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#the music the character arcs the relationships!!!!!
sskk-manifesto · 1 month
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Proof that bsd would be a lot better if they just let it pass the Bechdel test more often
#It barely counts too since the conversation between Kyouka and Kouyou verges a lot on men but eh that's the best we can offer#Idk I just really like Kyouka's arc and think that in this episode too it was well developed.#Her relationship with Kouyou really is one of the most interesting of the whole franchise.#About that I LOVE LOVE LOVE KOUYOU WHY AREN'T WE TALKING ABOUT HER ALL THE TIME I want her back as soon as possible 😭😭😭#And her va is k/l/k's Ryuuko va aka my favourite va ever from my favourite anime ever. God I love k/l/k an inconceivable amount#Which is funny because k/l/k also does have a villain mother figure#The Kyouka / Kouyou dynamics are a lot like. The very watered down version of the Emma / Isabella dynamics.#(I'm once again saying read t/p/n)#I just think. Kyouka's interior struggle is really interesting and we don't talk about it enough!!!#Also FINALLY SEASON 2 ATSUSHI HOW I'VE MISSED YOU!!!!!!!!#I really don't know what's up with anime Atsushi every time he's on screen I'm hit by cuteness aggression. It's an illness.#Next. Can we agree Reason Living is the best b/sd op of them all both music wise and visuals wise#MAYBE on par with True Story for visuals but that's it.#Again I really can't vibe with Granrodeao but that's intrinsically a matter of personal taste //////#MARGARET!!!!!!!!!!!!!!!!!!!!!!!!! MARGARET!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!#Also Akutagawa voice cameo eheh <33#There'll probably be a lot of screaming over characters this time lol sorry in advance. Unfollow me now etc. etc.#random rambles
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do you ever get an idea in your head and you can’t get it out unless you draw it. that’s what this is basically
also based on this scenario i came up with in a fit of Evilness
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midigated · 3 months
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I'm probably in the minority with this but I wish the first 3 arcs of Sailor Moon Crystal were a two-part movie series (like they did with Eternal and Cosmos.).
This will probably make the Crystal fans seethe at the mouth bc God forbid anyone has an opinion different from them. But we probably would've avoided a lot of the embarrassing poor animation choices had they turned the material into two-part movies for each arc. They'd have more time to focus on the good bits that moved the story along. They'd have more time to also focus on the animation quality of the movies.
Maybe, as a result, they could've spent more time honing their character designs versus getting better after three FULL seasons of SMC.
Sorry not sorry, the designs in Eternal and Cosmos are way better than the poor attempts to copy Naoko's style that plagued the first 3 seasons of SMC.
#yeah i said it. i think the infinity arcs character design sucked balls#before anyone goes ugh youre a 90s fan ... all i have to say is: and? so what? i like versions of sailor moon and will criticize all of them#nothing is above criticism you dinguses#the musicals? the bandai ones are a YMMV in quality. the later ones are good but sometimes the songs suck.#manga? inconsistent artwork but i actually like that about the manga tbh - gave it a lot of 'action' in its line work. but 1d baddies#90s anime? theres a lot of filler. some of the filler is good. others are BORING. series does not grow w/ audience after 3rd season.#90s anime pt.2? the aging up of mamoru and him having a relationship with rei. ew ew ew. they ruined mamoru for me lol#pgsm? nothing. its perfect. oh wait one criticism is that they only did the first arc. le sigh. woudve loved to had more#crystal? questionable designs. questionable additions that deviated from the manga. kept in some stuff that sucked about the manga#crystal pt.2? like keeping in haruka kissing usagi to uh intimidate her??? really fucking dumb and huge yikes. the first 3 seasons r boring.#crystal pt.3? which is funny bc its far more condensed vs the 90s anime but somehow manages to be just as boring as the 90s filler eps.#manga addition: i like the manga and i still prefer it over crystal any day of the week.#we good? good. now keep your reply in the drafts#incel + crystal = cryscel fans#btw this is true w/ dragon ball super. they decided to adapt the movies into the series and the series ended up having 🥚#🥚very questionable animation choices that were fixed but still didnt look that great. like id rather watch the movies they came from.#because if im going to get disappointed that they didnt give vegeta the final strike on freiza - it may as well look good.#still mad about that. vegeta deserved so much more and no one will never change my mind#vegeta being denied from killing freiza was the same as denying venus landing the final blow Beryl. YOU KNOW IM RIGHT.
