Tumgik
#the blueprints of the dead
blund3r-bust3r · 2 months
Text
bruh can they just leave avatar alone
30 notes · View notes
ladyrijus · 1 year
Text
I'm not sure if the creators realize, but based on its title alone, Tears of the Kingdom has the potential to turn around the entire Legend of Zelda franchise in terms of its storyline.
Let me explain.
I think we can all agree that in most of the games, there is a core narrative of light versus evil that outlines the game. Link and Zelda are the benevolent heroes of the story and Ganondorf / Ganon is the irredeemable villain. Storywriters for the franchise like to use this formula for the franchise because hey, it's worked so many times, and gained lots of reception, so why not?
But just because it has worked doesn't mean it's right or suitable. 
Firstly, given the history of our world, it is problematic that the face of evil for this game series is a dark skinned man from a tribe of women who are based of the caricatures and sexualization of women raised in the MENASA regions (MENASA stands for the Islamic countries in Middle East, North Africa, South Asia) and the face of good is always two white characters who are held in the highest regard. Not to mention, Ganondorf and his foster mothers Koume and Kotake had their character designs in Ocarina of Time based on anti-semetic caricatures. This overall set-up speaks volumes already, but it doesn't stop there. The franchise decided to expand upon the lore of the Gerudo in Ocarina of Time, Wind Waker, and Twilight Princess, explicitly and implicitly establishing that the tribe was, in fact, oppressed, ostracized, and underwent genocide. Some people may argue that this information is up for debate, given that a lot of it comes from Ganondorf who is an unreliable narrator; however, this argument fails to consider that even then, it never proves that Zelda and Link are any more trustworthy. After all, the victors write history. With these complexities added in, it becomes hard to discern who exactly is in the right or wrong. In reality, the matters were never black and white to begin with.
This segues to my next point: the light versus darkness trope is not suitable this time around. It's a very two dimensional, inaccurate representation of the world of Hyrule that conflicts with the goals the creators are trying to achieve in Tears of The Kingdom. If they truly wanted to concentrate on the duality between light and darkness, they've already done it with Breath of the Wild. We had Calamity Ganon, a sub-sentient manifestation of hatred that sought nothing but death and destruction, and it was up to Link and Zelda, who strove for the preservation of life and progress, to seal it. So why continue to expand on that? Why bring back Ganondorf? Personally, I see no point in his return. 
Unless… the "Tears" of the Kingdom refer to the Sheikah. 
"But, wait!" you ask, "All this talk about the Gerudo and for what? What does the Sheikah have to do with this?" 
To explain this we'll have to start at the beginning. No, not Skyward Sword, though it shares striking similarities with Tears of the Kingdom, such as the return of the magatama relics, a character with a likeness to Demise, and the juxtaposition between land and sky. No, we have to go before even then. We have to go to the Era of Hylia.
The Legacy of Hylia
Not much is known about Hylia beyond the fact she was meant to protect the Triforce as supposedly ordained by the Golden Goddesses and the people worshipped her for it. But, notice how we learn this story through Fi, a creation of Hylia, with few additions from Impa, from the Sheikah tribe that Hylia established herself. The Triforce is seen as something to protect in this story they share, though interestingly, the relic itself is designed to be as unbiased and uncaring of the individual that seeks it out. It is, without a doubt, divine (as it quite literally is a means to warp reality), but there is also no tangible morality associated with it.
So why did the Golden Goddesses think it had to be protected? Why is Hylia chosen to do it?
…Why did Demise go for it?
If it wasn't clear enough, Hylia is much more flawed than the creators let on. She feels entitled to the Triforce, though there is no reference but the Golden Goddesses (whom no one has ever witnessed) that says she should. It's selfish, almost childish even, that she gatekeeps it away from any user. It's human. Perhaps her traits are a reflection of the time she had spent with the civilization that worshipped her. Because of this, I consider her to be a demigod rather than god. Not so distant and otherworldly like the Golden Goddesses, but a force of nature that can't be subdued but still respected. Time is ruthless, it flies and it trudges. But I digress. In short, for all that is said about Hylia and her divinity, she was certainly stubborn in her efforts to prevent anyone from wielding the Triforce so that her world could remain the way it is, perfect and idyllic. 
