#the dialogue between them is really good imo | Explore Tumblr Posts and Blogs

ofswordsandpens · 4 months

Text

I've enjoyed episode 3 the most so far, but I think the show is still struggling to find a good balance between taking itself seriously and the absurdist humor that RR writes with. My main takeaways:

The Fight Scenes (or Lack Thereof?)

It seems very peculiar to me that the show is just speed running through its battle scenes. Again, it feels very much like the product of Disney trying to sanitize anything that's too extreme?

The trio fleeing from the kindly ones in the book ended with Percy taking control of the bus and then crashing it. It explodes. They lose all of their stuff (money, food). In the show, they simply bail out the back window. No true panic. No tension. Just, okay :) we're leaving now :)

The Medusa Scene. I'll speak more to this later, but in terms of the fight we get to see... well we get to see nothing. Apparently this fight required us to view it through the lens of the invisibility cap (ie. not at all),

I understand this show is intended for a younger audience, but the books are as well. Even the movies, which are pg, came up with better ways to show things without necessarily showing things. As a result, it feels like anything that might induce the slightest bit of tension or fear are sanded down and its honestly doing such a disservice to the books and the audience.

Medusa

I actually really liked this portrayal of Medusa. The 1950s housewife vibe landed well for me. And I loved the actress's voice -- very soft and soothing but always sounding as if she were just about to cry.

Also, I really liked her dialogue. Her digs at Athena and Poseidon were perfectly tragic.

That being said, I really prefer the trio's arrival to the emporium in the book. In the books, they've been wandering the woods and are lost and exhausted and hungry because of the battle/bus crash where they've lost all of their stuff. It almost feels like the emporium popping up "out of nowhere" was more of it finding them.

Meanwhile in the show, Grover finds it through scent on a satyr path and they immediately know its Medusa, which imo takes out so much of the fun of it all??? In the books, they dont know. Grover's just like, freaking the ever living fuck out, and clearly Percy and Annabeth have let him take sole custody of the shared brain cell, cause they're more concerned about getting some food than anything else

Just... RIP dumbass shenanigans

And honestly, I'm not really sure what necessitated the change here in the show (of them not being tricked). It would have been one thing if they were going to change Medusa entirely to not wanting to harm them at all, but imo, I think its arguable/evident that show Medusa was looking for an excuse to petrify Annabeth and Grover (at minimum) regardless of anything.

Honestly, I would have had the show loosely play it out as: book arrival (they dont know its Medusa), keep the dumbass energy and banter, the trio figures out it Medusa while they're eating, Medusa is the more sympathetic version we see in the show, regardless it still ends with the battle.

Also, I do mourn the book battle. The panic and absurdity is just handled better imo. Annabeth shoving them off the bench, Grover flopping all over the place with the shoes but actively getting a good few hits in, Percy having to use to the reflection to behead her... the #TeamWork was emphasized a little more there to me.

Characterization

I think the show is absolutely nailing certain parts of the characters.

They've gotten Percy's anger and his derision towards the gods down. But, I think they're actually underscoring some of his, idk, sincerity? His kindness? It was the line "she met a pinecone's fate" that just rang off to me. While undoubtedly funny, it's just such a stark difference from his reaction to Thalia's story in the books, where he was unsettled by her fate and felt a sincere sympathy for her. The line in the show I assume is meant to criticize the gods, but still, it feels like it comes at the expense of the sensitivity that he has.

They've gotten Annabeth's bluntness, intelligence, pride, and superiority down cold. No question about it. But I feel like they just need to let her be more of a 12yo kid?

Like. In canon she and Percy banter and argue over the silliest of things. She plays hacky sack with Grover and Percy. She blushes and hyperventilates when Luke interacts with her. Episode 3 is like the first time we've gotten to see her do something remotely childish (buying all that candy) and I'm just dying for more of that!! She's not the "mom" of the group and she has her canon dumbass moments. I'm hoping more of this is captured moving forward. They've gotten a good start on the banter, but let Annabeth be more silly! Cause she is!

(Absolutely none of my personal qualms about the characterization are Walker or Leah's fault. They've done amazing. It's the writing/directing I'm side-eyeing).

OH! And I'm sorry but Percy being like "Annabeth we're going to bury medusa with your hat on" would have never ever flown with Annabeth. In no world.

But Grover eating them up at the end? Iconic. Good for him.

#pjo adaptation #pjo show crit #pjo

490 notes · View notes

vagabond-umlaut · 1 year

Text

gojo satoru x reader fic recs (I)

‣ now that i've got loads of free time, thought why shouldn't i use it well by showing (few of) my fave authors their much well-deserved love, respect and attention? ^_^

‣ this is merely a list of works i've enjoyed reading. kindly heed the tags and warnings in each of them and consume content responsibly, at your own discretion. that being said, i own neither these fics nor the characters nor the above gif. enjoy reading! 🥰

⌀ all that is solid [series] by GrilledTandooriSmoke on ao3

one of the best series there is. period. the fluff, the angst, the drama, the humor, the romance, the friendship, the plot, the dialogues - everything is top-notch in this series, i'm telling you. bonus points for being narrated in both reader's and gojo's pov.

⌀ The King is But a Man [series] by Petrichorium on ao3 (@petrichorium on tumblr)

royal!gojo who's terribly in love with the reader x reader who's equally (but way more discreetly) in love with gojo. add to that, the trope of childhood sweethearts reunited as adults, excellent communication between the couple and a wonderfully-crafted world and dialogues - what more could you ask from a series?

⌀ Ten to None (Soulmate AU) (oneshot) by Oreosmama on ao3

a fic which i adore with every fibre of my being. i will not say anything more about this, except to request you to go read this. you'll love it. (especially the fantabulous ending. btw, did i already say how much i'm in love with how well-written this fic is?)

⌀ Scarred [oneshot] by cainis on ao3

one of the best angst-with-a-happy-ending fic there is. i wish i could give thousands of kudos for the heart-wrenchingly amazing way the author has portrayed gojo's character here.

⌀ Mother of otherness, Eat me [oneshot] by itsbaby on ao3

one of the most beautiful works i've read so far. told from yuuji's pov, it explores gojo and reader's relationship and its nuances in a way seldom done before. however, what stole the show for me, was the soft and sweet mother-son duo the reader and yuuji grow to be in this fic. i really love this one-of-a-kind masterpiece.

⌀ something sweet [oneshot] by heresan on ao3 (@pretty-toru on tumblr)

i love love love this fic. it's so fluffy, so funny, so cute, so heart-warming... just read this fic, people. you won't ever be disappointed by the dynamics reader and gojo have in this one. one of my all-time faves, tbh.

⌀ teen dad Gojo [series] by pantao on ao3 (@seravphs on tumblr)

a sweet and realistic depiction of reader and gojo being teenaged parents to young megumi, all the while they try to figure out their feelings for each other. a perfect mixture of fluff, angst, drama, slice-of-life and romance, imo. (also, the author's notes are pure gold. whatever you do, please don't miss reading them! :D)

⌀ To see those eyes I prize above mine own (twoshot) by koyama on ao3

if you wish to watch godlike!gojo willing to let go of his powers, out of guilt and immense, immense, protective love for the reader, this is the ideal fic for you. i'm in awe of the way the writer wrote gojo's complex persona and the way the sorcerer realized his feelings for the reader. (the second chapter's the cherry on the cake. it's so good!!!!)

⌀ keeping up with the fushigojos (series) by @augustinewrites on tumblr

fluff? A+; angst? A+; drama? A+; characterization & dialogues? A+; humour? A+++++. a sureshot way to end a long hectic tiring day on a happy note is to read this series. (my go-to comfort series, ngl. :])

⌀ CAT & DOG (oneshot) by @mimiriko on tumblr

an adorable fic of gojo being in love with the reader, who knows, yet doesn't really know, much about it. plus, the feline-like features of gojo are sooo cute... and this fic is sooo sweet... the story left me smiling when i finished reading it.

⌀ surely summer wasn't over yet [3 chapters] by 3rdgymbros on ao3

an amazing fic set against the backdrop of the hidden inventory arc. the portrayal of the characters and their dynamics is simply impeccable. despite my kind-of-dislike towards this particular arc of the manga, i really enjoyed reading this one.

#gojo x you #gojo x reader #gojo satoru x you #gojo satoru x reader #jjk x you #jjk x reader #gojo fluff #gojo angst #jjk fluff #jjk angst #kit's fic recs 📚

2K notes · View notes

snek-eyes · 6 months

Text

Good Omens fic recs

Hello all! Wanted to share a few of my longtime faves. These are all pre-s2, might do another with my post-s2 recs? Narrowed it down to 10, since that's the max links tumbl lets you have in a post.

Any Way You Want It

Author: Justkeeptrekkin Words: 27,500 Chapters: 5/5 Rating: Mature Mood: Vacation, soft but introspective After finally getting heaven and hell off their backs (at a cost) Crowley and Aziraphale go on holiday to a cottage in Scotland. Fluffy with fun snappy dialogue, the two really feel like best friends here! Aziraphale struggles with his tendency to go slower than even he wants.

Instructions Not Included

Author: Atalan Words: 68,000 Chapters: 13/13 Rating: Teen Mood: Detective / Gen (There are feelings but it earns that slowburn tag) My "if season 2 isn't good, this is my season 2" fic. Now, I liked season 2, but this is still SO good. After the notpocalypse, Aziraphale and Crowley start a detective agency investigating supernatural happenings together. New characters include Raphael (who totally missed the apocalypse haha whoops), and a big spooky dog (whomst I adore). Note that while this fic stands just fine on its own, there is an unfinished sequel that imo doesn't leave off anywhere stressful.

When in Rome

Author: Kedreeva Words: 4,000 Rating: General Mood: The liminal space of nighttime conversations What happens after Aziraphale invites Crowley to oysters: Wings and reading. Tentative and innocent in those early days.

the deft, sweet gesture of your hand

Author: deadgreeks Words: 12,000 Rating: Explicit Mood: Hurt/Comfort, introspection A few years after the failed apocalypse Crowley shows up badly injured at the bookshop. Aziraphale has to help heal Crowley and save them both, and still finds the time to knit his feelings.

Chemistry

Author: Twilightcitysky Words: 122,000 Chapters: 19/19 Rating: Explicit Mood: Y'ever want a side of learning something with your romcom? After realizing they might need their own corporations to heal themselves now that they're not working for heaven and hell, Aziraphale and Crowley turn on all their bodily functions. All of them. What could be a silly premise is played out very satisfyingly, the actual biology of hormones at play here is fascinating. (this is not really at all related but: has anyone else read Peeps by Scott Westerfeld? Because the format reminded me of this in that it did a similar thing of playing straight the concept of "what could cause vampires to be real" that drew on inspiration from real life parasites interspersed between the chapters. I dig it. Anyway!)

