#the more i engage with my special interest the more i unironically fall in love with humanity lmao

[askintermissionfandom]

What are some of your favorite felt head canons if you don't mind, and is your intermission discord server still active?

Oh yeah psh the server is defo active. We talk there every day and we had a group vc like just yesterday! Feel free to join! Even if you’re going to lurk we got good fanarts being made like every other day! https://discord.gg/VMtTxQj

NOW TO THE INFODUMPING! Sry not sry you asked for this I’m just gunna go full ham. (I figured out how to add a read more link! hah!)

OK SO! I’ve got so many! Top fav is my ones for Crowbar of course. I love making his juju a sentient being and having it effect him negatively by applying sensitivity for timeline shenanigans on him. This also means Crowbar is weak against temporal movement like teleportation. He’s fine for the most part if the Doc teleports him with green sun magic but if Droog does it, it gets him sick and dizzy for a bit.

Oh! Also that Crowbar has lots of hobbies, but every single one is a benefit to his Felts. He’s incapable of doing activities selfishly and has a hard time detaching himself from his work. Expressing himself creatively? Sure! How about he gets into woodworking and architecture so he can repair walls, doors, and clocks whenever they break around the manor. Taking time off to zone out and relax? No problem! He unironically loves doing paperwork because the exactness of the wording comfort him and he can keep business flowing. (He secretly collects the small manuals that comes with most products because finding grammar mistakes in the terms and conditions amuses him.) He even has a mild special interest in car detailing and cleaning so that the getaway cars for everyone are in top condition, and so that the manor is clean and free of evidence.

Oh and that reminds me that I love to hc that the manor (I make it sentient) looooves Crowbar the most out of any member since he’s the only one that takes care of it. The manor’s architecture shifts constantly to confuse intruders and such, but for Crowbar it shifts to get him to wanted destinations faster. If Crowbar wants to get to the west wing from the east wing, only Itchy has a chance to close the distance faster than him. Ah! It’s so funny! I’m smiling about it now! Aaaa I love them!

And! And and I love to hc Crowbar being super dense in matters of love. In the server (there is rp and I am the dedicated Crowbar rper) I make sure to have him make the perfectly wrong assumption any time someone falls for him bc Cro mentally cannot comprehend someone being attracted to him- OH THAT REMINDS ME OF ANOTHER ONE! I hc that to us irl humans Crowbar is the most normal and even the sexiest felt, but in leprechaun standards Crowbar is like, the ugliest leprechaun ever. Leprechaun standards value weird shapes, weird chaotic habits, and the scrungle vibe, and Crowbar is intimately aware he doesn’t embody any of it, so it’s just like. “Um. I know damn well I don’t make an effort to strive towards beauty standards, so,,, why are you falling for me again? Surely this is a joke? This, isn’t what people are supposed to do.”

On that note though, I think Crowbar has a hard time with charms as a system. He’s effected by it and feels it occasionally, but he does much better with quadrants and carapacians in general. He doesn’t like talking about it with his men because he’s scared they are going to make fun of him for it, but they probably already know what with his little Snowman crush.

Hot take I could do with or do without Snowbar. It really depends on who I’m roleplaying with. For the most part I love it because it emphasizes the fact that Crowbar is just really fucking weird compared to other leprechauns. He’s orderly, he’s bi, he likes things to be a certain consistent way, and there’s nothing be can do about it. It just makes me feel warm inside. If my rp partner doesn’t like the ship though I loooooove to make Snowman and Cro like, slumber party pals. They engage in the tea and girl talk! Wlw and mlm! Snowy is the man’s rock and sense of reason in a sea of idiots.

Though hm, now for other Felt. I do like the idea that Itchy actually has garbage reaction time and is in a state of single focused mania a lot. My mans has trouble sleeping and knowing his environment and it can take a toll on his mind, but when he does sleep his metabolism is too fast for such a long sleep and he has to go into a hibernation state! Like a hummingbird! (That’s @naturallydark ‘shc for the Itchy they rp in the server) aaaa good stuff. Oh and I love to think Itchy is chronically bored and has big issues with being under-stimulated, which is why he is friends with most of the felt and will bother them. The company makes him happy! And when he’s not being a lil fuck, he does know how to cheer the majority of the Felt up when they are down.

