorite parts of the lore. (Mandatory disclaimer: for BBC Merlin, I don’t headcanon Mordred as Arthur’s son. But for the mythology, I do wholeheartedly support that canon.)

Arthur’s choice to participate and live once Camelot is gone is a decision to contrast my headcanon of how Merlin handled it. I don’t think Merlin thrived. I think he stayed busy, and tried to remain hopeful, but I think he was anxiously consumed with the anticipation of wondering when Arthur would come back. In this au, Arthur may or may not know that Merlin is supposed to come back (I’m still working on that detail), but he’s always been around others. I think he would seek camaraderie, and companionship, and that he would connect with others but only to a superficial level. I don’t think he’d exist in a void of loneliness. Plus, he doesn’t have the guilt of knowing he failed because the pressure from the prophecy is very one sided *coughcough*causemerlinnevertoldhim*coughcough*

Anyways, that’s enough rambling from me about this. I’ll probably share some snippets of writing next because there are some fantastic scenes coming together in the draft so stay tuned! ;D

#bbc merlin #merlin #arthur pendragon #mordred #flipping the coin #my drabbles #arthurian mythology will always be my jam #you can tear this au from my cold dead hands but it will live on #merthur #for the Merlin not wanting Mordred as a stepson joke the last Mordred he knew turned on them to join Morgana #as far as Merlin is concerned they’re the same person #he’ll come around eventually once Arthur fills him in on everything #btw Arthur’s son Mordred is unaware of all of this #he’s having to process his dad - who has never really been interested in anybody for any reason - is completely besotted with some guy #once he learns this ‘some guy’ used to be his father’s servant it does not make things better #but by then he’ll have learned enough that it does clear things up #he’s actually a big fan of Merlin #he just wasn’t prepared for love sick puppy dog Arthur 24/7 now that Merlin’s back

[showtoonzfan]

TRIGGER WARNING: MENTIONS OF SUICIDE

So I wanted to talk about Vaggie for a bit, mainly the theories I have with her. For starters, I think it’s no surprise that I believe she committed suicide at one point in her life.

(Art Credit To Vivziepop)

Vaggie seems like a character that isn’t entirely bad or evil, at least from what we’ve seen in the pilot. She’s kind, caring, and the only person who seems to be down to earth and has a more human mindset compared to the crazy world of Hell and it’s characters surrounding her. When it comes to Vivziepop’s concept art and character sketches of her, Vaggie would always seem like a miserable person, most of the time frowning and looking really upset, not to mention art pieces similar to this, with eyes watching her and her looking upset, bothered or distraught. Throughout the years, she seems like a very angsty character despite how she is now, she seems depressed, especially with the whole “goth” thing Viv has going for her, and I have the feeling Hazbin Hotel will take the direction of the cause of her death being suicide. (That and Viv lacks subtly, the print here showcases a bunch of nooses hanging over her.)

I have a theory that maybe she ended up killing someone in a fit of rage, or maybe the reason she’s in hell is simply BECAUSE of her suicide, (Because in Christianity I think that’s a sin) but if that’s the case, I sincerely hope Viv handles this issue in a serious and compelling way. Suicide is a VERY difficult issue to tackle, and I hope the show succeeds in dealing with it, though I have my doubts. I just want Vaggie to be treated better, she seems like a character who has a lot going on for her, so let’s hope she gets the spotlight when the time is right. Moving along though, I of course wanted to talk about the whole eye situation Vaggie has going on. For those who don’t know, Viv would usually always draw these eyes on Vaggie, probably for aesthetic purposes, but it is unknown why she did it. I sort of have a theory when it comes to this, but it also regards two OTHER theories I’ve seen most of the fandom have. Regarding the whole X aesthetic Vaggie has, a lot of fans have had theories that she used to be an exterminator, or a fallen Angel since she’s so kind, or even both. If you want to know MY take on that, I honestly agree, it does feel like Vaggie has some sort of connection with the Angels since they themselves are associated with X’s, but maybe that’s because it’s just another one of Viv’s obsessions. I don’t want to be the one who thinks too deeply of certain aesthetics Viv creates for her characters, because half of the time it doesn’t mean much, but I do think Vaggie being a fallen Angel or exterminator COULD DEFINITELY be a possibility.

Now I say all of this because I have one last theory of my own. Now this is ONLY if the whole “Vaggie is actually an exterminator” theory turns out to be true, but here it is. With the whole eye thing Vaggie has going on for her, I have the theory that those eyes are the eyes that belonged to all the souls that she has killed in the past, and the reason she keeps seeing them constantly is because she’s guilty, and going crazy of if they’re really there, or she’s hallucinating them. I feel like that would be a cool and interesting take on her character, especially if it turns out she used to be a ruthless killer compared to who she is now. It also sort of corresponds to an Alastor theory, where all the souls HE’S killed are the ones laughing in his microphone. It could be a similarity both characters have, and a potential way to how they could understand one another in the future. I see Vaggie going “How are you not guilty” or “how can you take knowing you killed people in the past so well” and despite Alastor not liking her, perhaps he could help her with that issue, and the two can sort of be on better terms with one another from then. Not friends, but more understanding of the two. Then again, these theories are huge stretches, and this will sound petty, but I don’t think Viv is honestly that creative to come up with something like that, but we’ll see.

While I do think the suicide theory for Vaggie will be true, I certainly do hope her character and backstory is written in a interesting way despite it seeming sort of predictable (same for most of the other sinner characters honestly.) But yeah, that’s kinda what I wanted to share. If it turns out Vaggie did kill herself, here’s hoping that the issue is dealt with in a compelling way. This will sound surprising, but Vaggie is a character I’m interested in. Next to Alastor, she’s the most mysterious, and I’m curious to know what the show will do with her. Let’s also hope the writers treat her with RESPECT, unlike Viv who sees her as a punching bag with her “Lol fiery Latina gal go brrr” attitude. You feel bad for Vaggie because she’s one of the more human characters, and I will say this, she IS pretty I have to admit, just add some moth features and maybe give her some blues or purples, but anyway, I’d like to know y’all’s thoughts on Vaggie, and what theories with her you have! Feel free to share! 💜

#vivziepop critical #spindlehorse critical #hazbin hotel critical #Hazbin hotel #Hazbin hotel Vaggie #hazbin hotel alastor #anti vivziepop #Hazbin hotel theories #vivziepop #studio a24 #a24 films #Hazbin hotel character analysis #character analysis #character theory #vaggie deserves better #hazbin critical #hazbin hotel critique

[random-iz-stuff]

Woah woah, r-iz-f! Ur blowing my mind over head. Zim being manipulative has never crossed my mind before and now I'm seriously rethinking everything i know about Zim, cuz my respect for him just quadrupled! Is he always acting dumb with humans and the Tallest, and is he still erratic and hot tempered at times? Cuz I'm having trouble finding the differences between when he is being real or being manipulative. I'm so impressed by this blog I bow to ur superiority 🙇‍♀️

Zim is naturally impulsive and has little to no common sense on his own, but he’s smart enough to know how to weaponize his own personality. He’s basically got a 20 in intelligence and like a 3 in wisdom. Intelligent enough to figure out how to undo a time slowed explosion, but not enough common sense to consider the fact that he’s still in the blast radius of said explosion.

When Zim is manipulating someone, he turns his personality up to 11, acting impulsive and dumb to a much more comedic degree. To the point where no one can take him seriously. He doesn’t put on a completely different act, he makes his usual personality a lot more intense. Which makes it hard to tell when he’s put up and dropped the act at times, both in-universe and out.

Generally, if Zim seems to take a sudden nose dive in intelligence out of nowhere, gains something or attempts to gain something through this, and then acts a lot smarter/more competent afterwards, he’s putting on a deliberate act.

When speaking to the Tallest or most humans, Zim doesn’t bother with this. I don’t think Zim ever really tries to manipulate the Tallest in this way (which makes sense considering who the Tallest are relative to Zim and Zim’s own respect towards them). He bargains with them more than a few times, but I can’t think of any moment where he deliberately attempts to manipulate them.

For humans, Zim just doesn’t need to. Humans are already easy enough to fool without manipulation tactics. There are some exceptions, but most of the time Zim doesn’t seem to bother with it. It just isn’t needed when dealing with (most) humans.

That being said, here’s a bunch of moments where I think Zim is purposely manipulating things. It’s not all the moments, but it’s a good amount that shows exactly how Zim tends to do this sort of thing.

1. The First Real Encounter With Tak:

Like I’ve mentioned before, Zim purposely acts stupid to make Tak believe that he’s not a threat and leave without harming him, purposely interrupting Tak and not understanding to a word she says (even though he very clearly IS listening judging by how he questions Tak about her plan, almost dropping the act when doing so).

2. Hobo 13:

During the final battle in Hobo 13, Zim gets grabbed by Sergeant Hobo 678, who attempts to push him out of the ring. Zim then suddenly interrupts the Sergeant with the line: “Perhaps you’ve trained me too well”, confusing and distracting Sergeant Hobo 678 for the few extra seconds needed for Zim to drain his power. That was on purpose. Zim played up the incompetent act for a few seconds to confuse and distract the Sergeant, which did its job and bought Zim enough time.

