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#the story was simple but I loved it
dropthedemiurge · 2 months
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«I want to live... I want to live. With Yeowoon.» – Tae Myungha, Love for Love's Sake
// My other BL & Kpop fanarts //
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miabrown007 · 10 months
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Félix: kidnapping is a love language Kagami: you have no social skills, idiot
*two weeks later*
Félix: okay, so when Marinette's at her most vulnerable, I'll gaslight her into thinking I'm her boyfriend, so she'll follow me into an abandoned building where we can put her in an altered mental state and present to her my family's life story in the imaginable most cryptic play of theater she has ever seen, which will reveal to her our horrible secret and the fact that her abusive father-in-law is also her arch-nemesis Kagami: you're so big brained, bae 🥰
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stealthnoodle · 9 months
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I Was a Teenage Exocolonist flew under my radar until a friend recommended it to me, and now I am fully obsessed so here's me passing the recommendation on!
Do you like visual novels? Skill management? Timeloops? Deckbuilding? Gorgeous art? A whole bunch of fantastic queer characters? Staggering numbers of events and endings that respond to a staggering number of choices you make?
Then you should play this game and come scream in my ask box about it! I have said both "uh-oh" and "yesssss" out loud multiple times while watching the consequences of my actions play out. Absolutely delightful. Enjoy a little bit of screenshot propaganda:
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Living my best/worst life
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Exploring in the pink
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Behold my self-insert
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Also, you can have up to four different pets following you around and one of them is THIS cutie
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vaguely-concerned · 1 year
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Merrill banters I am thinking about all the time always 24/7
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merrill truly will incessantly worry she's stupid and missing the point all the time and then take you out with the most beautifully worded and compassionate breakdown of the thematic spine of DA2 you've ever heard. no actually daisy I think you're the only one getting the point here slowly but surely
especially this one, actually: (also why I could see how bioware would bring merrill into DA:D on solas' side, but also I really really don't want them to because her arc is just -- it's just incredible and I don't want them to mess with it lol)
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'I don't think people are cleansed by fire'. people make mistakes and you have to believe in them anyway. yeah basically that's the thesis of dragon age huh
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redrobin-detective · 7 months
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Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.
My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.
I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.
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siredcrab · 4 months
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I'm lowkey pissSed that we had a whole chapter from Laurent's pov but there's no Damen around so i DIDNT get to read how he sees him, and describes him, and maybe how he notices details that damen himself obviously wouldn't even point out im sososo mad about this happening to me why did pacat do this ohmy god
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yasmeensh · 3 months
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Zelda 2 comic sneak peek
I took out my old full-length Zelda 2 comic draft and chose a segment to make a short comic out of. It's missing context from the whole grand narrative of the entire story, but I think it gets the point across.
There were a couple potentials, and I ended up choosing the scene where Link discovers that his blood is the key to awakening Ganon. It's the most well-known plot point of the game in the LOZ fandom in general, besides the Prince of Hyrule plot. Throughout the comic, Link gets attacked by various monsters during his quest. He thought Hyrule was incredibly dangerous for merchants and travelers, but found out that it was only him encountering monsters at a high rate, thus targeted (that is not discussed in this short comic). This disturbs him a lot. And this is the scene when he discovers why he's a target. It's more than the monsters seeking revenge.
At some point in the game, the player is made to travel towards south-western Hyrule and use the Hammer on dueling peaks to enter and get a magic potion. You specifically enter the peak that is originally Level 9 in Zelda 1. I found that to be very... interesting. And suspicious. Why did the developers think "Okay lets have Link go back to the traumatizing final boss place from the first game to retrieve an item :D" It's kinda epic honestly and it gave me the idea: For the full comic, I made it that Link follows rumors and travels down there in the hopes of finding the magic book containing the revive spell, which is game-changing for the rest of his journey. Being the adventurer that he is, Link takes the risk and goes there thinking the place is long-abandoned and that Ganon probably no longer exists. Except, that isn't the case. (Okay I must add, after the revelation, Link loses his adventurous spirit and gets very serious with his quest. No longer enjoys exploring, which is all this Link is about. He starts developing Big Fears. This eventually spawns Dark Link. I wish I could make the entire comic but I know I can't T-T I should probably finish up and polish the draft and post it online for whoever is interested in a deep dive, lore-intense Zelda 2 story reimagining.)
It's the first time I do a 10 page comic, so I'm going through a learning curve right now xD It's going to be experimental, but I hope you enjoy it still. Here are some WIP shots. Still a while before it's completed.
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torchstelechos · 11 months
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I do think its really important to remember that SY was suppose to be the villain character but its only because of his kindness and newly gained life that he didn’t end as one. In the very beginning of the story we learn that Peerless Cucumber Bro often left comments on how SJ didn’t get his dues and needed to be punished more, and only after he transmigrated did he acknowledge how awful of a death SJ had. He also made point to explain that he only read the book for LBH, which he noted to enjoy his decisive actions and deft ability to kill. Markedly, he liked his brutality and personality over the erotica that the majority of PIDW fans enjoyed. Peerless Cucumber Bro is someone who loves action and the ability to cut right to the chase, something that he does not do and most likely has difficulty with in his world.
