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#the Union
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excitementshewrote · 5 months
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netflix · 2 months
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What’s Next on Netflix in 2024 (Squid Game, Rebel Moon, The Umbrella Academy and more)
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blufruity · 3 months
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Since it's still the 60th year, here's some more 60th stuff! It's my interpretation of the Two and The Union from, err, The Union!
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handeaux · 1 month
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Wendell P. Dabney’s Lifelong Efforts To Preserve The History Of Black Cincinnati
Anyone who studies Cincinnati’s history owes a debt of gratitude to Wendell Phillips Dabney. Nearly one hundred years ago, Dabney published one of the most important books ever written about the Queen City.
“Cincinnati’s Colored Citizens” appeared in 1926 and is still essential reading for anyone who wants to understand the rich history of our city. At a time when Black people faced unrelenting persecution and segregation, Dabney compiled an exhaustive and almost encyclopedic record of African Americans in Cincinnati. His book highlights the accomplishments and points of pride of a thriving community derided and stereotyped by the majority power structure.
On page after page, Dabney documented hundreds of Black citizens raising respectable families, owning solid and profitable businesses and residing in homes better than those occupied by many of Cincinnati’s white residents. He demonstrated that Black professionals thrived in Cincinnati despite legal and societal prejudice, and he showcased charitable institutions created, constructed and funded by Black generosity, including an orphanage, social clubs, churches, schools and homes for the elderly. Almost a century later, Dabney’s book is the only available source for information about Black Cincinnatians before the civil rights era.
Dabney promoted his personal political agenda through his own newspapers. Dabney’s were Cincinnati’s first newspapers aimed at an African American audience. He published the inaugural issue of The Ohio Enterprise in 1902, changed the name of the paper in 1907 to The Union, and single-handedly published that paper until his death in 1952.
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A big fan of Dabney’s was Alfred Segal, the Cincinnati Post writer known by his byline as “Cincinnatus.” Segal often shared items from Dabney’s columns with his own readers. According to Segal [27 August 1950], The Union was less a news medium and more of a lectern for the irrepressible Dabney:
“It hasn’t been really a newspaper in the sense of handing out the latest news; it has been more of a reflection of Wendell P. Dabney himself and how he thinks and feels about everything. It is a paper for colored citizens but many white ones read it just to get the flash of Mr. Dabney’s mordant humor.”
While it is true that his newspaper published many wry examples of the editor’s humor, Dabney was an untiring opponent of segregation. For much of Dabney’s life, integration was a controversial position among Blacks as well as whites. Many in the Black community believed that segregated schools, hospitals and other institutions provided protective environments for African Americans. Dabney would have none of it. He wrote [30 December 1922]:
“This drawing of the color line in public institutions and establishment of ‘jim crowism’ is largely done by Negroes themselves, either through ignorance or desire for money. Civic rights legally belong to all citizens. Segregation of people is not necessary to fit them for civic duties. We have here and in other cities, colored people in nearly every profession and department of public life. ‘The Caste System’ has never done anything but degrade.”
Dabney’s health began to fail as he reached his eightieth birthday in 1945 and made noises that he would soon give up publishing The Union, but soldiered on. Soon after achieving that eight-decade milestone, Dabney hopped up from his sickbed and demonstrated that he was still capable of the old buck and wing as well as some clog dances. A celebration of Dabney’s 84th birthday in 1949 attracted more than 350 guests. The Union maintained its weekly publishing schedule until Dabney died in 1952. In an obituary of sorts, Al Segal of the Post [4 June 1952] observed:
“He never made any money out of being a publisher; it was pay-off enough for him to hear people laughing with him.”
Wendell Dabney was born in Richmond, Virginia just after the South surrendered in defeat to end the Civil War. His parents, John M. Dabney and Elizabeth Foster Dabney, had been enslaved but built a successful catering business after achieving freedom.
Dabney graduated high school in Richmond and began appearing on stage, sometimes with tap-dance legend Bill "Bojangles" Robinson, a childhood companion. He later attended Oberlin College in Ohio and performed in that school’s orchestra.
After teaching for a couple of years in Virginia, Dabney relocated to Cincinnati to manage property inherited by his mother, including the Dumas House, the only Cincinnati hotel that accepted Black guests.
Intending to stay in Cincinnati only long enough to stabilize his mother’s properties, Dabney was introduced to a young widow with two children, Nellie Foster Jackson. They married in 1897 and Dabney credited Nellie with his later accomplishments. In Cincinnati’s Colored Citizens, he wrote about her:
“The loyalty and courage of his wife through twenty-five years of storm and stress engendered that domestic harmony and inspiration to which whatever success he may have attained is indebted.”
Dabney integrated himself into Cincinnati’s social and political fabric and excelled at several endeavors. He was an accomplished musician who composed and published songs and melodies and offered lessons through Cincinnati’s Wurlitzer emporium. He published a biography of his friend, Maggie L. Walker, the first African American woman to charter a bank and the first African American woman to serve as a bank president. Dabney was the first president of the Cincinnati chapter of the National Association for the Advancement of Colored People and was, for many years, a stalwart in the local Republican organization. With the rise of the progressive Charter Committee in the 1920s, Dabney switched his allegiance to that organization.
For 26 years, he served as paymaster for the City of Cincinnati. Dabney noted dryly that, although he had been entrusted with dispersing a total of $80 million over the course of his career, his personal salary was only $150 a month. Such was the nature of political appointments under George Barnsdale “Boss” Cox. As founder and leader of the Douglass League of Negro Republicans, Dabney was an essential factor in getting out the Black vote. The Cox machine rewarded key influencers like Dabney with spots at City Hall.
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awstenlookbook · 25 days
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For the Sneaking Out of Heaven Tour show in Salt Lake City, UT at The Union Event Center, Awsten wears a generic "Girls To the Front" graphic tee (similar from Amazon pictured, $14.99).
