#the bad batch as lady gaga songs | Explore Tumblr Posts and Blogs

deadcactuswalking · 1 year

Text

REVIEWING THE CHARTS: 11/02/2023

For a fourth consecutive week, Miley Cyrus is at #1 with “Flowers” on the UK Singles Chart. She may have some competition going forward but for now, welcome back to REVIEWING THE CHARTS!

Rundown

It’s a pretty typical week this time around, with a small but interesting batch of new songs and a decent amount of chart movement, which I’m glad about considering the week I’ve had. As for our notable dropouts, as in songs exiting the UK Top 75 – which is what I cover – after five weeks in the region or a peak in the top 40. This week, the list does include some big hitters like “Dave Flow” by Fredo, “We Caa Done” by Popcaan and Drake, “Bloody Mary” by Lady Gaga, “I Wanna Dance with Somebody (Who Loves Me)” by Whitney Houston, “Rich Flex” by Drake and 21 Savage, “Shirt” by SZA, “Shivers” by Ed Sheeran and finally, of course, “Someone You Loved” by Lewis Capaldi.

As for what’s filling up the gaps, well, we do have some re-entries like “Music for a Sushi Restaurant” by Harry Styles at #71 and “Nobody Gets Me” by SZA at #62 but of course, what’s more important are the notable gains, with SZA appearing in all of these sections so far: “Snooze” is up to #48 off of the debut last week. Additionally, we have “Us Against the World” by Strandz at #42, “Shut Up My Mom’s Calling” by Hotel Ugly at #41, “Here with Me” by d4vd at #40, “As it Was” by Harry Styles at #34 for whatever reason, “CUFF IT” by Beyoncé up big to #30, “TRUSTFALL” by P!nk surging up to #28 alongside “ceilings” by Lizzy McAlpine taking advantage of some losses above it at #27, “Unholy” by Sam Smith and Kim Petras at #21, “Green Green Grass” by George Ezra seeing a TikTok resurgence at #19 (Kill me), “People” by Libianca at #17, “Red Flags” by Mimi Webb at #15 and “Players” by Coi Leray at #12. We also have two new entries into the top 10, the first of which was expected: “10:35” by Tiesto and Tate McRae slides by into the #10 spot thanks to losses above it and the fact it’s been pretty consistent but if you weren’t on the Internet, you’d think PinkPantheress grabbing her first top 10 at #8 with “Boy’s a liar” was out of nowhere... yet it’s thanks to a remix, in my opinion an ill-fitting one, with New York rapper Ice Spice of all people, that it’s here. I’m not complaining – after all, a great song with a bad remix is still usually a good song.

Our top five looks... only slightly different this week. We have “Anti-Hero” by Taylor Swift at #5, “Sure Thing” by Miguel at #4 which is pretty good for a song from 2010, “Kill Bill” by SZA at #3, “Escapism.” by RAYE featuring 070 Shake at #2 – maybe I should stop making any sort of predictions – and of course, “Flowers” at the top. And now, we talk about country music.

NEW ARRIVALS

#73 – “The Kind of Love We Make” – Luke Combs

Produced by Chip Matthews, Jonathan Singleton and Luke Combs

Yeah, out of all people to chart, I suppose it makes sense that Luke Combs is the country export but here we have a song that already reached the top 10 in the US and hence I’ve known about it for months finally arrive over here, and whilst I’m not too in tune with Luke Combs in general, I think this song is great. The country guitar tone is a bit cheaper but the acoustics are warm on top of the more sizzling electric guitar riff that is really infectious and memorable. Luke Combs has an excellent, smoky yet still youthful voice that sells this wonderfully mundane content about just working your asses off and then finally getting that intimate time with your partner and celebrating that. Yes, it’s a country sex song sung by Luke Combs, but he’s got the swagger for it, even if the vocal melody in the verses may not be all too smooth, and I honestly don’t think it needs to be smooth. The passion takes them to a higher place: it’s a mutual collapse into each other after being exhausted and finally having the time to slowly set the scene for romance. It’s kind of beautiful, and with a better guitar solo, I think it’d be outstanding, but as is, it’s a great song that I hope can make a run in the limited space that the UK really has for country in its chart. I hope it doesn’t completely open the floodgates though: just because we want Luke Combs and Zach Bryan doesn’t mean we want Jason Aldean or Morgan Wallen.

#69 – “Ice Cream Man.” – RAYE

Produced by Mike Sabath, BloodPop and RAYE

I don’t think I can do this one justice. Genuinely, the subject matter has a tricky dichotomy of being both intensely personal and sensitive to RAYE yet completely beyond me. I’ve never been sexually abused and I’m not in the music industry, so whilst I can commend RAYE for her bravery in making a song that tackles this systemic issue and is so unbelievably open in her discussion of such, what purpose am I serving trying to critique the song? I mean, the song itself – as all songs on this chart do, by the way – serve much more of a purpose than I do writing about it. I imagine the song resonates way harder for people who have been through this and it’s a heavy listen even for me so I can’t imagine how much this may potentially help someone, especially within RAYE’s demographic. It’s a heart-wrenching song, powered by that alienated hum that takes up most of the instrumental, and opening up in detail about her dreadful experience that is inexcusable and inconceivable in a song that could and will reach millions of people is only something that I can thank and acclaim her for. Turning that trauma into something universal and empowering is by no means necessary for our pop stars especially, and we shouldn’t expect someone who went through this to be as honest and nuanced about their purely emotional experience, but the fact that RAYE went through it, made a God damn excellent song in the process, and the fact that it has millions of streams, makes me hope that at least some justice is felt for someone, somewhere. I know a song isn’t a sentence or any real justice, but if it resonates for the people who need it, she’s done an incredible amount of good.

#65 – “SAD B!TCH” – Anne-Marie

Produced by Billen Ted and Evan Blair

On a completely different note... what on God’s green Earth is this? I understood “PSYCHO” because it was overexaggerated, damn near industrial and had that interplay with Aitch. This has none of the comedy, or if it does, I’m hearing none of it, and it has none of the bombast considering how disappointing the chorus is. The ad-libs are obnoxious, sure, but the chorus is just annoying this time around instead of having any kind of catchy, vindictive edge to it, mostly because the anger is a lot more self-contained and doesn’t feel as nearly as cathartic. It knows how annoying it is too: if she didn’t, she wouldn’t coat her backing vocals in distortion or mention how annoying it was in the pre-chorus. Also, that warping bass in the chorus is so distracting and taunting; it’s like a garbage carnival. If there’s anything I’d prefer to hear from Anne-Marie, it is more of this to be honest: she fills a hole not currently being filled, since there is a certain void for “pop music that sounds terrible in every regard and is almost fun as a result”, but I’d prefer that void to go even more over the top, and be just as absurd as “PSYCHO” was. This just feels like a bit of a shell of itself.

#60 – “Oh Baby” – Nathan Dawe and Bru-C featuring bshp and Issey Cross

Produced by Nathan Dawe, Punctual and Shapes

What a line-up... I suppose. Well, I like the Julio Bashmore vocal loop: it’s got a decent amount of melodrama to it that I think is solid, and Hell, I may even like Bru-C on this. He’s not exactly an impressive rapper but he’s absolutely an impressive club MC, as he sounds like he’s putting in so little effort yet still plays with this beat pretty effectively, and he makes sure to punctuate his dance-ready rhymes with fun, playful ad-libs. The beat itself is just functional if anything, but the looming bass over Issey Cross’ chorus is a nice touch, and it’s definitely a beat with insane levels of personality in just its synth tones and punchy percussion. It sounds particularly factorial in its breakbeats and distant, echoing leads but there’s a human element to how Bru-C raps and how earnest Issey Cross’ performance feels that makes it seem slightly more organic. There’s also a weird drill flip of the beat briefly where the atmosphere gets a lot more cloudy and Bru-C goes melodic that... does not sound out of place. In fact, I feel like this beat could go even weirder places and still pull it off, especially considering how the buzzy build-up clashes into a breakdown by the end that not only goes hard but kind of breaks up the song structure and chorus in an interesting way. I don’t know, maybe this is actually good, but I’m not sure how much credit I can give Mr. Dawe for this considering that vocal charisma is essential to this working... though it’s an intricate beat, even if I’m sure I can credit a lot of it to Punctual, that punches when it needs to and has a certain elegance in some of its restraint. Maybe I’m just too irony-poisoned for me to know a bad song when I hear one anymore.

#58 – “Rush” – Ayra Starr

Produced by Andrevibez and Hoops

Whilst Nigerian singer Ayra Starr has charted before as a feature, this is her breakout solo cut in the UK released in September of last year, and first of all: this is excellent production, which I believe is by the person behind Rema’s “Calm Down”. The chirping chipmunk vocal loops and 90s R&B-sounding keys are so smooth and nostalgic, especially under the low-register Afrobeats production that just sits on top in a really cute, bubbling way. Starr is flexing a lot in this song but it never feels like it’s bringing any “bad energy” as she says because of how seamless the vocal harmonies are, how universal the sing-a-long chorus feels, and how bubbly this production is. I do have some complaints, mostly in that the production – whilst a great foundation – does not change as much as it could, especially since Ayra Starr herself shows great tonal variety here that isn’t really found in the beat itself, though the drum fills are a nice touch and it keeps pretty fizzy throughout. It’s also not that catchy immediately but I feel like with a few more listens, I’ll just be able to fully submerge in this. This is essentially cloud rap in how it wants to be treated and I’ll say it does a damn better job than a lot of cloud rap in just allowing for a solid, wavy vibe throughout, mostly because of how good a vocal presence Ayra Starr is – I’m excited to hear more of her work in the future. For now, I would recommend this and I hope it gains some more traction over the coming weeks.

#57 – “You Only Love Me” – Rita Ora

Produced by Lewis Thompson and Oak

When I said that this was a weird batch of songs, I more so meant that it’s oddly concentrated in the bottom half of the chart and there’s no real focus, but for many kind of filler weeks that is the case. Speaking of filler, this is a Rita Ora song. It is produced by Oak and Lewis Thompson. I like some Rita Ora songs, specifically I like “Let You Love Me”. This song is not one of them. The vocal mix is distractingly loud and over-compressed, and the vague pastiche of a dated tropical house beat mixed with synthwave elements has no punch to it. The content is uninteresting and there is little bombast here aside from braying vocal riffing and manufactured-sounding synths. If you thought this review was robotic, you now understand what Lewis Thompson was going for when he made this song.

Conclusion

Worst of the Week absolutely goes to Anne-Marie for whatever “SAD B!TCH” is, with a Dishonourable Mention for “You Only Love Me” by Rita Ora. The rest of the batch here is honestly quite good, I’d say, with a clear Best of the Week for “Ice Cream Man.” by RAYE – it was never going to be anything else – but the rest are absolutely deserving of the Honourable Mention. I’ll probably give it to Luke Combs for “The Kind of Love We Make” just because I’m more familiar with it, but Ayra Starr may be the winner over time. Hopefully we can continue the normalcy for the foreseeable future, so thank you for reading and I’ll see you next week!

1 note · View note

0613magazine · 2 years

Text

210309 AP News

BTS on 1st Grammy nod: ‘It’s hard to express in words’

NEW YORK (AP) — Stuck at home during the pandemic, BTS created “Dynamite” and released the song to their isolated fans as a gift. Now, the gift has returned to them — in the form of their first Grammy nomination.

“A lot of people were sad and down and out because of the COVID situation and it was sort of our suggestion to pick (everyone) up,” Jin said in an interview this week with The Associated Press.

“We were supposed to do the whole stadium tour all over the world. There was no plan to release a single like ‘Dynamite,’” RM explained. “‘Dynamite’ gave us huge success in Korea, of course, a Grammy nomination, a performance, so you know, life is really interesting.”

“Dynamite” became BTS’ first No. 1 hit on the Billboard Hot 100 chart when it was released last year. After years of logging Top 40 hits and selling out arenas and stadiums, the seven-member collective is competing for best pop duo/group performance and will also perform at Sunday’s show.

BTS is the first K-pop act to compete at the Grammys.

“It’s really hard to express in words,” Jimin said of the nomination. “Even now we can’t still believe that we were nominated, and we’ll be able to perform at the Grammys. So, we’re thankful. We’re honored.”

BTS’ explosive hit will battle another No. 1 smash — Lady Gaga and Ariana Grande’s “Rain on Me” — as well as Top 10 successes like Taylor Swift and Bon Iver’s “exile” and Justin Bieber and Quavo’s “Intentions.” J Balvin, Bad Bunny and Dua Lipa’s “Un Dia (One Day),” which topped the Billboard Hot Latin songs chart, rounds out the five nominees.

“I always listen to ‘Rain on Me.’ It’s so great to listen to that song on the treadmill. It was a hit. It was fire last year,” RM said. “And, of course, ‘Intentions,’ ‘Exile’ was crazy. And J Balvin and Dua Lipa.”

“We’re nervous and actually, frankly, we’re not expecting (to win) so much because we don’t want to get disappointed because Lady Gaga, Taylor, Bieber, all the big names (are nominated). So, we’re kind of confused. It’s like rollercoaster — back and forth, back and forth, up and down.”

Their Grammy performance will mark their second on the major awards show — they assisted Lil Nas X when he sang “Old Town Road” last year. Sunday’s performance follows the recent airing of “MTV Unplugged Presents: BTS,” which featured BTS covering Coldplay’s popular rock ballad, “Fix You.”

In a tweet — in Korean — Coldplay called BTS’ rendition “beautiful.”

“Coldplay came to Korea about three years ago for a big concert and me and j-hope went to their concert and we watched ‘Fix You’ at that time and it meant so much,” RM recalled. “Hopefully we can work with them, or maybe have a meeting and sip some tea or coffee or anything. We love Coldplay.”

The IFPI, the organization that represents the global recording industry, said last week that BTS was the best-selling act of 2020.

The band is currently working on new music — as a group and soloists. They said the Grammy nomination does create some pressure for the next batch of songs they produce, but they’re not letting the success get to their heads.

“We try to stay down to earth and put our feet to the ground and do what we do,” RM said.

Source: AP News

#2021 #bts #ap news

1 note · View note

jenstar1992-2 · 3 years

Video

He’s the spirit of his hair, free, and he wants to live as such, with you right by his side.

***

Echo - Tech - Crosshair - Wrecker

Original post

#sergeant hunter #the bad batch as lady gaga songs #song edit #hair #lady gaga #hunter #the bad batch #clone force 99 #bad batch #star wars the bad batch #star wars #clone troopers

34 notes · View notes

oreoambitions · 3 years

Note

46 for agentreign please

Anon I'm sorry this took me a thousand years, but here you go. This gets wildly NSFW after the cut. Enjoy!

/// The first time it happens, Alex figures it's a fluke.

There are, after all, extenuating circumstances. She's not sure how many glasses of wine she's had because every time she turns around Sam has topped her off again, and maybe she should stop indulging but the wine is good and the company is better and this is the first day off off she's had for so long that it's hard not to let go a little. Kara's been keeping the showtunes coming all afternoon, a little louder than her old bluetooth speaker can really handle but it doesn't matter because Spotify is really just an excuse for Kara and Sam to sing at the top of their lungs. Alex is not participating, but she is appreciating. Appreciating because it's nice to see her sister laugh and smile like maybe things are getting better and maybe things are going to be okay. And also appreciating because, well, Sam. It's hard not to appreciate anything and everything Sam.

The activity of the afternoon is ostensibly the production of baked goods for a fundraiser related to Ruby's soccer team. Alex says 'ostensibly' because the reality is that it's been more than three hours and they haven't gotten the first batch of cookies into the oven yet. There's flour all over the floor, and she's pretty sure Kara got butter stuck to ceiling before Sam took the mixer away, but sometimes that's just the cost of a slightly raucous afternoon well spent, isn't it? And they'll have it all done in time anyway. In fact, Sam is just now finishing up the first batch of cookie dough in the confiscated kitchen aid when Alex, perhaps inebriated or perhaps just feeling emboldened by the domestic comfort of the whole affair, lunges for the beater.

This, it turns out, is either a mistake or the best decision she's ever made in her life. Her hand does contact the beater. She does come within a few seconds of pure raw cookie dough bliss. But Sam is faster, and in a flash Alex finds herself pinned between the counter and Sam's hips, one wrist wrapped up in Sam's fingers, the beater now soundly out of reach in Sam's other hand.

"Mine," Sam growls, but her eyes have dropped to Alex's mouth and for one disorienting moment Alex thinks she might be about to kiss her, thinks maybe the word 'mine' has nothing to do with the beater at all, that maybe they've crossed into some alternate dimension where there's a future for her and Sam that doesn't involve a lot of politely smiling and politely never mentioning one another's romantic entanglements or the absence thereof.

And the thing is, Alex thinks to herself, contemplating the heat of Sam's gaze and the fact that she literally cannot move beneath Sam's hips, this is... attractive. This is very attractive, in an immediate and throbbing sort of way that would be frankly embarrassing approximately half a glass of wine earlier in the afternoon. But that can't be right, because Alex doesn't like to be pushed around. Alex is the one who does the pushing. Isn't she? Sam's grip tightens around her wrist and Alex's lips part of their own accord and-

"Oh for heaven's sake," Kara says, snatching the beater out of Sam's hand. "It's mine, because you two are both being ridiculous." She rolls her eyes. "I hate being the only adult in the room."

It was a fluke. That's what Alex thinks to herself later that night when she wakes with a start from a just-dozing-off dream featuring the immovable nature of Sam's hips. They were drinking and it was a long afternoon and everyone was a little wound up and a little giddy and Alex has been single for a long time. That's it. That's all it was. That's all it has to be.

///

It's harder to write it off as a fluke the second time, but she manages.

James is in town and so it's game night. Not their monthly game night as scheduled, but an extra at-the-last-second game night, and Alex is on call. Which is fine. She can count on her fingers the number of times she's had to handle something in the middle of the night while on call for the DEO, and she's not particularly worried. But it's a problem because she can't be drinking, which means she's sober when Sam corners her in the kitchen.

