new laura jane (+ paris) interview by the current in minnesota (X) audio and transcript.
34 notes
·
View notes
HOZIER — Humours of Whiskey, a cappella (The Current, 2019)
107 notes
·
View notes
We Could Walk Together by The Clientele, live on The Current (2007)
12 notes
·
View notes
The best way to look at Elevator to the Gallows, it seems to me, is as an anomaly—as the first in the long series of anomalies that was Louis Malle’s career. The uniqueness of Elevator to the Gallows is that it is the only Malle film designed purely as a genre exercise, the only one in which execution seems more important to him than process. He was all of twenty-five when the movie came out, and it’s clear that he was testing himself, the way a young poet might flex his or her muscles with a conventional form like the sonnet.
Read the full essay.
3 notes
·
View notes
why come up with original playbills when I can steal album covers
2 notes
·
View notes
I swear once you start digging out their crimes you'll dig to hell and back.
This article is more that 24 years old
73K notes
·
View notes
[id in alt]
kinda quick concept for a slugcat oc i thought of. he primarily eats electricity and the easiest source of it is from iterators, so he usually hangs out in/around their cans. if he really needs to he can survive off regular organic foods for a little while, in which case centipedes are best and are probably the only source of food that can sustain him more long-term. he's got electrical abilities and can shock and fry things, but using those uses up his "battery," which is indicated on his tail. the battery also naturally drains, but it's very slow.
current is my little guy :>
344 notes
·
View notes
HOZIER — Humours of Whiskey, a cappella (The Current, 2019)
63 notes
·
View notes
It legitimately amazes me how the “We can't allow the Holocaust to happen again” crowd can look at something like this and still claim that the Israeli government isn’t committing any war crimes.
Absolutely horrific stuff.
94K notes
·
View notes
I’d just like to acknowledge that South Africa wouldn’t have such a strong case without the work of the journalists, both alive and martyred, on the ground in Gaza supplying the world with firsthand information about the genocide and that they deserve thanks for it.
53K notes
·
View notes