But that's the thing, life was not idyllic like she wanted the Sheikah and the rest of the world to remember; no, it was terrible enough to spur Demise and his "demon" forces to seek out the Triforce as a means to wrest control from her. Again, I want to make it clear that Hylia and Demise go beyond the bounds of good and bad. A lot of lives were lost to Demise, to the point the humans nearly went extinct. There's little to redeem on that end. But we're never told the stories from the other side of the battle, so who's to say they hadn't suffered as much extreme casualties? Either way, there had to be something Hylia had done (or even not done) for Demise to take severe measures. The hatred he feels is all consuming, but there is something to be said about how hate does not bloom spontaneously — it is cultivated and grown. Keeping all of this in mind, I sometimes wonder if Demise's name was in relation to Hylia, as in he was her Demise, and that those demon forces of his were actually the demonized. We'll never know. But what we do know, is that the Triforce was the Golden Goddesses' way of giving hope to the mortals, to be able to use divine power to shape the world as they see fit (at least, according to the first Zelda, which is a fantastic moment of irony if you ask me) and Demise had every intention of seeing his future through.
The Sheikah's Story
Now, let's fast forward a few eons and come back to the tears. Many people have associated the tears from the title to be the magatama relics seen with Zelda, Sidon, Riju, Tulin, and Ganondorf. But the tear's symbolism in the franchise has been around for much, much longer, thanks to the existence of the Sheikah. The tear is a part of the eye symbol for the Sheikah, and according to the The Legend of Zelda Encyclopedia, it represents their willingness to go any lengths so as to support their divine mission of protecting the Royal Family that possesses the blood of the goddess Hylia. Given that information alone, wouldn't it make sense that the title "Tears of the Kingdom" refers to the Sheikah?
"Okay sure, but what role would they play in the game?" That's not the point. It's not the role they play now. It's the role they played in the past. Something of particular interest to me when it comes to the Sheikah is how differently the Sheikah are characterized between the games of Skyward Sword, Ocarina of Time, and Breath of the Wild. In Skyward Sword, they were a tribe who patiently for the day to protect the goddess's reincarnation and went so far as to transport her through time repeatedly. In OOT, they were agents who went so far as to secretly carry out the Royal Family's dirty work. In BOTW, they were inventors and sorcerers who went so far as to recreate divine power to protect the land. 
But guess what never changes? The fact that they write history.
Tumblr media
Above everything else, they are the storytellers, and they have seen everything. The good, the bad, and the ugly. But with the role of storytelling, they have the ability to alter it, embellish it. And in the Sheikah's case, they have a tendency to omit the negative, so as to promote support for the goddess and her Royal Family. Think about it: Impa never explains why Demise wanted to take control of the world in Skyward Sword and she's the first to jump to fix issues at the Shadow Temple in Ocarina of Time so no one has to bear witness to what the temple had actually turned into. If she did, Hyrule would surely fall into chaos. To Hyrule, the governing powers like the goddess Hylia and the Royal Family are the pinnacle of morality. That image can't be compromised.
And for a time, it wasn't, until we reach Breath of the Wild. That's when things get interesting.
In the tapestry, as shown above, a majority of it is occupied by the tale of the warrior with the spirit of a hero, a princess with divine power, and a technological army pioneered by Sheikah. That's what the game's creators want you to see. But do you see that little strip at the bottom?
Tumblr media
Yeah, that. It's a tiny piece of the story but it's a big one. By now, most game fans know that is the history of how the Yiga Clan came to be. Cado, one of the Sheikah that stands guard in front of Impa's home, elaborates on this imagery, remarking that once upon a time, the Royal Family (more specifically the King of Hyrule) did turn on the tribe that swore nothing but utmost loyalty to them.
Of course, this seems counterintuitive. Why punish the people who protected you? What was their sin? As far as we're told by Cado, Sheikah technology had once been praised as "the power of the Gods". Now, I won't get into too much detail about this, but the Triforce, which you might have noticed isn't really mentioned by word of mouth in Breath of the Wild, is now a power of the Royal Family that is passed down. All parts of it. It's a lot to take in, given my lack of elaboration, but I recommend watching THIS video by Monster Maze who does a fantastic job exploring the nature of the whole Triforce being hosted in an individual body.