On the flip side I love imagining that Doze actually has insane reaction time, his world just slows when he’s stressed, which doesn’t happen as often as folks might think. I imagine Doze’s biggest fear is getting irreversibly maimed so his powers activate during physical combat, but other than that he’s a pretty normal dude. Probably the type to catch a bunch of dishes and have everything land on the tray again cartoon style. Definitely thinks he’s the coolest guy in the room (civilized edition)

Fin is just cute. Man just, swims in the dumbest places. You can never predict when he will be in a body of water. Kinda hates when anyone dumps dead bodies in the canal and will drag them out of the water to toss to the lusi (lusus’s?) wandering the desert when he can.

Clover and Snowman get along really well. Like, Snowman thinks Clover is strangely charismatic, but this is almost purely because the universe loves Clover.

Anything @ontdah does with his Die makes me happy. Just. Anything. Love that angsty man.

Snowman can absolutely take damage without it effecting the rest of the universe. (I despise the fact that the prominent badass female character can’t roughhouse) like, she is a universe avatar. She can just choose to be an avatar of some useless far off planet, she just likes the power trip with being able to stop any fight she’s in by just standing there. Only the Felt know this but they keep it a safely guarded secret and they still respect the rules of it. After all she likes having star freckles when she embodies everything so she actually is in that vulnerable state most of the time. It’s like, her shitty personal version of a Russian roulette, but with the lives of every single person alive. She’s a massive troll. In the most dignified way possible. Stitch thinks she’s crazy, Crowbar finds her fascinating in her selfishness.

Stitch is one of the rarer less chaotic leprechauns, and he gets along pretty well with Crowbar. For the most part he’s the dad figure of the felt despite not being the oldest, and will let any of them silently hang out with him if the fucked up ness of their life becomes too much. The official sawbones, and less official therapist of the lads. Makes sure they have everything they need to handle any mental stuff they struggle with. He helps Itchy with his adhd, works with Matchsticks (more often) and Cro (less often) on their ptsd, helps lots of them with anxiety, rationalizes through Clover’s survivors guilt, and even has chats with Snowy when she’s feeling existential. He is incredibly emotionally intelligent and likes to use that ability for good, however gruff it comes across.

Sawbuck is the nice fuck boi of the Felt and you cannot convince me otherwise. Clover may be the most charismatic over all, but Sawbuck definitely has the most game. The guy is a dream boat, an absolute hunk. Sawbuck is the sexiest man alive and everyone in the felt (no matter how reluctantly) agrees with it.

Matchsticks is a pyromaniac and is constantly curbing his own urges to just burn everything to the ground, timeline included. He’s a REALLY nice guy, but the urges get to him sometimes. (Hc from @ontdah )He has troubles staying present at times and keeps multiple fires burning around the manor for convenience and for reminiscing. Crowbar has to tell Matchsticks when meetings will be hours or even days in advance or else he might not be able to include him. The guy just, travels a lot and is hard to find. His jokes cheer everyone up, but it’s clear he’s not always happy. Stitch and Matchsticks spend the most time with each other. Stitch has personally guided Matchsticks into being more present, but it’s a constant process.

Eggs is fantastic at retelling heists in engaging ways. If anyone wants a retelling of events, they tend to go to Eggs, even if Crowbar has the better memory. It’s more entertaining that way.

Biscuits makes food for the Felt. Without him they would all immediately starve. Some felt know how to cook, but only Biscuits knows how to portion meals to feed all of them correctly. He’s also their silent nutritionist and will give you a look of disappointment if you ever come into the manor with, ugh, FROG FORBID Store. Bought. Sweets. He has standards. Most of his free time is spent in the kitchen and he is the only Felt besides Crowbar who is allowed an allowance for groceries.

Quarters is a gun freak and gives all of them names and backstories like iron dolls. If you handle a gun incorrectly in front of him he’s going to very passive aggressively judge you until you piss him off enough to drag you back into gun training. He taught most every member how to use firearms (except for Stitch, Matchsticks, and Clover) but he has made every single one of them take a firearms course, hosted by himself of course. Snowman and Quarters have long bouts of dark humor involving weapons sometimes too. They started being friends after he taught her how to use a sniper rifle.

Cans is Crowbar’s bean bag and they are bros. They cuddle lots and talk about stuff. I imagine Cans has almost an enthusiastic butler sort of relationship with Crowbar and Crowbar can do nothing to refute this. After many, many, months and years of Cans comforting Crowbar and being there for him and helping him out of risky situations, Crowbar has succumbed to trusting the man fully. Whenever Crowbar is having troubles sleeping he will simply drag himself over to Cans’s room and nap with him. They are cute.

AH! oK DONE! I have more Cro hcs of course but this has taken me ages to type and! I! Need! To go to work soon!

