#the anime did a lot of good stuff: humanize the villains; add a lot of comedy GOLD; expand on the girls' friendships; etc

[mdhwrites]

thoughts on camila?

So I've talked about how she is just as a character before. I think as a character, she's as sweet as a saint and I like her in isolation. However, and this is what I want to focus on more because of an element I'll get to, she's a bad character in the context of The Owl House for the same reason King and Eda are: What is she doing in this story? How does she add to it?

Camila makes Luz look a fucking terrible as a human being. Almost EVERYTHING we see in the human frankly makes Luz like a terrible human being because that's the genre that The Owl House is a part of: Modern Isekai. Like most Modern Isekai, it's a story about a nerdy person who has no real prospects in real life and would rather live in their fantasies getting to go do that. Luz has a power that no one else has, gets to be with the prettiest, most popular, richest girl in the new world. She gets to stand up to a corrupt system but it never actually bothers her so she can just have fun shenanigans for the vast majority of the run time. She even fights an Evil Emperor which is almost as generic as a Demonic Lord as far as fantasy villains go. Honestly, TOH being isekai is probably a large part of why it was green lit (and frankly, same goes for Amphibia) since while it's not critically acclaimed, isekai is still one of the most popular genres of anime out there and the popular ones have made money hand over fist.

For most stories in this genre, they A: stay in the fantasy realm, TOH isn't fucking special people but also B: have a terrible home life in part to justify that desire and decision. There's also elements of wish fulfillment to its target demographic which is actually kind of important here. That your life sucks so you deserve to escape from it, just like this person. That terrible homelife in turn turns into a payoff for the audience because it can be used to highlight just how much better this world is and how much better off for everyone the MC is in this new world.

Camila doesn't really work for that though, does she? Something the show itself acknowledges with Yesterday's Lie. "You had it good." Hell, in that episode we have Camila wanting Vee to keep Luz's stuff because she knows those things are important to her daughter. Even in the first episode, Camila just wants Luz to make friends. She could fail to learn ANY life skills and stay just as weird at the camp (which she presumably needed to go to to not be EXPELLED for what she did) and Camila would happy if she was in a new Discord group with some friends. That is how low the fucking bar is for Camila's expectations of Luz and somehow THAT was too much. That was, as Camila will apologize for, multiple times, pushing her daughter away or repressing her.

That doesn't function for a Modern Isekai story... It functions for an old school isekai like Amphibia is. Old school isekai after all featured a lot more character growth, a lot more of the other world being an abstraction of problems the person was facing in the real world and had to learn how to deal with. As such, they usually ended with the main character going home a better person and putting their fantasies behind them. Not admonishing them but recognizing that staying there isn't what's best for them.

Camila's character for one of those is AMAZING. Like it could genuinely have led to one of the best deconstructions of the modern isekai protagonist. It's like the ass hat protag from Far Cry 3 (not saying this is handled well btw in that) who still wants to be bigger and more cool and seen as strong by those around him while he already has a smoking hot fiance, lives his life doing dangerous stunts, is really attractive himself and could just coast for the rest of his life. It doesn't fulfill his image and fantasy of what a 'man' is so fuck all of that, I need to go kill people and take over this native tribe! Which hurk, again, it's not done well, but it was trying to deconstruct this sort of fantasy. This sort of escapism that says the image in your mind is ALWAYS more important than those actually around you.

It could have highlighted how things are never as bad as they seem and wanting to escape always hurts someone and always is selfish... But for that, the show would have had to be willing to say one needs to learn to respect reality over fantasy. This could either be done by Luz learning that treating everything like one of japanese animu is a bad thing or they could do it through doubling down and showcasing after Yesterday's Lie that Luz is a genuinely terrible, selfish person who only views the promise she made to her mom as requiring her to give up the world she likes, not the damage she did to her mom.

Which I phrase because they literally did that. They changed the ending promise scene of Yesterday's Lie from being about their complex relationship to just being a summary of the stakes. "Come home, never come back." It's a narrative cheat to welcome anyone back from the mid season hiatus and that is frankly the BEST way to read it for Luz's character because otherwise she changed a conflict mostly about the pain she inflicted on her mom purely to the consequences and that's not really a thing a good person does.

But then the series ends with her having both worlds, getting to literally be Azura finally, quoting the damn book and just ENTIRELY admitting that it's not an OC, it's her replacing Azura, and it's all just fucking awful. In part because, like with the Liar Reveal stuff I talked about with TOH, it's a subversion without a new payoff. They try VERY HARD to give a new payoff but it's not earned. People adore the "I just want to be understood" moment but it ONLY functions in that moment from a meta perspective of it being a neurodivergent girl seeking understanding because who, especially of the people Luz cares about, hasn't shown her understanding in the past SEASON? SHE HAS A GIRLFRIEND WHO IS WAY BETTER AT IT THEN HER!

And so Camila is just this contradictory sore spot that goes right back around to "Man, our target audience would really love it if their parents would tell them explicitly that they don't need to grow as people or even try to understand others or how they may hurt them, literally but instead that their comfort is all that matters." It goes right back to being all about modern isekai's worst element: Wish fulfillment. Bland, obvious, pandering wish fulfillment.

And I COULD end the blog right there... But I said I had a reason to wanted to answer it like this. Admittedly, it expanded from what I expected so sorry for the long blog but here's the real tragedy: The moment of Luz recontextualizing Yesterday's Lie's promise should have been AMAZING to me. After all... It's the part of Luz I loved writing the most.

Yep, more of that celebrating ten years of writing stuff to talk about one of the elements of my TOH writing that I genuinely am very proud of: Luz being a scared, anxious teenager who doesn't read the world correctly. One who is held back because she thinks if she isn't scared, she'll be hurt or, more importantly, hurt others.

I know a lot of people will tell me that TOH didn't do that and like... gestures at everything above and SO many other elements like how Luz has two token moments implying she's been traumatized from bullying that doesn't read with how she was for the entirety of the first season, or up to those points in the second for that matter, AT ALL. She doesn't actually have that sort of fear or anxiety. She's too selfish and self serving for it. Her needs always come above others and that's not the compelling part of this to me, nor is the self protection element.

No, it comes from the fact that you have to actually care what others think for it to torture you, like most teenagers do. That disappointing someone would be essentially the same as stabbing them. In The Power of Love, I got a lot of people to go from "This is cute" to "Okay, you have my attention" with chapter 3: Ru-Luz (which reading back... Some of my transition lines are not working there. Why did I think they did? Brain moving too fast I suspect like usual or trying too hard). Despite the pun, it's not a fun chapter. It ends with her listed rules that are actually nice, like telling her to be herself, but a final rule that, so as to keep the voices in her head, the things others have told her, quiet she must follow. "Treat Amity like anyone else, even if that means breaking other rules." And one of those voices is said to be Camila's.

I don't leave it there though. Through complications, it's very explicitly revealed that, well... Luz is a teen. Everything is world ending for her. That she's taken small comments or momentary frustrations, or just straight up misread things, so as to have them attack her and form her view of how others perceive her (along with having been genuinely bullied). That her mom does adore her and would accept any part of her but she can't believe that, not with how she is now. And that leads to really highlighting an element of Lumischa that I've always loved: Boscha as Amity and Luz's rock. Someone who is honest enough that neither worry about if she's holding back on her opinion. And you know what happens?

Luz and Boscha get multiple chapters of Boscha providing the wake up call she needs. Of her chipping away at those fears that others may be secretly hating her because here is bad bitch Boscha telling her to shut up because she's better than she thinks she is. It's blunt enough to actually make an impact, harsh enough that it still addresses the fuck up, and is something no else would do. Not even Amity because Amity is her own ball of anxieties who's worried about the wrong move upsetting people. I would have ADORED this element actually being a thing for Luz and you know, maybe leading to a Power of Friendship moment with all of them backing her up and giving her the confidence she needs for something. Instead we get her ignoring what she's claiming to be worried about (making mistakes) and then getting a power up when her mom tells her that she should have quite literally never criticized anything about her daughter which is not what a good parent does. Even my Boscha will still call out that Luz did make a mistake if she did, just then also point that she's being over dramatic about it because no one hates her because of it.

I also want to give a shout out to this essentially being an element of my Luz for Ruff Secret as well (original version too) as an essentially tragic element to the majority of the story. Camila clearly accepts parts of her daughter in that story that their wider community doesn't but Camila is also critically still a part of that community which is Christian. She's very devout even, going every week to church. There is nothing except coming out to Camila that will ever make Luz not just assume that being gay will not get her disowned because of the fears in her head and because of those same fears, she'll never come out of the closet. She has clearly never even been willing to approach the topic with her mom about it. It does payoff in the end though with Camila freaking out WAY harder about Amity being a werewolf and the danger that puts her daughter in than of Luz being gay because why would you judge something as incredible as love?

It's not new, I've seen some other things take similar approaches, but it uses the age of the character and society to actually amplify the emotions and make the angst more justified. Make what normally just be "I can't confess, what if she says no?" more dramatic while also managing to tie the two romantic leads together in their conflicts since Amity is dealing with something she sees as a curse, as a primal sin that could only ever hurt others, just like Luz is. And just like Luz, it's actually in repressing and rejecting that side of her that Amity does end up hurting someone but that someone is herself.

All while still managing to be one of the funniest stories I've ever written. I ADORE Ruff Secrets. Crises Girlfriends may be my most personal story but I still think Ruff Secrets is my best story. Period. Which is frankly a miracle since it was a snap start based on a joke a someone made.

So yeah, I like Camila conceptually. I think there was a lot you could do with her. Any direction though would have required TOH to be at least as grounded as Amphibia, let alone ANYWHERE near as grounded as the fandom thinks it is. As is, she's a subversion that doesn't add anything and actively hurts what is a very normal fantasy story.

As such, she's a bad character because what you add to a narrative does matter to that metric unless you are actively ignoring that part of a character's purpose for existing. That's just less useful to a writer though because it means you add a tool to your toolbox without understanding how to use that tool which is always dangerous as any professional mechanic or engineer may tell you.

======+++++======

I will admit that I fidget at praising myself so much like this. I know I've used my own works as examples in the past but it always makes me feel awkward. It especially never helps that it likely comes across as, justifiably, saying I could have done X better. There's a big difference though between "In this context I DID X better" and "If I had made X, I WOULD have done it better." Situation, context, and just the creative process can always muddie things and doesn't even mean the same writer will always tackle the same subjects as well every time. It's just a part of the process.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

#the owl house criticism #toh critical #toh #the owl house #luz noceda #camila noceda

[sunstreakerapologist]

Now that this season of ES is complete I wanna go over what I liked and disliked in the show. I starting with what I disliked because I like to end on a positive note.

Everything under the read more because this will be longer :)

Okay dislikes:

The tone is wildly inconsistent. The Soundwave episode is the most glaring example of this to me. You have Megatron being confronted by someone he failed, interesting fight scenes, and then... A bunch of kids beating a different group of bad guys by singing the world's most annoying song. It felt like two episodes of different shows in the worst way possible.

On that note the show frequently feels like two different shows! It's either more mature (for a children's show) and dealing with ideas related to war, and identity, or it suddenly takes on a very young tone. The plots about the Terrans learning VS plots about GHOST and such do not have any synergy and I felt like I was bouncing between two shows about different things.

The animation can be... Rough. Mo looks different than every other human and it's incredibly noticeable, and in some scenes the animation is just lacking any polish. It's very noticeable. Hopefully this is a budget issue that can be resolved for season 2.

A lot of these characters talk like they're trying to win at therapy.

Alex and Dr Meridian's connection was a letdown. You have the moment of recognition and then it's just... Oh yeah we were coworkers.

A number of things were left as loose ends. Sure, they may be resolved in season 2 but the show didn't have a guaranteed season 2 at the time of production.

A lot of stuff that could have been interesting just happens off screen. Shockwave apparently was betrayed by Croft. We don't even get to see them interact at all. For a kid that's confusing, as an adult it's annoying.

What I did like

It's really nice to see a show with a unique premise regarding transformers, I like the idea that they're disconnected from Cybertron, that Megatron regrets his past but not the entirety of it, everything going on with the Terrans.

The character designs are great. I'm a huge fan of Grimlock, Soundwave, Jawbreaker, Nightshade, all of them. Very fun.

The show manages to balance a large cast fairly well! Every Terran got a little moment or episode focused on them that helped flesh them out.

The tension consistently rose. The stakes got higher as the show progressed but there were no massive out of nowhere jumps that made it all seem out of place.

I enjoyed Dr Meridian and Croft as villains. They both had something different going on, and the way they would work together and betray each other added to the show a lot.

I like how the show dealt with the trauma that comes from not having control over yourself. It really hit home for me.

The fact that Megatron's redemption began with Dot is fantastic. I think she's a great character and I would love to see more focused on her going forward, and more of their friendship.

In contrast to one of my complaints, there's a lot about the animation that I love in this show. The use of more 2D animation for things like smoke and flames looks wonderful, and adds a great level of visual interest.

This show is very good at making characters who are nice to care about. Even Hashtag, who I initially found very annoying, I grew to love.

Overall I enjoyed the show more than I disliked it and will probably keep watching, but I really hope they improve, especially in regards to consistent tone.

#Earthspark spoilers #Earthspark criticism

[sugirandom]

Ranting about Sonic X, a lot of critical stuff so feel free to skip if you like Sonic X XD, I might even go into some personal stuff later so yeah... this was longer than I intended ha ha

So, my best bro and I have been working through watching Sonic X and we’re nearly finished the season 3... Sonic X has frankly been a chore to get through at times...especially season 3

Of all the Sonic cartoons/anime I had the highest expectations for Sonic X because it was (and as far as I know still is) the adaptation that’s closest to the video games in terms of the original Sonic characters, the Japanese version having the original voice cast also helps.

But honestly the need to place Sonic in the ‘human world’ has always been very strange to me because there are humans in Sonic’s world in canon and this seems to be forgotten constantly, with Sonic X being the first offender of this and the live action movies doing their own version of the same thing.

So,there’s that and thanks to that most of season one was dedicated to getting us attached to the human characters, of which some are interesting, but the human lead, Chris, is not...he’s 12 but he acts 10 so I honestly flat out forgot 12 was his canon age. He’s a privlaged rich american kid who acts like he’s all alone despite his maid and butler doing a good job of raising him while his parents are pretty much absent because of their work and when tyhey are around spoil him...so yeah there’s that.

He forms a bond with Sonic and honestly the tone often feels kinda romantic, at least of Chris’ end. I don’t think they intended it that way but I mean...I’d take Sonic 06′s Elise over Chris any day (the one they actually acuse of pushing a relationship with Sonic and a human lol). I guess I’ll stop my rant about Chris here because there’s more that I wanted to say but... I don’t want this to all be about him...I just want to add one more thing...the end of season 2 ruined any chance Chris had of me liking him...

On ocassin they miss the mark with the actual Sonic characters too, often flanderizing certain aspects of them, for example, with Amy Rose...she has more to her than just loving Sonic obsessively but especially when we get to season 3 it becomes her entire character. I’m not saying the video games are completely innocent of this (see Sonic Heroes) but it’s a bit of a nitpick...

As much as I love Rouge being chaotic neutural by season 3 they seem to abandon any bond she developed with the other characters (except her bond with Shadow, which is great!).

There’s also a huge genre shift, season 3 is it’s own Sci-fi story with aliens they completely made up and a saving the galaxy from these aliens who are stealing the life force of other planets...for reasons (the main villain hasn’t revealed why at the point we’re watching this). I honestly think this idea may have come from another anime that the team working on Sonic X couldn’t get approved or it was a case of “make it Sonic” XD

Ironically I’ve had an idea forever for a Sonic fanfic...series that I have yet to write involving aliens but mine are humanoid and their focus is just on Earth so it really made me question why we were all longing to have Sonic fight aliens so badly lol

If you guys want to hear me rant more about Sonic X let me know. If I feel really brave I might share some of my story ideas too but...for now... I’ll list a few things I like about Sonic X so I don’t sound like a complete jerk.

Quick list of some positive points: Eggman’s characterization is, for the most part, interesting and close to the video games so I do like that, he’s evil but he has his moments where he’s more complex. 

