This dress has seen extensive use over the years. Its first sighting was on actress Sheila Raynor as Tabitha Aykroyd in the 1973 mini-series The Brontës of Haworth. In 1978 it was spotted on Pippa Guard as Maggie Tulliver in The Mill on the Floss. The following year it made a very brief appearance on an extra in The Old Curiosity Shop. 1985’s The Pickwick Papers recycled the dress for use on Tamsin Heatley in the role of Mary, and in 1999 Justine Waddell wore the costume as Molly Gibson in Wives and Daughters. In 2007, the gown was worn by Julia Sawalha as Jessie Brown in Cranford, and finally in 2019 on Gemma Whelan as Marian Lister in Gentleman Jack.
Costume Credit: Ameliadean, carsNcors Sarah A. Shrewsbury Lasses
Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home.
“Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home!”
― Charles Dickens, The Pickwick Papers
huge news: i was reading the pickwick papers and i encountered one of the example sentences for "zeugma" (highlighted above) from a dictionary of literary terms and literary theory. now to a normal person this is completely insignificant but i read this dictionary as a kid so it's like uhhhhhhh meeting a celebrity sentence at the sentence grocery store.
Because I’d enjoyed Simon Prebble reading Ivanhoe so much (different voices for everyone, wheeeeeeeee), I decided to see what other audiobooks that he reads are available at my library.
Turns out there are 70! Lots of mysteries, some classic fiction, a couple non-fiction sprinkled in.
I decided to get out two books to start with: The Pickwick Papers and The Remains of the Day, both of which have been on my TBR and neither of which I’ve read before.
I’m only partway through chapter 2, but am struck forcibly with three conclusions:
1. Whoever this stranger is, I thoroughly enjoy him but do NOT trust him;
2. Whoever this stranger is, I am quite certain that some harm will befall Winkle’s coat, and possibly Tupman’s person;
3. Whoever this stranger is, he sounds (especially given how Prebble reads him) like the pattern from which Sir Percy Blakeney (as performed by Anthony Andrews, anyway), Bertie Wooster, and Lord Peter Wimsey were later cut.
I recently read The Pickwick Papers as part of youtuber Books and Things' 'Dickens Along', and then I was reading the Wikipedia article on Mr Pickwick, and:
The French composer Claude Debussy dedicated to this character a humorous piano piece: Hommage à S. Pickwick Esq. P.P.M.P.C.