#Intermission Discord Server #Discord #intermission #headcanons #AAAAAAA IT CAME OUT SO LONG AND MOBILE FORMATS SO WEIRD AAAAA BUT THE INFODUMPING WAS FUN

[vaguely-concerned]

Twisted Fate/Graves thoughts 2 Electric Boogaloo because none of you can stop me

and I just have a lot of feelings okay

- t.f. taking an entire paragraph mid-fall during a harrowing life or death chase to give you the context for how much the imminent destruction of his boots is a  tragedy is the funniest and most endearing character detail and also irrefutable proof that despite appearances he, too, really does only have that half a brain cell, it simply pingpongs around in there much more than graves’ half (which instead finds one idea and GOES HARD for it no matter what lol bless him)   

also his pov is basically just a flippant ‘well this is a goddamn bitch of an unsatisfactory situation’ until graves literally forces him to have an honest emotion at gunpoint, and y’know... that be what love feels like sometimes when you’re like that as a person, extremely relatable, I feel for him so much

- I’m still just quietly astounded by the hmmm... implied intimacy? I guess? in the argument they’re having once they’re actually talking in burning tides. let’s look at what they’re actually saying to each other:     

T.F.: “Are you ever gonna learn? . . . Every time I try to help you, I-” and “ I tried to get us out. The rest of us saw the job was going south . . . But you wouldn’t back down. You never do.”

vs.

Graves: “You’ll run again. That’s all you’ve ever done.” and “You made out alright, though . . . You know why? It’s because you’re a coward. And nothing you’ll ever say can change that.” 

like them’s the sort of fraught fighting words you have with a spouse right towards the end of an ugly divorce, the full fruitless ‘why do you always have to --’ and ‘but you never listen to me!!!’ deal, especially from graves’ side lol. it’s the sort of hurtful you can really only be with someone you’ve been very, very close to, someone you know incredibly well. considering the whole backstory what graves is essentially saying here is ‘It’s your own fault people have left you; you deserve to be alone’.

(interestingly, in twisted fate’s pov it seems that what’s really messing with him is the part of not being listened to. he tried to plead with his family and they refused to listen, he tried to convince graves to run away with the rest of them and he didn’t listen, and here they are again and graves isn’t listening  a g a i n  and at that point t.f. clearly just sort of. gives up on actually being heard, in a slightly heartbreaking way. and from how graves reacts to seeing that I really think he’s not naturally cruel like that at all, he’s just in too much pain to think until this startles him out of it and then he does actually listen)

- through both stories graves is so desperately, enduringly horny for t.f. to be emotionally present and engaged with him without slipping away into his ~*cool magic gambler*~ persona and I find it weirdly sweet 

- graves immediately getting fond of this leaky battered old rowboat... hfsadkjfhasd he’s sort of adorable in a way? it’s also really cute how he’s got this really tight focus on tf and his mannerisms and how genuine he’s being at any given moment. it’s such a neat way to show what he’s feeling and thinking about, which must be hard with a character who’s so massively oblivious to the finer points of his own inner life lol  

ALSO can we talk about how tf literally winks at him at one point, right after they’ve sort of had a little moment of regained trust... like my good sir that is so deeply unnecessarily saucy of you, please control yourself (though in his defense graves somehow still isn’t picking up what he’s putting down so y’know maybe subtle isn’t the way to go here anyway haha)

- I wonder if t.f. used to go by his initials even before he changed his name -- graves calls him by it straight off the bat in burning tides and t.f. seems to consider his real name mildly embarrassing lol. (also intriguing that he does appear to think of it as his ‘real name’, and not ‘old name’ or something like that. it’s why I feel like we’ve got more of a dual identity going on here than a deadname situation, it feels more like two distinct levels of emotional vulnerability/availability to me. and so ‘tobias’ stops being relevant when there’s no one left to know him as that. ow.)    

- from reading his bio it seems like twisted fate has had to figure out a lot of the magic stuff on his own (except for the mention of his grandpa teaching him the fortune telling part of it -- seems like they had a bit of a special connection, really, if him leaving his old cards with the kid before they left is anything to go by). what I’m saying is that I would read thousands upon thousands of words of him experimenting with it when they were younger and graves hurriedly having to topple a table over and pull them both behind it for cover before they both explode lol 

(and then t.f. popping his head up afterwards like ‘hAH see I TOLD you I could do it!’ and graves disconsolately lighting a cigar from the burning rubble b/c the things one does for love partnerships huh)

