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#the only actual problem for me in particular is that i have a lot of friends whose names tend to change

ashleyisartsy · 3 hours

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Problems (objective and personal) I'm not seeing discussed a lot w this new WatcherTV thing, in no particular order:

-Alienates people internationally who literally CANNOT GET the streaming service!

-Alienates casual fans who don't watch or want to watch all of their shows. Putting down 60 bucks a year to watch just one or two shows is kind of insane, at least for me.

-The volume of content Watcher has produced historically hasn't been enough to justify a separate streamer. I understand there's no way a small team could compete with something like Netflix, obviously, but that's what you're trying to do by putting yourself in the streamer market.

-Will this streamer be secure? What steps are in place to protect your viewers info? ESPECIALLY payment info.

-Will it be easily watchable on multiple devices? I watch YouTube videos on my phone at work 90% of the time, or at home on my TV thru my switch. Is this a browser only deal?

-What are the internet requirements for this? Believe it or not most streaming services won't run on my internet personally. I don't have any for that reason. I can watch YouTube on 360p, or on my 2-bar-reception phone data. Not everywhere has stable reliable internet.

-The suddenness and totality of the move was going to be jarring no matter what, if the idea had been introduced gradually or started as a hybrid model to test audience interest there wouldn't be nearly this amount of pushback.

-I understand the people saying "pay artists!!" Bc I am one, and I get that their quality is expensive and they have a whole company's worth of people to support. I do actually think their work is worth paying for! Everyone's is! But convincing anyone to pay for something they previously got for free is going to be a hard sell. They were still getting paid before, they're now just asking us to pay instead of the advertisers. Idk about you, but that's a way bigger hit to my pocketbook than a multimillion dollar company's bank account.

-I get that YouTube can be a really shitty place to be a creator sometimes, and that being beholden to advertisers is something they don't want to be. It's why they left Buzzfeed! They already have a patreon and merch and it's clearly not been enough for their ambitions. But shooting yourself in the foot because your running shoes are wearing out isn't going to make you a better marathon runner. They had to know that there was going to be a not small portion of their audience unwilling to make this move with them (and again, lots literally aren't able to!)

-If they had a free w/ ads option, or even did a hybrid model with whole shows behind the pay wall, or even just ran a fucking crowd funding campaign to help cover costs of new seasons of shows, any of those things could have worked. They don't even have YouTube memberships turned on, which I've personally seen many many channels do even when they already have a patreon. It really doesn't seem like they've exhausted other options, at least from an outside perspective, which is all we have as viewers!

-I get that this has been in the works for a long time, and that there probably isn't a way for them to back out now. But I hope they can find a way to make this more accessible if they want it to work at all. I truly am not wishing for their downfall, but the whole situation is an awful mess.

Idk, rant over. As a lot of you are I'm feeling very disappointed and upset with this one, and I'm not paying for it either. Hope the boys can salvage this one for their and their crew's sake. Would really hate for this to be the end.

#watcher #ryan bergara #shane madej #steven lim #the youtube landscape is a hell hole #just :(

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ghelgheli · 1 month

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i would actually like to hear more of your thoughts on whipping girl, whenever you feel ready enough to talk about it. i've only ever heard positive recommendations for it. i was thinking of reading it. i've read one or two introductory 101 texts on transmisogyny as well as some medium/substack posts, and always looking to read more as a tme person. ty!

thanks for asking! I'm gonna try to be concise because I'm stuck on my phone for the month, but here are my thoughts on whipping girl:

serano is at her strongest in the book in three areas: manifestations of transmisogyny in media (e.g. how trans caricatures pervade movies), the history of medical institutions developing a pathology of transsexuality (like the diagnostics of blanchard et al. or how trans people seeking healthcare were and continue to be forced into acting out prescribed expressions and manufacturing memories), and the construction of her own transition narrative (telling the reader what it was like for her to grow up desiring femininity in a way that confused her, the experience of crossdressing, the effects of hrt for her)

whenever she's just sticking to this, I think she effectively communicates a lot that the unaware reader could benefit from—even many trans women/transfems/tma people who are otherwise in tune with the history of medicalized transsexualism and our popular depictions could probably benefit from her own personal narrative, by nature of how variegated our experiences can be.

unfortunately I think the book fails at its primary—stated—goal, which is to theorize about transmisogyny. in the big picture this is a bifurcated failure:

on one branch of her argument, she remains committed to there being something biologically essential/innate about gender. this manifests thru multiple claims: that we have "innate inclinations" toward masculinity/femininity and "subconscious sex" rather than what I believe, which is that the latter are constructed categories imposed on different matrices of behaviour/expression/desire in different cultural contexts; that there is "definitely a biological component to gender" (close paraphrase) after a discussion of how she believes E and T tend to affect people (thus equivocating gender with dominant hormones!); that we have such a thing as "physical sex" which is the composition of our culturally decided "sex characteristics" (don't ask me how the dividing line is drawn) even as she says we should stop using "biological sex" as a term; that there is "no harm" in agreeing that "sex" is largely bimodal with some exceptions; that social constructionism is necessarily erasure of transsexual experiences in early childhood... altogether she is unwilling to relinquish arguments about the partial "innateness" of femininity/masculinity and gender. this is at tension with her admission on several occasions that these are neither culturally/geographically nor temporally stable concepts! but that doesn't seem to be a line she can follow thru on.

on another, intertwining branch, she engages in what I think is a deep and widespread mistake in the theorizing of transmisogyny: reducing it (mechanistically) to what she calls effemimania* or essentially anti-femininity. it is her stated thesis at the start that masculinity is universally preferred to femininity. she doesn't offer a definition of either term until one of the final chapters, where she defines them as the behaviours and expressions associated with a particular gender. but I think this reduction just misunderstands transmisogyny. it is even in tension with an observation she makes early on, that trans women are often punished for their perceived masculinity! but again, this is a thought she seems unable or unwilling to follow thru with.

my problem with the thesis is that masculinity and femininity do not float free of gender—it is not possible to speak of their valuation in the abstract. anyone who grew up as a masculine cis girl and never "grew out" of that "phase" can attest to the violence wrought upon expressions of masculinity from women. and this applies doubly so to the subjects of transmisogyny! not only are we punished for any perceived bleed-through of masculinity from our supposed "underlying male selves", those of us who are willingly masculine and thriving as mascs are punished for our failure to conform to the rules of the normative womanhood that is imposed on us (just as we are punished for any willing femininity as "false" and predatory upon cis womanhood—observe that transmisogyny is reactive degendering in every case!).

on both branches serano makes only perfunctory remarks about the intersections with race, class, and colonialism. "sex" as such was made to only be accessible to the "civilized", most of all the white european! for a racialized person and particularly a Black person navigating gender the waters are just not the same; the signifiers of sex neither available in the same way, nor granted the same medical legitimacy. what is the "physical sex" of someone who is de-sexed altogether? how can gender have a "biologically innate" component when its expressions between the bourgeoisie and the working class are at total odds with one another? this all goes for the masculine/feminine distinctions as well. what sense is there in the claim that we have innately masculine/feminine inclinations when globally (and transmisogyny has been made global!) what is feminine and masculine can be very nearly mirrored? nor is "masculinity is always considered superior to femininity" innocent of obviating race. transmisogynoir adds yet further degendering thru the coercive masculinization of someone as a Black woman—masculinization as punishment, again!

and as a final point, the account fails to be materialist. there is no attempt to place transmisogyny in its role as an instrument of political economy or, as jules gill-peterson might say, as a tool of statecraft. it is just a psychological response to the way the world is, as far as serano has anything to say about it. but how did the world become that way, and why?? serano's solution, the abolition of what she calls gender entitlement, is naive to the fact that gender entitlement is necessary to the maintenance of the capitalist state, which is structured thru patriarchy and built on colonialism. it is not possible to reskin this into something innocuous!

this is why I cannot recommend whipping girl as a work about transmisogyny except at the most shallow level. it could be a helpful critical read, but imo, it is just wrong about transmisogyny.

#ask answer #whipping girl #text

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thef1diary · 25 days

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Podium Princess | LN + CS + CL

Summary: Lando lost a bet, which would have just temporarily damaged his ego, but the problem was that you were the prize that Charles and Carlos desired for one night.

masterlist taglist form

Warnings: 18+, mmmf, unprotected sex, three men for three holes 🤭, fingering, oral, anal, dp?, filthy as fuck, derogatory terms (kinda), praise, overstimulation, riding.

pairing: lando x fem!reader x carlos x charles

wc: 3.1k

Request: You should totally write a smut about lando sharing his girlfriend with Carlos and Charles after placing in the #australiangp

"You did what?" You asked your boyfriend, wondering if you misheard his words. "I made a bet," Lando responded, but this time with more assurance.

You sat down on the bed in your shared hotel room and asked, "what is it?" Patting the spot next to you, silently indicating Lando to sit down and begin explaining the bet. You've known from the years you've been dating that whenever he places a wager, he eventually loses, but you chose against mentioning it.

He hesitated for a moment but then decided to explain how he ended up in that situation.

The evening began when Lando noticed Carlos and Charles speaking after the qualifying session. He observed they had been spending a lot of time together recently, so Lando obviously had to approach them and disrupt their latest gossip session.

Putting the trio together, one would discover that they never run out of topics to discuss, which is how they found themselves sitting in a car in the parking lot outside their hotel. Carlos suggested that since they were all staying at the same hotel for the weekend, they might as well leave the track together.

However, during the car ride, there was a discussion that quickly brought out the competitive nature that each driver had developed at a young age. "What, you guys don't think I'll win?" Lando asked the Ferrari drivers, slightly offended. This particular topic of conversation started once they discussed the possible winners for the race tomorrow.

Based on the three practice sessions and qualifying, it could be argued that while they all had a fairly nice weekend so far, some were still more fortunate than others. As a result, the Spaniard shook his head, disagreeing with his friend, "mate, I'm starting second tomorrow, which clearly means I have a better chance of winning."

"I was first in fp1," Lando retaliated although they all knew that qualifying in a higher position meant more than topping a single practice session.

"You might have a good chance, but Max is on pole, let's not forget that," Charles reminded his fellow colleagues. Lando perked up at his words, "exactly, so all Carlos needs to do is somehow crash him out of the race so I can win."

Charles laughed at the outrageous plan, but Carlos scoffed, "I won't ruin my chances at a podium for a race you won't win." Noticing Lando's defeated expression, it caused Charles to laugh harder. "Not that I think either of you would win, but let's make a bet," the Monégasque suggested.

"Who do you think will win?" Carlos asked. Charles' dimple deepened as he smiled, "me of course."

This time Lando scoffed, "yeah, sure mate," then he looked at Carlos, "what do I get when I win the bet?"

"This," Carlos stated while holding up his middle finger towards him. Rolling his eyes, he decided, "fine, I'll ask for something when I win, and then you two won't be able to deny it."

"And what do we get if you don't win?" Carlos asked, looking at Charles who was waiting for an answer from Lando.

While Lando was focused on what he would ask for if he won the bet, he failed to consider that Carlos or Charles were more likely to win than him. He would have a one-in-three chance of winning the wager, but Lando hadn't realized the extent of the situation just yet.

"Not that it'll happen but what do you guys want?" He asked only as a formality to actually set the bet.

Carlos was quiet for a moment as he thought of something that would be worthwhile, looking at Charles to see if he had any ideas. Then he thought of it—of you. "Your girlfriend," he simply stated.

It took two seconds for Lando to start laughing, not that it was ever a challenge to do so, but he initially assumed that Carlos was joking. His laughter quickly died down once he didn't hear either driver laugh along with him.

Looking in the backseat at Charles briefly, who nodded in agreement, Lando snapped his head towards Carlos, "what do you mean my girlfriend?"

"It's simple. If Charles or I win, then you have to share your girlfriend for a night, if not, then you don't," he explained nonchalantly.

Lando looked at Charles, "and you agree with him?" He shrugged, then nodded, "she's hot, I wouldn't say no."

