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#that is the most accurate shit in the world
joelletwo · 3 days
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apropos of aaaabsolutely nothing happy EST wound fucking wednesday. this post is just for that one reader
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[ID: rendered robots franchise fanart of oppie and megs (the recent cartoon for kids iteration of them) stradding each other mid-wrestle. they both show wear and tear. megs, scowling, is punching op's grille-abdomen, warping the metal, other hand gripping his shoulder to pull him down into the hit and falling backwards a bit with the momentum himself. oppie, frowning deepy or grimacing, has one hand gripping megs' thigh and the other on one of his shoulder spikes to keep him from being able to maneuver or escape. he reels back with the punch but still rests stably on splayed-out knees, one slid under megs, adding to megs' unbalance and making him kick out his own leg that oppie straddles.]
pre-canon war stuffs........................ that can at least exist in my mind palace of Not Really Knowing Jack Shit
ONE good turn deserves another i would say...... meaning a big trip thru the lb tab collecting a folder of relevant unconscionable violence vibes i didnt even get to use all of*/push as far as i could have. and then a lot of time doing chain-licking meditations on big blocky 3d shapes. and then a lot of time wrestling with that one csp 3d model pose set. WELL. when i saw what u were sketching the other day i lost my fucking mind trying not to say anything kjsdfg so hopefully good sign this will be received well o7 <22
*my dreams of putting tfs in clothes was not an appropriate venture for first times drawing tfs. YET
+ just the lines bc good lord i drew so many details on Those Things. looking at other ppls art styles. i didnt even have to do that i dont even need to feel bad abt the bits that broke my spacial understanding no one is doing 1:1 replicas. but it was kind of nicely meditative to whittle away at actually i enjoyed it
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[ID: same pic, colors and shading removed to show oppies lineart was a bright blue and megs' a bright orange]
things i gained a heightened appreciation for in this venture: the way that megs' pelvis design elements look like he has a jacket tied around his waist. CUTE. his BIIIIIG fucking boots i didnt get to show off. his faaaaaaaace chiseling. oppies 1:1 accuracy little windshield wipers. difference in frame between them (most of the robots seem to have narrow waists but i like that i can accurately draw megs still a little Built there. fun!) the joiiiiinnnnntt articulation logic on these guys is so neat kudos to. franchise full of robot designers that are extra incentivized to make them at least somewhat real-world workable.
+ honorable mention: THEYRE SO WIIIIIIIIIIIIIDE. taking up the entire 4:3 frame space in episodes. throwing out half the oversketch notes i took of the csp models bc they simply did not matter and would not be visible underneath both of these guys blocking each other kjghsdf
anyways. to say. HAPPY TO BLOG AT THE SAME TIME AS YOUUUUUUUUUU and heres to another year of getting to know the most delightful wonderful realm of things and ways to get weird with things thru it vicariously and firsthand. dearly beloved blogging bestie who i hope has a nice day ^_^!!!!
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uncanny-tranny · 6 months
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Big reminder that your country is not immune to bigotry. I've seen so many people, for example, pretend like antisemitism doesn't exist in the USA because we were part of the allied forces in WWII (of course, they conveniently don't remember that we rejected jewish refugees when WWII broke out and we only really joined because Pearl Harbor was bombed, but I digress).
If you think your country is immune from antisemitism, racism (including anti-Indigenous racism), class issues, ableism, whatever else it may be, look deeper because you will find it.
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hjartasalt · 8 months
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Every once in a while I am reminded that the Myers-Briggs personality types test exists and all I can really say is that my result when I take it is quite literally just autism
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magpielark · 7 months
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Buncha idiots
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kagoutiss · 4 days
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zelink in your au or nah?
i would say there’s about as much zelink in my au as there is in the game, so…like it’s there but it’s also probably sad and doomed lol. link also isn’t there for the large majority of it, so a lot it comes down to how sheik remembers him while he’s sealed in the sacred realm and how she feels about their whole situation over a period of years. it’s kinda hard to say how their relationship is when one of them isn’t there for so much of it, and the other is constantly thinking and mulling over just their memories of them and what they could’ve done differently. but that’s also part of the reason they’re so interesting and heartbreaking to me. im blabbin but basically there isn’t NOT zelink, but it’s complicated and still sad and not necessarily the main focus
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cliffburton · 2 months
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i don't think i'm a butch. LOL
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skrunksthatwunk · 4 months
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yakuza: dead souls - american vibes, bigass guns, and why zombies are super weird to have in ryu ga gotoku thematically/ideologically speaking
so i've been playing dead souls recently (hell yeah hell yeah hell yeah) and although i'm having the time of my life with it, there was something about it that kinda felt off to me, and i think i've figured out what it was, but i'm gonna have to walk you through a bit of my thought process to get there.
my first instinct was that it felt... american? and upon further examination i think that boils down to a couple of things:
everyone suddenly has lots of guns and also way way bigger guns
high emphasis on individual heroism (this itself is quite typical for rgg, but it manifests differently here; more on that in a bit)
military/government incompetence, which must be solved by the right individuals having the biggest and bestest guns
[for the sake of transparency i will note that my experience with zombie media is pretty limited and skews american (and i myself am american), so that may create bias. however, the 'this feels american to me' instinct is a rare one for me even in genres where i have seen little/no non-american media, so i think the fact that it did occur to me is notable. what about dead souls triggered that response when little else has? that's why i examined it and, truthfully, i think there's merit in the idea itself.]
the first point is pretty self-explanatory. america's got more guns than it does people, and its gun worship is infamous. japan's ban on guns (aided by its being an island state) means there's far fewer guns in the country, as well as far fewer people with guns (and likely far fewer guns per gun owner, excepting arms dealers/smugglers) than somewhere without such a ban. obviously, there are guns anyway. due to their illegality they are clustered within the criminal population, which explains their presence within organized crime within the series. very few guns will be sitting around in the homes of otherwise law-abiding citizens.
and yet, when the zombie outbreak hits kamurocho, plenty of civilians suddenly have access to quite an arsenal. everyone has the knowledge they need to aim, fire, and reload smoothly and quickly; ammo is infinite for certain guns. characters we've never seen using firearms before suddenly have shotguns under their couches (looking at you, majima). it's not only very different from reality, it's very different from guns' place within the series up until this point, when they were limited weapons used primarily by the enemy.
and they're making a zombie shooter, so of course they would have to do this. it has to be unrealistic to be simultaneously in this setting and in this genre, in the same way that yakuza solving their problems with bareback fistfights instead of guns is itself both unrealistic and necessary to being the kinds of games rgg are.
my point is that this is a kind of focus on and valorization of gun ownership and competency unusual for the series and setting. further, it serves as an argument for why an armed, competent populace is crucial typical in american media.
which brings us to the third point (we'll get to 2 in a minute). guns are often marketed as self-defense weapons. the implication is that the government's defense of the individual (via law enforcement or the military, but particularly the former), are insufficient. this is objectively true. if someone pulls a gun on you at the gas station, will a cop manifest out of thin air to intercede? no. that's impossible. but if you have a gun, or if some bystander has a gun, you or they may be able to do something with that gun to stop the armed person. thus, there is an undeniable gap in the effective immediacy of such responses.
many gun advocates also point to the incompetence or insufficiency of law enforcement, even when they are present to stop an armed aggressor. the fact that law enforcement do not have a 100% success rate in protecting the citizenry is also objectively true.
so, when you are in danger, arming yourself increases your chances of being able to put down (or at least take armed action against) a present or potential threat. whether it is viewed it as a supplement to or a replacement for law enforcement, it is meant to make up for the shortcomings of the government's ability to completely protect all its citizens. it's a safety net for state failure.
