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#that relationship changed his life
catsharky · 4 months
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Yeah I was right and there was no way I was getting the rest of this done without making you all wait another month or two, so I just went to the next good break point. We're officially past the halfway point with Astarion though, so not too much longer before you actually get to see Rolan again!
Part 1 • Previous Part • Next Part
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petricorah · 24 days
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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superhell · 1 year
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house md is wild because house tells wilson that he’ll sacrifice many things but never himself and then he sacrifices himself for wilson. and then he sacrifices himself for wilson. and then he sacrifices himself for wilson. and then he
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puppetmaster13u · 3 months
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Prompt 198
Now Bruce was not expecting to reincarnate upon his death. At least he thinks he died, he’s pretty sure he did. There wasn’t any other reason for him to be a well, literal baby. Around two he thinks, which fits well with the fact that it’s around that time that babies start forming memory recall, if he, well, remembered correctly. 
But while he knew about reincarnation thanks to Shayera and Carter, he’d never exactly given it much thought towards himself. Because seriously, what were the chances of such a thing as him being given another chance? 
So he was quite surprised at his situation, experimentally opening and closing pudgy hands that looked well, just a tiny bit off. He’d never been that pale before, he thinks, even back when he never went outside like, ever. 
He turned his gaze towards the mobile above him with a sort of idle curiosity- a mixture of bats (ha) and other trinkets he wasn’t familiar with. It also caused him to get his first good look at his parent, asleep on a rocking chair right next to the crib. 
Huh. They had the same pale skin he did, albeit in the light it looked like it was slightly tinted blue, and while their hair was white they didn’t exactly look old. They looked surprisingly well rested for raising a toddler too, unless they had a nanny or something similar… He rolled over, managing to very shakily push himself to his feet with the help of the crib. 
Why was standing so hard as a toddler? And why did he have his memories of everything except how he had died anyway? 
His head whipped up from where they were staring at his feet when he heard a snort, finding his parent awake and standing. Somehow silently enough that he hadn’t noticed- or he was that easily distracted by the unfamiliar giddiness bursting in his chest. 
“Morning little bat,” his parent easily picked him up and held him while he inwardly sighed at the nickname. Of course his bat motif would follow him into this life. A low rumbling almost caused him to jump, his body relaxing before he could fully register the sound. The… purring? 
Oh. 
He wasn’t human this time around. 
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ruporas · 1 year
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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cynthia39100 · 3 months
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Merlin rewatch -- S1E4: The Poisoned Chalice
Merlin & Arthur end scene
This scene is the reason I love this episode so much.
It started with Arthur casually dropping by the infirmary. I liked that small smile when he spotted Merlin not dying on the bed but sitting upright and eating. He then noticed Gaius and gave him a little nod. Good kid. (Also that short brown jacket suited him so well!)
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Another gorgeous shot with them looking into each other's eyes ~ A hint of teasing was still in Arthur's voice when he said " Still alive then." but his expression and his movement were very gentle. Then he just turned all honest and soft. When he reminded Merlin to work the next day there was none of the usual demanding tone even though he bulged his eyes and try to look threatening.
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I also liked that he played down his attribution in this save-Merlin mission, just like he didn't brag about his heroic deed to Morgana earlier. " A half-decent servant is hard to come by," he said. Just a roundabout way to praise Merlin's courage. He probably didn't think his achievement was nearly as brave as Merlin's. Merlin was an incompetent servant yet was willing to drink poison for him. Whereas Arthur had all the skills he needed for the quest and only survived because of an unknown sorcerer's help.
Merlin didn't think that, of course, so he called Arthur back and they had this gorgeous exchange.
The lines were so simple yet conveyed so much. It might be the first time they truly stood on equal ground. They were always casual with each other of course, but it felt like a new level. Before, it was "a brave, funny peasant" or " a prat but good-hearted prince". Now, they were two persons who were willing to risk their lives for one another, despite the restriction of their respective rank, and they recognised this shift in their relationship in this short exchange! Beautiful, beautiful scene.