But what I want you to take out of this information is how there is, essentially, a rivalry between the Sheikah and the Royal Family, a sudden leveling of the playing field that the latter party does not want. It's eerie how similar they act as their ancestor god. The entitlement is present yet again: you cannot change the world like I can, you cannot be as powerful as I am. I have the final say. This certainly paints a more explicitly, vicious picture of the Royal Family, but it's nothing really new. After all, the Sheikah remember everything cruel that had been done to others by this family, by them, but hid it for the purpose of the "greater good". But once they become the target, everything changes. The Sheikah don't remove it from history. They remember it. Some more passionately than others.
Ties between the Gerudo, the Sheikah, and the Yiga.
Something else on the Sheikah tapestry that seemed out of place for me is the depiction of the hero.
Tumblr media
He is clad in green, which one would imagine, is a reference to Link's green motif throughout the games. However, I fully believe that detail is a red herring — that is to say, it's meant to throw us off. And from what I have seen, most fans of the game agree. Why? Because that same individual has red hair and a sword that looks more like a golden claymore than the sword that seals the darkness. And well, given that the Gerudo are the ones who use golden claymores, plus the way the figure is drawn to have a knee bent, there can only be one person this image is referring to:
Tumblr media
Ganondorf.
Keep in mind how the Sheikah have erased his name, but did not erase him, and that the Yiga swear their allegiance to Calamity Ganon. To be completely honest, I think the Calamity did not have the name Ganon to it 10,100 years prior to the events of Breath of the Wild. But, to explain why it suddenly does in Breath of the Wild, I do believe Ganondorf had a calling to malice, whether the kind left behind by the Calamity or the kind that was already existing throughout the land. Read THIS post by @golvio to get an idea of what I mean. The only change I would make regarding this theory is that the people did not originally see the malice as inherently evil. A little rot was needed to clear the space for new growth. But with great power comes great responsibility, and I think Ganondorf might have utilized the malice in a manner the King of Hyrule was not pleased with. 
How so, and why? Well there can be different reasons to choose from for the creators, but I have a personal favorite theory that explains why the Sheikah and Yiga remember Ganondorf more acutely than even the Royal Family and why there's ruins in the Gerudo Desert: As a last resort, to protect the Sheikah who helped him defeat the Calamity, and to reclaim the technology they lost, Ganondorf used the malice to take over the guardians and to get rid of the soldiers wiping out the civilians. In response, Zelda from that time was tasked with defeating him with the help of the other "Sages" (those who possess the magatama relics/tears) and one of those sages sealed him away with the Zonai hand. Zelda's betrayal breeds the hatred that Demise foretold would reincarnate, time and time again, leading to Ganondorf internally accepting that a peaceful world is a world without the Kingdom of Hyrule, without the Royal Family, completing the cycle once more.
And so here it comes, the big storyline change that Nintendo stands on the precipice of:
To break the cycle, Ganondorf is not the one that needs to necessarily be redeemed. It's Zelda. That isn't to say that Ganondorf isn't flawed and should not repent; there are a million things he could have done better or have not done, whatever it is that lead him to be sealed. And what I mean by Zelda having to be redeemed is that even though she technically has done nothing personally to Ganondorf, it is her blood that binds her to the ancestors who spurred the very hatred that fueled the Calamity and left behind a legacy built on the maintained misfortune of others. If anything is to change, she must be the first to cast aside her fear so that the cycle cannot repeat again, and instead work on understanding her family's past and building her faith. And no, I don't mean her faith in the goddess (she has lost too much trying to), but faith in the goodness of a man who was unfairly pushed to become the worst version of himself to protect the helpless.
81 notes · View notes
ladyseidr · 4 months
Text
one day i'm going to give in and write glam.mike stuff like rip to people who hate the theory but i think it'd be fun fksahskld
9 notes · View notes
alu-cd · 6 months
Text
ʸᵒᵘ ˢᵃʸ ᶤᵐ ʸᵒᵘʳ ˢᵃᵛᶤᵒʳ
ᵗʰᵉᶰ ᶤ ᶰᵉᵉᵈ ʸᵒᵘ ᵗᵒ ᵇᵒʷ
Tumblr media
or i just listen to this song too much
18 notes · View notes
doofwrites · 4 months
Text
thinking about annabeth seeing herself as the commander to the boys (her troops) and how she can’t have a man down, ever. ever.
how she’ll take the responsibility for their actions if that means they get out alive
how she was going to fight a chimera and try to hit three birds with one stone (earn back her mother’s respect and save her friends and keep the quest on track) even if it meant, y’know, fighting a chimera
how she thinks she’s failed as a leader because her (new) friend is going to be dead soon if she can’t open the door—dead, like her last best friend who was also a child of the big three, who saved them on a hill, whose last stand was what annabeth knew she had to do in that observatory room
how she thinks everything is correlated to what you offer the gods
and what does that mean, if all she’s earned so far are dead friends?