back to dead souls. rgg has always centered political corruption in its stories, including politicians, the police, and sometimes even the military, though usually the former two. sometimes this is treated sympathetically (i.e. tanimura, a dirty cop, whose dirty-cop-ness allows him to work outside/against the law to help disadvantaged people, not unlike how kiryu views being a yakuza), and other times it's simply a matter of greed or lust for power (i.e. jingu).
however, something that's almost never touched on so clearly is government incompetence. when the government fails to help people or hurts them or does corrupt things, it's usually due to a competent, malicious bad apple who is removed from power by the end of the game. this implies holes in the system because it keeps happening all the time, but that's on a series-wide scale, a pattern ignored by the series in favor of the individual game solution of "this guy's gone now :) yay".
but in dead souls, the SDF's barracades fall, their men are killed, they are unable to help protect the people outside or inside the quarantine zone. they are weak in a way the government usually isn't in these games. and who is stronger than them? our individual good guys with guns. so we need to be armed because the government is weak and can't protect us. boom. america.
returning to point 2, i'd like to say that dead souls is not particularly more individualistic than any of the other games in the series (other than, perhaps, y7). rgg is an incredibly individualistic series, actually. its protagonists are usually men who defy, oppose, and skirt around the law as a way of helping others and doing what is truly right (with a few exceptions, like shinada and haruka). the romanticized view of the yakuza as a force for helping the community in the face of government incompetence is a real one, and one that tends to manifest itself most in kiryu and how the series treats him. it shows us yakuza who aren't willing to kill, yakuza who cry about honor and justice and humanity and brotherhood, yakuza who never dip their hands into less palatable crimes, or only do with intense regret (and only ever as part of their backstory). the beat-em-up style emphasizes this as well. i mean, what's more individualistic than a one-man army?
put more clearly, this series is about men defying legal and social laws and expectations to live in a way that feels right to them, and about making themselves strong enough to combat those who would get in their way. the individual is placed before the society in importance, (though generally in a way that benefits the community, because they are good guys who want to use that agency and power for good).
all of this is true in dead souls as well, technically. those who live on the outskirts of society are the ones who actually save the day, and the ones who go in there and save people rather than just walling them off and pretending like they don't exist. they have the guns, which are illegal and mark them as criminals, but this broken law is what gives them the power to save themselves when the government will not, and to save their community if they so choose.
where dead souls differs is in the nature of that strength.
rgg places a lot of emphasis on self-improvement, both of one's body and of one's character. do both of these, and you will be strong enough to back up your ambitions. what allows someone to carve their own path in life is the ability to put down ideological and physical resistance by having resolve and the ability to tiger drop whoever won't be swayed by your impassioned speeches. you make yourself a weapon. you make yourself strong. in dead souls, that strength comes from an external, material possession. strength is something you buy (or that you take from someone else). who is able to survive the apocalypse comes not from the heart, nor from rigorous training, but from who has the most, the biggest, and the most bestest guns. it's an intersection of capitalism, militarization, and individualism. simply, deeply american.
[when i was talking myself through this a few days ago, i spent a lot more time on the capitalism + individualism stuff, but i think i'll keep this moving. consider this aside the intermission]
dead souls also differs for a few other interlocking reasons. it can be described with this equation:
zombification of enemies + lethality of guns = loss of emphasis on redemption
if your best friend turned into a zombie, could you shoot them? or your child? or your lover? it's a common trope, but it's a damn good one. watching your family, your neighbors, your town, everyone turn into a husk of themselves, something that looks like them but cannot be reached, is deeply tragic. it's even more tragic when these husks are trying to kill you. unable to be reasoned with and unable to be cured, you must incapacitate them before someone innocent is hurt--or hurt, then themselves made dangerous; each loss adds to the number of threats surrounding you. your life is seen as more valuable than that of your zombified friend, not only because the zombie is attacking you and it's self defense, but because they are no longer a person to you. to be a zombie is to no longer be human; zombification is dehumanization.
and so in a series so focused on connection with one's community, on saving innocent civilians, often on saving kamurocho specifically, one would expect similar tropes to occur. even if one's friends aren't turned, perhaps the cashier at poppo you chat with sometimes is. it's the destruction of that community and of the members one has tertiary relationships with that i expect would occur most within a kamurocho zombie story, since they are likely unwilling to axe anyone more important than that, even if dead souls isn't canon. i'd especially expect to see that in the beginning, before the need to kill zombies rather than contain or redeem them becomes apparent.
this does not happen.
i cannot speak for the entire game, but i can speak of gameplay choices that affect this, and ones i think will not be subverted throughout, even if they are somewhat contradicted by plot events i am presently unaware of.
kamurocho is not a community to protect, nor is it filled with your fellows. it is a playground filled with infinitely respawning, infinitely mow-downable, infinitely disposable zombies. you are meant and encouraged to kill them by the thousands, and never to hesitate or consider whether they may be cured or who may be mourning them. who may be unable to identify their loved one because you were trying to reach a headshot goal from hasegawa. you are not meant to consider them as human, nor beings that were once human, nor beings that could be human again, in the eyes of the zombie shooter. they are merely bodies, targets, and obstacles.
the zombies are contrasted with the true humans, those barricading themselves within the quarantine zone or those living in ignorance outside it. humans are meant to be saved, zombies are meant to be killed. the player character is the only one who can truly help with either of these goals, because the other humans are cowardly, ignorant, or unarmed/helpless. you must be their savior. to be a savior is to eliminate zombies, who are less than human.
the black and white nature of this is also emphasized by another gameplay characteristic: the lack of street encounters. when you traverse the peaceful parts of kamurocho, you are never attacked. you are also never directly attacked by the humans within the quarantine zone. kamurocho feels very different without its muggers and hooligans, but it's because this is a zombie shooter, not a beat-em-up. in a normal rgg title, you'd subdue threats by punching, kicking, and throwing them. you'd use your body in (supposedly) nonlethal ways. dead souls does not have a combat system meant for civilians. you have your guns. you subdue threats by shooting them, preferably lethally. the game doesn't want you to do that to humans, so you never fight humans. this furthers the black and white divide between the salvation-worthy, noble humans and the death-worthy, worthless zombies. combat is only lethal, and only used against the inherent other.
this leads me to the part of dead souls i find most conflicting with the ethos of rgg broadly, and perhaps its greatest ideological/thematic failing.
because the enemy are incurable, dangerous, and inhuman, you must kill them to protect yourself and others, others who are still human. humanity is something that is lost or preserved, but never regained. once someone's gone, they're gone, and you not only must kill them, it is your duty and your right to kill them. you should kill them.
in dead souls, there is no redeeming the enemy.
and that's a big problem.
rgg is about a lot of things, but a key one is the ability of people to change for the better. its most memorable, beloved villains are those who see the light by the end and change their wicked ways (usually through some form of redemptive suicide, though that's another essay in itself). its pantheon of characters is full of those who come from questionable backgrounds struggling to be the best people they can be, to live as themselves authentically and compassionately. it's about the good and the love you can find in the moral and legal gray zones of life/society, and the potential/capacity for good all of us have, no matter how far we may have fallen. it is a hopeful series. it is a merciful series.
this is something bolstered by its gameplay. countless substories are resolved by punching a lesson into someone until they improve their behavior, either out of fear or genuine remorse/development. the games don't just discourage killing your enemies, they don't allow you to (yes, we've all seen the "kiryu hasn't killed anybody? umm. look at this heat action" stuff before, and while they've got a point, i believe it's the narrative's intent that none of this is actually lethal, based on how laxly it treats certain plot injuries (cough cough. y7 bartender) and the actual concept of taking a life, the gravity it is given by the text, particularly when it comes to characters crossing that threshold into someone who has killed. explicit killing is not an option open to you, even when you're being attacked by dozens and dozens of armed men. conflicts are resolved by simply beating up enough guys in this nonlethal manner.