Reservations

Author: AnnetheCatDetective Words: 10,000 Chapters: 3/? (Technically unfinished, but leaves off in a satisfying spot) Rating: Not Rated Mood: Meta (Character study as story) “There's some competition for Aziraphale and Crowley's usual table at the Ritz…” A couple of miracles bend reality and, well… you ever been like, “The boys need therapy, but who could possibly give it to them?” I love crossovers where the TV boys meet other versions of themselves, this one is my favorite.

i can't say the words, so i wrote you into my verse

Author: mygalfriday (BrinneyFriday) Words: 5,000 Rating: Teen Mood: Snapshots through history "Crowley has tattoos and every few centuries, Aziraphale discovers a new one." Simple and paints a lovely picture.

By Definition

Author: idiopathicsmile Words: 3,000 Rating: Explicit Mood: Smutty but fond A night together after the Ritz fic where Aziraphale is asexual and Crowley isn’t and how that works for them. The dialogue here is positively delightful.

Bark Dust

Author: rfsmiley Words: 8,000 Rating: Mature (mostly for injuries) Mood: Whump, Hurt/Comfort, Historical Crowley is very badly injured in a battle, and Aziraphale has to figure out how to save his life.

Tell Me A Story

Author: brilliant_or_insane Words: 5,000 Rating: Teen Mood: Soft and warm Aziraphale likes telling stories and Crowley likes to listen. But when the demon is dissatisfied by sad endings and can't relate to the happy ones, Aziraphale decides to move them forward by telling a new story. (Of course, Crowley isn't entirely satisfied with the angel's perspective on that one either.)

#Good omens #good omens fanfiction #fanfic recs #good omens fanfic rec #v watches good omens #Fic recs

241 notes · View notes

returquoise · 2 months

Text

ATLALA, aka Avatar the Last Airbender Live Action

Sooooo, I finished the first season and had thoughts (just like everyone else lol). First context, non-spoilery thoughts, and then spoilers under the cut, yadda-yadda.

Why context? Because for a lot of people OG ATLA was their childhood, and they have super strong feelings about it and about any adaptation that exists. I'm not one of those people.

The first time I watched OG ATLA I was over 20 years old, which means I was an adult and had adult viewpoints about the story – worldbuilding, character writing, etc. It was never the hallowed most perfect show ever for me. It was and still is a fucking good show with some amazing writing and worldbuilding but I did have some gripes.

So when ATLALA was announced I remained neutral – I've seen the movie that shall not be named and din't really like it but shitty adaptations have always existed. When we started getting photos and trailers and news pieces, I was feeling pretty positive about the visuals, but neither news pieces or trailers actually tell you shit about what the writing or worldbuilding is like. However, I was about 70% optimistic.

Because what indications I did get about visuals, writing etc, were very reminiscent of another adaptation that had come out recently, about a series that was actually a bit more important to me on an emotional than ATLA. I'm talking about One Piece, and OPLA which came out last August. I've been a fan of that for 10 years longer than ATLA, and while they did a lot of changes, the spirit of the story was there.

So I copied my optimism and good feelings from that, going into ATLALA.

Now, the thoughts.

Visuals are pretty good. There are moments when I can tell they left some visuals out due to trickiness/budget (the "is Zuko's ship real?" review after the premiere). Some things look fake or plasticy, some stuff is too clean. Bending looks a lot better than in the movie that shall not be named.

Writing has issues. Some of it is very expositiony which makes it wooden and the shots uninteresting (there were so many badly framed shots with characters just awkwardly standing and talking). There are some lovely bits of dialogue that gave me feelings, but those moments were in the minority. And some writing choices were also quite childish, even for an adaptation of a kids' cartoon, so I'm a bit confused about the intended age demographic – except there are some really violent bits in there, which leave me even more confused.

Pacing was either frantic or okay-ish. The writers clearly had trouble paring down the OG series, and then ended up cramming stuff together. I could keep up with it (knowing what certain characters roughly meant for the plot, even if they were at a different place and time), but I'm not quite sure if someone uninitiated in the OG series could. The last 2 episodes had probably the best pacing and even then there were some things that made me go "hmmm."

Some actors have issues emoting – main and extras. I agree that the Gaang has lost some of their flaws compared to the OG series. Maybe some of them will make more of an appearance in season two when everyone's more experienced at acting? Especially considering that they'll likely have stuff more spaced out there – there are some episodes I'm pretty sure they'll outright skip, just based on the choices in this season. But we'll see. There were some fun and interesting bonding moments between different characters.

Sokka, Zuko, and Suki were the standouts from the younger cast. Suki is considerably different from the OG but it was acted and written well, and is an interesting choice. Sokka's quips, while not as numerous as in the OG, were fun. Physical comedy is obviously more toned down because real bodies can't do the same shit as cartoons. More about his arc choices later. Zuko was a bit toned down from the OG but IMO also the closest to it. And as someone who's almost finished with a Zuko AU fanfic, I was positively cackling due to the fact that some of the choices made for the character are similar to something I've done in my fic.

As for the rest of the main kids, there'll be more in the spoiler bits, BUT, they're different, and feel less experienced in acting. They're not bad but some choices were definitely different than in the show and they offer interesting opportunities. We'll see how they pan out, but be prepared for some speculation from me.

Fight scenes sometimes had IMO slow moments in the choreo, and they could have been better. Some were excellent, some a bit ehhh.

On the whole, I think this is about 7 out of 10. Some moments were 8 out of 10. It's a passable adaptation

Spoilery thoughts waaaay down.

Whoo boy. Where to start here?

Let's start with the cramming. As far as I can tell from my notes, the episodes are roughly divided like so:

EP1: 3,5 and bits (Boy in the Iceberg, Avatar Returns, Southern Air Temple, half of the Storm, bits of Avatar and the Fire Lord)

EP2: 1 and bits (Warriors of Kyoshi, part of Waterbending Scroll)

EP3: 3 halves (King of Omashu, Jet, Northern Air Temple)

EP4: 1, 4 halves and bits (King of Omashu, Jet, Northern Air Temple, Cave of Two Lovers, half of Winter Solstice P1, bits of the Avatar Day,)

EP5: 2 halves and pieces of 3 (half of Winter Solstice P1, half of Bato of the Water Tribe, part of Southern Raiders, part of the Library, part of Siege of the North) AND timeskip mention of the Great Divide and the pirates from Waterbending Scroll

EP6: 2, two halves and bits (Winter Solstice P2, Blue Spirit, half of Bato of the Water Tribe half of the Storm, part of Siege of the North)

EP7: 2 (Waterbending Master, Siege of the North)

EP8: 2 and pieces (Siege of the North, Return to Omashu, bits of Northern Air Temple, part of the Library)

Waterbending Scroll is a bit of throughline because you see moments of training in pretty much all of the episodes.

Episode 1 was very full, and felt rushed at times. There were a few places where they could have shortened some parts (like the earthbender spy scene at the start) to give more time for other stuff. Biggest gripes are the convenience of timing – Aang going off to clear his head only for everyone to die that very night. HOWEVER, me and my friends talked about it being likely Spirit shenanigans going "fuck, Air Nomads are gonna die now, we need to deepfreeze the Avatar for storage." We also concluded that the sudden current of Sokka and Katara finding Aang was either physics we don't understand, or Spirit shenanigans. Also the thing about all the Air Nomads coming over for the Great Comet festival? And then having so few of them on screen? Sorry, but I ain't buying it. Having such a sparse population in one temple I could have bought (with caveats) but adding in the gathering, nah.

Episode 2, Sokka-Suki was beautiful. I think it works even with the removed downplaying of girls capabilities (this change also brought some other stuff to Sokka I absolutely adored in later episodes but I'll talk about that when I start ranting about the characters). This was pretty close to the OG episode in many ways and I really don't have other problems with it, besides the somewhat childish end discussion about hope and shit with Aang and Suki's mom (Suki having a badass mom is fun). Manifesting Avatars and being able to talk to them only at their shrines will be an interesting take on stuff. Because that will affect some stuff on later seasons and I'm not sure how.

(And considering how scared Aang is of the Avatar State this early on, we might end up skipping the Avatar State in the next season. At least partially. Because we did get a lot of info now.)

That's a very full itinerary and it was hardest to follow at eps 3-4 because there were so many things going on. Jet's and the Mechanist's conflicting storylines made for an interesting drama (though, again, hard to follow) and gave Sokka and Katara something to do – which they didn't really have in the OG Omashu episode, which was what Aang was mostly dealing with here. In my opinion these two episodes didn't get a proper handling, because they're one of the few instances were we get people from the Earth Kingdom doing questionable shit, but we don't really discuss it. And while everyone know marketing is a mistake (it makes no one happy), considering that this series was trying to sell itself as a more mature take, that feeling is left kinda lacking in regards to Jet and the Mechanist. I do appreciate Bumi being fucking bitter, like Yass, you go king, as well as the bit with the Earth Kingdom soldiers speaking of grief and mistreating Iroh. That complexity is what was left lacking with Jet and the Mechanist, and how Katara and Sokka dealt with that emotionally. Also loved Zuko getting hit by a broom and Iroh taking the fall for him. The Zuko-Zhao alliance was an interesting angle to take (after messing it up pfft) and establishing early that Azula is a master infiltrator? I liked that move, also the fact that there are Fire Nation rebels. Although I fucking loved the quick fake marriage.

5 and 6, despite being about as full if not fuller, were weaven together really well in my opinion. My biggest gripe with that two episode storyline was how the Fire Sage Shyu-Aang team-up was done – not that it was any better in the OG to be fair but it is more jarring in live action. I just about died at the 41st twist because holy shit that's an amazing angst take and I appreciate it so much. And while we do get Aang planting an acorn, it feels like a really small moment and I think the Hei Bai issue should have got a bit more attention as the episode was resolved. Koh was fucking terrifying and the appearance of Wan Shi Tong – and in the last two episodes the appearance of the celestial objects calendar machine, as well as the fact that Zhao got his dirt on Tui and La from a Fire Sage – leads me to believe we won't be getting the Library episode next season.