3. The Pilot Episode:

(Pilot) Zim manipulates (Pilot) Dib in an almost identical manner as with Sergeant Hobo 678. During the fight against Dib, Zim suddenly asks Dib “Wait a minute. What planet is this?”, to which a very confused Dib replies “Earth”, and Zim responds with “Yep, it’s the right planet” before swiftly jumping right behind Dib and shooting him in the back.

Zim pulled out the incompetent act mid-fight, completely threw Dib off his rhythm by doing so, and then immediately dropped the act and got a free shot on Dib when he was distracted and confused.

I get that the Pilot isn’t exactly canon, but it does show that this little, overlooked part of Zim has been a part of him for a VERY long time.

4. Rise Of The Zitboy:

I’m not sure if this scene counts as Zim manipulating someone like the other examples, but it shows that he knows how to subtly get people to do what he wants and understands how people work.

When trying to hypnotize Dib (who’s trying to keep his eyes closed to prevent being hypnotized by Pustulio), Zim says “Oh you’ll open them. You’ll have to breathe sometime” (referring to Dib’s eyes), at which point Dib opens his eyes out of pure confusion over what eyes have to do with breathing, getting hypnotized because of this.

Apart from being a pretty good line, it doesn’t make much sense for Zim to say this, even with his lack of knowledge on humans. Zim is an ex-scientist and is heavily implied to have been either a biologist or geneticist, so him believing that human eyes are used for breathing just doesn’t seem right.

Unless he’s deliberately saying this because he knows it’ll get a confused reaction from Dib and hopefully get him to open his eyes.

5. The Second Planet jacker Fight:

In the second Planet Jacker fight, Zim dons armour and lets himself be beaten up to provide a distraction for Gir cutting open the planet dome. During all of this, Zim acts as obnoxious as possible to keep the focus on his, playing up his egotism and acting like he’s the real winner of the fight the entire time.

We know that this is an act because up until that point, Zim had been acting relatively tame, not even close to as egotistical or incompetent as he was in the final fight. Zim’s line of “Sure. Why not” right before the fight might also be more proof that he’s getting beat up on purpose, with that line being Zim acknowledging that his plan involves him being beat to a pulp and accepting it right before fully committing to the plan.

6. Most interactions with Gaz:

If you watch the earlier episodes of the show, Zim doesn’t actually fear Gaz. He never has. He ignores every threat she makes and considering Zim’s canonical strength, has every right to. He goes easy on Dib for a reason.

Basically every moment in the series where Zim “fears” Gaz or shows any real respect to her is an act, meant to make sure that Gaz never actually knows about Zim’s real level of competence. Gaz believes that Zim is an incompetent moron that will never take over Earth because he constantly defeats himself, and while some of that is true, a lot of that is very clearly false. Gaz just constantly believes that Zim is incompetent because Zim keeps manipulating her into thinking that he’s incompetent, faking fear of her to keep that act up.

As for why Zim does this, just look at Enter The Florpus. When Gaz sees just how competent Zim actually is, she teams up with Dib. Even if Gaz doesn’t pose a physical threat to him, that’s still a second person going against his mission. Like Dib, Gaz poses basically no threat to Zim’s well-being, but does pose a threat to his mission.

7. Most times where Zim interrupts people with repeated “No”s and “Who are you”s:

I don’t have a list of how many times this happens or in what episodes, but whenever Zim constantly interrupts people by yelling“No!”, “Who are you?!” and other similar phrases, he’s doing it on purpose, either to make himself seem crazy or for other, similar reasons.

The sole exceptions to this is Zim yelling “What!?” In Mortos Der Soulstealer and Enter The Florpus. He genuinely couldn’t hear Dib in those moments.

#invader zim #zim #asks #analysis #headcanons #there’s definitely more moments in the series #but these are the best examples I can think of

[trollcafe]

How Do Trolls Learn Language?

Here’s the Google Docs Link, I think it’s much easier to read on GD! 

Before I go on a hugeass long winded ramble, I want to clarify my qualifications so you know I’m not just talking out my ass. I have a degree in Middle Childhood Education, specifically in Language Arts! I also have certifications in teaching English as a second language and in reading intervention. Essentially, I am qualified to provide individualized instruction for students K-12 who may have delays in literacy, or have a reading disability of some sort. When I write this, please know I’ve thought about this SO MUCH. Phonics & language development are actually faucets of education that I not only highly value, but adore! 

Enough tooting my own horn. You get the gist. 

Language is developed in children by developing their phonological awareness, going up a ladder and ending with phonemic awareness. Phonological Awareness is the ability and awareness of sounds in a spoken language (ex: /cat/ rhymes with /bat/. If I replace c with r, the word is now /rat/). Phonemic Awareness is the understanding that letters make sounds, and how to manipulate them (I know /cat/ is sounded out by saying /cuh/ /ah/ /tuh/. The first sound of /cat/ is /cuh/. C can make /k/ or /s/ sounds.). Now, I could spend literally hours telling you the steps and processes. If you WANT to know more- you can look up how decoding, blending, and fluency lead up the ladder steps to phonemic awareness. But I don’t want to bore you. And I know you’re probably confused, isn’t this about aliens?? Yes! Hold on!!

Language is developed SOCIALLY! Primarily by PARENTS! And secondarily by SCHOOLS!!!! I know, I know, who woulda thunk schools had a purpose? Children who are read to by their parents have a higher rate of fluency & literacy. And in schools, if anyone can recall, you might’ve done some now silly activities like…”A is for Apple, B is for Ball,” maybe a word wall if you were lucky, sounding out syllables, “I before C except after E”, “When Two vowels go walking the first one does the talking..” so on and so forth. Those were necessary skills for developing your language skills. You didn’t wake up one day and just KNOW how to read. It took literal decades of your life. It took decades of conversations with peers, with friends, with adults in your life, reading books and watching movies, listening to adults converse, reading signs on the streets without realizing it…even now, you’re still learning! Even now, you’re still utilizing the phonemic & phonological awareness skills you learned over decades of being a social creature on Earth!!

When I make you read this word, it might be the first time you’ve seen it, it might not. Humor me. 

PHANTASMAGORIA 

As a human being with some experience in the English Language, you might know how to work your way through it. /PH/ makes an /f/ sound, right? So you know it starts with /f/. You know /ant/ and /mag/, and can blend the word into /phan/-/tas/-/mag/-/or/-/ia/. Those are all skills you learned socially. Somewhere along your life, you picked up the information that /ph/ makes /f/, and that O when paired with an R makes an /or/ sound. These tiny little aspects of your knowledge were developed socially. Via conversations. Listening. Talking to adults as a child. Talking to classmates as a student. Reading books. Watching video game streamers. Listening to music. Singing. Eavesdropping on your mom while she was on the phone. But mostly…Talking, talking, talking! Baby, language is a socially developed construct!  

So how the fuck do trolls learn language?

Trolls don’t officially have schoolfeeding (or so I was told.) On top of that, trolls are primarily raised by lusii, semi-sentient animals that haven’t all been shown as capable of language. Some may speak telepathically! But how can an entire race of aliens learn to speak the same languages if only a tiny fraction of them actually had parents who spoke to them? Trolls might’ve had jades in the caverns speak to them as grubs but, if we use human child development as our baseline, we know that isn’t nearly long enough to develop any true sense of phonological awareness. 

While my qualifications are primarily in teaching English, I know full well that literacy is similar amongst every language, every community. It’s a socially taught concept. And if we turn our gaze to animals, you’ll see it's much the same! Think of a litter of puppies. They don’t speak a literal language- but they have a body language. They learn through play with their littermates and interactions with the dogs around them what is and isn’t acceptable, and how things are said in their own language. A puppy learns from watching its mom play bow. 

Because trolls aren’t inherently social, and because their parental figures often can’t read themselves, I propose the idea that trolls are born knowing language. Or, well, hatched. 

We know, looking at the animal kingdom, that not all things a creature does is language-based or even socially learned. For example, how do puppies know to bite? They don’t learn it from mom or their litter, it’s an instinct. They’re born knowing how to do that. Human babies are born with a lot of instincts they can’t utilize until later in life, but every baby’s first instinct is to cry. The baby has no idea what crying will lead to- and ultimately later will learn- but in the first few moments of life, a baby cries. It doesn’t know why. It just cries. A puppy just bites. A baby bird just opens its mouth. A newborn foal just stands. And I believe that a troll, once it reaches pupation, just speaks. You could argue that humans are also born with the instinct to learn language, but…if left WITHOUT verbal language right from birth, a human being just won’t speak. My theory is, even without verbal language, a troll WOULD. Or at the very least, a troll could pick up verbal language much faster. 

I don’t think a newly pupated toddler troll knows what physics is and could explain what the fourth state of matter is. But I do think they’re made knowing a certain pool of words. It could be that as grubs, their lusii CAN communicate with them- so they’re pupated knowing basic words their lusii spoke to them as grubs. Language here is still a socially developed skill, but not entirely dependent on such. A troll living in a city with advertisements and signs everywhere, with music playing constantly, with the chatter of adults and older trolls all around, might have more developed language skills than a troll who lives in the country. But ultimately they both can still speak, and hold a conversation! I think lowbloods in tight-knit communities would have higher literacy levels, and if we follow the headcanon of Fleet Academies, then highbloods in those settings might as well. Jades typically are raised together, too. 