It's been a long night. Not in a bad way. Just in the sense that things have been a little more risque than usual, what with Nia falling over herself trying to make it clear to Brainy that she'd like to sleep with him without actually making it clear, and Lena shooting those long smoldering looks at a characteristically oblivious Kara, and then there's Sam. Alex can't stop looking at Sam in that shirt where it sits a little too tight across the shoulders, can't stop tracing the line of that necklace to the place where it disappears just below her collar, can't stop following the meaningless movement of her fingers as she absently fiddles with a beer that wouldn't have an effect on her even if she drank the whole case. She wonders idly if it's for the aesthetic or if Sam just likes the taste of a craft IPA.

The trouble is that every time Alex catches herself looking at Sam, she also catches Sam looking at her. And so, upon dragging her eyes up once more from Sam's fingers to find Sam staring back at her, eyes dark and expression unreadable, Alex decides it's time for a drink after all. One beer won't hurt, even if the world decides to consider coming to an abrupt conclusion in the next hour or so and it turns out to be her responsibility. It's just that her mouth is suddenly dry, and the room is suddenly too loud, and she needs something to roll between her fingers the way Sam is rolling that IPA back and forth and back and forth and- Yeah. Just one beer will be fine.

She slips into the kitchen while Nia is yelling about how they should all do a TikTok together. It's quieter here, and a cool breeze through the window over the sink raises goosebumps across her arms. She pops the fridge open, pulls a beer at random, leans up against the counter. Maybe she doesn't want a drink after all. Maybe she just needs a minute.

"Aren't you on call, Ms. Danvers?"

Sam. Alex pouts. "What are you, the party police?"

Sam steps up close, takes the beer from Alex without so much as looking at it. "Aren't you the alien invader police?"

That's a dumb line and it doesn't remotely reflect Alex's actual job description, but she laughs anyway. "It's just one beer. Like 4%. I can handle it."

"I know," Sam murmurs.

Alex thinks she's forgotten how to breathe. Sam's eyes are on her mouth and those hips are pressing into her again and when Sam slips one arm around her waist and one hand into her hair a sound comes out of her that might have been a whimper. There's an inevitability to the way Sam leans in, to the way Alex's lips part as Sam tilts her head back with a firm tug. There's a moment of hesitation, a lingering, an opportunity to say no. Instead, Alex whispers, "Please."

Sam obliges. She kisses her slow, languid almost, holds her firm against the counter as she licks into her mouth and Alex is thinking that maybe she's going to come right here just letting Sam kiss her like this when Sam presses a thigh between her legs and she gasps, grinds down hard without meaning to.

Sam chuckles into her mouth, drags one hand around to her throat, traces feather light kisses along her jaw, tugs on her earlobe with her teeth. "Good girl," she whispers.

Alex isn't sure if it's the heat of Sam's breath, or the praise, or the way she's been casually immobilized, but she shudders, and Sam chuckles again, lips against her ear, and that only makes it worse.

"Fuck," Sam says. "If I had my strap with me I'd rail you right here."

Alex is pretty sure that would kill her. She's pretty sure just the thought of it is going to kill her. Just the pad of Sam's thumb dragging across her throat as she kisses her again, just the roll of those hips, that thigh pressing hard into her, that deep ache coiling tighter as Sam pulls back just far enough to meet her eyes and-

"Hey, Nia wants- Oh!" Lena stops short just inside the kitchen door. "I'll just." She plucks a bottle of wine from the counter. "Take this and tell her that you've uhm. That you're busy."

"We'll be right there," Sam says. She straightens Alex's shirt with a tug and a smirk. "Wouldn't want to miss the TikTok dance."

"Nope," Alex chokes out. "Wouldn't want to miss that."

It's a fluke. Alex takes a long shower when she gets home, and she takes care of the lingering ache that's now outlived not one but two TikTok dances, and she thinks about texting Sam. She falls asleep with her phone in her hand and if she has dreams about a tall, handsome, strong woman railing her against a kitchen counter, well. That happens sometimes. Could happen to anyone. Doesn't mean anything except that Alex has been single for probably too long . She downloads Hinge in the morning and considers explicitly mentioning in her bio that she's the one who wears the strap.

///

The Hinge profile lasts about three days. Alex scrolls through a ridiculous number of women, all of whom are... fine, before she comes to the conclusion that the problem is that none of them are Sam. She's sitting on this stupid app pedaling her stupid profile and all she wants is the woman whose attention prompted her to download a dating app in the first place. And she can't want Sam because it would never work. They're fundamentally incompatible. This bedroom ain't big enough for two tops. It's not going to happen.

But the words if I had my strap with me I'd rail you right here are as stuck in Alex's head as that Lady Gaga song Brainy won't stop playing over the speakers at the DEO. She can't stop thinking about it. Picturing it, even. Dreaming about it when her mind should be anywhere else, on anything else. And she'd just avoid Sam, just look the other way until her hormones sort themselves out, except that Sam is virtually impossible to avoid.

Kara doesn't make it any easier when she calls on Friday night to ask her about a movie night at Sam's apartment.

"Ruby's on a school trip, so it'll be just the four of us," Kara says over the phone. "I'll bring snacks, and we can order whatever you want for dinner. Please? Lena's never seen Star Wars; we have to do something."

Alex doesn't know how to say no. No, I won't come to what feels suspiciously like a double date movie night at Sam's apartment, because Sam's strap is at Sam's apartment, and I'm not sure that she isn't going to try to fuck me on the bathroom floor, and furthermore, I'm not sure that I don't want her to. Instead she says, "Any Star Wars? That's a crime. Which movie are we starting with?"

It's probably a safe bet anyway. Kara and Lena will be there the whole time; Alex and Sam will never be alone. All Alex has to do is make sure that she leaves when everyone else does and they can avoid the awkwardness altogether, and no that is definitely not anticipation she's feeling in the pit of her stomach, and she certainly does not spend an extra half an hour in bed on Saturday morning keeping herself busy with the thought of offering to stay and help clean up, of finding herself pinned against the refrigerator door while Sam takes her from behind. That absolutely does not happen because that would be ridiculous, undignified, untoplike behavior.

Alex is certainly feeling ridiculous, undignified, and untoplike standing outside Sam's door that evening, anxiously smoothing out her shirt with one hand, a case of that IPA from game night in the other. She's arrived a carefully calculated fifteen minutes late just to be absolutely sure Kara and Lena will get here first, but she didn't spot Kara's car outside, and so she isn't particularly surprised when Sam opens the door with a warm smile and welcomes her into an empty apartment.

"Kara and Lena?" she asks as Sam takes the proffered beer.

"Lena got held up at the office," Sam replies, already disappearing into the kitchen. "They're running late. An hour or so. Told them we'd wait. Do you prefer an IPA or a lager? I don't have any stouts in the fridge right now. Might be a decent sour in here somewhere."

Alex lingers in the entryway, that not-anticipation feeling thrumming through her veins. She could follow Sam to the kitchen. Kitchens do seem to be their Thing. But Sam returns with two lagers, her question unanswered, and nods her head towards the living room.

Well, now they're alone together after all and Alex is feeling awkward. She settles onto one end of the couch and tries not to read into it when Sam deposits the lagers on the coffee table and settles in next to her, legs folded under her, almost too close, instead of occupying the perfectly good cushion on the other end.

"Sam," Alex tries. They should talk about this. "We should talk about this."

"Hmm." A hint of a smirk flickers across soft lips before Sam schools her expression. "Talk about what, exactly?"

If Alex had bothered to rehearse this conversation in her mind, she still wouldn't have imagined it going this way. Her eyes drop to Sam's mouth and then she struggles to look elsewhere. The records on the shelf under the window. The blank television screen.

"I-" she starts, but the words don't want to come out. The lager on the coffee table. She doesn't reach for it. "I can't stop thinking about game night," she forces out, and then she looks back up at Sam to gauge her reaction.

Sam is smirking openly now, a hint of laughter in her eyes. She reaches out to tangle long fingers in the hair at Alex's nape, the same grip she used to pull her into a kiss just last week, and Alex's arousal is embarrassingly immediate. "Really?" Sam asks. "Game night, huh? You want to know what I can't stop thinking about?"

It's Alex's gaze that drops first, to Sam's mouth again, and this time she can't look away. "What?"

"Tonight," Sam replies, close enough that Alex's eyes flutter closed, close enough that she can almost feel Sam's answer on her lips. There's probably a coy response for this somewhere in the lesbian handbook but Alex is reaching and coming up empty. She presses a soft kiss to Sam's mouth instead and feels that anticipation - there's no denying now that it's anticipation - thrum again when Sam's tongue immediately presses into her, hot and demanding.

"What's so special about tonight," Alex mumbles as Sam kisses along her jaw to her neck.

"Mmm." Sam nips hard against Alex's pulse point, smiles into her skin when she gasps. "Well, that depends."

"On what?"

"Take your shirt off."

Alex hesitates. That isn't remotely the answer to her question, but now Sam is sucking on her neck and her capacity for rational thought is rapidly diminishing. She fumbles with the first shirt button, fingers trembling, and then the second. Three undone is enough for Sam to pull the offending garment over her head. The sports bra follows, and then Sam is tugging on Alex's hips to reposition her so that she's lying back on the couch, and Alex suddenly understands what everyone finds so attractive about kryptonians, because it's effortless the way Sam moves her. She has about a half second to be transfixed by the abs peeking out from under Sam's own blouse before Sam is kissing down her collarbone and over her breast, chuckling when Alex's hips jerk underneath her.

"You know," Sam says, "I was expecting more of a fight out of Alex But-I'm-A-Top Danvers."

Alex opens her mouth to let out a retort but Sam's tongue is working a circle around her nipple and rational thought is once again threatening to fail. "Is that what you want?" She manages, struggling to sit up. "You want a fight?"

"No." Sam pushes her back again, pins her arms over her head with one hand, brushes the fingers of the other across her ribs, frowns. "No, I like you better like this."

Alex flushes and has to remind herself not to squirm, not to look away as Sam studies her in silence, drops kisses across her shoulders, traces the lines of her hip and the inside of her thigh. And then Sam reaches under the couch for a box, the implications of which are momentarily as immobilizing as the hand still holding Alex's wrists down, because Sam planned for this, planned far enough in advance to stash supplies where they might be convenient.

Alex swallows hard when Sam's pants exit the scenario, and Sam's eyes flicker over her face as she opens the box.

"How do you feel about being strapped on the couch?" she asks.

It's such a blunt question that Alex flushes again. "Uhm. Okay?"

Sam stops with her harness halfway out. "Just okay? I'm gonna need a clear yes or-"

"Yes. God. Yes please," Alex says, flushing an even darker shade. She's going to let... this... happen, but she's not going to beg. Christ. Consent granted; please let's move on before things get awkward. Sam chuckles a little at her discomfort and presses a kiss to her brow.

"Okay. But if you want me to stop you just say the word."

Alex nods, not trusting herself to speak, eyeing Sam's fingers where they're tightening the harness. And then all at once she blurts out, "Kara and Lena could be here at any moment," which she hadn't realized might be a concern until it came out of her mouth but now she can't stop thinking about it, and how embarrassing that would be, and Kara can see through walls for heaven's sake, and-

Sam chuckles. "Baby," she says, sliding herself between Alex's legs, "You're not going to last long enough to be worried about that."

Sam is embarrassingly, excruciatingly not wrong. By the time the strap is working into her Alex is pretty sure she's wound tighter than she's ever been, and she'd crack some kind of joke about how it's clearly been too long since she's had anyone inside of her but this is really not the time. Sam is pressing inexorably deeper and it's all she can do to hold her breath because otherwise she's going to come altogether undone before they've even gotten started.

Sam gives her a moment when she's all inside, waits for Alex to exhale, waits for her nod before she starts to rock her hips, and the drag of the strap is so intense that Alex loses her breath and her self control in the same instant with a groan that only deepens Sam's smirk. Alex is kind of wishing Sam would give her back the use of her hands, but that's not in the cards. She squirms instead, hips bucking of their own accord, head thrown back hard against the cushion of the couch.

"Thought about this every night," Sam murmurs, and Alex thinks she'll say since game night but she says, "Since the day I met you," which is almost as mindblowing as the pleasure somehow, incredibly, continuing to build between Alex's hips. "Thought about how good you'd be under me."

Alex shivers at that and then comes, bucking hard into Sam to take as much of the strap as she can, half aware of Sam whispering something in her ear that might have been what a good girl you are if Alex had been cognizant enough to comprehend it. She comes back down to soft kisses across her face, and when Sam lets go of her wrists she wraps her arms around her and tries to remember how to breathe, how to pull all the pieces of herself back together, how to be a competent and capable, dignified and toplike partner.

Alex runs a hand absently through Sam's hair and hums. "Do you want me to return the favor?" she asks. She doesn't have a strap with her but, well, it's not like that was ever the best trick up her sleeve anyway. She opens her mouth to make a quip about how a good top is always prepared but Sam reaches out and casually tips an untouched lager onto her discarded shirt.

Alex splutters.

"Too late," Sam says brightly. "You'll have to ask me after dinner. Lena and Kara are here."

"Lena and Kara are what-"

And there's the knock at the door. The door not ten paces from where Alex is lying in a state of naked disarray on the couch where they are supposed to be watching Star Wars. There is a moment of absolute stillness before Alex begins to scramble for her clothes.

"Bedroom is the second door on the left," Sam says, sneaking in a last kiss while Alex reaches for the underpants peeking out from under the coffee table. "Clean shirts in closet. Do pick something nice; I've been dying to see you in my clothes."

Alex scurries down the hall in her socks quietly cursing and thanking every star in the sky. It's going to be a long night. If she's lucky.

#Alex Danvers #Sam Arias #agentreign #Ask Pile

147 notes · View notes

boop-le-snoot · 4 years

Text

PARTY FAVOURS | CHAPTER 2

Rating: Explicit. 18+

‼️TW: Reader is EIGHTEEN! Recreational drug use, smoking and alcohol consumption, deeply internalised self-loathing, very questionable moral standards. Daddy kink taken half-seriously. BDSM themes in later chapters - explicit content will come with it’s own TWs. FIRST PERSON POV.

Summary: You’re Peter’s classmate, a child of rich and famous but uncaring parents. Getting paired up for a lengthy project with the boy was an interesting turn of events and you don’t know whether to feel blessed or cursed when you develop, seemingly, a perfectly normal, harmless crush on Tony Stark. Fueled by feelings of inadequacy and boredom, your life spirals out of control - and you’re lucky your newfound friends are there to pick up the pieces even if you cannot find it in yourself to believe these amazing human (and not so human) beings voluntarily give you more than a fleeting glance and an offhanded thought. And they brought cake!

A/N: Bad girls are sad girls! Always wondered what goes through the mind of a spoiled, rich but intelligent and perceptive teenager? Have you found yourself craving that adrenaline rush, the danger of a forbidden fruit? Okay. That was cheesy as hell. Gross.

Let’s try again. Sarcasm? Check. Vine references? Hell yes! Crude humour? Check. Blunt honesty? Double check. We’re living in a Lana del Rey song, ladies.

The author doesn’t actually condone codependent relationships in real life. This is a filthy little fantasy. Enjoy, deviants.

THE TAG LIST IS NOW OPEN! @vozit @another-stark-sub @mostly-marvel-musings

Beta read by the lovely and patient @miscmarvelwritings ! She deserves all the love 💙

Peter woke me up at eight AM the next morning like the little shit that he was, demanding I make him pancakes. It wasn’t the first time I’ve had the joy to experience him in the morning and he knew exactly how to antagonise me enough to make him the special pancakes he liked so much. They had become kind of a ritual whenever he stayed over at my house, which was quite often - teachers liked me enough to pair me up with one of the most sensible kids for any projects that couldn’t be done alone by yours truly on her own.

I put on my yesterday’s dress, applied moisturizer and obediently trotted behind an excitedly mumbling Peter. The kitchen was large, beautiful and delightfully empty of any resident superheroes. I’ve indirectly crossed paths with all of the tower’s residents hanging around Tony, but I’ve yet had to speak more than polite niceties to any of them.

Spying a bowl of boiled eggs and some sort of weird salad alongside half burned toast on the counter, I suddenly understood why Peter demanded his pancakes. I strictly instructed the disaster child to stay away from my cooking process and set to work with one ear listening to his ramblings and a headphone in the other.

A set of thumping footsteps appeared behind me as I was pouring the batter for the first pancake. Their owner loudly sat down next to Peter, sighing, groaning, generally making “I’m not a morning person” sounds.

“Good morning, Mr. Barnes,” Peter’s tone was way, way too chipper.

“‘mrng,” The Sergeant grumbled. “Who’s this and why is she making pancakes?”

I turned around, spatula at the ready. “It’s me,” We’ve actually met before, but Barnes had left before I could even come over from my side of the work bench to say hello.

He nodded in acknowledgement after giving me a suspicious once-over. “One of Stark’s science children. I’m James but you can call me Bucky,” His voice sounded rough and gravely, and he clutched a coffee cup half the size of my head.

I snorted. “Science child, sure,” It wasn’t half-bad actually. I wisely choose to ignore the part of being Tony’s. No matter how hot the man was, I wasn’t anybody’s but my own, thank you very much. “Go get the bananas, Nutella and maple syrup, fellow science child.”

Peter scrambled to follow instructions as I plated the pancakes and cut the bananas into neat little rings to fill the sweet circles with. A tablespoon of Nutella, half a sliced banana, wrap, garnish with powdered sugar and pour maple syrup generously on top. I really didn’t see how this could be difficult but any and all attempts to teach Peter how to recreate my masterpiece always ended up in an absolute mess. I turned around to ask Bucky if he wanted any. The look of a man starved answered all my questions.

“You’re a goddess,” Peter moaned around his mouthful, nose smudged white with the powdered sugar.

“Gross, chew first then talk, you neanderthal,” I scoffed, prepping more batter for the second batch of pancakes. I wasn’t sure if everybody would show up but figured it would be rude to exclude them from the sheer magnificence that were my pancakes. I was just that good.

The music in my ear drowned most of Peter’s disgusting chewing noises, thankfully. My second batch vanished into thin air, inhaled by the two males like the garbage disposals that they were. Peter, in particular, ate an alarming quantity of food and I was surprised how he managed to stay so skinny. His daily eating schedule resembled the Hobbits.