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sunshineandviolets · 2 years
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i get that its the 'main storyline' but i genuinely do not care about ricky/gina/ej situation.
storylines i rather they focus more on instead:
Kourtney & her being the actual lead of the musical and dealing with anxiety.
Ashlynn and her queer realisation arc
Jett & Maddox reconciling- esp knowing more about the whole implication that he accidently outed her relationship with Maddison to their parents???
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hermywolf · 1 year
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just watched wakanda forever. cried twice. lost my mind too many times to count. listen i didn’t go in that excited bc tbh i havent been really excited about a marvel project in a while but by GOD this was SO fucking good holy shit it was amazing
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homoquartz · 3 months
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this post is not gonna be well put together but i am having feelings
mean girls is trending right now because the musical movie just came out and i feel insane. idk why i do, it was stupid of me to think that most people Got It, no one ever gets it, it was always about the memes and the aesthetic.
the first mean girls movie was based on a nonfiction book called queen bees and wannabes. it interviewed and discussed the social hierarchy system in teen girl friendships. how they hold each other to these insane standards of heternormative femininity out of sheer terror that they won't meet those standards themselves. the way they leverage their relationships for some small degree of power in a world designed to strip them of it, even if it drags other girls down.
the "you can only wear your hair in a ponytail once a week and on wednesdays we wear pink" speech was not an original creation for the script. it's a QUOTE from a real teenage girl. those were REAL RULES.
then the musical came, and it was one step removed from the intended messaging of the film. OG mean girls was not perfect (and was extremely racist), but it said what needed said. the musical leaned on the comedy more, but still left a heartfelt undertone, and still critiqued the systems in place. of course no piece of media is going to be perfect, but it was about the conversation.
then this new movie comes out and it is washed over in the veneer of white hollywood feminism so thick you can't see anymore. the problematic aspects of the original movie are taken out to avoid "offending" when the offense was the point. it becomes toothless, it becomes some other thing entirely. they changed karen's line "i expect to run the world in shoes i cannot walk in" to "watch me as i run the world in shoes i cannot walk in." because choice feminism is in vogue, suddenly this character whose entire point is that she doesn't think deeply about WHY she does anything is suddenly hip to the fact that the world is against her.
i think of sokka losing his misogyny arc in the new atla. i think of the Heathers remake casting the bitchy, identical heathers as queer and hollywood-fat outcasts. as if the story, the meaning, the allegory is hidden in the sets and the jokes and the music. it's a whole new thing now, and it's a thing that means nothing in particular.
the plastics should not wear jeans. they should not have curves. their queerness should be suppressed, painful. their sexuality is not a slay, it's the only thing they think they have of value. the santa dance isn't sexy, it's shocking, it's mortifying - they are children.
they're not mean because "we are all mean." they are mean because they are girls in a world that brutalizes them and crushes them into a standardized shape. they are mean because the world is mean to them. they are mean because it gives them some power back. they are mean because it's the only weapon they have.
the landscape of femininity today has shifted to camera-ready makeup at the age of 10, stringent performative hygiene standards, and avoiding being caught on film while having a genuine emotion. the consumerism, the fatphobia, the racism, the classism, the homophobia remain. We could have had a conversation about that.
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dravidious · 8 months
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You're super super cool
here's the Theme of Breeze Ditching Their Parents (imagination-fueled music-synced fight AMV not included)
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gin-no-g · 11 months
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you know... I dont know if its because haikyuu is just my life or if I need some diagnosis but literally haikyuu applies to every life situation ever for me???