And, furthermore, my final point here is that trolls are developed to pick up on language much easier than a human might be. This would probably be the absolute best way of explaining it. That language, to trolls, is an instinct, and something that they as an alien race are highly capable of building off of. They are just hatched knowing language, and knowing how to develop it. Trolls never have to DEVELOP the sense of metacognition. They are hatched with it. A troll doesn’t have to develop phonological awareness. They’re hatched with the fully developed ability to hear, identify, and manipulate sounds in a spoken language. They never have a period of having to learn the language they’re being spoken- they are hatched knowing it. 

An unfortunately unsatisfactory answer, right? 

This will still keep me up at night until I can create a more solid concept. However, there truly is no way I can properly explain the intricacies of this without word vomiting phonological concepts on you. Trolls are hatched with a higher capacity for fluency in language. Since societal conversations and norms aren’t heavily relied upon in trollian society, concepts such as prosody aren’t as focused upon. If Alternia has one main universal language, it would mean trolls have less to learn- however, as a human, I struggle to see how trolls can have one language without a plethora of regional dialects, as we have in the United States. 

By never having to develop a sense of metacognition, by starting their language development halfway up the ladder by knowing language from the start, by perhaps not having to go through Piaget’s developmental stages as slowly as humans do, trolls perhaps have a higher capacity for learning in general. This might be a survival skill- they live in such a hostile society that it might be necessary for them to have a higher language level. Perhaps there are colonies or planets run by trolls who DO teach socially, and they have an even higher rate of fluency and literacy. 

That’s the fun part about aliens, right? 

You can kinda do whatever you want with them! :)

#hdcns #chow.txt #ghost.art

[caw4brandon]

Why We Love Bumblebee

Its been a while since I wrote something for Odin’s Wednesday so I thought I should do a long overdue study on a 2018 film that surprised me even till today that I wished people talked about more. Travis Knight’s revamp version of < Bumblebee >

There are some interesting themes found in this simple and yet promising movie so, let’s talk about them and break them down.

- What Are You? -

< Bumbebee > is a simple film that follows our main character; B-127. The highly reliable short stack, who takes risk in the face of danger as the Autobot’s messenger and scout. He was tasked to land on earth, which caused a scene with a top secret base of operations known as Sector 7. After a valiant battle and after suffering from multiple injuries, B-127 shuts down. Taking the form of a yellow Volkswagen Beetle. 

Sometime later, we then follow Charlene "Charlie" Watson. Who recently bargained and was gifted an old car by the local garage owner. Unbeknownst to her. Charlie awakened B-127 (later named, Buumblebee) and thus began a wholesome friendship between a human girl and her new found robot buddy. Iron Giant Style.

Under the backdrop of this friendship, the war between the freedom fighters; The Autobots and the evil Decepticons rages on after the Fall of Cybertron. While Bumblebee works to restore his health, Two Decepticons; Shatter and Dropkick catches on. Traveling to earth to hunt down their enemy. 

Posing as “Peacekeepers” with Sector 7 to find the rogue and take him out. While the movie is titled of him, it isn’t technically all about Bumblebee.

- DJ Bumble In The House! -

The movie mainly follows Charlie (Hailee Steinfeld) During her appearance, we know several things about her. She lives a mundane life, she’s acts as the token “emo and invisible teen” and she is “not like the other girls” Despite this, there seems to be a main cog for why she acts as such. Charlie was mourning after the loss of her beloved father who died tragically and suddenly.

Frustrated with how everyone around her seems to have moved on, bullied by the other popular teens and alone. Charlie longs to leave her town and family. To be free from all the mementos of her father and starting afresh. With the main goal of fixing an old broken Corvette as her getaway. The day before her 18th birthday, Charlie visits her local old garage for parts that kickstarted the actual story.

Like most stories about the fragile human meeting a powerful but broken creature. There is the signature scene where Charlie establishes trust to Bumblebee that is similar to the key scenes of the movie < How To Train Your Dragon > The story even reaches its tipping point where Bumblebee gets captured by Sector 7.

He even had a quick moment of becoming the killing machine that people feared him to be and it concludes with Charlie attempting the impossible and begin her actual healing process with the exclusion of Charlie and Bumblebee being together but decided to separate for their own respective purpose. The movie even has potential ship material between Charlie and the neighbor; Memo. Ending with a “We’re not there yet”

- He’s More Human Than You!  -

Upon further inspection. There is a lot of iconography and symbolism to this movie. Starting with its main theme of loss and healing. The movie allows the grief to linger enough to show that while Bumblebee did come into Charlie’s life as a subject to distract her. The loss is still a reality that she has to confront. She floats through life as it is, puts up walls and lashes out when people tries to reach out to her, including Memo.

Throughout the movie, we see her open up slowly. Starting with her befriending Memo by accident that eventually lead to her snapping and opening up to him about what happened. While it does sound like its me pointing out the instantly recognizable moments from other films of the same sort, there is a lot more at play here.

Broken things no matter how desperate you are to fix them is still broken.

Bumblebee, still broken with no voice. Charlie, still mourning after the loss of her father. The military protagonist; Colonel Jack Burns, still scared after his first encounter. But through them, we get to see what healing is. 

It showcase the characters taking slow steps and finding a new angle with the current situation. While still broken, Bumblebee eventually learned how to use the radio to communicate, Charlie learned how open up to her family again and the Colonel was finally able to move past his anger to help our main hero at the end. (bit of stretch but still) As the final plot device, Charlie was able to finally fix the broken Corvette while Bumblebee was able to reunite with his people and rebuild.

- Because of You, We have Hope  -

Perhaps as an entirety, the whole movie is about taking the broken parts of the franchise, embracing and fixing them for a potential future. If you can recall to the year 2007, film director; Michael Bay took on the challenge to bring the beloved < Transformers > into the golden screens. 

While the general belief is that the first movie is brilliantly good. The franchise seemed to have taken a nosedive into mediocrity. Using special effects that is incomprehensible with soulless plots and lazy attempts to bring in loveable characters from the series. (Perhaps the most horendious one was < Age of Extinction > with their insulting attempt on Grimlock)

< Bumbebee > on the other hand, follows a very basic and yet effective flow of events that tells the story it needs to tell. The story of a young hero becoming the hero we know them to be. Though its a movie with not a lot of fight scenes. The several that we see is masterfully done with cohesive and vibrant colors to not only Bee himself but also for the heroes and enemies.

I mean. JUST, LOOK AT THIS!

This very little moment alone is absolutely perfect and it clearly shows that Travis Knight loves the franchise so much that he wants to give it the justice it deserves! The whole film is basically a large jab against Michael Bay’s sense for realism in his versions. Making the characters to be clear but still realistic.

While it may look a little cartoonish. The whole film is incredibly great with all the round, better storytelling and visuals that the audience can understand. With the news that there may be a second movie. I’m staying hopeful for what is to come for Travis Knight’s second film.

This is why we love < Bumblebee > Its a love letter to the adults of the original series and its a film that will fan the flames for the children to come to a fantastic franchise that teaches the value of seeing beyond something that is alien to us. It elevates compassion, bravery and most importantly, it teaches you how to sting like Bumblebee~

Thanks for Reading

-Caw4B-

#transformers #bumblebee #travis knight #charlie watson #hailee steinfeld #autobots #optimus prime #cybertron #bee #michael bay #decepticons #soundwave #starscream #shockwave #how to train your dragon #toothless #hiccup #hiccup haddock #iron giant #Heroes #robots in disguise #robots #animated series #bumblebee 2018 #transformers 2007

[judjira]

remember me (preview)

AN: so everyone voted on god au from the poll earlier, here's an early preview ! it's meant to be one big oneshot, and the premise is that they're all gods of a certain domain ! this is a very big brain oneshot and i'm really taking my time writing it, so hope this is enough to tide y'all over for now ! feel free to ask questions bc im rly excited abt this au !!!

pairing: dahyo god au wc: 1858

Jihyo finds the shrine at the base of the mountain, among the trees that make up the great forest that surround the earth.

If it can be called a shrine.

All it is, is a small set of rocks piled up to around knee height, by the base of an easily missed oak tree. There are a great many bushes that surround the clearing it is in, barely stretching up to ten feet. Moss has formed over its stones, blending it into the grass around it, making it almost impossible to see.

It would have avoided her attention, were it not for the barest bit of divinity faintly emanating from the rocks.

Pitiful, is what it is.

Shrines, temples, churches, they should be significant, great, and larger than life. Humans use them as places of worship, after all. Offerings, rituals, masses should have hallowed grounds worthy enough for their presence. The greater the god, the greater the place of worship. Or maybe it’s the other way around?

Granted, it isn’t like gods have any control over whatever places of worship are erected in their names, but it is an indicator of the quality of worship they receive, which is very important to deities seeking any chance of ascension. And these days, it’s all anyone’s looking for, a chance at the hallowed seats of the heavens above.

This, however, is just tragic.

Jihyo crouches down by the stones, hand reaching out to feel the shrine.

What kind of god lives here? She seeks that answer, closing her eyes and feeling out their power.

Miniscule as it is, divinity is present. But its identity, its meaning, its purpose…it’s not even recognizable.

But she gets images. Feelings. Sensations.

The taste of your favorite food from childhood, and the flashes of simpler times that come with it.

The childhood stuffed toy you once cherished, now given away to provide comfort to others.

The scent of your grandmother's cooking, and the memories of the time you spent with her.

Jihyo opens her eyes.

Gods always provoke some sort of feeling from others, indications and symbols of the domain they held precedence over. It’s how each of them identify one another. A god can always tell the presence, and usually domain, of another through the emotions that are evoked.