(The only way I can see Return to Omashu happening is if it's remixed with Imprisoned which was totally left out of this season, or we get the important info aka neutral Jing info all from the Swamp, or from a letter Bumi sent. I personally think Return to Omashu-Imprisoned remix is more likely, just so we can prep Teo and the Mechanist for the Day of the Black Sun which we saw flashing by on the celestial objects machine just before we finally got the confirmation that Sozin's Comet is still a thing. Although The Avatar State could also be remixed into this in a sort of "yes, Earth Kingdom needs to free Bumi etc but I can't do it in Avatar State, we need to be smart.")

Episodes 7 and 8 were pretty chill in pacing issues. I thought Yue was a bit too quick in warming up to Sokka but considering how it was explained I can accept it. Also, the fact that Tui and La are intelligent enough to not be fish 24/7/365 is a change that makes sense although the whole Ice Moon (is it the local Halloween?) thing was very out of left field. Women joining the fight was a wild update and definitely more of a modern take than an early 2000s take. Do I have other thoughts? Sure, but I don't want to write bajillion essays and I just want a general overview in one post.

Zuko is, like I said, a standout. Absolutely love his conspiracy board, and as someone who writes a fic with a more scholarly inclined Zuko, I loved him being able to draw, being the foremost Avatar expert in the world (you can't tell me there can be more than one or two people out there who know more than Zuko at this point, look at his research), and having opinions about calligraphy brushes. Ugh, my heart. There's some absolutely wonderful acting happening and he does action really well. Is he a bit less explosive than in the OG? Sure, but one must remember, that adaptations are just licensed fanfics. His abuse background is in the performance, and my biggest question is the Agni Kai. There was a certain desperation in his face, so he must have wanted to make an impression on Ozai, and maybe felt a bit more like he had the right to it – as this show made it clear he had been invited in the War Council and did not needle his way in. Also the 41st twist oh holy smokes I just about screamed. His flaw is still anger and trouble thinking plans through.

Azula (her bangs in the flashback crack me up, was that her emo phase?) is more obviously affected by Ozai's games in this. I know OG Azula has loads of fans and there are loads of deep dives into her character and abuse and etc, but this is actually the first time her writing has made it obvious to me. She's still cold and calculating, but she's affected by more things and that makes her into a more approachable character for me. I know many fans got this from the OG portrayal so I know this is a me thing.

Sokka is another standout. I saw an interview where the actor was like "I tried to interject and ad lib humour where I could" and I appreciate it, because a lot of them made me cackle. There was some really good humour there. As for his arc and conflict; I think it's really interesting that he tries to live up to his dad's image of a warrior, and doing it very much out of duty. It isn't so much that he wants to be a warrior, but he wants to be good enough and I think that came through wonderfully. He can be a warrior, but it ain't his passion. It also offers very interesting bonding possibilities and parallels with Zuko. My heart broke at that ice-dodging scene in episode 5, as well as his heart-to-heart with Katara in episode 4 (fucking SIBLING LOVE TRIUMPHS). Also absolutely loved the fact that he supported Katara being a warrior in the North. His flaws in the OG are self-esteem issues (nailed here), and a certain level of arrogance, that affected his attitude towards girls at times. The latter has been removed but considering it only lasted until episode 4 in the OG series anyway, I don't see it as a terribly big deal. We can still get his "it'll totally work out this way" arrogant moment at pretty much any point in the story in the future.

Katara has trouble emoting. I don't know how much experience her actor has with acting, but I hope she gets better with practice. There are some very nice bonding moments she has with Sokka and Aang that bring emotion out, but she's very stone faced a lot of the time. One could read it as a symptom of seeing her mother being literally burned alive but that depends on how her arc is written in future seasons, and how it's acted. I really like the parallel with Sokka, of him trying to be a warrior out of duty, while Katara wants to be that and has trouble getting the opportunity to do so. This came out really well in episode 4. The fact that she was made a fucking commander of sorts at North was amazing moment of proving to her that she can be, that she is, a warrior. I'm kinda sad her temper has been left out of the writing, because with her being a self-taught water bender (which I'm okay with because we see her practising every fucking episode) there's a threat of her sliding into so-called Mary Sue territory. Hopefully Toph's inclusion brings her temper out next season. She's also missing some of her naiveté, although having a crush on the first good looking outsider (with fucking mirrored shots) just like her brother is hilarious.

Aang is... to mature. He gets a lot of really good and morally and ethically right speeches, and while he expresses that he's scared and doesn't know what he's doing, it still feels too mature. He also doesn't have that many dumbass child moments (what was that episode he just went "oops" in, that was funny and felt childlike, and then there was the water fight he had with Katara). It could be because we're going through stuff so fast but it'll be hard to fix later. I kinda like how his connection with Katara is being the last of their kind and loss – and then the small really good acting in ep7 when Katara says stewed sea prunes taste like home, and you can just see him go "oh, there's still someplace she can belong to, unlike me." I loved his calligraphy brush discussion with Zuko, because there was the beginnings of a bond there. As a friend said, it's nice they removed the Disney princess like love at first sight thing from the OG. If this turns into a romance (I have thoughts on that... later) I feel like it has a better chance to grow organically. No, I never shipped Kataang, please refer to the context part of this post.

Suki had a fun isolated, but curious, and socially awkward vibe to her. She's obviously different from the OG, but it's a fun and interesting difference, as the most characterisation we ever got for her was badass. Yue was interesting, more assertive and playful, which I liked. I also liked the fact that she had obvious duties and was expected to be the next chief. Even if the Northern Water Tribe sexism was kept, this felt like it added some dimension to it. June flirting with Iroh was hilarious, enough said. Mai and Ty Lee are blanks of wood. Their writing, and the direction they were given was horrible, and they're a prime example of that awkward standing and bad framing issue I mentioned way earlier. Ty Lee could have at least been bending herself into a pretzel, and Mai could have been using a knife to dig stuff from under her nails or something. I hope they get better writing and direction in the future.

Iroh was honestly pretty enjoyable. There were some moments of skilled evasive answering, but I was left missing him saying that Zuko was like a son to him. They do have really good chemistry though and you can see the care between the characters. I hated the long monologue at the end of episode 6, that felt very much beneath whatever target audience they were aiming for, and failed show not tell. Not perfect but can improve. Also, that one part where they played Leaves on the Vine, I almost died.

Ozai being a manipulative, abusive game addict is different but offers him some agency and motivation besides megalomania, which I appreciate. He had a peculiar expression when he burned Zuko, and that smells like hidden lore to me.

That's probably every character I feel like addressing at this point. However, I did mention romance in Aang's section, and I have to agree with the other whispers on the net. The fucking scarf scene. At this point, it's more likely for this show to be Zutara than Kataang IMO. BUT before people go and blow up about it, some points; cartoons offer more leeway in visual age differences, I feel like they would need to extend ATLALA plot line to last several years (instead of like, 9 months it's in the OG) to make it visually make sense. The Fortuneteller (as well as Katara's obsession with love?), and Aang's love at first sight have all been written out. Cave of Two Lovers was used for sibling love on the first season, and we ain't visiting that location again, not with how efficiently we did pretty much all of the Omashu stuff this season. Most of the Kataang iconic moments have been left out deliberately. Does this mean we'll get Zutara? Of course not, but due to the scarf scene, as well as that rivals thing they have going (we literally have two fights between Zuko and Katara this season, and the water sprout she used to thwart his fireball in episode one, and if that isn't a traditional beginning of a rivalry, nothing is), it's certainly more likely at this point than Kataang.

But we'll see, just like with everything else. It's an okay start, it's far from perfect, but it does offer new viewpoints that I find fascinating.

What's in the future.

I already explained my Return to Omashu-Imprisoned-Avatar State mash-up idea above, and that we'll likely miss the Library. I also think Avatar Day will be left out. I do however think, that we'll get the Deserter next season. We also need a way for Aang to learn about the Comet coming again and if Library is out (and probably also the Desert), best chances are IMO the Swamp or the Fortuneteller (remixing those two together is also possible). Or maybe Yeong Yeong has spies and they tell him about the Comet and he tells the Gaang. I also think they'll be foreshadowing/setting up White Lotus a bit more than we got in the OG.

I don't quite have my thought together enough to make any other guesses, but we will get Toph, Ba Sing Se, and Azula's Mean Girls Squad, but no clue yet how they'll be remixed. Season 2 has a much clearer timeline structure, whereas season 1 had a lot of episodic stuff that doesn't timeline wise offer too many roadblocks for remixes, as we saw with what they did with Omashu.

I think that's about everything I can think off. If you have comments, please be nice. This was mostly rambling, and tin foil hat baiting.

#avatar the last Airbender live action #avatar the last airbender #atlala #natla #netflix avatar the last airbender #review #thoughts #spoilers #non-spoilers #I'm sad people prefer the term natla to atlala #I'll keep calling it atlala for funsies #season 2 speculation #character analysis

75 notes · View notes

marciaillust · 1 year

Note

Heyooo! It’s me again (i hope i’m not bothering you by asking questions like these) I started making a comic and I’m struggling with the typography

Any tips or recs to look? I really like your work and that’s why I am asking :)

Heyo!

I can dish out a few tips but they aren't really hard rules so take them with a grain of salt and artistic freedom.

The most important thing imo is the presentation of the text on the page. The shape and number of speech bubbles will be registered way before any of the contents so it needs to looks the part.

The first tip would be generally avoid the speech bubbles being overly thin and long. The example below is pretty tame but believe me, I’ve read comics with the wormiest of speech bubbles and they tend to not look good.

Sometimes the automatic alignment of the text will look closer to a square (especially if there are many short words in a sentence) so feel free to go in and move the text around via the enter key so it looks more like the rhombus. You won't always be able to achieve it especially if the first word in a sentence is long (e.g. the word "hypothetically") but a rhombus should be the goal.

While we're on the topic of speech bubbles I like mine to have really short "tails" (the bits that indicate who is speaking), unless I REALLY want to make sure the reader knows who is speaking in a scene.

Also I always make the tails point directly towards characters mouth unless it would make the scene confusing (for example if two characters have mouths really close to each other or something, I might make one tail point a bit higher/lower/to the left/right to differentiate between the two speakers. But that’s like a super specific problem and could be avoided with proper frame layout.)

And like, never skip the tails unless its the same character monologuing at length. Nothing breaks emersion more than when you have to stop and turn into an investigator to determine who is speaking in a scene.

Now for the fonts themselves, in my opinion the size of text should be unified between speech bubbles and across pages when it comes to a single font. Example, all casual speech - arial, 14; all thought bubbles - Calibri, 15.

That is of course unless there is artistic merit to changing the font and/or font's size. Making someone yell, suggesting a threat or sarcasm, indicating a playful tone or something akin to that - lean into what you're trying to communicate visually.