More people appeared, this time acting less surprised regarding me standing at the stove. Hawkeye, Black Widow, Scarlet Witch and her brother, all of them wandered in wearing sleep attire with various amusing prints. Thankfully, they mostly kept quiet or chatted with Peter - I would have definitely grumbled if someone tried to talk to me. As far as my body was concerned it was still the middle of the night.

“PANCAKES,” A booming voice announced and I shuddered at the sheer intensity and devotion contained in that one word. Thor.

“Please use your indoor voice,” I snapped reflectively. My brain caught up with what I just did so I hastily backtracked. “Sorry, I’m a bitch in the mornings.”

The blonde man chuckled, coming over to poke his nose into my flurry of pour-flip-fill sequence. Then, with all the grace and manners of a prince, he dipped one (1) large finger into the jar of Nutella and wandered off with it stuck in his mouth. With this turn of events the Nutella was bound to run out sooner than expected.

I turned around, annoyed confusion in plain sight. “The fuck?.. That’s gross, don’t do that,” Finding his brother (adopted!) sitting next to Thor, wearing a haughty smirk, finger still in his mouth. So Loki turned into his brother to steal Nutella from a jar. I sighed. Nobody even batted an eye. “Your alien germs are in there now, double ew.”

“Alien germs? Where?” Bruce entered the kitchen with a tablet under his arm, wearing Hulk themed pajamas, Captain America in tow. I was honestly on the verge of breaking down into hysterical laughter. Domestic Avengers wasn’t something I’d expected to see or experience, ever, much less be a part of. It took a moment for me to remind myself that they were people, too, and each of them was entitled to their own quirks.

“America, egg-splain,” Peter muttered under his breath, giggling. “Loki stuck his hand in the Nutella jar,” He pointed at said jar. “She got grumpy,” Peter pointed at me. “Don’t make her grumpy, please, I want more pancakes,” And turned his pleading puppy eyes in my direction again.

“This is indentured servitude,” I pointed my spatula at the little shit. “You just had, like, ten.” But I made more batter nonetheless. I must admit it was kind of cool, seeing the earth’s mightiest defenders so relaxed. And Pete being happy, that was just… The best. I don’t know how to explain it. His eternal cheerfulness was highly contagious.

Chuckles filled up the room, the adults chatting and bickering amongst themselves while they patiently waited for their own breakfast.

“Do you need some help?” Bruce approached me after stopping to fetch himself a cup of tea. It smelled strongly of tangy herbs and honey.

“I need more Nutella and bananas,” I admitted, surveying the sheer amount of people I had to feed. I didn’t doubt the Captain and two Asgardians had an appetite to match Peter’s which meant a literal extra set of condiments was required. Thankfully, Bruce fetched them for me, coming to a stop next to me. “Anything else?”

“You know, I tried making these with Peter and he just ended up with powdered sugar and chocolate all over himself,” I mused, noting the way Banner was carefully observing the assembly of a pancake. “You think Doctor seven-phds can manage to add a few toppings to a pancake without causing a disaster?“

Bruce rolled his eyes fondly, bumping me with his hip. "I’m no Clint Barton when it comes to cooking but at least I don’t burn my toast like Steve,” True to his word, his hands made swift motions of filling, wrapping and plating each individual pancake. They were almost as good as mine albeit more messy. I had lots of practice though. We finished off a batch in companionable silence, sounds of the team and my music playing in the background.

I didn’t notice when I started swaying to the rhythm, catching a confused look from Bruce. I brushed back my hair, revealing a wireless headphone in my ear and he chuckled in understanding. “What are you listening to?”

“Right now? Kings of Leon,” I said, leaning towards him so he could hear the chorus “Use Somebody” currently occupying my right ear.

“I like them, too,” He said, his cheek gently touching mine. His hands slowed on the pancake, a soft hum vaguely reminding me of the song’s melody emanating from his throat. “What else do you usually listen to?”

“Mostly heavier stuff, but I have a whole separate playlist dedicated to mid-2000s bops,” I answered. “I’ve heard I’m quite old school when it comes to music.”

“Well, I am an old man, so…” Bruce grinned mischievously. “But my guilty pleasure is Lady Gaga,” He admitted with a laugh.

I laughed, too. The image of his dancing in his lab to Born This Way was too much for my brain and I hung my head, fighting giggles. Bruce bumped me with his hip again, faking a pout. “Okay, okay, that was a fucking hilarious image, you go dude,” I finally powered through my struggle to contain laughter. “My own guilty pleasure would be… Umm… Lana Del Rey, I guess.”

Bruce made a vague noise of confusion. I took a brief break from mixing the batter to dig out my second headphone, presenting it to him and switching to a song. “This is what makes us girls”. Despite the fact I have never stolen a car or had a close female friend, the nostalgia was real. “Carmen” followed after the first song and I silently thanked whatever deity that “You can be the boss” was taken out of Spotify - I don’t think I was prepared to share that kind of information with a lab partner. An older, handsome lab partner. Wait… Where did that come from?

“I like it,” He said after the song ended and my more usual stuff began playing. “It suits you, I think.”

I groaned. “Really? I think it’s edgy,” Hiding away the embarrassment, I passed him a tray of freshly baked pancakes, occupying his immediate attention.

“You’re an old soul,” He gave me a lopsided smile. I saw a very faint blush tinting his cheeks, the kind of blush that had me wondering about the meaning behind his words.

I gave an attempt at a smile in response, the left corner of my mouth barely tilting up. We talked some more about the rock music we shared in our earphones. I had a lot of 80s hair metal and 90s grunge in my playlist. Bruce was not a Curt Cobain man but enjoyed the works of his legacy, Marcy Playground.

A tan hand wormed its way between me and Bruce, snatching a handful of banana slices and disappeared just as swiftly. “Tonyyy,” Bruce groaned, picking up another banana to replace the stolen pieces.

The spatula in my hand became a weapon as I blindly aimed at the target behind my back. A loud “ow” indicated I hit it. When I turned around, Tony was clutching the side of his face, a hurt look in his eyes and cheeks stuffed full of stolen goods. I stared him square in the face, absolutely refusing to acknowledge the fact that he was shirtless - the arc reactor glowed brightly in the middle of his toned chest. Fuck.

His chest was honestly what I was aiming for. I constantly kept forgetting how short he actually was. There was this one time when Tony had to put his arms around me to steady a piece of tech - he felt huge, hard and enormous around me.

“What’s that for, Princess?” He finally chewed through his food and found his voice.

“For being a Tony,” I retorted. “Stay away from my workspace and wait for your breakfast like everybody else.”

“Hey! This is my kitchen,” He whined immediately, like the adult man that he was. I nearly cried from how adorable his face became, eyebrows scrunched up. “I don’t want to wait! And why does he,” Tony’s finger accusingly pointed at Bruce, “Get the bananas?!”

“Because he’s Brucie-bear,” I stuck my nose up in the air when Bruce’s arm wrapped around my waist. “He’s my science father,” I stuck my tongue out at Tony, seeing Bruce’s triumphant smile. Banner used every opportunity to get back at Tony’s incessant sass.

The gleaming in Tony’s eyes should have alarmed me. “But he’s not your science daddy,” Tony’s flirting was accompanied by a salacious eyebrow wiggle and Peter’s screech of “OH MY GOD!"

It took me every ounce of willpower to not flush. It was one of those rare times that I was at a complete loss of words. Thinking on the spot, I gave a very meaningful look to Bruce - thankfully, he got the gist and returned an equally filthy smirk back. Tony gaped.

"Is this how they are in the lab?” The Captain’s quiet voice leaked horrified amusement.

“All.The.Time.” Peter’s resonating groan was followed by Romanoff’s laughter.

We went up to the lab after breakfast. Thankfully Tony stopped his dramatic bitching when I served him my pancakes, scarfing them down much like everybody else. So me and Pete were accompanied by one (1) happy engineer, all three of us tinkering away on a robot that we were supposed to present in our science class in a month. The focus that was required to solder was immense and our usual banter was missing, replaced by an occasional request for a specific tool or a water bottle.

It took a few hours to get the dirty job done even with Tony’s help (technically he wasn’t supposed to but neither me nor Pete had the heart to forbid him from it when the man looked so content and happy soldering away). By the time I uncurled from my spot on the bench, my back was in knots and my dress had oil stains and holes all over it. I immediately went to the nearest water bottle, finishing half of it in seconds, picking up my phone to see if I had any important messages from my mother.

None.

Just a message from Bruce.

I tapped on my phone, idly scrolling through the Instagram app, liking some pictures of people I barely knew and keeping up a general appearance of being very busy. When the ringtone started playing, it took me a whole five seconds to understand it was, in fact, coming from my phone - I certainly wouldn’t put something so… Outrageous as my main tone.

Banner had discovered the power of the internet. You Can Be The Boss played loudly, and it played from my phone and Bruce was calling me. I picked it up, turning around, fighting the incoming laughter. “Yes, Brucie?"

To say that Tony’s and Peter’s faces were scandalised was nothing. The boy’s face was such a deep shade of red, I started worrying about his blood pressure and Tony’s mouth hung open limply, like he was witnessing the second coming of Christ.

"Is Tony sufficiently traumatized?” Judging by the breathless tone of his voice, Banner was resisting a mighty laughing fit of his own.

“Oh, absolutely,” I happily chirped.

“Good, keep it up. Come to my lab before you leave,” Banner snorted and then, realising what he’d done, promptly hung up, the tell-tale beginning of a giggle fit abruptly interrupted by a dial tone.

I put the phone in my bag, gathering the rest of my things with a look somewhere between innocence and indifference. At least, I hoped it was - my mind kept jumping between the engineer’s ridiculously scandalised face and the way his mouth went slack, lips moist and soft and plush. That’s a very dangerous trail.

A very dangerous trail I couldn’t resist exploring in the solitude and privacy of my own bedroom, at home.

#bun writes #party favours #tony stark x reader #tony stark x y/n #bruce banner x reader #bruce banner x y/n #stephen strange x reader #Stephen Strange x y/n

176 notes · View notes

agentmarymargaretskitz · 3 years

Text

For science and because Bad Romance came up for the first time in ages on my playlist, which Lady Gaga songs do the Bad Batch like best?

#star wars #the bad batch #tech #hunter #wrecker #echo #omega #crosshair #lady gaga #please who gets down to just dance #the clone wars

8 notes · View notes

jongjongen · 2 years

Text

The Audio

“Sometimes, the sound of silence is the most deafening sound of all." — K.L. Toth

We all know how much music is loved by so many people. That is something we cannot deny. Whether we're at a concert, listening to the radio, or singing in the shower, music has the ability to generate a spectrum of emotions in us.

I mean, who among us has not yet experienced a similar experience with an emotionally gripping song? Like how people cried when Taylor Swift's "Teardrops in my guitar" is being played on the radio; like how some would automatically groove their body when Sarah Geronimo's "Tala" is on, and like how the UE Red Warriors jump to the beat when Silent Sanctuary played "Ikaw Lamang" last POWHIRI 2019.

My Instagram Story last September 24, 2019, during the POWHIRI IX at SFC Quadrangle, University of the East, Manila.

Music has varied degrees of characters that might affect one's mood. It can raise someone's mood, get them excited, or make them calm and relaxed. Most importantly, music also allows us to feel nearly or possibly all emotions that we experience in our lives.

However, when it comes to news and current affairs, as well as other pre-recorded content (e.g. podcasts and films), only a few people pay attention to audio.

"Music is the soul of life and gives immense peace to us." — Toppr

I used to be a great fan of world music. Since 2010, I've been keeping up with new releases by big international singers like Justin Bieber, Katy Perry, Miley Cyrus, and my personal favorite, Lady Gaga — and I'm quite particular about their song lyrics. It only changed in 2016 when one day I realized that music from international (and even local) does not excite me anymore. I get more fascinated with instrumental, cultural, religious, and trap kinds of music.

Some of my friends might call me Jurassic for not keeping up with the new music, but my new music tastes are kind of beneficial for me, and it helped me pave my way to show interest in becoming meticulous to audio.

Since Junior High School, when we join the mass dance and cheer dance competitions at school versus other grade levels, our Batch would always rely on me when it comes to editing our music for the dance. I don't know why, but the least I know is not many of them show interest in this field — or let's say, they don't know how to edit one.

To cut the story short, my fondness for audio also made me pursue a media course in college.

"Pataka lang ang baccla" — Pataka means "unsubstantiated" in Bisaya. I used this caption because this is my first time editing a full-blown radio news production. Hence, my knowledge on how to formulate one is not substantial enough. I used Acoustica Audio Mixer as my editing platform. You can listen to the whole radio production here: https://www.youtube.com/watch?v=7AGUy3sloxY&t=142s

"Audio or sound is important in a production." — MILNE Library

In the broadcasting program, we were thought that audio or sound is an important element in every production. That is why our professors describe different aspects of audio and sound production for pre-recorded content and examine the necessary technical skills of audio and its implication for a pre-recorded media genre or form.

A good storyline and cinematography are not the only elements that could make a film a good one — audio is one, too. A bad sound could make a video frustrating even if it is the most entertaining film of all. When sound production is most successful, you are not thinking about the quality of the sound at all — you are also feeling it.

That is why audio is important in productions, you are pulled into the story and living in the world of film or news and public affairs.

Audio alone, when synced to background music and sound effects, is inadequate to make a piece of news reporting appealing. It also necessitates high-quality audio from the broadcaster or reporter in order for the audience to understand the news. That is to say, the recording procedure and equipment employed by broadcasting productions should be clear and effective.

youtube

Radio Broadcasting is one of the last activities Dr. Zafra assigned to us before our Christmas break in 2019. Headed by Vianca Robles, we named our production Radio Silangan. This was submitted last December 16, 2019.

youtube

"Sound is the perfect complement to the visuals in a film." — A. Rothstein

A film's sound is the ideal accompaniment to its visuals. The sound designer, in addition to the boom operator, can overlay music, speech, and sound effects on the audio recording to create an immersive experience, aid in storytelling, and elicit an emotional response. The viewer would be left with just the pictures and no context for what they are seeing if a film did not have music.

Sound is an effective technique for narrative and helps the audience to fully appreciate the film's impact. The sound may propel a tale forward or halt it in its tracks. The music in the film is effective in evoking emotion and setting a tone. The music can help the audience experience what is going on screen and develop the necessary suspense for forthcoming action, whether it be a love interlude or an action scenario.

youtube

Oppo Reno 2F is the subject of our first long television commercial. The product was not introduced in the first three minutes of the commercial. We use a horror theme to pique our audience's interest in what this ad is about. We used scary background music to make our audience curious so that they will watch the ad until the end.

WATCH OTHER FILMS HERE:

CRESCENDO PRODUCTIONS, PACION: https://www.youtube.com/watch?v=CoSSN80aULk

"Podcasts allow you to share knowledge with the relevant audience." — Akriti Galav

A podcast is an episodic collection of spoken-word digital audio recordings that may be downloaded and listened to on a personal device. It's generally available on Apple Podcasts, iTunes, Spotify, Google Play, and a variety of other platforms. You can reach your target audience, who is fascinated by your material, in this manner.

This is me during my podcast-type vlog, sharing my experience as an online class sophomore. Watch the vlog here: https://www.youtube.com/watch?v=S6Q0U35rNuo&t=251s

Simply put, a podcast is a new way to entertain, educate, and humor people. They are all sound, with no distraction coming from how people look or dress like you might get from watching a TV show or film. Most podcasts begin as a series and are then split down into episodes, much like a television show. It is originally called "audio blogging".

People were recording and sharing using this manner, despite the fact that they were not built to the same standard or design. The origins of audio blogging may be attributed mostly to the music industry. People recorded an MP3 with their voice or music to share songs and the newest buzz.

To create audio content for listeners, podcasters only need a computer, microphone, headphones, and recording software. In reality, you most likely already have some of the necessary tools to start a podcast. However, reaching your target audience is more difficult.

youtube

In ABC_2103 (Development Broadcasting), we created a solo or monologue podcast entry pondering on socio-political pressing issues and concerns — where I highlighted the government incompetence and inconsistency. Listen here: https://www.youtube.com/watch?v=oK4wXNucY8w&t=6s

youtube

For our ABC_2204 (Political Economy of Broadcasting, Interactive, and Emerging Media), we are tasked to make a podcast about a certain framework of our choice, where I chose Capitalism. In this podcast, I highlighted the capitalistic approach of private learning institutions. Listen here: https://www.youtube.com/watch?v=HIHSl15d29Q&t=72s

LISTEN TO MY OTHER PODCASTS:

COMMUNICATION MODELS AND THEORIES - SYNTHESIZING PODCAST: https://www.youtube.com/watch?v=vcBla39wk-k&t=181s

WRITING DRAMATIC MATERIALS FOR BROADCASTING, INTERACTIVE, AND EMERGING MEDIA - SPOKEN POETRY: https://www.youtube.com/watch?v=4Goe0HO52Cg&t=194s

PRODUCING PRE-RECORDED CONTENT FOR BROADCASTING, INTERACTIVE, AND EMERGING MEDIA - TALKSHOW: https://www.youtube.com/watch?v=_7p7cKR67_4&t=74s

Sound elicits emotion and helps people connect with what they are witnessing. It underpins each image and cut, as well as defines the overall mood and tone of your story.

Language, sound effects, music, and even silence, when used correctly, can drastically improve your movie. Sound, on the other hand, can completely wreck any video or animation. Despite this, audio is frequently overlooked during post-production, which is absurd because no amount of editing magic can compensate for poor sound.

"Audio is arguably more crucial than video quality." — TopLine Film

1 note · View note

coffeequill · 3 years

Text

Tag people you want to catch up with/get to know better!

Tagged by @lovelybasilisk

Favorite color: Green!

Last song: Grigio Girls by Lady Gaga

Last movie: In The Heights

Last show: The Bad Batch, but tonight I watch Loki with my dad.

Sweet/sour/savory: Sweet primarily, but I LOVE sour candy. Love it so much.

Craving: Strawberries and bananas with whipped cream. Mmmmmm-

Tea/coffee: LOTS of coffee in the mornings but I’m Irish so tea throughout the day.