- I’ve been looking over burning tides with a writing eye a few times to figure out what makes it work so well for me, and one of the things I really like is that there are a lot of small comments/details that are there or are framed in a certain way specifically to emphasize the familiarity and history between the characters. Just small details like He moves fast for a big man. I’d forgotten that and graves mentioning he’s never liked standing too close when t.f. does the teleporting thing -- not to mention t.f.’s name reveal, which if I understand this correctly was actually new information to the readers when burning tides was going on. (and yes it is still very funny to me that his actual name is tobias. the duality of man)   

(I also feel like there are HUGE differences in writing quality between the different POV sections -- I guess different people wrote for the different characters? Well, both of the first person sections are gold and that’s what matters to me in this story so I don’t really mind. Sadly the Miss Fortune parts read the weirdest and stiffest to me, which is unfortunate b/c I love her lore concept a lot and she’s so cool in double double-cross. WHO the fuck let an unironic ‘the crimson-haired siren’ slip through the edit, is what I really want to know. please, narrator, tell me about her cerulean orbs while you’re at it) 

- The man I used to know seems lost under years of hatred.

I don’t try to say anything else. I can see it in his eyes, now. Something’s broken inside of him.

still makes me SO SAD and I’m incredibly happy it turns out not to be true in the end thank GOD

- this might just be me reading into stuff too much, but I really like this sense that in moments of high emotion/genuine vulnerability, graves tends to sound older and more tired while t.f. sounds younger than he actually is, more frightened and hurt

- if his mind hadn’t been completely focused on partner-rescuing and open murder were in any way his style, t.f. totally could have killed gangplank right there and then before miss fortune even got to blow the fucker up haha. then again if that were the sort of guy he were he’d be dead along with all the rest of them

- it’s so good that graves tries to save miss fortune’s guy before they leave the cave but also isn’t broken up about it when it turns out he can’t, that feels like such a correct encapsulation of his moral character haha

- I really do enjoy graves’ POV so much not just because there’s something immensely comforting about how he refuses to be scared even in the face of death because he’s too damn grouchy and won’t give the world the satisfaction, but also because the language/cadence is so satisfying. he does have a way with words, in a gruff non-flashy sort of way.

It smells like the end of everything – sulfur and ash and death; cooked hair and melting skin -- the rhythm of that is so gooood and that whole section conveys the horror and destruction but also the awe of the scene so well. (I’m telling you graves isn’t actually dumb at all, just astoundingly unbendingly single minded once he’s got an idea in his head lol) 

- I keep thinking about the fact that the last two things twisted fate thinks about before he passes out from drowning is if graves is scared and ‘What would Malcolm do?’ and I’m feeling real 😭😭😭 about it

- I’m still so disproportionately intrigued by graves mentioning his mom in burning tides. considering how early and seemingly easily he left home (...not to mention that he brings her up in connection with someone punching him in the face) it might be a safe bet that they weren’t that close but like. she also seems to be one of the very very few non-revengy things he’s checked up on after getting out of prison. did he send money home sometimes? would he visit whenever they came back to bilgewater? did she ever meet t.f. and if so did she approve or was this a bit of a uncharmable mother in law from hell situation? I um. I want to know these things pls riot it’s for science

.

(First post is over here btw, if anyone’s interested!)

#tf x graves #twisted fate x graves #league of legends #meta #it's hard to overstate how much my brain cannot be controlled and WILL focus on dumb stuff all day every day lol

[kaleidographia]

[Analysis] The "Weird" One: Where The Last Jedi Fits

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I have a confession to make.

This may be a weird way to start what is essentially the first post of a new media critique blog, but I consider it to be essential knowledge. Every reviewer and analyst brings their own unique perspective to their writing, and I am no different; sooner or later, this truth will make itself known. To know this fact about me is to gain a new understanding of what makes me tick as a consumer of art, and it is one that it best to get out of the way as soon as possible, for it is better for a reader to lose interest now than to string along until the awkwardness of hiding such a secret reveals itself.

Here it is:

I LOVE the Star Wars prequels.

Oh, not only do I love them, completely and unironically, I actually do not care much for the original trilogy. It’s all right. But it doesn’t make my heart sing.

Attack of the Clones does.

Okay, okay, I can already hear the groans of disgust and the clicks of mice leaving my blog to the wilds of the web, but I promise this is going somewhere. I am not unaware of the many flaws the Prequel trilogy has, and I can’t in good conscience call them cinematic masterpieces, but I think this opinion derives itself not from poor taste, but the relative lack of blockbuster quality movies that tap into very particular themes and structural quirks that I appreciate. I may dive into those specifics at a later time, but the reason why I am bringing this up now is because it inextricably ties into my feelings about the most recent film in the franchise’s main series, which would be impossible for me to discuss without addressing this aspect of my formative film influences.