but dead souls is a shooter. to avoid conflict with the series' moral qualms about letting its characters kill, the enemies cannot be human. furthermore, the zombie shooter genre can only fit within the series if its zombies are completely inhuman. this means their pasts as humans cannot be acknowledged, nor the possibility of a cure, nor the characters' own potential conflicts about killing them; or, at least, not in a way that impedes their or the player's ability to gun them down afterwards.
if you can't kill humans in your series, then it cannot be possible to save (in this case, rehumanize) zombies. this is especially true in a game where you are unable to fight humans, and thus human lives are universally more valuable than zombie lives. because if you kill a zombie that can be cured, you are, in a way, killing a human.
and so, in a series where you should always assume your enemies (and everyone, for that matter) are capable of reason, compassion, change, and redemption, and where they are always worth that effort, even if they reject it in the end, dead souls' enemies are irredeemable and only worth swift, stylish slaughter. there are only good guys and bad guys. good guys must be protected, lest they be turned irreversibly into bad guys. good guys are only protected by killing bad guys, and the only way to save good guys is to kill every last one of the bad guys. do not spare them, and do not ask whether or not it's right. only kill.
i love dead souls. it's a silly game. i like seeing daigo in decoy-drag and majima gleefully cartwheeling his way through zombies and ryuji with his giant gun arm prosthetic. it's fun. but when i was trying to figure out what felt off about it to me, one of the words that came to mind (besides american) was indulgent. that, too, felt odd, because i love indulgent media. i am not one to scorn decadent, hedonistic, beautiful high-calorie slop type media. if dead souls was just fan servicey, that wouldn't really bother me. i am a fan and boy do i feel serviced. it rocks. but i think my problem is in what dead souls is indulging.
i think dead souls indulges in the desire to cut loose, and to see these characters cut loose. thing is, they're cutting loose all over kamurocho, and all over the bodies of people they used to (at least in concept) care for. with lethal weapons. it is catharsis via bloodbath, not by pushing your body and mind to the limit in man to man combat, but by pulling a trigger before the other guy can hurt you, or even think about hurting you, for the crime of existing as the wrong kind of thing.
and i just don't think that's in line with rgg's beliefs.
yes, it's probably fair for dead souls' characters to kill zombies. i'm not against that. i'm also not against games letting you do purposeless violence. i spent a good amount of my elementary school years killing oblivion npcs for shits, like. that's not what bothers me about dead souls.
rgg as a series has always taken a hard stance in both its game design and narrative choices against killing and for the potential for redemption in its enemies. and i think the lengths to which it goes to promote that despite the probably-lethal moves you do and the improbability of a harmless do-gooder yakuza is one of the most endearing things about the games. so for this one entry to disregard that key theme for the sake of a genre shift that flopped super hard, well? i dunno. it feels weird i guess. it's out of place not just because it's a dramatic shift in gameplay and style and also zombies are only a thing here (and the supernatural/fantastical are thus only prominent here), but because of what those shifts imply.
so, uh. yeah. my pre-dead-souls thoughts that dead souls wasn't that out of pocket bc rgg's just kinda weird? turns out it was actually super weird to have a zombie shooter in there, but for way way deeper reasons than anyone gives it credit for.
(footnotes in tags)
#1) i deemphasized the physicality of shooting to emphasize my points about the viscerality and personal nature of rgg#brawls and the colder more detached nature of gun use relative to that but i do NOT mean that shooting has no physical component to it#obviously it takes a lot of skill to shoot quickly and accurately and lugging a bigass gun around kamurocho would tucker me out for sure#2) no i don't think all those things i said were american were usa-exclusive. it's a big world out there. i'm just saying those things#combined feel like a particularly american flavor of thing to me#3) there's probably more to be said about the connection between wanton killing and american styling or anti-immigration theming in zombie#stories or dead souls But i figured that was a bit too disconnected to the funny zombie game. this shit was a lot anyway y'know?#4) also i don't think most of this was intentional on the part of rgg studios. i genuinely think they just wanted to make a fun zombie#shooter and didnt really think about it all that hard. whenever you make smth there's gonna be implications you never considered. it happen#5) is it ballsy to write a giant essay on a game i'm like 1/4 the way through? yes. i've done smarter things. i'll revisit it when im done#if i'm wrong then i'll figure it out probably. but like. i don't think they'd set up the hasegawa objective stuff or have akiyama just#unflinchingly start shooting zombies and then later challenge that. we'll see but my hopes aren't high y'know? i know rgg#6) i should also clarify that violent catharsis is a) a part of all rgg games and b) cool as hell. it's the lethal bit that doesn't fit with#the series y'know?#rgg#ryu ga gotoku#yakuza#like a dragon#yakuza dead souls#dead souls#classic skrunk 4 hr middle of the night impulse essay hooorayy
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orcelito · 4 months
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Also remembering that I get to write wolfwood next chapter and I'm a widdle nervous bc this is a Big Moment and I only wrote him a little bit with Sentido and it's been 8 months since then
But im also REALLY excited bc I get to finally (FINALLY) start executing the vashwood concepts I'd thought up at the damned START of this fic
So much relationship development to get to. So much Wolfwood to get to. Very exciting things.
#speculation nation#itnl shit#ive got a pretty solid grasp on wolfwood I Think but also#i think i wanna do some more research into him before i write hin#im gonna need to read more of the manga Anyways.#i need to study his mannerisms and speech patterns and the ways he interacts with the world#because i have a good idea of it already but a lot of my concept of him does exist in fanon#because it's been A Bit since ive actually read the manga.#and i never want to base my writing off of fanon. never ever ever. that's fatal writing error number One.#i pride myself on my rock solid characterizations. for side characters it doesnt matter as much#but the 2nd person in the main pairing? ostensibly the 2nd most important character to the fic?#yeah im not gonna fuckin base him off of what i have in my mind from however much fanfiction.#it's like the difference between accuracy and precision. by following fanon characterizations#someone might be able to be Precise about his characterization. in that they write him consistently and according to common perception.#but fanon very often exists Just to the left of what canon actually is. so it may be precise but not accurate#at least with regard to canon characterizations.#i want my characterization to be both precise And accurate. i want people to read my fic and go 'yeah thats trimax wolfwood'#with vash i do sprinkle in a few of my favorite things from the other versions too. same with the girls.#and maybe i'll do that a bit with wolfwood. but also hes so very different between the 3 iterations#that he might as well be different characters in all of them.#this is first and foremost a trimax fic. so i WILL have trimax wolfwood in it.#i may look up general guides for writing him if theyre around. but tbh i will rely more on my own research probably.#i have my own system for writing anyways. the sliding scales of different qualities that guides my general word choices for dialog#ive explained it before. dont really wanna get into it again.#i need to solidify in my mind where ww exists on the axes of intelligence politeness kindness and formality#among others. while also paying attention for any kind of repeat words or phrases that he likes to use#that i can pepper in to make it Sound Like Him.#thats the key to how i do general dialog lol. it's of course guided by who they are as a person#but word choice is done through the general perception of them along a set of axes. this is how it goes for All my writing.#im. rambling. whoops. anyways im excited for wolfwood. Soon...
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microcroft · 11 months
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sometimes i see ppl like "no one is talking about this" and all that and i just look over to twitch.tv/hasanabi open on my tv talking in depth about it to an average of 30k+ people. i greatly appreciate the spreading of important information but it is such a strange experience to see and so frustrating because i understand the place this individual is in where it seems like no one cares because you arent exposed to these kind of communities. i just gotta say that despite hearing all this shit about current american politics for hours a day in the background now while i do work, i used to hear this stuff while not seeing so many like-minded people reacting to it in real time and without seeing for example, hasan expressing pure righteous anger on my behalf and the behalf of all lgbtq individuals under attack in america, sometimes directly to idiots in the chat. it feels so much better to hear the news from someone who is outspokenly on your side and unafraid to outright laugh in the faces of right wing people
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starmahgalaxies · 1 year
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So, I planned to have this done by Aromantic Awareness Week, but then because of unrelated shit I ended up rage-quitting, and I finally got around to finishing it. Yep...