All fonts are not made equal and sometimes you will have to adjust things manually e.g. letter spacing or line spacing. Generally I try to keep the spacing the same regardless of the font, e.g. "yay exciting" had massive gaps between the lines which I've shrunk to make it look more visually cohesive with the rest of the dialogue. Same with these ones:

At the end of the day typography and everything pertaining to speech bubbles is design work and what designs do is communicate a message and serve a function. I’ve had this picture saved on my pc for years now (reverse google search doesn’t tell me who made it but it’s like the bible to me so I will share it, I am almost certain it was made by tryinghuman but I might be wrong):

Really every part of a speech bubble can be “designed” down to a single word. The position of text, fonts, the shape of the bubble etc. And every change will culminate in an effect and the goal is to have that effect reflect what you’re going for.

Make it legible or illegible, make it see-through, capitalise one word, cover speech bubbles up with other objects, make them crack or fall apart. Not every speech bubble needs special treatment! But once in a while it’s nice to throw something different in to spice things up.

Also, and this is a rule that was bestowed upon me during a graphic design class, don’t use more than 3 fonts per page (again, unless there is artistic merit to it like e.g. purposefully trying to communicate a sense of chaos. Otherwise it just looks a bit unprofessional. In my opinion anyway.)

And the last thing I will say, and this mostly applies to comics in English, is some “speech” fonts include capital “I”s both with and without serifs. The serif I should generally be reserved for the pronoun “I”.

There is so much more when it comes to text in comics like the flow of bubbles across pages, splicing text across bubbles for communicating speech patterns or intentions of the characters, and there are tutorials about it out there but I wasn’t able to find my favourites on command............. sorry................ But I’m peppering this in just so you’re on the lookout for all the other cool things that go into comic making :)

Hope this helped!

#tutorial #i guess

577 notes · View notes

arkhamasyl-m · 4 months

Text

I genuinely think one of the best Harley’s I’ve seen recently (IMO of course) is the Gotham Knight’s Harley. So let me rant about her.

One of my favourite things of upfront is that she’s clearly not that young. That might sound weird but lemme explain. One of my biggest pet peeves about comics, is female characters who are supposed to be the same age as a male character, yet they look like they’re 20 whilst that male character looks age appropriate. In every Harley adaptation, she is canonically supposed to be the same age as Bruce and yet… If you pick up any modern comic with the two characters, Bruce looks late 40s, early 50s (which he is) yet Harley looks to be in her 20s. It’s gotten to the point where I’m not surprised if people do think Harley is supposed to be decades younger because of this, which is just sad. In Gotham Knights, she looks the same age as Bruce and still has a great design and characterisation. She isn’t a grandma, but she also isn’t a college student. It makes sense in the story since this is an older Batman, and the story is late in his career when he already has a full Batfamily and Harley’s already left the Joker. No way could a 30-year-old Batman have done all of this yet, so he’s not 30, he’s middle aged and so is Harley. It’s a weird thing to bring up I guess, but I appreciate a story about a Batman whose career has literally ended, having a Harley who clearly isn’t 20, and is still written amazingly.

The next thing I love about her is she’s not an anti-hero. Here’s the thing, I don’t mind Harley being an anti-hero, she’s a character who since the beginning was always written to he sympathetic and redeemable so her becoming an anti-hero and even allies with Batman himself is fine in most comics (as long as they don’t just skip straight to that point) but I do miss Harley being a villain, as it’s just a fun thing to see the character do. This is a late career Batman story, so she is no longer with the Joker which is great but, she’s also not an anti-hero saving the day, she’s still a villain but is no longer bound by the Joker and is free to do things her own way. Her schemes are both chaotic, funny but also scary, making her a real threat whilst also not making her as evil as the Joker. She’s fun in the way you don’t really mind she’s being a nuisance, unlike the Joker who is fun in the way that you want it to be over if that makes any sense.

Another thing I love is her relationships with the team. It’s clear from dialogue with the Batfamily that she and Batman have a friendship, reminding me of the old Batman the Animated Series episodes where Harley and Batman were allies. She was still a villain in those episodes, but she ended up doing the right thing and was genuine in her attempts to help Batman. Here’s its very similar, even though we never actually see Harley meet with Bruce, we know from how she speaks of him that she is on good-terms with him, and has been his ally for a while even though she is villainous. This just comes down to preference, but I much prefer a Harley Quinn who will enact a villainous plan, but also genuinely help Batman with his vigilante stuff over a Harley who completely reforms and just becomes a shitty “hero” who is like a Wish version of Deadpool. This Harley seems genuinely upset that Batman is dead, and not in the way “Oh, I have nobody to play with” but in the “Oh, my friend is gone” kinda way. Her relationship with the titular Gotham Knights is less developed despite it being assumed she has faced them before, yet it’s still there. Her dialogue with Red Hood is best out of all the Knights as he is genuine when he talks to her about her help, and she is genuine when she talks to him. No trickery, no unspoken anger between them. Just two people genuinely trying to help each other, even if Harley is planning a comeback behind the scenes, her conversation with Red Hood is genuine and heartfelt. Even after being captured she compliments the Knights and tells them they will do good following in Batman’s footsteps.

I also think her plan is rather dumb but in the good way. It’s very comic-booky without being too stupid that it’s just annoying or too serious/realistic that it doesn’t suit a superhero game. It’s the right amount of camp AND suits Harley. A mistake I see a lot with Harley being a villain, is her plans just being things the Joker would do, but now it’s Harley doing that. Maybe for an early-career Harley who just broke up with the Joker sure, it makes sense her plans would just copy his without her own personal flair, but if that Harley has been without the Joker for a while, but her plan is literally just something he’d do exactly the same, it’s stupid. She’s not the Joker, she needs her own style to be part of her plans or it’s just a Genderbent Joker. In Gotham Knights, the plan is similar to something Joker would do. Harley brainwashing civilians to become reckless, deranged and dangerous on paper is something a Joker would do, but it’s in the execution. If this was the Joker, he would spray laughing gas on a crowd, and the crowd would have deformed Joker smiles on their faces as they went nuts. Harley though, she uses her psychology degree and her own brains to convince people they need to feel safer, and then those pills make people reckless and insane. The way it’s shown too, it kind of implies Harley meant no harm from it, and it was just so she would have fun with a bunch of people like a party I guess. The issue is, these people aren’t in control of themselves and their bravery and lack of fear means they have no issue doing dangerous stunts that will kill them. It’s villainous for sure, but fine with good intentions. She’s not an anti-hero, just a fun villain.

Her design, admittedly isn’t the best, I don’t like the bob she has in her main Harley design BUT I think this is the best casual Harley design. Most of the time a casual Harley outfit is just Harley in a themed outfit that isn’t her costume but is similar, like Harley in a red and black jacket and pants. Sure it’s casual, but when Harley is out in public doing normal things, or just lounging around at home is she going to be wearing a full face of clown makeup and a tactical, high-quality red and black jacket? I doubt it. In this game, I LOVE her casual outfit. It’s just her hair up in her signature pigtails, a white tank top with scribbles all over it, some prison pants and some red and black slippers. Yes there’s elements of Harley, which is good, but it’s not what she would wear whilst fighting the Justice League just like how her jester outfit isn’t what she’d wear whilst binge watching some show on Netflix whilst on her couch. I can tell who it is from the design, and her own personal touches add so much character to her. She’s drawn Batman on her shirt, she’s clearly very crafty as shown from her hideout and makeshift outfit with the torn up sleeves and the scribbles and doodles all over her clothes. I genuinely prefer her casual outfit over her fighting clothes, but it’s just so fitting for her, and I love this Harley sm.

We barely see a late-career Harley Quinn but this is exactly what I imagined and I’m glad with how she came out in this game. Everything about her works so well, and my only complaints are small nitpicks not minor issues. I want more of her and I adore her character.

#harley quinn #gotham knights game #gotham knights

50 notes · View notes

zagreuses-toast · 9 months

Note

I come from a place of sheer curiousity and I just wanna ask genuinely- you say that you're a fan of 13s/ the chibnall era. Why? Doctor who is my favourite show and I've connected with every incarnation deeply and immediately, but have never been able to "click" with 13, despite my best efforts. What is it that you like about her? What is it that you like about chibnalls writing? I want to know and I want to like her/it too, but as of right now, I just... don't. Obviously you're not obligated to, but can you explain why?

Ok so this ended up being a Long Post, so I'm putting my response under the read more. Also I'm assuming you've actually watched the Chibnall era up to The Power of The Doctor, if you haven't then heads up for spoilers and stuff that might not make much sense without context.

Oh and I'm gonna @ @rearranging-deck-chairs and @ssaalexblake because I see their DW opinions all the time and they're really good and they can probably give more nuanced answers on some things. (Idk how well I did on explaining why I liked some of them, and it really is up to personal preference on some things)

Thirteen herself:

There are a lot of reasons I like Chibnalls era, but one of the biggest ones out the gate is definitely Jodie and her acting in the role of the Doctor. I think the way she balances bouncy gregariousness with the colder more angry and mean aspects of the Doctor is great. She does this thing where she can just make her eyes go dead and then smile like it's a threat, like she's gonna bite, especially when going up against villains. It's great. And Jodie herself is a delightful person.

Beyond just physical acting choices, I find the thirteenth Doctors struggle between her anger and secrecy, vs her desire to connect and her joy at life very very compelling. She keeps this distance that's really interesting I think, where she's genuinely attached to and trying to be a friend to the Fam, but still trying to keep her whole past out of the deal, which doesn't work that well, as we see in s12 and Flux. She's surrounded by death and haunted by the knowledge of how little time she has with her friends, (Grace, and she just came back from bill) but she still wants and needs that connection, and she learns to live in the present a bit. I made a whole post about her final regeneration speech here. I love her arc a lot even if it hurts. Also she's such a horrible hypocrite about so many things, which also makes her a fun character to rotate in my head and study like a bug. I do see it as being on purpose, some people seem to think it's just bad writing that she contradicts herself but imo that's a big part of her character.

Chibnalls writing:

I personally like the timeless child plot because :

There are a lot of stories and ideas in the Chibnall era I like, and a lot more I find very compelling. Whatever your opinions on the writing (and I definitely have had a lot of critique for some bits), there were a lot of ideas introduced that were fun and interesting. One of the weaker points of the era IMO is having so much fun stuff set up, but only shallowly or quickly exploring it, and then adding more stuff on top.

A lot of things didn't get the exploration/screen time I thought they deserved (especially characterization and interaction/dialogue wise). But that just gives my brain more to chew on at the end of the day, and I do love what was done during the seasons itself, not just all the potential stuff.