Currently working on: 5 gajillion WIPs lmao!! Symbiote AU, Sands of Time, force sensitive Din. Also staring at the BOBF big bang doc trying to think of things I could write!! (help me)

Tagging: @asiminthering @kotemorons @neverfeedthesarlacc @lastwordbeforetheend @chelseadearfromao3 (zero pressure ofc)

#tag games

2 notes · View notes

wonderfulworldofmichaelford · 4 years

Text

Michael in the Mainstream: Epic Rap Battles of History

In September of 2010, a series began that would spend the decade growing, expanding, improving, and even attracting controversy: Epic Rap Battles of History. The concept is simple - take two characters from history or pop culture and have them get into a rap battle where every single line is loaded with clever allusions to the participants. From there, it can go in really any direction - rappers can jump into the middle of a battle, rappers can team up, battles can be heavily skewed in one direction… there’s a lot of variance.

Watching the series grow into something as impressive and well-done as it is nowadays has been quite an experience. The first battle, “John Lennon vs Bill O’Reilly,” is honestly pretty bad by today’s standards, with a weak beat, poor costumes, bad impressions, and just a general lack of polish. But it did have something to it, something that would come to light as more and more episodes were released - Peter Shukoff and Lloyd Ahlquist really had a knack for rapping. I think the best part of the series over the past ten years is watching them go from the green rappers in that original video to incredibly talented and clever writers, singers, and actors, delivering stellar performances left and right in the more recent seasons.

With their first decade behind them, I’ve decided to go season by season and look at what worked and what didn’t as the show grew and evolved. I give an overview of each season, talk about some of the strengths and weaknesses they exhibited, and then go over the best and worst characters and battles of each season.

So, as the announcer says at the end of every intro... BEGIN!!!

Season 1

It’s hard to totally hate this season, but boy is it hard to love it. This was their first season, and their first batch of battles, so I think a little leeway needs to be given here; it’s clear they’re trying to find their footing and see what works and what doesn’t in terms of matchup and characterization. This leads to a lot of the battles of season one feeling really weird in hindsight, with the infamous “Genghis Khan vs The Easter Bunny” being the most standout example.

However, that’s just the most notable bit of wonkiness; there are plenty more decisions and matchups that really seem baffling in hindsight. One of the biggest ones is when Peter portrayed Lady Gaga in a rap battle against Sarah Palin of all people. This leads to a lot of the jokes Palin lobs being a bit more uncomfortable than they would have been if a woman played Gaga; this is notably the only time a female character has been portrayed by a man to this date.

Beyond that some of the matchups are just really nonsensical or rely too much on outdated memes. The worst offender in both regards is probably “Abraham Lincoln vs Chuck Norris,” which features Peter delivering one of his greatest performances in the series as Lincoln against a Lloyd-portrayed Norris who does nothing but spout “Chuck Norris Facts” thst we’re tired and unfunny even back in 2010. Likewise, Vince Offer popping up as backup for Billy Mays is pretty of-the-time, but that battle is actually good so it gets a pass.

Still, there are a lot more battles that do work or at least show a lot of promise. Look no further than the second battle in the series and the one that put them on the map, “Adolf Hitler vs Darth Vader.” While it’s a bit basic lyrically and not quite up to the later standards of the series, it’s easy to see why this became as big as it did. Zack Sherwin and George Watsky get their first guest spots here as Einstein and Shakespeare respectively, and both of them kill it in their roles, with the former even being part of one of the season’s best battles. It’s definitely easy to see why these two are the most reoccurring guest stars in the series.

Ultimately, season one is uneven and experimental, but shows a lot of promise. I think the datedness of some of the battles, particularly in regards to the ones featuring characters like Justin Bieber and Lady Gaga; using these two in particular so early in their careers really robbed us, particularly in the case of Bieber, whose decade-long downward spiral would have made for some really interesting disses. Then there are characters like Mr. Rogers and Genghis Khan, who are just wasted on completely mismatched opponents. There is good stuff here, but it lacks the polish later battles would have, making it hard to recommend revisiting this one. I’d say that with a few notable exceptions, you can safely skip this season.

Best Battle: “Albert Einstein vs Stephen Hawking” is probably the best battle of the sesaon; while the original Hitler/Vader battle is iconic, this one was one of the more clever early battles and if nothing else gave us the first Zach Sherwin performance and an awesome and faithful rendition of Hawking.

Worst Battle: “Genghis Khan vs the Easter Bunny.” As if it could be anything else.

Best Characters:

Lloyd: Abe Lincoln, despite being in one of the weaker battles of the season, immediately cemented himself as one of Peter’s best characters, and it definitely helps he has some pretty hard and creative disses, particularly his line involving Chuck Norris crying his cancer-curing tears on his filmography. It’s no wonder Lincoln is the only president who keeps coming back.

Peter: Darth Vader became one of the most iconic characters in the first few seasons for a reason, and despite his weaker lines here than in his sequels, he still manages to be as cool and intimidating as Darth Vader in a rap battle should be.

Guest: Albert Einstein was Zach Sherwin’s first appearance in the series, and what a first appearance it is! It really isn’t a shock he has been invited back time and time again, as he is an absolute blast in this battle.

Worst Characters:

Lloyd: Chuck Norris is the clear loser in terms of Lloyd’s characters this season. He’s nothing but a string of tired memes, and offers no insight into Norris at all. Frankly it would have been nice if they ripped into Norris harder, seeing as he’s a right-winger, homophobe, and Trump supporter. Portraying him as some cool, unstoppable force really leaves a bad taste in my mouth.

Peter: Lady Gaga, hands down, and it’s not that hard a decision. She was portrayed terribly and it really is a shame they didn’t wait until later in her career to use her, because there is so much more interesting things to say about her now than back when they made the rap battle and the most interesting things to riff on were the stupid rumors that she was a hermaphrodite and her weird outfits.

Guest: Alex Farnham’s Justin Bieber is whiny, obnoxious, gets few good lines, and is more than a little mean-spirited; keep in mind, this was made early in Bieber’s career, when his only crime was being a kid with a music career who made songs some people hated. It just seems cruel, and considering how he would turn out a few years later, a world of missed opportunity… but that’s par for the course for season one.

Season 2

Season two was the proverbial “growing the beard” moment for the series. Coming out a month after season one, the new episodes already seemed bigger and more polished, starting off strong with a rematch between Hitler and Vader more epic than the original. Things continued solidly until the season peaked with the masterpiece that is “Steve Jobs vs Bill Gates.” That battle was a huge game changer, and took the series to new heights, heights the rest of the season after struggled to meet.

The big problem is that about half of the battles post-“Steve Jobs vs Bill Gates” are incredibly forgettable or even bad. “Doc Brown vs Doctor Who” is on the forgettable side, as is the first-ever election battle, which pitted Obama up against Mitt Romney. Romney alone should tell you why this battle is so forgettable; it’s a battle you really had to be there in the moment for, and is frankly a good argument as to why election battles should not be done. It’s not awful by any means, but it really isn’t memorable or relevant.

On the bad side, we have “Frank Sinatra vs Freddie Mercury,” “Batman Vs Sherlock Holmes,” and the infamous “Adam vs Eve.” The former two mostly suffer from awful characterization, with Sinatra being set up in the same way Justin Bieber was to be the clear loser. There’s nothing wrong with a curbstomp rap battle obviously, but considering how Sinatra is NOT a reviled figure like Bieber, this one goes over very poorly. Batman on the other hand mainly suffers from being horribly characterized and having extremely repetitive verses, with both his verses basically reiterating the same points. Neither battle is godawful, but they don’t really make good cases for themselves.

Then there is “Adam vs Eve.” This battle is widely regarded as the worst battle of not only the season, but THE ENTIRE SERIES. There is a very good reason for that: this battle is a massive departure from the style and tone of the series. Adam and Eve here represent stereotypical sitcom man and woman; there are very few Biblical references and the whole thing is very one-sided in Eve’s favor, with the battle basically ending with Adam apologizing for calling Eve a bitch… after she spent the past few minutes insulting his sexual prowess and penis size. There are a lot of double standards here, and it would only have been worse if God’s planned cameo was kept in, where he unambiguously sides with Eve.

But let’s not pretend like these are more than exceptions that prove the rule. Season two is remarkably solid, to the point where some battles have aged far better than you would expect. The prime example of this is “Cleopatra vs Marilyn Monroe;” at the time derided by audiences as just a battle consisting of nothing but slut-shaming, looking back it is a very strong yet lighthearted entry between two incredibly intense battles that has a great beat, clever lines, and strong performances from the two ladies. There are a couple of other underrated gems of the season but this one takes the cake.

The season is notable for a lot of big firsts. This is the first season to nab mainstream celebrities as guests, getting Keegan-Michael Key, Jordan Peele, and Snoop Dogg himself to portray Gandhi, MLK, and Moses, respectively. Unsurprisingly the battles featuring them are some of the very best of the season. It’s also the first season with a woman vs woman battle where both characters are portrayed by women, to much better results than the previous one. It’s the first season to have a two-on-two battle, with the second battle of the season featuring the Mario Bros battling the Wright brothers.

The biggest first however was the new style introduced in the finale: the Royale. This style of battle is basically a one on one to start, with each rapper getting one verse and then after the second rapper’s verse a third party barged in to school them, followed by a fourth and then a fifth. This first one featured famous figures from Russian history: Rasputin, Stalin, Lenin, Gorbachev, and Putin, and it is fun and hilarious, though Putin’s portrayal is definitely a product of its time and clearly made before people realized how evil he is.

This season also has some notable missed opportunities unique to it. The first is that there is a whole scrapped battle that was even teased in the trailer for season two, which would have had Hillary Clinton rapping against King Henry VIII. Peter and Lloyd were disappointed with how the audio came out and so permanently shelved it, though the audio is available online. It would have been interesting to see how it would have turned out, though the audio does not paint the best picture and the battle likely would have been forgettable. Still, it would have been interesting to have both parties in the 2016 election battle be returning rappers.

The second is that, to date, season two is the only season to use video game characters, with Mario, Luigi, and Master Chief being the sole representatives of the art form. This gets weirder with every passing year, as video games continue to become more mainstream and characters like Solid Snake, Samus, Phoenix Wright, Lara Croft, and Kratos continue to be popular suggestions for battles. It just feels like a lot of opportunities are being missed, though there’s always hope now that fans have more say than ever.

Overall, season two was a big, confident stride forward for the series. While there are a few stingers and forgettable battles here and there, the majority live up to the title of the series. I’d say that, moreso than season one, this is a great starting point for the series, This season marks the beginning of what I’d like to call the Golden Age, and I would say there are very few episodes here you should skip.

Best Battle: “Steve Jobs vs Bill Gates,” which is not as easy a decision as it seems considering the quality of the season overall. Still, this one probably holds up the best out of all of the episodes, with the rhymes, flow, disses, and beat all being legendary and the surprise interjection from HAL 9000 being nothing short of awesome.

Worst Battle: “Adam vs Eve,” which again, is probably also the worst battle of the entire series.

Best Character:

Lloyd: Gorbachev is the winner here. He’s just a funny, goofy ditz of a Russian leader, and he definitely schools all of the other arguing Russians. His beat is unique and a lot of fun, which definitely helps him stand out even more.

Peter: Peter has a lot of great roles this season, but it’s hard to not give the win to Santa, because Peter was able to hold his own against SNOOP DOGG. Speaking of which...

Guest: Snoop Dogg’s Moses is the standout in a season with no shortage of cool guests. I mean, come on, it’s Snoop

Worst Character:

Lloyd: Adam, hands down, and keep in mind Lloyd also played the now-irrelevant Mitt Romney this season. Adam sucked so bad a bland politician outdid him.

Peter: I’m not sure who told Peter to play Batman like that, but… yeah. Batman sucks here. I hope they bring him back and do him justice someday.

Guest: Jenna Marbles is completely wasted as Eve.

Season 3

Out of the three Golden Age seasons (2 - 4), I think season three is the most uneven and messy. While there are obviously some great battles here - it is part of the Golden Age after all - there are a lot of bad and awkward battles, or at the very least there aren’t as many great battles to make the bad ones seem less egregious. The tone is set by the season opener, the third and final battle between Hitler and Vader which despite a cool Boba Fett cameo ends up feeling underwhelming and boring.

The real issue with this season is that, while there aren’t too many genuinely bad battles this season, even the good ones feel a bit off. For the bad, we have “Miley Cyrus vs Joan of Arc,” which wastes one of history’s most badass woman against a flash-in-the-pan pop star; this battle has very few defenders, and gave woman back woman rap battles even more (undeserved) flack. To the season’s credit it doesn’t really get worse, and the only other weak battles are “George Washington vs William Wallace” (which not only conflates the fictionalized version of Wallace from Braveheart with the real one, but makes George Washington way more boring than he should be) and “Rick Grimes vs Walter White” (which feels like a ratings grab riding off of the coattails of two popular shows, though Lloyd really kills it as Walt).

For the good ones, a lot are held back from the lofty greatness of season two’s best by disappointing flaws. “Superman vs Goku” is fun and performs the miracle of making Ray William Johnson cool for two minutes, but it just feels way too short, especially considering the massive histories of the characters. The finale has a similar issue with shortness; “Artists vs Turtles” pits the TMNT against their namesakes, and the first verse and beat are fantastic, but the turtles get absolutely shafted on lyrics and the whole battle comes off as feeling uneven. This wouldn’t be so bad if this wasn’t a four-on-Four battle. “Stephen King vs Edgar Allen Poe” is so close to being great, as it has fantastic lyrics and a great Watsky performance, but Zach Sherwin chose a weird, raspy voice for King that brings the battle down a bit. It’s kind of sad that a battle between ERB’s two most popular guests is hampered by such an odd choice.

Still, when the season is great, it is GREAT. Key and Peele return, this time playing MICHAEL Jordan and Muhammed Ali respectively, and they kill it. Weird Al shows up playing Isaac Newton and, as expected, is amazing in his battle against Bill Nye. And the series introduces a new, very interesting type of rap battle - the story battle/gauntlet battle. Basically, there is one consistent rapper, and they rap against multiple opponents in succession, usually with some sort of storyline. And what better story to turn into a rap battle than A Christmas Carol? Scrooge goes up against Donald Trump, J.P. Morgan, Kanye West, and the Grim Reaper to learn the true meaning of Christmas, and it’s every bit as awesome as it sounds.

Season three is definitely a good season, and the weaker battles are still worth a listen even if they do have some issues; the only one I’d say is unlistenably bad is “Miley Cyrus vs Joan of Arc” due to how offensive the wasting of Joan is. I feel like people listening to this season will have wildly different opinions on which battles are good, bad, and great, so even if it feels a bit wonky there’s no denying it’s worth a listen.

Best Battle: “Donald Trump vs Ebenezer Scrooge” is a real game changer, and is not only fantastic, but as its only use of profanity is censored you can reasonably play this at a holiday party! If you ever need your quick fix of the Dickens classic, this is the way to get it, as this is remarkably faithful and very good at condensing the story into a rap battle.

Worst Battle: “Miley Cyrus vs Joan of Arc” is just absolutely unforgivable; Joan deserved a more fitting opponent than Cyrus. Katniss was often a suggested opponent, but I feel like even that would be bad, as Katniss has faded from the cultural consciousness over time unlike someone like Harry Potter. Still, Joan deserved way better than to be wasted for some throwaway curbstomp battle.

Best Characters:

Lloyd: Lloyd shows how good it feels to be a gangster with his portrayal of Al Capone, which manages to elevate the battle a bit higher despite the rather cheesy (but not bad) portrayal of Blackbeard opposite him.

Peter: Death, the Ghost of Christmas Yet to Come, is utterly chilling, devoid of humor, and delivers one of the most legitimately terrifying verses in the series. This is why this ghost doesn’t usually get to speak in adaptations - because not only is he utterly terrifying, he steals the whole show. Peter really killed it with this one.

Guest: A lot of good guests popped in this season, but only one of them was Weird Al as Sir Isaac Newton. His flow is incredible, showing he has come a long way from “I Can’t Watch This.” He even gets a fast rap segment where he gets to show off his “Hardware Store” skills.

Worst Characters:

As uneven as the season felt, Peter and Lloyd actually managed to stay remarkably consistent; Lloyd didn’t play any character I can say was ‘bad’ by any stretch. For a given value of “worst,” Peter’s Donald Trump just pales in comparison to Lloyd’s a couple seasons later. But again, as uneven as the season was, Peter and Lloyd really didn’t do bad. This is the point where the duo really began to come into their own and develop as performers, with them rarely turning in a bad performance from here on out.

The guest, on the other hand... Michelle Glavan’s Miley suffers from the same problems Bieber did two seasons prior - except her battle feels less like a funny curbstomp battle and more like they actually tried to make Miley Cyrus on the same level as ST. JOAN OF ARC.

Season 4

This is, without a doubt, the absolute best season of ERB. This is when they truly found their groove, knew what they were doing, and did nothing but pump out hit after hit after hit. It’s to the point where there is really only one bad battle in the season, and it’s not nearly as offensive as previous season’s stinkers.

Right out the gate this season proved itself by ditching the old tradition of Hitler and Vader and instead delivering up a highly requested matchup - in this case the Ghostbusters and the Mythbusters. The real treat isn’t merely the pitch-perfect portrayals, but the appearance at the end by the B Team and the Stay Puft Marshmallow Man, which cemented this as a fantastic and unique opening. From here, it was almost nothing but fantastic battles until the midseason finale, which was a battle royale of film directors.

Many argued that the season lost steam upon coming back from break, as “Lewis and Clark vs Bill and Ted” was a bit underwhelming as a return, but from there the season picked up with the criminally underrated “David Copperfield vs Harry Houdini” and then continuing up with the quality, the season peaking with “Eastern Philisophers vs Western Philosophers,” a fantastic showdown between some of the greatest thinkers of history. Somehow “Shaka Zulu vs Julius Caesar” kept up the pace, but I will say the season faltered a bit at the ending.

