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#the details here are amazing
zuzu-draws · 5 months
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["....And there is a certain Hunger within him, that is difficult to satiate.."]
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kaeyachi · 1 month
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Kaeyappreciation post!
Kaeya is wonderful in a sense that he:
Has a penmanship described as "Beautiful Handwriting". He for sure worked on that.
Willingly spends his time making sure his outfit looks perfect
Is well-loved by Mondstadt and the Dawn Winery staff
Is described to like a prince, both in looks and in actions
Is shown to be gentle and caring to children and elderly, most seen with Klee and the staff from Dawn Winery
Is a great listener and, therefore, also knows what gifts to buy based off of something someone said in passing
Is predominantly kind- unafraid to help out and defend someone in need. His first reaction is always kindness, and worry about covering up that kindness later on
But Kaeya also has his moments where he:
Says things out of pocket with enough alcohol in his system. Things that usually lead to shame and regret.
Would rather give others the credit for his hard work if he could help it
Intentionally makes himself look suspicious by withholding information and only throwing tidbits that are not of substance
Has sadist tendencies, which affects how he treats both his (cavalry) company and his enemies
Can and will use underhanded tactics to gain the upper hand
Rarely ever says what he truly wants to say
Has a fake smile. Usually lies or only deals with half truths.
He is such a complex character. I really do want people to appreciate him and his intricacies more. The fact that his entire personality and story is done so well and continues to actually grow and expand as the story progresses is something that genuinely makes me want to keep watch of him. I have never, in all my fandoms, stuck to a character as long as I did with Kaeya, and honestly? I know I'm not alone with this.
Look at how well they made our boy!
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observerkaine · 8 months
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It Spreads is a lovely comic created by the legendary @foxxology and in celebration of its 1 year anniversary they did a dtiys that I absolutely had to participate in!
Go check out the comic if you haven’t! Seriously, it’s a really good read with great art, go read it! (I linked it twice for further emphasis!!)
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linkedin-offficial · 3 months
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♟️ unholy
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tarnussy · 6 months
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Godrick the Grafted for Soulstober by Charoncreates Artist's Twitter & Carrd permission to share was granted by the artist
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writeouswriter · 1 year
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Reading a fic that's so well written I wish I could close my eyes and just let the descriptions and atmosphere wash over me, but the dilemma with closing my eyes is, well, I then would not be able to continue reading this fic, now would I.
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soapcan18 · 7 months
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EVERYONE I JUST NOTICED SOMETHING REALLY COOL
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So these are the Anemoi album covers, right? Do you notice a similarity between all of them?
Yes, they all have animals surrounded by a gold ring on them. Obviously there is a lot of symbolism involved with these specific animals and their respective albums, but that’s a whole other conversation.
Right now I want to point out the gold ring— more importantly, how is it changing as the albums progress?
In Notos, the thicker portion of the ring is in the bottom right corner.
In Eurus, that portion is in the top right corner.
In Boreas, it’s in the top left corner.
And in Zephyrus, it’s in the bottom left corner.
THE RING IS GOING IN A CIRCUIT!!!
The thick portion of the ring is moving counterclockwise with each album! And if you go back to Notos after Zephyrus, it’ll be right back at where it started!
This is yet another symbol of the Anemoi albums’ themes of change, cycles, etc. AND IT’S HIDDEN IN PLAIN SIGHT!
How COOL is that??? I just noticed!!
This is even crazier when you add on the fact that the final song you listen to, after going through all the albums, is Rounds.
And what is the ring doing? MAKING ROUNDS!! Going around and around as you keep replaying the albums, repeating the cycle of summer to fall to winter to spring to summer over and over again just as The Oh Hellos intended to convey :)
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fcb-mv33 · 7 months
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He’s so precious around children🥺🥺
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mettywiththenotes · 1 year
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Going insane over the way AFO lifts the sword out of his shoulder because it’s so. He doesn’t even use his hand, his palm, to grab it. He uses the back of his hand to lift it up and away
For someone like AFO who we know has a Big Thing with his hands - not just with his quirk but the way he uses them, the way he Offers and gestures, the way they trap and cover - seeing him not even care to properly lift the sword but, instead, lift it with the back of his hand; it’s so clear the attack is nothing to him. The object is nothing to him. By extension, Hawks’ efforts are nothing to him
And the thing is like. This is such a specific gesture. It means so much body language-wise for a character like AFO, but ESPECIALLY because it was drawn by Horikoshi, who has said that “hands are the body part most capable of showing expression and character”
Personally I would have been talking about stuff like this anyway but what gives it more weight and appeal for me is that I know Hori likes drawing hands. That means he puts a lot of care into how hands are drawn. So the fact that I can look at this panel and know that this gesture was drawn with care for how and why the character would do it, that it FITS the character so well, is just really good
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moonlitdark · 1 year
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Jamie as Marlowe is a whole mood. 💀🖤
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evelynpr · 20 hours
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Arlecchino Demo Music Analysis
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DISCLAIMER: I am no musical expert in any way, just a massive fan of the Genshin soundtrack and learned music theory as a hobby.