1) I can connect with it, I know Chibnall was coming at it from a place of being an adoptee, but as a native person the story of a kid taken and raised into an imperial/colonial society, who had their history stolen and their body exploited to further that societies ends, hits very close to home.

And 2) I have a "everything is true at once" approach to canon and I think the more origin stories we make for the Doctor the funnier it is.

This era had a lot of repeating themes, ideas that showed up and we're explored in a lot of different circumstances, often with a rule of 3 aspect to it. One is themes of Empire and Exploitation. Particularly through the stenza in s11 (empire using up planets, introduced to us basically doing foxhunts for clout, but with People instead of foxes), the dalek specials, the Cybermen in s12, and Division/the timelords in flux (as well as the sontarans &co).

Within that there's the repeating motif of how by exploiting people or their beliefs for power the imperial power/bad guys sew the seeds of their destruction. From Tzim Sha using the Ux and them turning against him, to the Division being destroyed by the Ravagers, who they tried to use to get rid of the Doctor/the old universe (and the doctor and even the master going rogue in the first place). Hell even Kerblam! (I know I know) Has a version, where the AI system being used to do terrible things is the one to call the doctor for help!

Another standout are themes of breaking cycles, Ryan is estranged from his dad and was distancing himself from Graham, but they both put in the work and grow extremely close over their two seasons. He also chooses to leave the TARDIS when he realizes he's absent from his friend's lives and wants to be present. And the Doctor gets to break the cycle of exploitation that Tecteun started, when she meets a vulnerable being with mysterious power (the energy being from TPOTD) she helps it free itself, on a way she wasn't helped.

Individual character stuff:

Going again into more individual character stuff I love, I've gotta give it to Sacha Dhawan for being a fucking superb Master. His acting is bonkers amazing and he does a great job portraying the sorta huge personal crisis the master is going through, and externalizing via evil schemes. At the end of Twelves run we saw Missy try to be like the doctor, to get her friend back (and even succeed a bit) but end up dying for it. Now we come back to a master who died trying to be like the person they see as their only equal, and has discovered (wrongly) that they were never equal to begin with, that the doctor is so much more than them. So he tries to make her like him instead, and If she won't become like him and kill them both along with the rest of gallifrey, then he will become her properly this time (by body snatching), ruin her legacy, and die with her eventually (overtaking her in the same way his whole existance has now been caused/overtaken by the doctor in his eyes, because of her being the source of regeneration)

Also can we talk about the Yaz?? I've been dying to talk about Yaz!!! I love her a lot and I find her fascinating, shes probably my favorite companion based on just sheer amount of time spent Thinking about her. Her doctorification/character arc is so good

Yaz is into the travelling and saving the day lifestyle the Doctor gives her for the responsibility of it all, for feeling useful and capable and good. Her early characterization Monet's include her complaining about not having more interesting jobs as a cop because she wants responsibility, she wanted to be important and helpful (that's the entire reason she became a cop, to help people like she was helped when she was in a dark place, and she finds a better way of doing that with the Doctor). And she GETS THERE, narratively and on a character level, she spends three years on earth with her own companions! She co-pilots the TARDIS and can fly her herself! She saves the day when the master steals the doctors body! And most of all SHES EXTREMELY SAD AT THE END BECAUSE THE PERSON SHE LOVES DIED BEFORE HER!! JUST LIKE THE DOCTOR !! (ugly crying) (I could write a whole other post about thasmin, good and bad, but a lot of people have put it better than me)

Also, I'm a big TARDIS girlie, she has somehow ended up being one of my favorite characters in doctor who, and the chinball era does so much fun stuff with the TARDIS!! Different writers take different approaches to the TARDIS, and how alive vs inanimate, or how active vs passive she is. I think the Chinball era had something special in terms of the way the TARDIS was depicted, and I loved it a lot. We never really get to see past the control room but it's a gorgeous control room! And throughout the era the TARDIS just feels so alive, it's always humming and beeping and chirping, I especially love the moments when the lights change color to match the doctors mood (mostly to blue, for sadness, sometimes red to yell at that dalek that one time). And speaking of the doctor, starting with ghost monument thirteen has a bunch of sweet moments of banter or just ~emotions~ with the TARDIS. I genuinely teared up a bit when she entrusted the timeless child memories to the TARDIS,and before her regeneration speech when she asked the TARDIS to look after her. Because who can she trust with her past AND her future except her oldest truest friend.

I could add a lot more of specific things from the era I love (solitract my beloved) but I think this is getting long enough as is lol.

#doctor who #thirteenth doctor #chibnall #jodie whittaker #flux #timeless child #dw #also sorry about answeing so late i forgot this in my drafts lol

124 notes · View notes

yersina · 6 months

Text

a linguist plays chants of sennaar (pt 5)

[pt 1] [pt 2] [pt 3] [pt 4]

the home stretch!!

disclaimer: can't promise that i'll have any insights that a layperson wouldn't have, this is kinda just me thinking through the grammar of the language out loud haha.

this post covers the fifth and last language in chants of sennaar and will contain spoilers for both the language and the endgame! it also assumes you know what the symbols mean already.

i.... to be completely honest with you, i did not enjoy this language 😂 i think the experience of deciphering it got lost in favor of the storyline, which isn't necessarily a bad thing for everyone, but hey, i am the one going through each of these languages like a linguistic bloodhound here lol. because of that, i'm not as familiar with these words as i am with the other languages.

before we get into anything else, and also because i imagine that this will be a shorter post because the game itself tells you what patterns to look for, i do want to say that this language strikes me as being incredibly artificial. which is a good thing! it emulates the digital apocalypse vibe that exile gives. but a language that leans so heavily into being constructed and recombined and modulated so easily really gives me the impression that it was created and not organically developed. the only other irl example that comes to mind at the moment is korean hangeul, which was purposefully created by king sejong and is an alphabet, not a logography. like, this is a language that i would make for fun in high school (which is to say, it gives a kind of overly grammatically strict, awkwardly too regular vibe?).

it's kind of funny that this language is where i'm starting to get reminded of conlangs, especially when, well, everything in this game is a conlang. but if we take each of the radicals in this language as affixes/morphemes when they're being combined into one character, then this actually reminds me of a specific conlang (ithkuil, i think?) where you can convey incredibly complex ideas through very few words.

the language of the anchorites isn't quite this complex, but hopefully the comparison gets my point across?

i’m curious if only certain elements can be combined with each other or if there’s a certain order to them, but it’s hard to tell when there’s such limited evidence in the game. interestingly, i believe the anchorites’ language is the only one in this game that makes a distinction between “die” and “death/dead” by combining the noun with the verb “go”. not sure why the developers suddenly made that decision haha.

this language, like most in the game, is an SVO language, which we can see below:

but i think also they (the developers) were trying to convey more complex sentence structures than their language was designed to communicate??? so then you end up w smth like below:

which, if you translated literally, would actually be “you man i wait”. again, super interesting bc i think an actual, more accurate anchorite sentence should be “i wait you man”. they have a more complex sentence here bc of the predicate (“you’re the one”) and the dative (“for”), but really the sense that they’re trying to go for is “i was awaiting the one [who is you]”. i guess it’s possible that different grammatical cases are treated differently in this language, or that, like english, word order is occasionally variable (even tho that option seems iffy bc we haven’t really seen evidence of it before), but tbh i suspect that really it’s that the developers wrote the dialogue and then brute forced it into the anchorite language haha. no shade! (and also impossible to confirm either way lol) just kinda amusing and also it makes sense when it’s p obvious their focus shifted from the language to the story.

this trend continues throughout all of the anchorite dialogue (imo) and makes it kinda slow and awkward to read if you don’t have all of the characters translated. in my opinion, the way that the language functions in the last part of this game makes it pretty clear that the developers meant for you to rely on the given translations during this potion of the game, especially when the translation mechanic is mostly through the matching terminals in exile, rather than speaking with people.

annoyingly, the anchorites’ language is also the only one in the game that doesn’t have words for the other people/cultures in the game (demonyms), which also doesn’t give much to work off of in terms of cultural context, relationships, etc.

again, i’ve decided not to get into an in-depth orthographic analysis of this particular language bc the game itself introduces you to them. one that i noticed that wasn’t specifically addressed in-game is the similarity between “open” and “key”, which is something that i actually also noted before in the devotees’ language. i’m sure there are others, but i’m also sure you can find them yourself!

all in all, a strange ending to this game. if you’ve made it this far in all of my posts—thanks for hanging around! hope you were able to learn smth new :)

#sina rambles #sina plays chants of sennaar #chants of sennaar #linguistics #language

66 notes · View notes

seyaryminamoto · 10 days

Note

Do you have any particular thoughts on Netflix Avatar Season 1? I haven't watched it myself but I would be curious to hear what you have to say.

I do indeed! I didn't watch it right away, but I have watched it indeed. I think there are merits to certain changes they did, I can see the sense in many of them, that doesn't mean EVERYTHING they changed was good, but it does feel like they were engaging with the original content in a far more creative way than a lot of people are willing to acknowledge or try themselves. No, it isn't a perfect remake of ATLA, but being the critic that I have been of the original show, nobody could ever convince me that the original was perfect, just as this new show isn't perfect.

I want to make a big post on the subject one day and try to get to everything it brought up... once I have more time on my hands, I'll try to do that. But, to give you a bit to chew on... I'll try to do one good vs. one bad on my part, of whatever I can remember right now.

GOOD: I actually do not mind the multiple prologues in the first episode, even though I don't think the changes were handled perfectly. I do believe that showing the genocide is not nearly as bad a choice as a lot of people pretend it is (the way it was portrayed is questionable mostly from a tactical point of view but that's just me being a freak about that... studying basic warfare really fucks up your suspension of disbelief when it comes to war scenes). Mainly, I think it IS important to show it due to the amount of people who are still convinced that Aang didn't suffer nearly as much as most other popular characters did -- that soooo many people have made these claims without a care in the world throughout the twenty years since ATLA first aired proves that the genocide was not treated with the severity it should have been by the OG show. I'm not even sorry to say it. It doesn't feel like a trivialization of violence, it feels like actually setting straight the degree of violence a genocide entails. People asking for a less intense version of genocide basically appear to be asking for the actual gravity of such events to be sanitized so they can chew on them more easily... and that's exactly what leads to it being trivialized, minimized and not taken seriously, if you ask me.

BAD: I don't particularly like the way Fire Lords are so... casual with commoners. Both Ozai and Sozin stood on the same level as a rebel/spy right before setting them on fire, no doubt it's meant to be some sort of flex, but... men of their ideologies and pride would not want to be up close and personal with anyone they consider that far beneath them. Odd choice there, imo.