He slumped back in his seat, "I suppose you'll be disappointed when I win." While Lando was secure in his abilities, both drivers around him thought he was growing overconfident. "So you agree, that if you don't win, we can have her?"

Nodding it off and waving his hand around, Lando agreed, "yeah, you can."

You were stunned into silence once he finished explaining. Noticing your lack of words, Lando was unsure of your thoughts. "You don't think I'll win?"

You shrugged, "all I'm gonna say is that you have twenty-one other chances to win this season if you don't win this race." You didn't exactly answer his question, but he realized that you weren't opposed or disgusted by the idea either. Pulling you into his lap, he tilted your chin upwards with his fingers and leaned closer for a kiss.

He tightened his grasp on your chin to stop you before you could press your lips against his. "Oh I see, you don't want me to win just so you can be passed around like a slut between my friends?"

"You wouldn't have put me as the prize if you didn't like the idea," you retaliated, smirking as you moved his hand away to finally place your lips on his.

—

You stood among the crowd, cheering for Lando, who took his place on the third step of the podium. As the podium celebrations began, a part of you was also looking forward to the celebrations that would follow later tonight. Lando may have lost a bet, but it was the first bet you were glad he lost.

That is how you ended up in your hotel room with your lover, waiting in anticipation for the other two drivers to arrive. With his trophy set aside, you and Lando were occupied with each other; your eyes closed and head tilted back as he trailed kisses down your throat.

Then came a knock on the door, one that made your heart race in all the best ways. Lando stood up and opened the door, revealing Charles and Carlos standing on the other side, still dressed in their Ferrari polos from earlier that evening.

"What did he say? I suppose you'll be disappointed when I win," Charles greeted by mocking Lando's words from the day before. "Alright, alright I get it but I still placed third," he retaliated which earned a nod from Carlos. "Congrats, cabrón."

You could hear them laughing among themselves, but it quickly died down once Carlos and Charles spotted you. Lando had suggested that you should wear red, considering both of the drivers that placed first and second adored red.

There you sat on the mattress, leaning back on your forearms with an ankle crossed over the other, clad in only a tight short red dress which you were glad you ended up packing.

"Well, fuck me," Charles muttered under his breath earning a chuckle from you once you heard his comment. Standing up and slowly stepping towards them, you replied, "fuck me indeed."

Your gaze was fixated on Carlos, the race winner, whose eyes revealed a glimpse of all the dirty thoughts racing through his mind. "Congratulations, you both deserve a good celebration," you said, smiling as you felt Carlos' arm snaking around your waist and Charles' breath fanning your face.

"Is that what you're going to give us? A good celebration?" Charles asked, his lips grazing your cheek. "I'll give you anything you want."

You looked at your boyfriend for a second, making sure he was still comfortable with the situation before proceeding any further. But you just saw desire in his eyes and while the corner of his lip curled up in a lazy smirk, a nod from him allowed you to carry on. He may have nodded at you, but his eyes darted over your head to his fellow drivers, "Go on then, Carlos, Charles, claim your prize."

Your lips parted slightly, marvelling at the fact that Lando hadn't even addressed you, instead treating you like an object to be claimed. The worst part was realizing that you liked it since his remarks had made you clench your thighs together.

Carlos grinned at your obedient behaviour as he was easily able to tip your head back to face him. Now that they truly had the freedom to do anything they wanted to you, with your permission, neither felt bad for having sinful thoughts about you—their best friend's girlfriend—while Carlos and Charles were alone in their bedrooms.

Kissing you with a sense of urgency, Carlos stole your breath away in a matter of seconds. Your thoughts had quickly dissipated into thin air as you felt Charles trailing his fingers up your body while pressing up behind you.

You heard Lando shuffle around before leaving the three of you alone in the bedroom for a moment which only intensified your feelings. Sandwiched between the two men who are good friends of yours, were now looking at you as if you are merely an outlet for their sexual desires.

Sliding down the straps that held your dress up, Charles continued kissing every inch of your bare skin revealed to him. His hands rounded to your front, pulling down the flimsy piece of fabric to display your tits to the duo. Your nipples instantly pebbled as Charles' fingers brushed against them, making you tilt your head back and resting it against his shoulder.

Letting you regain your breath, Carlos moved down to your neck, replacing each kiss Lando had placed earlier with small nips and grazes of his teeth, just painful enough to still be pleasurable.

While both their mouths were occupied, the Spaniard's hands pushed down the rest of your dress to the floor, parting away for a moment to let you to step out of it and toss it to the side with your feet.

Lando returned to the room, trapping his bottom lip between his teeth to prevent a moan from leaving his mouth. You were now completely bare, with two fully clothed drivers—his friends—pressed against you while their hands roamed all over your body.

Discarding his shirt on the floor, he occupied your mouth with another kiss, muffling your moans. "Fuck, enjoying yourself, baby?" Lando muttered once you parted away for a moment. Nodding, you opened your mouth to respond but a sharp gasp left your mouth as you felt Charles' fingers teasing your clit while Carlos palmed your ass.

"Merde, she's so perfect," the Monégasque commented, spreading your pussy with two fingers while a third finger swiped through your folds to catch the wetness that gathered between. "Charles," you breathlessly whispered, a plead for more.

"So ready to be ruined," Carlos added, his own fingers prodding your ass, earning a string of curses along with pleas to keep going from you. Gathering your slick from your cunt, Carlos coated his fingers to ease just the tip of one finger into your ass.

Soon enough, you were laid down on the bed, and one by one the three men stripped their clothes away, adding to the ever growing pile that started from your dress. You could barely keep your eyes open due to the feeling of three pairs of hands roaming everywhere, not leaving any inch of your skin untouched.

You had already orgasmed twice, but you couldn't remember whose fingers brought you over the edge the first, or even the second time, as all of the sensations mushed together in what felt like one never ending wet dream.

Staying true to your words of giving them anything they desired, you moaned around Carlos' cock as Charles slid his dick in your pussy without any forewarning. Your grasp on his thighs tightened as Charles began to thrust, slowly at first but then showed no mercy once his grasp on your hips tightened.

Carlos pulled your mouth off his cock, but quickly replaced the emptiness you immediately felt with two of his fingers resting heavily on your tongue. His actions didn't allow you to close your jaw, causing you to drool down your chin, and only then he was satisfied.

"Such a good fucking girl," he commented, which only made your head spin further while you smiled at the compliment. "Oh she likes that," Charles added as he felt your pussy clench around him at Carlos' praise.

His fingers that were now coated with your saliva trailed down your body to where you and Charles were connected. He nodded mockingly at his teammate's comment, "yeah, you like being praised?"

Easily finding your swollen clit, he slightly pinched it before creating small circles, edging you closer. You nodded, "please, please, please." You were sobbing for relief, your voice strained from the constant cries that left your lips with each new wave of ecstasy.

Connecting their gaze, Charles and Carlos smirked as they silently agreed to let you cum once again. Charles's fingers slid closer to your back hole, this time able to slide two fingers down to the last knuckle. At the same time, Carlos' fingers left your clit only to join the thrusts of Charles' cock, scissoring two of his fingers in your pussy to stretch you out even further. Pleasure surged through your body, and you closed your eyes tightly at the sudden sensation of being so full.

Charles slowed down his thrusts, prolonging your post orgasmic sensation. You slumped forwards when he pulled out, still holding back his own release for now.

Despite still being eager, they were ever patient with you especially after bringing you over the edge multiple times now, knowing your limbs were close to tiring out.

Still on your hands and knees, you shuffled up to straddle Carlos, sinking down on down cock this time, mouth dropping open as he stretched you out slightly differently compared to Charles.

"C'mon, cariño, ride me," he instructed, resting his hands on your hips, urging your movements while also allowing you to depend on him for help. "You feel so good, Carlos," you panted.

You heard some shuffling around you again but you couldn't move your gaze away from watching your pussy engulf Carlos' cock over and over again.

However, you were startled once you felt a cool sensation prodding your ass; Charles' fingers coated in lube. "Need you to relax, baby," you could hear Lando's words and he was quick to come into your view, stroking his dick to the sight of you filled by his former teammate.

He grabbed your hand off of Carlos' shoulder, guiding it towards his cock. Already slick with his precum, you could easily move your hand up and down, watching his reaction with hooded eyes.

Charles' free hand wrapped around your throat from behind while he whispered in your ear, "we're gonna fill up all of your holes, darling."

Groaning, you nodded, "please," a word that you had repeatedly spoken to the point where it sounded like a broken record. "You want that?" One of them asked, but you couldn't focus on whose voice it was. "Fill me up, please," your words turning into a moan as Carlos shifted underneath you, reaching deeper inside.

Releasing the grasp on your throat, Charles focused on opening you up with his fingers, for you to be able to take his cock in your ass while Carlos continued pounding your pussy.

Lando replaced Charles' hand, grabbing the back of your neck, threading his fingers in your hair to bring you close for a filthy kiss. Tongues and teeth clashing, he slightly bit down on your bottom lip, sucking and pulling on it for a moment before letting go.

Without any words exchanged, your boyfriend guided your mouth towards his cock, filling up two out of three of your holes. It took you a moment before you actually started moving your head up and down, moaning and drooling on his cock because of Carlos' upward thrusts.

Charles removed his fingers, having deemed to have stretched you out enough then coating his dick with a good amount of lube. With one hand palming and spreading your ass, he used the other to guide his cock into you. Your eyes welled up with tears, not entirely painful but almost overwhelmed with being filled everywhere at once.

Your body was quickly calmed down by Lando, Charles, and Carlos as they moved their hands all over you in soothing motions. Charles began thrusting when you nodded because you were unable to speak while Lando's dick was in your mouth.

Your muffled groans sounded distant to you, mind foggy, but you had never felt so full and aware before.

With a warning, Lando filled your mouth with cum, which you swallowed greedily without hesitation. Now, with your mouth unoccupied, you couldn't hold back on your moans. "Gonna cum," you warned, knowing you won't last long, still sensitive from your previous orgasms.

Charles' fingers reached your chest, teasing and pinching your nipples while Carlos rested his palms on your cheeks, wiping away your tears with his thumb.

Your pace stuttered as you came around his cock, and Carlos took the reins and thrusted upwards, allowing you to ride out your orgasm. "Fuck, where do you want us?" Charles asked, tethering on the edge and based on Carlos' stuttering pace, you knew he was too.

Your next words pushed both over the edge, "inside." Slumping forwards, you felt both Ferrari drivers filling you up with their cum. "Fucking hell, that was hot," Lando commented, leaning closer to brush away the strands of hair stuck on your forehead due to sweat.

Charles and Carlos carefully eased you off their cocks, with Lando helping you lie down on the bed which you immediately melted into.

It was unbearable for you to be completely empty after being entirely filled. Mustering up all your strength, you held your arms out for your boyfriend, who immediately joined you on the bed, whispering praises in your ear.

Meanwhile, Carlos and Charles decided to clean you up by wiping the cum that had leaked out of your holes with a damp towel. They saw the bruises from their grasps on you in the heat of the moment and couldn't help but smile, knowing they were the cause of it.

You hoped, as you drifted off to sleep, that the three of them would share the podium more frequently, and therefore, share you as well.

Taglist based on the form (let me know if you would like to be removed) @lochnoch @llando4norris @monsieurbacteria6 @namgification @lilymurphy03 @sargeantdumbass @evlkking @jointhehunt67 @wonnou @nikfigueiredo

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lackadaisycats · 2 months

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Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far.

Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------

One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.

Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…

A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?

I have some doubts. ----------------------

The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.

Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)

Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.

If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.

If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:

I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.

What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.

#art #lackadaisy #technology

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jessicalprice · 1 year

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culture isn’t modular

I did a thread (actually several) on Twitter a few years ago about Christianity’s attempts to paint itself as modular, and I’ve been seeing them referenced here in the cultural christianity Discourse, and a few people have DMed me asking me to post it here, so here’s a rehash of several of those threads:

A big part of why Christian atheists have trouble seeing how culturally Christian they still are is that Christianity advertises itself as being modular, which is not how belief systems have worked for most of human history.