I've never seen Arba (and by extension Gyokuen) give a shit about romance. Most of it is assuming from everyone else, including Sheba, that she has something with Solomon. When she sees the opportunity, she immediately tells Sheba to marry him. The instances she does care about going through with any sort of relationship seem to garner power and sustain her own lifeforce.
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spamalie · 27 days
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i don’t have an issue with not being interested in shipping the boys w anyone or even keeping their sex/ism into their adult years like that’s all fine and dandy but if you’re going to act passive aggressively high and mighty about all that shit in your fan .art at least actually have a real grasp of their personality instead of forcing them into the most basic popular possible trope of a misogynist that doesn’t even make sense for them
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ive talked about it before but while translating drv3 i also ran a blog with the Polycule whrere we all larped as drv3 characters on a semi-popular "officialdrv3" blog. and i was frequenty the only funny one . it was also exclusively while i was during one of those periods i wasnt allowed online so id either steal my exs phone/laptop to post on it or run around and sign in on like laptops at stores or school computers to post. which, gotta be real man, is the most in character shit i couldve been doing for that character
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therealbeachfox · 2 months
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Twenty years ago, February 15th, 2004, I got married for the first time.
It was twenty years earlier than I ever expected to.
To celebrate/comemorate the date, I'm sitting down to write out everything I remember as I remember it. No checking all the pictures I took or all the times I've written about this before. I'm not going to turn to my husband (of twenty years, how the f'ing hell) to remember a detail for me.
This is not a 100% accurate recounting of that first wild weekend in San Francisco. But it -is- a 100% accurate recounting of how I remember it today, twenty years after the fact.
Join me below, if you would.
2004 was an election year, and much like conservatives are whipping up anti-trans hysteria and anti-trans bills and propositions to drive out the vote today, in 2004 it was all anti-gay stuff. Specifically, preventing the evil scourge of same-sex marriage from destroying everything good and decent in the world.
Enter Gavin Newstrom. At the time, he was the newly elected mayor of San Francisco. Despite living next door to the city all my life, I hadn’t even heard of the man until Valentines Day 2004 when he announced that gay marriage was legal in San Francisco and started marrying people at city hall.
It was a political stunt. It was very obviously a political stunt. That shit was illegal, after all. But it was a very sweet political stunt. I still remember the front page photo of two ancient women hugging each other forehead to forehead and crying happy tears.
But it was only going to last for as long as it took for the California legal system to come in and make them knock it off.
The next day, we’re on the phone with an acquaintance, and she casually mentions that she’s surprised the two of us aren’t up at San Francisco getting married with everyone else.
“Everyone else?” Goes I, “I thought they would’ve shut that down already?”
“Oh no!” goes she, “The courts aren’t open until Tuesday. Presidents Day on Monday and all. They’re doing them all weekend long!”
We didn’t know because social media wasn’t a thing yet. I only knew as much about it as I’d read on CNN, and most of the blogs I was following were more focused on what bullshit President George W Bush was up to that day.
"Well shit", me and my man go, "do you wanna?" I mean, it’s a political stunt, it wont really mean anything, but we’re not going to get another chance like this for at least 20 years. Why not?
The next day, Sunday, we get up early. We drive north to the southern-most BART station. We load onto Bay Area Rapid Transit, and rattle back and forth all the way to the San Francisco City Hall stop.
We had slightly miscalculated.
Apparently, demand for marriages was far outstripping the staff they had on hand to process them. Who knew. Everyone who’d gotten turned away Saturday had been given tickets with times to show up Sunday to get their marriages done. My babe and I, we could either wait to see if there was a space that opened up, or come back the next day, Monday.
“Isn’t City Hall closed on Monday?” I asked. “It’s a holiday”
“Oh sure,” they reply, “but people are allowed to volunteer their time to come in and work on stuff anyways. And we have a lot of people who want to volunteer their time to have the marriage licensing offices open tomorrow.”
“Oh cool,” we go, “Backup.”
“Make sure you’re here if you do,” they say, “because the California Supreme Court is back in session Tuesday, and will be reviewing the motion that got filed to shut us down.”
And all this shit is super not-legal, so they’ll totally be shutting us down goes unsaid.
00000
We don’t get in Saturday. We wind up hanging out most of the day, though.
It’s… incredible. I can say, without hyperbole, that I have never experienced so much concentrated joy and happiness and celebration of others’ joy and happiness in all my life before or since. My face literally ached from grinning. Every other minute, a new couple was coming out of City Hall, waving their paperwork to the crowd and cheering and leaping and skipping. Two glorious Latina women in full Mariachi band outfits came out, one in the arms of another. A pair of Jewish boys with their families and Rabbi. One couple managed to get a Just Married convertible arranged complete with tin-cans tied to the bumper to drive off in. More than once I was giving some rice to throw at whoever was coming out next.
At some point in the mid-afternoon, there was a sudden wave of extra cheering from the several hundred of us gathered at the steps, even though no one was coming out. There was a group going up the steps to head inside, with some generic black-haired shiny guy at the front. My not-yet-husband nudged me, “That’s Newsom.” He said, because he knew I was hopeless about matching names and people.
Ooooooh, I go. That explains it. Then I joined in the cheers. He waved and ducked inside.
So dusk is starting to fall. It’s February, so it’s only six or so, but it’s getting dark.
“Should we just try getting in line for tomorrow -now-?” we ask.
“Yeah, I’m afraid that’s not going to be possible.” One of the volunteers tells us. “We’re not allowed to have people hang out overnight like this unless there are facilities for them and security. We’d need Porta-Poties for a thousand people and police patrols and the whole lot, and no one had time to get all that organized. Your best bet is to get home, sleep, and then catch the first BART train up at 5am and keep your fingers crossed.
Monday is the last day to do this, after all.
00000
So we go home. We crash out early. We wake up at 4:00. We drive an hour to hit the BART station. We get the first train up. We arrive at City Hall at 6:30AM.
The line stretches around the entirety of San Francisco City Hall. You could toss a can of Coke from the end of the line to the people who’re up to be first through the doors and not have to worry about cracking it open after.
“Uh.” We go. “What the fuck is -this-?”
So.
Remember why they weren’t going to be able to have people hang out overnight?
Turns out, enough SF cops were willing to volunteer unpaid time to do patrols to cover security. And some anonymous person delivered over a dozen Porta-Poties that’d gotten dropped off around 8 the night before.
It’s 6:30 am, there are almost a thousand people in front of us in line to get this literal once in a lifetime marriage, the last chance we expect to have for at least 15 more years (it was 2004, gay rights were getting shoved back on every front. It was not looking good. We were just happy we lived in California were we at least weren’t likely to loose job protections any time soon.).
Then it starts to rain.
We had not dressed for rain.
00000
Here is how the next six hours go.
We’re in line. Once the doors open at 7am, it will creep forward at a slow crawl. It’s around 7 when someone shows up with garbage bags for everyone. Cut holes for the head and arms and you’ve got a makeshift raincoat! So you’ve got hundreds of gays and lesbians decked out in the nicest shit they could get on short notice wearing trashbags over it.
Everyone is so happy.
Everyone is so nervous/scared/frantic that we wont be able to get through the doors before they close for the day.
People online start making delivery orders.
Coffee and bagels are ordered in bulk and delivered to City Hall for whoever needs it. We get pizza. We get roses. Random people come by who just want to give hugs to people in line because they’re just so happy for us. The tour busses make detours to go past the lines. Chinese tourists lean out with their cameras and shout GOOD LUCK while car horns honk.