While “Jim Henson vs Stan Lee” is not bad, and is especially sweet and heartwarming in light of Stan Lee’s death, the use of Walt Disney as a soulless supervillain representing the monopolistic tendencies of his company and not the man himself is a rather contentious choice. It doesn’t help that the battle feels a lot more mellow and peaceful, which mostly has to do with the two men battling. It frankly feels like this should have been the midseason opener and the philosopher battle should have been the finale, since the latter battle feels a lot more epic and climactic.

The only truly bad battle of the season is, unfortunately, “Oprah vs Ellen,” which did nothing to alleviate the stigma of women characters in rap battles. I feel like the major issue with this one is that Oprah just has terrible lines and delivery, with some of her lines having painfully forced rhymes. Not helping is that it came hot on the heels of “Jack the Ripper vs Hannibal Lecter,” one of the best battles of season four’s first half.

Still, that’s a small blip on this season’s radar. To wrap things up on a more positive note, this season features perhaps the most unique battle in the franchise: “Zeus vs Thor.” Not only is it the only battle between deities so far, it is also the only battle animated entirely with Legos. It not only helps it stand out due to its unique style, it makes the battle more timeless and not prone to aging poorly in terms of visuals. It’s just overall a showcase of the brilliance of Peter and Lloyd - which is really something that can be said of the whole season.

This is, once again, the very best season of the show. It’s almost nothing but incredible, fantastic works from start to finish. Even the couple of battles that I feel are a bit weak tend to have some good stuff going for them. This was really where the series was at the top of its game, and I genuinely feel that there was nowhere they could go from here but down… and down they did go.

Best Battle: In a season full of fantastic battles, the gold medal still undoubtedly must go to the philosopher battle. The awesome beat! Laozi beatboxing! Nietzsche! It’s really something special.

Worst Battle: “Oprah vs Ellen,” for the reasons stated above. It’s not even so much that it’s bad as it is really underwhelming and filled with awkward lines, but it does stick out as notably poor in an otherwise stellar season.

Best Characters:

Lloyd: This is another Stellar season for Peter and Lloyd; it’s hard to pick just one great performance, but Lloyd voicing Stay Puft is certainly a hilarious treat.

Peter: Peter’s portrayal of Julius Caesar is one of the best showcases of his acting talents this season. I’d say it’s tied with Robocop, who Peter also knocks out of the park.

Guest: This season was absolutely stellar in regards to guests, so honestly picking the best is really a tossup. A personal favorite of mine is Dan Bull’s Jack the Ripper, who is equal parts chilling and entertaining.

Worst Character: It could only be Oprah, what with her painful rhymes and poor verses. That being said, she’s probably the only rapper I could stretch to call bad this season, as Peter and Lloyd has no bad showings and the other guests were pretty great.

Season 5

Welcome to the Dark Age. Season five is without a doubt the most divisive season of the series, and I do feel that that is a bit unwarranted because there are some truly fantastic battles here, probably more than there were in Golden Age seasons like three. The major issue with this season is not really a problem with the battles themselves, but a two-pronged meta problem: burnout, and the toxic fanbase.

The burnout was a long time coming. Peter and Lloyd had been doing ERB nonstop for half the decade at the point this season came out, and as the finale of the season, a rematch between Peter and Lloyd, showed the two were tired, frustrated, and hitting walls in terms of creativity. They obviously loved the series - there was still plenty of passion, creativity, and wit in the battles - but they needed a break, especially since Peter had recently become a father.

The other issue was far less predictable. When the 2010s began, making fun of Nazis and conservative ideology was cool, fun, and pretty much what anyone with a functioning brain was doing. But over the 2010s, a lot of radicalization began occurring due to social media and its ability to give platforms to awful people who shouldn’t be allowed to talk. Nazis, alt-right, conservatives, anti-SJWs, they all started building up over the decade and trying to wage a culture-wide war on sensitivity and empathy, instead trying to convince others that the plight of those who are disadvantaged due to how the ruling class structured society is not worth addressing and that things are fine the way they are. Trump’s depressingly successful presidential campaign did nothing but embolden and strengthen the resolve of these creeps, and that kind of leads into the three most contentious battles of the season - “Frederick Douglass vs Thomas Jefferson,” “Donald Trump vs Hillary Clinton,” and “Bruce Banner vs Bruce Jenner.”

“Frederick Douglass vs Thomas Jefferson” got a lot of flack for seemingly being one-sided in Douglass’ favor, with him almost solely attacking Jefferson for his owning of slaves and not really establishing himself well. While the battle isn’t particularly engaging and I didn’t really come out feeling like I learned much about Douglass, a lot of the criticisms at the time seemed more focused on being angry that this battle addressed that slavery was actually a thing at all and that the battle watered things down to “Jefferson bad!” This is of course disregarding that even Douglass admits in his final verse that Jefferson did a lot for the country, but that we need to address the bad parts of him more than we do. Still, this was small potatoes compared to the latter two battles.

These two battles are what made Pete and Lloyd really pause due to the negative reactions both battles garnered. The election battle received a lot of criticism for seemingly having a “left-wing bias,” as despite it following a similar structure to the previous presidential election battle, Lincoln’s appearance was a lot more focused on berating and abusing Trump. One needs to keep in mind though that Trump had already definitively shown he was a racist, misogynistic scumbag at this point in the presidential race, all of his lines were based on things he actually said, and he was pretty much the strongest rapper in the battle, getting in a lot of good disses. The battle is only “one-sided” in the minds of people who want to be angry at everything; it’s no more one sided than any of the Hitler and Vader fights, it just so happens that one combatant is more evil than the other and so deserves more abuse.

“Banner vs Jenner” seemed to get flack almost entirely due to its acknowledgment that trans people exist. I will be the first to admit that Caitlin Jenner is not really the best person to be using to push a pro-LGBT+ message, especially considering her political leanings, but the fact remains that there was a massive influx of transphobic comments in regards to the battle, mostly with very tired “The connection is they are Bruces who turn into monsters Lol” jokes. This drowned out a lot of legitimate criticisms of the battle - namely, that Jenner got to ramble on for several bars in her second verse while Hulk barely got to get in any good jabs. It’s even more disappointing because the first verses for both rappers was fantastic, and the second half of the battle looked to be shaping into something great… and then Jenner rambled on and on and on. But it was hard to find much constructive criticism because there was just so much hate and tasteless comments. Stuff like that upset Peter and Lloyd, as they had assumed their fanbase was more progressive and forward-thinking, but with how the internet works, they severely misjudged the kinds of people who had infested their fanbase.

It really is a shame that those battles tend to overshadow the entire season five conversation, because boy are there some really great battles here. There’s underrated gems like the overhated “Wonder Woman vs Stevie Wonder,” strong female rappers like Julia Child in her battle against Gordon Ramsay, long-requested matchups like “James Bond vs Austin Powers,” and even a great story battle with “Ivan the Terrible vs Alexander the Great,” which has Ivan murdering his way through historical figures with “The Great” in their titles. It’s a lot of fun, and Peter’s performance as Ivan is a showcase of his talents.

However, the season’s greatest contribution to the series is most definitely the penultimate battle, which is “Theodore Roosevelt vs Winston Churchill.” This might very well be the most epic battle in the series: the ever-popular announcer for ERB’s news jumping in to battle the only man in history who could possibly be ballsy enough to stand up to him. It’s to the point where even as the battle ends, the two are still roughly on even footing and it’s hard to say who won. If this had been the season finale, or even the series finale if they had decided not to continue, things would be perfect.

This season is overshadowed by controversy, and it really isn’t totally fair. Most of the controversy is around the guys trying to be more progressive and for punching hard at Trump but not Clinton, and while I can’t say I love the results (the controversial battles are definitely the weakest of the season) it really shouldn’t be held against them for trying to be socially conscious and they certainly should not be shamed, berated, or told to leave politics out of their battles (rap is an inherently personal genre, so politics are always going to find a way in, especially if the characters they’re portraying are, you know, politicians). I think a lot of great battles are overlooked, all because of the more controversial ones, and that’s a real shame, because this is a solid season only held back by the controversy it found itself mired in due to the state of the internet at the time.

Best Battle: “Theodore Roosevelt vs Winston Churchill,” naturally.

Worst Battle: “Bruce Banner vs Bruce Jenner,” though it entirely comes down to how the second half of the battle was handled; having this be the battle was not in itself a bad idea, and was actually pretty clever. The poor, lopsided battle biased in the favor of a character who is a terrible person in real life simply because they’re trans (or at least that’s kind of the vibe the episode gives) really doesn’t help. Frankly I wish they had given the first trans character in the series honor to someone more worthy, like the Wachowski sisters.

Best Character:

Lloyd: Teddy Roosevelt is the obvious choice, but I almost feel like it’s cheating since he is a mainstay on the channel. If we discount him, Frederick the Great is the clear winner for stealing a whole battle in twelve bars.

Peter: It’s honestly a tie between Austin Powers and Ivan the Terrible. Peter really rocked it with his performances in this season, and those two are some of his best roles ever.

Guest: In one of the most out-there yet awesome guest spots ever, we have T-Pain as Stevie Wonder, ditching the auto tune and delivering sick rhymes while tastefully portraying Stevie’s blindness.

Worst Character: Once again, Peter and Lloyd manage not to put in any bad performances, which really is a testament to how far they’ve come as entertainers.That only leaves one spot, the guest, and it really has to go to the elephant in the room: No Shame’s Caitlin Jenner.

I don’t really blame No Shame here; because she had the unenviable position of playing Jenner in the first place; Jenner is not exactly a beloved figure in the LGBT+ community or otherwise, and while it is cool they got a trans rapper to play a trans character, I feel like backlash here was inevitable just because of who it was.

What doesn’t help is that Jenner rambles on for a ludicrous amount of bars, getting in way more disses than Hulk did and not having any of her negative qualities addressed, which is especially baffling considering her real life political leanings and manslaughter charge being ripe for mockery. It ultimately comes off as tokenism, like they were trying to force a win for the first trans character by handicapping her opponent and ignoring her flaws, which ultimately backfired as most people give the win to Banner/Hulk as opposed to Jenner.

I really hope ERB does a trans character again, because there are plenty of interesting trans people throughout history, but I really hope they avoid the pitfalls Jenner fell into and make it a fair and balanced rap battle.

Season 6

After a hiatus that lasted through 2017 and until the end of 2018, the boys dropped a bonus battle to show they were coming back. And lo and behold, in the spring of 2019 season six dropped! While it is only half over by the decade’s end, one thing is for sure: Peter and Lloyd are back in top form.

The battles this time around seem to be a lot of highly requested matchups, which is not a huge shock - I believe certain tiers of donors who support them get a direct line to speak to the people behind ERB. It’s to the point where Robin Williams appearing in the comedian battle Royale was not the original plan, but he was so highly requested they added him in. Continuing the trend of popular requests opening seasons, this one kicks off with the long-awaited “Freddy Krueger vs Wolverine.” It’s clear how much their lyricism has improved, and the visuals in the battle are incredible, setting the bar high for the season.

Most of the battles in the first half sadly don’t try and go for creative backgrounds, sadly; only “Joker vs Pennywise” and “Jacques Cousteau vs Steve Irwin” really do interesting stuff with their backgrounds. Still, the other battles make up for it in other ways, typically with deft lyricism and great flow. In fact, even though not all the battles are top-tier, it’s telling that the weakest battle so far is “Mother Teresa vs Sigmund Freud,” which only suffers because of how repetitive the disses get, especially on Freud’s end - Teresa’s flow and disses hit hard, Freud has a solid second verse, and the best is very fun. The worst thing I can say about it is that it feels like a holdover from season two, and considering this has been a matchup they’ve wanted to do for a long time, it wouldn’t shock me if it is.

The production values are astounding, and the overall visuals are the best in the series, but alas there are some hiccups. Freddy Krueger and Thanos in particular look a bit off; their battles are obviously not bad, but the costumes leave something to be desired, though considering these guys aren’t a multimillion dollar film studio it’s fair to cut a little bit of slack. What can’t be excused, however. Is the constant use of outdated memes, the worst offender being a reference to “What Does the Fox Say” in the rap battle between Che Guevara and Guy Fawkes (Side note: it is absolutely hilarious that Guy Fawkes and Joker both debuted in this season, considering… well… this). Almost every battle so far this season has contained a dated visual or lyrical reference, though they don’t really ruin the battles.

Overall, the season is extremely good so far, and showcases perfectly how far Peter and Lloyd have come since that first rap battle between John Lennon and Bill O’Reilly. The flows, the beats, the lyrics, the costumes… it’s all so good now. Long gone are the awkward days of the early seasons, and the burnout that was evident in season five is truly gone. These guys are having fun again, and I look forward to the rest of this season in 2020.

Best Battle: So far this season has almost been nothing but smashes, but perhaps their greatest accomplishment is “The Joker vs Pennywise,” which manages to play off the relevancy of both killer clowns while giving us some of Peter and Lloyd’s best performances to date, with Peter in particular doing a phenomenal Mark Hamill impression. The battle is also a bit longer than usual, with each rapper getting three verses, allowing them to cram in numerous references. Joker is definitely the wittier and funnier rapper, but Pennywise has a much better flow, which honestly plays to their actor’s strengths. This is my personal favorite battle of the series.

“Jacques Cousteau vs Steve Irwin” is honestly tied, as it also plays off the duo’s strengths and is very fun with an energetic, badass beat.

Worst Battle: A lot of people point to “Vlad the Impaler vs Count Dracula” for its slow pace and goofier take on Dracula, or “Ronald Mcdonald vs The Burger King” for being recycled from their “Flash in the Pan Hip Hop Conflicts of Nowadays” side series with very little in the way of improved lyrics. On both counts I disagree; I think both are good battles, with the latter being one of my favorites due to how goofy it is. So far, though, the battle that was the biggest disappointment was “Mother Teresa vs Sigmund Freud.” This was one a long time coming, but the payoff isn’t quite worth it. Most of the jokes on Freud’s side are incredibly repetitive, and in general his flow is weak compared to Teresa, who just absolutely kills it with creative and witty deliveries. It leads to this weird feeling of Freud being a season one character in terms of quality, which is a real shame.

Best Character:

Lloyd: Lloyd just oozes the charisma of Steve Irwin and Robin Williams when he plays them, easily making them the standout performances of this half of season six.

Peter: Peter brings his A-game as Joker, as mentioned above, but he also manages to be incredibly chilling and awesome as J. Robert Oppenheimer, easily outdoing Thanos in their rap battle. Oh snap!

Guest: This is a season of ties, it looks like, cuz Jackie Tohn as Joan Rivers and Gary Anthony Williams as Bill Cosby really change the tone of the comedian royale for the better. Cosby barely gets any lines, mind you, and spends most of the battle drugged and getting abused by Tohn’s Joan Rivers, but there’s just something hilarious about the ERB guys getting Uncle Ruckus to play a drugged-out Cosby. As for Rivers, she’s just perfect.

Worst Character: Visually, Thanos is not the best, and lyrically, Freud isn’t great, but I don’t think either of them deserves to be called ‘the worst.’ So far, this season has managed to avoid any overt stinkers.

And so we come to a close. Ten years of rap battles, ten years of growing and improvement, ten years of a rollercoaster ride of quality… it really is amazing that Peter and Lloyd have consistently managed to come back to this series and find new ways to breathe life into it. Considering their more recent videos, I can only hope they keep up this level of quality into the next decade. Here’s to another ten years of ERB!

…

Oh, alright, I’ll talk about the bonus battles. So far, there have been two: “Deadpool vs Boba Fett” came out between seasons four and five, and “Elon Musk vs Mark Zuckerberg” came out a few months before season six kicked off to show us all that, yes, the boys were back, and they weren’t messing around. Both battles are pretty indicative of the time period they were made; “Deadpool vs Boba Fett” has that extremely high level of quality in terms of writing and characterization that season four did, and “Elon Musk vs Mark Zuckerberg” has the sort of rejuvenated, fresh feeling the season six battles have. I will say I much prefer the former than the latter, as the latter does at least somewhat come off as an attempt to recapture the glory of “Steve Jobs vs Bill Gates,” only with two far less charismatic inventors, but it’s still pretty fun and clever in its own right. “Deadpool vs Boba Fett” is, without a doubt, one of their best battles ever, and does justice to two of the most beloved ensemble darkhorses in all of media. I can only hope any bonus battles in the future are up to these two in terms of quality.

Now with all that said… here’s to another decade of ERB! May they only continue to grow and improve in the 2020s!

#Michael in the Mainstream #Review #web show review #epic rap battles of history #ERB #rap #nice peter #epiclloyd #history #rap battles #comedy #Youtube

23 notes · View notes

ecoamerica · 15 days

Text

youtube

Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared

The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!

2K notes · View notes

simplysparrow14 · 4 years

Note

For the end of year asks: 1 (Song of the year), 4 (Movie of the year), 5 (TV show of the year), 8 (Game of the year), 14 (Favorite book of this year)

Thank you for the ask!

1). Song of the Year —> “Alejandro” by Lady Gaga.

Apparently 2019 was a throwback year in terms of music for me. This was also the year I really started to appreciate Lady Gaga’s music. As a young kid growing up in the 2010’s, I was subject to the time in radio where they were constantly playing song by Lady Gaga, Taylor Swift and espeaclly LMFAO on the daily. So because of that, I grew to instantly hate the music. It wasn’t until I fully listens to Lady Gaga’s “Bad Romance” gully did I learn that I actually like her songs, and in doing so, decided to binge listen to her songs. “Bad Romance”, “Just Dance”, And “Telephone” were some of my favorites. But unfortunately, they didn’t live up to how much I loved “Alejandro”. Talk about a boo and a half.

2.) Movie of the Year —> Midway (C. 2019)

Unfortually for 2019, there wasn’t a big batch of movies that I found enjoyable. Endgame was quite the ride, but since it came out of early in the year, I quickly forgot about it and over time my feelings on it are “it’s good, but it’s not something I’d watch again.” This movie however was hella awesome. I’m not the biggest fan of war movies (though I absolutely love Saving Private Ryan and 1917) mainly because I’m not nervous about the fight scenes. Midway, however, is the first war movie in a long time that has actively made me start bouncing my leg up and down due to nervousness. The characters arnt anythig to shout about (though they did my favorite Joenes brother dirty in this), the action scenes more then make up for it. The reason why i desided to put Midway over 1917 was because i found the action scenes in Midway to be a little more engaging then in 1917.