One of my favorite things about Genshin is its music. It is not just that it sounds amazing, but each element, style, and motif has meaning and purpose- while being orchestrated and mixed to create a truly magnificent and unique musical experience. It is no exaggeration that this soundtrack is one of a kind.
Arlecchino's Character Demo has just been released, so I want to make a musical breakdown of it because I think it is a stellar example of how Genshin uses music to signify its themes and present its story. Before we get into that, there are ideas that I must detail for you to get the full picture, so I hope you enjoy!
Genshin uses musical elements to signify certain ideas (places, characters, elements, etc.). For example, Chinese and Japanese instrumentation signify Liyue and Fontaine respectively, but it goes beyond this.
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"Travelers' Reverie" — Behind the Scenes of the Music of Sumeru | Genshin Impact
You may have noticed that a majority of Genshin's environmental music consists of real world instruments. There are even videos showcasing the orchestras and instruments of each nation (Mondstadt, Liyue, Inazuma, Sumeru, Fontaine), and using orchestral/live instruments even applies to other regions such as Enkanomiya, The Chasm, Golden Apple Archipelago, and etc. This gives each region a distinct musical identity, but all together it establishes them as places that are grounded and real.
During the final act of Fontaine's archon quest, we have been introduced to a new musical identity. This is Genshin's dubstep, and it has been used to signify otherworldly power. This genre not made by a real orchestra or real instruments, but through sampling (using existing sounds/music) and technology.
This is the identity in its most blatant form: (Shadow phase of the All Devouring Narwal boss fight)
This entire track symbolizes this. No other track within Genshin's world sounds remotely like it, symbolizing its otherworldly nature. It does not belong here- not with the live orchestras and melodic symphonies of Genshin's world.
Simply put, hardcore dubstep = otherworldly
Note: I am aware that many character demos and other tracks also use dubstep/EDM, but for the purposes of this post I think it should be left separate. Only if someone openly disputes this conclusion then I would happily oblige in presenting more evidence to this thru a reply or rb. Essentially, dubstep IS used in other tracks, but only in Silhouette of Catastrophe and Arlecchino's demo is the dubstep used as a"main idea", while also accompanied by heavy bass and "smaller intricate" sounds. This specific form of dubstep is what signifies being otherworldly.
Another musical element is children's singing!
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In terms of the in-game ost, children's singing is used most prominently in Dragonspine's soundtrack in Genshin's world- and I will admit that I am not sure why that is. Perhaps Dragonspine has themes relating to innocence? Childhood? Tranquility? Whatever it is, I am not sure of. (If you have an idea, I would love to know!)
Instead, we can look at a certain character demo:
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Nahida's! The beatdrop of her demo begins with children's singing. I believe this represents her innocent nature, status as a young archon, and the children of the forest that surround her- the Aranara.
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Not only that, but the only other people in her demo are all children. Suffice to say, Genshin pays very close attention to using their music to reflect the themes and attributes of their characters in their demos (I could make more posts about this- breaking down more demo music...I think that'd be fun)
It's fairly straightforward, but essentially children's singing = children, innocence, and childhood
Now let's (finally) look at Arlecchino's demo
Let's first review each of the main musical elements and what they represent:
Dubstep and distortion: Otherworldly power. For Arlecchino: her curse, power, and dominance. "A spark cannot shatter all shadows until it sets all ablaze"
Children's voices and music box: Children. For Arlecchino: a lullaby; possibly protectiveness/care or tainted innocence (depending on how you interpret how she sees her children)
The music begins with a solo piano- lonely, melancholic, and mysterious. This is how she is after the death of Clervie and the rest of the children of the HotH.
Afterwards, the piano gets distorted- then replaced with harsh artificial beats and musical turmoil. This may be reflected on how she defeated her "mother" using her otherworldly power- her curse.