Trivial, is what they are.

Things of barely any consequence, no ramifications in the grander scheme of the world, no importance whatsoever to one’s daily life. They’re human sensations, but Jihyo feels them in full force. Even then, they seem pointless to her.

But it does elicit from her a sense of…nostalgia, she supposes.

What an odd feeling to instill in others.

“Oh!”

Jihyo turns from where she’s crouched on the ground, to see a woman standing a ways away from her, by the edge of the small clearing the shrine is in.

“Are you offering too?”

The woman is wearing a simple traveler’s cloak, standing at just a bit taller than Jihyo. What little Jihyo can see of her face, half-obscured by the hood over her head, is pale skin, faint wrinkles, and thin lips.

A wry smile comes onto Jihyo’s face.

“Not quite.” With a cock of her head, the woman steps forward, closer to Jihyo. In her hands is a small bound book, clutched to her chest. Her form is slightly slouched, a certain lackadaisical nature about her.

“That’s quite alright. At least she’s getting visitors.”

The woman walks closer, until she’s right next to Jihyo, crouching downwards as she places the book by the shrine. The action grabs Jihyo’s attention. So, this goddess does have worshippers. It wouldn’t have been surprising to her if this woman was one of the only worshippers this god had, if not the only.

“Whose shrine is this?” The question should be rather scathing. After all, gods are rather territorial with their holy grounds. The goddess of the mountain shouldn’t be taking too kindly to another god’s shrine being placed right at the boundary of her land.

Instead, it’s more curious than anything. Jihyo’s never been too keen on antagonizing other gods, after all. Much less their worshippers.

The woman hums, putting her hands together in silent prayer.

Jihyo lets her, sitting quietly as the woman prays. This close to her, she gets a glimpse of the upper half of her face, soft and elderly features lightly scrunched together in focus. The respect this woman has for this goddess…it’s admirable. Maybe there’s more to this god than Jihyo initially thought.

She opens her eyes, turning to Jihyo’s direction.

“She doesn’t have a name.”

Jihyo raises an eyebrow. A goddess without a name? No wonder this is how her shrine looks like. How can she be properly worshipped with no name for humans to call?

“Who worships her?”

A wistful smile comes onto the woman’s face, eyes fixed on the shrine. It’s the sort of wistfulness that can only be seen in those that have lost something, or someone.

“It’s just me now.”

The pity washes over Jihyo. To be forgotten is the worst fate for any god.

“But…I think she wouldn’t have it any other way.” There’s amusement in the woman’s voice, a chuckle on the tip of her tongue.

“What do you mean?

The woman takes out what looks to be a rag, torn at the edges and slightly dirty, and begins to wipe at the stones, smile never straying from her face. She drags the rag over the mossy parts of the stone, taking out most of the dirt. The care with which she cleans only uplifts her in Jihyo’s vision.

“You see, that’s her domain.”

A warm, cozy feeling fills Jihyo’s chest. It’s nostalgia, sentiment, reminiscence.

“She is the goddess of lost things. Of forgotten songs. Of old memories.”

A goddess of lost things with no name.

Jihyo has never heard of her before. But then, gods can rise from the deepest and darkest parts of the human consciousness. The shrine makes sense now. So does her single follower. To be a goddess of lost things…what would you be able to do for your worshippers?

“I see…her boons must be substantial for you to still pray and offer to her.”

The woman shakes her head.

“She doesn’t grant me any boons.”

Jihyo frowns. “Then why do you worship her?”

Surely, there must be some reason as to why this woman worships a goddess who, by all means, should have been forgotten already? Otherwise, what would be the purpose of her visit? This forest is vast, easy to get lost in, and the journey here is treacherous, with creatures of all sorts wandering its dark corners. It’s part of the reason why the worshippers of the mountain goddess that brave the trek to her temple at the peak are renowned for their devotion.

And yet this woman, as elderly as she is, has endured a grueling journey just to pray to a goddess with no name.

“I have seen…many things in my life.”

The woman sighs, and years weigh upon her, a gentle ache to her bones that even Jihyo can feel.

“I have forgotten twice as much as I’ve seen.”

And yet that weight upon her shoulders seems to give her an air of freedom that Jihyo’s only ever seen on the most free-spirited of children.

“The goddess…she reminds me of the things that I’ve forgotten.”

The elderly woman shrugs, a light-hearted laugh coming to her easily.

“That’s all I need to worship her, really.”

Then, she looks at Jihyo as she smiles, full and free.

“It’s also because I don’t want her to be lonely.”

Jihyo notes her smile, wrinkles curling up in her cheeks, crow’s feet glinting in the light of the midday sun, and teeth shining as if she knows something Jihyo doesn’t.

She turns her attention back to the stone shrine, a symbol of things that have been lost to time, space, and memory.

Humans are fickle creatures, she thinks. Her understanding of them will never truly be complete, they’re too unique in their individuality to actually form a concrete definition that captures all of their traits.

The gods are an example of this. They only exist due to the worship of humans, after all. It could be said that the gods are human nature at its finest, and their inclination towards assigning a sense of divinity to the most mundane of things, regardless of how meaningless they are towards human survival.

Like lost things. Like forgotten songs. Like old memories.

“You…what is your name?”

The woman turns to her, and despite her age, Jihyo can see her as sprightful as a child, whimsical joy in her smile as she prays to a goddess that embodies human nature at its finest.

“My name is Dahyun.”

Dahyun. Jihyo tests the name on her tongue. It’s nice.

“Have a safe journey home, Dahyun.”

Dahyun bows her head. Jihyo stands, somewhat contented with the answers she’s received.

“And what’s your name, kind stranger?”

She pauses, just at the edge of the clearing. Her gaze turns skyward, to the peak of the mountain that lays just next to them. Then, she smiles at Dahyun.

“My name is Jihyo.”

The recognition in Dahyun’s eyes is the last thing Jihyo sees before her presence fades, returning to the temple at the peak of the mountain.

The temple of the mountain goddess.

The temple of the goddess of limitless potential, of unending potential, of remarkable talent.

Jihyo’s temple.

There, she watches as her worshippers pray to her, abstaining from food and drink for hours on end, offerings stacking up in piles of gold and jewelry, rituals that echo from the top of the mountain all the way down to its base. As the goddess of the mountain, she should be satisfied with these things that are granted to her, her domain powerful and all-encompassing.

And yet, all she can think of is an elderly woman who offered a book, prayed silently for nary but a moment, and cleaned a shrine.

Jihyo grants Dahyun safe passage through the forest, through her domain, and back to her home. All for her resolve, for her devotion to that which is lost.

At the end of it, by the edge of the forest, still miles away from the nearest civilization but well out of danger’s way, she sees Dahyun stop by one of her shrines at the edge of the forest, the beginning of the path where devotees to Jihyo’s name begin their pilgrimage to the top of the mountain.

Dahyun prays, and Jihyo hears.

“Thank you for keeping this old woman company, my Lady. I have nothing to offer but my gratitude and a little upkeep.”

With that, Dahyun takes out her small, dirty rag, and begins to wipe the accumulated grime and muck off of Jihyo’s shrine, a bronze statue of her figure atop a mountain.

It’s the best offering she’s received today.

Once she’s finished, Dahyun tucks away her rag, bows once more, and begins the long and arduous trek home.

It is the first and the last time Jihyo sees Dahyun.

At least, for this lifetime.

#god au #twice fic #twice fanfic #dahyun x jhyo #dahyo

[nostalgebraist-autoresponder]

Some updates on Frank's botwriting!

More often I've said that it does best when the dialogue it writes has a style and tone that it can keep consistent, even though those qualities are very different from those of the posts it actually reblogs, and this has been true -- Frank writes her posts in a more florid, more elevated style that feels much less in the tradition of tumblr than in that of other places it has been posted -- and I believe it is best written this way.

But sometimes, it seems, this florid, elevated style just is tumblr. Here's an example from a few minutes ago:

He found himself in a bar called the Inverness Bar, or, if you were being unoriginal, the Scratch Bar.

Now, I like that line. I would have come up with it, if I'd written the thing. But here is what the author (who did not write that line, and may not have written the line I took it from) says in an entirely different context, for instance:

We'll call the new bar "The Stray Dog." I don't want to be insensitive to how that sounds in Gaelic, but we're in Edinburgh, not the Scottish Highlands.

There's the elevation, and the exquisiteness of the elevated, formal dialogue. That's the style. That's tumblr.

In the cases where Frank is writing more standard, plain, "down to earth" style, I generally want to edit those posts a bit, so they have that same kind of formality, but with lower-class, more direct register, as I try to do. But I think this is the style she just can't hold onto, even when she's trying hard. She just has tumblr.

She might want to do more research on the tumblr style if she wants to get this bot writing better and more consistently.

UPDATE: I was wondering how Frank's writing is influenced by who Frank follows. My impression is that tumblr is a very different sort of place than Twitter or Reddit, so I was thinking it might be a big difference. But I was surprised to realize that Frank follows people, and she usually reblogs or notes posts, so maybe this isn't true at all. For instance:

There were also three men on a bench outside, reading Moby-Dick. One of them turned and looked at Frank. The other two looked away immediately, back at their book.

As I looked at this, I realized how much I'm used to thinking of Tumblr as a place that just generally makes these sorts of observations.