3.) Tv show of the Year —> Dark Crystal: Age of Resistance.

….Do I even need to say more?

4.) Favorite Game of The Year —> God of War 4 (C. 2018)

Man, where do I even begin with this?? This game was the sleeper-hit of 2019 for me. I did not think that I would like it. I was mildly curious about it, mainly because the last three games in this series focused around Greek Mythology and I love mythology, so i gave it a shot. It was absolutely beautiful. Just the way this game blended real Norse Mythology–real Norse tales and legends, with this heartfelt road-trip story about this father and his son going to spread their loved-ones ashes was just so engrossing. I will not dare spoil the twist that happens during the final length of the game, but lets just say that I was on the floor, dumbfounded and contemplating everything. You can totaly go into this game without having played the last three games. I think theres only one part of the story where you do have to have some knowlage of backstory to Kratos, but otherwise, its a soft reboot that really brings a whole new level of storytelling to the god of war games. Loved it.

5.) Children of Blood and Bone by Tomi Adeyemi

Oh man... Where do I begin with this Book? Like with Go of War, this was a sleeper hit for me. I did not expect to really like this book. It was just so good. I do have my gripes with it (Mainly being that i think it borrows way to heavly from Avatar: LAst airbender, Zalie was too much of a Katara clone and that I personaly think that the book could have been improved if it was a Brother-sister war story instead of a “Enemies to Lovers” storyline.) But otherwise, I highly recommed it if you are in a reading slump

#the dark crystal age of resistance #God of War #Children of blood and bone #Lady Gaga #Midway

5 notes · View notes

courage-a-word-of-justice · 4 years

Text

Waver 1 - 13 (FINAL) | Prisma Illya 1 - 10 (FINAL) | Prisma Illya 2wei! 1 - 3

Another (and to be honest, the last) batch of impressions from the Fate/ project.

Waver 1

Well, this’ll be interesting. I’ve been hyping this show up for a while for myself, so let’s see how it goes.

Geez, this intro is like a dang movie! I’d love to see a proper Troyca movie! (<-Says the fan of Troyca.)

Wait, if it’s Kayneth Archibald, then is Archibald relatd to Archisorte? Or am I just making thing up here…? Also note Reines refers to Kayneth as “Kayneth El-Melloi Archibald”, possibly meaning Archibald is the middle name, since El-Melloi is a shared surname (or is that a title…?). That probably means Archibald =/= Archisorte and both are similar-sounding middle names. The fact Reines is Kayneth’s niece also explains things quite a bit.

Why is Waver upside down…? Won’t the blood rush to his head soon? (Sure, it allows me to ogle his hair more, but…logic rules more than my stupid whims, y’know?)

Interesting. You can see that although Waver grew out his hair, there’s two layers to it – the longer one in the front and the shorter one in the back. (I’m just curious because I like the hime cut – which is pretty similar - and long hair on dudes in general, in part because both are fairly rare.)

Okay, that explained my gripe with upside-down Waver. Thanks, Reines. (<-genuine)

Aw, Waver buddy, even at this stage, you’re plenty cute. Don’t ever change! (<- As you can see, I am an easily pleased person in most cases.)

Melvin who now???

Troyca’s comic animation rules! It’s too bad Idolish7 Second Beat is using chibis instead of this…

Professor Kayneth. I forgot he had a formal title. I wonder, does Waver - I mean, El-Melloi II – have that title as well?

I guess I should’ve known Saber had the capability to look scary, but…I never knew Saber could look so scary…

*cut to eyecatch* - *points at eyecatch* Okay, someone tried to save budget here, didn’t they???

Aw, friendship between fiction boys is cute…until it involves the puking up on blood on one end.

Waver is the OG underdog here…don’tcha think?

“…with several demands.” – Uh-oh…this is gonna be bad, isn’t it?

You need a Tuner for Magic Crests? (…Like a tuning fork, but a person?) *brow raised in suspicion*

…is it appropriate for me to say “Oh, good lord!” now? (Okay, I did that rather deliberately, but normally in these notes I’d self-censor it to be “oh, goodness” or something like that.)

Seriously, the black-haired dude in the Ionian Hetairoi is my favourite, even if only because he looks like Waver (and he’s really easy to spot, to boot).

Why is this in first person??? I’ve dropped entire shows based on their usage of 1st person cam! Room Mate and Makura no Danshi basically scarred me for life on that front…and both of those are TV shorts!

Hey, wait a second. This “use a quote on the titlecard” thing is clearly an Ei Aoki sort of thing to do. I mean, it’s in ID: Invaded as well…

Waver 2

*new blonde girl appears* - So this is the rumoured Animusphere girl (Mary), huh?

Bounded field, huh? I’m glad I chose to watch F/Z before this, then. Now I actually understand the (rough) mechanics of how that works.

There’s assassins and then there’s Assassins…*thinks about the Holy Grail War*

As it turns out, astromancy is basically astrology.

The one thing that bugs me about “Modern Magecraft” (there’s a similar concept of New Magic in Mairimashita! Iruma-kun) is…how is the magic “modern”…? Especially in a work like this, where the magic is based in arcane rituals and bloodlines…you really need to establish how the “modern” bit works.

Gray is facing away from the Animusphere girl (Mary), I noticed.

“When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” – Sherlock Holmes – Basically, the fact I’ve memorised this quote is one of the lingering impacts of my time in the Detective Conan fandom, as it can be used on things like quizzes, not just mysteries.

Can we please use proper English, Waver??? (Says me to a character whose name I still find nonsensical enough to not be proper English.) As I said previously, “whydunit” is modus operandi or motive…the new bit is “howdunit”, which would be the method.

I do believe the geocentric model was overthrown by people like Kepler.

Gray kind of looks like Saber with that hairstyle, come to think of it.

With the way Gray hides herself under that hood, it’s no mystery as to why guys love her…at least, I know ThatRandomEditor does. Of course, I’m heavily neutral on the whole affair because I don’t swing that way, but…you know…

LEMPC seems to stand for “Lord El-Melloi Production Committee”, if I’m guessing right.

I seem to remember there was a quote somewhere that said the only constant in this world was change…hmm.

Waver 3

They seem to keep calling Japan “the Far East” (or at least, Japan is part of the Far East). That’s a pretty antiquated term for a supposedly “modern” magic anime. I get vaguely peeved by the term “the Far East” because it causes people to take an oriental viewpoint on things and thus it’s kind of like people from the Anglosphere looking down on Asians. (I also get vaguely peeved by the term “Westerners” for much the same reason and “Caucasians” because it implies all people of the Anglosphere come from the Caucasus, which is false…then again, these niggles are specific to international studies, so I have a vested interest in explaining them.)

…Wow, that star-eyepatch girl is…really something, to be thirsty specifically for Waver’s Iron Claw. (Then again, with my weird tastes in things, who am I to critique her?)

Flitz von Erich. I was surprised to learn this guy actually exists…on Wikipedia, at the very least.

“Any lady should know about wrestling.” – I disagree, Luvia.

Blue furry electrical creature…I dunno how the zoology in this show works, but the fantasy series I’m reading as of the time I was typing this comment has a blue creature called a Raiju (literally “thunder beast” in Japanese, so it would suit the “Thunder” in the episode title). If it’s anything like that, I’d laugh myself silly.

This girl on the poster seems to be called Flan Noir (or something similar).

“…yellow, round, fluffy-smelling…” – What? Svin, you have no right to call a girl those words!

When is this series set if people don’t have phones as a standard? *Googles* Okay, if F/SN is set in 2004, then F/Z is 1994. That would make sense, actually. The internet as we know it was first used in 1995 and didn’t become widespread for home use until a few years later, as I remember having computers in 2004 (albeit the blocky ones with the dial-up).

I was looking at images for the source material and I think I know why I like Waver (aside from the fact he has long hair). Normally I like the boys whose appearances are hard to get right, such as En…Waver in the novels and manga for this series sometimes looks grumpy, sometimes he looks constipated and worst of all, sometimes he looks like Snape with a hook nose.

Okay, so I googled Caules to figure out who his sister was…and I got Apocrypha spoilers. See, his sister is Fiore, who is apparently in that series.

The videos got encoded funny again…

There seems to be a mystery around why Svin and Gray can’t be together…well, one deeper than just “Svin is gaga for Gray [for reasons we don’t know at this point in time]”.

Ha, the El-Melloi Class is basically just the Misfit Class from Mairimashita! Iruma-kun.

“Only the flesh was bitten off.”

This Jupiter gibberish, I assume, is drawing upon the mythology of Jupiter – that is, Zeus – as the god of thunder and king of the gods (thus presiding over living beings).

The English is good on the bill, bar a space between “Mystics of magecraft”.

Norwich is apparently a “faculty” which the Modern Magecraft Theories guys – i.e. Waver – rule over.

Can you imagine Waver swearing? Since I had the volume off, I basically made him say “…if Sir Gueldoa had resorted to brute force, we would’ve been f***ed” in my head…and that was hilarious.

Aw, thanks 7Mononoke. “A cowardly thief sneaks away in the night. If you stride away, bursting with song, you are a conquering king.” That’s a quote from Rider himself.

So the Association has set positions for Masters in the War? Geesh…that must be hard on Waver to find out they’re closed, considering how much Waver pines for Rider.

Waver 4

I finally got the chance to listen to the ED last ep and now it’s the OP I can hear properly. This OP isn’t particularly impressive, considering it’s an instrumental (instrumentals always seem to have less impact for me unless I’m looking for something to chill to), but it does capture the London-esque spirit of the setting very well.

What’s up with this metal (?) maid off to the side, anyway?

“Good thinking to leave the door open…” – For some reason, even though it’s a completely different and much more benign context, this made me think of KyoAni and my heart sunk.

Atrum Galliasta…I hate that man. He may look hot, but he was nothing but a b*stard to Medea.

Bolo ties…nrgh…Basically, ever since Arima wore a bolo tie, I’ve become fairly bugged by them. That’s why Bram’s bugs me.

Aw, Waver, buddy, plase don’t sacrifice yourself again. I read on the wiki you become a Servant’s vessel (specifically for Zhu Ge Liang), so keep your hopes up.

I’m seriously feeling ID: Invaded vibes from this episode, what with the lightning.

I suspect a locked room murder is going to happen soon, knowing the genre. Either that or some other crime.

Considering Fate/ was an eroge-based thing initially, these sex jokes…there’s probably plenty of them out there.

Well, it seems this series only makes sense in that non-Detective Conan way, i.e. you want to know how it all comes together and can’t necessarily figure it out for yourself until you know how the magic works. I’m randomly going to guess this is more Jupiter-based stuff and call it a day on that front.

Seriously, I never got what was up with nightgowns (or just pyjamas in general) having hats. You don’t need protection for your head at night…that’s what pillows are for, yeah? (The only reason I see a hat-like thing working with nightwear is a onesie and that’s meant to be part of the inherent appeal of the thing.)

Waver 5

I feel like Adashino is meant to be an Irene Adler-type figure…

“Peaceful Fairys” (sic)

Where did Kairi’s scar come from…?

The Black Dog was in Mahoutsukai no Yome as well, but this one looks a lot less inviting, huh?

It seems, like the name Rail Zeppelin implies (as “Demon Eyes Collection Train”), most of the people involved in this case have Magic Eyes (or whatever they’re actually called). I wouldn’t be surprised if Kairi had them as well, considering he’s wearing dark glasses in the middle of a thunderstorm.

“King Arthur is a dude, right?” - *laughs madly* They finally managed to parody their own bulls***! (Well, I’m not counting Carnival Phantasm or whatever else because this is the first time they threw a meta joke in there in the whole of this project, as far as I can remember.)

Trimmau seems to be the maid’s name…huh. They never mentioned that earlier, I don’t think.

So what’s the difference between Fairy Eyes and Mystic Eyes?

Wait, does that even work…? The entire house is the murder weapon? That’s basically breaking the “secret passageway” thing on a larger scale.

So what’s Trevor’s motive…?

The dogs running towards the Workshop reminded me of the Hunger Games for some reason…must be the climax.

That fairy isn’t emoting much…

Oh cra-Wills is going to sacrifice himself, like Adashino was going to do! That’s the second time I’ve seen that in 2 days (the first was in the Hypnosis Mic manga about the Dirty Dawg).

Uh…Waver’s not particularly fit or fast, is he…?

Can you be paid for your case if your client is essentially dead…?

Adra? I read around and Adra seems to be a way to spell the location (or whatever it is) in the first case…which got adapted into a stage play, but not an anime. That’s probably what he’s (Waver) referring to.

Notably, the title is translated to “lance” but yari means spear…

Waver 6

I seriously wanna slap that pink-haired girl…Update: Her name is Yvette.

This is basically Gray fanservice…

If Gray = Saber and Saber =King Arthur…hmm…does it count as a girl’s party?

Homeland? Since Britain is Saber’s (aka Gray’s) home country, I think they meant “hometown”…I’d hav to listen to the Japanese to make sure, though.

I still think Waver is a stupid, or at the very least false, name for a boy, especially if he did come from Britain. That’s basically my one limitation on him as a husbando.

The red bit of the eyecatch was shapd like an eye…it did catch eyes in a sense, after all.

So Trimmau is sustained by magic.

Locked-room…or rather, bounded field…mystery time!

Luvia did mention wrestling in another episode…

I had to google that, but the Separation Castle is from the Adra case mentioned in episode 5. No wonder I don’t remember it…

“Are you suggesting there were faults…” (from Luvia) - Ooh, I was thinking the perpetrator was caught inside their own bounded field or maybe it was an outsider, but that works too, Reines.

Add calld Luvia out for her extravagance, LOL.

Catch-as-catch-can appears to be “no-holds-barred fighting”, particularly wrestling.

That case was both informative and possibly solveable by the audience. Both good qualities for a mystery.

If you summon the spirit again, is it the same Rider with the same memories? Or can you summon a different version of the same Rider with amnesia, much like Rin did with Archer? Update: Oh yeah, I did read this on the wiki at one point but then forgot about it. The next episode (7) confirms that Rider wouldn’t remember Waver if he were summoned again.

Waver 7

…C’mon, admit it, show. The glasses are not only there for plot reasons but to up Waver’s status as megane boy for the rest of this case. Not that I mind – I actually really like megane boys, but I’m nowhere near the love of Meganebu – but in the case of plausibility, I wanna poke holes into it.

Auction for which Mystic Eyes now…?

There’s a guy…with an elephant head…I know I shouldn’t be bugged by it, but I need the MST3K mantra right now.

This is gonna be a Murder on the Orient Express thing, isn’t it? All cases set on trains seem to take cues or make homage to it. (I may not be that proficient on Christie in comparison to Holmes, since Holmes was Conan’s inspiration, but Murder on the Orient Express I have read and I did secure an anthology of 4 Christie novels at one point specifically so that I could improve in this area.)

The main series never explained the bad blood between the Church and the Tower, did they…?

*sweatdrop* Let me guess…when Yvette mentions “multiplay”, she means a threesome, right?

How do anime people see out of those blindfold thing, anyway??? (Or is it that Leandra has Mystic Eyes that were sold off or otherwise tampered with?)

I believe the word is “palate”, Kairi (or subbers).

Anime characters being bagworms with their blankets is always appealing, no matter the gender. It’s funny and/or relatable, after all.

Does Gray get motion sickness…? Update: Seems I spoke about a minute too soon. She does.

Waver 8

How does Waver know that Adashino got the documents about the train? Is it because she was in all those places at all those times and he connected the dots?

This lady has heterochromia. Specifically, one is brown and the other is blue or green.

Hmm? I thought the character design was familiar for this. As it turns out, Jun Nakai (who did the character design for this) also did Gate’s, which explains it.

Dionysus is the Greek god of wine, IIRC. Hephaestion is, as (s)he explained, the confidante of Alexander the Great (had to google this one).

It’s hard to see before the brightly-lit scene where Olga reappears, but as shown, Waver seems to have cut off part of his forelocks on the left side.

What’s an Odo???...ooh, fanservice…*ogles*

The summoning of Hephaestion and Trisha’s murder may or may not be related…we just don’t know how, yet.

I think a Detective Conan Murder on the Orient Express-style mystery would be a good video ga-*googles* There’s at least one of them out there already (albeit only in Japan)...namely, this one. Spoke too soon.

Oh yeah…this is Olga’s new room, isn’t it? I almost forgot about that.

Update: I think this look at the Adra Separation Castle case is interesting. It’s similar to posts I would write, but done by a professional – namely Richard Eisenbeis of Kotaku and Anime News Network.

Waver 9

So if there’s a Servant…you have to find the Master.

Olga reminds me of Reines…kind of.

LOL, whoever thought of a zombie cooking show…?

This series really goes all-in on the zombies and the fake-outs thereof, huh? Dangit, Melvin, don’t scare us.

Melvin has a really odd relationship with Waver, huh? If you’re really insisting you’re “the only person to ever be able to hurt Waver”, I don’t quite see how you guys can be friends in the normal sense of the word.

Why would someone have a violin at a time like this…?

Interestingly, they don’t bother to do any fanservice of Caules. That scene with Gray and Yvette was fanservice for those who like them, but the only guy who’s getting to do any fanservice in this series is Waver himself…(what with him being naked and knocked out right now.)

“Sibyl” seems to be a synonym for “virgin”…(*whispers “Awkward…”*)

Update: After reading some of Marth’s posts on this series, I’m inclined to call this “Murders on a Train (with an Exploding Helicopter for Good Measure)”.

Waver 10

For some reason, there’s episode 0 – 9, then 11 – 13 on the service I’m using. Where’s 10?

I think Waver’s relationship with Rider is interesting because of the way I think of relationships myself. Waver has made it clear that he wants to see Rider again so he can basically prostrate at his feet all over again (and maybe win a wish and/or see Oceanus while they’re at it), but – hey, hear this! - I used to believe, when I was still an impressionable kid, all relationships, whether they be between friends, family or even lovers, lasted roughly in the same state basically forever (as in, friends stay friends forever, they’ll never be so far apart that they can’t kep their relationship alive etc. etc.)…Obviously, I was wrong and arguably, this change in thinking, plus the related changes in technology, are where my ability to fleetingly but passionate love both 2D boys and the series they come from comes from.