Some of the supporting human characters are interesting but the plot doesn’t always know what to do with them

Sonic is hilarious and entertaining, I like the Engrish he uses, very memeable but not cringe and genuinely fun (applies to the Japanese version only obviously)

Some filler episodes did have good plot ideas (not all but a few)

The designs of the Sonic characters were done well

Shadow is badass but honestly for the most part you have to be trying to mess Shadow up. 

That’s all I can think of for now and I’m tired of typing but I wanted to get this off my chest!

[oopsiedaiseyy]

OWL HOUSE SEASON 1 REVIEW

Scroll down for actual review

Just realized that I never did any updates on watching The Owl House!

I’m already nearly done with season 2 but…

Here’s my review of season 1!

But… first I wanna talk about how I came to watch the show.

Anyway I actually never heard of the owl house much before watching it and I used to think it was annoying and badly written (even though I hadn’t watched it yet, honestly I don’t know why I hated on it. I didn’t ever say anything online but when my sister talked about it I would say that I didn’t like it) the first time I saw it was back in 2020, I was in the hospital my mom turned on the TV in the room and The Owl House was playing. I kinda knew what it was but not really. I only saw the end on an episode. The one where King writes a book. The episode ended but I was just amazed.I thought it was cool because I had never seen a Mexican in a cartoon before, at least not one like me. I’m Mexican but I’ve always thought that I was weird. The only “representation” I ever got was that show Maya as Miguel. Which I didn’t get to watch much ether. And when I was younger I was souped into anime and fantasy so seeing a Mexican Girl. My age acting like me On screen was pretty big for me. I never watched any more then that. That one snippet

I had other things on my mind then watching that show, my medical condition

Then

Earlier this year I found out about Tangled the series, I watched it because of Varian, as most people did. I knew I was like to the fandom and thought the fandom was dead tbh.

UNTILL I found out there is a fandom alive and kicking on TikTok a lot of people make TTS edits and are all mutuals. Of course I join the group and made lots of Moots. Thing is when your moots are editors you get more then just one kind of edit.

Thus I saw a lot of The Owl House edits and…saw Hunter same as when I became obsessed with Varian.

I only started watching the other day and already got through season one. And I liked it a lot more then I thought I would!

Read here for actually review

To put it simply i like it. ANYWAY ONTO REVIEW

Ok first I really like Gus and Willow specifically Gus is my fave character (hunter is tied with him currently)

The first episode was kind a turn off for me. It just doesn’t set up for how the show progresses. Maybe that’s just me but it plays out as if it’s from a totally different show.

I feel like the introduction to each character was also done well. One thing this show is good at is make you question your own judgement

I would meet a character and like them at first and the dislike them when the revel how they actually act.

But not in the typical Disney twist villain way, in a good way. Like you could kinda tell as your get to know them but… you didn’t question it at first till it was to late.

Heh kind like reall life. And they do the same with character i originally didn’t like. What’s his name. The one who presented to be a human expert? Yeah they managed to make me like him after be deliberately saying that I hated him. Props to the writers on that.

I am pretty good at realizing when stuff is going to happen in a show I’m sure most people can relate. You see the gun on the wall and know it’s going to be used later in the episode.But even though I realized this stuff the realization is just as surprising as if they revealed it in the show.

The plot is in my opinion really good. And I don’t cry over shows. But… It did get a few tears out of me when Luz Started to cry when she got home after losing Eda to Lily. What made it wors was king asking where she was. It upsets me a lot

I like amity and Luz’s blossoming relationship but I’m disappointed we didn’t get to see mor of Amity’s side of it.

Hooty has no purpose and we should burn him

Ok I don’t mean that

…

Ok I do mean that but COME ON

I know he has a friendship with Lily in season 2 which honestly made him more bearable but then she left and he want back to being annoying.

Uhhhi add more in I think of more but that’s my review so far. At least on season 1. When I finish season 2 I’ll also talk about that.

#toh gus #toh belos #toh king #toh spoilers #toh season one #toh season two #the owl house #luz nozeda #toh luz #toh willow #review #personal thoughts

[sailorstarr-chan4]

What she says: I’m fine.

What she means: The original 90′s anime of Sailor Moon did Mamoru Chiba’s character dirty. On top of aging him up to college years (in the manga, he meets Usagi when he is only a second-year in HIGH SCHOOL), Anime!Mamoru is, frankly, a jerk. Sure, the anime is longer and they have to drag out the drama, but it shouldn’t be to the detriment of the characters! Several other main characters get the shaft in the anime, but none so egregiously as poor Mamoru Chiba. 

The only times anime!Mamoru is halfway decent is during beautiful season finales and/or major battles where his love for Usagi shines through (such as the creation of the Mood Rod, or saving her life, etc), though those moments exist in the manga as well (obviously). Sometimes, in the anime, we even get a small intimate moments when they’re alone that are quite sweet. But in many day-to-day filler/normal episodes? The man is more often than not embarrassed to be out in public with Usagi (and yes, the anime does her dirty as well, by umping up her “crybaby” personality to comically absurd levels, but I digress), frequently belittling Usagi (especially before getting together, the entire first season was full of this shit, but even AFTERWARDS, he still says awful shit, like callously commenting about her weight when rescuing her from a villain), and only indulging her wants and needs in that clichéd “flustered man who Sucks At Being a Good Boyfriend tries to appease his upset girlfriend” manner, AND dances around the bush about his relationship status towards others (which is both degrading and creepy, considering the added age-gap). 

Not to mention, as Tuxedo Mask, the anime made him PATHETIC. He just shows up, tosses a rose, gives a cheesy one-liner and that’s. literally. IT. Sure, it can make for good comedy, but it’s annoying when nothing changes in 200 episodes. The only “bad thing” anime!Mamoru and manga!Mamoru share is his tendency to be kidnapped and possessed, but that is a subversion of a classic “damsel in distress” trope, and one I actually appreciate a lot, especially in a series geared towards young girls. 

But as himself, by comparison, manga!Mamoru is tender, patient, and kind to Usagi. He gently teases her for being spoiled, and he even is slightly exasperated with her antics in the third arc, but it’s always said with all the love in the world. He loves being lovey-dovey with her, never hesitates to kiss her (unless interrupted), and wishes to be stronger so he can help Usagi fight forces of evil. From almost the very beginning, Mamoru’s role as the reincarnated Prince of Earth is proven, by his ability to sense the Earth’s “pain” and sensing premonitions. 

By the second arc, he LEVELS UP as Tuxedo Mask with “Tuxedo La Smoking Bomber,” an energy blast that is on par with the other Sailor Guardians’ attacks. He holds his own in battle, and is quite literally Usagi’s pillar of support when the final boss of each arc is confronted. His undying love and faith in Usagi gives her strength unlike any other, and even when her heart falters (jealousy towards Chibiusa, conflicted sexual “awakenings” over Haruka and Seiya), ultimately, truly, Mamoru is the only one for her and she is the only one for him. 

Usagi is not “weakened” by Mamoru’s love in the manga compared to the anime, as some have argued, but rather given the courage by Mamoru’s faith in her abilities and power. Mamoru is her literal soulmate, who also earns her love time and time again. Even though they fall in love faster in the manga than the anime, their love is tested but not to soap-opera levels (looking at you, Sailor Moon R breakup!). Manga!Mamoru is the serenity to Usagi’s passionate heart’s needs, and, unlike his anime counterpart, there is never EVER any doubt, both in-universe and the reader’s perspective, that he truly loves her with all his heart and soul. 

#my post #Sailor Moon #Mamoru Chiba #Tuxedo Mask #Usagi and Mamoru #UsaMamo #OTP #fandom commentary #I have SO MANY FEELINGS about this subject #the anime did a lot of good stuff: humanize the villains; add a lot of comedy GOLD; expand on the girls' friendships; etc #but in exchange it did a lot of the characters FUCKING DIRTY #Mamoru got the worst treatment but honestly? Rei? Haruka and Michiru??? even Usagi is stagnated for the lulz #and even though I ADORE the manga even THAT isn't unscathed: Chibiusa's Daddy Issues anyone? >.> #in short: Sailor Moon is not as 'wholesome' as people make it out to be lol #but I still love it to death; and don't get me wrong: I did enjoy the original anime #hell I'm rewatching Sailor Stars in the Viz dub and that means I'll have watched the ENTIRE series TWICE! #but oi every time I reread the manga I'm reminded of the stark differences in characterization and it irritates me #300 notes

[tyrantisterror]

THE A.T.O.M. CREATE A KAIJU CONTEST 3-D!!!

YOU THOUGHT YOU WERE SAFE!  YOU THOUGHT THAT THE TIME OF MONSTERS WAS AT AN END!  BUT YOU WERE WRONG, FOR NOW YOU MUST WITNESS…

THE A.T.O.M. CREATE A KAIJU CONTEST 3-D!!!

That’s right, it’s back!  Celebrating the publication of The Atomic Time of Monsters Volume 2: Tyrantis Roams the Earth! (which in turn completes The Ballad of Tyrantis arc for this series), I’m holding another monster design jam.  The third of such jams, in fact!

Like the first A.T.O.M. Create a Kaiju Contest, the aim of this contest is to create kaiju that would fit within the setting of my big kaiju story series, The Atomic Time of Monsters.  Think of it as me letting you into my sandbox to play with my toys for a bit, or like you’re being put in the director’s chair of a new ATOM-verse kaiju movie.  That means your entry does have to fit into ATOM’s world, which in turn means that yes, there are limitations to your creativity here.  But limitations can be good sometimes - they can make us explore options we wouldn’t consider when given completely free rein to do what we want!

(also you don’t have to make a three dimensional image or anything, the title’s just a pun on how the third movie in a monster movie franchise will often be a 3-D film)

Read below the cut to learn the rules and whatnot:

THE RULES:

1.  You are limited to one entry per person.  Work hard and make your entry count!

2.  Your kaiju must have some sort of description of its physical appearance and its personality - you can submit a drawing or a written description (or both!) for the physical appearance depending on what you’re most comfortable with.  Using the same template/format as my official ATOM Kaiju Files (https://horrorflora.com/monster-menageries/atom-kaiju-files/) isn’t required, but it was cool when people did it in the last contest, so feel free to do so this time too!

3. The kaiju you create must specifically be created for this contest  - no repurposing characters you made for other, wildly different stories.  This is not “trick TT into drawing/canonizing my main OC” time.

4. The kaiju must fit the setting and aesthetics of ATOM.  I’ll explain this in more detail down below.

5. The kaiju should add something meaningful to the world of ATOM. The more unique and interesting your kaiju is, the more likely you will win the contest.

6. Don’t make your kaiju too dependent on pre-existing ATOM characters - no “Tyrantis’s long lost evil brother who’s the strongest kaiju in the world.” These should be to Tyrantis’s story what War of the Gargantuas is to Godzilla’s movies – heroes (well, monsters) of another story in the same world.

THE REWARDS:

I will make pencil sketches of the top 5 entries in the contest.

I will then make fully rendered illustrations (lineart, colors, & shading) of the top three entries.

The winning entry will be made into a model ala the ones I’ve been making for ATOM’s core 50 monsters, which can then be shipped to the person who created it (should they be able to cover the shipping costs).  That’s right, your kaiju could be brought to life in THREE GLORIOUS TECHNICOLOR DIMENSIONS!  (Hey, we worked the gag title in to the prizes!)

THE DEADLINE: All entries must be submitted by July 3rd, 2021.  You can submit it here on tumblr, via the horror flora e-mail, or any other channel you know how to reach me through.  I’m in a lot of places.

THE GUIDELINES (TO HELP YOUR ENTRY FIT THE RULES AND WIN):

The smartest thing you could do if you want to win this contest is familiarize yourself with the world of ATOM by, y’know, reading all the material I’ve published on the subject.  In addition to the many kaiju files that are free to read on horrorflora.com, there are now TWO, count ‘em, TWO novels in this series for you to peruse, both of which establish many of the rules of the setting as well as its general themes and tone!  You can get them in either paperback or e-book formatting (I’d recommend the former over the latter since I lack the technology to make a really nice ebook, but if money is an object, the kindle version is only $1).  Here’s the links again if you missed them:

Vol. 1: Tyrantis Walks Among Us!

Vol. 2: Tyrantis Roams the Earth!

However, since I know reading a bunch of stuff is, y’know, not something everyone is inclined to do, I’ll jot some good bullet points for you in an attempt to outline how ATOM works in a brief, easily digested way:

ATOM is an homage to the monster fiction of the 1950’s and 60’s (i.e. the Atomic Age), and is set in those two decades, albeit an alternate universe version of them where, y’know, monsters and space aliens exist.  If you aren’t familiar with the monster fiction I’m referring to, there will be some reference material provided at the end of this post along with some recommendations for further research.

Kaiju/giant monsters in ATOM work under very specific rules.  There’s a full description of those rules at this link, but here’s the jist:

ATOM Kaiju are created created by the radiation of a mineral called Yamaneon, which naturally converts harmful radiation into its own unique energy.  In natural circumstances, it takes hundreds of years of exposure to Yamaneon radiation for a creature to become fully transform into a kaiju (luckily, Yamaneon radiation slows the aging process while speeding up the healing process).  However, an explosive burst of energy - such as the geothermal and kinetic energy released by an earthquake, or the blast of a nuclear weapon - can speed up the process, turning a normal animal into a kaiju within a matter of seconds.  

All ATOM kaiju can heal grievous wounds within minutes or even seconds, are supernaturally strong and durable, and can convert harmful radiation to harmless energy that they then feed off of.  Kaiju do not have an equivalent of old age, and can theoretically live forever (though their violent lifestyle means that few do).

ATOM Kaiju generally don’t need to eat unless they are severely injured, getting most of the energy they need from solar or geothermal radiation - but many still have instincts that drive them to seek out food from time to time.

Most ATOM kaiju stand roughly 100 feet tall (depending on their body shape), i.e. smaller than the original 1954 Godzilla.  There are exceptions to this rule - younger kaiju can be smaller, while exceedingly old kaiju can be significantly larger, but these are rare.

In general, ATOM kaiju are significantly more intelligent and emotionally complex than people expect animals to be, though most are incapable of speech or complex tool use.  There’s a reason ATOM Kaiju Files have a “personality” section.

Most ATOM Kaiju are tooth and claw fighters - ranged weapons are a rarity in this setting.

While the terrestrial monsters in ATOM look strange, they are intended to fit within the taxonomy of animals in reality - reptiles, mammals, fish, arthropods, molluscs, etc.

ATOM’s mesozoic era was dominated by a fictional clade of crocodile-relatives called retrosaurs, which are based on the outdated paleoart that one would find in the 1950’s/60’s fiction - i.e. when dinosaurs were viewed as trail dragging lizards instead of strange birds.  You can learn more about retrosaurs here (https://horrorflora.com/2016/11/15/atom-kaiju-file-bonus-a-guide-to-retrosaurs/).

Kaiju appear on every continent in ATOM, but certain areas tend to be dominated by different types.

North America is mainly besieged by retrosaur kaiju and giant arthropods.

East Asia is technically also mainly plagued by retrosaurs and big arthropods, though they tend to look more fantastical and mythic - and, often, oddly well suited to being portrayed by a person wearing a monster suit.

Russia is beset by prehistoric monsters that seem to come from the Cenozoic, particularly the Ice Age.

Western Europe is plagued by creatures that vaguely resemble creatures from myth, if they were also prehistoric.  Dragon-y lizards, fiery birds, etc.

Towards the mid-way point of ATOM’s timeline, earth is invaded by a coalition of aliens from different solar systems called the Beyonder Alliance, and as a result a bunch of alien monsters can be found on earth.

Mars and Venus both host (or hosted in Mars’s case) animal life.  The surviving Martians colonized Venus, and sent some of their kaiju guardians to earth to help us fend off the Beyonders (who are responsible for the destruction of Mars’s ecosystem).  Martian and Venusian kaiju have specific anatomical quirks, which you can see by looking at these kaiju files:

Venusians:

https://horrorflora.com/2017/01/03/atom-kaiju-file-29-karamtor/

Martians:

https://horrorflora.com/2017/01/17/atom-kaiju-file-39-kemlasulla/

https://horrorflora.com/2017/01/17/atom-kaiju-file-40-podritak/

https://horrorflora.com/2017/01/17/atom-kaiju-file-41-sombarvot/

https://horrorflora.com/2017/01/17/atom-kaiju-file-38-ullawdra/

Giant robots exist in ATOM, but are big, bulky, and incredibly expensive.  Fancy beam weapons also exist, but are similarly clunky - there are no sleek, elegant machines in ATOM.