A selling point of Christianity has always been the idea that it's plug-and-play: you don't have to stop being Irish or Korean or Nigerian to be Christian, you don't have to learn a new language, you keep your culture.

And you’re just also Christian.

(You can see, then, why so many Christian atheists struggle with the idea that they’re still Christian--to them, Christianity is this modular belief in God and Jesus and a few other tenets, and everything else is... everything else. Which is, not to get ahead of myself, very compatible with some tacit white supremacy: the “everything else” is goes unexamined for its cultural specificity. It’s just Normal. Default. Neutral.)

Evangelicals in particular love to contrast this to Islam, to the idea that you have to learn Arabic and adopt elements of Arab culture to be Muslim, which helps fuel the image of Islam as a Foreign Ideology that's taking over the West.

The rest of us don’t have that particular jack

Meanwhile, Christians position Christianity as a modular component of your life. Keep your culture, your traditions, your language and just swap out your Other Religion Module for a Christianity Module.

The end game is, in theory, a rainbow of diverse people and cultures that are all one big happy family in Christ. We're going to come back to how Christianity isn't actually modular, but for the moment, let's talk about it as if it had succeeded in that design goal.

Even if Christianity were successfully modular, if it were something that you could just plug in to the Belief System Receptor in a culture and leave the rest of it undisturbed, the problem is most cultures don't have a modular Belief System Receptor. Spirituality has, for the entirety of human history, not been something that's modular. It's deeply interwoven with the rest of culture and society. You can't just pull it out and plug something else in and have the culture remain stable.

(And to be clear, even using the term “spirituality” here is a sop to Christianity. What cultures have are worldviews that deal with humanity’s place in the universe/reality; people’s relationships to other people; the idea of individual, societal, or human purpose; how the culture defines membership; etc. These may or may not deal with the supernatural or “spiritual.”)

And so OF COURSE attempting to pull out a culture's indigenous belief system and replace it with Christianity has almost always had destructive effects on that culture.

Not only is Christianity not representative of "religion" full stop, it's actually arguably *anomalous* in its attempt to be modular (and thus universal to all cultures) rather than inextricable from culture.

Now, of course, it hasn't actually succeeded in that--the US is a thoroughly Christian culture--but it does lead to the idea that one can somehow parse out which pieces of culture are "religious" versus which are "secular". That framing is antithetical to most cultures. E.g. you can't separate the development of a lot of cultural practices around what people eat and how they get it from elements of their worldview that Christians would probably label "religious." But that entire *framing* of religious vs. secular is a Christian one.

Is Passover a religious holiday or a secular one? The answer isn't one or the other, or neither, or both. It's that the framing of this question is wrong.

And Christianity isn’t a plugin, however much it wants to be

Moreover, Christianity isn't actually culture-neutral or modular.

It's easy for this to get obscured by seeing Christianity as a tool of particular cultures' colonialism (e.g. the British using Christianity to spread British culture) or of whiteness in general, and not seeing how Christianity itself is colonial. This helps protect the idea that “true” Christianity is good and innocent, and if priests or missionaries are converting people at swordpoint or claiming land for European powers or destroying indigenous cultures, that must be a misuse of Christianity, a “fake” or “corrupted” Christianity.

Never mind that for every other culture, that culture is what its members do. Christianity, uniquely, must be judged on what it says its ideals are, not what it actually is.

Mistaking the engine for the exhaust

But it’s not just an otherwise innocent tool of colonialism: it’s a driver of it.

At the end of the day, it’s really hard to construct a version of the Great Commission that isn’t inherently colonial. The end-goal of a world in which everyone is Christian is a world without non-Christian cultures. (As is the end goal of a world in which everyone is atheist by Christian definitions.)

Yet we focus on the way Christianity came with British or Spanish culture when they colonized a place--the churches are here because the Spaniards who conquered this area were Catholic--and miss how Christianity actually has its own cultural tropes that it brings with it. It's more subtle, of course, when Christianity didn't come in explicitly as the result of military conquest.

Or put another way, those cultures didn't just shape the Christianity they brought to places they colonized--they were shaped by it. How much of the commonality between European cultures is because of Christianity?

It’s not all a competition

A lot of Christians (cultural and practicing), if you push them, will eventually paint you a picture of a very Hobbesian world in which all religions, red in tooth and claw, are trying to take over the world. It's the "natural order" to attempt to eliminate all cultures but your own.

If you point out to them that belief and worldview are deeply personal, and proselytizing is objectifying, because you're basically telling the person you're proselytizing to that who they are is wrong, you often get some version of "that's how everyone is, though."

Like we all go through life seeing other humans as incomplete and fundamentally flawed and the only way to "fix" them is to get them to believe what we believe. And, like, that is not how everyone relates to others?

But it's definitely how both practicing Christians and Christian antitheists relate to others. If, for Christians, your lack of Jesus is a fundamental flaw in you that needs to be fixed, for New Atheists, your “religion” (that is, your non-Christian culture) is a fundamental flaw in you that needs to be fixed. Neither Christians nor New Atheists are able to relate to anyone else as fine as they are. It's all a Hobbesian zero-sum game. It's all a game of conversion with only win and loss conditions. You are, essentially, only an NPC worth points.

The idea of being any other way is not only wrong, but impossible to them. If you claim to exist in any other way, you are either deluded or lying.

So, we get Christian atheists claiming that if you identify as Jewish, you can’t really be an atheist. Or sometimes they’ll make an exception for someone who’s “only ethnically Jewish.” If the only way you relate to your Jewishness is as ancestry, then you can be an atheist. Otherwise, you’re lying.

Or, if you’re not lying, you’re deluded. You just don’t understand that there’s no need for you to keep any dietary practices or continue to engage in any form of ritual or celebrate any of those “religious” Jewish holidays, and by golly, this here “ex”-Christian atheist is here to separate out for you which parts of your culture are “religious” and which ones are “secular.”

Religious/secular is a Christian distinction

A lot of atheists from Christian backgrounds (whether or not they were raised explicitly Christian) have trouble seeing how Christian they are because they've accepted the Christian idea that “religion” is modular. (If we define “religion” the way Christians (whether practicing or cultural) define it, Christianity might be the only religion that actually exists. Maybe Islam?)

When people from non-Christian cultures talk about the hegemonically Christian and white supremacist nature of a lot of atheism, it reflects how outside of Christianity, spirituality/worldview isn't something you can just pull out of a culture.

Christian atheists tend to see the cultural practices of non-Christians as "religious" and think that they should give them up (talk to Jewish atheists who keep kosher about Christian atheist reactions to that). But because Christianity positions itself as modular, people from Christian backgrounds tend not to see how Christian the culture they imagine as "neutral" or "normal" actually is. In their minds, you just pull out the Christianity module and are left with a neutral, secular society.

So, if people from non-Christian backgrounds would just give up their superstitions, they'd look the same as Christian atheists.

Your secularism is specifically post-Christian

Of course, that culture with the Christianity module pulled out ISN'T neutral. So the idea that that's what "secular society" should look like ends up following the same pattern as Christian colonialism throughout history: the promise that you can keep your culture and just plug in a different belief system (or, purportedly, a lack of a belief system), which has always, always been a lie. The secular, "enlightened" life that most Christian atheists envision is one that's still built on white, western Christianity, and the idea that people should conform to it is still attempting to homogenize society to a white Christian ideal.

For people from cultures that don't see spirituality as modular, this is pretty obvious. It's obvious to a lot of people from non-white Christian cultures that have syncretized Christianity in a way that doesn't truck with the modularity illusion.

I also think, even though they're not conceptualizing it in these terms, that it's actually obvious to a lot of evangelicals. (The difference being that white evangelical Christianity enthusiastically embraces white supremacy, so they see the destruction of non-Christian culture as good.) But I think it's invisible to a lot of mainline non-evangelical Christians, and it's definitely invisible to a lot of people who leave Christianity.

And that inability to see culture outside a Christian framing means that American secularism is still shaped like Christianity. It's basically the same text with a few sentences deleted and some terms replaced.

Which, again, is by design. The idea that you can deconvert to (Christian) atheism and not have to change much besides your opinions about God is the mirror of how easy it’s supposed to be to convert to Christianity.

Human societies don’t follow evolutionary biology

The Victorian Christian framing underlying current Western ideas of enlightened secularism, that religious practice (and human culture in general) is subject to the same sort of unilateral, simple evolution toward a superior state to which they, at the time, largely reduced biological evolution, is deeply white supremacist.

It posits religious evolution as a constantly self-refining process from "primitive" animism and polytheism to monotheism to white European/American Christianity. For Christians, that's the height of human culture. For ex-Christians, the next step is Christian-derived secularism.

Maybe you’ve seen this comic?

The thing is, animism isn’t more “primitive” than polytheism, and polytheism isn’t more “primitive” than monotheism. Older doesn’t mean less advanced/sophisticated/complex. Hinduism isn’t more “primitive” than Judaism just because it’s polytheistic and Judaism is monotheistic.

Human cultures continue to change and adapt. (Arguably, older religions are more sophisticated than newer ones because they’ve had a lot more time to refine their practices and ideologies instead of having to define them.) Also, not all cultures are part of the same family tree. Christianity and Islam may be derived from Judaism, but Judaism and Hinduism have no real relationship to one another.

But in this worldview, Christianity is "normal" religion, which is still more primitive than enlightened secularism, but more advanced than all those other primitive, superstitious, irrational beliefs.

Just like Christians, when Christian atheists do try to make room for cultures that aren't white and European-derived, the tacit demand is "okay, but you have to separate out the parts of your culture that the Christian sacred-secular divide would deem 'religious.'"

Either way, people from non-Christian cultures, if they’re to be equals, are supposed to get with the program and assimilate.

You’re not qualified to be a universal arbiter of what culture is good

Christian atheists usually want everyone to unplug that Religion module!

So, for example, you have ex-Christian atheists who are down with pluralism trying to get ex-Christian atheists who aren't to leave Jews alone by pointing out that you can be atheist and Jewish.

But some of us aren’t atheist. (I’m agnostic by Christian standards.) And the idea that Jews shouldn’t be targets for harassment because they can be atheists and therefore possibly have some common sense is still demanding that people from other cultures conform to one culture’s standard of what being “rational” is.

Which, like, is kind of galling when y’all don’t even understand what “belief in G-d” means to Jews, and people from a culture that took until the 1800s to figure out that washing their hands was good are setting themselves up as the Universal Arbiters of Rationality.

(BTW, most of this also holds true for non-white Christianity, too. I guarantee you most white Christian atheists don’t have a good sense of what role church plays in the lives of Black communities, so maybe shut up about it.)

In any case, reducing Christianity--a massive, ambient phenomenon inextricable from Western culture--to the specific manifestation of Christian practice that you grew up with is, frankly, absurd.

And you can’t be any help in deconstructing hegemony when you refuse to perceive it and understand that it isn’t something you can take off like a garment, and you probably won’t ever recognize and uproot all the ways in which it affects you, especially when you are continuing to live within it.

What hegemony doesn’t want you to know

One of the ways hegemony sustains and perpetuates itself is by reinforcing the idea not so much that other ways of being and knowing are evil (although that’s usually a stage in an ideology becoming hegemonic), but that they’re impossible. That they don’t actually exist.

See, again, the idea that anyone claiming to live differently is either lying or deluded.

There are few clearer examples of how pervasive Christian hegemony is than Christian atheists being certain every religion works like Christianity. Hegemonic Christianity wants you to think that all cultures work like Christianity because it wants their belief systems to be modular so you can just ...swap them. And it wants to pretend that culture/worldview is a free market where it can just outcompete other cultures.

But that’s... not how anything works.

And the truth of the matter is that white nationalist Christians shoot at synagogues and Sikh temples and mosques because those other ways of being can’t be allowed to exist.

They don’t shoot at atheist conventions because there’s room in hegemonic Christianity for Christian atheists precisely because Christian atheists are still culturally Christian. Their atheism is Christian-shaped.

They may not like you. They’re definitely going to try to convert you. They may not want you to be able to hold public office or teach their kids.