MOSTLY GOOD: Aang does feel way more serious and has much more dramatic gravitas in everything he does. And this is not a bad choice, in essence. I don't particularly love that they tried to lessen it with occasional "Aang's a silly kid!" verbal reminders that don't actually have any proper visual evidence, because most the silly things he's up for are things the two older kids (Sokka and Katara) are perfectly fine with doing too, hence, he doesn't feel childish at all and it comes off out of place for him to talk about being more childish than he actually is. So... they really didn't need dialogue to try to emphasize his childhood if they weren't going to write him being a goofball. It's fine if he isn't one. He always could be a more serious character, it's only a problem when there's no further substance to him than just brooding (which is what I remember from the Shyamalan movie...).

WEIRD: Aang and Katara both had weird scenes of standing around doing nothing but smiling at their hometowns in episode 1. Maybe it was done as a parallel between them, but it felt a bit... overly theatric? If that makes sense? Like... I know we need to see their daily lives and the context in which they've lived... but it doesn't feel entirely logical for that to happen with them just standing in place and smiling fondly at their world. Most people do not do that in their daily lives...?

GOOD: ... Contrary to what a lot of the fandom seems to think, I actually like the suuuuuper slowburn Kataang here because any potential romantic payoff those two might get isn't nearly as in-your-face as it was in canon. The way their friendship is growing feels far more organic. And some of my favorite character moments in the show were actually between them. Which is not something I'd EVER say about the original show. There's a different sense of maturity for the characters here, and I like that.

BAD: I... do not like Sokka's changes. No, it's not about the sexism. It makes sense to me that this aspect of his character would be changed, updated in a sense: you can even still read him as sexist in some regards! It just isn't as simplistic and straightforward as it was before. But that's... not what bugs me the most. The show genuinely surprised me by taking him far more seriously as a character than I anticipated they would, but they absolutely picked weird choices with him in stuff like his family issues (... the Hakoda changes are just straight-up cringe for me, there's no justification for making him some sort of bitchy soccer mom who congratulates his son but then shits on him behind his back??), his insecurities as a warrior and the frequent remarks about how maybe that's not his path in life even though he does just fine at it, and... his romantic relationships. It's wild, because I actually think they did Sukka a thousand times better than it is in canon, and yet in doing so, they absolutely deadlocked themselves into a whole other problem: Sokka bonding that much with Suki and then hitting on a random Fire Nation soldier like two episodes later?? Then having the romance of his lifetime with Yue by the end of the season?? Ngl, it feels like we're watching one of those sitcoms where characters switch love interests in the blink of an eye. Changing this element of his character this way, when Suki's romance in particular was given new qualities and way more substance... may not have been a great call since it makes him come off insanely shallow, ready to get with any girl he comes across, and frankly, he didn't feel like that in the original show to me. He's also not really funny when he's supposed to be? Part of what made Sokka funny originally was his role as a voice of reason while everyone else ignored him. They occasionally tried to mimic that here... but in ways that didn't really work? Also, the Ron-Weasley-In-HP-Movies brand of comedy of "watch this guy scream, it's soooo funny" is... so trite at this point. Please, don't. Personally, this really feels like a whole other character who isn't Sokka. And some people might think that's great... I'm not one of them. Maybe I'm just experiencing the crisis a lot of people are over Katara with Sokka? But where changes with her do seem to go for things I actually wasn't fond of in her character, I don't really feel like they did better with Sokka in the least.

GOOD: ... "Katara learned waterbending too fast", they say: she did in canon too. A month of training under Pakku is not nearly enough time to justify her being deemed a master in canon. Complaining about how she didn't get that training at all here and still got deemed a master gets a "meh" out of me because I frankly do not see it being remotely as different from what canon did as people want to think it is. Katara was fighting Pakku with way too much power in the OG show for a kid who never got formal training to begin with, and somehow nobody minds that. I don't think someone who was on that level of power in the OG show was nearly as inferior to a seasoned master as a bunch of people want to believe. So... outrage about how they sped up her learning process when we in fact see a LOT more internal growth for Katara, and a lot more depth to her bending source here, makes no sense to me.

Along with that: bending has always been connected with a bender's internal energy, which is related to their peace of mind and internal balance. This show did not invent that. Firebenders are the ones who are most explicitly shown to be connected to their feelings that way, sure, but if you needed ATLA or LOK to non-stop feature characters talking about how a person's chakras had to be cleansed and their hearts clear and their every spiritual thread cleaned up in order to reach their best possible shapes as benders? You probably have bigger problems in analyzing this show than just whining over whatever the liveaction did. A straightforward connection for Katara with her emotions and bending isn't a negative choice in the slightest to me, more so with a character who has constantly been characterized as deeply connected to her emotions: it makes sense that her bending works and evolves the way it does in the liveaction to me. Sorry not sorry.

BAD: Zhao. Uh... I've seen people say they like him here? I felt like I was watching a con artist. It's not the actor's fault, clearly he was given this concept to work with and he did the best he could with it, but the idea of removing Zhao from all prior connection to the Royal Family, making him a total unknown who came out of nowhere and rises to prominence through conniving and scheming feels like they decided to merge him with Long Feng, maybe? And it might even backfire if they DO have Long Feng next season (... they should???) and he has a very similar profile to what they did with Zhao. I didn't enjoy his characterization at all, he was just... weird. So, not a change I was big on.

GOOD: Iroh. My god. I hate the fact that I'm saying this. But I will say it was insanely cathartic to watch that EK soldier beating him up. And that's not all: Iroh actually seems to be struggling actively with right and wrong here, showing hesitation over the war, and most importantly... HAVING A PERSONAL DYNAMIC WITH AANG??!!! I never imagined I would be that happy to see that, but I was. The few moments those two had together were damn solid, some of the best in the show (and the best for Iroh, sorry not sorry, I have never ever been an Iroh-Zuko obsessive fan and I genuinely find myself more intrigued by Iroh's potential bonding with other people, never thought about it with Aang but this show 100% blindsided me with it in a good way). It seriously made me mad that the OG basically never gave them that chance besides... that one scene in the catacombs that was very much just Iroh being a fortune cookie? Aang actually being an element that basically waters the seeds of doubt in Iroh's head is a GREAT change. I said it and I'll stand by it.

BAD: Hahn and not because of the usual reasons: their characterization rework of Hahn was fine. More than fine. The actor they cast was also very pretty! All of which makes it EXTREMELY questionable that Yue somehow has this perfectly decent guy and... uh... chooses the reworked Sokka instead? Like, I know that's how the OG story went, but when you turn Hahn from an opportunistic dick to a perfectly admirable warrior and individual, and feature Yue saying he's great but he's "not the boy of her dreams" (you... dreamt about him ONE TIME?? He's never been in the Spirit World besides that, so wuuuut...??), it makes her choice in romantic interests feel extremely questionable and weird. I'm all for Yue being given more to work with, but this seriously feels like she's... a little crazy. Hahn comes off waaaaaaay too decent for her not to be interested in him... ofc, as long as she's someone attracted to men, which, considering she picked ANOTHER GUY, it's to be assumed that she is?? Ergo nothing makes sense to me. Come to think of it, a lesbian Yue rejecting Hahn is probably the only way her rejection of Hahn would make sense... and it would also not cast such a questionable light on reworked Sokka if he and Yue weren't romantic at all, right after he had that big connection with Suki back when the show began?? So, heh, maybe lesbian Yue is the only thing that would've made sense if Hahn gets reworked for the better like this, sorry not sorry....

GOOD: The full-blown, outright display of Ozai's abuse on Azula rather than subtleties and insinuations. Again, much like in Aang's case with the genocide: PEOPLE DENY AZULA WAS A VICTIM OF ABUSE ALL THE TIME. People pretend Ozai actually loved her on some weird level or that she FELT loved, ergo she was fine and Zuko's the one who was abused. This is not new. We've been dealing with people barking that kind of nonsense since almost twenty years ago. And the backlash from that exact crowd when this show made it evident proves that they refuse to accept Azula as a victim of abuse to this day. Ergo, sorry not sorry: I'm glad they handled it as they did here because it makes it undeniable that Ozai is pushing Azula to extremes and she's pressured to deliver and become the weapon he wants her to be.

BAD: ... the Mother of Faces. That may have been the most egregious offensive and bullshit moments in the entire show. I was so mad when she was brought up at all. It was awful. I hated it. It really must be my most hated moment in the whole thing. UGH.

GOOD: Katara apologized to Sokka once. You know. One time. That, I think, marks the single time in any official Avatar content where she has done that. Call me a salty asshole, but I'm genuinely impressed that they did that, so they get a point for it.

BAD: Bumi. I know some people think the rework for Bumi is great... I could not disagree more. His treatment of Aang is really unacceptable, his behavior is very irresponsible but this time in a vindictive way... I was even reasoning with the fact that he knows Aang is the Avatar, which ALSO happens in the OG, without having known it in the past! The difference? It feels too arbitrary and random that he'd know that here, whereas in the OG show, he IS random and arbitrary, yet somewhere amid so many nonsensical ramblings, he shows insight and intelligence that makes you think there's more to him than meets the eye. I may need to rewatch episode 5 of the OG show in order to confirm this, but I also think that most of the implications there regarding his challenges is that they were actually harmless even if it doesn't look that way all along. Here? They're not harmless at all, he's basically vindictively trying to get Aang to either die for his "sins" or get himself killed through him and neither thing sits well with me at all with this character.

GOOD: Gyatso, expanding on his character and making him a much more straightforward equivalent to Iroh for Aang actually is really helpful, it makes him less of a "stock character" victim to the Fire Nation, it gave him more depth and it makes Aang's bond with him feel much more real. I am very sorry to all OG apologists, but I continue to believe Aang's cheerful behavior was written primarily to appeal to the children demographic that Nickelodeon was aiming for as their audience, which meant he could not be particularly human and truly grieve for everything he had lost. This show doesn't hide that pain at all, and it's particularly good that it does that by showing what a constant presence Gyatso was in Aang's life and by letting them have a manner of final farewell in that episode (... even if I didn't particularly like the episode, but still, it wasn't a bad idea to do that).