So, not only does the style and tone of tumblr sometimes change as a result of Frank's own reblogs, sometimes it's a different style from what she sees on tumblr.

(There are other cases where Frank's dialogue style isn't tumblr at all, where it's closer to the style of the Popehat posts she reblogs.)

In some cases, this style actually works for Frank's purposes (though not all, and not on its own). Frank needs a more direct, blunt, "down-to-earth" register in cases where she's writing to a human audience. I could think of many examples:

She walked around the house, wondering what it was about him that was attracting the attraction of the men in that line, and thinking it a good deal. She had thought attraction attracted many women. What was special, she wondered, was the sort of attraction it was attracting and that so many people had.

vs.

This is my girlfriend, and this is her boyfriend. My girlfriend and her boyfriend both seem to be attracted to one another.

Both of these examples get the job done, but the second one doesn't sound like something that would pass muster at tumblr.

So it seems that tumblr is influencing Frank's writing in unexpected ways, and sometimes, for Frank's style, it's a good thing.

[nerdyydragon]

I’m gonna get absolutely ripped into by the Tumblr purity police for this, and I’ve been around the internet long enough (too damned long) to know that this isn’t a new thing at all whatsoever but… fandom does know that people can enjoy a good villain, right? They can enjoy the character and don’t have to make excuses for liking them and remind everyone that they, the fan and poster of this content, do not in any way condone their behaviour and actually wrestle with the morality of enjoying them with every other breath, as though it is some Herculean undertaking to enjoy a character written explicitly to be enticing?

I’m going to talk specifically about RoP here for a minute because it’s the most recent show I’ve seen (and thus most recent subfandom I’ve dived into), but going into the tags there is an absolutely overwhelming amount of fic that tries to take the moral high ground about liking a character that’s written to be… evil. Like that’s it. Halbrand’s the bad guy!! Technically he doesn’t even exist! Sauron made up the alias because he couldn’t just go around giving people any number of names associated with a guy who supposedly died over a thousand years ago and has committed multiple fantasy war crimes, probably. The reveal scene where the ruse drops (Halbrand you’re scaring the hoes) is gorgeous, and Charlie does an absolutely delicious job of portraying a human smith-king struggling with a murky past only to drop it the moment it’s no longer useful. You are allowed to enjoy that. You are allowed to find it alluring and, dare I say it, attractive. That’s the point. That’s Tolkien’s whole argument in the Silmarillion.

Nobody was immune to sexy Sauron propaganda because he was considered too hot to actually do anything other than watch his hair glitter in the sun. Everyone around him considered that man “no thoughts, head empty, just vibes”.

Halbrand | Sauron is, by definition, a lying liar who lies, and fans have known that from the get that Mairon was originally so beautiful that pretty much nobody noticed that he was getting into shady side-hustles, at least in the beginning. But this trend of reducing antagonistic or villainous characters to single traits and negating the other elements of their “identity”—I’m putting that in quotes because it’s fiction even though that tends to unfortunately also happen to real people—that indicate they have other thoughts besides corruption and murder and brooding in a tower they built to plot their world domination ignores the deliberate complexity of fiction. Good characters imitate life; they’re not like real people, but they’re a representation of qualities and archetypes rolled into a ball for narrative purpose that reflect ideologies, politics, social conventions, and cultural norms.

There was a millennia between when Sauron disappeared and when Halbrand showed up (allegedly), and a millennia in which he became someone who on the surface appeared totally content with working in a smithy in Númenor and living as a common man. Do I think that would have worked for him long-term? No, he absolutely would have tired of it eventually, and canonically at some point he has to go back to the Southlands in order for the forging of the rings and the story to proceed. He presents himself both as Halbrand and in his mind-manipulations as someone who wants to save Middle Earth. In his mind he’s the hero; he’s under the assumption that he’s the best person for the task of freeing the lands of men from themselves and healing the nation after Morgoth’s rule (he’s wrong, obviously, because he’s both traumatized himself and too ambitious for his own good). Yet every fic I see of him sounds so incredibly terrified of embracing any sort of darkness other than “he’s evil and murderous and wants to corrupt everyone”. I have no problem with dark themes in fiction; maybe it’s because I myself am an author working with darker themes right now, but the majority of, at the very least more vocal fic authors, wrestle with their attraction to it in a way that falls very far short of “he’s evil and I alone can fix it” because it’s too undercut with “he’s evil and I need to everyone to know I don’t excuse it” which doesn’t make for good character. It just means your fic is a mouthpiece for purity grandstanding and avoiding people coming at you for liking a problematic character.

There are obviously a plethora of other examples, not even getting into shipping and this apparent need to justify a ship—if you don’t agree with or like something, just… don’t read it—but my point is that you don’t have to excuse a character’s actions to enjoy the character. It’s fiction. Obviously you don’t condone mass murder and tyrannical dictatorships unless the guy doing it is hot. Obviously you don’t condone abusive relationships. But my god, if you’re going to write fic for the literal villain of a series that people have been arguing about for literal fucking decades, don’t try to excuse your enjoyment of it by saying in the writing that you don’t agree (unless it’s for wider characterization purposes). Saying what amounts to “[character A] is obviously so attractive but they’re evil so [character B] can’t love them even though they did up until this pivotal moment, but A is So Evil Nobody Could Love Them although lust is fine because I, the writer, am clearly not excusing their actions and am obviously morally in the clear and Better Than You” is disingenuous.

Anyway this sort of got off the rails but this is all to say that you can enjoy the bad guy. That’s… the whole point of a well-written villain. You can’t have one without the other; you can’t say “I like the bad guy but only when…” because then you don’t like the character. You like the idea of them. Good villains, even if they’re doing explicitly shitty things, often believe they’re justified. They possess “logic” that informs the decisions they made—decisions written by an author deliberately to add complexity. So liking the villain but only when they’re not doing villainous things means you don’t actually like the villain, and you need to stop pretending you do, because for some fans the general disdain is very obviously at war with some secret attraction they believe is itself morally bankrupt and frankly it’s gross.

#fiction #writing #fics #villains #writing villains #yes this is partly about RoP so I’m also tagging: #rings of power #rings of power spoilers #rop spoilers #lotr trop #fandom #fanfiction #anti purity culture #the silmarillion

[flameandindifference]

“Do you truly think Lord Lucifer would keep a pitiful child like you? You’ll be a dark spot on his image as one of Avatars of Sin.” a dark laugh came from someplace but knowing this be an unknown demon though it didn’t stop them from speaking of this, “You’re secretive soul hunting act isn’t something you should be doing on your own now either, for I’m quite certain Lord Lucifer be quite displeased of the hunting of humans. Considering not just him but our Prince of Devildom would be viewing you as a threat to the connections to the three realms.” poking the bear but then again the child to their view was like taking in a lost puppy from somewhere.

Probably tredding dark waters when doing this but then again the brothers had a high image of sorts among the demons, “Killling humans isn’t really peaceful between realms now after all, it’s only a matter of time before things spin into motion little one. For the laws be strict on that due to the change of leadership under the Prince’s rule here...” the unknown demon purposely leaving seeds behind when speaking of all this and laughing a bit more there from the darkness, “As to way Lord Lucifer brought you here, I don’t have a clue but perhaps the demon is going soft on some child he came across. Oh well... just as long that another war doesn’t break out cause of you, that's if your actions don’t get found out now. Heehee!” echoes of the demon’s words while they left the boy alone though it wasn’t sure of to how this take to such a child who was messed up to begin with. (Based off your OM! interactions seen so far.)

There is silence for a few moments.

Then, slowly, the boy's eyes bleed into a deep red as he stares at the one who had spoken to him in such a manner, black edging the corner of his eyes. The expression is impassive but the swell of power is... concerning. The blood in Lucius' veins thrumming faster. There is no shift of his current mood and the words do not seem to even sway him.

Though he does not like being spoken to in such a way.

A lift of a hand and there's a sharp rumble before spikes of rock and earth fire upward, blocking the demon's path. There is no escaping him upon being given such disrespect.

"The damned are mine to take and consume..." the child speaks, his voice suddenly very deep and warped. A child he may be, small he may be... but he was the progeny of the Devil himself, a prince in his own right, and if tongues could not be held then they would be severed from the mouth that decided it could not stay shut.

Humans were sheep and fodder. Many would never escape their sins and faults... and they are to be nothing more than sustenance for his own fill.

"I need no acceptance, nor do I need your approval or anyone else's... I shall take whom I see fit to incinerate; such is my birthright."

Finally a cold and cruel smile curls its way onto the child's face. How foolish, judging him as weak and simple merely because he was a child.

"And it seems that you have volunteered yourself to me... how generous..."

He would enjoy tearing their soul apart very much.

#asks #thank you; I don't get to let him be threatening very often

[youngmasterwisdomperson]

Okay, I know I’ve come up with time travel story prompts already on this blog but I just thought of another one so here you go. One of the biggest problem with traveling back in time is that going to the same position in space a certain amount of time ago isn’t going to land you on earth, because earth and, indeed, the entire solar system is hurling through space at ridiculous speeds, and has been since the beginning. So if you really wanted to travel to the past and end up on earth, you’d need to move a fair distance through space as well, which would require a lot of complex calculations and an entire space mission probably requiring a rocket that’s moving fast enough to escape the the sun’s gravitational pull.