But the only challenge you’re providing is that of The Existence of Disbelief. And that’s fine. That makes you a really safe Other to have around. You can See The Light and not have to change much.

What you’re not doing is providing an example of a whole other way of being and knowing that (often) predates Christianity and is completely separate from it and has managed to survive it and continue to live and thrive (there’s a reason Christians like to speak of Jews and Judaism in the past tense, and it’s similar to the reason white people like to speak of indigenous peoples of the Americas in the past tense).

That’s not a criticism--it’s fine to just... be post-Christian. There’s not actually anything wrong with being culturally Christian. The problems come in when you start denying that it’s a thing, or insisting that you, unique among humankind, are above Having A Culture.

But it does mean that you don’t pose the same sort of threat to Christianity that other cultures do, and hence, less violence.

#cultural christianity #christian hegemony #christian atheists

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DIPLOMACY

male reader x kim minju

7k words

For those not paying attention - of which there seems to be an increasing number - it’s not that she doesn’t have the pedigree. But just shy of getting into that storied history or into the nitty-gritty of her curriculum vitae, the only thing that really matters is:

"This all seems a little beneath me."

It’s another day of this. Of you, of her, of trying to gather the mien of someone who isn’t utterly disarmed by Minju’s usual, beautiful, challenging self. Which, let’s be honest, is always an uphill battle.

Minju nearly pouts, flipping through a copy of the dossier idly from the other side of the desk in a gesture that reads both bored and dismissive and every little thing it needs to annoy you.

"Look," you offer up, graciously diplomatic all things considered, "it's about finding the right springboard, to something else more… substantial."

"Or to something else, you know, beneath me." Her red lips turn down ever so slightly. She doesn't seem so interested in playing ball on this one. And, for you, amounts to something of a huge problem.

See, Minju doesn't quite understand how the working world really, actually works. That the carrot that's dangled in front of her is your carrot just as much as it is hers - that you stand to lose out just as badly. That it's both of your asses on the line if things fall apart and Minju's shortsighted insistence to only work those certain roles befitting a name like hers puts that all at risk.

"Maybe you can tell me something,” you start, coming across more curt than you possibly intended - but not by much, “how many of your former cohorts have had their career aspirations line up with reality, Miss Kim?"

“I’m picky, not naive,” she sighs, not missing a beat, and you watch her dark hair cascade gently down her shoulder when she reaches a hand back to unfix her loose ponytail from its hair clip.

“You might see how I can get the two confused.”

“Then spare me the lecture,” says Minju.

Though she says nothing else, an unspoken you already get paid too much for that hangs in the air.

The tricky part is that no matter what else Minju does, her contract has some non-negotiable clauses to them that no talent has before, or will likely get afterwards. Things that cannot be broken. Like the requirement of her making x number of media appearances, and she gets to approve all of them.

Or that her agent's take home comes from a fixed fifteen percent of her gross earnings, with further incentives when her roles hit specific milestones. But with her refusing projects like the ones in the dossier before you, it leaves you in the unenviable position of losing out on your guaranteed fixed income or trying to convince your diva talent to do what it is she ought to be doing.

The truth is that there’s quite a long list of things no one has had the guts to say ‘no’ to yet.

And, well, it's rather simple and obvious when you look at her:

Minju is that particular blend of A-lister gorgeous. The special look that’s all kinds of mesmerizing and magnetizing, in full bloom - that makes you feel like you're suffocating in beauty. Like if she said come here, you would go; the type where a single look is all it takes and then - just like that - she's got your number forever.

Because everything about her is tailored - from her clothes to her perfect porcelain features. And they made her that way for a purpose: to sell records. (Which, that's exactly what they did.) You can hardly blame the people in power over there, wanting what's best, in a position where everyone would kill for a taste, or even just a glimmer of possibility.

"I don't suppose the part of the governor’s neglected wife is capturing your imagination.” You push the dossier closer, and she doesn’t so much as look at it. “It’s this year’s big budget political thriller, a shoo-in for awards.”

“You mean the one who ends up in a lot of very steamy shots on the apartment’s rooftop pool. Maybe I’m mistaken, but you can’t really unshow your tits.”

"This isn't about being above, Miss Kim, it's about being well regarded; it’s about proving you’re easy to work with,” you argue. “We could-"

"Find a better use of my time?" she cuts in, closing the dossier shut. There's a long moment in which she's looking you over, her gaze sizing up every little inch.

"Your big break won't happen just because you ask for it." You grimace a bit, hating to tell it like it is, but not really wanting to just coddle her either. "But listen - we work together, one project at a time - we can build up to it."

Minju crosses her arms with a loud hmph. "And what are you going to do if I decide not to accept these projects?"

There’s enough edge in her voice that it gives you pause.

"If," she says again pointedly, a teasing little grin tugging at her lips.

So - actually, another thing: when you start digging into the details, there’s more problems than just what can be seen at the surface. Which perhaps it’s too reductive, but essentially everything between you and the talent sitting on the other side of your desk is not quite so straightforward. It was never about Minju doing the best she could for either of your careers; it was about Minju making sure her needs were taken care of, no matter what.

Months ago, thanks in part to the way Minju filled out this tiny black excuse of a cocktail dress, and as a compromise of sorts, there’s an uncharacteristic mistake you ended up making. Or two or maybe a couple.

Because there’d been the perfect backdrop - an end of year party, beautiful dresses and suits, lots and lots of champagne, the kind of jovial mood that inspired one drink too many - and then you and her, taking off down one of the hallways, towards the exit.

Of course, you ended up exactly where neither of you should have ever been - where the snow was falling gracefully and melting into the pavement, behind a private accessway at the back of the venue, somewhere dark and dingy and dripping with a smell reminiscent of garbage; somewhere your hands had gripped firm fistfuls of Minju’s waist before you shoved her up against the back of the building.

In short:

You remember how she gasped when her palms hit the brickwork, how you figured you may as well give her everything she wants.

(So what, it was one time, you hear yourself explaining, mildly repentant, and to say that it’s complicated the matter is a massive fucking understatement.)

In the interest of full disclosure, you tell her, “what exactly did you have in mind?”

"That maybe," she hums, tongue flicking out over her lips before she purses them thoughtfully. "You should persuade me a little better."

"And let’s suppose, I don’t do any of that," you persist.

"It'd be a shame, wouldn't it, having such a promising future cut short so early? If word got out. From such a respectable agency too, of all places. Couldn't live with yourself," Minju remarks, leaning forward on her elbows until her eyes are level with your own. “Come to think of it, it’s the kind of thing that could totally, like, end your career.”

But as she sits there, arching that perfect brow again, you don't feel so good about the whole thing. You take another look at her - which, your mistakes start there, if nowhere else - at the girl that is somehow not the airheaded starlet she’s supposed to be. No, she’s calculating. A rarity, though you do know the type: here’s a girl who just happened to take her brains for granted in the years she was pampered by the industry - the same one that fattened on her only to later spit her out. And that thought, the look of cold intellect in her eyes and the slight upward curl at the corner of her mouth, has you frozen just a bit stiff.

She takes a key card from her clutch, and throws it onto the desk in front of you.

“Minju,” you caution, and there’s a taste of danger on each syllable of her name - more of a warning for yourself than you can conceive of it ever being for her.

"I'm only suggesting" - she’s watching you nearly fucking choke, amused - "what's best."

And when the lines get muddied between the two of you, that's exactly the issue. What's best. As though this was always Minju's aim. Maybe you've read it wrong, maybe you've gotten too lost in your own delusions, maybe - maybe, it doesn’t matter -

"For work," she adds, at which point her knee bumps yours playfully beneath the desk, leaving the suggestion open, and the implication unmistakable. "Whatever's required."

Here, you should definitely tell Minju no. Say no. Say: you're a professional, and getting involved with her, romantically, officially, personally - whatever - would lead to nothing but disaster. That’d be the responsible thing probably. It’d be generous to say you end up getting even halfway there:

"There's rules against this, you know."

Minju tips her head. “Why ever would there be rules in place against doing your job?”

She thinks that if she feigns being clueless, you'll bite, which -

“Against me folding you over this desk and fucking you until your forget your name.”

"My apologies," she practically coos, knowing that she’s not only made progress, but that she’s wrapping you around her finger. She is a bright girl after all. “You might see how I can get the two confused.”

At that, you figure, the only real move, to be perfectly blunt, is to play Minju at her own game -

To convince her to bend, just a little. To persuade her. So you lean closer, you start to promise, with your face just next to hers:

"You want me to show you how I might handle an uncooperative talent? Would that do it for you, huh?"

And now if that isn’t enough to earn you a whole look, one that’s equally a challenge and a triumph; you watch as she bites the inside of her cheek, not that she can help the smirk creeping across her pretty mouth, a grin full of want and need and all those dangerous, thrilling thoughts that're probably too predictable given your unique sliver of history you’ve already carved out.

She arches that perfect brow of hers once more, toying with the corner of her lip between her teeth.

You navigate around your desk to hand her your pen, with instructions that are perfectly clear: "then for once in your life, be useful, and sign on the fucking dotted line."

And her whole act falls apart just like that.

She’s humming almost pleasantly to herself as you settle in flush behind her, sinking into you just a little when your hand arrives at her waist, another carding through her hair. “Here,” you point out, watching her name materialize in ink on the document - pressing your lips to the nape of her neck each time she finishes penning out an exaggerated curl of a u.

“And here.”

“And here."

She signs again - and again - and that merits a reward; she’s good when she wants to be. Persuasive when she needs to be.

You can hear her murmur your name when your mouth slips just beneath her jaw, when you mark your next path across the bare skin of her shoulder and when she gets started on the last page of the documents, it happens just like this -

The pen drops from her fingers at some point, tumbling onto the desktop with a clack that might as well be a round leaving the chamber of a starting pistol. The office door isn't even locked and you have half a mind to check on the blinds, but the idea of some desperate executive running face first into this scene - where you’re smoothing your hands down the fabric of Minju’s top, down the rise of her jeans, fiddling slowly with the button at her waist - it holds an unfortunate sort of appeal; those blinds, they're mostly closed anyway. And at this hour of the afternoon, well - maybe it’s a little more clear why Minju asked to reschedule this meeting in the first place.

At first, it’s just a few of your fingers dipping under the waistband of her pants, following the curve of her hip, her thigh, then inward, and when you reach down to find her already burning up in anticipation, she inhales sharp, a noise that makes you groan in turn, low, right into the hollow behind her ear. Minju, to her credit, is absolutely willing, so very helpful and - as you pinch the soft, tender skin at her hip, she's saying something but you haven't quite paid it a moment's mind.

Her head turns, eyes looking up at you ever-so-slightly-more-vulnerable than their usual mischief and calculation, and there’s a hint of a demand dancing on her tongue, ready and waiting; she moves her leg upwards just a few inches, settling to rest her knee on top of the tabletop, a calculated little pose, angling her hips so you can sink your hand lower, closer, press your fingers into the lace over her hot cunt even deeper.

Here you figure you're probably ruining the fabric, drenching it in her own slick as you work two, then three fingertips in tight circles. You’ll ruin it, and you’ll ruin more - ruin everything and take what you're owed. As her breath hitches again, in some way that makes your senses come to life: you can feel her skin become taut and tense, gooseflesh rising when your hand untangles from her hair and slides up under her shirt, can hear the steady rush of blood in your ears, her pulse quickening, the heart in her chest beating rapid -

(She can pretend all she wants that this was an attempt at extortion. She can pretend she’s not an easy read; that she doesn’t like being easy for you, when she’s hot and whimpering and aching so wet, creaming on your fingers when you haven’t even gotten her pants off.)

- as if every part of her wasn't made for this, as you lay out your first real proposal:

“Do you remember what I asked you? The first time, right after you signed on, when you were so good for me up against the bricks in the alley?”

Minju chokes out an affirmative when you toy with her pussy where she’s craving the shape of anything, but, boy, are the rough pads of your fingers more than up to the task.