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writerthreads · 4 months
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Super detailed character profile chart
Character Name:
First Name:
Last Name:
Nickname (if any):
Basic Information:
Age:
Gender:
Date of Birth:
Place of Birth:
Nationality:
Physical Appearance:
Height:
Weight:
Build:
Hair Color:
Eye Color:
Scars or distinguishing marks:
Personality Traits:
Positive Traits:
Negative Traits:
Background and History:
Family Background:
Parents:
Siblings (if any):
Childhood:
Education:
School/College/University:
Major/Area of Study:
Favorite Subjects:
Least Favorite Subjects:
Career/Profession:
Current Occupation:
Previous Jobs (if any):
Career Goals:
Hobbies and Interests:
Hobbies:
Interests:
Relationships:
Marital Status:
Romantic Relationships (if any):
Friendships:
Closest Friends:
Relationship dynamics:
Strengths and Weaknesses:
Strengths:
Weaknesses:
Goals and Ambitions:
Short-term Goals:
Long-term Goals:
Fears and Insecurities:
Common Fears:
Insecurities:
Quirks and Habits:
Quirks:
Habits:
Beliefs and Values:
Religious or Spiritual Beliefs:
Moral Code:
Political Views:
Favorites:
Favorite Foods:
Favorite Books:
Favorite Movies/TV Shows:
Favorite Music:
Favorite Color:
Dislikes:
Disliked Foods:
Disliked Activities:
Pet Peeves:
Miscellaneous:
Talents or Skills:
Secrets (if any):
Motivations:
What drives the character forward?
What are their ultimate aspirations?
Character Arc:
How does the character change or evolve throughout the story?
Feel free to adapt and expand upon this template!
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avephelis · 9 months
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RISE TWITTER QNA! no major news or announcements, but here's a list of new information and confirmations:
S3 could be brought back as a retro show in the future, but it probably wouldn't happen anytime soon (focus is on mutant mayhem at the moment)
it was never decided whether capril would be friends or girlfriends (due to rise's focus on platonic relationships)
council of heads! they're in power, but a lot of influential yokai (like big mama) aren't easily controlled, and "game the system"
despite not having his dual katana, supposedly f!leo DOES still have mystic powers
ron corcillo would love to see a spin-off focused on the caseys (if rise were ever continued), and likes the potential of a raph + casey vigilante duo
the turtles got their names after splinter's love for renaissance art
big mama's henchman WAS planned to be the missing sister, and rather than venus de milo, she would've been named after a female artist (possibly frida kahlo)
for halloween: raph dressed up as a kitten, mikey as a lion, leo as a rockstar, and donnie as j. robert oppenheimer
the mystic weapons stolen from draxum acted as a conduit to help the boys unlock their innate mystic powers with a "little boost"
they didn't realise mayhem's potential as a character/force until too late, but it could've been fun to do some stories of him being an operative (a la perry the platypus)
there weren't any planned stories for side villains (aside from the foot's cupcake shop), most focus was on the turtles
not much on casey jr's backstory, just that cass and the turtles were fighting the krang and leo raised him as a warrior. casey jr only has brief memories of cass from when he was very young, and was mostly raised by leo
there were definitely six baby turtles (two sisters)! and the turtles were gonna split up to rescue the one with big mama and the one in "the dimension", but they never planned much of it out
there's most likely a time gap between the rescuing leo and the ending scene of the movie, as "after a fight like that, [everyone] would definitely crash and need some recovery time"
there would've been more big mama in future episodes, and stinkbomb was planned to return
since the turtles became known to the public at the end of the movie, they'd have to fight to retain their reputation. this and their reception to criticism/backlash would've become a major arc.
on brother rankings: mikey is definitely raph's favourite, and they all look up to raph
the stronger someone's ninpo is, the greater the drain on their energy is (as seen with f!mikey and karai)
there wouldn't be much threat on villains going after casey jr's future intel, because most of it would've been rendered obsolete
nickelodeon would never give up the rights to rise, but they could license it to a partner company (such as IDW for a comic!)
