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#the way you use chinese culture to then prop up your own disgusting views regarding p*dophilia and i*cest and saying things like 'well this
pendraegon · 3 years
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every time i see white people on here who interact/are fans of asian media (in particular east asian media), then decide to treat people of color in these spaces as their [1] Get Out Of Racism Card because i follow this blogger or [2] think that said blogger is the authority on all issues??? and [3] proceeds to act not only bizarrely but inappropriately in regards to various east asian cultures as if said white person actually would know MORE than an asian blogger in regards to their own heritage is well.........i must laugh.
#it's so abhorrent.#i was very briefly in the mdzs fandom — i would even hesitate to say that in that i only liked talking about the show with my mutuals#but the things that i have seen as a result from that tag alone and likewise#other danmei/cdrama things that crop up on my dash because my mutuals are horrified by it well.#so fucking sick to death of you white people waltzing in thinking you know jackshit about asian cultures#the way you people treat and infantilize asian men and asian characters#the way that every so often posts like this pop up in these circles and yet all of you people ignore the words and comments of ACTUAL#fans of color and instead prop up white voices. it's sickening.#the way you use chinese culture to then prop up your own disgusting views regarding p*dophilia and i*cest and saying things like 'well this#is normal in the chinese fandom/in china' when VARIOUS chinese bloggers have said it's not and that you're just utilizing#progressive language in saying 'well if you criticize this work for being pedophilic/incestual/depicting X or Y positively then you're#racist against asian people' like. oh my god. do you hear yourself?#oh. this isn't about anything in particular i just. i don't know.#thought about how much im glad im no longer as active in cdrama spaces#because i don't have to deal with fetishists and racists.#but also im kind of sad because i remember being SO overjoyed by how much i adored the untamed and how even though i'm korean and not#chinese it was something that resonated with me to an extent....
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Psycho Analysis: Fu Manchu
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(WARNING! This analysis contains DISCUSSIONS OF OUTDATED RACIST STEREOTYPES! This analysis does not support or condone such things whatsoever and merely is here to analyze the cultural impact of the character!)
"Imagine a person, tall, lean, and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green. Invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect, with all the resources, if you will, of a wealthy government—which, however, already has denied all knowledge of his existence. Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man."
— The Mystery of Dr. Fu-Manchu (1913)
I think it really goes without saying that the late 19th century and early 20th century were deeply, incredibly racist. One such manifestation of the racism and xenophobia of the times was the villainous archetype known as the Yellow Peril. The so-called “Yellow Peril” is a caricature of eastern cultures, portrayed in a villainous light; the characters are diabolical criminal masterminds who tend to be geniuses, know kung fu, have mystical powers, command barbarian hordes, and dress like the most stereotypical dynastic noble you could imagine. Just think of every single cringeworthy Asian stereotype you can imagine, stuff it into one villainous package, and BOOM! You have yourself a Yellow Peril villain.
You’ve most definitely seen villains that fit some semblance of this trope. Lo Pan of Big Trouble in Little China and Long Feng from Avatar: The Last Airbender are notable examples (and ones that aren’t particularly problematic, as their works don’t rely on some white guy saving the day and instead have Asian heroes). But we’re not here to talk about them, oh no – we’re here to talk about the grandaddy of them all, the villain who codified the idea of a Yellow Peril villain to such… er, for lack of a better word, “perfection,” that even though he has somewhat faded from the public consciousness he has managed to continue inspiring villains up until the present day: Fu Manchu.
While not the first Yellow Peril villain, he is pretty much the face of it. He is what comes to mind when you envision such a villain, which may be because his cultural impact runs so deep – characters such as Batman’s nemesis Ra’s al-Ghul, the Iron Man foe The Mandarin, and James Bond baddie Doctor No among many others all draw inspiration from this legendary Devil Doctor. So what exactly is his deal that has made him such a problematic icon?
Motivation/Goals: So Fu Manchu’s goals started with him being a Chinese nationalist but eventually he moved into your standard world domination, with him developing over time into becoming a sort of noble criminal, a diabolical mastermind with some level of ethics, class, and standards; the man sent his nemesis gifts on his wedding day and always stuck to his word. This doesn’t seem like much now, but you gotta remember, this guy was one of the first big literary supervillains; you’ve gotta cut him a little slack.
Performance: So it is time to discuss the elephant in the room… not once in his long and storied history in film has Fu Manchu been portrayed by an actor of Chinese, Japanese, Korean, or Indian descent. Fu Manchu has always, always been portrayed by the worst possible option in every single case: a white guy in yellow face. Christopher Lee is perhaps the most well-known white man to play him in a serious work, portraying him in a series of films, though Boris Karloff portrayed him as well. 
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Peter Sellers portrayed Fu in his last major cinematic appearance, though unlike most other examples that film – The Fiendish Plot of Dr. Fu Manchu – was a parody, which does at least take away a little bit of the bad taste.