Since the fiction ATOM takes inspiration from was made at a time when interplanetary travel was only just beginning to be possible, its scope is significantly smaller than modern sci-fi.  Alternate universes/dimensions were pretty uncommon because the idea of alien planets still held a lot of wonder to it.  So, as a general rule, don’t try to go farther than the one galaxy.

ATOM is a setting for stories that are focused on humanity learning to coexist with monsters, rather than humanity destroying them.  A certain level of sympathy is put into almost every creature of its canon, even the ones that are meant to be villains.

REFERENCE MATERIAL

Here is a playlist of 1950′s monster movie trailers.  

Here is some reference material from various monster comics of the 50′s and 60′s. 

Good movies to track down to understand ATOM’s inspiration and tone include Ghidorah the 3 Headed Monster, Son of Godzilla, Destroy All Monsters, Them!, The Black Scorpion, 20 Million Miles to Earth, Gamera, The Giant Claw, and The Lost Skeleton of Cadavra.

And here’s the intro cutscenes for all the different giant monsters in the PS2 videogame War of the Monsters.

#The Atomic Time of Monsters #The ATOM Create a Kaiju Contest 3D

[lafox]

RE:ID Rant! /SPOILERS/

I just finished watching Resident Evil: Infinite Darkness and made some scene pack which you can find here. 

I’m not the biggest fan of putting my opinion out there on the internet but I'll try to write my opinion while still be careful.

NO HATE TO ANY CHARACTER LISTED BELLOW THANK YOU!

Anyhow, I need to talk about it! 

First of all, amazing character design and rendering. All the characters looks amazing and I adore the little details, for example, Leon's little head twitch or look at the president’s facial details. I think we all agree that they aced in that department. (will talk more about that subject after character analysis)

Now, the plot... the plot.

Look in all honesty it was a nice plot but i felt it went a bit too fast, not enough build up and stuff. I don't have much to say on it, only a few default on the characters and why and how things happen but I'll talk about that through character analysis. 

Okay, about our main character Leon.

He was badass, I'm so surprised he knew what to do in the submarine, honestly that was a good scene I was really anxious for him. He did care for the people around him but I didn’t get that sweet side of him like he had in RE2 or in DAM, I'm saying this because even if he saw Shen May’s brother, he didn’t have the empathy of his last wishes, like Shen May basically said: “He doesn’t want this to happen again and that why this *the chip* can help us.” And what annoys me the most and that both the ‘villain's’ didn’t deserve to die so the least he could do is to not make it *the virus* happen again. 

I am revolted at Leon for not giving the chip to Claire, not even telling the president about this shit! LIKE BRO. Also denying Claire, thinking he knows best?! Excuse me but Claire literally interviews people, she knows the Press! Anyhow, Annoyed...

Now let’s talk about Claire. 

My girl Claire! They made her a side character that didn’t have much to add only confirmation to our suspicions which is good yes, but it isn’t Claire’s job, she deserve a much bigger role in the RE universe! I get it, she was also a ‘side’ character in RE2 and Leon is the star but still tho! She did give #girlboss energy which I am LIVING for! She was stunning! her character design and CGI was beautiful and I've seen a lot of people saying that she is ‘ugly as shit’ as i quote. I’m sorry but she looks realistic and you are going to cry about it? She is around her mid-tweenies, maybe around 27 and you gonna tell me that her being realistic is ‘ugly as shit’?! Yeah nah sorry pal, go and like Shen May (no hate to her, she is gorgeous) then and not our OG Girl Claire! 

Claire deserved a bigger role and she is smart, like she is fucking smart! She almost decoded everything before the agents came and kidnap her, one of many reasons she should’ve had a bigger role! (Also please, your hand in marriage Claire ilysm)

Next on the list is Jason.

Okay, I'm sorry but i am in love with him.

I’m sorry okay! He fits the dilf characteristics and I cant-

Anyhow back to analysis. 

I feel horrible, he didn’t deserve to die, the man had serious mental illness and PTSD involved, they showed that but they killed him off. Why? Because he wanted to stop the virus from ever happening by his own ways? Even if it is a violent way, there is still, there was a logical and reasonable. Honestly i think and/or probably, a lot of people might relate to him and Shen Mei, because he has PTSD and mental health issues and Shen Mei lost someone close to her and they are both trying to make the world better, in their own way and for Capcom to kill them both is such a shame.. 

Jason is such a badass tho like.. damn~  He was really well written as a side character, like, I enjoyed when he was on screen (Maybe because i like him but whatever) 

Last but not least, Shen Mei!

I’m gonna be real and probs a lot of people are not going to like this but she was the least prominent character for me, like, yes she stands out a bit but for at least 2 episode she is.. just there and having little dialogue. But i did enjoy her twist, i felt like all that nothing from her was worth in someway. She is definitely #girlboss *chef kiss* and i can relate to her on a deeper level. I enjoyed that she silent for 2 episode because i can relate that she doesn’t talk, that she only listen and observes. I enjoy how she will do anything to help the people she love and that think that's what make Shen Mei a great character! Overall i did enjoy her character and i think her side role is very well placed with her personality.

CGI and Rendering Rant

I need to talk about the amount of details in the male characters but lack of it for female characters... You can see how, The President, Jason or Leon have detail, you can see their pores on their skin, you can see their history and age through those CGI detail on their skin and others but.. Claire or Shen May, their skin is  perfect. They do have a few details under her eyes but no pores, no small wrinkles, nothing. I think that's a shame. Shen Mei looks absolutely perfect, you cannot tell me that there is any default on her. I think that is marketing.. what I mean is that Shen Mei is an attraction for people to watch REID. She is absolutely stunning and has no default. 

I was talking with a friend of mine that studies human biology and we were talking about those details, we went on the subject of the women representation and rendering and we both suspect makeup is involve. What i am saying is that Capcom doesn’t show those pores because : Makeup. 

It can be a valid point. Exhibit A is Shen Mei eyelashes and slight makeup, she is meeting the President after all. So of course she would whip out some makeup. (I know i would.) Shen Mei eye Lashes are way longer longer than Claire’s which would go back to out theory of make up.

Photo comparation: 

Claire in her hotel room.

VS

Shen Mei in the submarine. You might think that it’s not convincing enough but keep in mind that Shen Mei is looking up as her head is downwards!

Coming back to skin. In the last two picture, yes, you can see pours and details of the face of Shen Mei but i want to talk about normal viewing of the two character VS male character same view point.

Photo comparation: 

The girls, looking perfect (ily both sm) 

VS

Leon at the (almost) same camera leveling and depth and you see way more characteristic then other female character even when Leon and Claire are around the same age. But they did nail it when the camera was close on both women. 

Adding a note that Claire does show a it of characteristics, more than Shen Mei and the we get people calling her ‘Ugly as shit’ for having a realistic face.

Maybe Shen Mei is younger, Probably and surely but I'm 18, i have facial characteristics. the only thing that is realistic is her beauty spot which is a really nice touch I love it. 

Anyhow i think I'm done talking about it. 

I enjoyed watching the show and i was excited for it! i hope everyone enjoyed it! Also I love all the character, I'm not bullying them or critic them for their physic or anything else! I’m just ranting about things that was ‘negative’ only because i enjoyed so many aspect of it that the post would be longer aahh. 

A few positives I will list are:

Camera angles (immerced) 

Character movement (No awkward movement or glitch) 

Motion blur (None sickening blur, right place Motion blur)

Lighting (Accurate lighting, not forgetting lighting through hair, ear etc)

Animation (Overall fucking amazing like holy shit)

Tension (Performed very well through animation and plot) 

Emotion and facial expression ( I could write a whole essay on that, that’s how well they did it)

I think that's it :) 

I hope you enjoyed me rambling on about this, i will write soon I've just had a holiday! scheduled writing around the end of next week!

-Chlo

#resident evil #resident evil infinite darkness #re #leon s kennedy #claire redfield #jason #shen mei

[nexyra]

James Ironwood, for character ask? 👀

Aaaa thank you so much for the ask ♡ More rambling incoming !! Sorry for the wait btw, I've been both pretty busy and tired ;;

If you hate James Ironwood and don't wanna hear one good thing about him tap out now please ღ

My fav ship(s) for the character

I am not a super big shipper when it comes to James, but there are still some I like more than others soo here goes :

I think Ironwitch is a pretty good one. It's not necessarily a ship I'd search content for but I think these two would work well together ! Glynda is stern and honest and a no-nonsense kind of woman. She has the strenght to stand up to James when he slips or gets too stubborn when faced with the high stakes. At the same time, we've been shown that she cares for him and she knows he's only trying to do what's best for people. She has faith in him but also the ability to stand at his side as an equal. She seems to be the more steadfast of Ozpin's circle : loyal, you know you can trust her, and she will not crumble. This is the kind of personnality that I think James both admire and feel safe with. And the other way around, I think James is a good match for Glynda too. On a day to day basis, he's serious enough to not annoy here, but he's also a softie in some aspects and that's a nice combination to smooth out Glynda's edges.

Ironqrow is a completely different dynamic. The "we're annoying each other" dynamic is not one I'm particularly interested in usually xD But these two certainly had strong & interesting moments so it's a pretty valid ship !! Despite how they might butt heads because of the difference in their upbringing they (prior to V8) clearly trusted each other with their life. Even if Qrow jokes about shooting himself if he had to be one of James' man, when everything goes to shit there is no doubt in his mind that James wasn't responsible. Similarly, while James talks of shooting Qrow for his misbehaviour, when push comes to shove and we meet a tired Ironwood, run ragged by the pressure he's under... the only thing he does is hug him and reiterates how glad he is to see him. So again, they clearly have a lot of faith and trust in the other, and that's solid ground for a relationship.

My least favorite ship(s) for the character

Same spiel as always, shipping kids and adults is a big no from me; so any ships between Ironwood and RWBYJNOR can qualify here. That said, among the less uncomfortable ones, here are those I don't really like

This one is again because I love their relationship but platonically only, I'm talking of Winter Soldier. The reading I like best is not that Ironwood is Winter's Jacques 2.0, nor that he groomed her; but that he was an important father figure in her life. Protective and caring, who tried to help her escape with what he knew. I don't see James recruiting Winter as a way to gain a strong ally. But rather that Winter wanted to detach herself from her family name, and make something worthwhile of herself all on her own. And that the military is what Ironwood knows and understand, so naturally it's a career he'd see as a good path. Just like Winter then proposed it to Weiss. I like to think they care about each other a LOT and they're their own tight family in between the lines, even if professionalism might throw a wrench into it. For short I love them together but not romantically please =)

I don't know if there's a ship name for this, but Salem x James Ironwood would be a big nope from me too... In general, let's just assume I ship Salem with nobody because abuse.

My fav & least fav platonic relationship(s) for the character

Fav platonic relationship would be (have been because we dont talk about V8?) with Winter. Fooor the reasons I've explained above I suppose x) I (again) love the trust they had in one another and the quiet support.

There was also his relationship with Oscar that I really liked during V7, although it has been soured a bit by the (valid) reading from some people that Ironwood sought out Ozpin a lot through Oscar, and given his identity issues it is not ground for a greatly healthy relationship. Their interactions were still very intersting though ♡ I consider Oscar to be the kid who went at trying to appease James' fear or make him reconsider his decisions the best way. There was true understanding and hope for a working relationship here. I do feel that Oscar put in more work than James however (emotionally) and I wish there had been pay-back instead of a gunshot.

For my least fav relationship ? Probably Robyn or Watts ? Robyn was always very antagonistic toward Ironwood since their priorities are so different. And I overall just don't really like her after V7 so there are very few relationships with her I'm interested in (the exception is her ship with Fiona I think it's cute). Meanwhile, Watts is just a petty asshole hell bent on ruining Ironwood because he didn't pick his project. I'm not very interested in hate relationships, and since theirs wasn't deeply explored anyway, it's even more the case here. Their fight was great though, one of my favorite RWBY fights !

My favorite thing about the character

Well this was completely proven wrong by V8 buuut as of V7 I liked that he was a deconstruction of the military general (dictator) trope. Sooo you can guess how i feel about V8 X) In general among RWBY, several of my fav are fav BECAUSE they look like one trope but also have key differences that from the get go make the character stray away from said trope. For example I'm not a fan of the princess tsundere archetype at all, but I loooved Weiss in V1 BECAUSE she was extra-willing to listen and change her mind, and you could very easily tell that it was her upbringing speaking more than herself in most occasions.

Similarly, I wasn't a big fan of Ironwood before V7. I didn't hate him you know and he wasn't lower than most characters in my Tier list but I also didn't particularly care. But you know what ? I've aaaalways had a really soft spot for the "angsty angry traumatized teen". And RWBY made the mistake of extending that soft spot to "tired adults trying their best" (only to repeatedly beat them up/make them villains after making me care about them but what can you do uh)

Soo in general, I loved that Ironwood was trying so hard. I loved that he was tired and in over his head but learning and listening and trying to do good and be better despite his fears. I liked that he told his entourage about Salem and was loyal. I liked that he cared about helping the people above his own image and the way people perceived him. I liked that you could tell this was a terrible situation all around, and his decisions WERE questionnable but we could SEE that he meant WELL and was genuinely trying so hard despite how scared and tired he was.

My biggest criticism for the character

Well this won't be a surprise but in general I just wished he had stayed a morally grey character we were allowed to feel for instead of a cartoon black villain. I didn't need James to be THE Hero or anything like this despite some accusations levelled at those who like him. Him becoming one of RWBY's antagonist is honestly fine by me ! It is interesting. But I'd have preferred they kept him ambiguous and trying in his own way. (And smart because V8 Ironwood was dumb af)

I can be a tad overprotective of his character since he's just... so despised, so I think that I have inadvertently distanced myself from any of his flaws... somehow like "people are already yelling all of them so I don't need to add to this shit show" you know ? skjfkd But I KNOW he has them and it would still have been good to develop his flaws, just... not like that

But yea I'd have liked it if V8 Ironwood DID diverge from RWBYJNORQ and became an antagonist but not an iredeemable villain. LIKE,, we redeemed Hazel and Emerald and IRONWOOD is where the writers draw the line by saying "nope this one is rotten" ?? What ?

When was their writing at the peak according to me (ex : best season)

V7 definitely ! Ironwood carried V7 so hard haha. His character was fleshed out and given nuance and made to struggle and evolve and I loved him in that volume.

A song I think fits them & why

Hunger • Monsters & Men Human • Rag'n'Bone Man Way down we go • Kaleo Beekeeper • Keaton Henson Thistle and weeds • Mumford and Sons Castle of Glass • Linkin Park It's all so incredibly loud • Glass Animals

A headcanon to make up about them

His metal parts impact his metabolism so Ironwood is terrible at holding his alcohool and very little manages to knock him out. He's a workaholic. His low tolerence for alcohool is a great tool whn friends need to put him to sleep.

His joints crack and hurt in the cold, his metal parts as well and they are an hassle in the sand. James like to keep his room temperature warmer than the average atlasian because of this, otherwise he has to spend 30 min every morning simply unwiding muscles to move around efficiently.

He's not a good singer but has a nice low voice for telling stories. If he had kids, he'd probably avoid lullabies but compensate with bedtimes stories.