Speaking of, it is something to note that Peerless Cucumber bro is rich. He had head chefs, he could pay for a 6k+ chapter book of erotica in 20 days, he noted that he could not understand SJs envy and ambition for power since he lives well, and he even noted to himself that his family was well off. He is incredibly wealthy, and it shows. Which is important to note because he, not once, showed any guilt or remorse on dying and leaving his family behind. Yes, he sometimes refers to people as being similar to his family but he never showed any pain for losing that life like he did when he lost LBH. This is important because I genuinely think SY was depressed and self destructive to himself, which goes against popular HC that he was chronically/terminally ill (I do like this HC and like how its portrayed in fanfiction). It would explain how he ended up dying all alone by himself, and how blase he was to his own life and death.
SQQ is a self destructive force who ended up dying three times, and didn’t feel anything about death itself. He was worried about others and the effect it had on them, but for himself it was up and on again like it never happened. He does not care for his health, had self isolated as SY to the point he died alone, and has a horrible self esteem to the point that he continuously agrees when other people put him down and often calls himself the villain. Even though we have seen the evidence of someone who is always being thrust into new situations and awful plots, he calls himself lazy and easy going. He hides his thoughts and feelings behind his fan and has a remarkably thin face. At the very base of his actions and his thoughts, he is self destructive, powerful, and smart. This is the set up for a villain.
However, when shown the actual people in front of him and forced to act as SJ did towards LBH and his disciples, he flinches from it. He notes that it happening in front of him was different. His entire self soothing comedy monologue went quiet when he had to enforce the Endless Abyss scene, and grieved for the childish innocence he killed from one of his favourite people. SY was set up to be the villain and obviously thinks of himself as one, but can not act as one. If he had the choice LBH would have been his sticky sweet white lotus disciple for as long as LBH wished to be.
His kindness, as seen in the book, is what turned him from being “the scumbag villain” to the protagonist we see in the novels. Which, yes, he is a protagonist! He even has the protag halo that LBH has and its very funny in the meta way for SQQ not to realize this, but thats for another post. But he loves his disciples, he loves his peak lord siblings, he loves his Binghe, he loves his new life, and he is kind. That is what kept him from being the villain he sees himself as, his kindness and love for others. Whether that be romantic, platonic, or familial, he loves the people he has met and he treats them kindly. That is why it is important to remember that he was set up as the villain by everything in the story we do not see, but what we do see is him continuously changing the story to fit a new genre that lets as many people as he can save live. Sorry sorry, I just think about SY being set up as a villain so much. It changes a lot of views I have on the series when I remember the duality of SYs story and character development.
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jules-tells-a-story · 7 months
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i think we as a society need to return to campy movies. i wanna see more "ghostbusters," more "repo! the genetic opera," more "rocky horror picture show." i wanna see more movies where you can see the effects, where it's all over the place and insane, where the music isn't something you'd find in an opera house, but you can tell that the people behind it put their whole chests, their blood, sweat, and tears into it. you don't need avatar level special effects to make a good project. you don't need marvel level complexity to make a good story. you don't need john williams making your soundtrack to have good music. we should be less afraid of movies being seen as "flawed" or "imperfect" because imo, that just makes them all the more fun and heartfelt.
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canisalbus · 4 months
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How many asks do you have rn and on average? You seem to get a lot and i have a few questions but if you have a ton of asks i don’t want to send a bunch and make it worse lol
You can always send me asks! Getting asks is extremely rewarding and I feel lucky to be surrounded by such chatty and interactive people. You have no idea how much the feedback I receive inspires me.
I read them all and try to answer as many as I can, but unfortunately it's not feasible for me to respond to every one, I'm just one person with limited time and energy. If they're particularly motivating and make me want to draw something, it may take a while for me to get around to it. I regularly dig through my inbox to find old asks that I missed, so if you sent me a long and thoughtful message at some point and I never posted it, I'm very likely still thinking about it and might get back to it eventually.
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rei-is-hiding · 3 months
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hawkinsp0st · 2 years
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holy shit, this post just made something click for me.
both will and mike’s arcs have revolved around being separated from each other again and again and again.
every season they’re torn apart in some way, and one of them is desperately trying to get the other back—s1 physically, s2 spiritually, s3 emotionally, and again in s4 by physical distance…
yeah, their arcs are woven together and it went totally over my head. their happy ending is each other. it’s written this way.