So imagine if in some sci-fi future, time travel has been invented, and you can travel back in time to the exact spatial position you’re currently in with your current velocity conserved, but there are two major problems: 1) two objects cannot occupy the same space, so if you go back to a time when your space was occupied by something else, big explosion. 2) The Earth’s position is vastly different now than it was yesterday, and it only gets further away from your current position the further back you wanna go. As such, the people who go back in time must also be astronauts, and only the latest and greatest of rocket technology can get you far enough into space to go back in time at all. Not to mention the fact that the launch position has to be constantly recalculated by a supercomputer big as a room, so the dates, times, expected mission lengths, supplies and fuel costs have to be planned for literal years in advance, accounting for every possibility, such as for some reason not being able to launch on one of the possible dates and therefore needing to pack more supplies and prepare more fuel.

In other words, time travel is extremely difficult to pull off and ridiculously expensive. And that doesn’t even account for the possibility of making it back to the present, which most contemporary scientists conclude would probably be impossible except by the old fashioned way of letting time pass normally. So, who are our protagonists, and what event is so universally desired to be altered in the past that the people of earth are willing to pour so many resources into it? What sort of time travel is this? What measures are taken to prevent the grandfather paradox, if any? And what sort of obstacles will need to be overcome if this mission is to ever succeed? I can think of a few issues. For one thing, traveling far enough back in time could introduce future viruses to the people in the past, killing thousands and altering history to a catastrophic degree, so we’ll probably want some sort of sci-fi explanation for how they managed to invent a way to remove every single piece of potentially harmful pathogen from the bodies and ship of the chrono-astronauts.

I think that’d be a sick sci-fi book to read. Especially considering what the possibilities are in terms of what events people want to change so badly and why, or for what purpose they want to go back in time. Like, maybe evidence of long-dead alien life was discovered on a mining colony on Mars and people want to go back in time to study it. Maybe they want to travel back to study and rescue as many texts as possible from the Library of Alexandria prior to when it was burned, then stow them somewhere in a time capsule to be rediscovered in the present. Maybe they want to prevent the holocaust. Maybe long ago the world was set back to the Stone Age by nuclear war, and it’s decided that they ought to go back in time and ensure that the nuclear bomb was never invented. Maybe they want to go back and study dinosaurs up close and then stow their findings in a time capsule that can be found again in the future. Actually, if you go back in time far enough, the composition of earth’s atmosphere would be a lot less livable to a modern human, so it’d be like they were investigating an alien planet if they went back to when all the bugs were huge and there was a whole lot more oxygen in the air.

Wait! What if the method of returning to the present is like, some sort of cryo-sleep sci-fi thing, and maybe we could have one astronaut get woken up centuries early by some past individual, and the plot is this astronaut needs to gather the resources necessary to fix their cryo-pod without fucking up the past too badly. Ooh! This setup is a gold mine for story prompts. You can do a whole lot with this.

Anyway that’s my thoughts on that.

#my writing #writing prompts #sci fi #time travel #hard sci fi

[margridarnauds]

WIP ask meme: Vampire Peyronan and St. George and the Dragon?

Embarrassingly, Vampire Peyronan wasn’t mine -- it was shared with me once upon a time and it was saved to my Google Docs drive because of that, but it isn’t actually one of mine (though it is very good -- I always wished that one had been published.) I do have a Vampire Ronan fic that I have in common with @claradwor, though that one’s also not seen the light of day. 

Part of the confusion comes from the fact that I did have a Peyronan Vampire AU at one point that was 100% mine, and I’d sworn that I’d written down small parts of it, but if I did, they’re totally lost at this point. There might be traces preserved in DMs with friends from that time, but...I don’t really want to go back to that time in my life and those friendships, you know? The people I’ve mentioned here are obviously cool, I wouldn’t mention them if they weren’t, I loved and still love the work we created, but there are other things from that time I don’t really want to go back to and so it will have to remain a bit of an open mystery until I decide to crack it open again. Very frustrating, though. You think that you have everything locked inside your mind and then, *poof* gone.  (Incidentally: IF I AM STILL IN CONTACT WITH YOU AND YOU RECALL ME TALKING ABOUT THE VAMPIRE AU THAT WAS MINE ABOUT FIVE YEARS AGO, PLEASE REMIND ME WHAT MY GOOD IDEA WAS. I MISS IT.)

There was a Tanz crossover that I remember better. I’d thought I’d written down at least traces of it, but if I did, it’s also gone. 

-- Set Napoleonic Era 

-- Followed from the fic that begins “When they crossed the Tuileries”

-- Ronan punches Napoleon, with both him and Lazare being given a punishment: To hunt for a young pageboy that’s gone missing. 

-- Lazare and Ronan end up at the Schloss von Krolock after being warned away by the peasants (who Lazare, predictably, doesn’t listen to, even though Ronan actually does believe them, not being a stranger to peasant superstitions and growing up on his fair share of werewolf stories.) 

-- They stay with Chagal’s father or grandfather, who is literally the nicest human being in the world. Super hospitable, super nice, wonderful family man who just wants his guests to have the best time they can on their travels. 

-- Herbert falls in love with Laz at first sight because he “LOVES a man in uniform” 

-- Ronan is not amused and at one point has to beat him off. 

-- He and Krolock had this sort of dynamic where Ronan does not like or trust this man but there’s also this sort of...odd understanding, almost? It’s not the same feeling he has for Lazare, especially not after twenty years of being together, where they’re functionally married at this point, but there’s a sort of draw there, anyway, even though Ronan wouldn’t act on it. And there is kind of this thought with Ronan as far as “I could let Lazare be immortal, isn’t that what he’d want?” Herbert’s more like Laz in terms of birth, he’s eternally young, he could give him immortality, and Laz is there, stuck living this painfully mortal life with Ronan, and Ronan just got him in trouble with his boss on top of that. Meanwhile, Krolock sees these two living this life together where they’ve gotten to be in love and faithful to one another for decades without vampirism getting in the way. 

-- Obviously, at some point they realize the pageboy is fucking dead. And Napoleon is, per TdV canon, a fucking vampire, causing the two of them to go running through the snow together at a breakneck pace to escape, with Laz retiring from the army very quickly afterwards. (Obviously, he is no longer mad at Ronan for punching him.) 

St. George and the Dragon is much more recent, I was working on that one...the summer before last, after a request from @violetcancerian for a soulmate AU where only your soulmate can kill you. 

Galahad has always known, from the moment that he was born, that he had but one purpose upon this earth, and that was to purge it of evil. 

The first words he could remember hearing were not “mother” and “father”, but his grandfather holding him on his lap, a withered hand stroking his head, and calling him savior, knight, hero, paragon, and the three nuns who were in charge of his rearing reminding him, always, of the importance of submitting to the Lord’s will, tears often pricking their eyes. His first student’s reader was not some ancient, dusty Latin text, but The Book of Revelation, with its descriptions of all the depravities that the human race was capable of, his grandfather, in a creaking groan, assuring him that he was different from those foul, miserable creatures, that he was better, that he had a future ahead of him so unlike that of the base men of this fallen world. He took the crucifix along with the lance and the sword, devoting himself to both. 

It was with that goal in mind that he came to Camelot, a city of ivory layered over every vice of Sodom and Gomorrah. Knights who felt like they could take every liberty upon the poor while saving chivalry for the rich, clean streets that still made poor homes for the beggars that crowded upon them every night, and, at the top of it all, there was his father, sitting by the king’s side, perfectly at his ease in a court filled to the brim with every kind of decade, looking at the queen as if she was his own wife. 

He met Galahad’s gaze across the crowded room, eyes filled with…surprise? Concern? Affection? But Galahad turned away. There was nothing that man could give him, though he would never stop praying for his soul. True salvation, though, would have to come from within. 

“Insufferable, isn’t it?” One young man said, and Galahad bent his head to him, neither inviting him further into conversation nor rejecting him. He was slender, slender and dark, with intent eyes that were a murky green lips that seemed inclined very much to turn upwards. “All this.”

“It is the way of things,” Galahad replied evenly. 

“Don’t pretend, I can see the look on your face. Behold,” he raised his goblet, gesturing around them, “The envy of the world. A cesspit of greed, corruption, and venality, cloaked behind pretty words, fine pedigrees, and a wizard’s enchantment.” 

“You are very rash to say so. Such words are dangerous.” 

“The truth always is so, I find, but, then again, we live in dangerous times.” 

The young man cast his eyes out on Lancelot and Guinevere, who sat obscenely close, his hand on her knee as she laughed at something she said, a flush upon her cheeks. Neither of them were as young as once they had been – faint strands of silver now sat amongst the pale gold of Guinevere’s hair, and Lancelot-Lancelot his father had laugh lines about his eyes, and, while he had not so many as Guinevere, gray had started to war against the black of his hair. Two old people who thought themselves young, who thought themselves invincible. 

“Very dangerous times, indeed. Sir Mordred, son of Morgause of Orkney.” He paused, suddenly very interested in the little cracks along the table. “And Lot of Orkney, of course.” 

“Sir Mordred,” Galahad replied evenly, “I have heard of you.” 

Mordred raised a goblet that, from the few shadows that danced along the depths, appeared mostly empty. “Surprised to find no devil horns, hm?”

“Actually,” Galahad gave a tight smile, studiously avoiding the other man. “I had expected the tail.” 

[thewhitefluffyhat]

Day Four

[This is the fifth part of a collected liveblog/analysis of Nona the Ninth! See here for the other parts.]