as previously mentioned, the 2nd sister would've been trapped in "another dimension" and venus/frida would have to be won over by "helping her see that she had been brainwashed [by big mama] as a child" (and redeemed)
given more time, the show would've fleshed out: the hamato story, the hidden city's origins (krang spaceship that crashed into the crying titan being the source of the ooze, its fuel being what gave the yokai mystic powers), and would've used the rat king (who ron corcillo would've liked to be a powerful yokai with rat-like abilities and some form of mind control, who could've threatened the council of heads for power in the hidden city)
as far as we know, the turtles (aside from leo's spanish) only speak english (and even their english is sometimes a bit off)
rise probably wouldn't have ever "gone dark", but after the turtles were publicly known and full-time heroes, it might've had more of an extended plotline
the turtle's casual clothes somewhat reflect their music tastes (r&b for raph, glam rock for leo, techno (and 80s) for donnie and boy band for mikey)
future heights: mikey grew a bit and then shrunk under mystic strain, leo was at least 6ft, donnie a little taller than leo, and raph at least 6'6
mikey's powers could get pretty intense, which could've resulted in some multiverse episodes (ron corcillo would be most inclined to do a 12 crossover, but any could work). while leo portals short distances, mikey's cross space and time (with great effort)
given more time, how the turtles met april would've been fleshed out
in terms of how they take after splinter: donnie and leo have a lot of his cockiness, raph his courage and sense of duty, and mikey senses him missing his family (which is part of the reason of why he tries to hold everyone together)
given more time they would've done more with the transfer of leadership from raph to leo (and originally the plan was to draw that out over S3, rather than the abrupt S2 ending). they would've been co-leaders for a while, and at times mikey or donnie would lead (they aren't really a group with just one leader archetype)
there were plans for april to have more time with the specific turtles other than donnie (like how the gumbus was focused on her mikey and leo)
the cast's mystic abilities would've increased over time, and splinter has a lot of power that hasn't been revealed (as he spent a lot of time in the hidden city in his past)
venus/frida would've been very disciplined and so serious that's she's funny, and the dimension sister would've been "a little kooky"
there weren't really any plans on how the turtles would look in cloaked human forms, just that they'd resemble lou jitsu and may be inspired by their VAs
mikey is the only brother who can fully pull all his limbs and head into his shell (being a box turtle)
any usagi appearances would be a rights matter, and depend on collaboration
on timelines: april is 16 at the start of the series and 18 in the movie, but exactly how much time passes isn't confirmed
ron corcillo would've liked to do more donnie + raph episodes, like one where despite how donnie considers himself smarter, raph ends up beating him in common sense and emotional intelligence
f!leo didn't go with casey jr to the past due to being mortally wounded in his bleeding side
given more time there would've been more flashback episodes with the turtles at various ages
though he'd never admit it, hueso has a close relationship with leo
in early S3 there would've been an episode of setting up the new lair
mystic warrior f!mikey is pretty old (maybe in his 70s), and is strong enough to use basically any mystic power, but at great cost to him physically
no major plans with bishop, but once the turtles became more well-known he could be a bit of a thorn in their sides (like j. jonah jameson to spiderman)
there might've been some redemption from big mama, but also some relapses into her "villainous ways"
given a full season, karai would've been alive for longer, and would've trained the boys for a number of episodes
confirmation that some of early s1 aired in the wrong order (which the writers weren't happy about)
in rise, there's always an unpredictability as to how sentient a mutant will turn out to be
raph probably wouldn't be super uptight about swearing, provided the boys weren't offending anyone
there weren't any plans for romantic relationships (and DEFINITELY never an april-turtles love interest), but if they had ever tried something eventually it would've been with the same species
there were no specific plans for alopex, rita, or rennet, but anything's a possibility
in terms of the 1000 years ago krang/mystic timeline, the spaceship crashed first (possibly spawning the yokai), and other krang followed it, drawing in the invasion
that seems to be about it but if there's any more i'll do a reblog with additions
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ghostfoolish · 5 months
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Some people don’t get that when a story “race bends” a white character to a poc it can make their character arc richer because alot of people see race bending as just “woke snowflake liberal propaganda” or whatever and not a storyteller looking find a deeper, more nuanced meaning to an already established character.
Like in the Carrie musicals she was always played by a white girl and then in one small production a black girl was casted to play her and all of a sudden everything about her shifted. It wasn’t just about an awkward girl being bullied it was about an awkward black girl being bullied and targeted because she was black in a predominantly white school. It wasn’t just about a girl being fed up with being bullied and taking her anger out on her classmates, it was also about how black girls constantly have to hide their anger in a time of their life when they’re supposed to be emotional. Her relationship with her mom and being beaten and forced into Christianity literally like a slave. Everything is suddenly more deeper now and it made me like Carrie even more while also making me be a little more critical of the original.
So people asking “If show and book Louis are the same then why do you like show Louis more but hate book Louis” it’s because his character is deeper now that he’s black and because of that I can see the flaws in the way book Louis was written. Also because he’s a slave owner. 💀
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cartierre · 7 months
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BRUTAL OUT HERE | op81
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SOCIAL MEDIA!AU oscar piastri x fem!singer!reader (fc: olivia rodrigo)
side note: the way i used to dislike oscar and now i'm so immensely proud of what he's achieved is crazy. what a character arc of me.