What I would change about them if I was making a re-write

As always, I'm kind of reflecting along the way as I write this, and one thing I'm thinking right now is... Doesn't it take away from the atlas arc message ITSELF to just pile up so many "standard bad guy" stuff on Ironwood ? Like, I wanna ask... why do we hate him ? Is he an antagonist because he lets fear get the best of him ? Because he's a classist who doesn't care about Mantle like some fans argue ? Because he's too stubborn and wants to be THE hero ? Because he doesn't listen to others ? Because he abandonned Mantle ? Because he kills peopke left and right ? Because he wanted to bomb a city ? I think you might see where I'm going with this : his status as villain is kind of messy. V8 just kept piling-up flaws and villainous actions onto Ironwood with no concern for whether this was a lenght he would go to (using the certainty that he would go to any lenghts to enact his plans), ,or whether these were one of the initial flaws/failings that led to his "fall" as an antagonist. What lesson is Ironwood supposed to learn ? Personally the very first time I yelled at my screen "No ! Why would the writers choose that ?" is when Ironwood shot Oscar. When answering criticism against medias, many people tend to look at it only through the lense of "well it makes sense in universe" or as if there were no other ways for the story to devolve. But at the end of the way, everything in a story is a choice from the writer even if it is influenced by the characters' personnalities. If I took the scene where Ironwood shoots Oscar, someone might tell me "he's crippled by his PTSD, he COULD do this." Maybe, that's a reading I can somewhat understand at least. But the writers have the power to NOT put his character in such a position. When I saw the wreck that was V7 finale, I ranted to my bestfriend about it and at no point did i say "why did Ironwood do that", I said "why did the writers make him shoot Oscar, the only point narratively would be to make irredeemable" Aaaand that's what they went for and I obviously didn't care for it. So if I had to rewrite it; I would have kept Ironwood's "mistakes" more focused. If he's wrong because he wants to abandon Mantle, because he's (understandably) scared and doesn't want to take risks; then stay focused on that. It's what makes RWBY leave, and out of all his V8 actions that's really the only thing RWBY needed to tell the whole world he wasn't an ally anymore apparently. - Don't make him shoot Oscar point blank, instead Oscar can simply fall because he flinches away from Ironwood's outburst; and a distraught/guilty Ironwood can decide that he doesn't have the time or capacity to help because of the tense situation. (Killing and not saving someone don't hold the same moral weight at all). - Don't make him kill people left and right or bomb cities, maintain the flaw of Ironwood struggling with his PTSD and his fear and not being able to take risks. - Don't paint him as a black villain, and eventually write V8 in such a way that RWBYJNORQ show taking risks might lead to a bigger victory, which was the volume's theme anyway. For example, following Oscar's destruction of the whale, a growth can occur that would bring back together the two anti-Salem factions : Oscar's risk put Atlas out of harm's way, which leads to Ironwood seeing that maybe there WAS a way to save Mantle as well as Atlas despite Salem's presence and he might have jumped the gun too quickly because of his fears. I'm not sure, I haven't thought about this extensively honestly but I hope you see what I mean. I think it would have been more focused & more in-character to focus Ironwood's failings on his fear; and the fact that he cares for the people and the greater good sometimes at the cost of the individuals. The idea that by sacrificing individuals too much you forget the people you're fighting for in the first place, could have been interesting to dig deeper into. Keep to the idea that Ironwood is somewhat disensitized to the individuals suffering for the sake of the greater good, instead of making him just

callous & uncaring.

My guess for their MBTI/Enneagram

I think pre-V8 Ironwood was an unconventionnal ENFJ. Aka, the type of character no one would type ENFJ because they go by stereotypes and Fe stereotypes are just enneagram 2 everywhere (aka nice, kind, helpful) whereas Ironwood has an enneagram tritype very common among xxTJs so that's what he looks/behaves like, but the way he thinks (what's best for the people, ethical values derived from an Atlasian upbringing) align more with Fe cognitively I think I'm going with ENFJ 6w5 1w2 3w4

Starting from V8 though, Ironwood veered clearly into ENTJ territory (types aren't supposed to change but I wouldn't say RWBY is the most consistent media when it comes to characters' personnalities)

One aspect that I think would be nice to delve deeper into ?

I understand why they didn't care to, but it'd have been interesting to get a few backstory hints for Ironwood. How did he lose half his body ? How did Oz recruit him ? Or some pieces about his upbringing ?

#rwby #james ironwood #james ironwood canoncrit #rwby thoughts #rwby rewrite #rwde #ask me stuff #enneagram #mbti #v7 spoilers #v8 spoilers #pro james ironwood

[sebastianshaw]

Speaking of Cruella I hated the movie since the first commercial and how it got everything "wrong"( my interpretation of the character). I would also like to add that I swear they only made it the way they did because they were inspired by the success of Birds of Prey and Harley Quinn.

Oh, I would absolutely agree with that. I haven't actually watched any of the Disney remakes, so what I'm about to say is based PURELY on what I've heard from reviewers, but it seems like they've have been trying to be more "feminist", but are like, really bad at it because they have no actual understanding of what feminism even really is. Basically, you know how a lot of MRA dudebros think that feminist media means "the heroine has to be flawless and always right and win at everything without a challenge and be a complete jerk but the narrative is on her side #girlboss"? That's what Disney seems to think too, just, they treat it as a good thing. So you get stuff like, say, the new Mulan movie which again I HAVE NOT SEEN but every review I've seen of it points out the same problem: Mulan has no journey because she's perfect from the beginning. In the original animated version, Mulan REALLY STRUGGLES to be accepted by the other soldiers and with the training itself. She's consistently fucking up and getting everyone mad at her. Shang even tells her to "pack up, go home, you're through" long before her discovery as a woman, because she's underperforming SO BADLY. But she pushes herself and perseveres and overcomes, earning his approval and the friendship of her teammates. . . .and the love of the audience. When audiences watch a character realistically struggle and fight to achieve their goal, we root for them, and we feel triumph when they triumph. We want it for them because it feels EARNED, and we're happy when they get it. With the new Mulan, there's none of that. As a child, she can already do a million awesome things because she just has really strong chi that makes her a badass without trying, so she has no issues with training when she goes to the army, and doesn't have to fight to achieve her skills or the acceptance of others. All her fuckups and flaws get eliminated; they even give her a sister so that's her SISTER who messes up at the matchmaker's, and Mulan who saves the day but gets BLAMED for it anyway, and besides that there's no point to the sister, she just EXISTS to exonerate Mulan from fault. And that's not likeable or exciting to audiences, nor is it good storytelling. I do believe flawless/paragon heroes can be done well, I think almost everything can be done well with enough skill, but this is just lazy, and what's more, it's actually sexist. Women are PEOPLE. We should get to be portrayed as just as flawed, goofy, wrongheaded, or unskilled as the male protagonists get to be. We should get journeys and arcs just like men get. Making all heroines into flawless paragons who are never wrong and can do everything isn't feminism, it's just another way to pigeonhole women into a single mold (and hold us to an impossible standard) while men get to have a diverse array of personalities like actual HUMAN BEINGS. And I think there's this thing going where now female villains---as with Maleficient and now Cruella---can't simply be evil like male villains get to be, they all now need a tragic explanation because gosh a WOMAN could never be BAD for SELFISH reasons no it must be because TRAUMA! And that's. . . literally what the Victorians thought. I'm serious. A big trope in Victorian literature was that if a woman was evil, it had to be because of a man in some way. And as with Imperial China, the Victorian era absolutely was a horrible time to be female, but this trope wasn't about criticizing sexism so much as it came from the idea at the time that women were just inherently morally superior to men and thus if they were bad, it could only be because a man was somehow to blame. Which sounds like a compliment, but it's not, because it denies us our humanity. Female characters have to be as free to be as selfish and evil as male ones, just as they have to be free to be as pure and heroic as the male heroes. That's humanity. That's feminism. That's equality. That's realistic. Yes, many evil ladies---and evil dudes!---can be Harley Quinns, but not ALL. Some are just assholes. And you know what? That's

ok!

#out of shirt #meta #tbh this is like half my problem with the retcon that Shaw made Emma into a villain #and with Duggan's writing

[kolbisneat]

MONTHLY MEDIA: March 2021

Hey March was a weird month what with all the pandemic anniversaries and such but here we are. It’s March. Goodbye March.

……….FILM……….

Attack the Block (2011) After about 20 minutes my partner asked if this was basically a British episode of Goosebumps and....she’s not wrong? I liked it back when it came out but it’s aged really well. Tight script and casual class politics along with the very good space stuff.

Who Framed Roger Rabbit (1988) It turns out I’d remembered so little of this movie that it was essentially a fresh viewing. The artistry and ambition still holds up today plus a noir set in L.A. is always good time. But then you add cartoon hijinks and it’s all just that much better.

The New York Times Presents: Framing Britney Spears  (2021) So we watched the ep on Britney Spears and...it didn’t really seem to cover all that much. It kept feeling like it was about to start and then after an hour and a half of that it just sorta wraps with a small legal victory. I know this isn’t fiction so I’m not expecting a happy ending, but I don’t know what it wanted to say.

CBS presents Oprah with Meghan and Harry  (2021) I mean I don’t think anything said or shared was surprising anyone. Though I appreciate Oprah not letting either of them sidestep a question. Either answer or say you won’t; none of this fancy poetry.

……….TELEVISION……….

Great British Bake Off (Episode 9.01 to 9.04) This is our first season without Mary Berry, Sue, and Mel and it’s a real shift! But despite all the new faces, it still feels very much like the good-natured GBBO I’ve come to love. Great stuff.

City of Ghosts (Episode 1.01 to 1.06) I hope all that I’m seeing about this means that Netflix will greenlight another season and more television like this. The artistry is fantastic, the concept allows for both whimsy and poignancy, and it’s casually funny in a way that I can’t fully describe. Great stuff.

WandaVision (Episode 1.09) So this didn’t quite stick the landing for me. I figured there’d be some blasts and magic and zooming around in the sky, but I also assumed we’d get some resolution (maybe even consequences) for what Wanda did to the town. Sure, she’s not the villain and it wasn’t intentional, but the show appeared to be built around this theme of denial and acceptance yet abandoned that in the end. But I will give it this: it really has sold me on the relationship between Wanda and Vision.

The Night Manager (Episode 1.05 to 1.06) You know I think I’ve been so primed by Bond films and action set pieces that, while I won’t spoil the ending, I was pleasantly surprised by how it wrapped up. It was a nice change of pace. 

The Bachelor (Episode 25.09 to 25.12) What a season. It was a mess, sure, but I also think it was the uncomfortable mix of stagnation and progress. The show needs to evolve and I feel like the finale and aftershow really highlighted that the change has to happen. Maybe it’s starting to happen already or in future seasons it’ll change whether production likes it or not.

……….READING……….

Gideon the Ninth by Tamsyn Muir (Complete) Really fantastic read and such an effortless blend of science fiction and...necromantic fantasy! Dark and gross and light and funny all at the same time. 100% recommend and am very excited for the next entry despite this feeling whole and complete on its own.

The Wonderful Wizard of Oz by L. Frank Baum (Complete) I want to work my way through the series (or at least the original 14 written by Baum) so we gotta start at the beginning! There’s such a light air about the book that everyone kinda just rolls with everything. Sentient objects and talking animals and lots of murder are just met with a “Great! on to the next adventure!” and I love it.

The Marvelous Land of Oz by L. Frank Baum (Complete) It’s really great that the second book has a lot of the same core components (human child meets a bunch of wacky sidekicks while on a very small adventure) yet casually expands the mythos and world. It even builds on the plot established by the first book (the main conflict revolving around Scarecrow being overthrown as leader of Oz ever since the Wizard disappeared). Great stuff.

Ozma of Oz by L. Frank Baum (Complete) Bringing back Dorothy and it’s really a merging of characters from book 1 and 2. If anything, this series is shaping up to be about making friends and the genial conflict resolution is really heartwarming. Now i’m keen to watch Return to Oz.

Dorothy and the Wizard in Oz by L. Frank Baum (Complete) This might just be me but I find a mostly human cast (outside of Jim the Cab Horse) to be far less interesting than the diverse adventuring parties of the first three books. Lots of fun stuff in here and playing fast and loose with the world-building works well; highlight the fun parts of a land made of wood and then continue on to the next location! Great stuff.

Delicious in Dungeon Vol. 9 by Ryoko Kui (Complete) It feels like everything is starting to come together and wrap up and I’m totally here for a story that knows what it wants to do. And while there doesn’t seem to be as much room cooking with the overarching plot that is driving the story, it never feels like it’s moved away from the heart of the characters and for that I can’t recommend it enough. Excellent world-building, excellent cast, and really great humor.

Teenage Mutant Ninja Turtles: The IDW Collection Volume 9 by Kevin Eastman, Tom Waltz, Mateus Santolouco, Dave Wachter, Pablo Tunica, Sophie Campbell, and many more! (Complete) The human/secret agent stuff will always be boring to me (even if they’re hunting the turtles) cause that’s not what I want in a comic. I don’t want Batman hunting burglars, I want bright colourful villains for our bright and colorful heroes. Luckily we get into a pocket dimension for a toad god and his relatives during the second half of the volume. Overall, still my favourite ooze series.

……….AUDIO……….

Musicalsplaining (Podcast) Great host dynamics and hot dang I love a good musical.

……….GAMING……….

Neverland: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) The group has taken a break from the infected giant colony to sort out some Pirate drama! Further session breakdowns are over here on Reddit!

Dungeons & Designers (Podcast) I had the rare chance to play in a D&D campaign instead of run it and it’s even up online! They also air the sessions through their podcast!

And that’s it! As always, let me know anything you think I should check out and thanks for reading.

Happy Wednesday.

#Monthly Media #Kolbisneat #Andrew Kolb

[liquidstar]

I'd love to hear some of your recommendations! And I'm good without any content warnings, but since you're posting this for all your followers to see probably best to add them

Alright sure! I’ll be general then and since you’re just starting out this will sort of be bringing up a lot of really popular ones, the really good ones where the general consensus is “you gotta see this!”, but I’ll also try to give ones from different genres so you have a variety of things to pick from, so this isn’t really a list of personal favorites but I’ll throw in a couple of those too lol, but generally think of this as a handy beginners guide with just a little personal bias.

I wrote a lot so I'm gonna put them under the cut here.

Fullmetal Alchemist

Fullmetal Alchemist is a franchise that’s considered a must-watch, it takes place in a world where alchemy is a borderline magical power, but is considered scientific in-universe and follows scientific laws, namely the law of equivalent exchange. Something can’t be made from nothing, to gain something of equal value must be lost. The story follows the story of two brothers, Edward and Alphonse Elric, who at the ages of 10 and 11 committed alchemy’s one and only unforgivable sin, human transmutation, in an attempt to bring their mother back to life. As a result, one brother lost his arm and leg and the other lost his entire body, leaving his soul bound to a suit of armor. However the brothers are resolute to regain their original bodies, and the older brother, Edward, joins the State Alchemists, a branch of the military, to try to gain access to research materials to help them achieve their goal. But was that really such a good idea?

Fullmetal Alchemist can be a bit confusing to get into due to the fact that there are two series: Fullmetal Alchemist (2003) and Fullmetal Alchemist: Brotherhood (2009). The latter is a reboot with a different story that follows the original manga. They both have the same beginning, but diverge paths and tell very different stories. My recommendation for how to watch this show is: Watch 2003 first, and Brotherhood second. Everyone has a different opinion about which is better, but everyone agrees that 2003 has better backstory but a contrived ending, and Brotherhood has a rushed beginning (Because it works off the assumption that you’ve seen 2003) with a great and fulfilling ending. If you can’t do both I say just watch Brotherhood because it will leave you more satisfied and you don’t have to watch 03 to get into it.

For both series the biggest trigger warnings are: Parental death, child death, pet death, war, genocide, dismemberment, religious themes, and miscarriage. For brotherhood specifically: on-screen suicide, and for 2003 specifically: rape (not on-screen) and pregnancy from it. The 2003 series is also a lot darker than Brotherhood which has a more optimistic tone, so that’s worth noting too.

Soul Eater

A show I think is incredibly fun, and a good one for an October watch if you wanna save it. It takes place in a world where certain people have the ability to transform into weapons, and they team up with other people who become their meisters. The characters often travel around, but the main setting is Death City, a fictional city in Nevada based off of Las Vegas but with a huge Halloweentown vibe, and a school right at the top of it called the Death Weapon Meister Academy (DWMA) where a bunch of kids that turn into weapons learn how to hunt down witches and kishins (Beings that consume human souls). The school, of course, is run by the grim reaper, Lord Death himself.

Our main characters for the series are a group of 7 students. Our protagonist Maka Albarn and her weapon partner Soul “Eater” Evans, a scythe. A loud mouth assassin named Black✰Star and his weapon partner Tsubaki, who has many weapon forms. And the son of the grim reaper, Death The Kid, and his two weapon partners Liz and Patty Thompson, who are twin pistols. There are also a bunch of really lively colorful background characters and antagonists, and the cast of the show being as insane as it is really makes it, on top of the great atmosphere and of course the plot, which just builds more and more as the series progresses. Also Crona is there and we all love Crona.