The Last Jedi has already received tons of coverage, controversy, and counter-controversy, so if you’re interested in picking apart the finer aspects of the plot and characters, feel free to look those up — I am sure there is a brilliant video essay on Youtube tailor-made just for you. I am more interested in the meta-narrative surrounding its position in terms of fanservice to what is an enourmous empire of not only fans of the original trilogy, but fans of its many derivations, spin-offs, and cultural foundations.

Star Wars is no longer just a film about a space farmer who learns he’s a space wizard and goes on a perfect beat-by-beat hero’s journey. It encompasses more than that: two sequels, an expanded universe of books upon books, comics, videogames, pinball machines — a holiday special (and no, I have not watched it) — toys, cartoons, parodies, reiterations, iconic images, phrases, cinematic touchstones, and, of course, the Prequels.

When the new Sequel trilogy was announced, the filmmakers had a real challenge to contend with: How can one follow up on not only a legacy of films, but also a legacy of expectations of what such a sequel would be like? I am not just referring to the fact that Disney, post acquisition of Lucasfilm, decided to just toss out the previous expanded universe, label it “Legends”, and start afresh with a new canon. I am also referring to the literal millions of fans who were already thoroughly familiar with not only the films but also their cultural impact. How could one possibly please them, especially when the Prequel trilogy was so universally mocked?

It was clear that Disney needed to win the crowd over, and to do so they leaned heavily into a safe bet: the Original trilogy. The Force Awakens released with a sort of wink-and-nudge, reflected in its story beats, characterization, and practical effects, that said “hey, we hear you. We know you’re scared because you don’t trust us to do this material justice and we know you love the original films, so we’re gonna give you exactly what you’re looking for”. It’s hard not to see the fanservice and whether or not it was successful has already been discussed to death, so I won’t get into it here, but the point is — and I am sure this wasn’t really intentional — to someone like me, who actually liked the prequels and a lot of the expanded universe, this approach felt incredibly alienating. Everyone was having fun with the new film, but to me it felt like it was saying, “all those things you love about Star Wars are not the reasons why anyone else loves Star Wars,” and I’m not gonna lie, I was pretty hurt, but at the very least The Force Awakens gave me a cast to fall in love with.

This is why when The Last Jedi was in production, I was intrigued to hear that this film was going to be “weird” and “unlike any other Star Wars film”. My expectations were tempered by the fact that ultimately this was going to be a Disney movie anyway, so it was probably not going to reach my standard of Weird (my dad showed me Koyaanisqatsi when I was 7, to give you an idea). Nevertheless, after the very safe rehash of Episode 4 that was The Force Awakens, I was just hoping for anything that might show me the franchise still had room for creativity.

I was in fact happy with the result, although it doesn’t surprise me at all that it attracted controversy. Some of my close friends, whose opinions I highly respect, hated the film for various reasons and I can even agree with them on some points. Others, like me, loved it. Overall, however, what I like most isn’t necessarily anything about the film itself, but its position as a nod to fans who wanted their corners of the Star Wars universe acknowledged. To put it bluntly, as a Prequels fan, I felt represented.

Going even beyond the Prequels, The Last Jedi contains themes from my favourite piece of Star Wars media, the Bioware-produced videogame Knights of the Old Republic and its Obsidian-produced sequel, which layer critique of what it means to be a Force user and what the role of Jedi and Sith are in the grand scheme of things. “Jedi” does not necessarily mean “good”, a fact Luke highlights in his role as reluctant mentor to Rey, and while there are some things I would change about his portrayal here, this perspective is absolutely one I wanted to see more of in the main series. Even as a kid, good-vs-evil stories bored me; it’s one reason why the Original trilogy failed to speak to me, because even though I wouldn’t have been able to articulate why at the time, the setup was just too easy. It didn’t challenge me to think that there’s a side that’s inherently good and a side that’s inherently evil, but when Knights of the Old Republic put decisions about when and how to use the Force in front of me, that was a much more interesting proposition, and the idea that doctrine about the nature of the Force could be wrong or even damaging was outright enticing. I honestly can’t remember whether playing the games or watching the Prequels came first, but I get the feeling it was the games, because that malleable view of what the Force means and who the Jedi and Sith are has carried through for me ever since.

