oomf just revealed themselves as a furry...
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my full piece for @empires-rainbow-zine! i’m SO happy with how this one turned out. i feel like i really accomplished a lot with my art in 2023 and became so much more comfortable with backgrounds and rendering, and this one in particular stands out to me as one of my best pieces of the year :]
you can download the full zine here to see everyone’s gorgeous art! thanks to rhapsoddity for running the zine and the rest of the contributor team for bringing it to life; i’m delighted to have been a part of it ❤️
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Dc x dp idea 60
Vlad is the one who gets Danny help.
He has a realization that he became so fixated on Maddie he lost sight on everything else. Maybe he find Maddie and Jack experimenting on a ghost, maybe a plot to capture and cut open phantom. Something makes him see the light.
Regardless of what he is the one who realizes how dangerous Danny’s home life is. How at risk he is.
So vlad leaves an anonymous tip on the justice league helpline regarding a portal into a different dimension. The location fentonWorks in amity park Illinois.
It would be even better if amity had an info block out so it just didn’t exist online. Maybe when they respond either the GIW have phantom and are ready/doing experiments.
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In watching more interviews with Liv about Van and the escalation of Van's pragmatism to such dark degrees, I find myself genuinely baffled that anyone could ever think Van the bad guy. I mean, I'm perplexed at finding ANY of these girls The Bad Guy. The bad guy is the situation. It's being lost. It's freezing. It's starving. It's being scraped down to the barest bone of being alive. They make choices that might be snippy, or cruel, or hard-headed, sure--Shauna refusing to just hash it out with Jackie; Jackie being too stubborn to come inside; Taissa refusing to discuss her situation plainly; etc--but by the time we reach the end of season 2, it doesn't even matter. Petty bullshit doesn't matter. Jealousy doesn't matter. Those things are still going to be present and complicated, because--for all their choices, for all the distancing they're trying to do--these kids ARE still human beings. But it isn't the point.
The point is survival. Plain, simple, straightforward. Van's pragmatism is survival. It is the difference between living another day with blood on your teeth or dying pretty. It is the difference between fighting forward through the fire and the snow and the hell of it all, and laying down to die. Van knowing, in watching the ritual violence of Shauna beating Lottie nearly the death, that they will be killing and eating one another soon. Van coming up with the cards for the hunt. Van not blinking when the moment comes, Van choosing a weapon that doubles as a tool to bring the body back, Van refusing to apologize for staying alive--it's not evil. It's not Bad Guy behavior. It's purely about survival, because there is nothing else left to her--or to any of them. They can play the pretty little Sweet Angel Girl game and die, or they can get dirty, bloody, horrific and fight. Van chooses the fight. Van chooses to fight for herself, for her lover, for her team, even knowing not everyone is going to make it out...because the alternate path there is that no one makes it out. Van knew the baby wouldn't live. Van knows the rest of them won't, either. Not unless they start making the hard choices.
And, honestly, the fact that Van sees this narrative coming. Comes up with this plan. Brings out the cards. To me, that is the opposite of Bad Behavior. That is as close to justice as anyone can find in the wilderness. If someone else came up with an idea, maybe it would have come down to voting--but that would have had such a human element to it, with bitterness or hostility or whatever ultimately petty shit always comes of humans selecting who to Other. The cards don't leave room for that. It isn't fair, because the situation isn't fair, because Man vs. Nature isn't fair, but it's as close to a just system as they could possibly find. It's the kindest solution to an unwinnable game. Not to bring it back to American Gods again, but all I can think is "it's easy, there's a trick to it: you do it, or you die." Van gave them that.
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// This feels like one'a them Inbox Call days, because I can't focus on writing for the life of me. I'm still kinda waking up, waiting for my coffee to finish brewing; who knows, maybe once I get some energy, I'll be able to focus.
Specify muse or fandom, please. <3
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No I am not sad about having to missing home and family. There is no nervousness even like I thought it would.
I am sad about having to think of my parents' loneliness. Both have to live in different cities for a while I think around june and I am sad about them realizing that iske baad se we would come only in holidays and be travelling to different cities everytime. I have never been afraid of being on my own, done that many times but I have always been worried and sad about the feelings of them being left behind.
Mumma wants me to go far very far in life so do I and so I must go away and do so. I want to stay with her and leave when she gets better, her body weakness fading, but that's how it is. I have to live my life too and at times one has to choose themselves.
I slept with her as a baby everytime. She told me my talents alone in the room because they were for only our ears to hear and for our minds to know. We are the same actually in many ways, just different timelines and a little different minds.
And one day all those hardships all that shit times will actually lead us to the place we both deserve
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Hearing people gasp and go 'noooo!' in the bird class when watching a video about shoebill parenting stragedies is so fucking funny. This is the SWAMP muthafucka we do siblicide in this bitch
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This might not be anything, but while writing about your fics, the way you have the characters' mannerisms down PERFECTLY got me thinking about mirroring...
There's a lot of it in 7 (Horii is a directorial genius etc etc), most of it more intentional than these probably are, but there's something so interesting about mirroring that takes the tone of a (relatively) fond memory, a familiar gesture, and inverts it in the way shown here.
OH I'M GLAD YOU'VE NOTICED THESE TOO I think I mentioned it months back (or I drafted a post 'bout it but didn't think it was anything noteworthy) but I always really did like how the Arakawa Family mimicked each other's mannerisms (also circling back to how Jo and Masato calling Ichiban 'Ichi' presumably after picking it up from Arakawa)!
Aoki actually does the same sitting gesture too! I went back to double check and skim through the rest of the game's cutscenes, and as far as I could tell unless I skipped a scene, it really is only these three that do this specific pose:
It's such a small detail but I love it immensely and it really does highlight their connections with each other and it drives me insane
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