A single sad man holding a Bible tries to talk people out of doing this, tells us all we’re sinning and to please don’t. He gives up after an hour. A nun replaces him with a small sign about how this is against God’s will. She leaves after it disintegrates in the rain.
The day before, when it was sunny, there had been a lot of protestors. Including a large Muslim group with their signs about how “Not even DOGS do such things!” Which… Yes they do.
A lot of snide words are said (by me) about how the fact that we’re willing to come out in the rain to do this while they’re not willing to come out in the rain to protest it proves who actually gives an actual shit about the topic.
Time passes. I measure it based on which side of City Hall we’re on. The doors face East. We start on Northside. Coffee and trashbags are delivered when we’re on the North Side. Pizza first starts showing up when we’re on Westside, which is also where I see Bible Man and Nun. Roses are delivered on Southside. And so forth.
00000
We have Line Neighbors.
Ahead of us are a gay couple a decade or two older than us. They’ve been together for eight years. The older one is a school teacher. He has his coat collar up and turns away from any news cameras that come near while we reposition ourselves between the lenses and him. He’s worried about the parents of one of his students seeing him on the news and getting him fired. The younger one will step away to get interviewed on his own later on. They drove down for the weekend once they heard what was going on. They’d started around the same time we did, coming from the Northeast, and are parked in a nearby garage.
The most perky energetic joyful woman I’ve ever met shows up right after we turned the corner to Southside to tackle the younger of the two into a hug. She’s their local friend who’d just gotten their message about what they’re doing and she will NOT be missing this. She is -so- happy for them. Her friends cry on her shoulders at her unconditional joy.
Behind us are a lesbian couple who’d been up in San Francisco to celebrate their 12th anniversary together. “We met here Valentines Day weekend! We live down in San Diego, now, but we like to come up for the weekend because it’s our first love city.”
“Then they announced -this-,” the other one says, “and we can’t leave until we get married. I called work Sunday and told them I calling in sick until Wednesday.”
“I told them why,” her partner says, “I don’t care if they want to give me trouble for it. This is worth it. Fuck them.”
My husband-to-be and I look at each other. We’ve been together for not even two years at this point. Less than two years. Is it right for us to be here? We’re potentially taking a spot from another couple that’d been together longer, who needed it more, who deserved it more.”
“Don’t you fucking dare.” Says the 40-something gay couple in front of us.
“This is as much for you as it is for us!” says the lesbian couple who’ve been together for over a decade behind us.
“You kids are too cute together,” says the gay couple’s friend. “you -have- to. Someday -you’re- going to be the old gay couple that’s been together for years and years, and you deserve to have been married by then.”
We stay in line.
It’s while we’re on the Southside of City Hall, just about to turn the corner to Eastside at long last that we pick up our own companions. A white woman who reminds me an awful lot of my aunt with a four year old black boy riding on her shoulders. “Can we say we’re with you? His uncles are already inside and they’re not letting anyone in who isn’t with a couple right there.” “Of course!” we say.
The kid is so very confused about what all the big deal is, but there’s free pizza and the busses keep driving by and honking, so he’s having a great time.
We pass by a statue of Lincoln with ‘Marriage for All!’ and "Gay Rights are Human Rights!" flags tucked in the crooks of his arms and hanging off his hat.
It’s about noon, noon-thirty when we finally make it through the doors and out of the rain.
They’ve promised that anyone who’s inside when the doors shut will get married. We made it. We’re safe.
We still have a -long- way to go.
00000
They’re trying to fit as many people into City Hall as possible. Partially to get people out of the rain, mostly to get as many people indoors as possible. The line now stretches down into the basement and up side stairs and through hallways I’m not entirely sure the public should ever be given access to. We crawl along slowly but surely.
It’s after we’ve gone through the low-ceiling basement hallways past offices and storage and back up another set of staircases and are going through a back hallway of low-ranked functionary offices that someone comes along handing out the paperwork. “It’s an hour or so until you hit the office, but take the time to fill these out so you don’t have to do it there!”
We spend our time filling out the paperwork against walls, against backs, on stone floors, on books.
We enter one of the public areas, filled with displays and photos of City Hall Demonstrations of years past.
I take pictures of the big black and white photo of the Abraham Lincoln statue holding banners and signs against segregation and for civil rights.
The four year old boy we helped get inside runs past us around this time, chased by a blond haired girl about his own age, both perused by an exhausted looking teenager helplessly begging them to stop running.
Everyone is wet and exhausted and vibrating with anticipation and the building-wide aura of happiness that infuses everything.
The line goes into the marriage office. A dozen people are at the desk, shoulder to shoulder, far more than it was built to have working it at once.
A Sister of Perpetual Indulgence is directing people to city officials the moment they open up. She’s done up in her nun getup with all her makeup on and her beard is fluffed and be-glittered and on point. “Oh, I was here yesterday getting married myself, but today I’m acting as your guide. Number 4 sweeties, and -Congradulatiooooons!-“
The guy behind the counter has been there since six. It’s now 1:30. He’s still giddy with joy. He counts our money. He takes our paperwork, reviews it, stamps it, sends off the parts he needs to, and hands the rest back to us. “Alright, go to the Rotunda, they’ll direct you to someone who’ll do the ceremony. Then, if you want the certificate, they’ll direct you to -that- line.” “Can’t you just mail it to us?” “Normally, yeah, but the moment the courts shut us down, we’re not going to be allowed to.”
We take our paperwork and join the line to the Rotunda.
If you’ve seen James Bond: A View to a Kill, you’ve seen the San Francisco City Hall Rotunda. There are literally a dozen spots set up along the balconies that overlook the open area where marriage officials and witnesses are gathered and are just processing people through as fast as they can.
That’s for the people who didn’t bring their own wedding officials.
There’s a Catholic-adjacent couple there who seem to have brought their entire families -and- the priest on the main steps. They’re doing the whole damn thing. There’s at least one more Rabbi at work, I can’t remember what else. Just that there was a -lot-.
We get directed to the second story, northside. The San Francisco City Treasurer is one of our two witnesses. Our marriage officient is some other elected official I cannot remember for the life of me (and I'm only writing down what I can actively remember, so I can't turn to my husband next to me and ask, but he'll have remembered because that's what he does.)
I have a wilting lily flower tucked into my shirt pocket. My pants have water stains up to the knees. My hair is still wet from the rain, I am blubbering, and I can’t get the ring on my husband’s finger. The picture is a treat, I tell you.
There really isn’t a word for the mix of emotions I had at that time. Complete disbelief that this was reality and was happening. Relief that we’d made it. Awe at how many dozens of people had personally cheered for us along the way and the hundreds to thousands who’d cheered for us generally.
Then we're married.
Then we get in line to get our license.
It’s another hour. This time, the line goes through the higher stories. Then snakes around and goes past the doorway to the mayor’s office.
Mayor Newsom is not in today. And will be having trouble getting into his office on Tuesday because of the absolute barricade of letters and flowers and folded up notes and stuffed animals and City Hall maps with black marked “THANK YOU!”s that have been piled up against it.
We make it to the marriage records office.
I take a picture of my now husband standing in front of a case of the marriage records for 1902-1912. Numerous kids are curled up in corners sleeping. My own memory is spotty. I just know we got the papers, and then we’re done with lines. We get out, we head to the front entrance, and we walk out onto the City Hall steps.
It's almost 3PM.
00000
There are cheers, there’s rice thrown at us, there are hundreds of people celebrating us with unconditional love and joy and I had never before felt the goodness that exists in humanity to such an extent. It’s no longer raining, just a light sprinkle, but there are still no protestors. There’s barely even any news vans.