📸Destiny Ross for Fresh Off The Scene Magazine
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thefalloutwiki · 7 months
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Pictured: Concept art of Fallout 76's Union Power Armor, created by Joon Choi.
You can see our page for Union Power Armor here.
You can also see more of Joon's art here.
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weakheroforever · 6 months
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dwimpossblog · 5 months
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The Union
The Doctor is reunited with his granddaughter Susan and River Song as he finds the answers to his degeneration crisis in 'The Union'!
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View On WordPress
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dubiousartiste · 11 months
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They do it... every... damn... time...
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luckydiorxoxo · 2 months
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Here's a look at Mark Wahlberg and Halle Berry in THE UNION.
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A construction worker from Jersey is quickly thrust into the world of espionage when his high school ex recruits him on a high-stakes mission. Premiering August 16.
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Mad cat do you like The Orville? I saw your post talking about Twice Upon a Lifetime. Gordon has my whole entire heart and I wish they could have just let him be, but they had to protect the timeline. Everything they did they did for the sake of their future.
I do! In a lot of ways, it was baby's first Star Trek, for me. I saw episodes of Next Gen here and there when I was a kid, but The Orville is what inspired me to watch Next Gen (and Discovery) in full. Even to this day, I consider The Orville to be "real" Star Trek. Not saying it's better than official content (though I certainly enjoy it) but I would argue that it's more than earned it's place as an addition to that fictional universe.
Regarding Twice In a Lifetime,
I know that was the point of view the episode wanted to establish for Ed and Kelly, and I'm not even sure if they wanted us to see Gordon as being in the right or wrong. I can only tell you that when I watched it, I was absolutely on his side and frankly, rooting for Ed and Kelly after that episode was...challenging.
They claim they want to protect the timeline, but they have an extremely narrow definition of what that means, regarding a subject that they freely admit to not fully understanding. The fact is, Gordon could be right. Maybe the timeline where he stays on Earth is the "right" one. The Orville crew don't know. They can't be sure, one way or the other, so what makes the version of time they're fighting for more real, more legitimate, more "safe?" Whether or not Gordon should have done what he did, it's happened now. Ed claims that it's still in flux "until we act." But that doesn't make any sense. Everything they do is "acting." How does the timeline know when they "mean" it?
Oh and, they go back in time to rescue Gordon from 2015, despite already interacting with Gordon in 2025, and obtaining the fuel they need to make that journey from 2025. Would that not create gigantic paradox? I guess it doesn't, but again, how the hell could the Orville crew be sure that it wouldn't before they make that jump? Can we also talk about how they mine a finite resource from the Earth's crust that hasn't even been discovered yet, like that won't affect the timeline more than Gordon having kids.
There is no way to not leave a footprint when you're in the past. It is not possible. On paper, hiding out in the woods seems like it would change less, but it really doesn't. Every one of the animals Gordon killed for food might have played some role or been part of a domino effect that changed the future somehow. It's called The Butterfly Effect for a reason. Living a quiet, mundane life, to me, is just as acceptable and probably smarter than staying in the wilderness. Oh yeah, and when they find Gordon's bio, Kelly asks "Why is there a record of him at all?" My sister in Christ, why were you looking him up in the first place if you didn't expect to find something?
Ed and Kelly keep bringing up Union law to Gordon, even though the Union literally doesn't exist in the 21st century. How is he supposed to break laws that don't exist? The Union can try to legislate the past all it wants, but in actual practice it should have no right or jurisdiction. By The Union's it's own reasoning, the past is apparently written in stone. Ed and Kelly also mention how Gordon "took an oath" as if he hasn't made it very clear that he's resigning his post as a Union officer. And so long as we're talking about the law, would it not be a crime to erase Edward and his unborn sibling? Like, Gordon raises that point and Ed/Kelly don't acknowledge it.
Man, I could go on. I could talk about the hypocrisy of The Orville crew considering history says they're all supposed to be dead after the dark matter storm in Season 1. How they were far more open minded with Past Kelly in Season 2, agreeing to let her stay and not forcing a memory wipe on her when she was going home. Not to mention they were willing change history in The Road Not Taken. I could talk about how, in just the previous episode, they were willing to risk losing their greatest ally against the Kaylon just so Topa could transition. I'm not saying any of these decisions were wrong, but if that's the attitude we've been going with so far, how do Ed and Kelly justify such a sharp turn?
In general, I have a lot of issues with the laws of The Union/Federation. I also think The Prime Directive is a circular argument that basically humble-brags about it's own lack of empathy, but that's a debate for another time.
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"Fellow-citizens, we can not escape history. We of this Congress and this Administration will be remembered in spite of ourselves. No personal significance or insignificance can spare one or another of us. The fiery trial through which we pass will light us down in honor or dishonor to the latest generation. We say we are for the Union. The world will not forget that we say this. We know how to save the Union. The world knows we do know how to save it. We, even we here, hold the power and bear the responsibility. In giving freedom to the slave we assure freedom to the free--honorable alike in what we give and what we preserve. We shall nobly save or meanly lose the last best hope of earth. Other means may succeed; this could not fail. The way is plain, peaceful, generous, just--a way which if followed the world will forever applaud and God must forever bless."
ABRAHAM LINCOLN
[Abraham Lincoln's 1862 Annual Message to Congress, Final Remarks :: December 1, 1862]
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classicartverso · 2 months
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John McCrea - The Union
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mr-boundless · 5 months
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the Collective
the Two (Michael Maloney), the Eight (Tim McMullan), the Nine (John Heffernan), the Eleven (Mark Bonnar), the Twelve (Julia McKenzie) and the Union (Maureen O'Brien)
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