"I remember you almost couldn't answer, you didn't dare want to admit that it's what you needed - isn't that right?"

She moans with a voice thick as honey when a couple more fingers brush up against her wet lips and fuck, she does look breathtakingly good; she's exquisite, she's irresistible - the image of a living wet dream.

"Say it, baby," you croon, her voice beginning to melt a bit at the edges, her own heat burning her resolve up from the bottom up as you tug sharply at a string on her lace.

Minju sighs. Arches into your touch.

Because you’re settling into this torturous pattern, where you draw inwards, closer, so close to the little bundle of nerves, her cunt flexing and rippling hungrily when your fingers flick once or twice around it, only for her to wince just slightly as your fingers trace down towards her entrance to start all over again -

Minju steels herself, drawing in a heavy breath past her teeth. “You asked how rough you could be.”

There's something so painfully wicked, how her voice falters there - but then your own voice is rasping right back in a similar caliber of depravity.

“Hm. That’s pretty close to how I remember it.” After all, you are always taking care of Minju - her concerns, her contracts, her needs. So if she was interested, why the fuck would you hold back on providing exactly what she wants. “But help me out, what did you tell me?”

Another twist - another catch. Another push - another pull. She's going to break so sweetly if you're patient - and, ahh, patience - she's shuddering underneath your touch, squirming against you so nicely that you've already gotten away with a bit too much, this much, these fingers and you and Minju's breathy gasps.

"M-that you could be. That you could-" she stutters, all as you feel her folds start to swell, then quiver, as your thumb drags painfully over her clit again -

And in that moment Minju starts to consider if this were a good idea or not, but her back is already arching against your chest. She's gripping your arm to get you right where she wants you, and the reality of this hits her - a rush of cold clarity through her head just as everything else threatens to spiral into something else, something frantic, something hot and animal and making the muscles at her core begin to clench up.

But you just ease out of her completely, a whine coming out from the back of Minju's throat - her thighs parting further in desperation.

And oh, the disappointment, the sound, it’s incredible - a high pitch - almost a sob -

You slide your other hand in her hair to make sure she's got an earful of your words:

"What was it you said, hm?" you whisper, nipping at the skin on her neck, the side of her jaw - she's shuddering with it when your mouth lingers so close -

“As rough as you fucking want.”

God, the little things that her voice does to you. “Exactly, sweetheart.”

And how's that boundary supposed to hold up and remain uncrossed then, really, if you just give her whatever the fuck she asks for - especially if you have your mouth working it's way around her pulse-point, toying with her as she starts to tense and soften all at once.

In fact, Minju can only stutter out an okay or two as you grind forward, the hard suggestion of your cock nestling up against her rear, just shy of the perfect spot between her legs, and even with still a few layers of clothes between you, the feeling - fuck, the friction, the sight - it’s enough to get you grinning.

Enough to form this near-half-coherent thought: that it’s what's always had you on edge with this girl. She is absolutely every bit your type. Everything about her, right down to the way that she was put together.

All her hard edges and soft curves that should've never really been yours to covet and now, somehow, have become exactly that. Oh, she's the kind of temptation that's better suited for the life of glitz and glamor and the time it requires for indulging in it. You never thought that you would actually ever get here, even as the years have begun to stack up and time starts to grind everything in the back of your head and turn it all over into something like resentment.

If only Minju weren't so good at making you a sucker for those pouty lips and big doe eyes.

Particularly when she's turned around - face to face now - she's the epitome of gorgeous, equal parts aphrodite and adonis; a fucking knockout, her body sculpted and lithe and athletic. Those lines curving out and away like they might tell time, like her thighs could count the minutes and seconds until she's straddling you in your lap with her ankles locked in at the small of your back and you're rutting up into her without reservation, without doubt.

(So what, really, is your goddamned excuse? Your pride? The nature of the beast in you that demands that you must have some degree of control over yourself? The power that your position, here, now, provides? But you can hardly be blamed, even when it's wrong and filthy and so fucking good.)

"You’re stalling." Minju’s leaning back against the desk, tilting her chin up, blinking lazily, and there’s a bit of bite in her voice again.

It takes a minute for it to dawn on you that it must be intentional, trying to get a further rise out of you, the same way your hands have risen up to trace the dips and elevations of her spine, her every vertebra, your fingertips mapping the hollows and rounds of her back. To learn the geography of her shoulders and where, and when, and how to get her breath catching in her lungs, each labored intake of air a little harsher, hastier, hotter than the last.

"You know," you start, spreading your palm across a soft plane of denim, fingers pulling onto the cheek of her ass, dragging her even tighter against you, "I always figured your reputation was a little overdramatized. Most everyone's bound to have a story or two."

She laughs, full of mirth. When the mood strikes, she's the picture of perfection, and she knows it. "Well? Were you disappointed?"

As she coils an arm around your waist to slide your shirt free from the confines of your pants, and as a deft hand slips its way in, you stop asking yourself about right or wrong, good or bad, or about the kisses that land playfully at the corner of your mouth - until you hold her tight and seize her lips, hard, like you mean it - it isn't long before she's fumbling and scrambling with the zipper at your waist.

"That depends," you’re pulling yourself away long enough to say.

"I think I know the answer."

And by the way she shivers a little when you shove up the bottom of her top, the way she's melting into your mouth and demanding more and more and more, Minju does. You think she probably has since the first night that your threads got all tangled up. Especially when she slides off her top - her bra - her jeans - leaving them in a pile that lasts barely a second where it started once you sweep everything off of your desk in one broad, efficient gesture -

There's a thud when a pair of binders and a couple of books hit the floor. Someone exclaiming in recognition, the muffled noise drifting through the office door, and, oh, this would probably be the best moment to remember how painfully thin the walls are; you consider whether to walk over and lock the office door, and when Minju’s fingers run up your sides, you decide you won’t.

Too little too late, you figure.

And before you can take a second to give it the more congruent thought it deserves, Minju opens her mouth: "which, in your professional opinion," a hum and a slur as her nails find their way to your collar, "is well, that the thing I should take," she gets out, unbuttoning you at the cuffs, loosening the last of your shirt, "really," her hands palming over the fabric on either side of the lapels, working their way downwards, "how - how do you think this goes?"

“Oh, Minju.” She’s all but begging you to fuck her and still has the wherewithal to be asking for terms.

Like her fingers aren’t completely down your pants, locking around your hard cock - pumping you with soft, lazy strokes - not too different from how you have her chewing on her lip every time your fingers circle over the entrance to her cunt, tenting the last of her lace all slow and careful.

It’s driving her crazy. She just bites into the edge of her thumb in response.

"Fine. Alright. Let me explain it clearly." You dip a finger into her cunt; the whimper is short-lived when she tightens around you and it hits home, the pressure so delicious that she can barely stutter to keep up.

“A negotiation, of sorts-”

“Yeah, sure, we can call it that.”

The mental picture you have of your length outlined against Minju's tiny fist - as she works it into her hand, steady - it's all almost more than you can possibly bear: the way her long legs stretch out so pretty in front of you, the way her wrist twists with each pass and every bump at the veins of her forearm that is such a damn perfect shade of porcelain white in the dim glow of the desk lamp.

This girl with her pert pink mouth and those lips, the ones that aren't quite touching yours but rather smirking the whole time. (If only you were to make her scream loud enough, because you know she could be so much prettier.)

The thought flits through your brain, unbidden and treacherous -

"Think, fuck - think of this, as a one-way track into your career. Think of me, a guiding hand - if you want to. The key to all this," you continue, spacing the words carefully so you don't falter under the pace Minju is picking up, "is that you're going to need to be compliant. Easy."

"Mm. And in exchange?" she bites, choking down an embarrassing moan.

"Here's the basics." And there, there's no fucking reason for you not to dip the tips of your fingers right on downwards, tap into her soft heat until her hips are arching away from the flat of the desk, searching for more. “Whenever you need me to take care of you, I’m there, however you need it: on my fingers, my tongue, my cock - I’ll make you fucking cum over and over.”

"That sounds," she gasps, losing track of the end of her sentence, rolling herself along the pads of your fingers, taking them deeper into her, "very-very-oh fuck-”

Her grip around your cock releases, arms throwing themselves around your shoulders, holding on tight as she starts to trust you implicitly - to give her exactly what she wants, what she needs - and give herself over to you, to your fingers, circling and circling and circling.

“See, tomorrow,” you start, “there’s an audition,” and when you pull your finger out of her cunt, Minju lets out this sound that’s between a whimper and a whine. Her pretty mouth has dropped open, like she's all out of words, lost somewhere, chasing this. Getting dire.

“It’s this teen soap; they need someone young, someone pretty, do you think you can do that for me?”

She doesn’t answer so much as grab and tug and pull you even closer as the heel of your hand pushes and presses over her clit, just about enough force behind it that, eventually, you begin to feel a certain rigidity through her limbs, how the lines of her face and her faultless features grow more and more focused, fixed and concentrated; her voice reduced to the high-pitched huffs and half-formed syllables of pure and utter desperation.

I can, I can - she’s murmuring - please, yes, I will - putting herself right into your capable hands.

When you feel Minju tightening, flexing around nothing, then seizing and shivering, her pussy throbbing hot and wet and clenching around your finger as it again works deeper inside her, an anguished groan finds its way out from her throat.

And from yours, well -

"Show up," you command, giving her another knuckle, curling it just right - watching as her expression contorts and twists up for all her worth. "Make a good impression. Don't make me fucking beg. Show up, Unreserved. Understood?"

And if her body wasn't making her pleas utterly transparent, she's screaming in agreement. It takes you barely a couple seconds, working up inside her cunt until she's all full-body, fully, blissfully spent. She starts to nod, needy, eyes screwing shut.

“And let’s say, something else pops up. A little racy, a little more gravure, just the right amount scandalous, I need you to keep an open mind.”

When it sinks in what you've said, Minju gives this wail, low and perfect - her cunt throbbing over the pulse at your palm - inches away from cumming and shaking and creaming on your hand. You could ask for anything, you think, and she’d give it to you -

“My PR team,” she gasps out, the consonants of her words fraying at the seams, “it’s up to my PR team.”

“Minju,” you say, priming a loaded question and a half. “Do you trust me?”

She nods, expression readable and open like a book. It starts to set in just about then, how you’re going to fucking ruin this girl.

Your breath runs hot, right against her temple, and you whisper the slightest affirmation, “good girl, I’ll take care of it.”

Because to be fair, you’ve not made it this long in your career without learning how to pull a string - how you might pull up on the sensitive skin straddling Minju’s clit and get her reeling; her pussy flutters in the tight, wet heat, muscles clamping, demanding as you work yourself in deeper and then, when the timing's right, pull out to slide a second finger past the slip of lace she has covering her cunt.

She's this tight, dripping, overwhelming fit - even more than you have yet to discover, to tease and then take, the heel of your wrist landing on her clit in a heavy pattern, circles - circles - circles -

- so you figure: fuck the PR team.

If only they knew how well and thorough you were going to fuck the rules right out of Minju.

That you were going to remind her who's the one in the driver’s seat of her life, of her career, that you would make sure she stays in her lane - the proper lane - that this, you think to yourself, might become a recurring sort of negotiation, the kind she's so shockingly eager to accept.

You'd be doing her a favor, fucking a couple good lines into her head, into her skin, into her cunt.

And soon, before long -

She's gritting her teeth around the shape of your name and giving one last heave against the hard wood of the desk underneath her. It's almost beautiful to watch how Minju crumbles into herself; the way she grinds back onto the digits in her cunt. How you’re dragging her underwear down her thigh, pulling your cock into your fist and twisting her leg around your waist until finally, you press yourself right up against the heat radiating from her cunt.

“I’m going to take good care of you, Minju, don’t worry, I’ll fuck this pussy of yours just right. I'm going to make you shake and cum all over me.”

“Please.” Fuck, she looks at you sincerely - no games, no bullshit - pupils so very blown out with want, with need. You watch her adorable mouth uptick into this faint lazy smile as she tilts her head into your collarbone, lips parting slightly to remind you: “as rough as you fucking want-”

And you sink right in.