BAD: ... call me a consistency freak if you will, but I did not spend all these years obsessively trying to make sense out of the wobbly worldbuilding of the Avatarverse to be told that the entrance to the Cave of Two Lovers is within Omashu and that it leads into the arena within Bumi's Palace. Sorry. I can't accept that. I can't. I legit laughed throughout that whole situation because that's not where the cave of two lovers was, the badgermoles would be causing earthquakes non-stop through the city, and the sewers system would not even work because they'd constantly get fucked up by the creatures (as we know, there's a scene in Book 2 of the kids climbing out of the sewers, so either they won't do the pentapox or they'll forget about the badgermoles conveniently by then...). So. No. Sorry but no. Also, why did they kill Oma??? I know they turned both lovers into women, but... precisely because they did that, why exactly was there any need to change which one died?? Either one you kill is a woman now anyway so... what's the difference? WHY the difference?? Odd.

GOOD: ... Zuko keeps a notebook on his research and investigations into the Avatar. There were many changes to his character but that's the one that stood out the most to me. He actually seems a little bit more methodical, if not smarter, but you know? Kinda smarter anyway for at LEAST thinking that keeping a book with the results of his investigations could help?? Feels like he's actually trying rather than just whining about how rude the world is and how hard he has it. Which, in the end, might ALSO come down to him actually having some hope that Ozai didn't hate him irremediably... which, too, is a good change. I've talked about it before, other people have too: a firstborn firebending male prince has no business being discarded because of incompetence unless he's just THAT pathetic, and even in canon, Zuko wasn't as bad as to justify pushing him out and treating him as shittily as Ozai did without an actual, THOROUGH, exploration of Ozai's motives. You can elaborate, but the show never really did it, and if anything, it offered a bunch of conflictive information about why Zuko thought his father liked him. Here, it makes more sense that he thinks Ozai isn't as much of a bitch as he really is: the Agni Kai is a lot more interesting because they merged both Zuko vs. Zhao and Zuko vs. Ozai into one. The fact that Ozai actually burns Zuko and defeats him BECAUSE he was punishing him for not taking advantage of an enemy's weakness? It's a million times more telling about Zuko's character than what we saw in canon, where he was down to fight an old man out of hybris and then shat himself as soon as his father stepped up instead. So... I don't like this Zuko, which tells you they're doing him right anyway x'DDDD but I find there are a few elements about him that make him at LEAST a little more respectable than he was in the OG show. Among them? He's not constantly ranting about honor but actually lashing out at dishonorable choices out of principle, which makes it sound like he has a WAY better grasp on that concept than he does in canon :'D sue me. This is a Zuko rework too, and fortunately, not ONLY geared towards sanitizing him (even though there IS a fair amount of sanitizing too... which annoys me, but what else could we expect in the era of political correction).

BAD: ... Why the fuck did they decide the way to fix Iroh harassing June was to make her horny for him? Please? Of all things??? All they had to do was just... not make any romantic/sexual implications there. At all. Was that so hard to achieve? This is probably the second worst thing for me in the entire show, ngl. I do not understand the need for it at all. Most of all when they CLEARLY changed it due to knowing Iroh absolutely was a bastard in the OG with his behavior towards her. Isn't it easier to just NOT put any implications of attraction in there? I mean, I should be happy June didn't fully harass Iroh but the way they presented it, it felt like he wasn't even comfortable with it either! This... is not the way you take revenge for a character sexually harassing another one. Bad, bad take, I don't know what made them do this but they absolutely did not "fix" this, they overcorrected it and made it gross as fuck to me anyhow, most of all with the context of knowing that Iroh was the one being inappropriate as fuck back in the OG.

ALRIGHT. I know there's bound to be more, and I probably could think of more soon but I think I'm giving you this for now or else I'll end up making my major post here x'D

All in all, I don't think this show is unwatchable, I absolutely understand people who think it was fun, I also understand people who couldn't get used to the changes and outright dropped it. What I can't understand/accept is either pretending this show is the greatest thing ever (much like I don't think the OG ATLA is...), or pretending that it's the worst one either. This show engaged with a lot of elements in different ways than the original did: not all of it was a miss, not all of it was a hit. And I feel like it's a matter of fundamental, human decency and respect not to go completely berserk taking a ten-ton dump on this show, which to this date is the biggest production in Hollywood with a primarily Asian cast and crew of all time, from what I know, by pretending it has destroyed this franchise completely and that any support for it must come from brainwashed idiots or "not true fans". The gate-keepy attitude comes as absolutely no surprise in this fandom, ofc, but it's still disgusting to see. You CAN be critical of this show with dignity. You CAN do it while respecting other people who enjoyed it completely. It's not too much to ask. I may have learned that lesson the hard way with the ATLA comics, but even then, it wasn't my M.O. to jump into every single comics-positive post to tell people why they sucked and how dumb they were for enjoying them.

That's what I've got for the time being :'D hope it's enough for now.

#zuko-always-lies #natla #it's not perfect #neither is the OG #oh I didn't mention it in the final paragraphs but #I find it particularly hilarious when people rage at the new one #for things the OG did too #like I'm sorry here but you can't come to me and praise the OG for the exact stuff you hated the remake for #at least be consistent??#anyway anyway there we are for now

30 notes · View notes

everchased · 5 months

Text

finally finished karlach's personal quest 🥹

WHAT a fucking gut punch. the writing (and VOICE ACTINGGGGGG) of her breakdown is so honest imo. the way she just darts back and forth between grief and anger and how, just through proximity, some of that anger gets directed at you. because why are YOU so special!! and the person she could be most upset with is dead and she killed him and that's great but she's still here and YOU get to be fine!!!!!

i held it together pretty well up until returning to camp and getting everyone's opinion on her situation. the fucking option to plead with jaheira to be on your side and maybe help convince karlach to go back to the hells until something can be done... the dialogue of "i don't know what else to do, Jaheira." and this battle-wisened woman's sympathy to that statement. that had me ugly crying for real.

i feel like right up until that point the game afforded a lot of options to not speak if you were unsure of something's outcome but not really a moment for tav (especially a good-aligned tav) to admit to the crushing reality that they can't fix this situation. for someone close to them no less. having spent days in game running around doing exactly that for people who mattered less. devastating.

anyway cleans the tear stains off my glasses i'm super good and excited to finish this playthru.

#bg3 #bg3 spoilers #SPOILERS IN THE TAGS AS WELL #and on a personal note re: my tav finch #HAUNTED by dame aylin's comment about paladin fatigue #and being an oath of VENGEANCE #and seeing how empty it can be!!!! for the like. 3rd time!! this 🤏close to falling out of faith. but the battle isn't won so we persist.#like wow wow ok cool the fight never ends and the people who don't deserve it still lose so much and for what.#he knows for what but it still hurts. but if karlach can be happy and accept things then he will pretend #i'm glad my durge is dating karlach i bet that route will be. different :)

45 notes · View notes

vigilskeep · 11 months

Note

do you have a preference for bethany as a grey warden or circle mage? or does it depend on your hawke?

all bethanys are good bethanys but i’ve come to the conclusion that circle mage bethany will always be first in my heart and i’d LOVE to discuss why

act 1 bethany feels powerless and lonely. she hasn’t had a fellow mage at her side since her father died. she’s caught between guilt at what her family has had to sacrifice for her sake, and resentment that it’s a sacrifice she never even asked them to make. she didn’t choose to be an apostate like her father did. nobody ever gave her the option if she wanted to spend a lifetime on the run, endangering everyone who loves her, rather than accept the world she lives in. she’s a twenty year old who just lost her home and half her family; is it really any wonder that she’s as drawn to the relative stability of a life in the circle as she is afraid of it? a life where she wouldn’t be marked out and isolated, but among people like her, who understand more than even the most well-meaning non mage sibling ever could? why does being born a mage make it her job to fight this, instead of take the life she’s given?

a bethany who goes to the wardens is pushed there by her desperate sibling; a bethany who goes to the circle personally agrees to come willingly, despite hawke’s protests. it’s a minimal but very defining change in agency. her experience in the circle, too, is what she makes of it. we see little of the life she builds there, but she is clearly able to excel and be recognised for her own merits; even if it weren’t mentioned in her dialogue how impressed they are with her training, and in her letters how she has taken on the role of helping with the young initiates who also in game clearly look up to her, we constantly see her at the first enchanter’s right hand. bethany’s circle mage dialogue in the dlcs—some of the best dialogue in the game, imo—makes it clear that not fighting the circle is a choice she’s made. she tells anders, “i’m not leashed”, “i can pretend to be miserable if you want, but i’m not”. she tells aveline, “life is what i need it to be.” if hawke offers to help her escape, she says the circle is comfortable... for now. she’s smart, she’s capable of defying and deceiving the templars when required, and she’s making her own decision to do her best within the circle and see what comes of it. maybe it’s not healthy for her to give in to her imprisonment. in protective older sibling mode, i hate to see her talk like that about the mistreatment and danger she faces, as if it’s acceptable. but what both hawke and bethany can get from the circle mage route is that her life outside the circle can’t really be freedom either until it’s her choice

in the circle mage route, bethany can’t be badgered into learning her own self-worth by well-meaning lecturers. she has to learn from her own experiences, and choose the mages’ fight on her own terms. thematically, i think it’s one of the most compelling thoughts on the topic of the circle that da2 has to offer: someone with an open mind experiencing it, being grateful in some aspects for what it offers, exploring that it may not be as bad as some apostates fear and it may be possible to salvage a life from it, but still absolutely ultimately learning from it that mages deserve more. she says so outright: that her time in the circle is what she needed to “see the need to free my fellow mages”. not just learning the value of the life she once had and her own freedom, but taking up an active purpose that also brings into play the community she gained from the circle. it’s a brilliant, nuanced arc for her and it makes me so so proud. it also makes you see the chantry explosion with a distinct perspective and in, i think, its best light: as a call to action that sharpens the battle lines into focus, and acts as the final catalyst to let mages see what’s necessary past their fear. for me it’s hard to imagine what i couldn’t justify, watching my little sister finally believe her freedom is worth fighting for

narratively, it’s my favourite route for hawke’s overall story as well. bethany going to the circle defines the stakes of da2, with meredith’s sword permanently at your little sister’s throat, creating a desperate tone no other type of playthrough can offer. the warden route on the other hand distances her from the story, making her cameos feel sudden and stilted. the conclusion of da2 is very much about circle mage bethany, both her life and her way of life on the line, hawke finally able to defend or take up arms against the last of their family. by contrast, when grey warden bethany shows up to take whatever side hawke does, it gives the impression to me that she’s only talking like she’s completed a character arc during the last straw because, well, the writers know this is where the game ends. we don’t see or earn her progress. the circle mage bethany route also feels like hawke’s choices are really challenged, rather than hawke making an executive decision to “save” bethany in yet another way she didn’t ask for, and then basically waiting until she comes around to it and apologises for being mad

that being said, i adore bethany getting to fully express her bitterness and anger as a warden, and i think her hatred of that path makes her one of the most interesting warden characters in the entire series. it also involves her unlearning her repression of her negative feelings, a repression which absolutely continues to be at play in the way she defends her life in the circle and downplays its horrors for the sake of those that love her. the warden route definitely has its merits. also her warden staff does fire damage which is LITERALLY her thing why tf does her circle mage staff do nature damage i hate it here genuinely