<- Prev [other episodes]
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aurorangen · 16 days
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On the weekend, Renee took Robbie out to take his mind off things. He felt more comfortable if Jayleen was there, so Renee came along with Vincent! Visiting the Bloom Garden & Cafe was a nice escape from the busy city and they enjoyed the splendid views! But Renee and Vincent started talking about their jobs; something Robbie didn't want to hear. He tried to block out their voices, but all he heard was their success, making him feel like even more of a failure...
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Then he heard enough. He made some snide remarks about their careers targeting Vincent's success and left to get some space. Renee should have known better about Robbie's work situation and went to check on him, "I'm sorry Robbie, we should've stopped." She let him vent his frustrations, listening and offering some big sister advice.
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"There's one more thing...I'm a bit embarrassed to say this," Robbie admitted and talked about how he was intimidated by Vincent. "Oh, Robbie," Renee finally understood his perspective.
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"Sorry, I shouldn't have said all that to you," Robbie apologised to Vincent. "Hey, it's ok. I get what you're going through, I've been there too," he managed a small smile, "You remind me of myself...when I was at the lowest point of my life." Robbie doesn't know much about Vincent or his past: all he thinks about is how he is now and how perfect his life seemed. His train of thought was interrupted by a gentle touch, "If you ever want to talk about it, I'll be here for you."
Lot used: Bloom Garden & Cafe by @rheya28 tysm for this magnificent build ❤️
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pocketramblr · 3 months
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you know im thinking. im thinking maybe Yoichi wasn't even that into captain hero as an adult, but AfO kept bringing LITERALLY every conversation back to that because he decided to Be The Demon Lord and so Yoichi like, can't get an argument in unless he uses the same material so he's like 'oh my god i haven't even thought about that comic in ten years but even i know the bad guy didn't win. you should not be basing you whole identity, business model, and world destruction plan on your five-second impression of a comic book bad guy who didn't even win! also you shouldn't kill people!'
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vvitchering · 1 year
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I think maybe everyone should cool it with the “weird cult” comments regarding the covert, honestly. It wasn’t that funny to begin with but now that it’s the popular describer it’s starting to become a little uncomfy. No one is forced to join, no one is forced to stay. There’s a ton of parallels between them and real world cultures and religions and I just think MAYBE we need to be a little more aware of what message we’re sending when we say “haha that group of people who are in hiding because their lives were/are at stake and who practice anonymity to survive and follow certain rules that I don’t personally understand or like are a weird cult”.
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wildflowercryptid · 8 months
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some doodles of tris and their two favorite babygirls
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goemon-fan · 2 months
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fujigoe
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six-of-cringe · 3 months
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"haha wylan walks in on jesper kissing the wrong guy" yes funny but moving on, have you ever wondered why Wylan was up there in the first place. Because the last he'd seen of Jesper was him being yelled at by Colm to explain what was going on or Colm would "tan your hide so bad you won't be able to sit down for two weeks". Everyone else finds Jesper getting full government-named very funny, but to Wylan this threat would not seem empty - that is just what happens when sons make mistakes. Consider that he wanted to check on Jesper, to see if he was alright, because though it's not really addressed directly, the story gives us several moments of Wylan not trusting Colm and trying to "protect" Jesper from him. Wylan had been isolated to the point where he only knew one father-son relationship, or even one relationship at all, which was between him and Van Eck. Why would he trust Colm? Maybe he just wandered into the room for a silly plot convenience, but I think he was there to assess the damage and be there for Jesper in case the thing that happens between fathers and their sons happened to him.
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bonefall · 5 months
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jayfeather and moleflight toxic yaoi…
Oh wow there's not even anything in the Molejay tag. Is this pair so rare it's not been done yet?