It’s all skin-on-skin as Minju practically collapses in your arms; pushing deep past her soaking entrance - your hips slotting together just so, cock engulfed by her tight heat. Minju fucking wails when you drag back from her cunt, slow - so, so agonizingly slow.

You let her recover just a bit, watching her breathing quicken and shallow.

And the word on her lips becomes something reverent, the most indecent prayer, pleading please, please, please let me have it, please fuck me with your cock-

You brace yourself, thrusting back in, and she doesn't wince this time, holding fast to you like you aren’t the one fucking her open and taking her apart.

“God, I - look, this perfect little fucking cunt, look at how you’re stretching around me, Minju,” you’re telling her - promising her really - all of which doesn't count for shit when, once, and then again, and a couple more times after that, your hips meet hers and she starts to break just so slightly around you. “I can’t believe - it’s like you were fucking made for my cock, baby, you’re taking me so fucking well.”

"Now, show me why - why the fuck everyone wants you - wants you to be their-" she's trying, in a fashion all to her credit and her fault. She should probably care more about that raw, unhinged noise you’re making right into the crook of her neck when you bury yourself deeper into her pussy. But in the next moment, with another wild crash of your hips, the tables start to turn.

Slowly at first, and then all at once.

Because the sound you’re ripping from her chest when you start fucking her - truly fucking her - becomes far, far filthier than anything you've ever heard a girl like her make. All of it coaxed out from you working the edge of her pussy open, stretching her, hitting each and every sensitive spot inside her.

Minju tips her head back to stare at the popcorn ceiling and fluorescent lights, brow creasing in the middle, mouth gaping open. You find you might have missed something, when she moves to hold you down, hold you in place with an insistent leg, the back of her heel digging into your ass. As though there were somewhere you might possibly want to go.

It all comes down to something she's murmuring, quietly, harboring this smug lilt like you aren’t fucking her raw and senseless: how maybe the key to unlocking the rest of her potential isn’t all that dissimilar, not as off-brand as you may have been initially worried about. And the notion that both of you might actually be profiting off of this - how it shouldn’t sound as incredible as it does - is doing absolutely fucking nothing to slow the brutal pace you fall into.

"Fuck, just like that," and she's smiling, grinning really, nails biting into your nape - your name and curses and a fuck you or two falling out of her mouth as you pound each short breath right out of her chest.

"The only talent I'm gonna need to show," she manages, dizzy, and with one arm hooking around your waist, she pulls the two of you close, right up against each other. The sound your skin makes, clapping against hers - her cunt tight, pulsing, quivering around you - "is my, my, my-"

Your thumb should have never left her clit, you realize, pressing down on where your cock is disappearing between her legs, pushing up against that bundle of nerves that can get her screaming. That’s how you’ll punctuate your end of the bargain, how you’ll make her cum and cum and cum -

"-talent for being such a-"

There's something ungovernable in you, something fumbling, as you find yourself drawn to her lips like a magnet - claiming them in a kiss that has you both growling with all the intensity you can muster, groaning as her jaw goes slack, surrendering to the fucking. To this hard, solid snap of your hips, a raw fuck forward that pushes Minju against the edge of the tabletop.

It doesn’t matter what she had wanted to say, though it must be evident how easy she can wind you up, and you do your best not to be too gentle. Pushing into her so rough that her breasts, oh-so-delicate, bounce up and down along her chest, nipples tight and rosy, begging to be tasted and played with.

You’re pressing your mouth on hers hard, fucking her harder - fingers digging into the flesh around her thighs and leaving marks and memories, all these reminders you’ll be sure to come back to.

But the fact is that this is your girl in so many ways: needy and a dream in all her curves, and how her waist rocks back, her body fitting so perfectly against yours - you're hooked on all of it. On her - she is temptation made real, in blood and bone and soft, supple skin, so exquisitely touchable, just like the sound that she makes, high and tittering when your thumb starts to work her clit over; each swirl and figure eight sending a jolt through her nerves and straight back into your own spine. It's difficult - hard to focus, you find - when all her exposed skin has these drops of sweat standing in saltwater relief, how it rolls down the plane of her chest and disappears where her waist flares wide.

Minju turns her cheek, mouthing falling open, and asks with a certain helpless pleading, “yes, can you-”

she sighs,

“right there,”

she hiccups,

“please, again,”

she begs,

“again, harder, i’m so close-”

Not before long, the desk is scraping loudly across the carpet, moving right into the next office over, all from where you have your hand trapping her voice back in her throat, palm over where she’s practically sobbing for you to let her cum.

From where you’ve got her locked in tight, lifting her up into your arms, into some perverse, unspoken promise to carry her the rest of the way. To do with her whatever you want.

"I'm going to show you," you're gritting out, "exactly how a professional handles their star, the girl at the center of it all, their top draw - and it's so easy, isn't it? This is - fuck, sweetheart - you're nothing more than a - just a desperate little cockslut who's aching to cum, and it's good - oh so, fucking-"

When that next shiver courses down the length of her perfect form, it's entirely because of you, when her legs are still locked and clamped over you like this, as she sputters and babbles, totally cock-addled and barely managing a coherent thought. “Please, sir, please, fuck-”

And then a keening, sounding low, lost.

“Sir. Please, sir, please just - I just wanna-" Her lips are shaping all these words that never quite materialize - because her cunt is slick, the whole of it hotter and softer than anything else in this goddamn room. Maybe anything else in this whole building. Or in the entire world. It makes her whimper and ache, her voice rising and rising, belting out, need it, need it, please let me cum -

Which -

Minju, oh god, Minju cums, and you are fucked sideways to hell and beyond when her whole body convulses, shakes, every single part of her contracting, contracting - all at once - the way her hands claw desperately onto the blades of your shoulders as the room gets taken up with the scent of her; the sounds she's making are fucked and filthy. She starts to become undone as you double your pace, aiming true - thrusting, pounding, nailing Minju right into the finish.

“Minju, sweetheart, I’m going to cum in you,” you tell her, and it’s not even a question, or a concern. You’re dictating, not negotiating when you say it to her again, when you tell her you’re going to fill her perfect pussy so full with your cum, she'll be hung up on it for weeks.

One long, stretched out moan is all it could ever take; a split second, where everything runs blindingly hot, and you bury yourself as deep into her pussy as you possibly can.

Cumming so much, spilling out deep inside - this heavy flood of cum that pools warmly at the back of her cunt and fills every corner of Minju - she whines and sobs and tells you it's too much, please, all this hot and thick white cum pumping right into her -

As you throb into her, she's having a hard time saying anything beyond your name, actually, because if anyone can, if anyone would, if Minju can trust anyone and anything in this world more, it would be you.

Her chest shudders and shudders, and she kisses you in a vain effort to quiet her own body, to quiet yours. She has all this faith she's pouring right down your throat as you rock the last of your orgasm into her twitching heat, spilling and spilling and spilling, not caring about the wetness leaking onto the carpet. Not bothering to mask the obscene slickness, how everything gets completely fucking sopping between the two of you.

When she's practically drooling over you, eyelids growing heavy and fluttering, Minju sags heavily into the bend of your arms. In that shallow heaving and gasping for air that bathes the both of you - blissed the hell out, a lazy tangle of limbs - and without warning she turns to speak into your neck, her breath cooling, like a whisper of a dream:

“Okay, and already… I guess this isn’t entirely-”

“Completely terrible,” you offer after you swallow the dryness in your mouth.

Minju smiles into your shoulder. “And sir, in the spirit of honesty and transparency, I think I - I think I really did want - this - you - the entire thing…”

You stop her there, right in the middle of that particular train wreck. A drop in your voice, and the message is clear, when your mouth works its way to hers.

(No more of her talking like that.

Besides, she looks even better on your lips like this, and fuck, doesn’t Minju taste like you will have to remember, like a little bit like desperation, but only in the way that it has you both completely hopeless, hanging on to every whimper as your cock slides lazily about her well-fucked pussy, a bit deeper, a bit further.)

Like there is something far beyond professionalism guiding the hand with which you hold her hip and let her ass spill through the gaps of your fingers.

It’s all mixed up, how in this exact moment you figure this is a terrible, terrible idea, the worst kind of agreement, this pact - because no one could look at you, could look at either of you and have any doubts in mind now. But you can see it, how you’ll both wear this little agreement like the most beautiful stain in your histories. Even though it might, conceivably, cost one or both of you dearly at some point in time.

And yet, still.

"Will you - can I - can you..."

She's clinging onto you with all her remaining energy, like she wants to see it through.

But her eyes - the poor thing - her expression is melting into this haze, her face contorted in something like pain and something else entirely: a different kind of satisfied glimmer. It's almost unreadable how that sharp mouth softens at the edges as her cunt gives this small flutter over the head of your cock, as you pump her so full, threatening to overflow.

And in your ear, you catch this little whisper. It says, “please, let me show you,” she's practically purring, “let me, let me - I'm gonna clean you up now, lick my cum right off you.”

It's true. Minju can act and perform and pose and make faces, for a shit ton of people - but she’ll play-act any facade you might ask her to, and she'll do it for you - because, this time around, all you ask her is this:

To be yours.

To be a good girl for you, an obedient little thing, in your private audience, away from the cameras and the lights, away from everyone.

When her knees hit the carpet, she is perfectly between your legs, palms on your hips and fingers splaying out against you.

And when she tries her damnedest like this, no one should bother ever pretending to think differently - least of all, you - and certainly, not while your cock is hardening again in the wet heat of her mouth, under the curl of her tongue, the gentle touches of her fingers -

How can anyone ever bring themselves to tell her that she isn't completely, indisputably the greatest.

(The very, fucking best.

And in every other way: the woman of your dreams. A woman, you realize, you ought to endeavor to keep, in all manners, and forever.

Minju, who could probably do anything, and you, who just might be able to give it to her.)

#minju smut #izone smut #kpop smut #male reader #kpop fanfic #male reader smut #izone minju smut

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luveline · 4 months

Note

You are such an awesome writer 🥹 I love seeing you show up on my timeline!

I'm not sure if you are taking requests rn and totally ignore this and I'm so sorry if you are not and sorry to bug you.

I am so obsessed with bombshell bau reader with our boy Spence. I was thinking like maybe established relationship this time where the team goes out to the bar again only this time her and Spence are actually together so she's just really cute and even more cling. Maybe her and Emily or one of/all of the other BAU girls are being wild goofy drunk girl and reader is extra flirty with Spence but not at all smooth and Spencer is just like “you're a menace” ? But like in a sweet adoring way 😂?

Again no pressure at all and I hope you are feeling better from the rude requests and enjoying your time off school, lots of love xxx

thank you love, and thanks for your request!! ♡ drunk!reader

The last time you'd been to this bar in particular, you and Spencer were strictly friends. He was still styling his hair straight and wearing sweater vests, and the idea of being your boyfriend was a fantasy. A brilliant, never-going-to-happen work of fiction.

“My boyfriend is the prettiest man alive ever in the history of planet Earth!” you declare, climbing up on one knee in the booth beside him, your cherry spritzer tipping over the glass’ rim. It races down your naked arm to your elbow and drips from there to his thigh. “Have you seen him?”

“Sure, I've seen him,” Morgan says, rolling his eyes.

You wrap your arms around Spencer's head from the side and kiss his forehead. You shift as you do, forcing your lips up into his hair, leaving behind an accidental raspberry smear of lipgloss. “Then what's the problem?” you ask.

“I don't know,” Morgan says.

“I know what it is,” Emily says.

“Me too. Rhymes with indoctrination,” JJ laughs.

You put your glass down hard on the table, arm still held proudly behind Spencer's neck. A lot has changed since the last time you were here, but the way he looks up at you hasn't budged. He has a sick, all encompassing crush on you, and seeing you now turns it into a dizziness he can't shake, almost like he's had a few too many drinks with you. Your eyes are glassy, grounded but wet, and your eyelashes pinch together in the corners as you bring your gaze down to his. “It's love,” you say.