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wafflfruut · 2 months
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me when my bitch wife gets herself a new scar
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themanwhomadeamonster · 4 months
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The 1999 combat theme and its foreshadowing because the autism got to me and I spent too long trying to figure out this soundtrack
Jumping off from @brokenjardaantech's WITW music analysis post here - go check it out, it's very insightful and lays the foundations for what I'm about to talk about! And thanks to @theterribletenno for the burst of inspiration by giving me a massive oh shit realisation in the most chilling way possible LOL
Spoilers under the read-more; TL;DR at the end :'^D
To preface, the soundtrack is structured in an ABC structure with bridges between A and B, as well as another between B and C that borrows from A. The key starts in Cm, briefly modulating to Gm in section B then back to Cm during the second bridge, and settling on Em for section C. In-game for WITW you most likely will only hear up to the first bridge since the Technocyte fight only goes for around a minute long
Sections A, the bridges and partially C feature genre similarities to grunge rock with fuzzy guitar chugging, whammy bar, and palm muting, while the drums are notably sharp snares (except for the first bridge, which are clean bass kicks that gradually distort transitioning into section B's style). Musically, it sounds like a typical fighting soundtrack meant to hype you up - the melody is confident and likes to push and pull its rhythm. But in section C it notably become emptier in its layering while keeping the distorted drums, placing emphasis on the lyrics (which I'll get to below lol). Heavier syncopation and polyrhythms are also introduced.
Section B however is the main outlier. This section is where it most strongly resembles industrial rock: rhythmic synth layers begin to accompany the melody (a pedal point line that plays every semiquaver/sixteenth note), synth drums replace acoustics and the guitars drop the fuzz that is characteristic of grunge and steadily strum every quaver/eighth note. Compared to the push and pull rhythm of section A, this section is steadier, less chaotic than the other sections, it wants you to focus on this section.
Notably, the lead guitar introduces a familiar leitmotif: This is What You Are (which @brokenjardaantech goes more in depth regarding its use in WITW). Here, though, its second chord becomes flattened (Dm -> D♭m) and introduces a diminished, dissonant sound. To me this was the first hint that the song may actually be about Arthur's downfall. This is What You Are is a musical leitmotif that recurs in moments of vulnerability, especially when someone is at risk of losing their sense of self, their identity and what they are. It plays during The Second Dream when we discover the Operator, during the New War when Eidolon!Lotus just lost herself to Ballas and can't recognise the Tenno, and in WITW during the Vessel "fight" when the Tenno is forced out of their Warframe.
I was prompted to actually dig more into the lyrics because I saw @theterribletenno bring up something really interesting
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In this specific song, the leitmotif is diminished, it's corrupted. "Surrender to the corruption" - this is what Arthur is afraid of. I brought up earlier that section B had a genre shift. The contrast of the music is important, it's highlighting something, and together with the musicality of the leitmotif, it's making a sense of urgency and danger. The leitmotif is a warning to Arthur.
Section B sings these lyrics:
Break it, break it, Break it open!
Compared to the desperation in the other lines, these two lines are sung mockingly. The Infested are trying to break Arthur, and are succeeding. Their voice is becoming his. But there are actually two vocal lines in this section - you can also hear muted backing vocals in a much less aggressive and lethargic tone warning that "Disillusion". Arthur is trying so hard to keep his own voice and stay clear-minded but it's being drowned out and he's nearing his breaking point, and Albrecht, based on the Codex Fragments you find, is well aware of this.
In section C, while the layering is less intense it's noticeably more heavily syncopated and polyrhythmic, and introduces new (accompanying) echoing and dissonant synth layers reflecting the confusion and disorientation that Arthur begins to feel (these synth layers are actually introduced in the second bridge, but are more easily heard in section C). Section B and C also keep the synth/distorted drums that section A and both bridges lack (at most it's a reverb in those sections); the industrial sound of the song becoming associated with the increasing influence of the Infested over his humanity.
So I tried deciphering more lyrics for each section; I haven't figured all of it out and most of it could very well be wrong because of how heavily clipped the vocal line intentionally is so I don't want to make anymore assumptions than I need to, but I can understand enough of it to realise that the song is foreshadowing Arthur's corruption to the Infested. In green are the lyrics I'm confident are correct:
A:
Sting it, sting it, sting it! Sting it, sting it, sting it in the flesh!
Bridge:
I don't understand! It brings more disease!
B:
Break it, break it, Break it open! (Disillusion)
Bridge:
Sting it, sting it! Sting it in the flesh!
C:
Who's dreaming? Who's the [???] It's a vision[?]!
TL;DR: the grunge/industrial genre hybrid represents Arthur's humanity/Infested respectively, and the song becomes increasingly industrial as the song progresses, most noticeably through the increasing distortion of the drum sound. Section A sets the stage, section B serves as a warning to Arthur that he's losing his sense of identity as the Infestation drowns out his "voice" while a dissonant version of This is What You Are plays, and section C is him experiencing confusion and disorientation as the Infestation continues to corrupt him.
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ninjasmudge · 9 months
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heres my oc for today, shī tóng, hes a guardian lion brought to life by a wealthy dragon household, but when his other half died (guardian lions almost invariably come in sets) he left to go wander. he was almost consumed by his own magic in grief until he came across two kids, one of whom had the ability to cancel out magic for a short time. long story short hes a dad now.
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somequeeralien · 1 month
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Are you interested in a little love story between puter and trash bin? Well, here they are
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For the context, another task for college where teacher asked us to give stories for some things in classroom. In short, computer and trash bin are trapped under the desk forever, but they are fine with it, because in the end of a day they have each other
And yeah, don't worry about the captions, I just translated the lyrics
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