We make our way through the gauntlet, we get hands shaked, people with signs reading ”Congratulations!” jump up and down for us. We hit the sidewalks, and we begin to limp our way back to the BART station.
I’m at the BART station, we’re waiting for our train back south, and I’m sitting on the ground leaning against a pillar and in danger of falling asleep when a nondescript young man stops in front of me and shuffles his feet nervously. “Hey. I just- I saw you guys, down at City Hall, and I just… I’m so happy for you. I’m so proud of what you could do. I’m- I’m just really glad, glad you could get to do this.”
He shakes my hand, clasps it with both of his and shakes it. I thank him and he smiles and then hurries away as fast as he can without running.
Our train arrives and the trip south passes in a semilucid blur.
We get back to our car and climb in.
It’s 4:30 and we are starving.
There’s a Carls Jr near the station that we stop off at and have our first official meal as a married couple. We sit by the window and watch people walking past and pick out others who are returning from San Francisco. We're all easy to pick out, what with the combination of giddiness and water damage.
We get home about 6-7. We take the dog out for a good long walk after being left alone for two days in a row. We shower. We bundle ourselves up. We bury ourselves in blankets and curl up and just sort of sit adrift in the surrealness of what we’d just done.
We wake up the next day, Tuesday, to read that the California State Supreme Court has rejected the petition to shut down the San Francisco weddings because the paperwork had a misplaced comma that made the meaning of one phrase unclear.
The State Supreme Court would proceed to play similar bureaucratic tricks to drag the process out for nearly a full month before they have nothing left and finally shut down Mayor Newsom’s marriages.
My parents had been out of state at the time at a convention. They were flying into SFO about the same moment we were walking out of City Hall. I apologized to them later for not waiting and my mom all but shook me by the shoulders. “No! No one knew that they’d go on for so long! You did what you needed to do! I’ll just be there for the next one!”
00000
It was just a piece of paper. Legally, it didn’t even hold any weight thirty days later. My philosophy at the time was “marriage really isn’t that important, aside from the legal benefits. It’s just confirming what you already have.”
But maybe it’s just societal weight, or ingrained culture, or something, but it was different after. The way I described it at the time, and I’ve never really come up with a better metaphor is, “It’s like we were both holding onto each other in the middle of the ocean in the middle of a storm. We were keeping each other above water, we were each other’s support. But then we got this piece of paper. And it was like the ground rose up to meet our feet. We were still in an ocean, still in the middle of a storm, but there was a solid foundation beneath our feet. We still supported each other, but there was this other thing that was also keeping our heads above the water.
It was different. It was better. It made things more solid and real.
I am forever grateful for all the forces and all the people who came together to make it possible. It’s been twenty years and we’re still together and still married.
We did a domestic partnership a year later to get the legal paperwork. We’d done a private ceremony with proper rings (not just ones grabbed out of the husband’s collection hours before) before then. And in 2008, we did a legal marriage again.
Rushed. In a hurry. Because there was Proposition 13 to be voted on which would make them all illegal again if it passed.
It did, but we were already married at that point, and they couldn’t negate it that time.
Another few years after that, the Supreme Court finally threw up their hands and said "Fine! It's been legal in places and nothing's caught on fire or been devoured by locusts. It's legal everywhere. Shut up about it!"
And that was that.
00000
When I was in highschool, in the late 90s, I didn’t expect to see legal gay marriage until I was in my 50s. I just couldn’t see how the American public as it was would ever be okay with it.
I never expected to be getting married within five years. I never expected it to be legal nationwide before I’d barely started by 30s. I never thought I’d be in my 40s and it’d be such a non-issue that the conservative rabble rousers would’ve had to move onto other wedge issues altogether.
I never thought that I could introduce another man as my husband and absolutely no one involved would so much as blink.
I never thought I’d live in this world.
And it’s twenty years later today. I wonder how our line buddies are doing. Those babies who were running around the wide open rooms playing tag will have graduated college by now. The kids whose parents the one line-buddy was worried would see him are probably married too now. Some of them to others of the same gender.
I don’t have some greater message to make with all this. Other then, culture can shift suddenly in ways you can’t predict. For good or ill. Mainly this is just me remembering the craziest fucking 36 hours of my life twenty years after the fact and sharing them with all of you.
The future we’re resigned to doesn’t have to be the one we live in. Society can shift faster than you think. The unimaginable of twenty years ago is the baseline reality of today.
And always remember that the people who want to get married will show up by the thousands in rain that none of those who’re against it will brave.
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snekdood · 6 months
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idk who needs to hear this but its okay to hate ppl. its ok to distrust ppl. no, obviously, you shouldn't do anything stupid and hurt someone. no, obviously, you shouldn't lock yourself away forever. but I don't think most ppl who feel these kinds of ways actually want to do that and are more or less just frustrated and trying to express that emotion. I think suppressing it is worse.
dont let tumblr people make you feel like a shitty person just because you want to feel your emotions.
#mood#reminder#hey you- you asshole who tells ppl they're bad for this- how about instead of being like#omigosh that totally means u want to kill ppl and#genocide ppl and im gonna make a million jumps to say it means u wanna kill minorities specifically#consider: how about you actually ponder#*why* someone might say something like that- or more accurately- feel like that.#because i can bet that it's not because they really really hate minorities.#most of the people i see who say “i hate people” are fucking emo n goth kids ok i really dont think they're thinking about specific#minorities you fuck im p sure theyre just frustrated w people around them.#wow tumblr fucked up these tags a lot#why cant this website decide if its gonna let me use quotation marks in the tags or not fuck#when im venting saying 'i hate the world and everyone blehhh' im not also thinking in my mind 'ah yes and also i am specifically targeting#native americans when i say this' like dfhjvsvdfghv#considering i live in missouri and theres unfortunately barely any native people around here im p sure they're not the first fuckin ppl#my mind jumps to. probably goes to idk. people who've abused or traumatized me? authority figures? ppl who make shit rly inconvenient?#bullies? conservatives? people who make life worse as their job??? like#p sure its not about you or whatever group of ppl you gotta pretend i hate so badly#if YOU feel attacked then hey maybe stop treating me like shit lmao and i wont feel this way#bc i only ever feel this way when im bein treated like shit 🤷
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dollfacefantasy · 7 months
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Hold My Calls
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pairing: leon kennedy x fem!reader
summary: you teasing leon about his flip phone leads to some fun
cw: nsfw (18+), smut, p in v, oral (f receiving), fucking during a phone call, age gap, daddy kink, praise/degradation, over-stimulation
word count: 2.9k
a/n: hey everyone school is kicking my ass rn, but i am back with another one. thank you so much for the support on my last post that meant the world to me. i don't care if this is not technologically accurate or whatever just let me be delusional in peace. as always comments and reblogs are appreciated and i will give you special smooches in return <3 also thank you too my loves @tosuckmyweenis @kaitkatme @chasingkennedy @explorevenus @sleepyluxe @death-paint @petitecolibri for helping me come up with ideas for this one and/or beta reading - ily all sm :)
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When you started dating Leon Kennedy, obviously you knew there was an age gap. You figured it wasn’t a big deal. He’s only thirty-six. That isn’t that much older. And for the most part, that was true. The difference in years never seemed to play a huge part in how you loved each other. But there was one thing that reminded you of this man’s age.
He had a fucking flip phone.
Honestly, it didn’t even say much about his age. It highlighted his stubbornness. He was not incompetent. His job had him working with all kinds of shit that you didn’t even try to understand, so it’s not like he can’t work a smartphone. He just doesn’t want to.
It didn’t really matter. If anything, it was kind of cute. The way he fumbled with the buttons that were too small for his fingers. The loud chiming ringtone that he would grumble about yet never turn down. The sight of him trying to find the right distance to hold the phone away from his face so he could read the font. You had heart eyes on your first date when this man popped in a CD because he couldn’t use the aux with his flip phone. They were simple quirks, but they were just so endearing to you. You’d tease him about being outdated, and he’d put up with it cause it was you.