Trigger warnings for this show include: Child abuse (Mental and physical), manipulation, snakes and spiders (The motifs of two major villains), some very surreal moments that can verge on unreality. Also, in the dub and most subs: misgendering of a canonically trans character. Crona is a character who is non-binary, but the dub and subs use gendered pronouns for them due to general ignorance about neutral pronouns in 2008, though this isn’t the fault of the original series and falls on the translators hands.

Also it’s important to note: that the first 3 episodes are prologues and they take themselves less seriously, there’s more fanservice in them than there is in the rest of the series (Except for Blair she stays the fanservice character :pensive:)

Zombieland Saga

Idol anime is really prevalent as a genre, the most popular being Love Live, but my personal favorite is Zombieland Saga. It’s an idol anime, but it’s also a comedy about zombie girls who become idols. It sounds ridiculous but there’s an insane amount of heart in it regardless, it wasn’t a show I expected to get emotional at but I did! It also made me laugh a lot too. The series itself can serve as a bit of a subversion on what idols are, not just because they’re literally zombies, but because of who the characters are.

Sakura Minamoto is a character who starts off as a more typical idol, a peppy pure girl, as the series continues her struggle with depression gets highlighted. Saki Nikaido serves as her initial foil, a delinquent girl with a criminal record who subvers the idea of pure perfect idols. Ai Mizuno, a former idol who has since undergone severe trauma (The way she died). Junko Konno who has ideals that seem very different on what idols “should” be due to the time period she died. Lily Hoshikawa, an explicitly transgender idol. Yugiri nolastname, a former high ranking courtesan, subvering the pure image of an idol by being a sex worker. And Tae Yamada, a completely nonverbal idol who’s still treated with the same amount of importance as the rest of the team. The premise here really is just that these girls don’t fit the incredibly rigid mold of what idols should be and yet they still all deserve love and they gain a fanbase by being their earnest selves.

Trigger warnings for this series aren’t incredibly severe but since they’re zombies there’s still talks about death and they way they died (Including motorcycle/car accidents, plane crashes, getting struck by lightning, and a heart attack), there’s also comedic dismemberment, as in their arms just sort of pop on and off and stuff like that. The most notable thing is the deadnaming of Lily, the trans idol, by her father, but it doesn’t appear to be malicious in any way.

Note: this series is in the middle of it’s second season right now, if you want to wait until it’s over it should be 12 episodes long and just aired it’s 3rd, so about 9 more weeks.

Death Note

This is also absolutely another series that gets recommended to people right off the bat, and for good reason, this show is an intricate game of chess between a serial killer and a detective trying to catch him, and it’s incredibly easy to get super invested in the suspense of what happens next. The story begins when a shinigami, a god of death, drops his “Death Note” into the human world out of pure boredom. A Death Note is simply a notebook where if you write someone's name in it… They die! And who better to pick up such a powerful object than Light Yagami, a prodigy praised for his genius and academy accomplishments as well as his charm and popularity, and with a very strong but juvenile black-and-white sense of justice, likely due to being raised by a cop.

So naturally Light begins his power trip as soon as he finds the notebook, he intends to “fix” the world by cleansing it of all the bad people, but truly he intends to become the world’s new god. Or the “God of the new world” as he puts it. But there’s one thing standing in his way, a detective resolute on catching him with the codename L. The series entire crux is a game of cat and mouse between these two, as they try to outsmart each other and the murders continue, Light loses more and more of his humanity, L becomes more resolute on catching him. There are more twists and turns than a cheetah race, and it’s honestly pretty addictive to see what happens next.

Trigger warnings here obviously include a lot of death and murder, including suicide, but in some cases it’s a forced suicide at Light’s hands. Also abuse, as Light loses his humanity he isn’t above manipulating and discarding people who love him. And one instance of near-rape on screen fairly early on, but the purpitrator dies before it happens and the victim escapes.

K-On!

Slice-of-life is an incredibly popular genre, and K-On! is the quintessential example of it. It’s a series that not everyone will like, because not a lot truly happens, and it can be overly saccharine or “moe” for a lot of people, and that’s fine. But I personally think that despite not a lot happening, the story has genuine substance, more than you may gather at first glance. It’s true that not much in the way of big plot really happens, it’s mostly life events, that’s why it's a slice-of-life. But it’s not about nothing. The real theme of the show is the fleeting nature of youth. It’s about how important the friendships you form at that time are, how they’ll stick with you for a lifetime, and how everything comes to an end. It’s sweetness even becomes a little bittersweet because you knew their after school tea time would end come graduation, and as they realize this it breaks their hearts a little, but they continue on, because they’re still After School Tea Time!

The series itself is simply about 5 girls in a band, Yui Hirasawa on lead guitar, Mio Akiyama on the bass, Ritsu Tainaka on the Drums, Tsumugi Kotobuki on the Keyboard, and Azusa Nakano on Rhythm Guitar (Who shows up later). They’re in a club at school called the light music club where they waste a lot of their time just drinking tea and eating cake, but they’re having fun and that’s what counts! The series has a lot of really great direction and expressive animation despite the fact that a lot of it is just sitting around and talking, it’s incredibly visually interesting so you don’t get bored.

I honestly don’t think there are any big trigger warnings I can give for this series, maybe that Sawa-chan can be a little too forceful when she wants to dress up the girls in cute outfits sometimes but it’s usually not presented as too creepy especially after season 1 where they tone it down due to straying from the manga.

Mob Psycho 100

This series is an absolute love letter to the art of animation as a whole, the artstyle itself may not seem like much to look at but the animation is some of the most expressive, fluid, creative, and vibrant out there right now, it’s the type of series that you can tell was made with a real passion for its medium and it’s story. It’s protagonist is Shigeo Kageyama, nicknamed “Mob”, a term that literally means “Background character”. Mob is a middle school kid and an incredibly powerful psychic, like, insanely overpowered, but he’s currently working part time for a shady conman, Reigen Arataka. Though it may seem as if Reigen is just using Mob for his powers, their bond is actually a very sweet one and you can tell they care for each other, it’s a very important one at the heart of the series.

The core themes of the series itself are what really make it shine, it’s message is stated as clearly as possible in the opening songs, “your life is your own” and “if everyone is not special, maybe you can be what you want to be”. Put simply, you’re the protagonist of your own life, but the other important message of the series is that all the supposed background characters are just as important. The friends you make, the connections you have with other people and the way they impact you, they’re what make you strong. No one is born special, everyone is just a normal person, and everyone deserves kindness. It’s a series that I recommend incredibly strongly for just how powerfully it portrays this message.

Trigger warnings for this series include kidnapping, possession, a scene with a “man in a dress” joke, and a racist design for a background character. Also (spoilers) a scene where it seems like a child was murdered and a scene where it seems like Mob’s entire family was murdered.

Kaguya-Sama: Love Is War!

Hey, speaking of amazing animation, Kaguya-Sama is a romantic comedy series centered around the premise of two incredibly arrogant people falling in love. Kaguya Shinomiya and Miyuki Shirogane are the vice president and president of the student council at the prestigious Shuchi'in Academy, they eventually develop feelings for each other but they’re both simultaneously too proud and too insecure to admit it, so the real crux of the series is the 3D chess they play with each other to try and get the other to confess first. Along with the scatterbrained secretary, Chika Fujiawara, the treasurer in desperate need of Prozac Yu Ishigami, the cast is incredibly fun and they all fit into the comedy great. Every single little game of “do you like me?” that they play is written like the most intense thing in the world, the insane animation absolutely adds to it, making it seem almost like a psychological thriller, the comedy comes from the absurdity of just how much they hyperbolize it.

It’s not pure comedy though, due to a lot of the series being set up around mindgames, the characters are actually fairly psychologically complex with a lot of genuine development stemming from their childhood to explain why they are the way they are. The series may be about mindgames, but the actual narrative frames them as a juvenile way to go about relationships, a way to try to protect yourself from getting hurt because you’re afraid to trust. The entire core theme is that communication in relationships of any kind is the most important thing and you cant replace it with clever little tricks, so the main pair only ever make actual progress when they’re actually upfront with each other. Even if it’s scary to be that vulnerable with someone, especially if you’ve been hurt in the past like they have, the relationships you build off of mutual trust and openness will be worth the risk, and they can help heal you. And one of the things I love about the series is that this doesn’t just apply to the main pair, but it places equal emphasis on the importance of friendship. All the characters' relationships with each other are unique and interesting and they all develop the same way, with trust and openness, and they become better because of each other.

Despite being generally a comedy, a lot of the characters deal with some really heavy things too so trigger warning for: child abuse (not on-screen), child abandonment (again not on screen), anxiety and panic attacks, suicidal ideation- initionally played off as a joke but it becomes very obvious the character in question is legitimately suicidal and in the manga he nearly attempts it but is stopped, this plotpoint will most likely be in the anime at some point as it’s also not complete.

Your Lie In April

Alright I gave you a funny show now I’m going to make you cry. In fact it’s hard for me to type this synopsis because I’m an absolute crybaby and thinking about this show gets me, but I think it’s absolutely worth checking out because it’s a very beautiful sadness. Your Lie In April is a series that follows the stress and trauma young musical prodigies face in their lives, as well as the people around them, and it’s a series about the beauty of music and art, and just how much it affects people. The music in the show is absolutely gorgeous, the way that they convey emotion through it is so beautiful and intricate that it just sticks with you. You feel the music, and you understand.

I’m actually going to give the trigger warnings right now instead of at the end because in order to explain the plot I’ll have to talk about them so tw for: Child abuse (phsyical and mental, on-screen), terminal illness, death, in depth depictions of PTSD, vomiting, panic attacks, the works.

The series follows Kousei Arima, a formal piano prodigy who hasn’t performed since the death of his mother two years ago. Kousei's mother was terminally ill, but she was also incredibly abusive. Kousei has incredibly complex feelings about his mother because of this. The trauma she instilled in him is severe, but because he was a child, he still is a child, and he loved his mom a lot, as any child would, and he didn’t want her to die and he blames himself for not being good enough. He wanted to make her happy, and the only way he knew how to do that was to play the piano. So he played and played and practiced until he was perfect, they called him the human metronome. But he would still get severely punished for being anything less than perfect. He had lost all the passion he once had, and after his mother died it was the final nail in the coffin, his trauma manifests now in a way that makes him unable to play. But all that changes one day in April when he meets a violinist named Kaori Miyazono, a girl full of life and passion for music, she’s someone who according to Kousei “Exists in springtime.” and she’s going to help him play again and refined that love for music whether he wants to or not! Teen drama happens of course, but there are much bigger roadblocks ahead.

Assassination Classroom

This series is thankfully generally more lighthearted… Most of the time at least. The premise is pretty simple, but incredibly ridiculous. An incredibly powerful octopus-like creature is the teacher of a classroom of middle school students tasked with the assignment of assassinating him in order to save the world. The series starts off very slice-of-life as it focuses on introducing the very large cast of characters inside of Class E, also known as the “end class”, but it quickly gains traction and gets a lot more intense as time goes on.

The octopus creature in question, Korosensei, is actually a very kind and genuinely good teacher to all his students. The real crux of the series is that it’s sort of a critique on the educational system, the students in the end class are there because they’ve been ostracized from the rest of the campus, far away in the mountains, to be made examples of. Why? Because they’re students that are considered worthless, instead of getting help they’re only pushed back further down in the system and left to struggle within it fruitlessly. They’re given up on, despite being children with so much potential, because they don’t fit a very rigid mold. That’s what Korosensei wants to help them with, and they’re able to grow as people together. As the series progresses you feel such a great sense of unity for the class, they’re like a family, they stick together and it’s very heartwarming. And watching them work as a team of assassins is so fun!

However the series can get heavy at times too, it doesn’t stray from heavier subject matter at all and i found myself incredibly shocked by it a few times, so trigger warning for: Child abuse (on-screen and off), both at the hands of a parent and a teacher and in one case a parent who is also the principal, misgendering of a character, sometimes as a “joke” but other times played dead serious at the hands of his mother, child death- specifically suicide, a successful one as well as 3 assassination attempts that doubled as suicide attempts by the main 3 characters (weird parallel they all got there huh)

Puella Magi Madoka Magica

Honestly this is a series that is good to go in blind for if you need to tws, it’s a deconstruction of the magical girl genre, but if you don’t want to know more than that you can stop reading here. If you want to know more, it’s a series that starts off very light-hearted and in tune with typical magical girl conventions at first, however by episode 3 it’s made painfully clear that these girls are being led to sign up into something they shouldn’t. It’s heavy, though not incredibly so, but it’s also a lot to explain in a summary. Madoka magica is… It’s Faust with magical girls.

I’ll explain as much as I can without giving too much away. The story begins when Madoka Kaname and her friend Sayaka Miki encounter a creature who calls itself Kyubey, who says it can grant a wish of theirs and in exchange they have to become magical girls and fight witches. Both the girls are hesitant, but Sayaka wants to wish for her childhood friend’s injuries to be cured so he can play violin again, while Madoka is content as she is and can’t think of a wish. Luckily they have a mentor, a magical girl named Mami Tomoe who helps introduce them to everything. However something is stopping Madoka from becoming a magical girl, a mysterious new student who is also one herself, Homura Akemi, is resolute on keeping Madoka from becoming a magical girl by all means possible, for reasons Madoka doesn’t understand. Things get even more complicated when a rival magical girl shows up, Kyoko Sakura, who becomes Sayaka’s new rival. As things get more heated between those two they discover a terrible secret about the nature of magical girls, and what they truly signed up for.

Spoilers ahead but trigger warning for: Child death, parental death (backstory only), decapitation (off-screen), needles, incredibly surreal imagery inside the witch’s labyrinths that may feel unreal, mind control, suicide, depression and despair expressed by young characters. Also don't bother with Magia Record

The Disastrous Life Of Saiki K.

Alright something lighthearted now, there are a lot of comedy anime I enjoy, a lot of series that have made me laugh, but none has made me bust a gut like this series has, it’s absolutely hilarious. It follows the life of a boy named Saiki Kusuo who has psychic powers. His powers are incredibly overpowered, and he absolutely hates them, in his eyes they cause him nothing but trouble. There’s not much in the way of a plot to describe, because there isn’t any, the series is comprised of 5 minute segments surrounding Saiki and an incredibly vast and colorful cast of characters that are just all completely insane, many serve as parodies as types of anime tropes because the series as a whole is very self aware and doesn’t shy from breaking the fourth wall a lot, but the characters surrounding Saiki are what make his life… Disastrous.

Like I said there’s not really a plot to describe but like FMA people may get confused with this one, there are 3 seasons but one of them is titled “The Disastrous Life Of Saiki K: Reawakened” as is a continuation of the first two with just 6 episodes in it. Also for some reason only the second season isn’t dubbed so if you’re planning on watching it that way you’d have to either stop or switch to subs for season 2

The only major tw I can give here is an ongoing joke about a character being into his sister, he’s treated as disgusting for it of course because he’s a parody of that trope but that doesn’t make it any less uncomfortable, luckily he doesn’t show up much.

Little Witch Academia

Little Witch Academia is a series I personally just adore, it takes place in a world where witches are common and well-known among the people, but the era of witches is over and magic is dying out. However that doesn’t mean passion of magic doesn’t exist, the protagonist is a young girl named Atsuko Kagari, or Akko for short. She’s resolute on being just like her icon, a witch known as Shiny Chariot, as she attends the same magic school: Luna Nova! Unfortunately Akko isn’t exactly a magical prodigy, in fact she can’t even fly a broom, but that’s not gonna stop her, nothing will. Just like Chariot said, believing in yourself is your magic.