The Last Jedi does kind of play it safe in some ways, ultimately being a Disney property that has to sell lots of merchandise and bring people to theme parks, but it also boldly rejects just about every expectation one might have of a “Star Wars Film”, characters make mistakes, they fail, things go wrong at the worst possible times, some act selfishly or foolishly, and by the time the credits roll there’s actually very little to be excited about, as the heroes are in a much worse position than they were when the film started, which was already very bleak. But in a way, that was the most exciting part to me, as someone who grew tired of the popular culture perception of Star Wars and who felt shut out of the Sequel trilogy by its first film; The Last Jedi may have been agonizing, but it was agonizing in a way that promised more, giving hope to those of us who were looking for a less straightforward narrative at a time when powerful politicians can be comically villainous in public and yet people would bend over backwards to excuse their actions as if an “evil empire” didn’t already exist. Over the last couple of years I have seen people post a gif of Padmé Amidala’s iconic line, “So this is how liberty dies… with thunderous applause”, saying this was the only part of the Prequel trilogy that aged well, and yet to me the truth was already glaringly obvious back when the film was released, contributing strongly to my own critical interpretation of it. The Last Jedi is a film that picks up on the thought that people can make foolish and terrible decisions and runs with it, but it is by no means the first in the series to approach this theme.

(I should note that as a Brazilian, whose country was freshly out of a dictatorship when I was born and which is now hurtling towards another at full speed, my views on what counts as an Evil Empire and how and why a democracy dies may be somewhat sharper than the average American’s. This is by no means the only reason why I’m into this kind of storytelling, nor is it exclusive to me, but it is a big one, and it would be short-sighted to ignore it.)

Ultimately I understand why The Last Jedi is so polarizing; it doesn’t pull punches and some of the punches it throws are even a bit misaimed, thus the description of it as “weird” and “unprecedented” makes sense. It just isn’t quite as weird or unprecedented when compared to previous attempts at broadening the scope of the Star Wars narrative both within the main film series and the expanded universe (at least pre-Disney; I haven’t engaged with any post-Legends canon aside from the Rebels cartoon, so I can’t say for sure). It also serves as a complete 180° turn from the Sequel trilogy establishing itself as a safe haven for Original trilogy fans and a middle chapter leading into a final film we still know nothing about, so whether its narrative leaps will pay off are still a mystery. In any case, The Last Jedi rejects superficial concerns in favour of theme, leading to a certain degree of dissatisfaction from fans who really wanted to know Rey’s parentage and what exactly was up with Snoke, but I think this is a good thing, because they gave new meanings to previously established Star Wars tropes and drove the whole thing into uncharted territory. I for one am glad the franchise has freed itself of these particular burdens; it simply remains to be seen whether the conclusion will maintain this momentum.

All this to say, I like the Last Jedi because it likes the things I like about Star Wars, and now I know I’m not the only one.

#Analysis #film #Star Wars #The Last Jedi

[greywindys]

Gorillaz | 2017 in Review

Ayyy happy new year!!! Relative to the entire year of waiting that was 2016, 2017 was a pretty packed year for Gorillaz and consequently, for me as a fan. To sum it up in three words- They came back! (Finally, someone let them out of their cage?) And there was a surplus of content- good, quality content. But there were also some letdowns. Which release falls into which category depends on who you ask. Like, pretty much every move Gorillaz made this year was met with both applause on one side and boos on the other. If I had to pick a word of the year for them, it would be “polarizing.” However, polarizing isn’t always bad, and there were many well thought out conversations, theories and fan content that resulted. Add in some scandal and disorganization and you’ve got a pretty wild twelve months. Under the cut I list some notable and memorable momentz.mp3 of the year, mostly for my own records but anyone is welcome to read.

Hallelujah Money (1/19/17)

Gorillaz started their year off with what was probably the most polarizing move of the year. Some backstory: January 2017 we still had no idea when the album was coming out. Actually, we didn’t even know IF the album was coming out like, we basically didn’t know wtf Gorillaz was doing. Then, on the day before the US inauguration they drop the video for Hallelujah Money, a video punctuated with Orwellian imagery for a song that sounded like a funeral march. Benjamin Clementine took a prominent role while 2D took a backseat (a trend that would persist throughout the singles) and, after the initial excitement, fans began to complain. “What happened to the fast paced music Damon promised?,” “Where is 2D? This doesn’t feel like Gorillaz?,” “Why do they need to make their music so political?” This only drove other fans to passionately defend the song. There is still no consensus on this song/video other than the agreement that “it makes more sense in the context of the album.” My personal take is that whatever point this video was trying to make is obscured by their backtracking in the form of bleeping out any mention of Trump’s name on the album. Go big or go home. And at this point in the year I think we can say it- Trump fucking sucks, okay? Trump sucks.

