"youve already written that trope" yesss. i like it a lots. i will be writing it again. 1000 stories of the same trope over and over again for ten million years
Remember the 6 year old girl who was surrounded by Israeli tanks and the red crescent couldn't reach her? Her name is Hind Hamadeh. Here you can hear the phone call her 15 year old sister, Layan Hamadeh, made with the medics. She was killed exactly a moment later including all people in the car, except for 6 year old Hind who was stuck in the car with the dead bodies of her family, Israeli tanks and IDF surrounding her, shooting, preventing anybody to reach her.
That was last night (29.1.24). Today, still nothing. The fate of Hind remains unknown.
palestine red crescent ambulance team went to rescue her yesterday evening, but they have not returned as of now. We lost contact with them about 18 hours ago, and we still remain unaware of their fate and whether they succeeded in evacuating her or not.
Please, share Hind's story as much as you can on any platform. We need to know what happened to her. Put yourself in her place, how terrified she must be. Don't scroll past this.
Something I think about a lot is how Rick Riordan very rarely uses "girlfriend/boyfriend" to refer to Percy and Annabeth within their perspectives. They're so intertwined, even Annabeth says in hoh that the word boyfriend isn't strong enough, because Percy was a part of her. They are a singular soul, too wrapped around each others' fates that regular labels are far too weak for them. But, Rick Riordan uses "boyfriend" a lot in Nico and Wills perspectives, not because they love each other less than percabeth, but to show how much the word means to them. Nico uses it any chance he gets- "his boyfriend," "he actually had a boyfriend," because Nico has never been able to say that before. Their struggle with their queer identities mixed with Nico's catholic guilt and chronic everyone-hates-me disease makes the fact that he has someone to call his actual boyfriend so much more important to his character development.
the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
Brown University students are launching an indefinite hunger strike for Palestine
they are asking for their university to divest from companies profiting from the genocide in gaza and openly call for a ceasefire and will not eat until the university governing bodies hears and considers a divestment resolution. if you are not familiar with the physical toll a hunger strike takes on the body, it might be worth looking up to get a better sense of what a significant action these students are taking. the university's highest governing body is having their first meeting of 2024 on february 8-9th so let's rally around them to muster even more pressure on brown university.
brown university contact page: let's state our support for these students and let brown university know the world will be watching what happens next!
additional reading: coverage of this story in the university's student news paper - get to know some of the hunger strikers
LOVE the little smug self satisfied look on cas' face when dean stabs him, the slow look down at the knife in his chest and then back up at dean. the very slightest of smiles on his face. unwavering eye contact. never blinking. staring as intensely as dean as physically possible. drawing out the knife slowly. dropping it. not even turning to look as bobby tries to hit him over the head not even angling his body away from dean just reaching out and stopping the swing while still. staring. at. dean. last time somebody looked at me like that i got laid etcetera and so forth
it’s very easy to tell the good satires and pastiches from the bad ones because the bad ones are too afraid to live within the form. like if you are doing work with fairy tales and you are refusing to look closer at the underlying logic and unspoken rules of what can seem at first to be a senseless form, you are not going to create meaningful work. to borrow a turn of phrase originally used by maria tatar, if you refuse to enter “the house of fairy tale” as anything more than a gawking tourist, you will miss the particular order to the way the table is set, the rooms that are locked vs the rooms that are simply difficult to enter, the set of the floorboards and the position of the furniture. whatever you build will then be a gilded imitation of how you believe the house of fairy tale ought to look, the table set according to your educated specifications and every door open. there can be no interrogation of themes from a writer who views the form as beneath them!
As James Somerton seemingly tries to reenter the public space, a note from an organizer who lives in his city.
This person has spent years thoroughly convincing himself of his advocacy and work for the queer community. I'm an incredibly active queer organizer in Halifax, and let me tell you I had never ever heard of this guy before the hbomb video, let alone knew he lived in Halifax. That's how little impact he has in his own community. More than one queer organizer approached me after the hbomb video asking what I knew about him, huge swaths of the Halifax queer organizing scene didn't know who he was or that he lived here.
If you want to judge him based on the value he brought to his own community alone, he's brought none. Not once in the 5 years that I've lived here, nor the 4 years I've been active in the queer organizing space, have I even heard his name, let alone see him do anything for queer organizing in Halifax, and neither have others who are just as active.
Idk if this brings any insight for anyone, but if you're spending all of your time stealing work from queer people while doing nothing of value for the people around you... yikes....
Source: The Atlantic, author Thomas Chatterton Williams
"We have never before had access to so many perspectives, ideas, and information. Much of it is fleetingly interesting but ultimately inconsequential—not to be confused with expertise, let alone wisdom. This much is widely understood and discussed. The ease with which we can know things and communicate them to one another, as well as launder success in one realm into pseudo-authority in countless others, has combined with a traditional American tendency toward anti-intellectualism and celebrity worship. Toss in a decades-long decline in the humanities, and we get our superficial culture in which even the elite will openly disparage as pointless our main repositories for the very best that has been thought."