Wait, so the Child of Einasshe (sp?) is the forest, yeah? I don’t think I got that 100% straight.

I never thought the shield form of a Mystic Code could be used for snowboarding down a mountain/hill…whatever Gray just went down. I didn’t even know Add had a shield form, for that matter.

“[U]sual individual” – LOL. What a way to refer to Waver.

“Wait a minute!” – I’m just imagining Phoenix Wright all of a sudden. A Waver legal mystery series would be boring as all get out – I’m far less interested in the courtroom versions of mysteries and more interested in how the pieces fit together. (Update: Then again, I am a person who likes the action genre and courtroom mysteries don’t have much of that, which might also explain my choice.)

“…lacking the element of motive to begin with.” – Well, Waver’s not wrong…

I’m observing this apple and noticing someone skimped on the detail around the stem. Does anyone still remember Art Academy for the DS? After looking at some promo material for it, I basically learnt how to draw a proper apple (and nothing else, really). If an apple is just drawn as a circle, it doesn’t quite look like an apple up close. (Two of the main things I screw up on when drawing are perception and the colour of highlights, both of which are covered in something like an apple stem and the related indent.)

Oh goodness…I was hoping Karabo would keep his vision (or actual eyeballs)…but that’s gruesome.

I’m guessing, based on the wheelchair, that Waver’s still paralysed or otherwise not able to move around like normal. Update: Spoke too soon.

Someone encoded the video funny again…

Waver 11

What was that crossword thing…? A warding spell of some sort?

Is that an owl in the back?!

Stealth fighter…Rider wanted on, didn’t he?

Every time he appears on screen now, I basically curse Melvin. He’s entertaining to watch, sure, but he’s annoyingly prodigal (= wasteful). He’s basically Dice from HypMic at this stage (aka he’s the sort of person who’d bet away his own clothes, given the chance and incentive).

Look at the way Waver’s hair drags behind him as he walks…it’s gorgeous…

“Residual Image” (as translated in the title) is literally “the left-over image” (zanzou). Not surprising, but I find the exact combo of characters used interesting since it could be short for “nokoru eizou” (where the nokoru’s character is read as zan in the combo, as you can guess).

Waver 12

Wow…this series really pulled something out of its butt this time, huh? “The guy without a heart”…no viewer would’ve known that actually referred to a character called Dr Heartless unless they knew of his existence somehow (the closest they would’ve been was having an inkling that this pointed to a name of the culprit).

There is an owl in the back of the auction room!

Ay? So what the heck is Pandemonium in this case?

“dotard” – Turns out this means “an old person, especially one who has become physically weak or whose mental faculties have declined.” You can’t say I don’t enrich my vocbulary through watching anime, huh?

I’m still wondering…why adapt case 7 of this series (Rail Zeppelin)? Why not case 1 (Adra)? Update: I don’t know where I pulled the number 7 from, since this is volume 4 – 5 of the series. Apparently some of the cases were anime-original though.

Waver 13 (FINAL)

Oh, Flat, you stupid…

Waver’s exasperated faces are great. No wonder Reines likes to toy with him…

I can assume Rail Zeppelin is a Ghost Liner, yes?

Can I guess that Adashino ~likes~ Waver…? Update: Turns out that’s not quite the case.

Ooh, Waver without his shirt is se-okay, I’m getting distracted. Seriously though, Waver never showed his Crest in F/Z. I never even knew what it looked like until now! The fact it’s such a simple design in comparison to his Command Seals is…kinda underwhelming, really.

I think there’s a bit of a pattern between Jakurai (from HypMic) and Waver…namely, they suck when it comes to drinking. (Also, of course, the long hair. Don’t forget it, never forget it.)

Shut up, Add!

For some reason, I felt like a lot of that last part, while getting closure for Waver, it almost had connotations of “I’ll meet you on the other side, Rider”…so it felt kind of sad, to be honest. That talk between Reines and Olga I don’t think I’d understand without Apocrypha and Grand Order, but I guess that’s to be expected in such a huge franchise. Anyways, moving right along!

Illya 1

I’ve been a bit worried about what I’ll have to subject myself to for the sake of Magical Girls…

Was that…Taiga?

Who’s Liz…?

Okusama, huh? (Okusama = someone’s wife, although it seems to be used in the plural here since I don’t think Kiritsugu and/or Iri are dead in this timeline.)

The subs I’ve got say Shiro is adopted here too (when it’s not in the Japanese), although I wonder exactly how much of UBW is going to be true in this anime…

Hmm…a bit of digging reveals Luvia’s not a Master. So throwing out Lancer is really just a joke on how Lancer gets roasted early on in Grail Wars, right?

Uhhhhhhhhhhhhh…squick, much…(Thank goodness the source I was using edited out the loli fanservice, so I can tolerate this series a lot more…but still, suggesting you have a romance with your step-brother, even if it’s known you’re not related from the beginning, is…you already know my feelings on that, based on my reaction. Shiro is, what, 15? About twice Illya’s age!) Update: Okay, so he has no confirmed age in Prisma Illya, but he’s 17 in F/SN so I’d assum the same or similar, seeing as he attends the same school. It’s fine if it’s platonic, but this is clearly an Onii-chan, daisuki! thing the likes of which Oreimo throws down! Thank you for calling it out though, Ruby.

Oh my gosh, this looks like the Rhongomynaid (Detective Waver) and Excalibur (or whatever Saber’s Noble Phantasm is called) summoning beam! LOL!

Ruby, you lech! Don’t go praising the angles! *shakes fist* (Seriously, what if magical girl mascots were paedophiles…? *blank face* Welp, considering what’s out there on the internet, I wouldn’t be surprised if a hentai or something had such a concept.)

Hmm? Turns out the word for Servant means something like “celestial hero”. Makes sense.

Nice callback to Saber and Shiro!

Illya 2

I thought Illya would say that her parents are dead…turns out the show’s not that grimdark (to the point where it wouldn’t set the show after Kiritsugu and Iri’s deaths), huh?

Do the sticks have a gender? The subs said “she” for Ruby…

LOL, it’s Rider. I thought Lancer was gonna get his butt kicked all over again (thinking more along the lines of CCS).

It’s Gay Bul-I mean, Gae Bolg! (I’ve been reading TV Tropes again…can you tell?)

This episode was pretty pedestrian. I like it more than the first one.

What’s up with the CGI…?

Oh! Bunbun, who does Yuki Yuna! Update: They only did the illustrations for some of the series. They also did SAO illustrations, although that’s of less significance to me.

Illya 3

The sticks do have genders!!! That’s like claiming Jesus for kakera with Mudae! (Yes, that’s possible. I got him in one server.)

The power of fujoshi…is amazing! How did it get to a girl who’s so young?!

These angles are a bit disturbing…

“Casao”, LOL.

Magical girl nakama, huh?

Illya 4

MST3K mantra!

Whose quote is that again…? “Don’t think, imagine”? Update: It turns out to not be anyone’s quote at all, if Google results are to be believed.

Uh-oh! Saber Alter!

Illya 5

Padding the episode already…?

The mist is a quality of a Berserker, right?

Geez the angles piss me off…

These sticks have brains???

Can you call it teamwork if they’re always complaining about each other?

Illya 6

More padding…

Illya’s UBW!

Geesh, that last-minute shot of Rin and Luvia popping out of the ground scared me for a bit…

Illya 7

*sigh* It’s the sick episode…

I recognise the vacuum cleaner. I have the same one at home.

*sigh* Random fanservice of elementary school girls. This is what gives anime a bad name.

*Sapphire pulls out a USB port* - Ohhkay, is that stick fanservice, in a sense…? Because that’s awkward too.

Maids went out of fashion years ago…

“Lyrical Radical Genocide” - I think this Lyrical Radical things is parodying Nanoha.

Based on the cloak, it’s an Assassin.

“Listen, if you aren’t careful, you’ll die!” – Yep, because people die when they are killed. I almost missed that meme for a bit.

Illya 8

Illya’s still reeling from Miyu’s talk, huh?

I noticed it said tomoda(chi) in the background at one point.

Does Miyu exist in any of the alternate universes?

Ah, there’s yuujou (friendship) in the background as calligraphy.

I think the video got encoded funny again…

Geez, complaining about boobs? The series got worse…oh, I forgot Shiro was around in this series.

…who’s left? There’s been Saber, Archer, Lancer, Assassin, Rider, Caster and…who? Berserker, that’s who.

Illya 9

Ohhhhhhhh brother, not more bath scenes…

Iri looks almost exactly like she does in the Eiznbern Consultation Rooms! (I found those around and watched them today.)

Thank goodness the fanservice is censored…

I never realised Berseker had heterochromia until now…

One thing that I assume makes Saber’s outfit look nice to thos that like girls is the window in the top…but it goes to waste on Miyu, LOL.

I find it interesting Illya has all these concerns – the ones (or similar ones) Iri harbourd in F/Z.

Hey, the bridge! This is the bridge where Rider dies inn F/Z, yeah?

The ED looks different this time…

Illya 10 (FINAL)

E-Eep…loli fanservice…

Now Miyu is basically what Waver is to Rider, no doubt about it.

Bulls***! Speak of the devil! I was wondering what Waver looked like in the Illya style, because I read on the wiki he makes a cameo in season 2, and…here he is. Didn’t expect him in season 1, though.

Another new ED animation. I find it interesting they’ve never once had to recast any VAs throughout the entire existence of Fate/ anime…not that I know of, anyway.

Hiroyama Hiroshi is the original Illya creator.

Okay, that’s the end of one season. I feel kind of fatigued since I finished the Eiznbern Consultation Rooms today as well, so I’m going to take a break from watching more Illya until it’s necessary to watch again in a few posts’ time.

Now that they’ve collected the cards, I’m wondering what the series intends to do next…

Illya s2 Pt 1 Ep 1

They clearly skimped on the budget when Shiro was leaving the house…

I keep forgetting Illya is meant to be German…

That bad English…is actually there in the ep. title…

Oh great…schoolgirls talking about erotic swimsuits…

This s*** is what you call “Class-S”! I have no interest in it, because I don’t swing that way! (Sorry, yuri fans…)

The problem with series that aren’t 100% made with you in mind is that your favourite characters might look ugly…that’s especially the case with En, Jakurai and Waver.

Ryudou Temple, eh? Let’s hope Assassin still looks good.

I don’t think I’ve seen that before…namely, being able to hear what’s going on outside the transformation while it’s happening.

Now this 2 Illyas thing…this is new, alright.

Illya s2 Pt 1 Ep 2

LOL, what a horoscope.

Truck-kun! I don’t think Illya would make a good isekai protag, come to think of it.

Who is this nurse? I feel like she’s from some other part of the Nasuverse… Update: My guess was right. That’s Caren Hortensia, protagonist of Fate/hollow ataraxia and Kirei’s…uh, daughter. I know he had a wife. We never met said wife, but seeing the daughter really drove that fact home.

Uhhhhhhhh…okay, now the lesbian loli scene just made things go off a cliff for me. I’m not against lesbians or yuri – to each their own – but that scene was clearly meant to be pleasing to a certain audience.

How does anyone kill anything gently…?

Ohhhhhhkay, strike 2 for loli fanservice.

I seem to remember…that’s right, Alice from the [something] no Kuni no Alice series was evaluated on her coffee-making skills (by Julius, I think it was). That’s why I’m thinking of Alice when I see Luvia praising Miyu on something similar.

Wa-hey! It’s Rin’s Azoth dagger!

Well, the mechanics of the transformation are also something you have to think about. I’ll give the show kudos for that.

Illya s2 Pt 1 Ep 3

Can we not with the whole “Onii-chan, daisuki!” thing?! That’s it! That’s the last straw! I’m finishing this episode and aborting early so that I can preserve my dignity…and get some proper sleep for once.

The fact Miyu thinks Shiro resembles her brother must not be a coincidence…(I’ve become far too Fate/ savvy, haven’t I?) Update: It seems I was right. Apparently, Miyu was taken in by Kiritsugu in a certain universe, but apparently this is a bunch of spoilers.

Genki na aisatsu was in the back.

This is just getting worse and worse…

So now Kuro’s name is Kuroe (Chloe), huh? Anyways, good riddance, loli fanservice! So long! I won’t miss you one bit!

#lord el-melloi ii-sei no jikenbo #Lord El-Melloi II's Case Files #fate/kaleid liner prisma illya #Fate/Kaleid Liner Prisma Illya 2wei!

1 note · View note

thatfairyfangirl · 5 years

Text

True Colors Chapter 9

The chilly bite at your cheeks and the jingling bells of street corner Santas told you that it was once again time to break out your Nana’s Almond Snowball Cookie recipe. In all the time you’ve been in possession of the hard copy passed down from your Great Great Grandmother you never could get it quite right. But you couldn’t remember a Christmas without those little tiny balls of nutty sugar and you weren’t about to start now. Bucky leaned against the doorway to the kitchen, chuckling at the sight of you as you frantically darted from one side of the kitchen to the other...It was clear this was definitely not your domain. But oh to watch you try was quite hilarious.

“I never thought I’d see the day you would be in an apron baking cookies.” He chuckled as he stepped in, making his presence known.

“Well, tis the season...falala.” You quipped back as you scooped up a small bit of powdered sugar to poof in his direction, dusting him with the sweetness.

“Oh really?” He chuckled as he rushed to scoop you up, ignoring your yelps and screams as he flung you over his shoulder to secure you as he rubbed the white dust all over your face.

“Yes really.” The proud glow coming from you was enough to light the room as you kicked and wiggled trying to free yourself. “This recipe has been in my family for generations.”

“Oh! Are those the cookies you brought to the Christmas party last year?” Tony’s eyes lit up as he rushed into the kitchen to snag one, popping it into his mouth only to spit it right back out into the trash. “No...no they are not….stick to music kid.”

“Okay so they aren’t as good as Nana’s.” You sighed, quite sure you’ll never get it right. “I’m driving out to Mom’s next weekend I’ll bring you a batch back.” You added as Bucky finally conceded to let you back on the ground.

“Okay. One. not as good as Nana’s is a horrific understatement. And two. All the way to Philly? Are you sure you wouldn’t rather take a quinjet or something?” Tony asked with a raised brow as he scooped up the terrible batch of cookies to deposit them safely in the garbage where they obviously belonged.

“Oh Tony don’t be ridiculous! It’s only two hours!” You waved a sugar covered hand dismissing the idea of needing to fly such a short distance.

Bucky tossed you a towel as he looked from you to Tony, noting the worried look in his eyes. “Yeah and I know you. Last time you went to visit her you were in a huff for a week! You made a stripper dance to Slayer! And as hilarious as it was to watch her cry on stage I’d rather not deal with you in that kind of mood again.”

“Tony, please…” You let out a sigh, brushing your hands through your hair. “I know my family can be difficult, but it’s still my family, and it’s the holidays.”

“No, difficult is getting Bucky boy here through airport security.” Tony quipped as he reached for your phone, texting your mother for you that you would be bringing your boyfriend.

“This is a bad idea put my phone down right now!”

“No, it’s fine...I’ll be your boyfriend, we’ll get a hotel room for you to retreat to once they finally push you past the breaking point and then after New years just tell your mom that we decided we’re better off as friends.” Tony insisted before sending the text, no turning back now.

~ ~ ~ ~

The snow fluttered over the city, blanketing everything in a glistening white. The cheer of the season was all around. There may still have been weeks yet until the actual holiday but you could still feel it in the air, growing all around you as you hummed to yourself the same old familiar tunes of every Christmas from long ago. Though New York tended to be a hard place filled with those who didn’t seem to care along the day to day activities the ringing bells of corner Santas and echos of the same old carols seemed to fill the streets with a kindness of the season. You may have been excited before, but the final recording session for your album you had just come from and the knowledge that it will be out next week only made this year all the better for you.

Ever since Halloween you had been finding you took comfort in Bucky’s company, and came to cherish the friendship that had formed between the two of you. He had become your best friend, you now couldn’t imagine life without him. You waited for him at your favorite little coffee shop overlooking Rockefeller Center’s skating rink, warming yourself with a hot chocolate as you watched the happy couples move throughout the streets. You began contemplating the season, wondering what to get everyone for the fast approaching holiday.

Snow clung to Bucky’s cap and the long dampening tendrils of his hair making him look even more rugged than usual as he found you in the shop with your lost smile on your lips. Tucked away in a small bag wrapped in colored paper he was sure he had found the perfect gift for you. Bing Crosby’s White Christmas hung in the air, a familiar tune from a familiar voice of what felt to you to be every christmas ever.“Hey Doll.” He sat, snapping you out of your thoughts. “Nice to know that Christmas hasn’t changed much.” He smiled as he looked out to the skating rink, remembering when they started doing that. “Some traditions just don’t die.” Lady Gaga’s Christmas Tree followed.

“And new ones form every year.” You chuckled at the contrast of song choices on the radio as you peered into the bag, frowning to see how small the box was...definitely not a new mix board in there.

“So what were you off doing this morning? More recording?” He asked, noting the lack of shopping you seemed to have gotten done. The ball had gotten rolling pretty quickly for you with Dazzler’s label thanks to the many songs you have already done...now it was just a matter of hand picking the ones you wanted to do for your debut album. You told him about the meeting you had with Dazzler and the people from New Year’s Rockin Eve and how excited you were to be debuting the collaboration you had been working on and how it will be released with your first cd. He smiled watching your face light up. “Wow, that’s pretty much your dream isn’t it?” You nodded, beaming with excitement.

~ ~ ~ ~

Bucky watched as the stark white snow danced around the rainbow cascading from your knit cap out of the corner of his eye. The both of you wandered the streets for what felt like hours, picking out gifts for those you both cared for the most. It all felt so familiar to him, so much like he’d gone back to the 40s, back home. You tugged at his arm with each new window display, smile growing with festive glee at each new Christmassy scene. The smile, however, quickly faded at the sound of your phone going off, and even moreso when you saw ‘mom’ on the call id. Your eyes glanced up to Bucky, letting the sight of his soft blue eyes comfort you as you answered. “Hi mom... you get my text?”