Dylan leaks the album (Mid-March 2017)

This is like, probably my favorite story. By the time March was upon us, we knew the album was coming soon but we still didn’t know when. The album was like a cryptid, rumored but never found. And then Dylan happened. Now to clarify, he didn’t leak the entire album and he didn’t do it on purpose but he did leak more than we were ready for. After the tracklist leaked, fans began googling the songs on video sites like youtube and dailymotion. When one fan google’d “Saturnz Barz” on vimeo, they were met with a mysterious password protected video. A couple tries later (the password was “2017″), they had access to “Saturnz Barz” one month before the album came out. And they found more- “Charger,” “Busted and Blue” to name a few. All of which were uploaded by Dylan Byrne, a lighting  technician connected to Gorillaz who apparently didn’t know his private videos could still be found on search engines such as google. The fandom collectively lost its mind, some with excitement over the new music, others with indignation at fans who dare “disrespect Damon and Jamie” and that those listening to the leaks were going to be responsible for Humanz flopping. It was wild. Oh yeah, and I downloaded the leakz and Humanz didn’t flop. 

Giant content drop of 2017 (3/23/17)

I use this particular picture of 2D here because I that we, on some level, were all 2D by the end of that fourth week in March. I’m using the “Saturnz Barz” video release date because that’s when it all began. I distinctly remember waking up on that day expecting to listen to a Damon Albarn interview and some new tracks on a UK radio show but by the end of the day we not only had new music (4 tracks, specifically) and the interview but we were also blessed with the perfect “Saturnz Barz” video which featured the band in the starring roles, gave us “the bath” meme (though that’s more of a curse now) AND an upcoming announcement of a “secret show” set to take place the very next day where the live band would play the entire new album. I think this was also the period where we finally learned the album’s name and release date. It was so much. Too much, but a good too much. Everyone felt alive. Phase 4 had officially begun.

Mocaps (April 2017- present)

Gorillaz debuted many new ways to depict the band this year but by far the most hilariously amazing method was through motion capture, abbreviated “mocap.” 2017 was in many ways the year of the mocap, specifically, 2D and Murdoc mocaps. Mocap Murdoc and mocap 2D graced us with the weather, Deezer ads, app videos, multi-lingual announcements, and even walked us around the Demon Dayz tour. My personal favorite moment was 2D telling Murdoc he fed a stray cat a kinder egg. I also want to give a special shoutout to Murdoc’s wonky eye. There was a time when we were all trying to find meaning in it. Was it an artistic choice? Had Murdoc gone blind in one eye? Was he possessed? The truth is none of the above. It was just, in the true spirit of what the mocaps models came to represent, wonky. I don’t think we all truly gave the mocaps the credit they deserved. In my eyes they are on the same level as the puppets AT LEAST. And I maintain that their potential has yet to be truly realized- Mocap carpool karaoke? Mocap SNL skit? The possibilities are endless.

Murdoc and 2D answer fan questions....live (4/20/17)

This also falls under the umbrella of the previous moment but I think it deserves its own mention because this was like, peak mocap utilization. Fans were allowed to submit questions that would them be answered by Murdoc and 2D live while we all watched. Their VA’s not only improvised these answers but also finally got the change to live out their personal headcanons. This interview was the first time we ever saw wiggly Murdoc. Much essential information was learned in this half hour event- 2D knows how to make theremin noises! Murdoc said “meme” and “twerk”! 2D sold the geep! Cyborg Noodle has taken to cycling! A lot of you seem to think I’ve been critical this phase which, while totally true, it also makes me think you possibly weren’t aware of this blog at this time because I love this interview and died when it was first released. And then I continued to love each and every subsequent awkward interview they had with actual human interviewers. The first quarter of the year was great (for me).

Reddit AMAs with the entire band, Noodle, 2D (2017)

I wasn’t an active fan during previous phases but my impression is that they didn’t have as many q&a’s with the band as this phase. The characters were very accessible this phase and, as I’ve mentioned above, at first this was great! But nothing good it forever. The Reddit AMAs, while highly entertaining, soon came to contradict past events and even past answers to earlier interviews. For example, we learned during the band’s AMA that Cyborg Noodle was NOT actually cycling somewhere in England but decapitated and being used as a pot in Noodle’s room. What was the truth? Later on, 2D had his own AMA which was cute but yielded significant nit-picking and criticism from fans including myself. For me,personally, the 2D AMA was the turning point. I didn’t mourn the loss of Cass Browne with other fans until that AMA. The difference in writing was and is glaring. For that reason, I didn’t pay much attention to the Noodle AMA but from what I saw, similar debate over her characterization (or lack thereof) took place. Tbh, I can’t picture a Noodle that types out “YAASS GURL!!1″ (or w/e it was) unironically but...I’m happy it brought joy to some fans. That all being said, regardless of writing quality the AMAs did a great job of engaging the fandom and initiating some interesting conversations.

