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#the sleeping beauty
princessesfanarts · 2 years
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Different Love Stories by Yingzong X
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dozydawn · 15 days
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the catgirl from the sleeping beauty ballet
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vvalliu · 11 months
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enchantedbook · 5 months
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'The Sleeping Beauty in the Wood' from the Fairy tales of Charles Perreault, illustrated by Harry Clarke, 1922
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illustratus · 1 year
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The Sleeping Beauty by Gustave Doré
"Reclining upon a bed was a princess of radiant beauty."
The Sleeping Beauty, La Belle au Bois Dormant, The Beauty in the Sleeping Forest, The Sleeping Beauty in the Woods, Dornröschen, Little Briar Rose.
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jokesitos-art · 13 days
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More silly stuff of the Villains, yippieeeeeee
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diavalkitty · 8 days
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enchanted-keys · 4 months
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Sae Maeda as the Fairy of the Woodland Glade from The Sleeping Beauty (Royal Ballet 2023)
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simonabonafini · 2 months
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New #disneyprincess in minimal style
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"The Sleeping Beauty" (detail) by John Collier, 1921.
I'm thinking of the psychoanalytical or archetypal interpretations of fairy tales, most of these stories are being retold while we rarely examine what lies underneath the surface, the symbolisms and ideas they may hide. Fairy tales are mostly charming sequences of imagery rather than strict narrations, this way they speak to our subconscious minds in a very direct way and they don't lose their appeal as time passes, they are both structured and yet irrational.
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princesssarisa · 1 year
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If there's any character from Sleeping Beauty from whose viewpoint I might like to write a poem or short fic, it would be one of the four princes from Act I of Tchaikovsky's ballet.
Other, later retellings of the tale have also given Sleeping Beauty a suitor before she succumbs to the curse, but those princes are usually portrayed negatively, as silly fops in contrast to the charming prince who ultimately wakes her. The four suitors in the ballet, on the other hand, are perfectly nice, handsome, gallant young men. Aurora dances the famous Rose Adagio with them, and while she doesn't choose one of them to marry, she seems to like them well enough. Yet after sharing that beautiful moment of dance with her, with every reason to hope that one of them will soon be her bridegroom, they have to witness her fall under the spell.
Aurora's finger-pricking doesn't happen in a secluded tower in Tchaikovsky's ballet. The evil fairy Carabosse comes to her 16th birthday feast disguised as an old beggar woman, and (depending on the production) either gives her a drop spindle as a gift, which she takes naïvely because she's never seen one before, or gives her a bouquet of roses with a spindle hidden inside. Then she pricks her finger and collapses in front of the whole court and all the party guests, including the four princes. In some productions, one of the princes catches Aurora in his arms as she falls, and when Carabosse jubilantly reveals her identity, many productions have the four of them rush at her with their swords just before she vanishes. Then, after the Lilac Fairy arrives to assure everyone that Aurora is only sleeping, not dead, and to put the King and Queen and all the rest of the court to sleep too, in some productions it's the four princes who carry Aurora into the castle to her bed.
Even though Aurora doesn't fall in love with any of those princes, they still share something meaningful. When Aurora enters, her music and dancing is all childlike exuberance and innocence. But in the grand Rose Adagio – one of the most demanding showcases for a ballerina – she comes into her own both as a dancer and as a young woman receiving courtship for the first time. Arguably, the dance she shares with the four princes serves as her coming-of-age moment, which prepares her for her ultimate marriage to Prince Désiré/Florimund a hundred years later.
Yet there's no happy ending for those four young men. They have to watch Aurora succumb to the curse, fail to take down Carabosse, and then learn from the Lilac Fairy that Aurora is lost to them, destined to sleep until another prince finds her long after they're all dead. All they can do is reverently lay her to rest, then go back to their own lands, presumably to tell the rest of the world what happened.
I'd like to imagine that Prince Désiré/Florimund is the grandson or great-grandson of one of Aurora's four original suitors. A few other adaptations have the Prince who wakes Sleeping Beauty be descended from an earlier suitor of hers, so I'll imagine that's the case in the ballet too.
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artschoolglasses · 9 months
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The Sleeping Beauty, Edward Burne-Jones, 1871
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dozydawn · 5 days
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enchantedbook · 2 months
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Favorite Fairytales - The Sleeping Beauty illustrated by Jennie Harbour, 1921
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lovelyballetandmore · 2 months
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Cameron Holmes | The Australian Ballet | Photo by Lindsay Moller
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kupisi · 2 years
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マレウス Glorious Masquerade 🐉🎭✨
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