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♡ liked by conangray, oscarpiastri, sabrinacarpenter and 238,495 others
yourusername i am beyond the moon happy and proud to announce that my debut album is out now in store and on all music platforms! having worked on this for so long, it feels like seeing my little child grow up 🫶🏻 my team and i invested a lot of time and effort into this and i'm insanely excited for you to experience it. let me hear your thoughts and opinion on this! 💜
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user1 JUST LISTENED TO IT AND I AM NOT OKAY
user2 the way this captures the spirit of being a teenage girl so well ⤷ user3 she literally took my feelings and put it into words it's incredible
conangray i'm so proud of my babygirl comment liked by yourusername ⤷ yourusername ah stop! you helped me so much in the process, huge huge thank you for supporting me 🫶🏻😭 ⤷ user4 i love y/n's and conan's friendship so so much!
oscarpiastri 💜🖤 ⤷ user5 OSCAR?
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yourusername the last few weeks have been absolutely crazy! i've recieved so much love and positive feedback for 'SOUR' ... i can't even describe how loved and appreciated i feel. i love you guys so much!
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user6 you deserve this so much!! your music makes me feel so many emotions, it's incredible
user7 can't believe how far you've come! been listening to your solos for so long and now you have a whole album aaahh ⤷ user8 remember when she used to upload covers on youtube?
oscarpiastri insanely proud! comment liked by yourusername
user9 oscar is being a bit suspicious these days i don't trust him ⤷ user10 lando is also liking sooo something is brewing in the paddock for sure
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yourusername my first performance here in melbourne (my hometown) felt so fucking special i'm in tears from how amazing you guys were! my official tour dates are coming soon!
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user11 is it true that you and oscar are childhood friends ⤷ user12 what if they're dating ⤷ user13 what if sour is actually about him?
conangray ahhh i'm so proud of my bestie! comment liked by yourusername ⤷ yourusername couldn't have done it without your pep talk
user14 someone said sour is about oscar and y/n's former relationship? ⤷ user15 is this confirmed?
oscarpiastri what an amazing show 💜 comment liked by yourusername
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tagged: oscarpiastri, landonorris
yourusername cat's out of the bag thanks to this dingus
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user16 no because it's kinda sweet they revealed their relationship during oscar's homerace (even if it was accidental) ⤷ user17 and her having had her first concert a week ago in melbourne as well (which he attended) like since when is melbourne so romantic like that
oscarpiastri i already told you i'm really really sorry ⤷ yourusername save your apology and gimme a kiss
landonorris great so now i see your annoying asses in real life AND on social media ⤷ yourusername haters gonna hate
user18 but... i wanna know who the album is about then ⤷ user19 real like babes let us knoooowwww
user20 i love childhood friends to lovers aaahh comment liked by yourusername
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ponett · 2 months
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Just out of curiosity, why are you not a fan of Persona? Seeing that anon ask has me curious about your thoughts on it.
they're 100-hour RPGs about high school relationships directed by a guy who once literally said "i've never successfully forged a true friendship with a girl in real life," and they have a habit of portraying character arcs where the teen heroes struggle with the unfair expectations society places on them and try to rebel, only for them to be like "actually i've decided i love conforming to societal expectations" at the last second. also i don't like the dating sim-inspired time management stuff
the music, graphic design, and monster designs are cool, though
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colorful-horses · 3 months
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Been watching that new Hazbin Hotel show as it's coming out (🏴‍☠️) and I'm pretty disappointed with it. I'm not super familiar with the Everything about it, but I remember watching the pilot way back when and liking the premise.