11 notes · View notes
aliensabductmepls · 1 year
Text
Tumblr media Tumblr media
everything you do barbie has already done
but better
82 notes · View notes
firstroseofspring · 8 days
Text
^ i highly recommend this fic i found on ffnet a while back. it's little snippets of miral's life from her perspective (!!!) and also a little bit of her time on the barge of the dead which i thought was super cool :) very near and dear to my heart
4 notes · View notes
desire-mona · 1 month
Text
Tumblr media
yeah i love dead poets society
4 notes · View notes
Note
i love how every time i see the antigone poll on my dash antigone is steadily getting more and more votes/percentage youre doing good work here
no the most gratifying moment of my entire life was checking the post every few minutes and seeing the number tick up i won't lie... and like i literally am so tired of tumblr brackets and i don't think they matter and i think they say way more about which subsets of people 1. are active on tumblr and 2. are following the specific bracket blog but also like... i literally cannot watch my βλωρβη (greek woman blorbo) lose a most tragic poll to a character who's not even dead.*
*captain jack is exempt from the "must be dead" clause because being alive forever is also tragic because it's all about how your time isn't working right/doesn't sync up with other people's <- thing i just made up but i stand by it <- also thing i can try and elaborate on later when the next door neighbors aren't vibrating my skull into oblivion with their sound system
16 notes · View notes
waspgrave · 6 months
Text
*waking up sweating from a nightmare* dragon age is dead, I have to steal my favorite characters and make them my own
8 notes · View notes
mantisgodsdomain · 1 month
Text
The fun part of posting Run Your Well Dry, we think, is that while browsing fics focusing on Falin and Marcille, we've seen an instance or two of, specifically, repetition of Falin's name turning up in Marcille's internal monologue - which might just be a coincidence, but it stands out to us specifically because it's an element that we (to our knowledge) fully made up for Run Your Well Dry, and thus every time it turns up it's a little moment of "...did we impact this?"
Of course, it might be coincidence - probably is, even, but we've seen it turn up twice so far, both in fics posted after ours, and our brain would love to believe that it was us who impacted it, especially since the initial draft was at surprisingly popular on Tumblr.
2 notes · View notes
silverhandj · 1 month
Text
Tumblr media Tumblr media
[only the trembling of his hand - the meat hand-betrays any emotion.]
Robert Linder meta oo1.
3 notes · View notes
designernishiki · 11 months
Text
Tumblr media
they snuck majima’s gun from dead souls into this game i can not believe this
15 notes · View notes
cloudstrifing · 1 year
Text
not me falling back in love w a ship so dead that half the fics on the tag's first page are from 2021..............
7 notes · View notes
chaosintheavenue · 2 years
Text
An incomplete list of things that I, someone with literally at least a thousand hours in New Vegas and not much direct experience of any other Fallout games, am still adjusting to in Fallout 76 despite having over a hundred hours under my belt now:
* Lack of a local map
* VATS not freezing enemies outright
* Not being able to open my Pip-Boy and eat a feast uninterrupted in the middle of combat
* For that matter, raw food and dirty water not healing HP (still always forget this and waste raw meat trying to heal)
* Being able to fast travel when enemies are nearby, as long as they don’t hit you within a set window of time
* Sprinting! I still bunnyhop constantly to move faster as an old NV habit lol
* The radar of nearby locations (re: this and the above point- I have also played plenty of Skyrim, which has these features, but I never got used to them there either somehow)
* Losing junk items upon death
* The crafting/building system in general
* Inability to wait/sleep to pass time
* The ability to respawn somewhere other than where I last died
* Stimpaks and the likes having weight. Slowly learning the hard way that hauling around 100 Radaways is a Problem for Trin
* NPCs not turning around to face me upon opening dialogue
* Not getting every enemy’s clothing as part of their lootable inventory >:(
20 notes · View notes
nocterre · 2 years
Photo
Tumblr media Tumblr media
gaslight gatekeep yellow heart event
30 notes · View notes