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The only valid white man portrayal is, of course, from the fake trailer for Werewolf Women of the S.S. As said fake trailer is a ridiculous sendup of exploitation films and trashy cinema in general, the inclusion of a white man playing the fiendish doctor is pretty much part of the joke – but it’s who they got that’s the real treat. We’ll get to that shortly, but before that…
It is honestly really disgusting that in the long history of this character, he has never once been portrayed by an Asian actor. You’d think at some point that someone might at least just cast any sort of Asian due to the unfortunate tendency to view Asian actors as interchangeable, but they couldn’t even do that.
Final Fate: Fu Manchu is notable because he always gets away, even if his plans are foiled; in fact, he’ll sometimes have plans within plans, so even when he loses, he still wins to some degree. But enough about his in-universe fate; let’s talk about the real world fate of the character, where Fu Manchu has a very odd legal status in terms of public domain.
While the first three books are in the public domain, some characters from later books are not considered part of the public domain, which has lead to situations such as Marvel’s Master of Kung Fu not being able to be reprinted for years. On top of this, as the character’s creator Sax Rohmer died in 1959, Fu Manchu is not in the public domain in Europe; this has led to him appearing but not being directly named in Alan Moore’s The League of Extraordinary Gentlemen, where he is only referred to as “The Doctor” (amusingly, he goes up against Moriarty in that comic, the character he draws inspiration from).
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Best Scene: In what is one of the very few non-offensive uses of the character, Fu Manchu is given a brief cameo in the trailer for Werewolf Women of the S.S. that shows up in the Rodriguez/Tarantino double feature Grindhouse, and he’s played by… well… just watch:
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Final Thoughts & Score: Fu Manchu is an absolutely fascinating villain born out of incredibly problematic places.
There is absolutely no denying that Fu Manchu was created from a deeply racist place. It’s an unavoidable fact. There is no getting around it. Fu Manchu as a character was meant to demonize the Chinese, to the point where production of films based on him as well as the novels was halted in times of war when the Chinese were allies. These books, these stories, are all extremely problematic by the standards of today.
But with that being said… who, exactly, is the title character? Do you know, without looking it up, who the hero who Fu Manchu antagonizes is, the Holmes to his Moriarty? This is Fu Manchu’s series, and throughout it he projects an air of intelligence, sophistication, and even honor that you wouldn’t expect would be afforded to a character such as him. As far as racist propaganda goes, an extremely charitable person could be able to call this “progressive” in some regard. Positive discrimination is a step up from regular discrimination, right? Again, there’s really no getting around the glaring problems with the character and his origins, but the fact Fu Manchu is one of the first supercriminals in literature and manages to just be unflinchingly cool to the point where you’ll probably end up rooting for him over the bland white protagonists says something for how utterly racism fails when it manages to make the object of its derision infinitely cooler than the race it’s trying to prop up as superior.
By my own criteria, Fu Manchu could only be an 11/10. I can’t deny how much of an impact, for better or for worse, the fiendish doctor has had on pop culture, to the point where he gave his name to and subsequently killed off a variety of facial hair, a feat only matched by Hitler. But this comes with a disclaimer: I cannot stress enough that Fu Manchu is deeply and inherently problematic on a conceptual level, and that despite how genuinely cool and fascinating he is in the right hands it doesn’t and cannot erase that his original purpose was to demonize the Chinese and Asian cultures. He also managed to help perpetuate yellowface and helped to popularize cliches that have plagued Asian villains to this day. While many in his wake have still managed to be cool and engaging in their own right, it really cannot be said how this character has a very complex history. Has he done more bad than good? That’s not for a white guy like me to determine; I’m merely here to determine the overall quality of the villain and determine their impact, and Fu Manchu undeniably has impacted culture. It would be wrong and disingenuous to break my own rules to give him a lower rating due to his problematic elements, but at the same time I cannot sit here and pretend they do not exist.
I would love to see the day where Fu Manchu can be reclaimed to some extent. Look at Shang-Chi, for example; the (at this time) upcoming Marvel film is set to feature the Fu Manchu-inspired Mandarin as a major character, and he is set to be played by Tony Leung Chiu-wai, a Hong Kong actor. If one of the characters inspired by him can get portrayed by an Asian actor, perhaps someday in the future Fu Manchu can be reclaimed from his racist origins and given the respectful treatment he deserves. Fu Manchu is a character that is in many ways accidentally incredible and iconic. Born from horrendous racism, and yet the racist screeds depicting him always somehow manage to prop him up as the best character in the lot… it’s the paradox of racist thought, to go so far in demonizing their target they manage to make them more interesting and engaging than the generic protagonists. Fu Manchu is a truly great villain mired in the problems of the time he was created; in the right hands, great work could be done with him.
Bottom line is: Rob Zombie, get Nicolas Cage on the phone and start filming Werewolf Women of the S.S.
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