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I hadnt kept up with it after the pilot because I wanted to see it with fresh eyes. Now that the show is coming out, somehow I feel like an outsider watching it lol. It presents a lot of concepts, but it just assumes the watcher is already familiar with the characters, and it makes the pacing reeeeally odd. It's all payoff, no buildup (unless you count the years fans had to wait for it as 'build up'). I feel like I REALLY need to look for supplementary material to understand what's going on,, like.... why was there a whole emotional power ballad for a character who was only introduced 10 minutes prior?? Was I supposed to know who she was?😭 (her heels were cool though)
Tonally it's strange, too. It feels like an adult show written for teenagers a lot of the time, which is the BIGGEST disappointment. I was really hoping for more thoughtful explorations of the characters, but we really only get that for Angel Dust and like .... no one else lol. (Sir Pentious is the 👏FUCKING👏BEST👏)
Charlie and Vaggie feel ESPECIALLY underbaked. Considering how overtly sexual the show is, it's SHOCKING how little chemistry they have. Like, it's not there at all. I watched the show with a friend who had no knowledge about Hazbin Hotel whatsoever, and during episode 4, she asked me,"So why is Vaggie helping here?" which I feel is the best example I can give for how poorly developed their relationship is.
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I like the music. The song transitions are usually really jarring (Respectless and Hell's Greatest Dad come to mind) but the songs themselves are usually bangers. I'm a big fan of Loser, Baby.
The designs are ..... not for me. But that's not necessarily a criticism. A lot of the character designs feel very dated, but I respect them for sticking so hard to the aesthetic they present, even if its not for me. I wish there was more outfit and body type variety in the characters, but literally EVERYONE says that, so I'll just leave that there lol.
Overall I think this show is a shining example of why """"filler"""" episodes are so important. If this were a 12 or even 24 episode season I think it'd be way better, but as it is, they're trying to cram like 15 different character arcs + a dramatic overarching story into 8 episodes, and it's really REALLY suffering for it.
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siriusly-the-best-bi · 9 months
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wow so I have like 3 analysis in progress that touch on this topic but I really need to just talk about it rn with its own spotlight.
Aziraphale has this entire life that he's built for himself on earth, after armageddon he's thriving. When we catch up with him in Season 2 his first scene is literally him going to check in with one of his tenants, and throughout the season we see that he has a decent relationship with nearly Everyone on the block. He has an entire life for himself all hashed out and pretty.
Crowley... does not. His cold open in Season 2 is back in St. James park, checking in with Shax, finding out the gossip on Hell. He doesn't have his apartment, he only has his Bentley and the few plants he could fit in it. He doesn't have any other human friendships. His entire life and everything he loves to do is built entirely around Aziraphale.
This is something that I just find so fucking thrilling because when it comes to their characters and where exactly they are in their arcs right now, it's essentially like looking into a mirror.
Aziraphale knows exactly who he is when he's on his own. He nurtures his own relationships with humans he sees often, he's a nice landlord, he loves books and classical music, and hot cocoa. But, Aziraphale still holds onto the ideals of heaven. He still cares about doing good and being forgiving. He still cowers and jumps at the opportunity to help heaven, not because he wants to but because he's supposed to because he's still an angel.
Crowley has nothing. He has his car, which he drives to a secluded location to park every night, only to drive it right back in the morning. He's only even vaguely recognizable because people associate him with Aziraphale and this is fine for him, he could care less. He doesn't really need to know who he is or process his traumas, why would he when he can put all his attention and focus and love and care directly into Aziraphale? His friend, who has always been his friend, the one person who has always stood by him. Who cares about heaven and hell, he has Aziraphale.
When we finally see them on their own and without the influences of their head offices, we see the opposite of what we'd expect, and nearly the opposite of the outcome we see in episode 6. Crowley is the one constantly checking in with Hell (wether he likes it or not), and Aziraphale is the one who's living care free without even thinking about heaven. When he does something good that he wants to report, he just calls Crowley.
this whole dance of Crowley not knowing who he is without Aziraphale and Aziraphale knowing who he is fundamentally but not knowing how to break free from the confines of Heaven that stop him from truly embracing Crowley in the end, it's just so delicious.
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centrally-unplanned · 5 months
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The thing about morality is that it only matters when it's real. Discussions of rules or norms for what is right or wrong are almost always, at some level, illusions, approximating reality and guiding decisions in an uncertain world - which does not make them useless, just contextual. Profaning god in your bedroom can never be “wrong” - there is no one to hear you, no one to be hurt by it. You can only show something is really wrong from the intentions of the actions and their results.
So with that out of the way, lets talk about Knives Chau - and specifically, how the comic vs the anime handled that part of the story.