Fans miss 2D so much that he gets his own impromptu video (6/8/17)

By far the most frequent concern over Humanz was the “lack of 2D.” It was on Tumblr, Reddit, Twitter, pretty much all social media. Despite this, no one ever expected Damon and Co. do acknowledge this let alone actually respond to it. Then, out of nowhere, 2D makes an announcement on the Gorillaz app and there it is- “Sleeping Powder” an exclusively 2D music video by 2D, starring 2D and some dorky dance moves. It was 2D’s “Dare.” The song was cute and even had its place on the tour set list. And that’s the power of 2D. And everyone was happy until people started joking that “Sleeping Powder” was written in a day and was still better than all of Humanz, and others chastising everyone for “making Damon feel bad enough to write a new song.”

Strobelite (8/6/17)

I’m not going to get into “Strobelite” too much. If you were there, you know what happened and what it led to (a certain liked Youtube comment and the later, Noodle’s answer during her AMA). “Strobelite” was also hyped up as a the band’s first official mocap video (despite “Sleeping Powder’s” release a month earlier) but unfortunately, was underwhelming to a significant portion of the fandom. Reasons included but were not limited to: no Russel mocap, very little plot, very little Murdoc, rumored cut scenes that DID involve Russel, and, yes, controversial shipping fuel. I don’t think “Strobelite” charted nor do I remember it being involved in any promo. I actually don’t know what happened to “Strobelite” outside of the, um, for lack of a better word,the discussion it spawned. There were also many theories about what Murdoc was doing at the bar. To this day, we still have no answers. What’s the plot for phase four again?

Gorillaz in Media (2017)

This isn’t exactly a singular moment but I want to highlight it anyways because the length to which they went to make this phase an immersive experience deserves a lot of credit. Not one but two apps were developed, one of which gave fans access to the band’s home and hosted events such as live listening parties so that fans could potentially meet. The other provided new content, art and access to secret concert locations. BUT THEY DIDN’T STOP THERE. With one of their sponsors they were able to construct actual, real “Spirit House” models for fans to walk through. Additionally, the band is accessible through their own music mixes on Spotify, Noodle has an instagram, G Magazine etc. I’m going to fit in the amount of sponsors they had under this category as well because, as annoying as they were to some, it did give us some cool new animation and ads (”We Got the Power” comes to mind, along with the Lenz ad). They put in work, they really did (though the topic of social media  #justice4MurdocTube).

The Super Deluxe is never released...until it is (September 2017-November 2017)

I forget when the original release date was but what I do know it that it didn’t happen. Phase four slowed down in the latter half of the year, and I think this made everyone hyper-aware of what content was yet to come and that content was the Super Deluxe with *bonus tracks*. But then it never came. It was delayed until October, then October came and it STILL wasn’t there. Finally,in November, orders began arriving and songs were ripped and uploaded. Reactions ranged from elated to disappointed to simply confounded that the the entire thing cost around $400. You could say that it was very polarizing.

Honorable mentions

Humanz being released (I know, why isn’t this on the list? I decided against it because it leaked a week early  so by the time it WAS released mostly everyone had already heard it), Demon Dayz fest streamed live, “Garage Palace” surprise video drop, G Magazine, G-Foot pop up shop steal fanart, Fans strike the fear of god into the Gorillaz team for forgetting Russel’s birthday, Humanz revealed as the fourth album title, Gorillaz announce a TV show, probably more that I’m forgetting.

Anyhow, what a year. I like to stay vague about my personal life here but to keep it simple, despite everything happening the world, on a personal level, it was a good year. I did a lot of growing, got some really great feedback at my field placement, tapped into some new hobbies and recently adopted two cats, brother and sister, whose names I’m still deciding lmao (leaning towards Oberyn and Elia). So yeah...here’s to that. I hope 2018 treats us all well <3.

#personals. #not tagging this because it reads more like a journal entry than anything else #but it is the #endofyear #post for this year eh so anyways #long post