Everybody laughs. Spencer just keeps watching you watch him, his palm to the small of your back to prevent a fall.

“It's love!” Penelope echoes, shepherded by Hotch, too many drinks between them both. “My favourite lovebirds! I brought your drink, beautiful.”

“Thank you, gorgeous.” You take it eagerly. Spritzer sloshes over the bumps of your fingers.

“Sit down,” Spencer suggests.

You give him brief googly eyes and sit down. The booth is a three sided square, with you and Spencer on one arm, Rossi, JJ and Emily against the back, and now Morgan, Penelope and Hotch opposite. It's a full troupe tonight, a rarity, and you and Penelope decided early on that the best way to celebrate would be to drink whatever you liked and in egregious quantities.

Hotch is perhaps doing the same. Spencer can't tell. But all in all, everyone's having a good night, especially you.

“Did you hear that? He's so nice to me,” you say to no one in particular, your fitted blouse sparkling in the light as you lean back, your hand finding his thigh. “Spencer, what's on your pants?”

“Oh, I wonder?”

“You're not blaming me, are you?” Your voice is as stickying as you can make it, and drunk as a skunk you may be, but you maintain your talent for flirting.

“Did I say that?”

“Because that wouldn't be very, gentlemanly of you…” You lean in too close. Your talent remains. Your subtlety suffers a different fate.

He leans in like he might kiss you and says, “You're a menace.”

“What's that supposed to mean?”

In front of all your friends and coworkers. “It means I'm cutting you off,” he says, sliding his hand between you and your glass.

More laughter. You throw hurt looks at them all and Spencer picks up your cherry spritzer. You're baffled, but a smile dripping in sickly sweet love spreads over your lips as he drinks it. “Fine, I'll share,” you say.

“Thank you,” he says, putting it out of your reach as he leans in to kiss you, cherry lingering on his lips.

You kiss him back gently, and then a little harder. He eases you away. Arms snuck once again around him, you squeeze until his ribs cry out in protest and make yourself comfortable on his shoulder.

“You're not mad at me, are you?” he asks, head angled down to offer a tender smile.

“I love you so much I've decided not to care.” You lift your head. “You're too nice to be mad at you,” you whisper. “And I love you.”

“Yeah, you've mentioned that.” He rubs your arm. He's so in love with you, he doesn't think to blush at his part in your PDA.

#spencer reid #spencer reid x reader #spencer reid x you #spencer reid x y/n #spencer reid x fem!reader #spencer reid imagine #spencer reid fluff #spencer reid fanfic #spencer reid oneshot #spencer reid scenario #spencer reid drabble #spencer reid fic #spencer reid fanfiction #criminal minds fanfiction #criminal minds #criminal minds fic #criminal minds x reader

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mysteriesmuse · 9 months

Text

It all started with Katsuki being dead-asleep and sprawled out and snoring in a way that most people would deem horrendously uncomfortable, and obnoxiously pleasant. Like an overgrown cat.

He was dead to the world until his phone rang. Biceps twitching and flinging awake in the dark Katsuki’s dark red eyes cut across the grey light of his room to catch into the stark blue phone light that was buzzing like crazy. Hands accidentally fumbling as he grabbed it he squinted with a surprised, “fuck.” Why were you calling him? You were 2 years his senior and the resident babysitter/tutor of his neighborhood back in Musutafu. A smart student and pretty girl: one of the only babysitters his parents ever agreed to come watch him. Mostly because your death glare was one that could really rival his own mothers, but also bc Katsuki harbored a little bit of admiration and a crush on you for some time making him actually behave for you.

And as your name flashes across the screen pressed against his cheek he can only remember sitting at the kitchen counters and sharing orange slices as you quiz him for his practical exams. He hasn’t seen you in years. Your voice flits through same as ever, “Hey Katsuki!” He shuffles and sits up closer. His eyebrows peaked — you sound breathy and stressed. “Hey to you too,” he growls. Another whisky giggle, “I know it’s late. I’m really sorry about that! It’s just — well your mother always tells me to call you if I was ever alone at night and I couldn’t think of who else I trust to call. . .” His damn mother did have a habit of telling resident kids to call him in case they were in dangerous situations. A habit she always kept up since he was a kid; always making him walk with you and the other girls when school clubs let out. And now here he was a fledgling hero and Mitsuki was still telling extras to call him — I guess some things never change. Katsuki could hear the faint music of karaoke bars over the phone. Already getting out of bed and rummaging through his drawers for a pair of sweats and hoodie. “S’ okay. Where’re you at right now?” You huff a little sigh, “I’m out at the bar strip on the west side of the city . . . it’s a little chilly.” Katsuki already has his feet in his slides and is heading out his dorm room, “I can hear your teeth chattering from here.” He huffs, “Now what’s the problem?” “I’m just a little nervous . . .” You admonish finally, “Could you just stay on the phone with me, please Katsuki? It’s really kinda sketchy out here.” He grunts, already stepping out the dormitory door and hitting the streets. “I can do that. How’ve ya been? It’s been awhile.” You huff a little laugh, “College is fine pretty mundane to what you’ve been doing. I’ve seen you on the tv and in the news a lot recently. I’m real proud of you Kit-Kat. Your folks are too.” Katsuki can feel his stupid heart leap at that nickname you gave him.

It’s because he used to give you kit-kats every year on white day — which wasn’t really out of the ordinary since you gave him chocolate on valentines, but you gave chocolates to all the neighborhood kids anyways. And despite his parents teasing and his agony you never seemed to think much of it, ruffled his hair and gave him a cute nickname.

He chest swells with pride nonetheless. A particular school event was coming up and he finds himself mentioning it as he spots your form sitting under the bus stop and shouts into the night instead of the phone. “I’ve got my year-three performance showcase coming up next week. If you wanna come watch I can definitely get you tickets next to my folks.” Your eyes go wide and flit over to his figure in the darkness. And the first thing Katsuki can’t help but think is that you look pretty.

Your arms are crossed over your chest and the black corset top you’re wearing. It makes your waist and broad shoulders pop. And as he gets closers he can see that it’s got the lace closures down the sides with cute little bows that you’ve tied. A pair of cream colored trousers and tall peep-toe heels underneath as you rise to greet him. Phone slack in your hand as you stare at him. The black straps of your top dangling over your smooth collarbone as you inhale, “Kats what are you doing here?” Your head of curled hair — he’s never seen you with curled hair before — tilts like a puppy dog. He shrugs hands in his pockets, “Coulda asked you the same.” He says pointedly, you curl in and flush with embarrassment, “How much have you had?” “Only a few. I’m still sober.” You reply with a shiver as you fall into step beside him, “Not as fun as I thought it was gonna be. My friends are still inside.” At this Katsuki feels himself relax he didn’t think this was really your seen anyway. Especially with those friends he knows you’re referring to: the older kids of the neighborhood. “Yeah the rest of them are real pieces of work, babe.” Babe. Did he just call you babe? Dunce face is rubbing off on him. You notice, glancing to look up at him, but he watches you shake your head a little and dismiss it as quickly. “So what’s this showcase that you mentioned Kit-Kat?” He huffs, taking the side closest to the street, “It’s a promotional showcase for 3rd years. Show the pros what we can do, explain our personal philosophy, our ambitions. It’s like a really big resume preview. It’s real important for getting yourself out there to the agencies although I already have good ties to some.” You nod, bumping elbows with him as you dodge a streetlight, “seems really important,” you muse. “I’d love to come if it’s no trouble?” Katsuki’s eyes are glued into your glossy lips while you say that, turning away with the tips of his ears pink as he grunts, “S’ no problem at all. I can get ya’ one tomorrow.” You hum thoughtfully, “it’ll be nice to see you in action up close. I’ve watched your sports festival showings before — it makes me want s’mores.” at this you giggle and lock eyes with him, “I let you do that one time.” Katsuki groans rolling his eyes. “Still the best ones I ever had!” He chuckles nudging you with his shoulder. You beam ear-to-ear and his heart pitters as you loop an arm through his to steady yourself, “I can’t believe we’re both so grown-up now.” And here you go turning sappy on him.

“You know Suki’ I know you’re gonna be a great hero because you’ve always done stuff like this for me. No matter how often others tell you different, you send them to me okay?” And you’re sniffling now, still shivering against his side as you prepare to fight off all the haters he has. He’s matured a lot since his debut, but they don’t say make a good-first impression for nothing. He glances at you intelligent, well-educated, passionate as you are you weren’t gonna put up much of a fight — he still appreciates the sentiment. He grumbles a “thank you” into your hair as he walks you home in the dead of night.

#bakugou katsuki #bakugou x reader #bakugou drabble #bakugou fluff #bakugou headcanons #mha fanfiction #reader insert #mysteriesmusing #Totally random one today y’all I got off work sooo early this morning and wrote this #just a little blurb #I wouldn’t expect anymore of this idea

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theoddest1 · 2 months

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Let's Actually Talk About The Issues With Vivziepop

Okay, first off, hello you beautiful people! Sorry about this foreboding title, but I needed to catch y'all attention on this so I can break down the issues that I and many have with "Hazbin Hotel" and "Helluva Boss" creator, Vivienne Medrano. Now I am sure you all on here are already aware of at least a couple of the controversies that revolve around this particular creator and if you have seen my posts floating around already, some have been greeted with the problems surrounding her social media presence and just her overall as a person. I know seeing another callout on her seems very very tiring at this point, but I felt that a lot of the current callouts missed key details that were not at all addressed or properly delved on. I plan on shedding light on my issues with her and I hope you get where I am coming from when I say that she sucks.

BULLYING

Okay, I am starting off with Vivienne's blatant use of bully mentality, her agreeing or encouraging her fans to call people who see flaws in her works sub-humans or harass those who find issue or simply jest about her works trademark cussing and and overcrowded designs. She has had this issue for YEARS and refuses to grow up and act her age despite many telling her, even her own fans at times, that she shouldn't be acting so unprofessionally. Clearly, she doesn't care and thanks to her fanbase caring more about her feelings than her being better she feels as though she doesn't need to change or do better. This goes for her friend group as well, who defend her tremendously and act as though she is never in the wrong. Name one time a friend of hers called her out for acting childish, I'll wait.

Now, you're probably wondering, "Wtf could they have done to warrant such a response?"

Criticism...That's all they did. (White Text is random peeps they would speak with or maybe mutuals)

Keep in mind...they used to be a fan as well. They were also a minor at this point

But, Viv doesn't care, this person's critical yet harmless tweets about her shows is what lead to her painting them in a horrible light and making them out to be someone who has attacked her personally and as "nasty".

Rich coming from Viv since she is completely fine doing exactly that for "Ava's Demon". Not only does she criticize it, she takes a shot at the creator as well, but GOD FORBID others do the same towards her.

And according to someone who knew her well, it's all cause they felt creeped out by her.

Her hatred for criticism is so prominent that Ima makes that a section of its own. But let's get back on the topic of bullying.

Vivienne has a fanbase filled to the brim with pushy and overall annoying individuals who have harassed, threatened, disrespected, and wished harm on many people, all cause someone had a negative thing to say about Vivziepop's mid af show. One of the earlier known instances is the one revolving around a MEME of all things.

This was what started it all, and it led to both parties blocking each other and people being mad pushy and calling them an idiot and the like over their opinions. Now look, their take and you're opinion on said take is fine so long as you stay respectful and humane about it all, but don't dogpike someone all cause they think HH sucks. And while Viv can not control her fanbase, for they are not a hivemind (some of y'all act it tho, ima keep it real) she is seen here ENCOURAGING the behavior. Tell me how someone who doesn't even like your trash ass show has the sense to tell people not to harass others, someone with a smaller following, but not your grown damn near 30 year old ass?

Oh, but people wanna act like she can handle criticism, is a sweet person, and grew from her past experiences. Fam, she was 27 in this screenshot [December 16, 2019] and has shown no change from 2013 to fucking 2024. Over a decade of the same petty ass behavior, and keep in mind, according to several of her old friends and workers, she is worse behind close doors. WORSE. She's already acting like she got no damn sense out in the open, imagine behind closed doors.