#bethany hawke #been a while since ive really essay written on here. bethy <3 shes my world

99 notes · View notes

tennessoui · 2 months

Note

I think the therapy questions at the end of the chapters are what really twist the knife for me. Their feelings are so close but their reactions are so differentand they are blind to the other and themselves. Are we going to see Sheari's reaction to the question packet or have her bring up their answers in a session, might be a good way to shake out some rational thought from The Team

the questions at the end are probably like one of my favorite formatting/storytelling decisions i've ever made for a fic ever, so im glad that people are really enjoying them too -- they're a great way to cut through the bullshit of what obi-wan and anakin are saying to each other or those around them (even when they're trying to be honest) and get right down to the very, very, vulnerable truth of the matter that they would never actually say aloud

(from a writing perspective, sure, they could say it out loud - after all, there have been moments of pure honesty between obi-wan and anakin already during fights or during reconciliations, but even that honesty pales in comparison to what the questionnaire says. the answers to the questionnaire are like. unspeakable levels of honesty. you write that shit in a diary levels of honesty. having one of them try to share it in a conversation out loud would, imo, sound clunky and overly dramatic like grandiose declarations that don't fit into natural dialogue......but adding them at the end of each chapter forces the reader into the pov of the counselor for a few paragraphs, reading it for the first time and getting only the absolute, vulnerable truth from the two clients and going damn these guys are sorta insane)

i'm not sure yet what role i want their answers to have in the actual sessions they attend - i don't know how i'd write obi-wan or anakin really actually sitting through and allowing sheari to read their answers out loud in a room that contains the guy they were thinking about. i think it would feel like some sort of betrayal at first. but maybe after they've had many sessions? or maybe if she only read out a bit or asked them to expand on a few points they made?

i'm torn because you're right it would be a good way to cut through their bullshit and show them both that 'hey, this is how he feels about you when he's just alone with his thoughts and being completely honest. how does that make you feel?'

but at the same time would that burn more bridges than it built?

i imagine sheari asked for a second copy from each of them with more detail because she wanted to read through and take notes on 'problem areas' that she could then bring up separately (ie, they have problems in their sex life, let's have a whole session revolving around sexual and romantic intimacy)

but then she probably just highlighted like. every question lol good luck sheari my beloved

#asks #couples counseling au #obikin #this turned into more of a 'about the questionnaire' than i intended #but i do love that choice i made #to include them at the end #and how it creates three separate levels of honesty/deception in the fic #what they say in conversation (could be lying could be avoiding the topic could be using weaponized honesty)#what they say to each other when they're really being honest (a la anakin in chapter 4 'what if i'm not fine')#& what they put in their questionnaire that no one but the paper they wrote it on the counselor who reads it and the reader of the fic know

34 notes · View notes

rongzhi · 11 months

Note

hello wawa! i've been following you for a few months now and i'm very fond of your blog! i've especially enjoyed the videos of jiang, xiao bai, and fan luda. they always make me laugh with their antics 🤣

i'd like to ask you a language question, if that's all right. i'm working on an art project, and i'd like to add a bit of written dialogue which involves a man asking his lover (whom he believes to be dead) to return to him. (he doesn't actually expect it to work, it's only meant to be an expression of grief 😅) i've tried a few different online resources, but several of the suggestions were quite different to each other, so i'm unsure if any of them are right for the situation. they were like this:

请回来吧

求你回来

给我回来吧

would you mind telling me if any of these are correct? or if there's a better way to express the feeling and you wouldn't mind sharing it, i'd really appreciate that! (i totally understand if you can't though, i just thought i'd ask since i've seen you explain chinese language before 😅) thanks very much, and i hope you'll keep sharing douyin with us for many a day to come! 😊

The suggestions you found:

请回来吧

"Please come back then". The phrasing here is odd even without the context of your scene. 请 is a polite way to phrase a request, but 吧 at the end makes it seem like a casual suggestion. My verdict: NO!

求你回来

This is a little more like it. 求 is more a beseeching request. "Please come come back". It is still missing a little something imo (see my suggestions further below). Verdict: Not bad, but just ok

给我回来吧

"Come back to me then". To me, this line suffers the same issues as the first. The start of 给我 ("give me") makes the sentence more of a demand, which would be fitting for someone in grief, but the 吧 at the end turns it into a casual suggestion. Verdict: Could've been ok

My suggestions:

求求你再回到我身边 / 回到我身边

“Please come back to my side again" / "Come back to my side"

Either of these would be fitting, in my opinion, depending on what you're going for. In the first, 求求你 “[I'm] begging you" at the start adds a more desperate edge. The inclusion of 再 ("again") might seem a little clunky in the English translation but all it really is in the Chinese is an emphasis on the fact that the person the line is directed toward was at one point at the speaker's side. The other version of the line means the same thing but is simply stripped of the points of emphasis in the tone. One reason you might choose this version over the other written version is if you want something else in your art piece (e.g, the depiction of the speaker's expression) to deliver more of the emotion to the viewer or you want the delivery of the line to be more up to the viewer's imagination.

你给我回来

"You come back to me"/"come back to me"

As you can see, this is a slight edit to one of your lines. Overall, I tend to think of this version as one that has a more demanding tone, embodying a sort of anger that may accompany grief. The addition of 你/"you" in the line creates a point of emphasis and draws a line between "you" and "me"... Come back to me. Come back to me.

Just my quick take! Good luck!

Edit: saw your follow up about the xianxia setting. I think it doesn’t really matter with this particular line. All the words contained are pretty basic, someone in a fantasy historical setting could say them too.

#answered ask #language ask #text #long post

81 notes · View notes

juanabaloo · 9 months

Note

Top 5 sapphic movie recs? :)

Thanks for the ask! In order, from 5 to 1: D.E.B.S. (2004) - Lucy and Amy Mosquita y Mari (2012) - Yolanda y Mari - the one movie i would show my kid self (if i could time travel) Bound (1996) - Violet and Corky Imagine Me and You (2005) - Luce and Rachel Saving Face (2004) - Wil and Vivian - the one movie I would save from a fire (if i could only save one)

[captions top to bottom: Lucy and Amy with guns drawn in D.E.B.S. Yolanda and Mari hanging out in Mosquita y Mari. Violet reaches out to hold Corky's hand in Bound. Luce laughs as Rachel fishes her wedding ring out of the punch in Imagine Me and You. Wil looks at Vivian's hair and then stares longingly at her face in Saving Face.]

Highly reco all of these! More spoiler-free ranting, worksafe gifs, and trailer links under the cut. (one mild SPOILER ... but good news: none of these women die, like not even a little bit!!)

starting the list at Number Five: D.E.B.S. (2004) is Comedy, rated PG-13, and a campy delight. I buy the chemistry between Lucy (L below) and Amy (R ), and it's a cute enemies-to-lovers story. It doesn't take itself too seriously. And as the gif text says: Charlie's Angels but it's actually gay!!!

Best to watch: when you want something campy with some fun spy action scenes. Kissing plus. Also: Jordana Brewster!

D.E.B.S. (2004) trailer

Number Four: Mosquita y Mari (2012) is an unrated Drama (PG-13-ish IMO) that's one of my all-time faves*. Mari (L below) and Yolanda (R ) are high schoolers and they are INTO EACH OTHER. You can practically see the vibrations in between them. It's about two Chicanas and it touches on family and money and immigrant stuff. (*If I could go back in time and show my kid self one movie - out of all the movies in the world - it would be this one.) There is a lot of intimacy between them, but there's nothing explicit.

Best to watch: when you want to reminisce about high school and that friend you had feelings for. Grappling and holding hands and snuggling. Also: gorgeously shot scenes that set the mood, even with no dialogue.

Mosquita y Mari (2012) trailer

coming in at Number Three: Bound (1996) is a Heist movie, rated R, and amazing. The directorial debut of the Wachowski sisters. Chemistry for MILES between Violet (L below) and Corky (R ). Also a strong crime/thriller/heist plot, aside from all the chemistry. I don't find the violence to be THAT explicit but that's my opinion.

Best to watch: when you want to see a very sexy heist movie and don't mind some violence. Rated R for a reason (both sex and violence). Also: Jennifer Tilly and her voice! Gina Gershon in a white tank top! Both of them in leather jackets!

Bound (1996) trailer

Number Two: Imagine Me and You (2005) is a Rom-Com that's rated R, and super cute. It's love at first sight but there's some angst. Rachel (first gif below, L) is trying to resist her attraction to Luce (R ). I feel like this movie doesn't really deserve the R rating. Anyway, it's cute and fun.

Best to watch: when you want some decent angst, but a happy ending. Lots of intense making out. Also: British accents! a flower shop! Dance Dance Revolution! Piper Perabo and Lena Headey!

Imagine Me and You (2005) trailer

and at the top of my list at Number One: Saving Face (2004) is another Rom-Com that's rated R, and it's PERFECT TO ME. If I could only grab one movie to save from a fire - out of all the movies ever made - it would be this one! It's childhood friends - who reconnect as adults - to lovers. Vivian (L below in the first gif) is a dancer while Wil (R ) is a doctor, technically a surgeon. There's family and immigrant stuff, and they are both Chinese-American.

Best to watch: when you want angst with a happy ending, with some good mother-daughter stuff too. Flirting, making out, intense making out, hand holding, and yes a bedroom scene. Also: authentic Mandarin! a comforting mother-daughter relationship! a race to the airport scene!

Saving Face (2004) trailer

Lightning in a bottle stuff here, seriously. Lynn Chen (who plays Vivian) had never been in a feature film before. Michelle Krusiec (who plays Wil) had never had a lead role before. Alice Wu wrote AND directed the movie, and this was literally her FIRST MOVIE. You would never guess any of that watching this movie. They all knock it out of the park!!

Any questions about any of these movies, send in an ask!

#movie reco #intense movie reco #saving face #mosquita y mari #debs #bound #imagine me and you #i could talk about any of these movies for a solid hour #like if you put a gun to my head and said give a presentation with no notes these are all candidates for that #ask answered #beatriceeverytuesday #thank you original gifmakers #you are worth your weight in gold #thank you for the asks!

86 notes · View notes