Scott Pilgrim vs The Reification of Dating a High Schooler
There is an extremely pervasive meme in Scott Pilgrim discourse that our titular Scott is a scumbag. Our returning whipping boy the Kotaku article loves this idea, describing Scott’s “detestable behavior” and wondering “was it too subtle the first time about Scott being an absolute shitbag?”. There is this viral headline screenshot from an interview floating around right now riding that same line:
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Which is, of course, pretty much false. Its up to you in the end, “shitbag” is a subjective description, but the story just isn’t about events that would be described that way. Its the story of a guy getting over an awful ex, hurting some people, then meeting a new person, and realizing step-by-step what it takes to be their partner and levelling up as a person each time he does. He starts off broken, and Ramona of course is just as broken - getting better is their mutual arc. And its fundamentally about relationship drama - those stakes don’t make you a scumbag lol, just clueless, unless you are terminally online and don’t know what real stakes are.
I will let O’Malley get the last word in with his quote the writer of that interview is hilariously trying to torture into his headline:
There's a bit of, like, young people see Scott Pilgrim a certain way, and, you know, there's a lot of, like, 18-19-year-old fans that are really judgmental of the character. They're like, "Oh, he's a bad person. I would never do that." But I always tell them, like, get back to me when you're 25 or 30, tell me how your 20s went. Were you a bad person? Everyone has to make choices and do things in life that maybe they're not going to be proud of later.
Scott is a scumbag the way everyone is - you yourself will likely commit similar sins; that at least seems to be the authorial intent, and I agree with it.
So how does dating Knives Chau slot into this?
Despite the memes, age, in fact, is just a number - two consenting people dating does not a sin make. The reason dating underage people is bad is because of its consequences, not the categorical imperative. So what are the consequences of dating Knives Chau in the comic?
Knives is, as a consequence of dating a guy who is simply via his age able to appear so much cooler than her peers to her, absolutely obsessed with Scott. She worships his band:
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She starts aping his taste in music and interests; she slots herself into his circle of friends, who don’t relate to her, even after their breakup (often drinking her way through it):
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She totally spirals after he cheats on her and leaves her, blaming everyone but him; she is wounded and hurt for months, a year, over a relationship that lasted weeks:
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Knives Chau is a literal poster child for why you should not date a high schooler. She is, at every turn, emotionally not ready to date someone who is not at her own level of social development, and is deeply affected by it. It is, sometimes, played for laughs - that is the nature of the comic, everything is played for laughs, but I would have given it a bit more dramatic space myself - but over the course of the story Scott himself realizes how much of an ass he was to her, and how he didn’t take what happened seriously.
The reason I view this with charity is what Scott did to lead to this - he met a cute girl on the bus! He was deeply hurt and kind of numb in life, and found someone who was safe and easy to talk to. He never attempts to kiss her (she starts trying to kiss him which he repeatedly rejects) they don’t even hold hands, and it lasted a few weeks. He knew deep down, pretty much immediately, it was fake:
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Then he met an actual person he liked, and with some browbeating from Wallace agreed to break up with her, but chickened out for a day. Then the next day he decides to break up with her, and she drops the L bomb before he can, so he instantly ends it. It is really awkward for everyone involved.
Pushing off an awkward and uncomfortable conversation resulting from a dumb decision you made on a whim for a week - god I relate to that, that’s everyone! If you think it isn’t you I think you're lying. Its why this relationship is so interesting in the comic - Scott is always one step removed from it, putting it at abeyance, and the fact that something so minor to him is so destructive to her is a really good portrait of how these kinds of things happen. Its so easy to hurt someone when you don’t even know what the stakes are, and when its coming not from malice, but from weakness. Its a very good portrayal of a bad relationship because its bad in a relatable way, even if as a story is a bit more dramatic than is typical. And its a great portrayal of how fraught age gaps can be - this bad relationship is part of what makes the comic a good story.
But its 2023, we don’t give a shit about any of that anymore!
O’Malley in the same interview discusses the cultural shift around these kind of relationships:
I felt like in this day and age, I had to provide clarity on that [relationship]. Because when I wrote the first books, I took it for granted that people would understand that dating a high schooler was a bad thing. But on the internet, in this day and age, people are like, "He's dating a high schooler. That's terrible!" Like, that's pretty much what I say on page 1 of the book. But I try to spell it out a little bit more this time.