Last but not least, a glimpse into her outright blatant slander towards Dollcreep, a once good friend of hers that she even visited and spoke with frequently!

She stated that they fetishized pedophilia yet according to the victim and friends of the victim who were once friends with Viv as well, Viv actually threatened to end their friendship if he hadn't drawn NSFW art of her character and his character having sex [Addi was 15 at the time this was drawn]

On top of that, she liked the post, something she didn't need to do. The art also depicted things she had regularly drawn on her own. Addi being tied up forcefully, being sexualized, being harmed to some degree through bondage, etc. The claim that she forced DC to draw this out is backed up by her own art depicting similar elements. Also, if my memory serves me well, Viv and Doll were 17-18 years old [Doll was 17 Viv 18] and have a 1-year age gap. The way Viv frames things here is as if DC was way older and imposed some sort of power over DC, which sources say otherwise. If anything, Viv had a LOT of control throughout all of this drama, which deserves its own section.

I'll be making posts that talk about the different issues regarding Viv, so one post isn't too long (this one is already lengthy enough) and that you can just pick at one post targeting certain issues around this creator.

#vivziepop critical #vivziepop criticism #vivienne medrano #vivziepop critique #anti spindlehorse #anti vivziepop #viv get a grip #vivziepop #hazbin #hazbin hotel #call out post #analysis #creator analysis #hazbin hotel criticism #hazbin hotel critical #hazbin hotel critique #hazbin critical #hazbin critique

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livanas · 16 days

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Astrology observations

Source: friends and acquaintances I've known over the years. Not a professional astrologer

🌺Air Mercury placements are the people who sound like they're about to cry when they get really angry in an argument.

🌺 Cancer placements love to go on tangents in conversations about things they are passionate about. Regardless of their Mercury sign, they seem to always disrupt a conversation this way.

🌺 Women with Aquarius sun (or Venus) tend to be more open to exploring their sexuality and identity. Most people with these placements are a part of the LGBTQ+ community or have at least questioned their romantic preference to some degree. I've been friends with several women of this sign, and none of them are actually heterosexual

🌺 Men with Capricorn or Gemini placements are typically very skeptical about astrology. They are more likely to get defensive if you ask them their sign or they will try to avoid telling you altogether.

🌺 Men with major Sagittarius placements seem to always love sports or have one sport in particular that they are really interested in. If they don't play a sport, then they love watching others play them and vice versa.

🌺 Every Gemini sun person I've met was vastly different. The only similar quality all of them seemed to share was just the fact that they are super talkative. The same can be said about Pisces suns as well, but instead of being talkative, they all share a temperamental quality.

🌺 Taurus sun women tend to be slightly more assertive and "in your face" than women with their moon in Taurus, who are known to be more laid back.

🌺 Met a Gemini sun,Libra moon,Sagittarius rising on Snapchat and the first thing that she said to me was she’s very boring and very flaky💔. Been best friends for 7 years now We have 3rd house and 8th house synastry. I believe Gemini individuals fear ending up as a boring person

🌺Scorpio placements have sharp eyebrows. They’re either full and well defined or very thin and almost non-existent.

🌺Cancers and Pisces have amazing singing voices, and a lot of famous singers tend to be Cancer or Pisces women.

🌺Pisces are just as motherly as Cancers are known for stereotypically.

🌺Venus retrograde can bring love problems or relationship issues.

🌺Virgo Venus & Aquarius Venus are the most picky when it comes to who they get in relationships with.

🌺Libra and Pisces seem to be very compatible from what I’ve known.

🌺The most difficult years of life according to astrology would be at ages; 11, 23, 35, 47, 59, and 71. This is because they’re known as 12th house profection years, the 12H ruling loss and suffering. The best years are said to be ages; 4, 16, 28, 40, 52, and 64. Since, these are all 5th house ruled profection years which rules joy and pleasure. Of course other factors have to be considered also.

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milquetoast27 · 6 months

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The Secret of Sherlock Holmes

GRANADA FANS. If you have not heard of this play, NOW IS THE TIME TO HEAR ABOUT IT. I'd been saving it for a rainy night and it was SOO good 😭😭Please allow me to elaborate.

[heads-up, there are no video recordings of it. I listened to the audio and followed along with the script. Not ideal, but still gave me a vivid image of what was happening on-stage.]

The nuance between screen and stage allows the actors to achieve different effects that are not possible with an on-screen adaptation. Characters do not turn to the camera and just tell you their innermost thoughts, but they can in a stageplay- and it's here that we really get to hear Brett and Hardwicke's ideas about Holmes and Watson- not much of it was unfamiliar as I'd read most of Brett's views in interviews, but it was really cool to get that confirmed in an official production that he worked on. Honestly, Brett had that feeling of "I can fix him" that I think exists in all of us Holmes fans, and totally went for it. The canon (and the Granada series) is rife with subtleties and 'show, don't tell', but it is honestly refreshing for once, to have such powerful emotion depicted dramatically and audaciously on a stage. It is all too often throughout the stories that Holmes and Watson are awfully reticent about their feelings. This play is an explosion of their private thoughts that leads to finally, thankfully, a wonderful reconciliation. I love it so much as it clearly advocates for open communication being a vital factor for a good friendship. There's a good reason for why that never happened in the canon; I think it has a lot to do with the shyness and reticence of the English, and I would not be surprised most particularly with Victorian men. But Holmes and Watson do still have their moments in the canon (e.g. 3GAR & FINA), and it's what makes them stand out so shockingly much in their time.

I appreciate that this play gives us viginettes of Holmes and Watson's life together all the way up to The Final Problem. It not only sets us up for the climax later, but also shows us specifically Brett's Holmes and Hardwicke's Watson. There were changes made from the original stories, and yet felt so wonderfully in-character and flowed really well through the actors. The play exclusively stars Brett and Hardwicke, and the purpose of redoing scenes from the canon, such as STUD, NAVA, or CHAS was to highlight the status in their relationship, for example Holmes's displeasure at Watson's marriage and subsequent loneliness- important scenes that communicate Holmes's dependence on Watson. These small glimpses also give us the much-needed humour for any balanced Holmes production! It not only communicates the warm and light moments that they shared, but also helps us get more invested in this particular pair on the stage, which is still vital, even if we're already attached to the characters.

The implications that arise from Brett's portrayal of Holmes is fascinating. He admits that he'd have been dead within two years without Watson, without the indispensible role he played in controlling his addiction and mental state. He admits of the lonely and awful childhood he shared with his brother. The fact that Holmes comes forward and tells us this himself suggests he is very psychologically aware of himself and how his mind works. He understands why he has addictions, the reasons for his barriers and difficulty with emotional vulnerability. Assuming Holmes is very interested in the criminal psyche, but also his own due to his eccentricities, it makes so much sense that he would psychoanalyse himself to this degree, but also be frustrated with how little he is able to move from his rigid mindset. This interpretation works so wonderfully for Brett's Holmes, and I am so glad for this portrayal he has given us. When it comes to canon Holmes, however, I feel that this is more likely to be unconscious. I can never shake how much of Brett is actually within his Holmes. While his comes close to the original, I still see them as separate people. Granada's adaptation tends to play up Holmes's melancholy/depression a little too far for me, like a far-away, mythical creature that can never be understood, because we never get much of an opportunity to see what he really feels (perhaps Eligible Bachelor or Master Blackmailer might come close). But I feel that almost defeats the character. To me, Holmes is flawed and troubled, but he is simply human. The Secret of Sherlock Holmes portrays this fact wonderfully, because all of those feelings are rising to the surface.

We move further into speculation, but I think Brett's Holmes has also a fairly healthy understanding of the difference between social constructs and necessities, which take more importance in a queer/neurodivergent reading of him. He understands that his upbringing was due to an "accepted convention", and we see time and again how Holmes disregards social conventions or constructs and does his own thing. It's why he gets frustrated at others for not understanding him, but also accepts that it will never come easily to people. That's why he's very lucky for Watson (and Mrs. Hudson and Lestrade!) :)

Holmes's darker emotions, and Watson's fierce devotion are displayed most prominently throughout. When Watson comments on Holmes's childhood, Holmes lies about it, woeing internally over how much he conceals, to even someone as close to him as Watson. He privately shares his desire to be "found out", because sharing his feelings to Watson is too difficult. His friend takes his word for it, appreciative of the times Holmes is able to speak frankly about himself. Holmes wants to be open, and Watson wants to listen, but it's Holmes's barriers preventing it. This feeling and experience is so raw and human, and something I would imagine would resonate with many people.

The latter half of the play focuses primarily on Holmes's cocaine addiction. Pastiche writers really like that sore spot, huh. Watson's perceptiveness and powers of observation are on full force in this play. Watson can tell when Holmes is high (as a medical man, most likely), and even deduced that Holmes may still be living by Mycroft's body language. But when it came to Holmes's return from the Great Hiatus...

Something that canon Watson seems to completely forget is his anger towards Holmes. In the story, he is so star-struck and relieved that he barely considers any other feeling. Hardwicke does briefly touch on this in the Granada episode with "I thought I would be as trustworthy as your brother," but it really doesn't go further than that. In The Secret of Sherlock Holmes, Hardwicke goes FULL FORCE. This is what we needed!!! It was a powerful, hair-raising performance. When Holmes has clearly not understood the harm he has done, Watson leaves. Actually slams the door. And when he returns, he makes it very clear to Holmes why he is hurt. And yet, his devotion remains, for when Holmes starts explaining his creation of Moriarty, it takes a while before Watson is fully convinced. Watson is extremely compassionate and empathetic, yes, but he's also very grounded and level-headed, and he must draw the line somewhere. It doesn't take him long to forgive Holmes, but he knows his anger has a place in that room, and allows it to be. I appreciate that it's taken just as seriously as Holmes's troubles.

The only reason either Holmes or Watson are able to communicate so finely with each other- even through shouting and crying- is because of their emotional awareness. It's what makes their relationship work, because they are both aware of how much they mean to each other. When they move past the difficulty of sharing such feelings, their bond grows stronger.

#granada holmes #acd holmes #sherlock holmes #jeremy brett #edward hardwicke #victorian husbands

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prokopetz · 2 years

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I think a lot of debates about whether algorithmic user experience curation is good or bad are overlooking the heart of the actual problem: lack of transparency.

No method of curating one’s online experience is good or bad in principle; in the presence of total transparency – i.e., full disclosure of exactly what criteria are being used to include or exclude particular content and why those particular criteria have been chosen, with no restrictions on the user’s ability to modify those criteria at will – an algorithmic feed could be a fine thing.

The trouble is that no commercial social media platform is willing to do this. The algorithm’s criteria for recommending content to a particular user are disclosed to that user only at legislative gunpoint, how those criteria are chosen is treated as a trade secret, and to the extent that the user is permitted to modify their own criteria at all, it’s in order to manipulate them into disclosing marketable data that would be difficult (or illegal) to gather by other means.

That’s a big part of the reason that many Tumblr users set their dashboard to chronological order and turn off or block all recommended content: not because it’s particularly convenient, but because it’s the only way to achieve the desired level of transparency.

When your dashboard is showing you all of the posts made by a hand-curated list of blogs, in the exact chronological order that they were posted, and nothing else, you can have reasonable confidence that you know – and understand – the criteria that are being used to populate your feed.

If tomorrow Tumblr came out with a relevance-based content feed that allowed users dig into the guts of the algorithm and dictate the exact criteria that are used to decide whether a post is relevant to their interests, you know for a damn fact that a very large portion of the give-me-chronological-or-give-me-death crowd would be all over it. They’d be sharing screenshots of their toggles and sliders like the universe’s most abstruse RPG character creation screen.

As for why there are literally zero platforms offering the level of transparency I’ve just described? (Which, to be clear, isn’t an extravagant wish – it’s the bare minimum level of transparency that would be needed to have confidence that the algorithm is actually serving the user’s interests!) Well, take a guess.

#tumblr #blogging #social media #the algorithm #capitalism #death mention #swearing

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