Once at school Akko gets into all types of crazy shenanigans with her with her two roommates, Lotte Yanson and Sucy Manbavaran, and occasionally her rival, Diana Cavendish. Akko still struggles a lot in school, in fact her inability with magic is pretty explicitly handled as a metaphor for a learning disability, and though this makes it harder for her she’s still resolute. Though the series is generally episodic, a concrete plot starts to form by the second core. Along with the help of her guidance counselor, Professor Ursula, Akko learns that she needs to unlock 7 “words” to bring magic back to the world, each time she learns a new one it comes with an important lesson to her and ultimately relates back to each of the core themes of the series

The series is pretty lighthearted so the biggest trigger warning I can give is one for bullying, two characters in particular tend to target Akko for not being a good witch and it can really sting to watch. Other than that none come to mind

#if you want stuff out of a more specific genre i can give a list of those too but this is like. general

[yandere-mha-blog]

Chapter 9: Test

words: 2257

The news story about U.A having a false alarm quickly died down as you were changing your bandaids, this isn't how you thought life on the run would be, why was it so boring, still not like you could do much while you were healing, Hawks was out doing who knows what, and you looked down at your thumb, still black and blue. You had rummaged through all his stuff the only thing you found weird was an endeavor plush that was stuffed in his pillowcase.

Finally, Hawks came back, he opened the window and stepped in

“Heyo i'm back,” he said

“I can see that,” you said

“Hey what's with the snappy remark?” HAwks asked

“I am bored, what else is there to say, you left me in here with nothing to do, meanwhile you can fly around all you want,” you said crossing your arms and glaring him down

“Sorry sorry, here I got you a gift.” Hawks said handing you a box, you shrugged and opened it up to see a glove, well it sorta looked like a glove, there was a place for it to wrap around your wrist, and your left thumb, you decided to try it on.

“Okay now flex your fingers like you usually do.” Hawks said and you did, and your long-lost thumb talon came out with your other fingers.

“Oh wow.” you said looking at it “Is this my talon?”

“Yup, I found it and got a broker to make it, I also got you a few other things if you are going to go out with me.” HE said handing you night visors, a thick jacket, and nonslip boots, and a belt for some weird reason.

“I can understand everything else but why a belt?” You asked

“OH easy, there are two ports where I can put my feathers in, so I'm not yanking you out with your shirt, also here is a book.” HAwks said handing you a medical book

“Oh thanks, but I already read this,” you said

“Drat.” HAwks said, so anyway get dressed in your new rags, we are heading out, you said you were bored right.”

“Finally.” you thought

“The break out of a college student from the Hero public safety commission with the help of the high-rank VIllain nighthawk has no new updates, if you have any information please contact the HPSC we asked a couple of her classmates and this is what they had to say.”

“I mean she was always very quiet and attentive with her work, never would have thought she would do something like this.”

“I didn't really notice her that much, she never really talked to the other class members.” “I just invited her out to drink one night and next thing I know she is being arrested.”

Your dad turned off the tv and sighed to himself, he never would've thought that any of this would happen, it really did come out of nowhere. Still, he knew you and he knew the HPSC, truth be told he always thought you would make a good hero but after the loss of his wife and your mom he never wanted that life for you, so he was more than relieved when you never showed any interest in becoming one yourself. Still, the fact that now this was where you were in your life just made him even more on edge, he just hoped you were safe where you were.

And right now you were on top of a building looking down at the people walking around, some were drunk and happy, where others were drunk and toppling over and vomiting on the side of the alley wall. Some high school girls were out late and came out of an arcade holding a new stuft animal and looked happy, while some guy who was holding a bunch of gacha capsules looked pissed off.

Oh, the duality of humans.

“So how are you enjoying the nightlife?” hawks asked, as you pressed your hand against your chin and kept looking down

“Hmm I'm just people watching.” you said “Beats doing an all-nighter before a test, but why are we up here again?”

“Good question.” Hawks said leaning over the side and placing a hand on your head and turning it towards a man “That's why we are here.”

“What about him?”

“I have been getting information on this guy for a while, he is well, why else would I be tailing him.” Hawks said

“Just looks like an overworked businessman.” you said “but looks can be deceiving.”

“Yup, he is overworked to the point where he makes other people's problems, he got off with a slap of the wrist after attacking a middle school student, and well you were people watching those two girls right, look who is he following.”

You looked ahead and sure enough there they were laughing amongst themself as they were taking turns squeezing the stuft animal they won, now some random guy was coming to ruin their night, it was crowded, but the fact the girls had already made four left turns and the man was still about ten feet behind them was concerning, the two of them were just looking at the different shops, window shopping. Then the two waved as one of the girls held a cab and the other walked in the other direction towards the train station, and there was the man following her.

“So what are we going to do?” you asked,Hawks just gave you a pat on the shoulder

“I think you mean what are you going to do?”

“Me?” you asked “But I have not fought anyone, well I have but not like this, what if he overpowers me, You saw how easily Akio was able to overpower me.”

“You got nothing to worry about, think of this as a test run.” Hawks said as you followed him through the top of the buildings, he had two feathers and each side of your belt that was in a compartment so flying around was getting easier since he was basically piloting you around the area “And besides if the situation gets out of control I'll swoop in and handle the rest.

You nodded your head, still, he did look like an out of shape middle-aged man, you walked down the fire escape and waited for the man to walk by, Hawks gave a thumbs up and sent a few of his feathers into the man's back shoving him into the ally way and into a brick wall, he was all yours now.

“What the...what happens, who are you?” the man asked

“That doesn't matter,” you said as you flexed your right hand your talons shooting out the man backed up

“Hey look, I don't want any trouble.” He said, “I'll hand it over okay.” “I'm not interested in your money.” you said ‘i saw you stalking that girl what were you planning on doing to her.”

“I- I wasn't stalking anyone,” he said as you raised your hand and slashed his chest

“I hate liars.” you said as he held his now open wound, now tell me what were you planning.”

The man was just gasping, you didn't even cut him that deep, just a warning scratch, what a baby, Hawks was looking down, you looked hesitant would you kill him or let him go after roughing him up a bit, he placed a hand on his chin and continued to watch.

“I'm telling you I wasn’t doing anything-” he said before you gave him a swift kick to the chest causing him to fall on his back, you loomed over him “Please just let me go.”

“No, you won't learn your lesson, you hurt women with your hands so you don't need them anymore,” you said grabbing his wrist and pressing your fingers to the wrist before flexing your nails, bones could heel, tendons and ligaments were harder. The man cried out in pain as someone stopped and looked down the ally way

“Hero, we need a hero down here!” the person yelled as you let go, leaving the man on the floor and hawks using his feathers to fly you back up and the two of you getting out of the scene of the crime as you hawks gave you a thumbs up.

“So what exactly did you do to him?” he asked

“Hm oh simple I cut his tendons and ligaments that connect to control hand movement, see bones can easily be fixed, but tendons and ligaments once they are slashed it's really hard to get them working again if you aren't a hero with the top medical practitioners in the region.”

“Huh smart, I would have just cut his hands off, like your idea though,” Hawk said as he picked you up from under your arm and lifted off

“This is very effective, using the two on your sides is cool but this takes less work.” Hawks said as you grabbed the sides of his arm and looked down at the city till he landed on a building far away from the scene of the crime, he pulled out a napkin and started whipping the blood off your hands “still I think this partnership is going to work out just fine.”

“You think so.” you said,” still hawks I have a question, what is your real name?”

“Whatcha mean my real name, just call me Hawks.” he said

“...but Nighthawk is what the commission calls you, I call you hawks because saying Nighthawk is just ridiculous to say every time, you do have a name right?”

“Hawks is a good name for now.” He said as he perched himself by the side of the building “you came up with that name so ill use that.”

“But...okay I can tell you don't want to tell me.” you said, “you sure are secretive.”

“Add that mysterious charm to me, don't you think?” he said, “your charm is your smart wit, glad to see you're not wasting it anymore.”

“Thanks?” you said, “still, I can't help but feel sad.”

“Sad?” Hawks said, “Why are you feeling sad?”

“My dad mostly... can't get him out of my head, he is most likely shocked and worried and upset, i mean who wouldn't be.”

“Ah come on Chickadee, I'm sure your dad isn't upset.” Hawks said

“How would you know?” you asked

“Well mostly I left a feather in the house, he is mostly worried you are going to get hurt.” Hawks said

“You put a what in his house,” you said

“A feather I can kinda hear people talking through them if I really focus, mostly through vibrations.” HAwks said

“Like how an eardrum work,” you said, and hawks nodded

“Yes, like that.” Hawks said patting you on the head with a wing and pulling you in closer “We have a lot of work to do, I'm sure the HPSC is still on the lookout for you and I am not about to let someone else get in there grubby little mitts.”

“HAwks, why do you hate them so much?” you asked, he sighed

“Well guess I can tell you this story.” Hawks said, “See my dad was an assassin for hire and one day got caught, man I was so happy that he was gone, my mom wasn't, we had to go on the run, she had me steal things for our survival, one day when I was walking back to see her, I saw a crash about to happen, so I used my feathers to save everyone, but then the HPSC got a hold of the incident and started looking for us even harder, my mom was upset and she...well I wasn't any use to her, so she just tossed me to the side, so I had to fend for myself that day on and evading them, the more I ran the more I saw how messed up they were, seeing them go down was the thing that was making me keep going each day.” Hawks said

“You never saw your mom after that?” you asked

“She tried looking for me, once she learned that they would have paid her a great sum of money if they could take me in, she tried to help them find me, never did, I almost turned myself in for her, but I kept remembering her words when she shoved me away.”

“What did she say?”

“I don't need you anymore, what good are you if you aren’t of use to me, what makes you think i would want a brat like you around now that the whole damn HPSC is looking for you.” Hawks said as his wings dropped, you walked over and pet them

“I'm sorry you had to hear that from your own mother.” you said as his wings got puffier “Not every parent deserves a child.”

“I'm...okay now, I've been preoccupied with life and all.” Hawks said, “I just want to see a world where there isn’t a real need for organizations like the HPSC to exist, maybe one where heroes can just relax, and where good people can just relax.”

“Well I'll be here to help see that though,” you said

“Thanks, partner, I'm glad to have someone next to me for this.”Hawks said, pushing his night glasses up and taking in the bright lights of the city, with you next to his side.

#yandere hawks #yandere keigo takami #yadere keigo #yandere takami #yandere my hero academia #yandere boku no hero academia #yandere

[arlingtonpark]

SNK 137 Review

I can't unsee it.

-rubs temples-

Ok, I know I’ve been absent the past two chapters. I’ll get to why and what I thought of 135 and 136 in this post, but for now…jeez, this chapter.

It was badass and dumb and sometimes both at the same time.

Where do I even start?

-sound of pages being leafed through-

Ok, then.

I actually really like Zeke’s character. He is unironically my second favorite out of the cast.

When we first see Zeke, he’s in his beast titan form. He’s lumbering, hulking, unsettling.

He’s a titan that can talk. He’s a titan that can control other titans!

And he wiped out humanity’s second strongest with ease. I forget his name. It was Mickey, right?

Worst than that, actually. He ordered his titans to kill Mickey with all the gravitas of ordering a side of fries at McDonald’s.

Iirc fans were wondering if this new character would be the main villain of the series.

He went on to wipe out the Survey Corps at Shighanshina, and after that we learned he singlehandedly foiled his parent’s right-wing conspiracy when he was a kid.

Zeke was a mastermind who shouldn’t be taken lightly…right?

Welp, the more we saw of Zeke, the more obvious it became that he wasn’t actually all the impressive.

He wasn’t very good at being a warrior. Honestly, it seems most of his high marks comes from his unique royal blood powers, and the good will be built with Marley when he turned in his parents. TFW cronyism.

He foiled the restorationists plot, but really he was just an abused kid who wanted to get away from his parents.

He killed Mickey, but Zeke was a King Kong sized titan and Mickey was caught off guard and unarmed, so…yeah, ofc he won that fight.  

Zeke has royal blood powers, but that doesn’t say anything about his intellectual prowess or anything.

The Survey Corps was wiped out at Shighanshina, but the circumstances of that fight strongly favored him. The Survey Corps were trapped in the city, so all Zeke had to do to win was sit on his ass and do nothing.

And he almost died anyway.

Levi got the drop on him because of his own incompetence. He let himself get distracted, which created the opening for Levi to strike.

Throw in his gullibleness towards Eren, his bumbling demeanor, and his totally emo philosophy, and the true nature of Zeke Jeager became undeniable: this guy is a fucking moron.

Like.

A real fucking moron.

And that’s why his character is unironically so great!

Zeke’s character is such a brilliant subversion of audience expectations.

We were all made to believe that this guy was a Big Fucking Deal through what turned out to mostly be circumstantial reasons.

In reality, he’s an idiot who’s been failing upwards his whole life.

Zeke got as far as he did because he’s really lucky. That’s all he has going for him.

I liked the more fleshed out version of his world view we got here. It is appropriately emo.

My read on Zeke has always been that if he existed in real life he’d be an extremely online philosophy bro, so seeing his outlook on life being effectively copy pasted from 4chan was just delightful.

Zeke is 2deep4(chan)u.

Life exists to multiply. All actions are explained by this singular drive. As such, life is hollow and we’re better off dead.

Imagine that is how you see the world.

Life sucks. It’s an existence of suffering driven by a desire to ensure more people are brought into this world so that they can toil away ensuring that yet more people are brought into this world to toil away ensuring people are brought into this world.

On and on and on and on.

To Zeke, this is the cycle of violence.

Not war which begets war which begets war, but rather life itself.

One suffering existence that begets another suffering existence that begets yet another suffering existence.

That is the context from which the euthanasia plan came from: it was an extension of this broader world view.

Everyone gets a dose of pain in this world, but Eldians especially get shafted. If anyone deserved release from this nihilistic existence that is “being alive,” it’s them.

Hence, Zeke’s plan to sterilize Eldians so they can die out peaceably.

…

It’s hilarious how easily Zeke is disabused of this notion.

I’m not sure if it works from a storytelling perspective, but it tracks perfectly with what usually happens when emo philosophy bros like Zeke have their beliefs challenged.

The emo bro will go on a self-absorbed rant about how nihilistic life is. For sake of example, let’s say the reason is because morality is just an opinion and nothing is objectively wrong.

The n the guy he’s ranting to will drop a critique on the bro so devastating that they’re left speechless:

“What about murder? Isn’t murder objectively wrong?”

Emo bro: -surprised pikachu face-

I swear to God this happens a lot. I don’t know if transplanting that into this pivotal storytelling moment works, but I sure as hell enjoyed it.

But, yeah, while we’re talking about philosophies, let’s look at some others.

Armin thinks there is beauty in pointless moments. Moments that are meaningful only for the people who partake in them. They’re an expression of the love they have for each other. Those moments are worth cherishing and protecting.

He’s right, but you know who also thinks that way?

Eren does.

Superficially, anyway.

When Eren starts rumbling the world, he thinks of his friends and the fun they’ve had together. He’s doing it for them.

Of course, he’s hurt them instead, but that’s still his logic, however deranged it may be.

What separates Armin from Eren is their sense of boundaries.

There are places that Eren is willing to push on towards that Armin is not.

For that, Eren thinks Armin is weak. All Eren had to say to him when they spoke at the restaurant was how useless Armin was.

Armin can’t go the distance. He can’t do what’s necessary. He takes options off the table too easily. He wanted to negotiate instead of seeing the truth that war was inevitable.

To Eren, that’s weakness.

In reality, it’s empathy.

Armin cares about people. Even people who hate him.

Eren doesn’t. If you’re his enemy, you’re dead to him, period.

Eren has no soul.

He may have slept under his enemy’s roof, ate his enemy’s food, and saw the good in them for himself, but he’s still killing them.

I don’t care if he’s crying on the inside. I don’t care how many times he said he’s sorry to Ramzi.

That actually makes it worse.

Eren made the calculation, the conscientious decision, that the lives of billions of people across multiple civilizations were worth less than that of his race.

Not even his whole race; just the subset of his race he was most familiar with!

Eren and Armin represent two widely similar, yet subtly different philosophies.

For Eren, the world is beautiful, but you have to do cruel things to protect that beauty.

The world is cruel because it is beautiful.

For Armin, the world is beautiful, but it is plagued by cruelty.

The world is cruel, but also beautiful.

SNK made the right choice. Armin was rightly depicted as the superior worldview.

(I have some gripes about how endemic the series seems to think cruelty is to the world, but we’re ignoring that now.)

Ymir is more of a wild card than I thought she’d be.

It seemed straightforward.

Ymir had been beaten and enslaved her whole life, so when Eren offered her freedom and treated her life a human, she sided with him.

That still looks to be what happened, but it seemed like Ymir also genuinely wanted to destroy the world with Eren.