“Why do I need anything more? This thing can call you, and that’s all I really need,” he’d say with a teasing expression when you’d crack a joke.
You’d roll your eyes at the excessive charm, but you couldn’t help smiling. “Yeah, but-”
And he’d cut you off with a kiss. “Trust me. I like it. It’s simple. Plus it’s like indestructible. But if I ever want an upgrade, you’ll be the first to know.”
The only time Leon ever considered ditching his trusty flip phone and upgrading to something more advanced was when you would send him nudes. Seeing the masterpiece that is your body reduced to a handful of pixels on the tiny screen drove him fucking wild. Upon hearing the chime of his phone and seeing the small image of you gracing his screen, he’d find a moment alone to try and see the details. He’d hold the phone two inches away from his face trying to make out every last curve. Days when he got those pictures ended with nights where you got fucked on every surface in the house.
He’d come home from work, his eyes full of lust before he even saw you. You’d glide into the room with a knowing smile on your face. You wanted him just as bad as he wanted you.
“Hi, baby. How was work?” you ask, feigning innocence. You close the distance between the two of you and wrap your arms around him.
“Oh, you care about my work now, huh?” he asks, a smirk creeping onto his face as his arms return your embrace, “Doesn’t seem like it when you send me those cute pictures during the day, distracting me, making me think about you when I should be focused.”
Your lips part and your eyebrows raise in mock offense. “I only send those to help you, motivate you,” you tease as your fingers coast along his biceps, “Maybe if you had a real phone they wouldn’t bother you so much. You’d be able to see everything clearly and not be left imagining.”
“I don’t need to stress about pictures though when I got the real thing waiting at home for me every night,” he purrs as he leans in and starts kissing you.
You return the kiss with the same level of passion, lips moving with his as the two of you stumble over to the couch. You fall back onto the cushions with Leon on top of you. His hands already roam your body and begin removing articles of clothing. He wasn’t in the mood to take his time after having that grainy image of you gnawing at his mind all day.
“Fuck, baby. Every time… I can never get enough,” he grunts as he yanks your top over your head and tosses it to the side. His hands rub up and down your sides, the rough pads of his fingers dragging over your sensitive skin and making you squirm. In no time though, they’re on your breasts. He kneads the plump flesh as his lips trail down to your neck and collarbone, leaving a trail of saliva-coated skin in their wake.
He’s all over you all at once it seems. It’s overwhelming in the best way. You’re moaning and writhing on the couch, nearly trying to hump his leg while one of your hands tugs at his hair. You bite your lip and whimper as his lips move down over the swell of your chest.
He grabs your hips firmly and presses them down to the couch. His half-lidded eyes look up at you momentarily. “Quit squirming,” he breathes. He gives your chest a few more kisses while keeping his eyes locked with yours. “Need time with my pretty girl after I’ve been aching for her all day.”
You give a weak nod and focus on controlling your movements as he tugs your shorts off and drops them.
“Good girl,” he mutters before attaching his lips to one of your nipples and swirling his tongue around the peak. He hums in satisfaction as he feels the bud in his mouth. His fingers lazily stroke up and down your folds over your panties. He disconnects his mouth momentarily and looks up at you again with a smirk on his face.
“So wet already?” he teases, now being his turn to look smug, “You want me just as bad, don’t you? That’s why you send those pictures right? You’re missing Daddy while he’s at work?”
“Mhm, miss you so bad. It drives me crazy,” you say. A whimper escapes you as his fingers apply more pressure and his movements more strategically target your clit.
“I can tell. Makes you act like a little slut, huh?” he asks before he kisses down your stomach to the hem of your panties.
You feel your face getting hot at his comment, but you nod anyway. You bite your lip and keep your eyes locked with his.
He chuckles at your timid confirmation. “That’s ok, honey. Daddy’s here now. I’m gonna make sure you get all the attention you need. Can’t have my girl left wanting,” he says, pulling down your panties and putting them with your other discarded clothes.
He loops his arms around your thighs and pulls you closer so that you’re angled in a way he can reach you from his position on his knees. Your back is flat on the couch, and your legs are held over his shoulders. He doesn’t waste time, licking a stripe up your cunt and then delving his tongue inside of you.
Your head falls back onto the cushion in response. A moan escapes your throat at the sensation. Your sounds only increase in frequency and volume as he grips you tighter and fucks his tongue in and out of you. He watches you, relishing how he can pleasure you with so few touches. His tongue laps up your wetness and his mouth finds your clit again, sucking and flicking against the bundle of nerves just how you like.
His name and a variety of expletives leave your mouth while your hand slides into his hair and holds the blonde locks. Your hips twitch from the rising feelings of ecstasy in your tummy, but Leon’s hands keep you firmly in place. He devours you like a starved man, the hours of torture that little picture inflicted on him all paying off right now.
He’s skillfully swirling patterns onto your clit and occasionally exploring your insides. He knows you’re close because he can feel the way you’re pulsing and hear the way your moans and whines reach that slightly higher pitch. It only makes him work with more dedication.
“That’s right, sweetheart. C’mon, give it to Daddy. Let me taste it,” he grunts as he continues working you to the edge.
You cry out, your thighs quivering and your hips bucking as you succumb to release. You’re moaning with abandon, fingers clutching his hair as tight as possible. He groans into you from the sight in front of him.
You ride the high and he continues with his mouth throughout. When you reach the seeming conclusion, your chest is heaving and your limbs feel heavy, but Leon doesn’t stop. He continues on as if you were still on the way to your climax instead of coming down.
“Too much,” you whimper as your hips jerk and your hands make a weak attempt to push his head away, “Daddy, please.”
“Daddy, please?” he mocks with a laugh, “But this is what you wanted, babydoll. You wanted my attention, didn’t you?”
You whine, hips still squirming as your retort dies in your throat. It felt euphoric, it was just so much. This was what you wanted though.
“That’s what I thought,” he says before burying his face between your thighs again.
He continues eating you out until you’re an absolute mess. Your eyes are rolling back, nonstop whimpers fall from your lips, and your twitching thighs are clamped around Leon’s head. It was what he’d been wanting to see since he’d heard that chime in his back pocket.
“I’m gonna cum,” you slur. Your head felt cloudy from the numerous orgasms he’d brought you. A strangled cry tears through you as your body moves like it’s possessed. You convulse on the couch while his mouth makes you see stars for the umpteenth time.
Tears prick at your eyes from the intensity of your release, and finally, he starts easing off of you. He pulls your thighs off of his head and leans back. He wipes his chin that’s coated in your slick and licks his fingers. Seeing that alone has you clench around nothing which in turn spreads a smirk on his face.
“Good girl, baby,” he coos, planting a kiss on your inner thigh, “You did so well. I’m proud of you.”
He stands up from his knees, grunting as he gets to his feet and taking a moment to stretch. You can tell the extended amount of time in the position put some strain on him. Your lips curl into a small smile while adoration fills your hazy eyes.
“Your joints locking up on you, old man?” you tease with a quiet laugh.
“Don’t start,” he says, trying to sound stern, but you can see him suppressing his own smile, “Especially since I know you want more.”
That shuts you up because he’s right. He shakes his head and makes a mock sound of disappointment.
“I know you, baby. My dirty girl. Made you cum how many times, and you still want more,” he says. He begins stripping off his clothes into a pile next to yours. “My little whore would never turn down a chance to take my cock.”
Once his clothes are off, he languidly strokes himself a few times and climbs on top of you. He peppers some kisses on your face and starts to slide inside you. You were more than ready but still sensitive from the recent series of highs.