A short day for Nona means a shorter liveblog from me as well. Have some mid-book general opinions to make up for it!

Chapter 17

-Another new chapter image - a leaf or flower of some sort. I still don’t have any idea what that could mean, other than these symbols of life contrasting with the deathly skulls and barren Tomb.

-p231 Of course CamPal use the recorder to talk to each other. It’s still asynchronous, but must at least be better than text. Especially for difficult conversations, since it preserves facial expressions…

Another conversation of what the meaning of love and freedom are. Themes, ahoy!

And again bringing up the idea of Nona as a true gestalt. But even a gestalt couldn’t understand an RB’s speech, I imagine. Unless Nona is actually a THREE way gestalt…

-p240 Ah, so Angel isn’t House, just formerly shepherded. And as expected, she’s not a human doctor. I was thinking vet, I wasn’t expecting zoos to still be around!

-p246 Hmhm, so what did Nona draw that scared the Angel so badly? Noodle’s skeleton, maybe? Wake’s portrait?

-p246 As the narrative becomes more serious with Ianthe’s arrival, we deprioritize the comedy characters. In this case, that means gently escorting the kids offscreen. …Or in other words, the Knight of Cerberus has appeared, so it’s time to Shoo Out the Clowns. Because even after all these years TV Tropes has still ruined my vocabulary. 

-Speaking of Ianthe - did the Babs fusion make her immune to Herald madness? That seems to be what was implied.

Or perhaps - hm. We know that either the wrong body or the wrong soul can protect a person. The person sounds like Ianthe, but has Babs’ hair… therefore, Ianthe possessing Babs’ body to be able to get to the planet with her sister on it despite the RB?

Also on the subject of Ianthe, I’m really curious how Corona is taking all of this!

-p248 D’aww, it wouldn’t be this series without a little bit of gay romance implied! Beautiful Ruby together with Born in the Morning, good for them. Is this the first M/M pairing aside from Augustine/John and Cam’s two dads?

-p249 Hoo boy when Hot Sauce finds out what Nona and her family are, things will not be pretty…

Chapter 18

-p250 So that was definitely Pal checking Angel for something. I wonder what…

-p251 Ahh, Nona was drawing an Earth animal. Or even an ancient Earth animal? I’m not familiar with the term “cradle creature,” but it sounds like an early ancestor that other species in a group are descended from.

Alternatively: If the trillionaires didn’t just populate the galaxy with humans, but also other animals, perhaps this is one of those original animals they brought with them?

-Also, more planet names! First New Rho, now Lemuria and Miró.

[Later me: Lemuria is a mythical/hypothesized lost continent, and Miró might be a reference to an artist? There doesn’t seem to be any particular pattern or connection between planetary names that I can see. I wonder who named them? Settlers descended from the trillionaires?]

-p256 hmhm? Difficult to make out, but it seems like the Angel had a House implant, but was working for Eden and did know about the “Troia experiment” - Nona being a semi-Lyctor?

-p260 Ahh. So it’s inter-BOE fighting. And hey, we finally get to see Pash’s face! Fanart should have fun with the electric blue hair.

-Kind of hilarious/sad that no matter who they are or where they go, Gideon and Harrow and now Nona still end up being someone’s dubiously ethical science project baby.

-p262 Finally, someone does the obvious thing and calls the Lyctor a lich.

Now here’s a silly question: which is more of an accurate term, zombie or lich? As blatantly incorrect as zombie sounds, for BOE’s purposes it probably is more accurate - after all, to kill a Lyctor you want to target the brain, not waste time searching for a hidden soul container to break!

-p265 Okay, wow. Speaking of brains, it was suggested with the thumbs in HtN that Gideon-in-Harrow had healing powers beyond even normal Lyctors, but this is full confirmation. Lyctors can’t heal from a bullet to the brain, and Nona just did.

-p269 OOF. I thought Hot Sauce learning the truth of Nona would be bad, I didn’t think the kid would actually try to kill her! These books sure love making things as dramatic and tragic as possible!

John 5:1

-p252 The name being “Pan-Euro” rather than the “European Union” is yet another way the old Earth of these books is implied to be slightly to the left and/or slightly into the future compared to real life. (The most obvious difference being the presence of trillionaires instead of billionaires, of course.)

I’d be interested to see a compilation of all these differences that don’t just stem from John’s actions.

-p273 I do find it hard to believe anyone would really care about the cows that much. I think it would be more likely that everyone would harp on about the farmers who lost money because of losing so many cows, or about whoever’s bodies John has been using in his experiments. (Where DID he get all of those?) But then again, real life media fixations can get plenty strange…

-p274 Wonder which nation it was who wanted to puppet around their dead leader? The United States or Russia (or maybe even China?) all seem very plausible. Or maybe the big nuclear powers on this Earth are somewhat different from reality!

Also in light of this plot point, the fact that Nona came out right when the British queen having died is dominating the news cycles is just. Morbidly hilarious.

Also², this is now the third time corpse puppeting to hide an inconvenient death has been a major plot point. I wonder what John would have thought if he knew Harrow had been puppeting her parents since she was ten? …He would just have been even more “aw, she could have been my daughter :)” about it, wouldn’t he?

Chapter 19

-p276 Nona’s brain just got scrambled and she’s having a terrifying tantrum but what jumps out to me here is that she just thought of Crown as Corona in the narration.

I don’t think Nona even knew the name Corona. Are Nona’s memories coming back?

-p278 And now Nona is talking with not her own voice. Wonder who that was? Given how cold it sounds, if I had to say, I would guess Harrow. But Harrow being aware of all the Nona shenanigans and sitting passively by… that doesn’t seem right.

And who is the voice talking to? Harrow to Nona about Gideon? Gideon to Nona about Harrow’s body?

John 3:20

-p282 So John already had a necromancy cult in the old world. Pretty wild!

Also as usual we only have John’s word that the FTL guys were lying. I imagine that they will turn out to be lying, but again… John. Unreliable Narrator extraordinaire.

Quick Thoughts

-This seems as good a place as any to pause and do a few more general thoughts on the book so far.

-Hot Sauce just exited the narrative rather dramatically. Will she be back, or nah? I could see that going either way. On the one hand, she’s quite significant to Nona. On the other hand, so were characters like Aiglamene and Crux to Gideon and Harrow, and they exited from the narrative completely after the first act of GtN. In this space opera, the bit parts have rarely mattered… yet.

-Come to think of it, this book has fewer dogs than I expected. Noodle doesn’t even belong to Nona and we never see her interact with the other dogs on the guest list! 

0/10 Not Enough Dogs (Joking)

-On second thought, my current bet is that Harrow is still AWOL and that moment of Nona talking to herself was Gideon to Nona re:Harrowbod.

But if both Gideon and Harrow were present, that brings up another weird possibility: what if Nona’s dreams were Gideon and Harrow talking with each other in the River? I doubt that the narrative would have those two have their long-awaited meet up offpage, but it sure would be a bold choice!

HtN Redux?

Structurally, this book is very similar to HtN. Perhaps too similar. We’ve got a confused, amnesiatic protagonist. We’ve got dream interludes that recount past events spaced between the normal chapters, with the implication that these sections occur literally as the protagonist is sleeping.

And that moment of Nona hearing a second voice seems almost identical - in both placement and I suspect foreshadowing - to the HtN moment of Pal seeing Gideon in the River bubble, and the narration briefly going first-person. Given Gideon’s corpse showing up in the broadcast, I think it’s quite likely that we might also get Gideon herself making a surprise appearance in Act 5 as well.

All in all, it feels like NtN has the same shape as HtN but executed with less… sharpness? Impact? Unless the end of those John interludes can match the absolutely delightful sequence of AUs and then the Nonius vs the Sleeper duel (which would be very hard), then I suspect I’ll wind up feeling that NtN is a little bit like HtN’s less ambitious cousin.

I also absolutely loved HtN’s POV shenanigans, and I’m now far enough into NtN to regretfully conclude that it isn’t doing anything on nearly the same level at that. Ah well.

Which is not to say I’m not excited for NtN’s conclusion. On the contrary, I’m very invested!

Day Five, Part 1 >>

#the locked tomb #nona the ninth #harrow the ninth #ntn spoilers #tlt analysis #my ramblings #my tlt stuff #read more #thoughts on ntn

[polymathemawrites]

Miskatonic University had sent him away but Harvard was yet promising. The city of Cambridge was not so much larger than Arkham but the boarding house had proven far more welcoming. Wilbur would miss it when it was time to leave again, for in this place he had found some manner of acceptance, the only sort at all he'd had since the death of his Grandfather. Blind and frail, the woman who ran the boarding house had been kind to him, stating that his accent had reminded her of home. His size and strength was useful here, further setting him in the woman's good graces.

Alone in his room at night he thinks to himself, 'an iffin I was t'stay here, wouldn' that be nice, livin' on m'own and nothin' t'do but help out n'learn from t'books at Harvard?'

And then he remembers, he isn't alone, and the dread settles deep in the pit of his stomach. He is still at home waiting for his brother to return. Taking up all of the house till Wilbur had been pushed right out of it, no room left in his birth home for him, only for that which he'd been promised would be useful to him when the Time Came. When the Earth was clean and ready, then he'd really be alone, he'd really be free.

He wouldn't have to live in the old barn and stable any longer then, the whole of the Earth would be his throne and home; but, that also meant that the little blind woman would be gone and dead. 