The world treated her with cruelty, so of course she’d want to burn it all. Makes sense, right?

But Ymir, it turns out, is a lot more complicated than that.

She was beaten, enslaved, raped, hunted like an animal, and after all that, she still believed in this world.

She saw two lovers together, and that embodied what made the world worth getting attached to.

Those two lovers were her conquerors. Her oppressors.

She saw the love between two of her slavers, and instead of resentment or jealousy, she simply knew it was beautiful.

If people threaten his freedom, Eren wishes death upon them.

When Ymir is literally enslaved by them, she still acknowledges the beauty of their romance.

It’s a cool layer of complexity to add to their dynamic. They’ve been through similar shit, but they couldn’t be more dissimilar.

My guess is that Ymir is sympathetic to Armin and everyone came back to life through her help.

I know Armin Zeke the credit for that, but…that makes no sense?

Eren defeated Zeke when Ymir sided with him and he started the rumbling.

Eren, via Ymir, is in control, not Zeke, so it makes no sense for Zeke to be able to do any of this.

The only explanation is that Ymir broke from Eren and now Zeke is her new best friend.

…Yeah, this is the part where I talk about the bad stuff with this chapter.

The exact mechanics of how all of this went down is very underexplained.

Zeke being able to reveal himself like he did can be chalked up to Ymir’s power, but if it’s true this was purely Zeke’s doing, then…how?

How was Zee able to do that if Eren is in control? Why would Eren even put Zeke there instead of encasing him in crystal and keeping him physically close by?

This whole final battle has been very underwhelming for me, which is why I didn’t do a review for the last two chapters.

The premise is pretty bland.

The Alliance’s main opposition in this fight are mindless drones. The titans they’re fighting have no humans inside them, they’re just puppets. NPCs.

What drama there has been here has been the same fucking crap we’ve been dealing with for the past few volumes.

Yes, Mikasa, Eren has to die.

I know this is hard for her, but my patience has run out.

Eren told her to her face that they had to kill him if they wanted to win, and then when the Alliance is riding on Falco’s back, they make the final call to kill Eren and this is the face Mikasa makes.

Like this is the first time she’s heard it.

This is the face you’d expect from a child, not a grown ass adult. 

That was the moment I became convinced Mikasa would probably die in this fight.

Her head is too far up her ass as this point.

She is utterly incapable of processing the obvious fact that Eren hates her.

Yes, he’s theoretically destroying the world partly for her, but he’s also deranged and too self-absorbed to see that he’s hurt her. He has no real regard for her. 

It is beyond annoying that there has been almost zero progression for her character on this issue.

If by this point in the story, she had accepted that Eren had to die, but was still visibly coping with that, then all would be well.

What’s frustrating is that just when it seems like we’ve progressed past that stage, we learn we haven’t.

I also feel that a lot of the major beats of the fight were pointless.

A major point in the battle comes when Armin gets eaten by the Okapi titan, and Mikasa, Annie, and the rest have to rescue him. But Armin didn’t seem to be in any danger of dying, and him being sent to P A T H S was actually a good thing in the end because he was able to win over Zeke.

The whole deal with the explosives around Eren’s neck was also pretty badly handled.

You’d think the hard part would be getting the explosives to the neck and securing them to it, but nope. Pieck took care of that in a couple of panels, and the real meat of the fight is doing the very last thing they need to do to win.

It’s very tedious and contrived.

Instead of a fight that’s interesting because they have to wrestle their way through titans while carrying the bombs, we get a totally generic fight because the story breezed through the hard part and all they have to do now is push a single button to win.

But in the end that entire sequence was pointless because Armin decides to blow everything up anyway.

Jean’s shining moment?

A total waste.

Reiner’s shining moment...wrangling that worm thing?

Also a total waste.

Armin was going to blow it up anyway. There is no way you can say that Eren would have survived Armin’s explosion but for Reiner and Jean’s efforts.

It just defies all common sense.

So yeah, this whole battle was a pretty lackluster climax.

Looking to the future, I think this is it.

There’s only two chapters left, so we need to start wrapping up. My guess is Eren’s likely dead and next chapter starts the epilogue.

Tally-ho.

---

I made a post about all the character’s chances of living or dying by the end of the manga. I figured I’d update those death ratings here.

Eren: Likely Alive --> Lean Dead

Historia: Likely Dead --> Toss Up

Mikasa and Reiner: Lean Dead --> Lean Alive

Annie: Lean Alive --> Likely Alive

Jean and Connie: Likely Dead --> Lean Alive

Pieck: Toss Up --> Lean Alive

Zeke: Lean Alive --> Ded

You’ll notice I’m still rating most of the cast as having a significant chance of dying.

While I do feel that this is probably the end of the battle, I’m choosing to be cautious in my choice of ratings.

Mayhaps Eren will pull a come from behind victory.

Ya never know.

#shingeki no kyogin #attack on titan #snk spoilers #snk 137 #snk chapter 137

[self-loving-vampire]

Pathfinder: Kingmaker (2018)

Pathfinder: Kingmaker is a game that I liked a lot when I played it, but also a game that has a lot of obvious problems that drag aspects of it down. Fortunately, one of its big strengths is that it is extremely customizable, meaning that annoying or broken parts can be toned down for the most part.

Summary

This game has been called a spiritual successor to Baldur’s Gate, which I can see only on a sort of superficial level. What I can say it is that an ambitious and (in some ways) expanded adaptation of the Pathfinder tabletop adventure path of the same name, which I have run a little bit of.

For those who don’t know, an adventure path is essentially a whole campaign, starting at first level and spanning several interlinked chapters with their own minor antagonists and themes, sometimes but not always all the way to 20th level.

This particular AP is one that I’d consider extremely hard to make into a computer game without losing a lot of what makes it appealing in the process. It starts with a simple hook: A wild part of the world is under the rule of a bandit lord, if you defeat him then you will be allowed to found a barony on his land and develop it as you wish.

While the concept is straightforward, this is a great idea with tons of potential in the infinite freedom of tabletop play. While it is impossible for any existing computer to realize this potential as well as a skilled human DM could, the game does have a lot of strengths (and weaknesses) that make it interesting to analyze.

If I had to compare it to an older game, I’d actually use Troika Games’ 2003 cult classic Temple of Elemental Evil rather than Baldur’s Gate, for reasons that will become apparent to any who are familiar with it.

Freedom

I would say that this area is mostly fine. Once you finish the prologue (which doubles as a tutorial) you are largely free to explore the Stolen Lands... except that areas open up gradually depending on your main story progression.

While I understand that this helps keep things focused and manageable, there are times where these limitations end up feeling a bit contrived. Still, this is not a huge deal since each area is reasonably big and full of optional content.

One nice thing about exploration is that there are many areas with encounters that are far deadlier than anything you may be used to at that point, but which usually guard extremely valuable loot. This means that if you can figure out a way to overcome the encounter before you’re “supposed to” level-wise you will get a very satisfying reward out of it.

Defeating these encounters is not even strictly needed at times either. For example, there is a hidden crag linnorm (a CR 14 monster) in a cave within an area full of far weaker monsters (around CR 6 or so if I recall). While defeating the linnorm would not be easy for characters at this level, I managed to use the party’s rogue to sneak past it and loot its hoard without combat.

In terms of things like dialogue choices and the like, the game is also mixed. While you very often have multiple options, some of these options can be Stupid Evil (attacking people for no reason) or even flatly blocked by your alignment in ways that feel arbitrary.

For example, you need a Neutral alignment component to make peace between the mites and the kobolds in chapter 1.

There is one particular quest (courtesy of a kickstarter backer) that is a horrible railroad as well.

But overall I’d say you have more options here than in many other similar games, I mostly just wish the alignment stuff made sense and did not lock you out of options.

The game has multiple endings and Fallout-style ending slides describing what became of the people and places you influenced based on your decisions. However, achieving the secret ending or the secret romance is so extremely obscure that I’m actually surprised I managed to do it on my first playthrough.

Character Creation/Customization

This is easily one of the game’s most significant positives, while also being one of the things that may be extremely intimidating about it for people who haven’t played the tabletop.

With the DLC, there are 9 races to choose from and like 16 classes (not counting prestige classes). Adding to this, each of those classes has 3 optional archetypes that function as subclasses that add, remove, or modify class features.

Many of the races also have different heritages that switch around things like racial bonuses/penalties, resistances, and spell-like abilities.

However, I do have some complaints about it as well. Sometimes the explanations of what an archetype adds don’t seem as complete as they should be, and from what I remember a lot of your character creation decisions did not have enough of an impact outside of combat.

While the game does feature skill checks both in dialogue and in other parts of gameplay, they use the highest modifier within your party so your own stats are not vital to passing them, and (unlike its sequel) the game rarely features things like special dialogue options based on things like your race, class, or chosen deity as far as I can tell.

Also, while many tabletop options were understandably cut since the game was already over-ambitious as it is, this includes all kinds of item crafting (without mods that is). Things like potion-brewing are a pretty central aspect of the alchemist class, while wizards really benefit from scribing scrolls to handle many different situations.

Worse, this inability to craft and enchant your own gear can end up hurting the itemization in the game. There are tons of different types of weapons you can choose to specialize in, but for many of them you will struggle to find good weapons of that type to use within the game.

Also missing is the ability to meaningfully apply several types of spells out of combat, which really hurts some character ideas that would have been very interesting in the tabletop version (such as diviners or enchanters).

The whole system can also be a bit confusing to those unfamiliar with the tabletop. The game is not as clear and good at teaching as it should be.

Story/Setting

The game is set in Golarion’s Stolen Lands, an anarchic area with heavy fey presence. Compared to many of the more colorful locations in the setting, this is one of the more “standard” and generic regions, but there are still some noteworthy things that help define it, such as the ancient cyclops ruins beneath the land or the links to the alien First World of the fey.

Like the adventure path it is based on, the Kingmaker computer game has a story separated into several linked but defined chapters that each present a new threat. Kind of like anime arcs that introduce increasingly dangerous villains at the center of each.

The story is generally fine and the secret ending is as satisfying as it is obscure. However, I would say that story is not what makes this game good in my opinion. This is no Planescape: Torment.

The game features many companions. I did not really care much about roughly half of them to be honest, but I do like the approach used to present them. They are all very visibly flawed, which can make for bad first impressions, but as you spend time with them and do their quests you discover new depths to them that make them far more interesting, and you see them change over time as well.

One notable example is Jubilost, a rude know-it-all gnome with an unpleasant and caustic personality that covers some measure of real kindness underneath (as well as the fact that he does indeed know a lot, he just needs to be less of a dick about it).

And of course, the central idea of the story is something that you don’t actually see that much of in RPGs, or even in a lot of modern tabletop campaigns: The player gaining a kingdom to rule. I think that while there is no way to properly provide the same range of options for how to handle this as the tabletop version can, the game still manages to accomplish something interesting (even if not wholly good) in how it integrates the gameplay into this.

In many ways, ruling the kingdom can actually be kind of stressful outside of easier difficulties due to the interminable problems and literal curses plaguing it. You will have to contend with everything from monster raids to plagues and invasions throughout the game.

While the mechanics of managing the kingdom are not really all that well-balanced and are more of a pain than anything to a lot of people, the throne room events where you get to make decisions on policy and such are often fun and not something you see in many other games.

One thing that can be off-putting about the game’s approach to narrative decisions is that there are a few times where the outcome of a quest can feel a little arbitrary due to depending on seemingly minor dialogue options. This is especially bad about the above-mentioned secret ending and the secret romance option. They go far beyond “secret” and into “you will be lucky to achieve this without a walkthrough”.

Finally, a few of the alignment tags applied during conversation options make no sense. This is particularly bad during chapter 2, but the issue comes up outside of it as well.

Immersion

This is one area where the game is not that strong, for multiple reasons. For instance, the fact that there is no crime system at all. You can loot your entire town (where even magical items are sometimes inexplicably placed in random homes).

The day/night cycle also seems to be for aesthetic purposes only as there are no schedules to go with it (which at least makes sense from a gameplay standpoint I guess).

The one thing the game actually brings to the table here above most others is also one of its most controversial features: The passage of time.

There is a real urgency to your quests, as there’s actual consequences to neglecting threats and situations that are meant to be urgent. 

In most games this kind of urgency is completely fake and the story advances at whatever pace the player decides. Not so here. If you ignore, say, the troll hordes early in the game then their attacks will eventually overwhelm and ruin your kingdom.

Everything from travel to resting and even hunting in place of using rations takes time. Rest too much and you could be sacrificing your long-term ability to manage the endless threats around your kingdom in exchange for an edge in the encounters immediately ahead of you.

This not only makes the mechanics somewhat more interesting by forcing you to manage time instead of playing it safe by resting liberally and doing a 15-minute adventure day, it also ties in with the narrative of just how deeply cursed, troubled, and flat-out burdensome caring for your kingdom can be.

It also just feels more real that events move on their own regardless of whether or not you are present to deal with them. This feature is not entirely positive, though. It can obviously be painful if you are struggling or lost.

Gameplay

This is one of the game’s strong points, at least if you enjoy the mechanics of the tabletop. Just as Temple of Elemental Evil was a simplified and buggy but reasonably faithful adaptation of D&D 3.5 rules, Kingmaker is a simplified and buggy but (somewhat less) faithful adaptation of Pathfinder 1E rules.

Obviously there are many, many things missing from the tabletop. Classes, races, feats, I think also grappling in general, firearms, and etc.

I think a lot of these cuts are fair. This is a huge game already and it would have been downright miraculous to include every single option possible in the tabletop. The consolidation and removal of skills that were unlikely to have much use in the adventure also makes sense for balance purposes.

The combat as a whole is deep and complex enough to remain interesting for a long time, at least in turn-based mode (which I recommend). The amount of options available to magic users in particular is extreme even if many spells are missing, and many martial classes also have some features of their own beyond just basic attacks.

Also helping things is the very wide variety of enemies, some of which require a specialized approach to take down easily. You can’t just use the same tactics for every encounter in the game.

For example, trolls regenerate unless attacked with fire or acid. Undead have a whole host of immunities but are vulnerable to positive energy. Golems are immune to spells and extremely tough.

My main complaint about this aspect of the game is really just that combat is a bit excessive. There are far too many random encounters and even outside of that there is much more combat in general than in the tabletop version. Too many of these encounters end up feeling like padding.

This game probably could have been under 100 hours easily if a lot of the superfluous fights had been cut and overall XP gain had been increased. Even with enjoyable combat, 100+ hours of this is way too much.

Besides combat, there are “storybook sections”, where you are presented with situations and must make decisions about how to resolve them, often making use of skill checks to determine results. These are nice, not much else to say about them.

Which brings us to  the last major aspect of gameplay: The kingdom management. This aspect is controversial, and you can turn it off entirely if it sounds like it may not be for you.

There are three major aspects to kingdom management: Decisions, projects/events, and city-building.

Decisions are the most interesting by far. You will be presented by an issue or a request to decide on your policy in one area. You will be given a handful of choices with varying consequences, which may be referenced in later decisions.

Projects and events are more flawed while still having a good idea at their core. These are basically issues that you will need to assign one of your advisors to fix. For example, sending your general to deal with a hostile.

Where it falls apart is the fact that a dice roll is involved in determining success or failure (though there is a type of currency you can spend to improve your chances, which can reach 100%). There are also so many things going on that some of your advisors can be busy for months on a project while various events that require their attention pile up.

The worst part is that there are certain projects that require you to spend a fortnight at your capital doing nothing.

But even worse than this is the city building, which is a missed opportunity. Most buildings provide little beyond a relatively small amount of kingdom stats. This is still beneficial, but not very inspired or interesting.

So there are a lot of problems with kingdom building, one of the core features of the adventure path. While I didn’t hate it myself, I understand why some people might want to focus on the adventuring and combat.

This is also the point where I should mention that the game was incredibly broken at release even by eurojank standards. It is definitely a lot better in this area than it used to be, but is still not the most reliable of games.

Aesthetics

This is one area where the game does very well. Some of the environments look great, the monster designs are generally good, the music is great (though repetitive by the end due to the game’s length), and the combination of sound effects and brutal animations can make combat extra satisfying.

Areas can even change depending on the weather or the time of the year.

The only negative that comes to mind is that most of what you see in the game is relatively generic fantasy environments that don’t really stand out. I was never much of a fan of lush, bright forests and the like.