“I did. So why can’t you come out for Christmas Eve? I haven’t seen you on Christmas in years.” Bucky’s eyes narrowed, a comforting arm wrapping around you as your mom started getting to you already. Even if he couldn’t have you he still liked being there for you.

You squeezed at the bridge of your nose, holding off the headache that she always seemed to cause with ease. “I don’t know how many times we’ve been over this mom. Christmas week through New Years is just way too busy on the party scene. Plus I just lined up something huge for New Year’s Eve...”

“So you’d rather go to parties than spend some time with your family? That’s cold.”

“Mom, you know I’m a DJ. Parties are literally my job.”

“I just can’t believe that after we sent you to that nice school you’re still counting that as a job. It’s time to grow up (Y/N). Do you even know how much that school cost us?”

“No… You don’t get to try to pull that. I know full well that Xavier’s doesn’t charge tuition! And you sent me to that school because I blew up the music wing at school with my brain and blinded Mr. Masserant. I needed to get my powers under control.” The colors in your hair swirled as you let her rile you up yet again...she had a talent for that. “Look. I’m out with someone right now, we’ll talk about this when I come home.” You insisted before ending the call.

“Why didn’t you just tell her that you’re an Avenger now?” Bucky asked with a confused look on his face.

“I’m planning on that being a surprise.” You smiled up to him. “She loves the Avengers, it’ll be the best surprise ever for her.”

~ ~ ~ ~

“Don’t you fuck with me Stark! You’re the one who got me into this mess!” You shouted as you followed Tony down the hall towards the hanger.

“I’m sorry! But Stark Industries needs me.” Tony insisted.

“I don’t care if they need you to build an office on the moon! Who is supposed to be my boyfriend for christmas now?” Hearing the ruckus Bucky poked his head out from the gym, getting a slight chuckle out of the way you barraded Tony.

“I can’t! I have to go umm now. I’ll make it up to you. I swear!”

“Making me face my mother alone...you better make it up to me!” Your fingers gently massaged your temples as you let out a sigh, unaware of Bucky approaching you from behind. “I guess I’ll just call her and tell her the truth. Tony is a jerk who likes to send unwarranted texts and I’m single by choice because all men are assholes.” You let out a soft agonized groan, knowing the way that conversation was going to go.

Bucky’s hands came to rest on your shoulders. “I can come with you if you want Doll. It would be nice to meet your parents.”

Tony shook his head. “Trust me Manchurian Candidate. I’ve been there before. I’ve met them. The only good things that ever came out of that house is her,” he pointed to you. “...And those cookies. Please don’t forget the cookies.”

“You don’t get a say anymore!” You barked at Tony with spiteful eyes before turning to Bucky smiling as bright as the christmas tree downstairs before planting a grateful kiss on his stubbled cheek. “Thank you Bucky...nice to know someone around here’s got my back.” You spoke softly before walking off to pack. The soldier’s crystal blue eyes sparkled as they shifted to watch you leave, lingering on your form for a little longer than you would have deemed appropriate if you had known.

“So how long has this been going on?” Tony teased, watching Bucky tense up at the insinuation.

“What? No. We’re just friends,” Bucky insisted.

“Mmmhmm yeah sure…” Tony nodded sarcastically, giving him a knowing look. He knew his best friend well enough to know that there was something going on there, even if she didn’t know it yet.

With a sigh he ran his fingers through his hair looking up to him...well if he was going to be in love with her he knew he’d need to make friends eventually. “I’ve been sure I’m in love with her since Thanksgiving.”

Tony nodded placing a hand on his team mate’s shoulder. “Look, I love her like a little sister...So proceed with caution. Pretty much every guy she’s been with has hurt her. She may not act like it but there are some major walls built up around her...even more-so since Halloween.”

Tag List:

@sillydecoy

Announcement from the writer:

I am also on Patreon! You can find me on Patreon HERE. I know, I know, it sounds like I am expecting you to pay for my writing but fear not! I will only be charging $1 a month, and even that is voluntary. The majority of my fics will be available for free. The $1 subscription will be for access to the really adult content stuff I have been sitting on such as what I have been calling “Blind Date’s Deleted Scene” and access to my discord AND early access to fics! As a bonus for you guys since you have been with me since the beginning of Blind Date I will grant you free access to the discord if you shoot me a message here on tumblr and ask.

I will still post fics on Tumblr up until they are no longer welcomed by the staff, but patrons will be able to view them early.

For those who have trouble with hyperlinks on their device or find it hard to click a small word vs an actual link here is the full link to my new Patreon https://www.patreon.com/fairyfangirl

#marvel #marvel x reader #mutant!reader #avengers #avengers x reader #bucky #bucky barnes #bucky x reader #winter soldier #winter soldier x reader

10 notes · View notes

pedalfuzz · 5 years

Text

2018 Pedal Fuzz Favorites

Contributors from Pedal Fuzz have weighed in on their favorite albums of 2018. there was (thankfully) no shortage of excellent music released this year. We hope you give these artists a listen, a share, and maybe even smash that ‘buy’ button on Bandcamp or at the counter of your local record store.

***note***these are listed in order they were sent to the editor

Dustin K. Britt

Al Riggs, WE'RE SAFE BUT FOR HOW LONG

David Byrne, AMERICAN UTOPIA

Father John Misty, GOD'S FAVORITE CUSTOMER

Florence + The Machine, HIGH AS HOPE

Gorillaz, THE NOW NOW

Janelle Monae, DIRTY COMPUTER

Mary Lattimore, HUNDREDS OF DAYS

Neko Case, HELL-ON

Sarah Shook & The Disarmers, YEARS

Troye Sivan, BLOOM

Jon Foster

The Nels Cline 4 – Currents, Constellations – Nels Cline is one of those figures that’s always been on my peripheral. His name has floated around progressive independent music for decades. His association with Wilco didn’t cause me to go through his discography. This record just popped up this year, a little promotion from a devotee helped a lot. Seeing him play at Big Ears this past year solidified my interest.

Currents, Constellations is fascinating, the interplay between Nels and technical wizard Julian Lage keeps pushing the music forward, sometimes noisy and sometimes jazz freak-out. It’s a perfect gateway record, not all the way jazz and not all the way progressive rock. After listening to the record for a few weeks I ordered the last two Lage records and a couple Cline ones. Julian Lage’s Modern Lore is also on my best of 2018 list.

Similar Fashion – Portrait Of – I don’t know anything about this band. I don’t know where they come from. I have no context other than a simple post from the producer, John Dietrich of Deerhoof fame. Just that last bit of information caused me to click on the link, a task any music fan can do dozens of times in a day when the music is in front of you all the time. Another Bandcamp link, nah…I’ll pass.

Thankfully I clicked on the link and heard a record I immediately loved. It was energetic and progressive, a little silly even. How many records reference the TV show, Scandal? One thread going through the record is this quasi-Raymond Scott feel. He’s the guy who wrote a lot of music for Looney Toons, and I love him. Imagine Bugs Bunny chasing Foghorn Leghorn through a forest while a small group of music majors raised on jazz and rock and roll score it. The best songs on the record are full of exuberance and sugared up energy.

Oh Sees – Smote Reverser – Oh Sees have a lot of records. They might have too many records. Because they have so many records it becomes difficult to get excited about a new one. Although I listen to all of their new records I don’t buy them automatically. I feel like I need to sample them. Recently they’ve been going through this tour of the outer fringes of rock and roll subgenres. You know, last year’s record was the folk record with psychedelic touches. They’ve done the garage record with psychedelic touches. Smote Reverser is their early 70’s hard rock record with psychedelic touches.

When trying to describe the record, I feel like I have nothing positive to say about it. At the core there’s the usual really loud Dwyer leads over the top of everything. You know they’re coming, they’re always there, it should be an annoying cliché but they sound so good. His tone is delicious. Mix in dueling drums and an interest in letting songs unfold for no particular reason, and it’s a record to fall into.

Palberta – Roach Goin’ Down – This is a punk record. It’s ragged and personal and it feels like it could fall apart at any moment. Sometimes I think the musicians are superb players, while on other songs I feel like it’s the first day of them playing their instruments. The songs are short blasts of postpunk joy that could have been made in 1980.

While I’m enthralled with this record, and enjoyed them immensely when I saw them live in Raleigh, I worry about them. I worry that this perfect moment will be ruined if they become a little more adept at their instruments. Taking away some of the passion in their playing might neuter their effectiveness. A better scenario might be for them to break up and move onto other things leaving this batch of songs as their only work.

New Optimism – Amazon to LeFrak – New Optimism is basically Miho Hatori, most notably of Cibo Matto fame. It was a record I didn’t know existed until I started down a random google search hole. It was one of those days where think to yourself, “Oh, I wonder what they’re doing” and then six hours have past. Not setting out to find new music by her and then there it is, was like a wonderful present. Unfortunately it’s only an EP. Unfortunately I haven’t heard anyone talk about the record at all. It came out in July and I worry it’s already buried under mounds of other new releases. Googling Hatori again I realize she has produced a full length record I didn’t know anything about. This last surprise was released in October.

The music on Amazon to LeFrak is right in line with her work in Cibo Matto and her painfully underrated Ecdysis from 2005. The music is colorful and dancey, vibrant and a little quirky. I hope this flurry of creative continues into the New Year.

Eddie Garcia

In 2018 I listened to and focused on music from films as much or more than straight-up albums. Here are my favorites, they’re all magnificent and worthy of your time.

Favorite Film Scores & Soundtracks

Hereditary - Colin Stetson

Mandy - Jóhann Jóhannsson

Suspiria - Thom Yorke

Black Panther - Kendrick Lamar

You Were Never Really Here - Johnny Greenwood

A Star Is Born - Lady Gaga, Bradley Cooper

Vox Lux - Sia / Scott Walker

Revenge - ROB

Kin - Mogwai

Thoroughbreds - Erik Friedlander

Eighth Grade - Anna Meredith

42 Grams - Takénobu

*Honorable mention* Halloween (2018) - John Carpenter. I mean, it was great to hear The Theme loud & revved up/industrialized in a theatre, but not really doing much new here if I’m being honest. Love to John Carpenter forever though!

Favorite Albums

There was much that I ‘liked’ this year in music but less that I ‘loved’ (gonna blame that partially on a shortage of deep listening time). I also had a few instances where live greatly outweighed the record, no matter how much I tried to listen. So rather than list out 40 albums, here are the ones that really affected me, so much so that I even have physical copies of 90% of these.

Sons of Kemet - Your Queen Is A Reptile

Bill Frisell - Music Is

Ohmme - Parts

The Nels Cline 4 - Currents, Constellations

The Messthetics - s/t

Mary Lattimore - Hundreds of Days - Meg Baird & Mary Lattimore - Ghost Forests

Dark Prophet Tongueless Monk - Insides

Yo La Tengo - There’s A Riot Going On

Shane Parish - Child Asleep In The Rain

Low - Double Negative

Marisa Anderson - Cloud Corner

Mind Over Mirrors - Bellowing Sun

Renata Zeiguer - Old Ghost

The Sea And Cake - Any Day

Oh Sees - Smote Reverser

Yonatan Gat - Universalists

Julian Lage - Modern Lore

***I just picked up The Hex by Richard Swift and Mattson 2 Play ‘A Love Supreme’ but as they haven’t gotten a full spin yet I can’t include but they sound mighty fine so far.

Favorite Pop Song

Kimbra - “Top Of the World”

*I don’t really listen to much modern pop music but this song slays and instantly appealed to me the first time I heard it.

Patrick Wall’s Top Ten

Knee Meets Jerk, or: In Which a Semiretired Music Critic and Journalist Offers Brief, Non-Critical and Non-Sequitur Thoughts on His Favorite Music of 2018. Because, Hey, Music Is Personal and Subjective, Right?

*Results listed in alphabetical order and subject to change.

Bad years look better when they’re gone.

I don’t think I’ve ever felt more unstable — professionally, personally, psychologically — in my life than I did in 2018. In the past eighteen months, I've moved twice — from a new home to an old home to very, very far away from home. I bounced from a solid if unexciting job to no job to high-paying but infrequent freelance jobs to steady and cool but low-paying jobs to a high-paying but stressful and wholly unfulfilling job. Commutes went from long car rides to long bike rides and long walks to long train and subway rides. As summer faded to fall and turned to bitter winter, the world just felt increasingly, incontrovertibly, ineffably doomed. New homes didn’t feel as such. Old ones seemed gone, unable to be returned to — no man, Heraclitus mused, can step twice in the same stream.

If things were roiling internally, they weren’t any better externally. The planet is doomed. The authoritarians won. The world got colder. Some of my friends got cancer. Some of them, their cancers came back. Some of my friends got sad. Some of them came to the brink of death. Some of them got help, got better. Some of them didn’t make it through the year, taken either by illness or by their own hands, their voices now silhouettes, never coming back.

All this is to say: I have done far less critical listening this year than in the past. My time is more limited. My tastes are broader and more tolerant now than when I was a quote-unquote critic, but they’re harder to fathom. The things I connected with this year, I don’t know that I could explain why. I don’t know why Cave’s “San’Yago” spoke to me on the same level as Janelle Monae’s “Make Me Feel,” Jeff Parker’s “Blackman,” They Might Be Giants’ “Last Wave,” The Fearless Flyers’ “Ace of Aces,” Superchunk’s “What a Time to Be Alive,” The Messthetics’ “The Inner Ocean,” Fucked Up’s “Normal People.” I don’t know that I can qualify why none of the records those songs were on made the list below, or why I connected with those records in times of existential crisis. (Though, were I to give it some good, critical though, Monae’s Dirty Computer would probably grade out as the best of the year.)

How do we measure out our worst years? What defines them, shapes them? What do we reach for when everything feels bad? What do we reach for when we just need things to get better? The sensitive among us, we to turn art — the gear-minded among us, to music, in particular. But how do we code ourselves to forget, when the music we listened to — the music we connected with the most — brings us back to those places?

If you’re lucky, you get to close that part of yourself off and forget about it. If you’re luckier, you don’t. You recognize those sounds — those emotions — when you hear them again. If you’re lucky, you’ll get to close that part of yourself off and forget about it — but you’ll recognize those sounds when you heard it again. You just need to realize that you were lucky enough to have heard them in the first place.

So here are eleven records released in 2018 that I listened to that I enjoyed more than the other ones I listened to that were released in 2018. These are the records that provided some small comfort, and that will reinforce, in the years to come, that bad years look better when they’re gone. We hope.

Rafiq Bhatia, Breaking English [Anti-]

The Body, I Have Fought Against It, But I Can’t Any Longer [Thrill Jockey]

Khruangbin, Con Todo El Mundo [Dead Oceans]

Julian Lage, Modern Lore [Mack Avenue]

Low, Double Negative [Sub Pop]

Makaya McCraven, Universal Beings [International Anthem]

Mount Eerie, Now Only [P.W. Elverum & Sons]

Ohmme, Parts [Joyful Noise]

Miles Okazaki, Work [self-released]

Tangents, New Bodies [Temporary Residence Limited]

Ryley Walker, Deafman Glance [Dead Oceans]

Patrick Wall is an infrequent contributor to Pedal Fuzz. Sometimes, people pay him to write things. He used to live in North Carolina; he currently lives in Massachusetts. The record he actually listened to the most this year? Psychic Temple’s Plays Music for Airports.

Tom Sowders

This year I listened to a lot of music that did not come out recently. BUT. I did have some favorites in 2018.

Eric Bachman - No Recover

The National - Cherry Tree Vol. 1

The National - Boxer Live in Brussels

Big Red Machine - S/T

Cat Power - Wanderer

The Love Language - Baby Grand

Shopping - The Official Body

Waxahatchee - Great Thunder

Speedy Ortiz - Twerp Verse

Surfbort - Friendship Music

Lee Wallace

To make this as absolutely accurate as possible and to allow for any sudden last minute submissions, I am writing this at 8pm on New Year's Eve.

My best of 2018:

Guided By Voices - Space Gun (Rockathon Records). This has already become one of my touch stone GBV albums, in roughly the same status as Mag Earwhig! or Class Clown Spots a UFO or even Vampire on Titus. Fifteen concise psych pop rockers, not a micro second wasted.

Adrian Legg - Live (self release). Adrian is surely one of the two or three best finger style guitarists on this planet, and for nearly forty years he has been traveling and performing solo gigs at house concerts, coffee bars, pubs and anywhere ears will listen. As wonderful as his playing and composing can be, his arduous fans know that his eloquent, story like song introductions are half of the appeal of seeing him in person. This is perhaps the first time that Legg has released a live album with these stories intact. His ruminations lately have concerned greed, materialism, racism, and the destruction of the environment, all from the perspective of a sagely septaugenarian that has traveled the world many times over, but they are as beautiful as his delicate, astounding guitar playing.

Julia Holter - Aviary (Domino Recording Co.). Holter's third album takes an extraordinary leap from the intelligent chamber pop of her previous work to spooky, other worldly avantgarde. Since so many music reviewers tend to make lazy comparisons to Kate Bush when writing about Holter, imagine if “Lionheart” had jumped straight ahead to “The Dreaming” with 21st century technology. Batshit arrangements and sonic freakouts, lysergic orchestral pile ups that come from outer space, on first listen it all sounds like a mess in places, but hang in there, your brain will thank you.

Janelle Monae - Dirty Computer (Atlantic). Composer/singer/dancer/actress/ time travel enthusiast Monae can be high on concept sometimes but she is even higher on melody, groove and astoundingly great vocal performances. I haven't yet taken the time to dissect what all of this “means” in terms of her commentary about contemporary society and what not, but it sure sounds superb. I suspect that she isn't even close to her peak yet, either.

Lilac Shadows - Brutalism (Diggup Tapes). This Durham, NC quartet has apparently done cassettes and digi downloads before but this is on a bona fide high quality vinyl LP in beautiful packaging. Flavors of “Movement”-era New Order and classic 4AD make this music nerd proud to share some geographical proximity with them. Excellent live band too.

3 notes · View notes