Oooooh do you think gnomes would have their own language/dialect??
Short answer: Yes. Technically.
Long answer: I have. Feelings. About how language is treated in fantasy. Like “this race has their Own language” despite living in vastly different areas of the same world. Like. Humans having their Own language. Elves having their Own language. Elves, orcs, etc etc. Its not Bad but its definitely like A Thing that pokes at my sides a little lol.
Humans have hundreds of spoken and visual languages! Id like to imagine that in a world with other races, they would have their own variety of spoken language 😊 So yes; Gus does speak in his own native tongue. And he has absolutely badmouthed someone who got on his nerves without them realizing it lol
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was thinking about rayla and les mis and (bear with me) concepts of morality and the miscommunication that can come from thinking a morally driven character is one that does what's Right vs the reality of a morality driven character doing what is intrinsically right to them. it's why javert and superman and rayla can all be morally driven characters, but one is a way too fucking intense cop who only sees black-and-white, one's the biggest good guy paragon in existence, and another is an assassin who is very bad at being an assassin, because morally driven characters are usually driven by a motivation to Protect above all else, but who deserves that protection and what they are protecting people from (ie. who is deemed the Enemy) can all vary wildly
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"tavern/grendel/hercules" sounds absolutely fascinating and I think I will have to read it even though I don't go here
May I ask why both "grendel" and "hercules", since they're from different mythologies?
Olim sudor Herculis (Latin) - Carmina Burana // Beowulf trans. Seamus Heaney (Old English)
okay, so. this isn't really fully based on either of these things. so much as i am rotating them in my brain as i'm writing something. "olim sudor herculis" is a latin drinking song of sorts from Ye Olde Times (this is the version i listen to lol. unironically i love this song. i originally heard it in a class about medieval history and stuff, but like. i literally listen to it for fun. it's part of what inspired this fic, because i was listening to it for fun. ...i probably have weird taste) and the lyrics when translated are about like, love ruins glory, a lover can't be a hero because they're unable to resist their heart and/or sexual desires, and that even the strongest men like hercules can be made fools by it--the only way to win against love is to not have it, and run away from it. which is. lmao. anyway, there's a little more to it than that, but that's the basic kinda run down. and it's really less that the fic is based on that (although i'm thinking about this as a flawed, old perspective--that the only way to not lose to love is to run from it, and then spinning what the song presents as negative--A lover has no regret for wasted time, / But stupidly and pointlessly toils at Venus' comand--as like. the time isn't wasted, the work is worth it, do not run from it--idk that's all just vibes rn) so much as the whole thing has that Medieval Vibe and all which helps lend to the atmosphere for the fic and get me in The Mood as i'm writing hence i listen to it on loop while writing it. so there's the "hercules" part.
grendel is also more metaphorical/below the surface as i'm writing than literal, because the fic is going to deal with loneliness and like. a pretty obvious (not the only, but not a reach either) interpretation of why grendel attacks in the first place is loneliness, feeling like an outsider, being an outsider--obviously, it's not so simple as that, as grendel is a literal monster, but the question of monsterhood and what makes a monster, how we relate to monsters for their loneliness and their bodies and their alienation and their rage and boundless emotion and "disgusting" nature, etc, really comes into play. but like it literally says that like, what harrows grendel is the "hall-joys", the joy and celebration and laughter, the community he is irreparably separate from?? you know?? and that can be interpreted a lot of ways--the extreme version of your neighbor who keeps having loud parties at 3 am and the dorm walls are so thin and you're about ready to rip their arms off? sure. the deep and piercing loneliness of hearing other people laugh and have fun and love each other and be a community knowing that not only are you explicitly not welcome but that you will probably never find that ever? (grendel's mother loved him, was willing to rend people limb from limb for him, but did she like him? did they spend time together? did she kill for him out of the love of a mother, one might call obligatory or biological? did she kill for him out of honor, the bloody cycle the whole fucking epic is about? did they love each other? how alone were they? does it matter, when in the end, they both die alone?) yeah also valid! or the more textual interpretation that grendel's just eeeevil and mean and hates all things good and holy and light and wants to kill it just for the sake of killing it? etc. anyway the point is i have a lot of feelings about monsters and loneliness and beowulf is about cycles and monsters and cause and effect and blood and honor and heroes and the end.
ALL OF THIS however is mostly just vibes that im rotating while writing a much smaller fic which is really more about trent and friendship and loneliness, set in a fantasy tavern setting lol
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Using English not as a native but just someone who spends a lot of time in English-speaking circles both at work and among friends is wild, because I can feel what things mean and I think mainly in English but I could not translate some of those sentences to Polish even if my life depended on it
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i'm #newtoradblr i've spent so much time these past two weeks scrolling through radfem blogs i knew i had to make an actual radfem side of tumblr blog for my own sanity. the way i "peaked" is kinda funny 3-4 months ago i liked a radfem post without realizing and all of a sudden i had other radfem posts recommended to me by the algorithm and i was so annoyed because i was very anti-terf etc but for a couple days i read through a bunch of radfem blogs and it was actually such a relief to encounter FEMINISM not some watered down version of it but i felt guilty due to 5+ years of conditioning (and also because i had a nonbinary friend sitting right next to me in class as i was doing this) and i also didn't like the prominent use of the word moid? but anyway, 3 months later, i'm not sure why but the mra nature of the trans movement has grown so much more apparent to me i have like three mutuals who are trans men on my other blog and i would find myself rereading the few feminist posts i would reblog/write because these people are literally reblogging shit like "don't think like a terf. men aren't your oppressors, they're your friends/neighbors/brothers/fathers. if you think that any man could harm you you have been fooled by terf rhetoric" like actual morons/meninists. anyway two weeks ago i saw a post made by someone i knew was a radfem on my twitter tl and i don't know why i knew i was ready i went through her blog and through many others and now here i am.
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The localization added a line to Milla's previous line to make her call him 'boy' (which doesn't happen in the original) just so they could have Jude make a remark about them being close in age (in JP he just says his name to introduce himself).
There's another instance here:
Karla's just revealed Gaius became king at 22. In the original, Jude muses that'd be his age in 7 years. Here they're making the gap appear smaller with that wording.
(They've also altered the way Gaius and Presa address him iirc, having Gaius call him 'boy' when he originally doesn't, and having Presa not call him 'boy' when she's actually the only character who does 😂)
So yeah, seems like there was a deliberate attempt to make Jude seem older than he really is in the localization. It's kinda funny when you think about it.
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