At least there is still a bit of variety, with dark swamps and mountainous areas, as well as the rare trip into the bizarre First World that fey creatures inhabit.

Accessibility

This is one of the three big complaints about the game (the other two being the bugs and the difficulty). If you are not already familiar with the PF rules then you may struggle to play this game effectively, at least for some time. From what I recall, many things are not that well explained.

In fact, you may have already heard horror stories about how one of the very first side quests you find sends you to a spider cave where you have to fight swarms, which is a type of enemy that is immune to normal weapon attacks outside of the easier difficulties.

This lack of clarity can also extend to your story decisions, as previously explained.

Conclusion

Like many other big and ambitious RPGs, Kingmaker has a lot of jank and technical problems, and its complexity and difficulty mean that it is not really the kind of game that will have widespread appeal. 

However, this does not mean it has no appeal at all. It is a huge game with entertaining combat, a story that puts you and your decisions at its center, and the rather rare opportunity to become a ruler in an RPG. It tries to do a lot  and I for one prefer games with big ambitions and passions like this over games that play it safe, even if they are more competent and polished.

I’d say that this game is mostly recommended for tabletop RPG nerds, people with “old school CRPG” sensibilities, and people with a high tolerance for jank. Others can definitely still enjoy it, but may want to use the easier difficulty modes.

#vampire reviews rpgs #pathfinder kingmaker

[uniarycode]

Remember when I said I might to a Xros Wars liveblog/rewatch becuase I don’t remember it all that well?  No? Well today is apparently the 8th anniversary of Digimon Fusion, and while I’m going to go off of the sub (Xros Qars), if I’m going to do this re-watch liveblog thing it’s as good a time as any to start.

Haven’t really tried anything of this style, so I’m experimenting a little bit.

(Have to turn off the beta for this because pic limit, lol tumblr)

Pic of the day: Common sense

We open with a menacing army full of Mookmon, sorry, Troopmon, Tankmon, and some bigger baddies. Like physically bigger, I don’t recall them being very important. (I see you Valvemon in the top left.)  

Then we get introduced to a human and a trio of Digimon that will in no way be important.

There’s also an army of good guys, you can tell they are good guys because they show up in previous seasons.  I uh, only actually remember two of them appearing in this show.

Anyway, Taiki says Digixros a bunch, and the three non-silhouettes merge together into….x4?  Poor Starmon I guess, no recognition.  

X4 then solos the army of Mookmon, which is probably why the rest of the ‘good’ army never appears again, clearly they are superfluous.  But X4 gets taken down by a lone off-color Greymon because nostalgia.

..and it was a dream.

(So Akari and Zenjirou don’t matter....that sounds about right.)

We are then introduced to Akari, who is trying to deduce exactly which ball-based team sport she got stood up for.

She stops midway to take a selfie, kids these days, amirite?  Also to grab a bag with Taiki’s name on it...literally.

Taiki manages to pull an MVP move on the basketball court, by pretending to be in a sports anime when really just passing to a teammate.  Thus securing the team the win that he’s been looking for for months… sorry, I mean four days.

Yeah, that’s a Taiki thing.  The kid is a prodigy at nearly anything he picks up.  The implication is that he throws himself into it completely, and then:

He does not necessarily pick the best time or place for a nap.

Akari being the best character (of this arc)

Taiki reveals that his need to throw himself headfirst is because of a desire to help those in need, not because he’s just showing off.

(I am reminded how much his gary-stu ness annoyed me the first time I watched this.)

Zenjirou shows up and I’m def going to spell that name wrong at some point.  He’s mostly here for comic relief, but also to reinforce that Taiki can pick up a sport (kendo) in a couple of days and beat people who have been training their entire lives.

While Akari and Zenjirou rehash the great 1998 case of Bros V. Hoes, Taiki hears the voice of a dying king, then suddenly: chaos.  Cars merge into walls, phones stop working, the sky turns green, dogs and cats, living together.

Turns out, cars superimposed into building are not stable.  The strange voice warns Taiki of the falling car, and after he saves his friends, he is now able to see the tortured outline of Shoutmon.

All well and good, Taiki, but how do you propose helping the disembodied light?

(We also get a flashback to baby Taiki between these)

Shoutmon soft-mocks Taiki for trying to help him, and Taiki points out Shoutmon did the same, just in case you didn’t believe they were destined partners.

Floating toy with another disembodied voice.  Offering to help if Taiki accepts, he does and the x loader turns from white to red.  The others reasonably do not think touching the floating mystical toy is a good idea.

They wake up in a strange world, normal Digimon stuff, turns out the X-loader doubles as a Pokecenter, very convinent.

Then, suddenly the army of mookmon appear, lead by a new Digimon:

(Look. if the writers determined you were going to die every season, you wouldn’t be very happy either.)

But then dream Digimon #2 shows up to save them, alongside a bunch of babies.  Shoutmon also comes out to fight.  .

We get a quick sequence of the allies using special attacks to wipe the floor with the mooks, normal debut episode things.  Then Madleomon gets mad that a human is involved and absorbs all his friends to…Digivolve?

(They missed a perfect opportunity for raving MadLeomon)

Uhh, good plan?

The mysterious voice tells Taiki to use the x-loader, which he does to form…the top half of a super-fighting robot.  Which lasts long enough to get off one punch before dissolving. He then xroses the Starmon and Pickmons into a sword, (will happen a bunch.) just in case you weren’t sure of the core mechanic.

Madleomon’s powerup breaks, and he gets forced back, namedropping a greater villain.  Tactimon, obsessed with perfection.  Which is a good thing, because if he’s like half the perfectionist I know he’ll be too busy sorting out all the details of his plan to actually execute it.

Coming on a little strong there bub.  Maybe take him out for a coffee first?

The name of the kids this time is generals, but that also gets extended to some Digimon.

If you are used to normal Digimon seasons, this is going to be a bit of a jump.  It isn’t the normal 1 human 1 partner here.  This is a battle of armies, (but mostly just jogress ++)

And yeah, they know nothing.

Keep being creepy Nene.

And also blond blue boy featuring off-color Greymon. 

And thus ends the first episode that was mostly about introducing Taiki, and the concept of Digixrosing. Also uses a lot of X4 for never showing every component. 

Final note: add break card

I think maaayyybe Vmon shows up in a limited capacity?  For a series that is perfectly willing to completely ignore levels and do something completely different in terms of evolution, there sure is a lot of nostalgia pandering. 

#Digimon #Xros wars #Uni watches Digimon #liveblogg #this took way longer to set up than I was expecting

[ace-beef]

Truth Seekers spoilers

okay so I have a lot of thoughts surrounding the characters Dave and Jojo and I’m gonna talk about them under the cut so don’t look any further if you haven’t watched the show yet and don’t want to be spoiled!! 

so... what exactly ARE Dave and Jojo? 

I think we have three main options: gods (more specifically God and Satan), angels and/or demons, or aliens, and there’s a decent bit of evidence for each thing/stuff that could be interpreted to link to each thing, and I’m gonna delve into that in this post. So buckle up lads this is gonna be a long one. 

First I’m gonna go over the possibility that they’re aliens since that is the one I personally think is least likely since most, if not all, of the evidence that suggests that they’re aliens is linked to Dave and not Jojo. Anyway, Alien Evidence:  - Dave pulls out the Pioneer Plaques to show Jojo what he based his human appearance on. So they could be aliens that came across the Pioneer spacecraft and decided to investigate Earth further - Dave himself is a huge Carl Sagan reference, as listed by this tumblr post here, so his appearance could have been a result of him being inspired by one particular human he happened to like a lot (similar to how he appears to like Gus and Astrid a lot)  - the slogan on the side of Gus’ van says “connecting worlds”, and we can safely assume that that is Smyle’s slogan, the slogan of the company that Dave is in charge of. So this could be a similar situation to The Network in The World’s End in the sense that Dave could be an alien aiming to connect different intelligent civilisations throughout space. Although it definitely seems like Dave isn’t seeking to aggressively convert and control these civilisations that he connects like The Network... right? I’m fairly confident that he’s supposed to be a Good(TM) character and not some surprise twist villain but y’know we’ll never know 

So yeah while there is definitely some stuff to suggest that this mysterious pair are aliens, I personally don’t think they are since I’ve found more evidence suggesting that they are something else. They appear to be too in tune with Earth, the creatures inhabiting it, and “the other side” that souls pass on to after animals and humans die just to be aliens from another world that are observing the planet. Plus the use of the phrase “Super Being” for some reason doesn’t feel alien to me, because unless they’re very self entitled aliens (and Dave definitely doesn’t give off that vibe) then I don’t think they would consider themselves as above humanity, which is the energy that the phrase “Super Being” gives off. I heard that phrase and interpreted it as meaning ‘beings that are above humanity and above human comprehension’. Aliens for the most part are depicted as being just another race of beings, not above humanity despite how much further advanced they are. There is the possibility of Dave being the only alien of the two but then how did these two creatures meet? It just doesn’t feel right since they both appear to be on the same level as each other and have some kind of mutual understanding as if they were both the same thing, not two different creatures.

Anyway next I’m going to move onto the things suggesting that they’re angels and/or demons. This seems more plausible to me than aliens but I’m still not 100% sure on this one but I will say that there is a lot of evidence/interpretations that could suggest both this possibility and the possibility of them being gods. Angel/Demon Evidence:  - the name ‘Jojo’ could be a link to the angel Jophiel  - there is a mention of a ‘bigger picture’ so we could have a Good Omens-type situation where there is a plan in motion that both Dave and Jojo are a part of and are making sure that it is played out  - the “what did you come as?” “same as always, a man” bit obviously suggests that their actual forms are definitely not human and probably not even humanoid (whereas an alien would be at least humanoid in some capacity). Bibically accurate angels do not look human/humanoid in the slightest, and demons, while a bit more humanoid than angels, are still very animalistic in appearance. Also, imagine an innocent angel that has never pried to look at what a human ACTUALLY looks/acts like suddenly panics about having to look and act like a human and pulls up that one thing the humans sent out to the aliens as a reference and goes entirely on that (listen I really like Dave he seems like such a Good Boy who isn’t the brightest but he’s trying his best) - Dave’s aversion to swearing, links to the theme of purity which is obviously an angel thing. Plus ‘Good’ characters will often have a trait of being against swearing to reinforce the idea that they are Good and Pure - Gus makes a comment about Dave “never not being [at Smyle HQ]” so he’s clearly there all the time, which could suggest a lack of needing to go home and do basic human functions such as eat and sleep etc (I do want to bring up that an alien still would probably need to continue with some kind of basic functions that have similar purposes). Plus while he does have a coffee cup on his desk, it’s only filled with pens - in a similar vein, Jojo appears to spend all of her time in the abandoned Happy Eater, and even though it’s an abandoned restaurant, it’s been abandoned for over 20 years and therefore won’t have any edible food still in it (except for the crisps but let’s be real Elton why did you try and get those out they’re probably horribly out of date). The still steaming cup of tea/coffee and the crisps in the vending machine I feel like were put there by Jojo to play to the gang’s curiosity and prompt them to explore further and find her 

there are a few things here that could also be used to suggest that they are gods/God and Satan, plus there’s a few more bits that would also go in this section but I’m saving them for the next bit. Anyway there’s the stuff pointing to them being either both angels or Dave being an angel and Jojo being a demon, and there’s plenty more evidence compared to the amount of things that suggest that they’re aliens. 

Finally we have the things linked to the idea of them being gods of some kind, or more specifically God and Satan. This is the idea that I am the most sure of.  Gods/God and Satan Evidence:  - as I mentioned already, the idea of the ‘bigger picture’, but instead they are the ones in charge of carrying this out. This feels more likely especially when considering the way that Jojo talks about her ‘use’ of Toynbe. Plus the way that the two go about doing everything, the ambiguous vibe that the two are either having the equivalent of a friendly card game against each other or are actually on opposite sides. Consider the placement of the rose in the field and the planting of the cameras etc - also as mentioned earlier, the implication that Dave never leaves Smyle HQ and Jojo stays in the abandoned restaurant. Also I want to add on the fact that neither of them appear to have cars, like Dave outright says “I don’t have a car” and yet knows how to drive the one he borrows, and there’s no sign of a car at Jojo’s hideout. Plus the way she doesn’t make any kind of journey and just appears in Dave’s office: he doesn’t look up to see who’s walking through the door and there is no shot of Jojo walking through the door, he simply smiles as if he senses her presence appearing in the room before looking at her - Dave wears blue, white, and grey clothing, which are also the same colours used in his office, and the lighting whenever he’s in shot is always either bright and white or a light blue, especially in that last scene where Jojo and Dave are chatting in his office; every time the camera is on him, the lighting of the shot is always blue. White especially is associated with holiness and purity, as well as being a colour that is associated with God, angels, and heaven. Blue is similar in the sense that heaven is always depicted with white clouds and bright blue skies, as well as blue often being a colour used to represent ‘Good’ characters - speaking of colours, Jojo is also linked to certain colours, with those colours being red and black (but primarily red). The abandoned restaurant is dark and barely lit, and her hideout in the basement is primarily lit with red lighting, both in the scene where she encounters the Truth Seekers gang and at the end where she rings Gus and orders that guy to send a cleanup crew. Also, once again in that last scene, she not only is wearing a black item of clothing, the lighting of her shots are always red to oppose Dave’s blue lighting. Red obviously is synonymous with hell, evil, the Devil/Satan, sin etc. Red is also often used to represent villains and evil characters, and black is similar with its themes of darkness and it’s use for villains. I like to think that Jojo got that blue rose for Dave partially to mock him, especially when considering that apparently blue roses are often used to symbolize mystery or attaining the impossible. (Also I want to point out that we already know that these boys do love their colour coding/theming as evidenced by the Cornetto Trilogy) - once again I’ll bring up the phrase “Super Being”, which really does sound like a phrase that a god who is very much above humanity would use, like that just screams ‘gods’ to me  - I used this as alien evidence but Dave looking like Carl Sagan could also be applied to him being a god and just deciding to base his appearance on a human he liked a lot - same with the “connecting worlds” slogan, since I think that part of Dave and Jojo’s game/contest involves experimenting with and/or influencing the boundaries between the ghost realm and the living realm, this slogan could have something to do with that - the way that Jojo says she “shouldn’t have used [Toynbe]”, which reminds me of the story in the Bible where the Devil tempts Jesus, except Toynbe succumbed to the temptation and “focused too much on the immortality”  - speaking of that line in particular, it also makes me think that Dave and Jojo are the ones ‘in charge’ of whatever game or contest or battle that the two are having, as I mentioned already. But that line, as well as other things, also gives the impression that they are alone in this, like Dave isn’t just one of many angels or a god with loads of angel lackeys to do things for him, and the same goes for Jojo. They do appear to have human ‘lackeys’ to do more basic tasks such as Jojo requesting the cleanup crew and Dave having a company with human employees, but overall the humans are unaware of what is really happening. Whatever thing that these two have with each other, whether they’re friends having a casual game or are on opposing sides and having a serious battle of some kind but are remaining friendly with each other because there isn’t anyone else like them, it definitely feels like these two are pitting against each other alone, with nobody else who really knows what is happening 

Overall, I think the two are some kind of higher entities that are above humanity yet they are still very strongly linked to and woven into the fabric of the Earth and the human race, so like they’re not outsiders to the mechanisms/forces of the planet. They seem more knowledgeable on the ghost realm/afterlife than humanity is, but whether they can actually control/influence it is still a bit of a mystery, like part of their game/contest could be one big experiment with the living realm and the ghost realm. Who knows? Not us, since season 2 isn’t going to be a thing, so I’m just gonna theorise until I die /j

So there ya go, all of my current evidence and thoughts on what the hell is going on with Dave and Jojo. I will probably update this post if I come up with/find any more things to add, probably by reblogging it. Also of course do feel free to reblog and add your own theories! 

#my brain apparently remembered that it did English A Level while writing this all out #but yeah these two characters have captivated me #literally have been thinking about them 24/7 for the past few days #especially Dave I really like him #NO not just because he's played by Simon Pegg #truth seekers #truth seekers show #amazon prime #jojo74 #truth seekers dave #truth seekers jojo #simon pegg #nick frost #beef speaks