“Don’t worry, sweet girl. I’ll get you full of my cum in no time. Fuck all that neediness right out,” he murmurs into your ear, his breath on you sending chills down your spine.
You mewl and tighten around him in more ways than one. Your arms cling to his torso that hovers above you while your walls squeeze around him to take him deeper. He grunts and his head falls forward a little as he feels sparks of pleasure in his abdomen.
“There you go, angel. Taking me so perfect. My pretty girl. Made for me,” he says into your ear as he sinks into you completely.
You nod mindlessly, your head fogging up again as he fills you. He presses sloppy kisses to your neck as he starts pumping in and out. You’re both breathing heavily and allowing the pleasure to take over. One of your hands slides to his hair to rub his head while his hips snap against you.
He’s falling into the perfect rhythm with you, one that’s driving you both toward the goal line, when suddenly you hear a muffled guitar strum coming from the floor. Leon groans and you burst into laughter as you hear the ringtone you had set for him as a joke.
His movements get weaker as his focus is drawn elsewhere, but he doesn’t stop rocking his hips. He reaches down to the floor where his phone is ringing in the pocket of his crumpled pants. He fishes it out and shifts so he’s kneeling while drilling into you.
He holds the phone up and squints to read the tiny caller ID on the flip phone which makes you laugh harder through moans. He smirks at your laughter and clamps a hand over your mouth. “Shut up, I gotta take this,” he says teasingly.
He whips open the phone, the maneuver causing you to moan and squeeze around him again. He winces at the sensation, nearly unable to restrain himself from giving into his carnal urges to groan and slam into you harder.
Your eyes widen as he brings the phone to his ear without stopping his hips and in the most monotonous voice says “Kennedy here.”
It’s good that his hand is over your mouth to keep you quiet. The contrast of his movements and that voice have the sparks of pleasure igniting into flames in your belly. Seeing how he handles his dumbass flip phone so smoothly has your arousal nearly pooling on the couch.
He listens to the call while grinning at you struggling to keep yourself somewhat under control. “Uh-huh. Yeah. Sounds about right,” he drones as the person on the other end goes on and on.
His strokes are just as deep as before, nudging you in the perfect spots repeatedly. Your eyes roll back as you feel yourself getting near the peak. A soft whimper escapes you, loud enough to pierce the barrier of Leon’s hand. His hips sputter at the noise and his face contorts. He lets out a quiet grunt but quickly catches himself before losing it further.
“What? Yeah, I’m listening,” he says, his tone growing a little impatient, “Look, I’m just wrapped up in something right now. Could you not have just told me this before I left?”
You know he’s getting closer himself and struggling to hold back. You can tell from the way his jaw is clenched and his eyes are projecting his rising frustration he has for the person who made this call.
“Yes, I understand. I’ll deal with it tomorrow,” he says, effectively ending the conversation. 
Then, to hang up, he doesn’t press a button. Instead, he flicks his wrist and shuts the flip phone with a clack.
You throw your head back against the couch cushion and a loud moan rips through your throat. You shudder as a wave of pleasure courses through you after witnessing something so unexplainably hot.
His eyebrows raise in amusement, noticing how much you enjoyed that. “Hmm, I’m not hearing any complaints about the phone now,” he says. He’s trying to tease, but his voice is husky with arousal. He maintains his grin as he drops the phone to the floor again and returns to his previous position which was closer to you.
“Careful, you’re gonna break it,” you whimper.
“Nah baby, I told you that thing is indestructible,” he breathes and starts pounding you into the couch mercilessly.
You bite your lip and resume clinging to him, your fingers digging into his back. You both are panting, expressions going lax as you focus on chasing the high.
“Daddy, ‘m gonna cum,” you mewl, unable to contain yourself for much longer.
“Go ahead, sweetheart,” he says into your ear, his voice taking on more of a growl, “Daddy’s right there with you. You deserve it for being so good for me. Being nice and quiet while I was on the phone.”
As soon as you have permission, you give into another release. Your legs shake and your arms cling to him tighter as the euphoria shoots through you. You’re gasping for air and whining while squirming beneath him. Soon it’s just too much for Leon. He tightens his grip on you and slams deep before groaning and draining himself inside of you.
He rocks in and out a few more times before slowly pulling out. He then sits up on the couch and sinks back into the cushions. You follow by sitting up as well and curling up against his side. He pulls you into his lap, stroking your hair away from your face and kissing your forehead. The two of you sit in comfortable silence for a while until he gazes down at you with a smug look in his eyes.
“I knew the flip phone was a turn-on,” he says, clearly pleased with himself.
You scoff. “It is not. It was just… it was the situation,” you defend.
“Sure, but you were tightest when I was messing with the phone,” he says knowingly.
“That doesn’t mean anything.”
He laughs at your stubbornness and gives you another kiss. “You can admit it, baby. I won’t judge. Really, if you like it that much, maybe I’ll show you how strong it can vibrate later.”
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moki-dokie · 5 months
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been seeing some stuff on blue eye samurai and big yikes to nearly everyone pushing extremely western ideals onto these characters.
this is early edo period. 1600s. the japan you know now did not exist yet.
yall. please. there was NO concept of sexuality in pre-modern japan. that came with both the influx of christianity and western influence very very late in history. like, mid-1800s. (yes, there was christianity pre-1800s but it was not a widespread idea yet and wouldn't be until about the 1800s since, y'know, missionaries were routinely murdered before then)
"so and so is either bi and hasn't figured it out yet or..." no. that isn't how it worked then. nobody gave a shit what was between your legs. anyone could be attracted to anyone else. it was a little more common for male homosexual relationships to be between an adult and younger male - like many other places around the world - but two adult men could bang and love each other just as easily. relationships between women were quite common - especially since so many men were often away at war. there's tons of pornographic prints from the time depicting all manner of fun queer relationships. sex itself had absolutely no moral assignment to it. good sex was good health. it didn't matter who with. (well, social class/caste mattered more than anything else tbh but that didn't stop upper and lower class from fucking.) that isn't to say people didn't have preferences. of course they did. that is human nature. preferences arose more from physical appearance, caste, and circumstances with gender being about the last thing one would look for in a partner - romantic, casual, or otherwise. the only role in sex where gender actually mattered was for procreation.
there would be no queer awakening moment, no sudden switch flipped, no stigma to have internal conflicts about because it simply did not exist as a concept whatsoever. you were either attracted to a person or you weren't, it was that simple. gender played no role when it came to sex and sexual attraction. the japanese were lightyears ahead of western cultures in this particular area - like most cultures were before christianity came in and ruined everything with its backwards morals and strict good/evil dichotomy.
yall have got to realize queer rep will not and should not always adhere by modern western standards. there was no straight, gay, bi, or anything else of the sort. the closest they ever got was referring to roles during sex - as in who is giving and who is receiving.
i know this is mostly a made up story but it is still set within a very specific time period and culture, which should be honored and respected by not making it fit into our box. tons of research went into making this show historically accurate (albeit with some discrepancies but tbh they aren't really that huge) right down to the calligraphy writing. please please please don't whitewash the culture from these characters.
i say this mainly because without this knowledge, so many of you are going to build these characters up on a foundation they aren't meant to be on and then you'll rage about queerbaiting and bad queer rep if it isn't somehow super explicitly stated, if it doesn't match your very modern, very western ideal of what queer looks like. don't try to force this plot and narrative and characters into something they canonically and historically aren't. headcanons are a thing, AUs are a thing, fanfiction is a thing - leave your western thinking for those and let these characters simply exist as they should otherwise. this is one of those times where the queerness really does not need to be examined at all beyond what we get.
i know it can be hard to wrap your head around - sexuality is such a huge part of our identity in the western world and has slowly started to spread amongst other parts of the world in importance. but just keep in mind with these particular characters, that concept would be so very alien to them.
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