He isn’t telling the full story though - it was bad in 2004, but not bad the way it is today. Its dubiousness was mitigated by its frequency; people were doing this kind of shit all the time. Scott Pilgrim is a bass guitarist in an indie band; fucking groupies is like built into the cover charge. Half the problem Scott has in dating Knives is that she is the wrong kind of 17-year-old - had Scott met her at 1 am in the aftermath of a Born Ruffian’s concert at the Whippet Lounge knocking down shots off the back of her fake ID, no one would have even noticed. Hell, no one does notice; there is someone who actually makes out with a drunk 17-year-old Knives Chau in the comic Scott Pilgrim, and isn’t Scott Pilgrim:
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No one cares about Kim’s inebriated petting session here; that is 10% because she is a Girl and Girls Can’t Be Predators, 40% because she isn’t the main character, and 50% because Kim Pine’s dating history is not a useful proxy battleground for GamerGate-adjacent nerd culture wars in ~2014; but that is road that goes directly to hell, so let's veer back.
The point, of course, is that in 2004 this is a crime flecked with normality, something your friend would do and you would maybe just cock an eyebrow at:
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Its not that in discourse today - it is radically more condemned. It is not a contextual sin, but an original sin. It underwent a process I am calling reification - where it goes from being just a shifting descriptor of reality, to a thing in itself, with a defined (reified) meaning. And to be clear, that is in a lot ways on net a good thing? The reality is that, despite everyone’s protestations, there are today thousands of 17-year-olds taking the L line out to a gig at the Brooklyn Steel and going down on a 25-year-old guy they just met in a back alley off Frost St who swears he’s a “drummer in a sick new band” that played here “just last week”, he promises, and she is having a great time, bragging to her friends about how hot his tattoo was, and then shipping herself off to Cornell next year to start on her pre-med track with barely a memory. But for every dozen of those, there is at least one person who is deeply, deeply hurt, a Knives Chau who never deserved this. The rest can have a slightly worse time, its probably worth it.
That does not make it a categorical imperative, though - the reification has masked that truth. The crime comes from the context - those other girls aren’t victims, they would laugh at you for suggesting they were. But in 2023, Scott Pilgrim Takes Off is no longer concerned with context. It is telling you, right to your face, that Scott is a bad dude. Over and over and over - jokes from the Evil League about “wow, I thought we were evil”, its not subtle.
Yet meanwhile, Knives Chau is, like, fine? She dates Scott, is totally into him, and then literally in the middle of his funeral forgets about him for Envy crashing it:
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Picks up the bass and has yuri-inflected playtime with Kim the literal next day:
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And less than a week later is pitching an off-broadway musical adaption of Scott’s life to a billionaire Matthew Patel - I can’t explain that okay, I’m as confused as you are.
She is mad at Scott, sure, but she is over it in a matter of days. Hell, notice how she was already a fan of the Clash at Demonhead now? There is no scene of Scott introducing her to his kind of music. He didn’t change her. By the end she is a member of his band and they are totally chill:
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This is, again, about a week or two later.
Knives is not an important character in this show, way less than in the original, this is no grand sin. But I still find it very interesting: O’Malley is wrong. He “spells it out” way less in this version when it comes to the actual consequences of Scott’s actions. Everyone’s verbal condemnations are substitutes to replace the real damage his actions dealt in the comic. Scott is a better person this time, in a world that has universally agreed he is worse (still not a good move ofc). Even Scott’s moment of apology to Knives about their dating is so tepid its almost Straussian:
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Its ‘frowned upon’…which is not the same thing as saying it was wrong! I don’t think this is intentional, its just funny, but its a nice capstone nevertheless.
And it had to be this way, not just for media in general, but for Scott Pilgrim in particular. Not only are sexual crimes far more reified today, but Scott Pilgrim’s sin of dating a high schooler is reified as well - its the first piece of discourse everyone encounters about it. Its the ur-debate of the franchise. The idea of actively engaging on this point, and digging deeper into it…its too hot, too controversial. Way better to shy away from it, disown it. The discourse wrote this part of the script over the course of a decade; its not something the creatives had any say in.
Honestly they should have just gone all the way - just make Knives 19. Then how tepid it is wouldn’t be a distraction anymore. Scott can just be an asshole for cheating on her, that would work fine. If you aren’t going to commit to the reality of these things, you shouldn’t bother with it at all.
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