Jayfeather and Moleflight, toxic yaoi, "I named myself after the time I trounced your angelic ass" and "I've personally assigned my entire afterlife to trying to prevent you from causing chaos." They want to kiss each other sooo bad it makes them look stupid. The rituals, they are so intricate.
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babygirlgiles · 6 months
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I think one of my biggest critiques about Catching Fire as a movie is that there’s entirely too much Gale in it. And I’m not just saying this as a Peeta Girlie, I’m saying this because Gale’s palpable absence is so strong at the beginning of the book that it’s a presence within and of itself and that’s central to the first part of the story!! The fact that Peeta is there when Gale isn’t is key to showing How The Games Have Effected Katniss!!
Katniss is experiencing this meteoric rise in economic class practically overnight. She’s gained an immense amount of privilege, relatively speaking, at an immense cost (the trauma of the Games, the damage to her emotional and mental well-being, the damage to her sense of self, the increased risk that immediate harm might come to her family and loved ones). She’s realizing that she really was part of her community before the Games by virtue of being distanced from that same community now. Because that’s what the Games, and the resulting class hyper-mobility, did to her: it’s set her apart from her peers. And Gale being absent is part of that. She doesn’t have to go to school. She doesn’t have to hunt or trade at the Hob. She doesn’t have to join the district’s industry. But Gale does have to do all those things. It’s why they only ever see each other on Sundays, the one day of the week he isn’t in the minds. It’s why they have increasingly little to talk about when they do meet, because their lives are so vastly different now and because the things that do occupy Katniss’s days are things generally related to her stratospheric class leap and/or the horrific cost of that leap, things she either doesn’t want to talk about or straight up can’t talk about.
She’s had this seismic shift in her life that’s detached her from her world and turned her into an island. Peeta and Haymitch (and to a lesser degree her mom and Prim) are the only ones that have been metaphorically cast out to sea like her. That’s why they’re a constant presence in the beginning of the book when Gale is not. And that’s why adding in scenes with Gale to the beginning of the movie (or keeping in scenes with Gale at the cost of like. literally every other thing that happens in that part of the book, including all the time she spends with Peeta and the others) undermines that point.
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puhpandas · 2 months
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I literally cant imagine beckory any age below 14 because it only works if tony develops as a person and also if they're a bit older + gregory has had time to get used to having friends and family 😭 which is why 12yo default gregory is still 100% a family boy aka his new fam is all he needs for the time being
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pickletrip · 4 months
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Did I start watching "For Him" because of the spicy GIFs on my dash? Yes
Is the acting good? Not really, I've seen better uni BLs from Thailand.
So why am I still watching it? BECAUSE NAIL AND HIM ARE WILLING TO TALK TO EACH OTHER AND NOT JUST BRUSH OFF THEIR PROBLEMS.
THEY COMMUNICATE.
My Dear Gangster Oppa could learn about communicating from them.
Look, they are at a restaurant to have a nice meal, Nail sees his ex and is instantly uncomfortable and Him clocks that and asks what's wrong. You know what a regular show would do, Nail would answer " Oh, nothing, it's nothing." But what does Nail do here? He honestly tells Him and Him understands that Nail is still dealing with his past relationship and they leave. Him says it's okay to feel this way and he understands that Nail is still dealing with the shit Jay did to him.
Take another instance from episode 4.
Te is being the usual creepy stalker idiot and tells that Him has done terrible things to Blue. Of course Nail wants to know what's happened so he asks Him without beating around the bush. And Him was honest about why Blue left him. We still don't know all the details but Him says he neglected Blue so Blue left him. He talks about how he needed to get some medical help because of what happened. Do you see how they communicate???! Other shows would have shown Him getting defensive and saying that Nail needn't know these things.
Even after the argument with Jay in the hallway, Him leaves because Nail is clearly upset, they talk over the phone and make up. They don't just leave it for another day and let the bad emotions stew and make each other feel like shit.
This is why I appreciate the show. They communicate. That's the foundation of a good relationship.
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