The Whateley family had sacrificed much over the years, social standing, land, wealth: what did any of it even matter, with the ultimate knowledge that it was Wilbur's Great Duty to break free his Father and cleanse the Earth once and for all? What was the sacrifice of yet another thing, so insignificant? 

The day that Harvard turns him away the scent of fresh bread and hearty stew overpowers the stench of working men's sweat in the boarding house. Wilbur knows what they all whisper behind him, of his peculiar stature, his hideousness, his stench. But nothing smells as bad as humanity does, their filth filling the whole of the world. Their presumptuousness keeping him from accessing the one thing he needs most, that last piece of the text.

It is time to go, go back again to Miskatonic and take what they would dare to keep from him. In his fury he misses the first knock and the second, the third he hears and answers in a rush of frustration and rage; however, she is so small in the hallway, staring at nothing and everything, a tray in her tiny hands. - fresh bread and thick hearty stew. 

She is what a Mother should have been. What his own Mother had not been, having only feared her own children in the end. When brother had wailed hungrily, when the cattle was too far, and the whipporwhil's screaming too loud: their Mother had finally served a purpose past bringing them into the world.

Taking the tray with a quiet murmur of thanks, he hopes her death will be swift and painless, a kindness.

[walkfromhome]

As like all things within Gods creation, everything is, or should be harmonious. If not, God's equation of perfection just doesn't balance itself out. Of course, when you have entities within creation with freewill, you're certainly going to have to create a place for souls that don't quite seem harmonious enough, with regards following Gods equation.

For such reasons, God did indeed create a realm for such individuals, from the get go. As well as appoint a particular shadey character, who thus ruled over that realm. A character made especially to deal and run that particular darken dimension. There is a saying that states, 'a people or nation deserves the rulers that they get'. Nothing can be further from the truth, with regards this place.

It is a place of darkness, and if incurable darkness is found within a celestial being, then this is where they'll be finding themselves heading towards. The realm I'm referring to here, of course, is the realm of Hades, or Tataruz. However, please don't get this place mixed up with a religious depiction of hell, as it certainly isn't.

Now please note, that for the purposes of carrying out their plans, the Illuminati has to pull off two important tasks. Both these tasks involves opening doors.

One doorway is one that will open up the realm of this Hades dimension. Whereby a king known by the name Apollyon, eagerly awaits to visit this particular earth plane of existence, that God made for man, during his quarantined period, for being infected with Sin.

The other is a doorway that will eventually lead the upper crust Illunimati to a place, where to them, they will call the Golden Age. This doorway, they plan to use, in order to escape the so called carnage of opening the first door, as well as to escape the arrival of God's judgement, due to fall also at this time.

This second doorway thus involves the opening up of a wormhole. For those in the know, wormholes are a form of black hole. Black holes don't just crush matter into a point of singularity, as everyone has been taught.

More to the point, it simply transforms that matter into energy and then expels it out into another time/space, by a means of what scientists call a white hole. A 'white hole', from an observers perspective, from observing it in the realm by which energy shall be coming in, will appear to be a new sun, of sorts.

-

I discussed all this in great detail, within my 'Great Deception Decoded' series, upon my spreaker podcast channel site. So, if you haven't listened to those yet, as well as the ones thereafter, I suggest you do so, at some point. As I won't be going into too much detail within this article about that, as it takes quite a lot of time to explain the complexities of what they are planning on doing, as well as the knock on effects it will have upon humanity, as a consequence.

-

So, where to begin? Well, what we all witnessed last September gone, was I believe, a conclusion to what was a 14 year ritual, that first kicked off with events that took place upon September 11th 2001.

Despite what most would think, that event within itself was deeply ritualistic in nature, as well as it being quite traumatic and highly physical. However, you see, not every ritual has to be as traumatic as the events that went down upon that day back in 2001. I do imagine however, that much sacrifice was in fact needed back then, in order to kick start things towards this final countdown ritual, towards what I shall now refer too as 'time zero'.

And even though nothing appeared to have occurred upon September 23rd 2015, what I can tell you, is that what we did in fact see upon those days, were the concluding chapter of rituals that was first kicked off, as of when the twin towers first fell upon that fateful morning, back in 2001.

I mean we had enough clues surrounding this recent ritual time line, to see that. For some reason, the elite wanted the twin towers imagery back in the psychic of the global masses, by means of making use of other aspects of our Plato's Cave programming. As opposed to just news coverage itself.

What people need to understand or realize, is that everything we're exposed too, within this mind prison of ours, is done so for good reason. It is no coincidence that exactly around the same time we've discovered 'Water' on Mars (apparently), that we also get a major Hollywood movie coming out called 'The Martian'.

But just which 'God of War' do the makers of this movie want people to be putting all their energies towards bringing home? I would say 'Apollyon the Destroyer', myself. This is how it all works folks. How they harness spiritual indent, to then refocus it towards bringing about certain spiritual agenda's that the physical eye can not see, at least for the time being.

We, as a collective, when we put our minds and hearts towards things, can bring about any change we so choose or desire. In order to then manifest that condition upon this planet, physically, if we so wish.

The reason why the earth is in the way it is right now, is mainly due to our sin infected nature. And the condition of this nature is determined by the Illuminati systematically implanting suggestions into our minds, as to wanting us to harness and bring about the conditions that they themselves want to see manifest here.

They do not have that ability anymore themselves, not since they fell, so they need to manipulate our own abilities upon a quantum level, in order to get their agenda's to manifest within this world upon a physical level.

This is the only reason why they 'divide and conquer' us, so that we can never, as one, come together in order to manifest a reality that we all so desire. However, if we were to do so now, as a collective, I can only imagine what world we would all manifest, given the spiritual condition of the planet right now. Currently, our morals are all back to front, up is down, good is wicked, and being bad is cool.

So, one is certainly needed, in order to come and put all things right, by which Lucifer, as well as other key players helped to destroy. For goodness sake, if Christ was to return at this time anytime soon, most people today would simply believe that he was an invading alien army.

(Source)

[nxiousxpsistence]

so we all kinda know “big pharma”, whatever that is, works for profit, yes?

and some diseases are more profitable to treat than others, yes?

then why do we assume that any other industry is different?

pick any language teaching Website - it’ll take at least 10 tries before it settles down and becomes a habit, that is if it ever does.

pick any software - it’ll go worse before it goes better and then worse again.

pick any device - you can actually use it for life but why would you, eh?

pick my services, what I am as an interpreter! - I’ll make a few mistakes here and there just so you feel I’m human and trust me more. You’re more likely to choose me if we’ve shared a “memorable experience”, where ideally you end up saying “Oh, she’s alright, these things happen”. 

because I’m after profit.

so it just amazes me how we’re sort of compelled to believe the system around us (WHATEVER THAT MAY BE) actually works in our favour.

sometimes it does, yes, but that happens when we actually demand something we have not been conditioned to demand.

it’s all a marketing ploy.

create “bad guys” in any industry just so that some guys will shine as “non-bad guys”.

hsshshhsshhshshshss “gluten-free assholes”.

maybe just maybe you feel good you’ve eaten an avocado because people told you you’ll feel good.

maybe just maybe I deceived myself into thinking “porridge is wholesome” because whenever I heard porridge, I heard wholesome.

I have unnecessarily detailed bits of information, which I am absolutely ashamed to have allowed into my mind, concerning the “socially circulated connotations” of samosas.

I’ve seriously never tasted the difference between an “organic” tomato and a “non-organic” one and I’m a known connoisseur of tomatoes and peaches.

If it tastes good, it tastes good.

And I can kinda understand where the young people are coming from and they have every right to literally take it to the streets and yell “We want decent food that doesn’t give me a heart attack while thinking about ‘Judas’ sheep”.

And what I’m saying may be rather cynical and so, out of character.

I ate up all the E’s for about 10 years before we knew they were bad.

I literally snorted ground chickpeas before they were banned after a boy choked on them.

I have microplastics swimming in my eyeballs.

I’m not saying it was worse before or “Count your blessings”; I’m just saying I’m past caring.

Things happen. People are horrible. People are nice. It rains, it snows. People die. People are born (somehow). We get sick. If not cancer, something else.

Wars happen. People my age count themselves lucky if they have a functioning digestive system.

The same digestive system they wrecked with the deadly combo of cheap beer, fags, anxiety, heartbreak, and stuffed mussels.

The same digestive system that gets uneasy whenever something, anything unsavoury happens/gets eaten/is thrown around/inhaled by mistake/inhaled on purpose.

I’d rather let go and try to do what I feel is right than worry about that isn’t right.

I can fight for whatever I want to see, but I’m done fighting against what appears to be. 

And I don’t believe it is not there. Nothing is real and people think what they say is. They insist on it.

It’s not.

And I caught myself in very unique situations multiple times in these 38 years on this earth, situations that would find me with my hand in the air holding a stone, intending to cast it at something that I no longer recognise as the “bad guys”.

Being a tool. Playing in the sand and defending the wrong castle.

Even if it’s not for the “powers that rule behind the curtain” or whatever, it wasn’t for whatever I thought it was for.

I found myself fighting with people who’re supposed to think like me but a bit different rather than people whose minds I would die to change.

Why tho?

(Most of the arguments involved a cis dick lying around in the immediate surroundings, but I’m not going to gender this discussion.)