Following this is the anticipated beatdrop. Fascinatingly, it is not actually lead by dubstep, but by a distorted music box with a creeping melody. Not only that, but it is accompanied by a children's choir and a drum beat together.
The dubstep then ramps up- completely overtaking the track. But one it has reached its height, it is interrupted by the music box and singing children.
One can interpret this as her children holding her back from unleashing her true power. When she is most ruthless and violent, she is reminded of their playfulness and innocence.
The choir ends abruptly- but afterwards, the children's voices and music box lead the melody, while the dubstep and distortions accompany it harmoniously to create one whole piece.
This is who Arlecchino is. A Father and Harbringer defined by "caring" for her children and her otherworldly power. A love that nurtures and neglects- a power that frees and destroys. A wolf in sheep's clothing, or a sheep in wolf's clothing?
However the demo doesn't end there- the solo piano returns once again.
"Its flame is no longer needed, for you have the strength to defend yourselves"
This is going into speculative territory, but perhaps after she passes on her title as "king", she is once again lonely, left without a family. After all, she may no longer be needed or wanted at all- not after all that she has done, not after all that she has failed to do.
Conclusion
I love Genshin's music from the bottom of my heart. One reason why is the attention, detail, and beauty put into each track. Each piece is not only an experience, but also a story, an idea, a character, a place, whatever the artists wish to portray.
Arlecchino's Character Demo is one but many pieces that showcase this. In this track, we are able to discern Arlecchino's two core ideas, her relationship with her children and otherworldly power, through an incredible combination of singing, a music box, and dubstep. One can even theorize the course of her story through its visuals and music, in the end creating a beautiful and encompassing display of "Arlecchino".
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tina-rocket · 1 year
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The changes introduced in the TGCF donghua may not seem like much considering the story is still very much following the books, but they’re genius & add so much to the story considering they’re all fairly minor.
* The flashback to 17 y/o Xie Lian defeating a demon not only serves to immediately estabilish him as a strong, skilled warrior, it’s a great narrative shortcut from having someone else inform the audience that despite appearances, he’s in fact a bad bitch. Show not tell!
* In that same scene, Jun Wu appears for a whole of 10 seconds and half of that is him looming ominously in the background, with his face never shown. Animators, I see you and I love you.
* On the foreshadowing note, Ming Yi’s power glows blue :)
* Pei Xiu’s backstory serves to both humanize him and estabilish his motives more clearly than the books did. It also never felt like a way of excusing his actions, and the scene where he only barely fails to save Banyue and sees her body is a punch to the gut.
* The recontextualisation of the forest walk is wonderful. It’s romantic despite the mystery surrounding the ‘groom in red’ and clues in the audience that this isn’t just dark fantasy, there’s gonna be romance down the line! Xie Lian is still clearly distrustful but the way this scene is framed immediately hints that whoever Hua Cheng is, he’s not a bad guy, while the book keeps the mystery and possibility he may be a villain.
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trippygalaxy · 3 months
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I did a panel redraw for @vaathnaos ‘s comic, Shifting Sands!!! And to spice it up a bit, i decided to only use my pencil crayons!!
I hope you like it!!
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I have a theory that the old wooden mask merged with Philip and that's why in his monster form he has horns. Philip once became a monster when he was wearing a mask, and then a mixture of cursed magic, palisman’s magic and glyph’s magic soaked into it and made it part of Phillip.
I looked through the portraits from Hollow Mind. In one of them, Philip absorbs a palisman and at this time he wears a wooden mask in which he played with Caleb. Just in case, I compared the depicted mask with the one that was in other portraits. This is the same mask, slightly more affected by time, but it is the same. And by the way, it looks like Philip had several masks as a child. So, I think that since the mask was little that was left of Caleb, Philip carefully kept it. And after getting to the Boiling isles, this mask helped him to keep himself together.
Sometimes he absorbed the palismans with a mask on his face and it ended badly - the mask accumulated some energy and when the palismans rebelled once again, they accidentally fused the mask with the monster's face. And there are huge cracks on the mask from that portrait, I think this resulted in the fact that Philip tore off the lower part of the mask when he tried to take it off
AMAZING THEORY, ANON! 👀 👀 👀
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dj-wayback · 1 year
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Great to see you again NWB!!!! Here's a doodle I made as a welcome back present!!!
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A welcome back present, that’s so nice! Thank you lots!!!
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chronicowboy · 8 months
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the problem with creating an absolute banger of a playlist to write to is that it's an absolute banger of a playlist
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